Bob Ross's

The Joy of Painting

S13E09 - Emerald Waters

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Hi, I'm certainly glad

you could join me today.

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You ready to do a

fantastic little painting?

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This is such a super day.

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Let's do a super little painting.

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I thought today we'll do

something that's very simple.

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We use a limited palette

and I think you'll enjoy it.

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I have a black canvas up here today,

as you can see, and we make these black

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canvases by coating them with black Jesso.

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And that just turns it nice and black.

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And it's all ready to go on top of that.

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I've added a thin even coat all

over the canvas of SAP green.

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Then around the edges here on

the four corners, I've put just

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a little touch of Vandyke Brown.

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So, so the corners are a little darker.

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Okay.

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Let's just have some fun thought today.

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Maybe we do a little, let's do a little,

uh, swamp like scene, you know where yeah.

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A lot of trees in the background

that you can't really define,

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but they're just there.

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Let's just do it.

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What the heck?

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I want to use the fan brush a lot today.

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By the time you do this painting, you'll

be an expert with the old fan brush.

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Let's just take a small, small

amount of the CAD yellow.

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Just a small amount.

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Don't need much paint and just

put a little on the bristles.

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Okay.

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Now, as I mentioned earlier,

we have the SAP green appear.

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Now let's have him run all

the colors across the screen.

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So you'll know what I'm doing

here while they're doing that.

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Let's go on up here and get started.

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Almost forgot to tell

you the colors today.

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You'd have been upset with me now

using just the corner of the fan brush.

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I just want to take in just barely

touching the canvas and just begin.

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All we're doing here is just

sort of rubbing, just rubbing.

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There and just begin creating some

basic little tree and Bush shapes here.

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We're just looking for

very basic little shapes.

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Let the bristle sort of move Bandon there.

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These are far away and we're

not looking for a lot of detail.

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And if they get, they get a

little too bright, we can take

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the large brush and just rub them.

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Maybe they'll go away there,

but this is continually mixing

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with a green this underneath.

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So you get all of these beautiful,

dark and Misty looking colors.

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I like to do these kinds of little scenes.

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All right.

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Just a little touch, more yellow.

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I mean, we just continually

continually sort of look and just

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sort of hunt out these little Rascals.

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There.

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And maybe there's one where he back

here just really barely can see he's

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black canvases are so fantastic.

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If you've never done one, they

can be some of the most exciting

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things in this whole technique.

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There we go.

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So are you there?

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With very little effort already.

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You're beginning to see just all

kinds of little things back here.

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Little happy things.

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It's all kind of little

creatures live back here.

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They're in the squirrels and rabbits.

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And if this was in Florida, Georgia,

somewhere down there might be

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an alligator to head back here.

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And as a kid, I had a pet alligator.

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I don't know if you ever make a

pet out of an alligator, but I

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had an alligator did live with me.

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Let's put it that way.

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And I fed him every day and every day,

he bit me, one thing about alligators.

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I don't think you can never

make a pet out of them.

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I finally turned him loose and

he still wanted to bite me.

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There we go.

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Just using no corner of the fan brush.

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That's all we're doing.

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And we can make the indication that just.

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Tons and tons of trees and bushes.

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We're going to put some

things in front of these.

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So keep these pretty dark.

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When you're doing yours, don't let

them get too bright on you against

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this black canvas color stands out so

strong, very quickly and get too bright.

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And once again, should that happen?

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Just take your large brush and

very gently just go over it.

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And it'll dull the color because it

will mix with that green underneath.

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There we go.

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Does that say I was born and raised in

Florida and I was born in Daytona beach

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and lived around Orlando most of my life.

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And back in those days, people

thought Orlando would never amount

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to anything, but just a swamp.

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And that's one of the most

fantastic cities in Florida, Disney.

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World's there and super place to go.

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Now there.

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My mother still lives there.

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Shoot.

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She likes it there.

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She likes these kinds of scenes too.

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Here we go.

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I'm just a phone and down here,

just however many bushes and

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trees that you want in your world.

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Just drop them in.

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I just want you to see how easy it

is to do this, just using a fan brush

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and all we're doing is using the

corner and just sorta scrubbing it.

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And when you push that's where

those highlights come from,

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can you see how that works?

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When you push upward?

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There you go.

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That's where it happens

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there.

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And maybe Dan in here there's some

little ones has to be little bushes.

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If there's going to be big bushes

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Rascals.

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Maybe in that one right in there,

you just make the decision.

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This is your world, and you have to

decide where everything is in it.

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Now, then see once again, if

you wanted to dull this down, if

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it was a little too bright for

you, just take your large brush.

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And one hair in some air, you just barely

touching him and just go over it just

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like, so just barely, barely caressing.

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And you can bring us all together there.

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And the more you do this,

the darker it'll become.

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Because once again, it's picking

up that color this underneath and

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you're blending them together.

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There.

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Okay, we can take our liner brush, go

into a little paint thinner, and I'm

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going to touch the little touch of the

Vandyke Brown and just mix this too.

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It's almost like ink.

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It's very, very thin, very thin

turn that brush this liner brush

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has a long bristles, holds a

lot of pain in those bristles.

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Okay.

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Now then here and there, you just sort of

look at it and put it in the indication.

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I've just a few little, little downs

and sticks and all kinds of happy,

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little things that live out in here.

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You need some trunks for some

of these little trees and stuff.

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Some of them you can't see.

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Yeah.

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They're just here and there

wherever you want them.

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Not fantastic and create a whole

swamp, whole forest that easy.

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This does not necessarily

have to be a swamp.

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It could be a beautiful forest out here

and you'd have basically the same effect.

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There just drop them in.

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And if you have trouble making this

paint flow, add a little more of the

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paint thinner, the STEM paint will just

literally slide right over the canvas.

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But if it's not working, chances

are chances are you don't have quiet

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enough paint their intake paint.

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So just to add a little tea,

let me take some Vandyke Brown,

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little dark sand in there too.

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I just pull it out very

flat here on the pallet.

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Sort of mix it together, scrap a

little white and throw it in there too.

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So we got Bandag Brown, dark

Sienna, and a little quiet.

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Pull it up very flat and cut

across to get out of the role of

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paint on the knife had literal of

paint or really pay big dividends.

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Now that just sort of look at your

painting here and decide where there would

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be some land and maybe the land lives

Oh, right in there wherever you want it.

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Wherever I go.

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And all we're doing here

is just sort of scrubbing.

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they're looking at all the little

Rascals, all kinds of little things

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happening, little red Coons and they'll

possums and stuff all live up in here.

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Now you've got to have a little place to

sit here, but all the water birds coming.

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Catch them on metal.

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And it helps when you're

doing these kinds of things.

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Make up little stories in your mind,

tell you what, maybe under here,

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let's put a few little reflections now

that we have our land areas defined.

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So I'll just take a little

yellow on the brush.

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Madden, decide where your reflections

are going to be into the water,

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grab it and pull straight down.

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And get a little less Brown add to it.

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This Fuseli, if it's a swampy area,

it's not very deep, it's very shallow.

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So you get a lot of mud.

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And if you want to highlight

that it was wanting to take a

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little touch of the titanium.

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White, just sparkle.

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It not much though.

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Get too bright on you.

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There.

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Get too bright, too quick.

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Now.

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Very lightly come across.

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Say they're instant reflections.

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Cancel on the other side, I get a

little touch, more of the yellow

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and that's good right over here

and just drop those in Pat easy.

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Here we go pull straight down.

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When you're doing these reflections,

be sure you pull them straight down.

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It's most important.

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They come straight down

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green water four.

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That's pretty.

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I like just alive with algae,

all kinds of creatures.

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This is where this is where the whole

ecology, the whole ecosystem starts

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is right here in these little swamps.

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Fair

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put back seven landmasses.

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Okay, there we go.

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If this is your first time painting

in this technique, these little black

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canvases traveling of them, I think

you'll find that they work so well.

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Oh, they'll get you hooked.

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They'll work so well, you just

you'll get hooked on this.

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And it's easy to do, easy to do.

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We tell people sometime we're

like, we're like drug dealers.

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We, we come into town and get people

absolutely addicted to painting.

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If it doesn't take too much

to get you addicted here, I've

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had a little white to my color.

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Just highlight here in there.

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Cause painting is fun.

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It's it does nice things to you.

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And it doesn't hurt anybody.

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Everybody's happy.

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It brings a lot of joy to people

with you, whether you're doing the

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painting or whether you give your

paintings or sell your paintings to

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other people, it makes them happy.

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And we need more of that.

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A little more of the yellow here.

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Just same old, yellow back on

the fan brush and dust, but not

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much paint, not too much paint.

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Now that let's bring some happy

little bushes, just use a corner

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of the brush and we'll bring some

little bushes that live right out

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here, come right on down like that.

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See them there they are.

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And just wiggle that brush.

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See if they don't come

right on down to the land.

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There they go.

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There, this is one of the most simple

and effective ways I've ever seen of

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making a lot of happy little bushy

areas and it works like a test.

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See how deep it looks back in there,

or there's a booger hides back in

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there and I'll tell you yes, sir.

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That there was a big

alligator lives in there.

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He'd hide back in there.

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There we go, just put

it into little pushes.

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Maybe there's one lives right

there, wherever you want them.

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There's one.

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Oh, you're doing, it's just sort of

wiggling the brush, wiggle the brush.

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Let these things just sort of happen.

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People write and tell me sometimes

they say I'm I got a little nervous.

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Twitching.

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I can't, I can't paint.

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If you have, if you have a little shake

to your hands, you're ahead of the rest

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of us here, it will really help you.

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I talked too much.

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Let me paint here.

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Let's take some yellow, little bit

of a kid, him yellow in a biscuit

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and get that little roll of paint

right out on the edge of the knife.

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Okay.

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Now then let's just take that and

just sorta here and there, put in

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some happy little waterlines lines.

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All I'm doing is touching the canvas.

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Just touch the canvas canvas

will pull off what it wants.

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Just touch there.

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Maybe there's some things

laying out here in the water.

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There they are.

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Okay.

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Let's go back over here.

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00:13:58,955 --> 00:14:00,575

We need a little touch here and here.

250

00:14:05,345 --> 00:14:06,305

Fun, little painting.

251

00:14:08,220 --> 00:14:10,620

These are the kind of little

paintings that just, they

252

00:14:10,620 --> 00:14:11,790

really just make you happy.

253

00:14:16,550 --> 00:14:20,240

and if one gets too bright, just rub it

a little bit and it'll blend right in.

254

00:14:20,990 --> 00:14:24,230

Once again, you have that color

underneath that base color,

255

00:14:25,160 --> 00:14:26,930

and you can just move things.

256

00:14:26,930 --> 00:14:29,960

You can create all kinds

of beautiful illusions.

257

00:14:31,515 --> 00:14:32,025

Tell you what?

258

00:14:32,084 --> 00:14:32,745

All I got this old.

259

00:14:32,745 --> 00:14:39,525

Nice going, maybe take some more

of her Brown, dark Sienna, a little

260

00:14:39,525 --> 00:14:43,995

bit of, a little bit of titanium

hide, maybe a little touch.

261

00:14:43,995 --> 00:14:44,505

More white.

262

00:14:44,505 --> 00:14:44,805

Yeah.

263

00:14:45,015 --> 00:14:45,675

That's nice.

264

00:14:46,365 --> 00:14:48,615

Cut across and get her a

little roll of paint again.

265

00:14:48,765 --> 00:14:50,025

I know you get tired of hearing that.

266

00:14:50,564 --> 00:14:52,905

Maybe there's a little

Island floats out here.

267

00:14:54,165 --> 00:14:58,005

So first we just put in a little

bit of little bit of Derrick.

268

00:14:58,005 --> 00:15:00,525

We just decide where our

little pile in the lives.

269

00:15:02,204 --> 00:15:03,975

Maybe he is.

270

00:15:04,245 --> 00:15:04,425

Yep.

271

00:15:04,605 --> 00:15:05,775

You're right, right there.

272

00:15:08,824 --> 00:15:12,875

Pick a little touch of the

Brown and white into that.

273

00:15:13,595 --> 00:15:14,584

At least little touch.

274

00:15:14,584 --> 00:15:17,795

Your highlight there.

275

00:15:21,915 --> 00:15:25,425

Let's go back to her fan brush, put

a little more of the yellow in it.

276

00:15:25,965 --> 00:15:27,705

Wants to hide you, reach over

here and get the least little

277

00:15:27,705 --> 00:15:29,085

touch of the yellow ochre.

278

00:15:29,595 --> 00:15:30,705

Just a tiny bit.

279

00:15:30,855 --> 00:15:31,245

Diane.

280

00:15:31,245 --> 00:15:31,785

He's a little bit.

281

00:15:33,105 --> 00:15:33,375

Okay.

282

00:15:34,515 --> 00:15:37,095

Maybe there's a happy

little Bush lives out here.

283

00:15:38,325 --> 00:15:40,515

So let's put him in there.

284

00:15:40,515 --> 00:15:40,905

He is.

285

00:15:43,725 --> 00:15:44,835

Just start a scrubbing moan,

286

00:15:50,415 --> 00:15:52,545

and you can have as many

or as few as you want.

287

00:15:53,895 --> 00:15:56,715

And when you're putting this base

color on the SAF green underneath,

288

00:15:57,255 --> 00:16:01,025

when you put that on, try to put

just a thin coat, you'll find this

289

00:16:01,055 --> 00:16:02,625

most difficult part of this painting.

290

00:16:02,755 --> 00:16:08,145

That pain is very dry and very firm is

you have one big arm from scrubbing it on.

291

00:16:09,104 --> 00:16:10,395

But just a thin coat.

292

00:16:10,395 --> 00:16:12,015

Don't don't let too much get on there.

293

00:16:12,704 --> 00:16:16,875

Otherwise, every time you put any

yellow on here, all that'll happen

294

00:16:16,875 --> 00:16:18,255

as it turns bright green on you.

295

00:16:19,814 --> 00:16:20,655

And that's all right.

296

00:16:21,104 --> 00:16:25,364

But sometimes you want to

retain some color, so just have

297

00:16:25,364 --> 00:16:26,864

nice then even little coat.

298

00:16:26,925 --> 00:16:27,824

It's all you're looking for.

299

00:16:29,765 --> 00:16:30,035

Okay.

300

00:16:32,525 --> 00:16:33,694

Maddie liked her.

301

00:16:35,880 --> 00:16:38,040

Kenny yellow on the knife.

302

00:16:38,070 --> 00:16:41,550

And we'll just add a little

bit underneath here to sort

303

00:16:41,550 --> 00:16:42,810

of set that down in the water.

304

00:16:45,090 --> 00:16:45,960

Tell you what let's do.

305

00:16:48,240 --> 00:16:51,510

Let's put a little reflection under

this that'll spark lit up a little

306

00:16:52,830 --> 00:16:54,360

right underneath, pull it straight down.

307

00:17:03,704 --> 00:17:07,605

And didn't come to light to cross there,

308

00:17:11,444 --> 00:17:12,615

have an instant reflection,

309

00:17:16,335 --> 00:17:18,315

then we'll bring some more

of these right over the top.

310

00:17:22,784 --> 00:17:23,355

There we go.

311

00:17:27,585 --> 00:17:28,244

Super.

312

00:17:32,445 --> 00:17:32,625

Hmm.

313

00:17:34,415 --> 00:17:34,955

Okay.

314

00:17:36,485 --> 00:17:39,155

Now maybe, maybe in our world.

315

00:17:39,515 --> 00:17:39,785

Yeah.

316

00:17:39,845 --> 00:17:40,655

Let's get crazy.

317

00:17:40,745 --> 00:17:41,345

What the heck?

318

00:17:41,915 --> 00:17:42,965

You have to have some fun.

319

00:17:44,585 --> 00:17:45,515

Just take your knife.

320

00:17:45,515 --> 00:17:48,065

And maybe there's some

land that lives right here.

321

00:17:50,975 --> 00:17:54,155

Just a little lane there

wherever you want it.

322

00:17:56,715 --> 00:17:57,415

Every you want it.

323

00:18:00,179 --> 00:18:04,260

It's a little bit of a lighter color, just

for a touch of highlight here and there.

324

00:18:04,260 --> 00:18:05,159

Don't worry too much.

325

00:18:06,210 --> 00:18:07,050

Just a touch.

326

00:18:10,770 --> 00:18:11,129

Okay.

327

00:18:11,129 --> 00:18:16,610

Now then back into our yellow,

what tends to be a little darker?

328

00:18:16,610 --> 00:18:18,409

So I'm gonna add a little

satin green down here too.

329

00:18:18,409 --> 00:18:22,850

I want to be a little more into the

greenish color in the foreground here.

330

00:18:22,850 --> 00:18:25,850

We'll have it a little

darker, a little darker.

331

00:18:26,000 --> 00:18:26,260

Okay.

332

00:18:26,270 --> 00:18:28,159

Let's go back up there now then.

333

00:18:29,370 --> 00:18:34,470

I sort of decide, and maybe they

lived in a nice, happy little Bush

334

00:18:34,920 --> 00:18:41,640

right here, just the corner of the

fan brush and just scrubbing sort

335

00:18:41,640 --> 00:18:42,960

of let it bounce around and play.

336

00:18:43,320 --> 00:18:49,160

And he's got little friend here

wherever there's another one.

337

00:18:51,920 --> 00:18:57,260

Say there just all kinds of little

things maybe out in here, some more.

338

00:19:00,015 --> 00:19:00,705

There you go

339

00:19:04,005 --> 00:19:05,025

over in here

340

00:19:10,475 --> 00:19:12,265

and these little bushes are fun to make.

341

00:19:13,325 --> 00:19:17,015

You just won't believe how easy they

just jump right off that fan brush.

342

00:19:18,875 --> 00:19:19,505

I got to Waco.

343

00:19:21,135 --> 00:19:22,334

Leave some dark areas he's in here.

344

00:19:22,334 --> 00:19:25,514

See those little dark areas are

what separates individual wishes

345

00:19:25,514 --> 00:19:28,245

and, and creates depth and distance.

346

00:19:28,245 --> 00:19:31,064

In that side of again, Danny, what?

347

00:19:32,084 --> 00:19:32,955

Let's have a big tree.

348

00:19:33,074 --> 00:19:34,725

I'm just going to take some Vandyke Brown.

349

00:19:36,735 --> 00:19:37,814

Let's have some fun here.

350

00:19:37,905 --> 00:19:38,774

Vandyke Brown.

351

00:19:38,774 --> 00:19:40,185

We'll get over here and

get some dark Sienna.

352

00:19:40,205 --> 00:19:41,205

This loaded on the fan.

353

00:19:41,205 --> 00:19:41,534

Brush.

354

00:19:41,745 --> 00:19:47,564

A lot of paint, maybe on this

little Island here, libs.

355

00:19:48,615 --> 00:19:49,365

Happy tree.

356

00:19:50,355 --> 00:19:50,835

Sure does.

357

00:19:50,835 --> 00:19:54,465

Now there he is just put his trunk in.

358

00:19:54,555 --> 00:19:58,365

Let's give him a friend

gave me my little friend.

359

00:19:58,425 --> 00:19:58,995

There we go.

360

00:19:58,995 --> 00:20:00,075

I don't want him to get lonely.

361

00:20:02,235 --> 00:20:03,735

And we can take,

362

00:20:09,345 --> 00:20:16,785

take a little touch of the white, a

little teeny amount of dark Sienna, cut

363

00:20:16,785 --> 00:20:18,285

across, get her a little roll of paint.

364

00:20:19,215 --> 00:20:22,575

And let's just put the indication of a

little highlight on the side of this tree.

365

00:20:24,735 --> 00:20:26,415

Just tearing there just a little.

366

00:20:28,035 --> 00:20:28,515

There it is.

367

00:20:28,754 --> 00:20:28,995

See.

368

00:20:31,815 --> 00:20:32,025

Okay.

369

00:20:34,865 --> 00:20:39,725

Take my liner, brush paint

thinner on it than like ink.

370

00:20:40,385 --> 00:20:44,855

Turn them, turn those bristles

in there, pull it out.

371

00:20:46,235 --> 00:20:49,715

And let's put the indication of a

happy little tree lamb here in there.

372

00:20:51,305 --> 00:20:52,055

Just a few.

373

00:20:52,475 --> 00:20:55,325

We're going to put some, let's

put some leaves on this tree.

374

00:20:56,875 --> 00:20:57,885

Nice foliage.

375

00:20:57,935 --> 00:20:58,845

I live in back here.

376

00:21:01,725 --> 00:21:02,145

There we go.

377

00:21:03,885 --> 00:21:11,675

Now I believe we can also use the fan

brush and create some nice foliage on

378

00:21:11,675 --> 00:21:14,014

that tree using the same basic technique.

379

00:21:14,555 --> 00:21:16,595

Go right back into my yellow load.

380

00:21:16,595 --> 00:21:22,115

The bristles kinescope go pin here

now decided where the son of a gun is.

381

00:21:23,460 --> 00:21:28,830

And let's just throw on some quick

little, see some little indications

382

00:21:28,830 --> 00:21:34,740

here and there all kinds of little

leaves and alarms that live out here.

383

00:21:35,850 --> 00:21:37,530

Jesse was in the corner of that fan brush.

384

00:21:40,650 --> 00:21:44,700

Just let that rascal just sort

of shake and play shaking back.

385

00:21:44,700 --> 00:21:45,300

There we go.

386

00:21:46,365 --> 00:21:46,845

I had to go.

387

00:21:50,675 --> 00:21:55,415

Isn't that a fantastic way to make it

a nice little tree, a little out here.

388

00:22:00,754 --> 00:22:01,145

All right.

389

00:22:01,145 --> 00:22:01,475

In there.

390

00:22:02,885 --> 00:22:04,565

They're not easy.

391

00:22:05,705 --> 00:22:06,845

We've got a nice little tree.

392

00:22:08,165 --> 00:22:09,995

You might want to come down

in here and put a little bit

393

00:22:09,995 --> 00:22:11,435

around the bottom of this tree.

394

00:22:11,955 --> 00:22:13,185

And that brings it all together.

395

00:22:14,565 --> 00:22:17,865

Now that you know me,

I like those big tree.

396

00:22:17,885 --> 00:22:19,275

So let's have a big tree over here.

397

00:22:20,595 --> 00:22:21,555

Go right into st.

398

00:22:21,555 --> 00:22:26,565

Van take Brown, and I'm going to

load a roll of paint on the knife.

399

00:22:27,015 --> 00:22:27,525

There we go.

400

00:22:27,525 --> 00:22:28,155

You can see it.

401

00:22:28,515 --> 00:22:30,465

Can you make a big decision?

402

00:22:30,465 --> 00:22:31,695

Your tree's going to live.

403

00:22:32,595 --> 00:22:35,205

It's going to live and we

check you out for bravery.

404

00:22:35,295 --> 00:22:36,615

This is your brave retest.

405

00:22:37,755 --> 00:22:39,165

Then this is your bravery test.

406

00:22:40,025 --> 00:22:41,055

A little more paint.

407

00:22:42,075 --> 00:22:50,885

Maybe there's a big band in the tree

and it, Oh, I see why that trees

408

00:22:50,885 --> 00:22:52,325

had a rough whole life out here.

409

00:22:55,865 --> 00:22:56,975

There we go.

410

00:23:00,895 --> 00:23:04,505

The creatures and stuff have climbed

this tree and looked out over the swamp.

411

00:23:07,545 --> 00:23:10,005

This old tree could talk where

he could tell you some stories

412

00:23:13,425 --> 00:23:13,635

can.

413

00:23:13,635 --> 00:23:17,265

Now, then I'm going to take

some white, white light, dark

414

00:23:17,265 --> 00:23:21,735

Sienna is very flat cut across.

415

00:23:21,735 --> 00:23:23,265

And once again, that little roll of paint.

416

00:23:23,265 --> 00:23:25,995

I know you get tired of seeing

that, but pull it out, cut across.

417

00:23:26,115 --> 00:23:26,895

So all there is to it.

418

00:23:28,065 --> 00:23:31,305

And with that, let's

just take gentle touch.

419

00:23:32,145 --> 00:23:34,365

If you've painted with me before

and put snow on the mountains,

420

00:23:34,365 --> 00:23:35,535

this is the same thing.

421

00:23:36,105 --> 00:23:40,275

Just sorta let it break and follow

that old tree right on down.

422

00:23:41,895 --> 00:23:42,755

Right on down.

423

00:23:45,275 --> 00:23:48,335

Maybe the least little

touch of red over here.

424

00:23:49,235 --> 00:23:52,025

Reddish color would say it

brightens the dry hold up.

425

00:23:53,945 --> 00:23:57,125

Oh, I can make up beautiful tree.

426

00:23:57,125 --> 00:24:00,425

Just using your knife

now on the other side.

427

00:24:01,800 --> 00:24:03,720

She has to show a little reflected light.

428

00:24:04,590 --> 00:24:07,650

I'll take the least, at least little

touch of Prussian blue and white.

429

00:24:08,940 --> 00:24:09,540

No, almost no.

430

00:24:09,540 --> 00:24:14,450

He didn't want it very dark just to

show a little reflected light and

431

00:24:14,450 --> 00:24:18,900

drop right on the other side here

and then sort of bring them together.

432

00:24:18,960 --> 00:24:19,590

Just tapping.

433

00:24:23,960 --> 00:24:24,320

Thanks.

434

00:24:26,834 --> 00:24:30,345

You can just use a little more Brown

now and just work these colors together.

435

00:24:30,405 --> 00:24:33,945

And it makes it big old tree

that really looks gnarly.

436

00:24:34,495 --> 00:24:36,375

Hope that's a word gnarly.

437

00:24:37,034 --> 00:24:37,725

You know what I mean?

438

00:24:39,794 --> 00:24:45,855

Sometimes I'm very guilty of

just making the words gnarly.

439

00:24:45,885 --> 00:24:47,324

That's a good sounding word though.

440

00:24:48,105 --> 00:24:48,435

Okay.

441

00:24:48,584 --> 00:24:53,685

Back to my line brush, let's put a

few arms on this tree, then paint.

442

00:24:55,830 --> 00:24:56,399

Here we go.

443

00:24:57,659 --> 00:25:03,149

Just big alarm on that son of a gun there.

444

00:25:07,700 --> 00:25:07,879

Yeah.

445

00:25:07,879 --> 00:25:11,300

As I say, when I was a kid, I had a

pet alligator and I had all kinds of

446

00:25:11,300 --> 00:25:17,179

weird pets, even even had an Armadillo

in 10, putting my dad's car poor

447

00:25:17,240 --> 00:25:20,330

or a, in his little workshop house.

448

00:25:21,240 --> 00:25:27,020

It tore up everything in there

while he got me armadillos strong.

449

00:25:27,680 --> 00:25:30,470

If you don't know what an Armadale

is, some of them little creatures

450

00:25:30,470 --> 00:25:33,590

that live in a shell, he carries

his little house around with him.

451

00:25:37,190 --> 00:25:37,850

There we go.

452

00:25:38,480 --> 00:25:42,560

They're all over the South, just

harmless and cute as they can be.

453

00:25:43,395 --> 00:25:47,925

There got a few little limbs out

there and maybe, maybe, maybe,

454

00:25:48,495 --> 00:25:50,655

maybe go back to my fan brush.

455

00:25:51,375 --> 00:25:55,395

Let's load some more of the canned

yellow, little touch of the yellow ochre.

456

00:25:57,615 --> 00:26:01,665

And let's go back up here and

let's put a few happy little

457

00:26:02,595 --> 00:26:03,825

leaves out here on this tree.

458

00:26:04,615 --> 00:26:06,705

Still just rubbing and scrubbing.

459

00:26:07,155 --> 00:26:07,875

So all we're doing.

460

00:26:10,350 --> 00:26:11,130

No pressure.

461

00:26:11,130 --> 00:26:15,510

Harley just barely, barely, barely,

barely with the brush, touch the canvas.

462

00:26:15,510 --> 00:26:20,520

Just sort of graze there,

any touching him on it.

463

00:26:23,330 --> 00:26:25,280

They're all kinds of happy, little things.

464

00:26:25,910 --> 00:26:26,000

Okay.

465

00:26:26,505 --> 00:26:30,255

And in your world, you decide

how many leaves and bushes and

466

00:26:30,255 --> 00:26:31,845

stuff that are in drop a man.

467

00:26:32,625 --> 00:26:37,605

Maybe there's a few out here and this

old land that maybe hit, maybe it's dead.

468

00:26:38,375 --> 00:26:38,825

Shoot.

469

00:26:38,845 --> 00:26:42,785

It's it's arresting him.

470

00:26:44,135 --> 00:26:49,145

I tell you what, I think we have a

painting it's about ready for a signature.

471

00:26:49,505 --> 00:26:52,565

Let's take a little bit of red

and assign this little painting.

472

00:26:52,625 --> 00:26:53,825

We'll sign it right down here.

473

00:26:54,959 --> 00:26:56,189

I certainly hope you've enjoyed it.

474

00:26:57,480 --> 00:27:01,050

It will show you some fantastic

ways of using the black Jesso.

475

00:27:02,610 --> 00:27:04,530

And I know that you'll have fun doing it.

476

00:27:04,830 --> 00:27:09,149

So until next time from all of us

here, happy painting and got blessed.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S13E09 - Emerald Waters

Bob Ross's

The Joy of Painting

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