Bob Ross's

The Joy of Painting

S13E01 - Rolling Hills

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Hello, I'm Bob Ross.

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And I'd like to welcome you to

the 13th joy of painting series.

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First of all, let me take

just a moment to thank you for

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allowing me back into your homes.

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For another series of painting shows.

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If this is your first time with us,

let me extend a personal invitation

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for you to drag out your oil paints

and paint along with us each week, or

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just pull up the easy chair and spend

a relaxing half hour as we play some

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in nature's masterpieces on canvas.

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We use a few big brushes, a dozen

colors or so, and I'll show you how

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easy it is to create some of the most

fantastic paintings you've ever seen.

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So I take you what, let's go over to the

canvas here and let's get started today.

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We have an 18 by 24 inch canvas up

here, and I've already covered it with

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a nice even coat of liquid white liquid

white makes a canvas wit makes it slick.

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It allows us to actually blend

color right here on the canvas.

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This is a wet on wet painting technique.

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So normally.

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We always cover the canvas

with liquid white or liquid

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black to make it wet and slick.

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So I tell you what, let's have him

run all the colors across the screen

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that you need to paint along with me.

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And we're going to appear

and get started today.

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Let's start with the old two inch

brush and I'm gonna go right into the

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smallest amount of Indian, yellow, and

just tap the brush red into a little bit

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of yellow, just, just a small amount.

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So you need just tap it.

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Like, so, okay.

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Let's go right up here.

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Let's put a little

yellow in the sky today.

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I think we'll do a, just a happy little

painting, bright and shiny and pretty,

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just something that'll make you feel good.

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So all you do just use little

crisscross strokes and just lay

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in a little touch of yellow.

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Just a little bit, like right

along in here, where is you?

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Do you think it should be?

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That's exactly where it should be

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a little bit more of that same color.

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You must have a little water

here and we reflect some of that

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yellow and red into the water.

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Same color.

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Just put a little bit

into the water like that.

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That's all you need.

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Now, then same old, dirty brush.

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I'm going to go into a touch

of the bright red, and this

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is a very, very strong color.

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You need very little of it.

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Just tap the brush right into it.

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I did not clean the brush.

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Okay, let's go right back up

here now, maybe right in here.

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It's a beautiful little pinkish

glow use, very little of this red.

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It's very strong and we don't

want to set this guy on fire.

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All we want to do is put up just a

little pinkish glow into it, just

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like, so just add a little color, but

come back and blend it all together.

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A little more of the red, we'll

put a little bit right down into

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the water, right into the water.

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Easy.

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Okay.

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Maybe I'll break that up.

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Just a touch.

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Okay.

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Let me wash the brush.

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And we wash our brushes with

odorless thinner and I really.

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Really recommend you use Otis then,

or you'll be working by yourself

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in a heartbeat, shake off the

excess and then beat the devil.

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That's that's the most fun part of this

whole technique now with a good clean,

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dry brush, we can go back in here and

just begin blending these colors together.

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We want to blend this using new crisscross

strokes until you can't tell where one

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color stops at the other color starts.

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So it's just nice and soft.

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The same thing down here.

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Just blend them together that easy.

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Okay.

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Tell you what let's do.

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Let's mix up sort of a

lavender colored for that.

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I'll take some thalo blue and delivering

Crimson proportionately much, much more

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Crimson, much more Crimson than blue.

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The blue is a hundred times

stronger than the Crimson.

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We put a little white in there so

you can see what color we have.

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Okay.

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We're Crimson much more Crimson.

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There we go.

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Now that's a little touchy

white, you can look at once.

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You have and see if you like it.

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And if you don't like it, we'll change it.

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Okay.

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Let me get all brush here.

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We'll use the same two inch brush

just to add a little that color to it.

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Just.

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Just like, so can I scope in here now

that still using little crisscross

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strokes, that's just lay in a little

touch of this right around the top

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and the sides here that you could

use this lavender color up against

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the yellow, without it turning green.

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As you know, if you use blue

up here, you'd be in trouble.

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And what just happened some little,

little happy cloud indications,

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just doing, I guess we'll come back

and we'll blend all this together.

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Don't worry about it right now.

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If you watch the shows before you know

that we don't make mistakes, we have happy

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accidents, little touch, more than cover.

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We can come right over in here.

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And she had us begin doing the same thing.

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Just allow this to blend right

in maybe their lives, a little

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cloud here and your world.

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He just sort of looked around and decide

where you want to do cloud to live.

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And that's where you put him

wherever you want him to be.

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You have total freedom on this

canvas to do anything you want to

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do, create your own world here.

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Okay.

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Now let's go down here.

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We'll just add him a

little bit for a water.

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Same old lavender color.

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That'd be very careful.

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If you cover up this yellow, it's

go that'll lavender or eat it

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up or just absolutely eat it up.

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It's so much stronger than the

yellow now for, from the outside

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and from the outside and okay.

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There

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we go.

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Okay.

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Now let me wash my brush again.

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I haven't, that's the most fun

part of this whole technique.

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Shake off the excess.

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Now I get, I get a lot of letters

saying, Hey, if I do that in my living

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room, I'm going to redecorate the

whole living room in a heartbeat.

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And that's true.

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They make what they call a

little brush beater rack.

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It goes in the bottom

of a wastepaper basket.

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So you can shake it inside the basket,

then beat the rack and it contains it.

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So, yeah.

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Nope.

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Don't do what I'm doing

here in your living room.

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You'll you'll be sending me

a bad mouth letter now, then

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with a nice clean, dry brush.

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I want to just gently again,

blending this together.

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And every once in a while,

you can just beat the brush.

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It removes excess paint without going

through the whole cleaning procedure.

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Just begin blending this together.

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You can make a fantastic little sky.

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And just continually beat the

brush just to keep it clean,

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but that's all there is to it.

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It makes a nice little evening

sky that makes you feel good.

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Makes you warm and happy.

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Then down here, we can do

the same thing in the water.

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We're not too worried

about the water is yet.

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We're going to put all Canada, we'll

have some bushes and trees in here

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and reflect them into the water.

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That's always fun right now.

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All we're looking for is

color down here there.

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Okay.

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One more time.

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I watched the old brush.

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Shake your mom.

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Okay.

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Okay.

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All right.

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Today.

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That's how some little

Hills that live back here.

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And for that, I'm going to

use the fan brush today.

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You could do it with a knife or one or

two inch birthday, and we'll use the old

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fan brush and we'll use just that same

old color that we used in the sky at

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a touch of titanium white to it, Mike.

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So can you just go right up here

and maybe there's a happy Hill.

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There was we back here in the distance

and just sort of let that rush bounce

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along and all you're looking for

as a top shape right now, all we're

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looking for then in here, or are

you doing just lay in some color?

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You could do this, you could

do this with your shoe.

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It doesn't matter how you put it in.

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All we're looking for

is these nice top edges

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sort of lay that in and

we'll take a big dress.

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And grab this and pull it, pull it

firmly because the canvas is wet.

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The paint will move.

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It'll slide on there.

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I see.

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And by changing the brush strokes, you

can create the illusion of highlights

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and shadows without doing a thing.

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And we want it to be missed here at

the bottom than it is at the top.

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So apply your paint to the top

of the top of these little Hills

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and then pull them downward.

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Can you say you see that is now maybe you

want to have several ranges and that's

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easy to do the big thing to remember.

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If you have several ranges of Hills, is

it each one as it gets closer to, you

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should get a little darker in value.

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So just had a little more of that

dark color to that same paint mixture.

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And off we go.

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And maybe the next one lives.

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That's bringing him right along in here.

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See wherever you want him to be.

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You create the dream and put it on canvas.

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That's what I like so

much about this technique.

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You can create a vision in your mind

and get it on canvas before it escapes.

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When as traditional painter, Oh, son of

a gun by that, by the time I got to the

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canvas and the vision that was here.

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Oh, it was gone and I might work for

weeks and my mood would change today.

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I'd be in a seascape mood

and the next day I'd be in.

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Maybe I wanted to paint landscapes

and my mood had changed.

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It was very difficult to go back

and to find that exact mood.

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And here you can put it

all in there at one time.

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And we want to show you how, okay.

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Now let's have another range.

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What the heck wants again, same

color on the little bit darker.

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Each one should get darker and darker.

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It was towards you and

maybe this one lives.

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There it is.

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You knew it was there.

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You knew I was there all along.

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See you here.

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Fuck it all the different

ranges of mountains though.

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And this creates planes, different

levels in your painting and these

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planes, all these different planes are

what create distance and distance and a

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painting is what makes it interesting.

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And of course, none of us are interested

that happy buck, but should you be,

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should you be interested in that

this is what sells your paintings.

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Because all these different plants,

it makes them more interesting.

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And I'll watch the old rush.

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Good shake.

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All right,

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we're ready to start down here.

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Smooth that out.

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Real nice.

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Okay.

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Tell you what?

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Maybe we'll have a little

grassy area back here.

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So for that, we'll just use this same

old lavender color and I'll add some

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midnight black to it, same old lavender.

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And I'm just going to tap,

tap the brush right into it.

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There's not a great deal of pain

on the brush just happened now that

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maybe there's some to look at there.

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Maybe there's a little meadow there's

right out here in front of this, you

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have to decide, is it straight across?

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Does it have little Hills in it?

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Make the decision, tap it in.

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When you have this much power,

you have to make big decisions.

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There we go.

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And all we're doing is just tapping.

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Just tap down easy.

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Again, thinking about the lay of the land.

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How does the, how does the land flow?

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Does it have little Hills and bumps in it?

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This is where you begin thinking

about it and putting those

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in something like, so maybe.

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Okay, now then let's put

some highlights on that.

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I'll just wipe the excess paint off

on a paper towel, and we go right into

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a little bit of a cadmium yellow, and

I'm just going to tap the brush right

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into the yellow, pick up a little

snap green, but tap it, just tap it.

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SAP green KDL and whatever was left

on the brush doing this tapping.

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Okay.

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And then let's go back here and just tap

in some highlights and that fantastic.

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That easy, that easy, you can just

make all kinds of little grassy

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Hills that are living back here.

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00:14:25,110 --> 00:14:30,330

Add little yellow ochre and

Indian, yellow as desired there.

250

00:14:31,260 --> 00:14:33,630

I want this to be mainly green.

251

00:14:33,630 --> 00:14:35,990

I want this to be bright, shiny back here.

252

00:14:37,230 --> 00:14:38,970

This is where the little

bunny rabbit lives.

253

00:14:39,990 --> 00:14:42,960

There, there we go.

254

00:14:43,020 --> 00:14:45,630

And then the squirrels playback

here, all the little creatures,

255

00:14:45,630 --> 00:14:46,680

I like little creatures.

256

00:14:46,680 --> 00:14:52,860

They, my friends, one of the shows

we, we showed you some Robbins

257

00:14:52,860 --> 00:14:54,900

that I had raised and turned loose.

258

00:14:56,190 --> 00:14:58,140

Now I've got two little

squirrels that I'm raising.

259

00:14:58,680 --> 00:14:59,580

That'll sign up for guns.

260

00:14:59,580 --> 00:15:03,330

I would've showed you those, but there

can keep him still long enough to

261

00:15:03,330 --> 00:15:05,990

get a camera on them here and there.

262

00:15:06,080 --> 00:15:06,890

We're going everywhere.

263

00:15:08,180 --> 00:15:08,750

There we go.

264

00:15:09,920 --> 00:15:13,820

See how you can create the lay of

the land and we could flow here.

265

00:15:15,230 --> 00:15:18,100

Add easy, easy.

266

00:15:19,709 --> 00:15:21,329

You can do anything.

267

00:15:22,170 --> 00:15:22,949

Absolutely.

268

00:15:22,949 --> 00:15:25,290

Anything pay you what let's do.

269

00:15:26,280 --> 00:15:27,030

Grab another brush.

270

00:15:28,140 --> 00:15:30,479

And I have several of each brush

going, so I don't have to spend

271

00:15:30,479 --> 00:15:31,650

all my time cleaning brushes.

272

00:15:32,219 --> 00:15:35,969

I'm going to pick up, Oh,

there some black, some Brown.

273

00:15:36,469 --> 00:15:40,640

Dark Sianna, alizarin, Crimson,

a little touch of SAP green.

274

00:15:41,150 --> 00:15:44,959

I'm using that using a two inch brush

and I'll pull it in one direction firmly.

275

00:15:44,990 --> 00:15:48,469

Let's put in some, that's put

in some little trees and bushes.

276

00:15:48,469 --> 00:15:50,270

Maybe we'll pick up a light

pressure and Bluetooth.

277

00:15:51,260 --> 00:15:51,560

Okay.

278

00:15:52,750 --> 00:15:56,410

You have to make big decisions

here, maybe right in here lives

279

00:15:56,410 --> 00:16:00,430

a happy tree right in there.

280

00:16:02,199 --> 00:16:03,849

Like, so just pushy man.

281

00:16:04,194 --> 00:16:05,005

Push firmly.

282

00:16:05,365 --> 00:16:07,074

You want the bristles to bend?

283

00:16:07,194 --> 00:16:08,125

Don't let them slide.

284

00:16:09,865 --> 00:16:10,855

Slide, slide.

285

00:16:10,855 --> 00:16:13,285

You get sort of a, get a mess.

286

00:16:14,665 --> 00:16:16,824

There don't want them to slide.

287

00:16:18,324 --> 00:16:18,715

Okay.

288

00:16:18,745 --> 00:16:19,735

Maybe I take it away.

289

00:16:19,795 --> 00:16:21,145

Let's just sort of let

this come right off.

290

00:16:21,175 --> 00:16:22,555

We don't know wherever you want.

291

00:16:23,185 --> 00:16:25,405

That'll help push all that

little metal area back.

292

00:16:25,944 --> 00:16:28,045

And while we have this cutter

on the brush, just reverse the

293

00:16:28,045 --> 00:16:29,905

brush and bring some of it down.

294

00:16:29,935 --> 00:16:32,814

We said was going to have some

nasty reflections in the water.

295

00:16:33,655 --> 00:16:36,955

So just tap some of

this downward, like, so

296

00:16:40,945 --> 00:16:45,745

I had a little more, we had some black,

the Browns and little SAP, green and

297

00:16:45,745 --> 00:16:48,115

Crimson, maybe T white over here.

298

00:16:49,115 --> 00:16:50,155

I have a taller Bush.

299

00:16:50,185 --> 00:16:56,185

This one, maybe he got a little

more sunlight, strong, big old Bush.

300

00:16:57,895 --> 00:16:58,915

Got to have a tall one here.

301

00:16:58,915 --> 00:17:02,305

This is, this is where the big

Eagle sets looks out over here.

302

00:17:02,630 --> 00:17:04,290

Make sure everything's okay.

303

00:17:09,950 --> 00:17:15,210

And just bring it

wherever you want it next.

304

00:17:15,210 --> 00:17:18,440

So that'll more the colors.

305

00:17:24,230 --> 00:17:27,140

And once again, allow some of this

to come right down into the water.

306

00:17:31,840 --> 00:17:33,700

As I said earlier, we don't make mistakes.

307

00:17:34,090 --> 00:17:35,530

We just have happy accidents.

308

00:17:36,520 --> 00:17:39,610

If there's anything here that you don't

like, you just turn it into a reflection.

309

00:17:40,580 --> 00:17:41,150

Can do.

310

00:17:44,090 --> 00:17:44,330

Okay.

311

00:17:44,330 --> 00:17:49,100

Now watch, I'll take another brush,

clean dry brush, and I want to

312

00:17:49,100 --> 00:17:52,760

grab these and pull them straight

down just to pull straight down.

313

00:17:52,760 --> 00:17:57,860

It's important that you go straight

down and look at that instant,

314

00:17:58,130 --> 00:18:01,220

instant reflections that easy.

315

00:18:02,160 --> 00:18:04,889

See you get, I dunno if you can see

it, but in here you get all kinds of

316

00:18:04,889 --> 00:18:08,610

beautiful colors reflecting because you've

mixed all these colors on the brush.

317

00:18:09,629 --> 00:18:13,800

If you're just mixed one Oh dead color

on the palette, and that's all you'd have

318

00:18:13,800 --> 00:18:17,430

appear, learn to mix color on the brush.

319

00:18:17,700 --> 00:18:17,970

Okay.

320

00:18:17,970 --> 00:18:22,649

Now, after you pull it straight down,

gently across that'll create the

321

00:18:22,649 --> 00:18:27,360

illusion of water that easy and it easy.

322

00:18:30,090 --> 00:18:32,290

Okay, then I have it.

323

00:18:33,300 --> 00:18:35,310

Let's take, we'll take

the whole knife here.

324

00:18:35,370 --> 00:18:40,230

Take a little bit of the dark

Sienna, a little touch of white jazz.

325

00:18:40,230 --> 00:18:41,010

Mix them together.

326

00:18:41,250 --> 00:18:46,140

Like I said, don't, overmix leave them

sorta, sorta marbled, like it cut across.

327

00:18:46,650 --> 00:18:51,360

So you get a small reel of paint right on

the edge of the knife, just like, so yeah.

328

00:18:51,360 --> 00:18:52,830

Then let's go right up in here.

329

00:18:53,160 --> 00:18:53,820

Just touch.

330

00:18:56,310 --> 00:18:59,660

Just put the indication here and

there have a little tree trunk.

331

00:18:59,670 --> 00:19:00,420

It lives in here.

332

00:19:01,680 --> 00:19:02,460

Just hearing there.

333

00:19:02,520 --> 00:19:03,330

It's all there is to it.

334

00:19:04,500 --> 00:19:05,340

Let's go on the other side.

335

00:19:05,340 --> 00:19:06,690

Don't want this big tree left out.

336

00:19:08,085 --> 00:19:12,315

And wherever you think a trunk would

show, put it in the other way is just

337

00:19:12,315 --> 00:19:16,815

take the, the point of the knife and

cut right through the paint and let

338

00:19:16,815 --> 00:19:18,255

some of the white canvas show through.

339

00:19:20,205 --> 00:19:23,595

It looks like just all kinds of

little tree trunks and linens

340

00:19:23,595 --> 00:19:25,515

and sticks and all those things.

341

00:19:26,505 --> 00:19:28,815

Now we're going to cover up a lot

of those when we put highlights on,

342

00:19:28,845 --> 00:19:30,075

but some of them will show through.

343

00:19:30,990 --> 00:19:34,410

And when people see them, they'll

think, they'll think you work for days

344

00:19:34,410 --> 00:19:38,220

with your little one here at brush,

putting all those in don't you tell

345

00:19:38,220 --> 00:19:39,600

them any different that's our secret.

346

00:19:39,930 --> 00:19:40,230

Okay.

347

00:19:41,100 --> 00:19:45,360

Now I'm coming right into a little

touch of the little touch of the

348

00:19:45,450 --> 00:19:47,520

liquid white and EMBAs, some yellow.

349

00:19:48,479 --> 00:19:52,889

Now one of our golden rules and this

taller painting is a thin paint will

350

00:19:52,889 --> 00:19:57,090

stick to a thick paint, add a little

PSAP, greener, then paint too thick paint.

351

00:19:57,510 --> 00:20:03,060

So we start out with a very,

very firm, dry, thick paint.

352

00:20:03,149 --> 00:20:03,659

There we go.

353

00:20:03,719 --> 00:20:04,800

Nice greenish color.

354

00:20:06,300 --> 00:20:10,560

And let's begin coming right up

in here and decide where you want

355

00:20:10,560 --> 00:20:14,969

these to live and give it a little

upward push once again, do not.

356

00:20:15,765 --> 00:20:17,505

To not let the breast slide.

357

00:20:17,505 --> 00:20:20,715

If it slides, you're going to be

angry with me, give it a little

358

00:20:20,715 --> 00:20:22,335

push and let it bend upward.

359

00:20:23,655 --> 00:20:24,225

Just let it be.

360

00:20:24,225 --> 00:20:25,365

And that's all there is to it.

361

00:20:25,365 --> 00:20:26,835

And think about form and shape.

362

00:20:26,865 --> 00:20:28,545

I'm going to add a little

yellow ochre to that.

363

00:20:29,505 --> 00:20:30,615

Think about form and shape.

364

00:20:30,645 --> 00:20:31,755

Just don't hit it random.

365

00:20:33,645 --> 00:20:35,745

Think about all the little

limbs that live in here.

366

00:20:37,860 --> 00:20:40,860

Oh, all kinds of all kinds of

little things live in here.

367

00:20:41,610 --> 00:20:47,160

And each one's an individual has his own

personality, do one Bush, one stick at

368

00:20:47,160 --> 00:20:53,400

a time, treat each one as a friend and

it'll pay big dividends in your painting.

369

00:20:54,030 --> 00:20:55,290

I had a little bright red there.

370

00:20:56,400 --> 00:20:56,670

See.

371

00:20:58,290 --> 00:21:00,810

There we go look at all

those little things.

372

00:21:00,840 --> 00:21:03,120

You can just use the side of

the brush, push outward and

373

00:21:03,120 --> 00:21:04,440

just get a layer after layer.

374

00:21:04,649 --> 00:21:06,870

Beautiful little things

happening that easy.

375

00:21:09,440 --> 00:21:14,720

Maybe tell you what, maybe over here,

let's go this whole big, but there

376

00:21:15,560 --> 00:21:19,610

is a nice color, nice color there.

377

00:21:19,970 --> 00:21:23,000

That's yellow ochre, bright red,

little Indian, yellow here and there.

378

00:21:24,840 --> 00:21:27,270

Once again, think about form and shape

379

00:21:30,390 --> 00:21:32,220

and maybe, maybe there's several bushes.

380

00:21:32,220 --> 00:21:33,300

That makeup is clump.

381

00:21:34,530 --> 00:21:36,810

And so you can change the color.

382

00:21:36,930 --> 00:21:38,460

It makes it a lot more interesting.

383

00:21:39,630 --> 00:21:42,960

Or maybe in your Bush, there's

only one it's up to you.

384

00:21:43,860 --> 00:21:45,090

However you want to do it.

385

00:21:47,460 --> 00:21:52,380

There we go little touch that yellow ochre

back in there, and I'm just varying these

386

00:21:52,380 --> 00:21:57,630

colors back and forth, back and forth, but

all kinds of little things just happen.

387

00:21:59,310 --> 00:22:00,450

Oh, here's a nice one.

388

00:22:00,570 --> 00:22:01,560

A lot of red in that one.

389

00:22:02,550 --> 00:22:03,480

That's a fireball.

390

00:22:04,560 --> 00:22:07,500

Now we can begin reflecting a little

bit of that right down into the water.

391

00:22:07,600 --> 00:22:08,640

Not worried about much.

392

00:22:10,035 --> 00:22:16,815

Just a little, there is one, let

him reflect right down to the water.

393

00:22:17,505 --> 00:22:17,805

Go ahead.

394

00:22:18,555 --> 00:22:19,905

Little more of the color.

395

00:22:24,075 --> 00:22:25,365

Just let these things happen.

396

00:22:26,955 --> 00:22:27,765

Let them happen.

397

00:22:28,605 --> 00:22:31,485

The hair push upward with the

side of the breast to make

398

00:22:31,485 --> 00:22:32,745

his little grassy here he is.

399

00:22:35,250 --> 00:22:39,420

There we go, but you notice how all

this pushes that little metal area

400

00:22:39,510 --> 00:22:44,430

we back into the distance creates

tremendous depth in your painting.

401

00:22:46,800 --> 00:22:47,310

There we go.

402

00:22:51,180 --> 00:22:55,080

Push those in a little,

um, into the water.

403

00:22:56,370 --> 00:22:58,680

Maybe there's a nice

one at this right there.

404

00:22:59,480 --> 00:23:00,060

There it is.

405

00:23:01,320 --> 00:23:02,310

You didn't know he was there.

406

00:23:04,550 --> 00:23:05,030

Same here.

407

00:23:05,030 --> 00:23:06,560

We'll reflect him right into the water.

408

00:23:11,270 --> 00:23:14,419

And he's got a little friend named Clyde.

409

00:23:14,480 --> 00:23:16,990

There is that's right there.

410

00:23:17,149 --> 00:23:19,550

Tell you what let's reflect

some on the other side here too.

411

00:23:20,659 --> 00:23:24,709

I didn't do much reflecting

over there, but all you doing is

412

00:23:24,709 --> 00:23:26,419

just tapping in some color here.

413

00:23:28,610 --> 00:23:31,520

Then we'll come back with a big brush.

414

00:23:32,090 --> 00:23:36,679

This is three hairs and some

air touch and pull down.

415

00:23:37,530 --> 00:23:44,610

Barely touch and pull down,

barely caressing the canvas, and

416

00:23:44,610 --> 00:23:47,730

then very lightly go across just

enough to disturb it a little bit.

417

00:23:48,270 --> 00:23:49,260

Don't want to wipe it out.

418

00:23:50,879 --> 00:23:52,909

Just want to want to make it shimmer.

419

00:23:54,060 --> 00:23:57,250

Glitter a little bit now with a

clean knife, you can go back in here

420

00:23:57,250 --> 00:24:00,480

and just put in a little sticker to

wherever you think they should be.

421

00:24:02,190 --> 00:24:02,580

AXA.

422

00:24:04,200 --> 00:24:05,490

We'll take some Bandag grandmas.

423

00:24:06,030 --> 00:24:06,960

We need some land here.

424

00:24:06,960 --> 00:24:08,070

So this doesn't fall over.

425

00:24:09,390 --> 00:24:11,850

Let's take some Vandyke Brown,

little roller paint on the knife.

426

00:24:12,990 --> 00:24:18,300

And all I'm doing I'm doing here

is just touching, just touching the

427

00:24:18,450 --> 00:24:19,950

canvas to pull off what it wants.

428

00:24:20,200 --> 00:24:21,180

Give you what's left.

429

00:24:22,440 --> 00:24:23,520

Just like a tax man.

430

00:24:23,550 --> 00:24:24,690

Boy, that's what he does to me.

431

00:24:26,700 --> 00:24:27,150

Okay.

432

00:24:29,220 --> 00:24:29,790

Only trouble.

433

00:24:29,790 --> 00:24:32,010

When he finishes pulling

off, there is nothing left.

434

00:24:33,600 --> 00:24:34,320

There we go.

435

00:24:36,570 --> 00:24:41,040

See that can just do all

kinds of fantastic things.

436

00:24:42,149 --> 00:24:43,920

Let your imagination be your guide.

437

00:24:44,879 --> 00:24:45,899

There are no limits here.

438

00:24:46,379 --> 00:24:47,970

Absolutely no limits here.

439

00:24:48,990 --> 00:24:54,270

We'll take some Brown and some pie

put the least little touch of blue in

440

00:24:54,270 --> 00:24:55,800

it to sort of gray it a little bit.

441

00:24:56,280 --> 00:24:59,460

And once again, makes your color

sorta marbly and don't overkill

442

00:24:59,460 --> 00:25:02,550

it a little roll of paint her

right on the edge of the knife.

443

00:25:03,720 --> 00:25:05,500

And then if you're nervous here, it helps.

444

00:25:05,500 --> 00:25:08,639

If you've got a little shake, just

sort of let this bounce along and just.

445

00:25:09,450 --> 00:25:11,010

Just barely touch here and there.

446

00:25:11,880 --> 00:25:15,630

Just so you get a little bit, a little

touch of highlight here and there.

447

00:25:16,650 --> 00:25:18,450

Like so barely touching.

448

00:25:20,460 --> 00:25:21,120

Not too much.

449

00:25:21,120 --> 00:25:22,770

I don't want to lose that nice darkness.

450

00:25:24,750 --> 00:25:25,200

Okay.

451

00:25:26,520 --> 00:25:27,000

All right.

452

00:25:27,000 --> 00:25:27,240

So.

453

00:25:29,385 --> 00:25:29,865

There.

454

00:25:31,965 --> 00:25:32,205

Yeah.

455

00:25:32,205 --> 00:25:37,625

Then I'm going to take a fan brush,

little touch of Cadieux a little

456

00:25:37,625 --> 00:25:40,685

yellow ochre, Indian, yellow,

bright red, all mixed together.

457

00:25:40,715 --> 00:25:43,025

Just mix them together, reach

up here and I'll grab some SAP

458

00:25:43,055 --> 00:25:46,805

green too, but by mixing them on

the brush, there's a multitude of

459

00:25:46,805 --> 00:25:48,275

color happening right on the brush.

460

00:25:49,415 --> 00:25:51,725

And we can go right up in

here and just push it upward.

461

00:25:53,100 --> 00:25:55,889

And put in little, little grassy

areas that sort of bring all

462

00:25:55,889 --> 00:25:59,669

this together, just brings it all

together and makes it look right.

463

00:26:00,340 --> 00:26:04,080

Pushes some of those areas back,

keep some in the foreground.

464

00:26:06,419 --> 00:26:06,889

There we go.

465

00:26:06,899 --> 00:26:07,889

Scope the other side.

466

00:26:08,909 --> 00:26:14,100

Don't want this side left out, but push

upward, make the bristles bend upward

467

00:26:15,270 --> 00:26:19,560

and you can create just, it looks

like beautiful little grassy areas.

468

00:26:19,560 --> 00:26:21,159

It just flows down the lay of the land.

469

00:26:22,005 --> 00:26:22,515

Write down.

470

00:26:23,265 --> 00:26:23,565

Okay.

471

00:26:23,625 --> 00:26:26,685

Take some liquid white, pull it out.

472

00:26:26,685 --> 00:26:27,795

Very flat on the pallet.

473

00:26:27,795 --> 00:26:29,925

Just take the knife and pull it

out as flat as you can get it, get

474

00:26:29,925 --> 00:26:32,895

tougher and then cut across that easy.

475

00:26:33,405 --> 00:26:33,585

Okay.

476

00:26:33,585 --> 00:26:34,125

Let's do it again.

477

00:26:34,155 --> 00:26:34,635

Pull it out.

478

00:26:34,995 --> 00:26:35,715

Cut across.

479

00:26:36,255 --> 00:26:36,345

Okay.

480

00:26:36,425 --> 00:26:37,115

Corretta pier.

481

00:26:37,565 --> 00:26:41,165

And with that, we go right in here

and cut in some little water lines.

482

00:26:42,095 --> 00:26:46,385

This is a light area between these

darks and it, it helps separate and

483

00:26:46,385 --> 00:26:48,005

just makes it look a lot more pleasing.

484

00:26:49,814 --> 00:26:55,695

Just like, so let's see there and

keep these basically straight.

485

00:26:55,935 --> 00:27:00,375

So your water didn't look like it's going

to run right out of the painting and as

486

00:27:00,375 --> 00:27:03,705

many, or as few as you want, there we go.

487

00:27:06,155 --> 00:27:10,425

A little ripple here and there

and you have a finished painting.

488

00:27:11,235 --> 00:27:13,635

I think with that, we'll

call this one done.

489

00:27:13,995 --> 00:27:18,015

And from all of us here, I'd like to

wish you happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S13E01 - Rolling Hills

Bob Ross's

The Joy of Painting

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