Bob Ross's

The Joy of Painting

S15E07 - Cabin By The Pond

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Hey, welcome back.

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Certainly glad you could join me today.

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Today.

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I thought we'd paint a little animated

opening, the little picture you see

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at the beginning of each show, and

it just sort of happens and I'll

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show you how that picture was made.

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And it only takes a few

minutes to paint it.

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It takes a lot of fantastic

people, a long time to animate it.

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So I tell you what, let's

start out, having run all

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the colors across the screen.

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That you need to paint along

with me while they're doing that.

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Let me tell you what I've done up here.

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I have my standard old pre-stretch

canvas up here and I've covered it with

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a thin even coat of the liquid white.

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So it's all ready to go.

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So let's go today.

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We'll start off with a big

brush, big old two inch brush.

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I'm going to go into a small

amount of a lizard Crimson, and

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you need very little color here.

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Just want to put a little

pinkish glow in the sky.

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Just a little Kenny.

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Now then let's go right up in here and we

just make some little crisscross strokes.

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It would just lay in a happy little

sky, just like, so here we go.

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So here's to

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now be careful when you put this on,

because we don't want to set this on fire.

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We just want to give it a little

globe, make it warm there.

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Okay, now that I have that going and

it's a hair, I'll just knock it off.

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I have that on the brush.

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I had a little touch more,

same way just to have the brush

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into a small, small amount.

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And then.

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Put a little touch right here, who we

know there's going to be some water

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and Crimson is not a very strong color.

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So it didn't matter where we put it.

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If we don't like it, we

can cover it up easy.

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Okay.

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Now then we had some big clouds.

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It was floating around the sky.

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We can just mix with a brush here.

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We'll go back into Crimson.

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I reached out here and get at least

little touch of they low blue.

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So we have alizarin

Crimson and they low blue.

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Make it a lavender color,

proportionately, much more Crimson

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than blue, much, much more.

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Okay, let's go back up here now then.

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Just sorta using little circular strokes,

just sort of dance in some, some little

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cloud shapes, little cloud shapes.

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Let me get a little

more color on my brush.

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Fair.

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Thank you.

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He was around go round,

round, round my cat and mix.

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Beautiful little cloud things

just sort of happen automatically.

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You don't have to worry about it.

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That the brush works.

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Shoot.

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This is, this is a lazy

man's way of painting here.

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There we go.

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And some little things down in

here, wherever we want them.

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They're maybe up in here now, this

will not be an exact duplication.

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What we did for the animated opening.

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It'll be close enough that you

can see exactly how it was made.

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We go.

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Let me go with cloud just to sorta

hangs right out here in plays around.

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All we're doing is just

filling in some color.

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And by mixing these colors on the

brush, you can, you get a multitude

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of variations that happen in here

that would be very difficult to do.

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If you were just adding these

two colors on all kinds of

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things just happen automatically.

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And you don't even have to worry

about it or think about it.

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It just happens.

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Just let it go very quickly

with a little practice.

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You learn to use anything

that happens here.

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And that's when it's really fun.

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Okay.

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I'm going to wash the

brush and we wash her.

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Russia would just going to center,

shake it off and cover the whole studio.

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You know, I've made such a mess in here.

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They're moving to a new studio there.

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I got the walls covered here and

all the camera people are covered.

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Okay.

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Now with a clean, dry brush, all

I'm doing is just blending this out.

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So Janice blended out

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Okay.

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Now I'm gonna take a little bit more of

the color, the same blue and Crimson and.

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And we'll put a little touch.

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I had to emphasize it.

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Darker cloud wants to stand out.

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They're

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just here.

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Maybe there's a little dark or something.

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It makes you a sky, a little

stronger, a little more.

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Interesting.

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Okay.

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Now while I have that color, All my

brush, they go blue and alizarin Crimson.

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We'll add just a little bit more.

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And let's go down here for a, water's

going to be, and we can put in a little

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bit of water, pull from the outside.

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So you have these little

feathered edges here.

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They're not harsh, strong edges.

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It's easier to blend those out.

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Okay.

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Other side, a little bit over here.

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As I mentioned earlier, this

Crimson that you have in the

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center will cover up very easy.

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So be careful, it'll go

away and leave you there.

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Okay.

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Very lightly.

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We can just blend this together.

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Easy.

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We have a happy Liska and water,

and just a couple of minutes here.

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All I'm doing is just

blending all this together,

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and that's a super way to make

a very effective little sky now.

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Let's go, let's go back into

that same color lizard Crimson.

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They look blue, just

mix it red on the brush.

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It's easiest way.

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And let's begin putting in some little

shapes here for some little trees and

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stuff that live in the background.

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I want this to be a little

darker now, so it stands out.

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Using just a corner of the brush.

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We can just begin tapping in all kinds

of little, just little basic shapes.

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You have to make big decisions.

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Now, where is your tree?

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How big is he?

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Does he live here?

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Does he live there?

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Where do you want it?

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Wherever you want him?

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That's exactly the right

place for him to be.

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Is he tall?

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Short.

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Okay.

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There you go.

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There's a big one, right there.

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Just sort of visualize this

in your mind and drop it off.

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That's all.

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You have to do anything

that your mind can see.

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You can paint.

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Okay.

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There's another tree here.

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And as I mentioned earlier, this will

not be an exact duplicate of what was

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on the beginning of the show, but it

certainly will show you how it was made.

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Certainly we'll show you that.

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Let's see here a little more color.

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Blue wizard cribs.

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That's correct.

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I want to add a little black to that.

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I want to start getting a little darker.

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So it makes the shadows in there.

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So we have Crimson blue and then a little

bit of a midnight black big tree here.

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So we can begin putting that in there.

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Just think, where are you?

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Where do you want the limbs to hang?

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It's going to be some

big overhanging limbs.

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There they come.

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One there wherever you want them.

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Okay.

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And already see, we have the whole

background in all of our basic shapes

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and it only takes a second.

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All right.

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Now you have to make a big decision or

do you want reflections or you have to

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do grab it because the canvas is whipped.

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The paint will slide the

liquid white center there.

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It allows the paint to move.

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Just pull it straight down, straight down

like that, and then go across lightly.

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And we have instant reflections

and fantastic that easy man.

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She, the liner brush, dip it into

some paint thinner and then go right

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into a little bit of Vandyke Brown.

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I want this to be very thin, like

ink, just straight van Dyke Brown.

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Turn the brush in there and pull it.

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That brings it to a

beautiful, sharp point.

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Lanner breasts has a very long

wrestle, so it holds a lot of paint.

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Now we can come right up in here and let's

just begin putting in the indication of

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some little tree trunks here and there.

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They're saying,

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okay, maybe there's a few little

things that stick out here and

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there wherever you want to.

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These are fun to make.

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And if you have trouble making your

paint flow, add some paint, thinner just

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means your paint's not quite thin enough.

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The paints that we use are

very, very firm, very dry.

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It allows us to paint over the top

of them while they're still wet.

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If you start with a thin paint,

Ooh, you're going to be an agony

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city going to be upset with me.

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Very dry from paint.

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It's most, most important.

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There we are wherever you want.

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Just a few little sticks and twigs.

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Let's use a one inch brush today.

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Again, putting some, some highlights

on some of those can go right

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into a little bit of the yellow.

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This is just CAD yellow.

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Reach up here.

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We'll be right back.

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Wait on me here.

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We are a little bit of SAP green attitude.

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Now tap the brush, tap it.

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So give it a little push here we are.

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Now let's go up here.

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Begin deciding where the

leaves are on these trees.

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All the little bright things.

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Just sort of touch it.

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Tap gently, downward, and begin

building form and shape into your tree.

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Don't just hit things at random.

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Think about little limbs that

live in here and all the little

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places the birds are going to set.

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Add a little yellow ochre,

Linden yellow here and there.

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There we go.

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You can just make some of the most

fantastic little trees and bushes

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just using the corner of the brush.

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Two inch brush works very well also.

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Okay.

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There we are.

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One over here.

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Don't want to spend the left out.

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Okay.

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And then we got a big one.

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As we appear in the sky.

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Speaking, creating all kinds

of little patterns on his arms.

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There, there.

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Okay.

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Now I'm going to add a little more

SAP green to my color when it began

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getting a little darker and maybe

down in here, we're beginning to pick

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up some little individual bushes.

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I made this a little darker

because there's shadows down here.

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There we go.

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The trees cause shadows to be here.

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So these shouldn't be quite

as bright here and there.

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The lights go to zing through and

you might have one that shines

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overall a little bit darker,

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maybe over here.

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I have a few, just sort of pick them out

and make determinations where you think

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they'd live and drop them in everywhere.

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Okay.

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Shoot.

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Let's get crazy.

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I'm going to take some

black, some impression blue.

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We'll use some Vandyke, Brown,

little sound green shoot, a little

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Crimson, sort of mix it all together.

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Okay, let me clean the knife

off here and grab a fan brush.

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There we go.

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I'm going to load the fan brush full of

color, a lot of pain in it, both sides.

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We make a little evergreens

that we're back here.

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We'll have one that lives right there.

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Just start with the line, use the

corner of the brush and just sort of go

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back and forth, back and forth there.

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Evergreen just jumped right out there.

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Okay.

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Let's have one right there.

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Here.

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They hide that brush.

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All you have to do is just push them out.

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Let's go.

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We over an end here and we'll put in

that little evergreen or two over here.

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There he is.

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We'll give him a little friend.

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Trees need friends too.

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Okay.

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Now let's take the one inch brush

and pull it through that same color.

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And let's begin putting in

some dark backgrounds here for

260

00:14:19,635 --> 00:14:22,515

some bushes you made the dark.

261

00:14:23,295 --> 00:14:26,595

So the light was show it's the only

reason we're putting this in here.

262

00:14:28,590 --> 00:14:30,120

Jess Jess.

263

00:14:30,120 --> 00:14:31,380

So the light color will show.

264

00:14:33,420 --> 00:14:36,480

If you put light against light, you

have nothing or dark against dark.

265

00:14:38,010 --> 00:14:39,300

You have absolutely nothing.

266

00:14:46,160 --> 00:14:48,020

One inch brush, and

I'm going to dip it in.

267

00:14:48,330 --> 00:14:50,460

Into a small amount of

the liquid white tea.

268

00:14:50,580 --> 00:14:56,730

And I dip it into the liquid white

only to thin the paint only to thin

269

00:14:56,730 --> 00:14:59,700

it pulled us into one direction, a

little lot of color into the Bristol.

270

00:14:59,750 --> 00:15:00,020

Awesome.

271

00:15:01,340 --> 00:15:07,460

Now then I want these to sparkle when

I'm gonna stand out like a 10, mm.

272

00:15:08,330 --> 00:15:10,160

Here, we're pushing upward with a brush.

273

00:15:12,050 --> 00:15:12,950

There's a lot of paint.

274

00:15:13,970 --> 00:15:16,370

So all you have to do is give

it a gentle, a little push.

275

00:15:17,715 --> 00:15:20,955

And you can just make beautiful,

beautiful little bushes back here.

276

00:15:23,555 --> 00:15:25,115

Sometimes I get a lot of letters.

277

00:15:25,115 --> 00:15:26,735

People have problems making this work.

278

00:15:27,495 --> 00:15:31,235

Usually the problem is that there's not

enough paint in the bristles and you

279

00:15:31,235 --> 00:15:36,455

have to push too hard and then it sorta

mooches, it's a new word I just made up.

280

00:15:40,035 --> 00:15:41,385

And do one Bush at a time.

281

00:15:42,975 --> 00:15:46,845

Each one of these individual

treat him as such.

282

00:15:48,765 --> 00:15:49,365

There we go.

283

00:15:51,045 --> 00:15:57,064

Now then back to my lavender color,

just a little blue and a little Crimson.

284

00:15:57,605 --> 00:16:03,844

And underneath here, we're going to

begin building some, some land masses.

285

00:16:03,844 --> 00:16:05,555

We need a place for a middle cabin to sit.

286

00:16:06,245 --> 00:16:08,045

So all we do is add in

a little bit of color.

287

00:16:09,515 --> 00:16:10,925

Once again, we're putting in dark.

288

00:16:11,745 --> 00:16:13,305

So our light will show anything.

289

00:16:13,305 --> 00:16:14,115

It hangs down here.

290

00:16:14,145 --> 00:16:22,475

You just pull it down to reflection like

a Def it's super instant reflections.

291

00:16:24,455 --> 00:16:25,685

And then I'm going to grab another.

292

00:16:26,135 --> 00:16:26,765

Yeah, there, sir.

293

00:16:27,545 --> 00:16:28,715

We use a two inch brush day.

294

00:16:28,725 --> 00:16:29,315

What the heck?

295

00:16:31,175 --> 00:16:36,695

We'll go right into the SAP green

CAD yellow little yellow ochre.

296

00:16:37,115 --> 00:16:40,475

Just sort of mix these colors

on the brush now, then.

297

00:16:41,219 --> 00:16:45,569

Let's begin putting in some little

grassy areas, meaning the nice place

298

00:16:45,569 --> 00:16:47,189

back here for the little cabin to set

299

00:16:57,620 --> 00:16:59,449

Sanrio what you can do

with a big old brush.

300

00:17:00,979 --> 00:17:02,420

All we're doing here is just tapping.

301

00:17:03,435 --> 00:17:04,185

Just tapping

302

00:17:07,305 --> 00:17:09,885

creates all of those nice,

soft little grassy areas.

303

00:17:11,355 --> 00:17:13,565

And I'm varying the colors

of between all the yellows.

304

00:17:14,535 --> 00:17:16,875

Every once in a while, the least

little touch of the bright red

305

00:17:18,015 --> 00:17:20,775

don't need much of that, but it

gives it a nice orangy flavor.

306

00:17:20,775 --> 00:17:26,295

Once in awhile, sparkles

had happened there.

307

00:17:32,025 --> 00:17:35,475

Fantastic knew you could do it.

308

00:17:42,014 --> 00:17:42,344

Okay.

309

00:17:42,344 --> 00:17:44,445

Now let's have some fun.

310

00:17:44,475 --> 00:17:46,455

I want to start working

on my little cabin.

311

00:17:47,625 --> 00:17:48,945

So come right up in here.

312

00:17:49,965 --> 00:17:53,715

I'll scrape in a few little

sticks stuff with a clean knife.

313

00:17:54,195 --> 00:17:56,235

Now then decide where

your cabin's gonna live.

314

00:17:56,264 --> 00:17:56,385

Now.

315

00:17:56,385 --> 00:17:58,665

I think we'll have this

one right about here.

316

00:17:58,695 --> 00:18:01,185

Take the knife, scrape out of basic shape.

317

00:18:02,700 --> 00:18:05,960

That's just about the easiest way

I have found they out of cabin.

318

00:18:06,649 --> 00:18:08,810

All you have to do is

just sort of scraped out.

319

00:18:10,490 --> 00:18:10,840

Thank you.

320

00:18:10,860 --> 00:18:11,270

Live.

321

00:18:11,419 --> 00:18:13,220

And at this point you're

still not committed.

322

00:18:14,270 --> 00:18:15,800

You could still change your mind here.

323

00:18:15,830 --> 00:18:16,940

Nope, no problem.

324

00:18:17,600 --> 00:18:23,300

Now we'll take some Vandyke Brown

and we can begin just blocking him

325

00:18:23,300 --> 00:18:24,500

in and that's all we're doing here.

326

00:18:24,530 --> 00:18:26,210

We're just applying color.

327

00:18:28,070 --> 00:18:29,419

We're still not committed.

328

00:18:31,335 --> 00:18:32,895

We could change your mind at this point.

329

00:18:32,895 --> 00:18:40,294

If we wanted to see down the

side, down the front of, okay.

330

00:18:40,655 --> 00:18:42,075

Just blocking in color.

331

00:18:42,095 --> 00:18:42,845

That's all.

332

00:18:43,534 --> 00:18:46,325

Once again, we're putting this dark

and so we put a lighter color on it.

333

00:18:46,504 --> 00:18:47,405

It'll stand out.

334

00:18:49,885 --> 00:18:50,064

Okay.

335

00:18:50,085 --> 00:18:52,054

Now listen for the roof.

336

00:18:52,085 --> 00:18:56,945

We'll use some red dark Sienna, put

a little yellow ochre in it, too.

337

00:18:57,004 --> 00:18:57,635

What the heck?

338

00:18:59,580 --> 00:19:05,580

There maybe a touch your white nice

color looks good enough to eat now.

339

00:19:05,700 --> 00:19:07,530

A little roll of paint, right

on the edge of the knife.

340

00:19:10,020 --> 00:19:11,130

Just barely touching.

341

00:19:11,700 --> 00:19:14,790

Just sort of let it bounce

right down the roof.

342

00:19:14,820 --> 00:19:15,450

Just blue, blue, blue.

343

00:19:17,190 --> 00:19:18,780

See this bear the touch.

344

00:19:20,520 --> 00:19:21,600

Make it look old.

345

00:19:22,650 --> 00:19:23,670

I could set a rough time.

346

00:19:24,840 --> 00:19:27,000

Have it on put the least little

bit of white on my knife.

347

00:19:27,419 --> 00:19:28,949

And just to sort of highlight the edges.

348

00:19:28,949 --> 00:19:30,030

So they stand out nice.

349

00:19:31,530 --> 00:19:32,820

Now you can see that rascal.

350

00:19:34,230 --> 00:19:37,800

And then when we go to the little

knife and take some white and midnight,

351

00:19:37,800 --> 00:19:42,750

black, white, and black on the small

knife, I'm looking for a gray color.

352

00:19:43,199 --> 00:19:43,949

Just pull it out.

353

00:19:44,370 --> 00:19:47,100

And once again, our little roll of

paint, even though we're using the

354

00:19:47,100 --> 00:19:53,760

small knife, still that little roll of

paint, just barely touching, pull down.

355

00:19:56,535 --> 00:20:02,165

A little bit on the other side

there now toward the back of the

356

00:20:02,165 --> 00:20:05,675

cabin and my mind is going to

be less light hitting over here.

357

00:20:06,275 --> 00:20:09,125

So I'm going to add a little more

black to my color, to dark in it

358

00:20:10,565 --> 00:20:13,385

and come right there that easy.

359

00:20:14,555 --> 00:20:16,595

You can do anything on this canvas.

360

00:20:17,645 --> 00:20:21,115

I have a little little

line right across there.

361

00:20:22,515 --> 00:20:26,085

Maybe here and there there's

some little things just adds a

362

00:20:26,085 --> 00:20:27,345

little interest to your cabin.

363

00:20:27,825 --> 00:20:30,555

Give them a window to right here.

364

00:20:30,705 --> 00:20:34,305

She was a small edge of

the small night scene.

365

00:20:34,325 --> 00:20:35,115

There's one window.

366

00:20:36,495 --> 00:20:41,145

There's another window that we can take

the knife and we can do a cabin ectomy.

367

00:20:41,895 --> 00:20:42,975

That's where we just cut it off.

368

00:20:42,975 --> 00:20:49,055

So it looks right now

back to my two inch brush.

369

00:20:51,600 --> 00:20:52,770

A little bit of the grass color.

370

00:20:53,399 --> 00:20:55,260

We can put some grass red around his foot.

371

00:20:55,260 --> 00:20:56,909

So bringing them all together.

372

00:20:56,930 --> 00:20:57,200

Yeah.

373

00:20:59,930 --> 00:21:00,350

Be nice.

374

00:21:00,350 --> 00:21:03,110

If it was that easy to, to

have a lawn in your yard.

375

00:21:04,700 --> 00:21:07,970

Now there was a little, little

fence out here, so just take

376

00:21:08,210 --> 00:21:10,399

it and just use a little bit of

liquid white on the liner brush.

377

00:21:11,780 --> 00:21:17,990

See, there goes our

little fence that easy.

378

00:21:19,620 --> 00:21:21,929

A little more, put some rails across it.

379

00:21:24,100 --> 00:21:25,679

We have a little white fence out here.

380

00:21:30,284 --> 00:21:30,754

Watch here.

381

00:21:30,855 --> 00:21:33,555

You can put one up here and go that way.

382

00:21:33,825 --> 00:21:34,665

Make that sound again.

383

00:21:34,665 --> 00:21:35,504

Go around the corner.

384

00:21:36,815 --> 00:21:37,325

I sneaky.

385

00:21:37,325 --> 00:21:37,534

Huh?

386

00:21:39,065 --> 00:21:39,665

Okay.

387

00:21:41,105 --> 00:21:42,935

Now then find my big brush.

388

00:21:44,705 --> 00:21:46,085

Get a little more of the lavender color.

389

00:21:46,085 --> 00:21:47,945

Just the little blue that certain Crimson.

390

00:21:49,975 --> 00:21:51,085

Tapping into this brush.

391

00:21:52,825 --> 00:21:53,245

Okay.

392

00:21:53,305 --> 00:21:55,764

Now then let's begin working

on some landmasses here.

393

00:21:57,075 --> 00:21:58,375

I have to make some big decisions.

394

00:21:58,615 --> 00:22:00,655

There was one came right out, like,

395

00:22:08,815 --> 00:22:10,764

and ride on down wherever you want.

396

00:22:12,355 --> 00:22:14,274

We need to pull a little

reflection under that though.

397

00:22:14,274 --> 00:22:15,715

So it sets down in the water.

398

00:22:16,945 --> 00:22:18,255

Otherwise, it won't look right.

399

00:22:19,425 --> 00:22:21,825

Just it won't come out and play with you.

400

00:22:23,325 --> 00:22:23,745

Okay.

401

00:22:23,745 --> 00:22:26,715

Back to my yellows with a big

brush, tap a little in there.

402

00:22:26,955 --> 00:22:35,175

Let's go back up here and we

can just, again, highlighting

403

00:22:35,175 --> 00:22:36,255

all those little things.

404

00:22:37,425 --> 00:22:38,895

See, the dark color is only there.

405

00:22:39,405 --> 00:22:39,945

Once again.

406

00:22:39,945 --> 00:22:42,975

I know you're tired of hearing that,

but it's only there so that your

407

00:22:42,975 --> 00:22:44,895

light color just jumps out at you.

408

00:22:50,225 --> 00:22:54,755

Year after layer start parked is a

father's the way and work forward.

409

00:22:54,815 --> 00:22:55,455

Always working.

410

00:23:04,575 --> 00:23:04,935

Okay.

411

00:23:06,075 --> 00:23:08,235

Let's take the knife, some Vandyke Brown.

412

00:23:09,885 --> 00:23:11,415

Let's put us some land here and there.

413

00:23:11,925 --> 00:23:15,825

Just to indication, need a little bit

of land to hold all this together.

414

00:23:17,835 --> 00:23:18,525

There we go.

415

00:23:20,655 --> 00:23:26,355

Like, so maybe here,

everywhere, Atlanta here.

416

00:23:26,355 --> 00:23:27,615

We don't want this one left out either.

417

00:23:29,190 --> 00:23:34,380

And we could have a rock down here,

whatever, whatever makes you happy.

418

00:23:34,380 --> 00:23:34,890

It's good.

419

00:23:35,460 --> 00:23:42,870

Do it, take a little Brown little

flight and just hearing their tunes.

420

00:23:42,870 --> 00:23:45,060

Put the indication of a little highlight.

421

00:23:47,730 --> 00:23:52,740

Got here on this big stone

need a little like, so.

422

00:23:56,820 --> 00:23:59,310

Okay, I'm gonna take some liquid whites.

423

00:24:00,770 --> 00:24:04,669

And with that, we can just put us in

a little water line that cleans up the

424

00:24:04,669 --> 00:24:09,260

edges and brings everything together

and do that firmly act like you tried

425

00:24:09,260 --> 00:24:10,939

to cut a hole right through the canvas

426

00:24:16,929 --> 00:24:18,860

can have a little ripple here

and there if you want it.

427

00:24:20,750 --> 00:24:22,370

But keep these lines basically straight.

428

00:24:23,550 --> 00:24:26,280

Or your water, but look, as I've

said before, it looked just like

429

00:24:26,280 --> 00:24:28,380

it's going to run out of the

painting and get your floor.

430

00:24:30,960 --> 00:24:31,710

Okay.

431

00:24:33,330 --> 00:24:33,990

All night here.

432

00:24:35,090 --> 00:24:35,900

I think it's time.

433

00:24:36,020 --> 00:24:36,770

We had some fun.

434

00:24:37,040 --> 00:24:40,220

I'm going to take a big bunch

of Vandyke Brown on my knife.

435

00:24:41,390 --> 00:24:43,340

Just pull it out, pull it out.

436

00:24:43,880 --> 00:24:45,170

Cut off a big roll of paint.

437

00:24:45,770 --> 00:24:46,040

Okay.

438

00:24:46,430 --> 00:24:48,680

Now we had a big tree in our big tree.

439

00:24:49,590 --> 00:24:52,980

Lives does now, right there.

440

00:24:55,350 --> 00:24:56,220

Just pull it up.

441

00:24:57,510 --> 00:24:58,110

Be brave.

442

00:24:58,110 --> 00:24:59,820

This is your brave

retest on this painting.

443

00:25:01,380 --> 00:25:01,950

There we go.

444

00:25:05,520 --> 00:25:09,060

These trees are fun and they really

make your painting stand out.

445

00:25:10,560 --> 00:25:13,290

Now I won't take some points,

a little bit of Brown.

446

00:25:14,160 --> 00:25:17,690

We'll touch a little touch

of the bright red in it.

447

00:25:20,055 --> 00:25:22,825

They're just, it's like you're

laying in the snow on the mountain.

448

00:25:22,875 --> 00:25:30,635

Just let that graze just

barely touch her barely touch.

449

00:25:30,635 --> 00:25:32,795

When this is dry, it'll

feel like real bark.

450

00:25:35,285 --> 00:25:36,185

That's what my dog does.

451

00:25:36,455 --> 00:25:38,795

Real bark there.

452

00:25:38,795 --> 00:25:41,885

A little bit blue, another side, just

to indicate a little reflected light.

453

00:25:43,055 --> 00:25:43,145

Okay.

454

00:25:44,220 --> 00:25:46,860

Take our liner brush go back

into the Vandyke Brown and

455

00:25:46,860 --> 00:25:47,850

this has paint that are on it.

456

00:25:47,850 --> 00:25:52,320

So it's a very, very thin, and we

can come right up in here in here

457

00:25:52,320 --> 00:25:59,280

and there, we just add the indication

of a nice tree branch lambs and

458

00:25:59,520 --> 00:26:05,160

all kinds of things, wherever you

want them, where ever you want.

459

00:26:06,810 --> 00:26:12,030

Back to our one inch brush one

inch brush, and we'll go into

460

00:26:12,030 --> 00:26:13,350

some of the yellows and stuff.

461

00:26:14,370 --> 00:26:19,709

Now that that's put some

highlights at fantastic.

462

00:26:20,850 --> 00:26:22,260

All we're doing here is just tapping.

463

00:26:24,649 --> 00:26:25,469

Put some highlights.

464

00:26:26,179 --> 00:26:27,659

Want this old tree to stand out here?

465

00:26:29,550 --> 00:26:33,480

Big, strong side of a guy there.

466

00:26:35,935 --> 00:26:38,085

Your thin paint will stick

to the thicker paint.

467

00:26:40,935 --> 00:26:41,685

There we go.

468

00:26:41,815 --> 00:26:43,545

Just let it go right across here.

469

00:26:45,195 --> 00:26:48,855

You put a little paint

thinner and your paint.

470

00:26:48,855 --> 00:26:49,485

If you want to.

471

00:26:51,405 --> 00:26:52,755

Just to make it a little bit thinner.

472

00:26:55,905 --> 00:26:56,625

All right.

473

00:26:57,585 --> 00:27:00,285

And I think with that, we

have a completed painting.

474

00:27:00,315 --> 00:27:01,725

We're going to call this one finished.

475

00:27:01,875 --> 00:27:04,155

I hope you've enjoyed

it from all of us here.

476

00:27:04,305 --> 00:27:05,685

I'd like to wish you happy painting.

477

00:27:05,895 --> 00:27:06,555

Got blessed.

478

00:27:06,645 --> 00:27:07,965

I look forward to seeing you next time.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S15E07 - Cabin By The Pond

Bob Ross's

The Joy of Painting

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