Bob Ross's

The Joy of Painting

S09E09 - Mountain Path

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Hey, I'm glad to see you today.

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You ready to do another

fantastic oil painting with me?

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Let's go and get started here.

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Tell you what let's have them graphically

put all the colors on the screen that

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you need to paint along with me and

they'll come across in the same order

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as I have on the pallet while they're

doing that, let's go on up here.

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Now.

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I've already covered the canvas with a

thin even coated, the liquid white it's

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wet and slick, and it's all ready to go.

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So let's get started out today.

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We do a.

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Let's do just a happy little

painting that has a big mountain in

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it and shoot maybe a little water

and all those beautiful things.

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Let's let's do it.

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I won't take off day

with a two inch brush.

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Go into a small amount

of the yellow ochre.

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Just a little bit, tap

it into the bristles.

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Let's go right up here.

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Now that maybe right in here, he was

in the little Chris cross strokes.

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We'll lay in a small amount of the

yellow ochre, a very, very small amount.

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Don't don't get carried away

with it just a little bit

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and have him without cleaning the brush.

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I'm going to touch the least.

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A little amount of a lizard and Crimson,

just, just a very small amount can

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come back up here and here and there.

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Do you guys want to blend

in a little touch of that?

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Just to give it a, a little bit of

warmth, nice and warm and very soft.

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There we go.

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Okay.

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I don't want to set this guy on fire.

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All we want to do is put a, put the

least, little bit of warm color into

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it, and we will throw a little bit of

that color right down in this area.

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We know that's going to be water, so

we can just go ahead and throw it here.

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Okay.

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Let me clean the old brush, scrape it off.

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Shake off the excess.

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And just beat the devil out of it.

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That is really fun.

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You like it?

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You don't like it.

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Let's start same old brush and we'll

go right into the midnight black

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load, some color onto the brush.

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All right, let's go right back up in here.

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We'll just take a little that black

color and I'll just sorta, still

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use the little crisscross strokes.

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Just begin making some happy

little things in the sky.

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Here.

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There we go.

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You just make all kinds of

little patterns and shapes and

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just throw man, throw a man.

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Just let your imagination take

you wherever you want to go.

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This piece of canvas is your world.

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So you can do anything that

you want here and anything.

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Why don't we get that going?

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I'm going to take a little bit

more of the black and put the least

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little touch of thalo blue into it.

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So we have black and

blue, black, and blue.

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That's the way I look after

arguing with my wife there.

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Okay.

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We have the bristles all

loaded up and ready to go.

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Okay.

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Yeah.

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Pull from the outside in and put a

little bit of water right in here.

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I don't want to cover up all that

nice light area in the center.

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We want to have little light shining right

through this area when we're finished.

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So don't cover all that up.

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Pull it from the outside in.

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There

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let's wash the brush.

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You got that.

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Really beat off there.

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Now they're back into this light

area and let's just blend this

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guy out that all these little

colors, just, just blend together.

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So you can't tell where one

stops and the next one starts.

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There we go.

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No.

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One of the questions that I

get asked quite frequently is

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what kind of canvas do I use?

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I'd recommend you have a canvas.

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It's a double prime, two

coats of primer on it.

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That way you liquid white will stay

wet for an extended period of time.

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We very rarely ever use the canvas

boards because they absorb the

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liquid white and pretty soon

you're working on a dress surface.

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And the other thing is I use a canvas

that's has a gray primer on it.

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That way you can tell exactly.

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Where your liquid white is, and you

don't have to, you don't have to

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wonder if an area is covered or not.

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Okay.

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Let's build us a happy

little mountain in here.

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I'm going to use the midnight flack

and a fellow blue, black, and blue.

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Pull it out, very flat, cut across

and get that little roll of pain.

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Go up here.

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Now you have to make a big decision.

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Where does your, where does

your big mountain live?

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Maybe be right in here, just

she has drop him in and make all

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kinds of little, little things.

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Only thing you're worried about

is this nice outside edge.

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You could care less

what's happening inside.

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Just that nice outside edge.

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All right.

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And started looking around at first

mountains in, in, in your area,

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then that's the kind of shapes that

you're probably most familiar with.

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And you were to put in your painting.

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If there are no mountains in

your area, you can leave the

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mountains out of these paintings.

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There's no problem.

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We just want to show you how to do it.

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What you do is up to you because when

you paint, as you know, very rapidly,

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how to paint, how to paint becomes easy.

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That's the easiest part

of it, what to paint.

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That's what's hard.

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And we get a lot of questions

about where, where do you get

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all the ideas for your paintings?

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Believe it or not a large percentage of

the ideas we get are from photographs

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that people send us or her ideas.

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So if you have, if you have

something you'd like to see painting,

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and one of the shows drop me a

line, you may see it right here.

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I'm taking a little bit of the

midnight black titanium white.

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Making a gray color.

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Cut off a little roller paint now, then

where that gray color, let us just put

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some happy little highlights on here.

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Just grab it.

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No pressure, no pressure.

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Just sort of let it bounce

and play and have fun.

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Let the paint break, but no pressure.

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Most gentle touch imaginable.

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So sort of float across there.

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No pressure at off.

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There we go.

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You want, let's have some

fun in this whole mountain.

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We'll take some, a little blue lizard

Crimson, a little bit of titanium point.

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So we have blue Crimson, that'll go and

sort of make a little lavender color.

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There we go.

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Don't overmix it.

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Leave it all marbly like, yes.

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Can you just take a small edge of the

knife and cut off a little roller paint?

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Okay, let's go up here.

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Maybe over in here.

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We're just going to begin

touching and pulling down.

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This will be the shadow side.

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Let these little colors just happen.

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There look at all the little things.

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That's what makes it pretty.

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And you know, on this piece of

canvas, you can have any color

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combination that you want any colors.

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This is your world, and you can make

it any way you want it painting.

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To me represents freedom.

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I can create the kind of world that I

want to see that I want to be part of.

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And you can too.

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Now, then I want to play some more here.

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I'm going to go right

into the dark Sienna.

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Put a little tiny bit of white with

some cut off that little roller

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paint again, just the tiny little

bit on the small edge of the knife.

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And then right back up in

here and just barely touch.

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Just graze it here and there.

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This is a time you

could use a small knife.

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It would work very good for this hair.

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Just wherever, wherever, wherever

you think a little bit of color

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should show, and you can make

it a little brighter in places.

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Take some of the mountain

color and go back.

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And you can draw in some dark

shadow areas, see how you

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can play with that mountain.

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Just let some of these colors just

sort of just work back and forth.

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I didn't bring them all together.

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There's a lot of fun.

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In fact, to our highlight color, let

it sort of overlap pair in there.

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Okay.

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Now with a clean, dry two inch brush, I

want to begin misting this, just tap it,

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follow the angles in your mountain, and

you're just barely tapping over here.

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Follow these angles.

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I want to create the illusion of

mist at the base of these now lift

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up, read very softly, very softly.

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Barely barely caressing the canvas.

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There we go.

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See, just barely touching it that you

can soften and bring all of it together.

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This looks like, sort of reminds

me of a mountain maybe in, in

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Arizona and New Mexico, somewhere

like beautiful scenery there.

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And we have so many fantastic

friends in that area.

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Now, then you can begin.

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Creating all different planes

in your mountain, just all kinds

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of beautiful little things.

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Maybe it's a little dark right there.

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Just play some of these

colors right through there.

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It's fun to do all these

little things make you happy.

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Your friends will never

believe that you did that.

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You'll never believe what you could

do till you get in there and try it.

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One of the earlier shows, we showed

you some of the paintings that people

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are doing all over the country,

and it's almost unbelievable the

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success that people are enjoying.

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We now have, Oh gosh, we

have now nearly 120 shows.

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So out of 120, you can

certainly find one today.

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The pain scenario in Europe

where you live there.

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Look at that.

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Now that I'm just going to tap right

into a little bit of my lavender color,

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the black, a little Brown, just sort

of, I'm just mixing up all the mountain

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colors on the brush, do it on the brush.

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Now just go right up in here.

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And maybe there's some happy little things

that just come right down this mountain.

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Follow the angles in the mountain though.

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That's very important.

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Very important.

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There we go.

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There they come and come

right down this side.

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Their

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chin is taps and little things in

there that helps create the illusion

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of distance depth in your painting.

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Now, very lightly short, tiny

little strokes, lift up reading.

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Tiniest tiniest little strokes, quarter of

an inch type, teeny tiny little strokes.

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okay.

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Now then with a clean brush,

I want to create the illusion

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of more missed in here.

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So take a clean brush and begin

just tapping them that way.

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It'll mix with the liquid white

and it gets softer and softer

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missed you missed here at easy.

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Okay.

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Let's see how quiet far back that looks

gives you a strong almighty mountains.

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Okay.

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Yeah.

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Thank we got a nice little,

little mountain back here.

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So I'm going back to my

old, dirty brush here.

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We'll go into some Brown.

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I'm going to pick up some SAP green,

a little bit of that mountain color.

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Just all the dark colors with some

SAP green edit, same old mountain

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colors, the black and the Browns.

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Okay.

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Go right in here.

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And maybe, maybe we'll have

a happy little Foothill.

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Yep.

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Lives right there.

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It's like, just take the

corner of the brush and pull

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straight down, straight down.

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Just sorta, just tap it full downward.

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All you're worried about.

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This nice top edge

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there.

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Okay.

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Now we know this is going to be water.

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So underneath here, I'm going to put

what will end up being reflections.

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Just drop them in 40

a traditional painter.

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These are reflections where little son

of a gun he used to drive me crazy, but

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on a wet canvas reflection or one of the

easiest, most fun things that you can do.

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Now with a clean brush,

grab it, pull straight down.

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It's important that this comes straight

down straight and very lightly go across.

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You don't want to destroy all

these little lines in here.

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All you want to do is just

move them a little bit.

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So it looks like water, happy, little

water things happening all back in there.

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Okay.

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Now then we'll take a one inch brush.

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Go into some black, some SAP green.

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There we go.

251

00:15:04,725 --> 00:15:06,975

Just pull it in one direction

through there, load a lot

252

00:15:06,975 --> 00:15:08,025

of pain into the bristles.

253

00:15:08,085 --> 00:15:08,295

Okay.

254

00:15:08,295 --> 00:15:09,135

Let's go back up here.

255

00:15:10,005 --> 00:15:13,785

Maybe there's all kinds of little

bushes that live right along

256

00:15:13,785 --> 00:15:14,805

the edge of the water here.

257

00:15:16,635 --> 00:15:21,375

Just drop in some basic little shapes

to help give the illusion of distance.

258

00:15:21,375 --> 00:15:23,715

Let them get smaller as

they go back over this way.

259

00:15:24,975 --> 00:15:28,305

That will help make it look like

they go further and farther away.

260

00:15:30,525 --> 00:15:33,135

And if you happen to hit in the

wrong place, maybe down here, for

261

00:15:33,135 --> 00:15:38,954

example, all you do is take your

brush, pull it down, see there that

262

00:15:38,954 --> 00:15:41,564

easy, you can create a reflection.

263

00:15:43,425 --> 00:15:44,385

You have to remember.

264

00:15:44,715 --> 00:15:46,005

We don't make mistakes.

265

00:15:47,055 --> 00:15:48,555

We don't make mistakes.

266

00:15:48,885 --> 00:15:50,355

We have happy accidents.

267

00:15:51,780 --> 00:15:52,200

Okay.

268

00:15:52,200 --> 00:15:57,060

And we'll go into some yellow with

a one inch brush and some stab

269

00:15:57,070 --> 00:15:59,720

green, yellow, and Seth green.

270

00:16:00,110 --> 00:16:03,470

Also try making greens out of

the midnight, black and yellow.

271

00:16:03,530 --> 00:16:04,730

Beautiful color.

272

00:16:05,240 --> 00:16:06,260

One direction, load.

273

00:16:06,260 --> 00:16:07,100

A lot of paint.

274

00:16:07,310 --> 00:16:10,940

Here's go back up here now, then

I want to come right in here.

275

00:16:11,900 --> 00:16:12,320

See here.

276

00:16:12,765 --> 00:16:17,565

And just begin putting some little bushes

and these little trees that are we back in

277

00:16:17,565 --> 00:16:20,445

here, all kinds of happy, little things.

278

00:16:21,915 --> 00:16:26,225

There's one, that's a little more, you

can turn the brush over and reflect a

279

00:16:26,225 --> 00:16:28,175

little bit of that right into the water.

280

00:16:28,535 --> 00:16:28,665

Okay.

281

00:16:28,665 --> 00:16:29,705

They're that easy.

282

00:16:30,995 --> 00:16:38,405

Can I add some yellow ochre and in

yellow, all these little things there.

283

00:16:39,375 --> 00:16:44,295

Say, turn it over to tap a little bit

right into there that easy, that easy.

284

00:16:46,185 --> 00:16:46,635

Grab it.

285

00:16:46,845 --> 00:16:48,705

Pull down straight down.

286

00:16:48,735 --> 00:16:49,455

It's most important.

287

00:16:49,455 --> 00:16:50,415

This comes straight down.

288

00:16:50,925 --> 00:16:57,585

Now this is two hairs and some air and

then go across, see instant reflections.

289

00:16:59,385 --> 00:17:00,074

There we go.

290

00:17:01,814 --> 00:17:02,235

Okay.

291

00:17:03,750 --> 00:17:04,530

I'll take the knife.

292

00:17:05,430 --> 00:17:11,849

I can put a little bit of liquid white

right out here, cut across it like that.

293

00:17:12,780 --> 00:17:13,619

Go right up in here.

294

00:17:14,879 --> 00:17:19,889

And we'll just literally cut in some of

the nice water lines right through there.

295

00:17:21,900 --> 00:17:22,800

There we go.

296

00:17:24,480 --> 00:17:30,210

Keep those lines basically straightened,

basically straight, and you put as many

297

00:17:30,210 --> 00:17:31,650

little ripples on your water as you want.

298

00:17:32,014 --> 00:17:32,745

Sort sorta up to you.

299

00:17:34,185 --> 00:17:34,635

Okay.

300

00:17:36,314 --> 00:17:40,024

Now I'd like to have some big

old, strong evergreens in here.

301

00:17:40,024 --> 00:17:41,135

I like evergreen trees.

302

00:17:41,135 --> 00:17:42,365

They're a lot of fun to paint.

303

00:17:42,995 --> 00:17:49,175

So we'll take some black, some black

SAP green throw in some blue looking for

304

00:17:49,175 --> 00:17:53,524

a color that looks black and we might

as well mix up a pretty good amount.

305

00:17:53,524 --> 00:17:53,764

Here.

306

00:17:54,155 --> 00:17:56,195

You throw into Browns, whatever

you have laying around.

307

00:17:57,155 --> 00:17:58,685

Can we clean the knife off?

308

00:18:00,060 --> 00:18:02,220

Maybe today, tell you what let's do.

309

00:18:02,340 --> 00:18:03,090

Let's use.

310

00:18:03,710 --> 00:18:08,149

He was an old two inch brush

handle loaded, full of paint.

311

00:18:08,480 --> 00:18:11,930

You need enough pain in the bristles so

that the bristles stick together, wiggling

312

00:18:11,930 --> 00:18:15,379

the brush, wiggle it, and then sharpen it.

313

00:18:17,210 --> 00:18:21,379

So it becomes a very sharp

Cedar because sharp ideas.

314

00:18:21,379 --> 00:18:22,460

That's a chisel edge.

315

00:18:23,060 --> 00:18:24,110

That's what we're looking for.

316

00:18:24,379 --> 00:18:26,060

Pull it, get it very sharp.

317

00:18:27,584 --> 00:18:30,104

Maybe there is where there is now.

318

00:18:31,094 --> 00:18:35,115

Her is a happy little evergreen

and he lives right there.

319

00:18:35,205 --> 00:18:37,334

Don't be afraid of this

brush because it looks big.

320

00:18:37,965 --> 00:18:40,274

It'll do unbelievable things for you.

321

00:18:40,455 --> 00:18:48,405

Make it, your friend, your brushes need to

be your friend, learn what they will do.

322

00:18:50,220 --> 00:18:51,780

Devote some time to practicing.

323

00:18:53,430 --> 00:18:57,480

If there is a secret to this or

any style of painting weathered,

324

00:18:57,960 --> 00:19:01,470

or there'd be portraits or florals,

landscaped makes no difference.

325

00:19:01,500 --> 00:19:06,000

If there's a secret it's

practice, it's practice.

326

00:19:07,470 --> 00:19:10,770

I always liked the story

about the great volume player.

327

00:19:11,190 --> 00:19:16,140

And he played a concert and afterwards

a lady came up to him and she says, Oh

328

00:19:16,140 --> 00:19:18,720

my gosh, he says, you were so fantastic.

329

00:19:18,720 --> 00:19:22,770

She says, I would, I would give half

my life to be able to play like you do.

330

00:19:23,310 --> 00:19:25,410

And he looked at her and he said, I did.

331

00:19:26,460 --> 00:19:28,560

So that's all, it's just practice.

332

00:19:29,340 --> 00:19:30,360

You can be the best.

333

00:19:32,504 --> 00:19:39,465

All you have to do is practice devote

some time to, well, I get to talk in

334

00:19:39,465 --> 00:19:41,835

here and trees just appear everywhere.

335

00:19:43,784 --> 00:19:47,054

If I talked to her a couple more minutes,

we'd have a whole canvas full of trees.

336

00:19:48,075 --> 00:19:50,264

Take about let's put, let's put

an almighty tree right there.

337

00:19:50,264 --> 00:19:51,855

Big, strong son of a gun.

338

00:19:53,145 --> 00:19:54,465

He got a lot of sunlight.

339

00:19:56,700 --> 00:19:59,040

There we go, stroppy man,

340

00:20:02,060 --> 00:20:06,080

not a super way to make some

fantastic little evergreens or

341

00:20:06,090 --> 00:20:07,440

big evergreens in this case.

342

00:20:09,470 --> 00:20:13,540

Didn't come right on down on down.

343

00:20:16,170 --> 00:20:16,890

There we go.

344

00:20:17,250 --> 00:20:23,280

See in another one there, when

you're creating your own world.

345

00:20:23,730 --> 00:20:27,149

You have to make big decisions,

but lives in your world.

346

00:20:29,190 --> 00:20:30,840

Let's have some happy little bushes here.

347

00:20:30,899 --> 00:20:31,950

I'll go back on this side.

348

00:20:33,000 --> 00:20:34,649

We'll just push in there.

349

00:20:34,649 --> 00:20:34,980

He is.

350

00:20:35,250 --> 00:20:38,190

There he is just a little Bush.

351

00:20:40,830 --> 00:20:41,550

There we go.

352

00:20:46,230 --> 00:20:48,540

All right, let me see all of this.

353

00:20:48,870 --> 00:20:51,510

As you probably know already, it's

going to end up paying reflections.

354

00:20:52,725 --> 00:20:53,295

That easy.

355

00:20:53,415 --> 00:20:54,435

Let's go back to the other side.

356

00:20:54,465 --> 00:20:55,695

No, I'm just getting crazy here.

357

00:20:56,055 --> 00:21:00,705

Maybe there's a happy little

tree and he lives right here and

358

00:21:00,705 --> 00:21:02,795

let's just bring this variety.

359

00:21:02,795 --> 00:21:03,255

I don't know.

360

00:21:04,635 --> 00:21:05,385

They're like that.

361

00:21:05,415 --> 00:21:06,015

That's good.

362

00:21:06,225 --> 00:21:06,705

That's good.

363

00:21:13,635 --> 00:21:15,855

And this, you really, you

really push it in there.

364

00:21:16,135 --> 00:21:17,805

Try not to let the brush slide like that.

365

00:21:17,805 --> 00:21:20,985

See difference, practice

bending the brush.

366

00:21:21,015 --> 00:21:21,785

Just bend it.

367

00:21:22,395 --> 00:21:26,235

There, your bushes will be much happier.

368

00:21:26,505 --> 00:21:28,665

And if your bushes are

happy, you'll be happy.

369

00:21:30,015 --> 00:21:32,835

And I sincerely want you to be

happy with what you're doing,

370

00:21:33,465 --> 00:21:34,665

because that's when it becomes fun.

371

00:21:36,555 --> 00:21:39,585

That's what makes it fun and take

a little, the dark Sienna, a little

372

00:21:39,645 --> 00:21:41,805

white, get us a little roll of paint.

373

00:21:42,315 --> 00:21:42,615

Okay.

374

00:21:43,455 --> 00:21:45,945

And we'll put some trunks and

these little happy trees back here.

375

00:21:45,945 --> 00:21:47,055

Just some indications.

376

00:21:48,330 --> 00:21:49,889

You're not going to see the entire trunk.

377

00:21:49,889 --> 00:21:50,850

So don't worry about it.

378

00:21:51,250 --> 00:21:52,590

Scratch in a few things.

379

00:21:54,080 --> 00:21:54,649

Stay there.

380

00:21:56,500 --> 00:21:59,389

You can just put all kinds

of little doers in there.

381

00:22:01,040 --> 00:22:01,699

There we go.

382

00:22:02,760 --> 00:22:03,290

Scratch it.

383

00:22:04,760 --> 00:22:05,090

Okay.

384

00:22:05,090 --> 00:22:09,800

Ideas and the sound down in here, we

can do the same thing on the other side.

385

00:22:11,330 --> 00:22:11,959

There we go.

386

00:22:12,290 --> 00:22:14,209

Just some little indications.

387

00:22:18,390 --> 00:22:22,170

Same thing that these things, most

of them would be covered up, but

388

00:22:22,170 --> 00:22:23,490

someone will show through and people.

389

00:22:23,490 --> 00:22:23,790

Thank you.

390

00:22:23,790 --> 00:22:26,130

Spend a week with your little

one hair brush in there.

391

00:22:27,280 --> 00:22:28,200

Don't tell them any different.

392

00:22:30,150 --> 00:22:32,550

Don't tell them any different, just enjoy.

393

00:22:34,320 --> 00:22:34,830

Okay.

394

00:22:34,920 --> 00:22:40,980

Now then I'll go to the one

inch brush you set green and.

395

00:22:41,925 --> 00:22:46,275

A little bit of CAD yellow, pull that

brush to a nice sharp chiseled edge.

396

00:22:46,605 --> 00:22:47,295

Very sharp.

397

00:22:48,315 --> 00:22:48,465

Okay.

398

00:22:48,465 --> 00:22:54,005

Let's go back up here now, then last some

nice highlights on some of these trees.

399

00:22:54,005 --> 00:22:55,775

Don't overdo, don't overdo.

400

00:22:55,775 --> 00:22:57,785

It's real easy to kill all the dark.

401

00:22:57,785 --> 00:23:00,155

It starts working and

you get carried away.

402

00:23:00,455 --> 00:23:03,335

And next thing you know, you've

covered up the whole tree.

403

00:23:05,105 --> 00:23:06,065

Don't kill it all.

404

00:23:08,055 --> 00:23:13,050

So you just sort of work it back and forth

where you think light would strike Kenneth

405

00:23:13,050 --> 00:23:16,575

Gordon, your other side over here and put

some highlights on these old big trees.

406

00:23:18,375 --> 00:23:19,895

Let a little sun play through there.

407

00:23:19,965 --> 00:23:21,195

Sparkle those looms.

408

00:23:23,115 --> 00:23:24,075

You can do it.

409

00:23:26,565 --> 00:23:26,835

Okay.

410

00:23:27,015 --> 00:23:28,095

Just comes right on down.

411

00:23:28,365 --> 00:23:31,125

We don't know wherever you want

it to go a little bit on this.

412

00:23:32,415 --> 00:23:35,355

Like, so now there.

413

00:23:37,155 --> 00:23:40,814

I don't want to take some more of my

yellows and I'm using three different

414

00:23:40,814 --> 00:23:47,804

yellows here and in yellow, yellow ochre,

and a little caddy along, pull it brush

415

00:23:47,804 --> 00:23:49,875

in one direction, get it full of paint.

416

00:23:50,504 --> 00:23:51,344

Come right up here.

417

00:23:52,364 --> 00:23:52,604

Tuck it.

418

00:23:52,604 --> 00:23:52,844

There.

419

00:23:53,114 --> 00:23:53,715

There it is.

420

00:23:55,685 --> 00:23:57,254

That just shine out there.

421

00:23:59,655 --> 00:24:03,945

They're like, Oh, these little

things, tell you what I'm going to do.

422

00:24:04,725 --> 00:24:08,625

We know this is going to be reflection,

so let's pull that down, pull it

423

00:24:08,625 --> 00:24:13,065

straight down, and then we can turn

right around and reflect some of this

424

00:24:13,065 --> 00:24:16,815

into the water, right into the water.

425

00:24:17,925 --> 00:24:21,945

And just put all these happy little

things here and do layers layer

426

00:24:21,945 --> 00:24:27,525

after layer after layer, and also

layer it right into the reflections.

427

00:24:28,995 --> 00:24:32,805

Then we'll see if you have a

delicate touch, barely touch.

428

00:24:34,935 --> 00:24:42,815

Yeah, and across, and then we'll go into

some Vandyke Brown and we're just touching

429

00:24:42,815 --> 00:24:47,435

here and we'll put in some nice little

land areas, little rocks and stones.

430

00:24:51,095 --> 00:24:51,185

Okay.

431

00:24:51,245 --> 00:24:54,665

And we can take some of that gray

color we used on the mountains and

432

00:24:54,665 --> 00:24:56,675

just barely touch that sorta bounce.

433

00:24:57,065 --> 00:24:58,295

Just let it bounce along there.

434

00:25:01,125 --> 00:25:05,795

Create the illusion of some highlights

and tap in a few little things just

435

00:25:05,795 --> 00:25:11,525

to break up that straight edge, little

liquid white, put us in a little water

436

00:25:11,525 --> 00:25:14,915

line right here is that it cleans up

the bottom and brings it all together.

437

00:25:15,655 --> 00:25:17,765

Scratching a few more

little sticks and twigs.

438

00:25:19,715 --> 00:25:21,515

And we got it that easy.

439

00:25:22,955 --> 00:25:23,765

Maybe over here.

440

00:25:23,765 --> 00:25:25,835

There's a, we just said

there was a nice tree.

441

00:25:25,835 --> 00:25:26,465

It lives here.

442

00:25:27,930 --> 00:25:35,580

There it is just like, so, and you

pick up a touch of the bright red.

443

00:25:36,060 --> 00:25:38,910

Let's put something in there that, Oh,

there's a nice little orange rascal.

444

00:25:43,320 --> 00:25:46,890

If you have trouble making your paint

stick, add a little bit of paint thinner

445

00:25:47,550 --> 00:25:48,930

or a little bit of the liquid white.

446

00:25:50,250 --> 00:25:52,470

There we go and work in layers.

447

00:25:52,590 --> 00:25:56,639

I know you get tired of hearing me say

that, but it's important if you don't

448

00:25:56,639 --> 00:25:58,290

work in layers, it's going to look flat.

449

00:25:59,250 --> 00:26:05,370

I tell you today, what I want to

do here, have a happy little path.

450

00:26:05,760 --> 00:26:08,520

So we'll just take Vandyke Brown.

451

00:26:09,950 --> 00:26:10,430

Look at that.

452

00:26:10,879 --> 00:26:11,510

Look at that.

453

00:26:12,680 --> 00:26:15,440

Just banned like Brown, a

little bit of dark Sienna and

454

00:26:15,440 --> 00:26:17,570

it won't hurt sort of nice.

455

00:26:18,689 --> 00:26:24,189

Oh the cross and we can take some

Brown and some white and go back.

456

00:26:24,260 --> 00:26:24,500

Okay.

457

00:26:24,620 --> 00:26:26,389

And just barely touch.

458

00:26:26,750 --> 00:26:31,939

It's just like making snow break

on the mountain and that easy.

459

00:26:32,000 --> 00:26:37,459

We have a happy little path drop in all

these little things around his foot.

460

00:26:39,350 --> 00:26:39,919

There we go.

461

00:26:40,879 --> 00:26:43,040

And we'll push it path right

back and look at there.

462

00:26:43,100 --> 00:26:44,840

Now you don't know where the path goes.

463

00:26:46,129 --> 00:26:46,939

Isn't that super.

464

00:26:47,370 --> 00:26:49,020

He just started disappears back here.

465

00:26:49,710 --> 00:26:52,650

You'd wander around, go up his

path to catch it, big old fish.

466

00:26:52,650 --> 00:26:55,370

It lives in there just like that.

467

00:26:59,390 --> 00:27:04,340

Scratch in a few more sticks and twigs,

wherever you think they are to live.

468

00:27:06,050 --> 00:27:08,540

And I think we'll sign this

one and call it finished.

469

00:27:09,170 --> 00:27:12,800

I'm dipping my brush right into a little

bit of the liquid clear, go through some

470

00:27:12,800 --> 00:27:15,140

bright red and assign it right here.

471

00:27:16,230 --> 00:27:19,560

The old clock on the wall is telling me

it's time to leave you for this week.

472

00:27:19,890 --> 00:27:23,130

So I certainly hope you've

enjoyed this painting until

473

00:27:23,130 --> 00:27:24,690

next time from all of us here.

474

00:27:24,750 --> 00:27:25,320

Happy painting.

475

00:27:26,150 --> 00:27:26,680

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S09E09 - Mountain Path

Bob Ross's

The Joy of Painting

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