Bob Ross's

The Joy of Painting

S09E13 - Mountain Hideaway

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Oh, welcome back.

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Well, here we are on the last show of

the ninth television series, and I'm

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certainly glad you joined me today.

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So for this show, I thought we'd do

something a little bit different, a

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nice, happy little painting, and I've

already started out here and I've taken

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liquid black, as you can see, and went

right around here and then right in

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the center, just liquid white and sort

of let them blend together right here

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where they, where they come together.

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Liquid black is exceptionally

good for areas where you're

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going to have a lot of dark.

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Shadows, very dark colors.

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You can put that in

saves you a lot of work.

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So let's have them graphically run all

the colors across the screen that you

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need to paint this painting along with me.

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And we'll come on up here and get started.

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Alrighty, let's start off today with

a touch of blue and we'll just tap

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a little that into the brush and we

can add a little black to that too.

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Just to dull it down.

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There we go.

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Small amount of color.

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Let's go right up here.

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Let's start right at the top.

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And as usual, make our

little Chris cross strokes.

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Yes.

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Like, so just like so very nice.

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Easy to do.

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And we'll bring it down to about like that

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and very gently go across to take

out the brush strokes and that

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quick, we got a happy little sky.

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I'm gonna wash your brush,

shake off the excess

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and we'll get the camera, man.

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Again, he has caught the devil.

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I'm going to go right into titanium

white and just pull it, burst through it.

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Just tap a little color right into it.

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Okay.

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Let's go right up here.

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Maybe there's a happy little cloud

that lives up here in the sky and

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it just sort of floats around.

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See, I sort of pull it around like that.

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This is just straight titanium white,

and we just want the indication of a

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little something happening in there.

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We're not looking for a lot of

detail our way there we are.

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And I've quick, we have a happy

little cloud in this series.

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We've made a lot of different clouds.

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We've made some great big stormy

clouds and some with a lot of color.

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And we've made some beautiful seascapes.

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I really, really hope

you've enjoyed those.

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Also.

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I spilled this a little

mountain back here.

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I'll just take some black, some Vandyke

Brown, a little touch, a blue shoot.

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Let's throw some crims in there too.

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So we got blue, Brown,

Lisbon, Crimson, and black.

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Pull it out very flat now.

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Cut across.

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And get our little roll to pate.

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We always use that little roll of paint.

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Okay.

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Now then we're going to have a nice little

mountain that lives we, you back here,

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push that paint right into the fabric.

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Jester.

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Really push hard, work it in there.

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Juice to push it.

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There we go.

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There.

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He is.

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The only thing you worried

about is this nice outside edge.

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Okay.

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We'll take a large brush, grab it and pull

that blend with the liquid white there.

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See, it just disappears

right into nothing.

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Just the nice Misty effect.

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Okay.

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We'll take some, let's take a

little titanium, white, cut us

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off a small little roll of paint.

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Just a tiny bit.

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Let's go up here and

just let the knife float.

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Just let it flow out.

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And we'll put in, put in

some nice highlights and

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you could do this in colors.

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You might wanna, you

might want a mountain.

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It's Brown with all kinds of

beautiful rocks and stones

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works the same way, same way.

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So in your world you decide and you

make it any way that you want it.

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Let's say some white blue.

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And a little bit of Vandyke Brown to that.

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Here we go.

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The Brown is just used a doll

that blew down a little bit.

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So it's not quite so bright.

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Cut off that little roll of paint.

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Okay.

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Had it come right back in here.

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See there that easy, easy.

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Just put in some nice little shadows.

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Just sort of let those

work great together.

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Together,

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wander back in here and pick up

some of the whites and well, you

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can just make all kinds of things

that happened in your mountain.

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All kinds.

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You're limited only by your

magic nation, only by that.

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Nothing else.

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What you can see in your

mind, you can put on canvas.

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There we are.

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To an artist, maybe imagination

is one of the most important

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things that you can possess.

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So develop your imagination.

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It's like any other muscle in the body use

it, use it, exercise it, practice with it.

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You'll be amazed at what you can imagine.

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Pretty soon if you've paint,

you become very aware of nature.

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You become aware of color and.

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You're riding down the street and

you'll see a beautiful tree and you'll

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say, Oh, look at the SAP green in that

tree or that, or the white and that

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cloud that's made with a fan brush.

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You have to be careful though.

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You'll get so, so interested in all the

beautiful things that nature has you

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drive right off the road, always carry

a camera with me and I take pictures

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all over the country of the different.

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The different areas.

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Okay.

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I'll go right back into

that mountain color there.

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And to that, I'll add a little

more blue, little white there.

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I'm looking for a bluish,

bluish color, but not my cat.

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That's a nice color.

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Okay.

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Let's go right back up here.

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Maybe, maybe there's a happy little

Foothill that lives right there.

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See it.

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See it, there it is.

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It lives right there in that brush.

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Just tap it out, tap it out there.

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Now I think I've mentioned to some

of the other shows, most of the ideas

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that we, we use to do paintings come

from people all over the country.

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If you have something

you'd like to have painted.

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Drop me off.

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Drop me a line.

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I love to hear from you.

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And some people send

postcards or photographs.

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Tell me what interests you.

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If it's something I can't do shoot

Lou at and get us a guest artist

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and we'll bring him in and we'll

get them to show you how to do it.

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There we go.

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And with the completion of this series,

there are gosh, a hundred, 117 shows.

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Now, if you haven't seen them all in

your area, give your station to call,

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let them know that you want to see them.

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There you go.

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There you go.

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Okay.

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Let's have some fun.

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I'm going to take, we'll take black,

we'll put some Brown in there and sat

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green, looking for a very, very dark

color and throw some blue in there too.

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It doesn't matter.

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Okay.

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Let me clean my knife off.

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That's grab us a fan brush load

that van brush full of color.

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Lot of paint in the brush, a lot of paint.

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Okay, go ahead.

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Let's go up here.

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And then I want to do some

happy little Everglades.

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I like evergreens use a corner of the

brush and go back and forth there.

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See, let's give him a friend.

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Trees gets lonely too.

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We all need a friend go.

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Now that may be Teddy hunt.

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There is another one.

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Let's just put a bunch of them in here.

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I like to do these.

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And some, some parts of the country

evergreens are real skinny and

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other parts they're sort of fat.

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So either way you want, they're

made basically the same way.

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And trees are like people, they have

personalities each one's different.

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Each one's individual

that's unique and different.

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It's really different.

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So don't worry about it.

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If you're treated and look just

like the one you you see here,

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that means they're probably better.

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We really are not trying to

teach you to copy with these.

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We're trying to show you how to

make effects, turn you loose on the

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world because you can own the world

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there.

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I see.

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I'll tell you what, I'm just going

tree crazy, but the more of these

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little trees you do, the more practice

you'll get and the easier they'll

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become good way to practice is just

take old canvases or something.

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And just do a whole canvas full of trees

or mountains or skies or whatever it

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is that you're having problems with.

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The best way to overcome a problem area

is to do it over and over until you learn.

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Maybe there's another

happy little tree there.

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Happy little tree there.

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Okay.

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Well, we got a mess of

trees going in there.

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Almost have some little forest.

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So I'm going to take some of

the dark Sienna, little white.

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Cut-through have a tiniest little roll

of paint, right on the edge of the knife.

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Let's go up here now with that, I'm

going to sneak back in here, just

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here and there, but the indication

of a little, little trunk, we don't

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want these trees to, to fall over.

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These are strong trees,

happy trees back here.

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Everything we paint is happy.

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Your paintings reflect your mood.

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You're in a bad mood.

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You'll paint, painter, angry or painting.

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That's when you do the big storm clouds

and when you're happy, your paintings

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will reflect that there'll be bright

and cheery and the colors will be super.

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All right.

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Tell you what let's do, let's

go right into this dark color.

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This was the old tree color, and I'm just

going to tap this brush right in there.

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Now we need something for all of

these evergreens to set on it.

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Right now.

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They're just sort of floating around.

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So let's begin.

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Let's begin creating the lay of the land.

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See if this was a fight.

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Background here.

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If you had liquid white, this color would

be, Oh, it'd be a lot more difficult to

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apply because the dark's already in there.

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It just drops in real easy.

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I don't know if you could even

see it, but it's there now.

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Watch what happens.

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Let me grab another brush.

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Now let's go right into some

yellow, yellow, I've got to reach

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up here and get some SAP green.

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So we have yellow and SAP green and

tap this brush firmly into the color.

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All right.

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And how did this will really

show up against the dark?

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And this is where we want to create

once again, the lay of the land.

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Began making big decisions here.

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How did this go?

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I see little Hills, so I'll paint

little Hills and whatever you see

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in your painting and your world.

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That's what you want to paint.

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Look at that.

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See it just Hill after Hill, many

as you want, or as few as you

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want, let's go right over here.

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Don't want this side to be left out.

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There we go.

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And if you want it darker, all

you have to do is continually tap.

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If you just tap on it and it's

going to pick up the liquid black

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automatically, it's going to get darker.

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You don't have to worry about it.

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It just happens.

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Okay.

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I want a stone.

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Maybe we'll do a bunch

of rocks in this one.

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There's a stone and lives.

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Right about there.

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There's a nice stone.

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See you.

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And how do you make around

stone with a square knife?

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That's your project for today?

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Yeah, they just go right around and

see, put some highlights on him.

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Look how that stands out.

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That's true.

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Some dark Sienna with a little

white in it and that easy.

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We have a nice little stone.

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Now you can take it.

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And pull a tiny bit of that

color down, make it look rougher.

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That's what my dog says.

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Rough there.

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00:13:43,890 --> 00:13:44,430

Okay.

258

00:13:46,350 --> 00:13:50,610

And we'll take a little more of a green

and yellow mixture right on the brush.

259

00:13:52,710 --> 00:13:54,330

And let's take.

260

00:13:55,035 --> 00:13:57,165

And we come right down here

at the foot of this rock.

261

00:13:57,464 --> 00:14:00,824

See you in there and that

lazy right in the painting.

262

00:14:02,985 --> 00:14:07,245

Isn't that super layer after layer.

263

00:14:09,795 --> 00:14:15,135

Maybe, maybe, maybe there's

another stone that was right here.

264

00:14:15,135 --> 00:14:16,964

Let's let's put a bunch

of stones in this one.

265

00:14:18,165 --> 00:14:20,145

There are a lot of fun, lot of fun.

266

00:14:20,175 --> 00:14:23,295

There's another one,

wherever you want them.

267

00:14:24,870 --> 00:14:25,290

Tell you what?

268

00:14:25,290 --> 00:14:26,490

Maybe this is a big stall.

269

00:14:26,730 --> 00:14:27,530

Let's have a big old,

270

00:14:30,560 --> 00:14:32,000

we just get carried away here.

271

00:14:33,620 --> 00:14:34,130

Stones will.

272

00:14:34,340 --> 00:14:35,780

If you're not careful,

they'll grow on you.

273

00:14:35,780 --> 00:14:37,010

They'll eat up your whole world.

274

00:14:38,510 --> 00:14:41,450

What started out as a little

stone, turned into a big one

275

00:14:42,860 --> 00:14:44,450

and we'll use those same colors.

276

00:14:44,720 --> 00:14:49,520

Just, this is a little bit of dark

Sienna touch you're white, and you

277

00:14:49,520 --> 00:14:52,580

just let this graze just barely touch.

278

00:14:53,459 --> 00:14:57,959

Graze the most delicate,

delicate touch imaginable.

279

00:14:58,920 --> 00:15:04,110

Pretend, pretend you're just a whisper

and you're just floating across there.

280

00:15:05,510 --> 00:15:07,650

Just barely touching it.

281

00:15:08,600 --> 00:15:08,720

Okay.

282

00:15:11,360 --> 00:15:15,800

And if he'll come back, just

tap him some color, see, and

283

00:15:15,800 --> 00:15:17,000

that'll bring all that together.

284

00:15:17,569 --> 00:15:17,990

Look at all.

285

00:15:17,990 --> 00:15:19,280

The stolons here comes one.

286

00:15:20,685 --> 00:15:21,135

Right.

287

00:15:21,705 --> 00:15:22,935

Oh, I see something here.

288

00:15:23,055 --> 00:15:23,895

Let's have some fun.

289

00:15:24,665 --> 00:15:25,475

Let's get crazy.

290

00:15:26,525 --> 00:15:27,635

Let me find the fan brush.

291

00:15:28,295 --> 00:15:31,625

I think when, when you're painting,

you see things in here they happen.

292

00:15:31,955 --> 00:15:35,285

Don't find them learn to

use them, learn to use them.

293

00:15:35,855 --> 00:15:36,395

Watch here.

294

00:15:37,355 --> 00:15:41,435

This would just in my mind, be a

super place for happy little stream.

295

00:15:42,515 --> 00:15:45,935

So I'm going to take a little, the liquid

white and go right into titanium white.

296

00:15:47,355 --> 00:15:48,765

Liquid white titanium.

297

00:15:48,765 --> 00:15:49,064

White.

298

00:15:49,395 --> 00:15:49,725

Yeah.

299

00:15:50,285 --> 00:15:50,915

Back here.

300

00:15:51,215 --> 00:15:53,495

I see a little stream watch here.

301

00:15:53,495 --> 00:15:54,905

It comes from behind that rock.

302

00:15:55,355 --> 00:15:59,375

Maybe it falls over a little

bit there, little splash and

303

00:15:59,375 --> 00:16:00,695

it wanders right through.

304

00:16:01,485 --> 00:16:03,545

Maybe, maybe it just

falls every which way.

305

00:16:03,545 --> 00:16:04,085

Right there.

306

00:16:04,725 --> 00:16:07,415

It runs, it runs behind that rock.

307

00:16:08,255 --> 00:16:11,735

It's right behind the ceiling now.

308

00:16:12,785 --> 00:16:15,545

And it disappears behind

that rock comes out.

309

00:16:17,130 --> 00:16:17,640

There.

310

00:16:19,110 --> 00:16:21,900

And since it's closer to us

here, here, it's going to look

311

00:16:21,900 --> 00:16:24,750

a little bigger, that easy.

312

00:16:25,410 --> 00:16:28,890

We can make a little stream, man.

313

00:16:30,720 --> 00:16:33,330

See how I want to go back in

from up to age on this rock.

314

00:16:33,330 --> 00:16:36,750

So I'd push that stream

back, but that easy.

315

00:16:37,485 --> 00:16:41,475

You can change your mind and create

all kinds of fantastic effects.

316

00:16:43,815 --> 00:16:47,985

I want to add a little touch of

blue, blue, little touch of blue.

317

00:16:49,215 --> 00:16:50,445

Right underneath this water.

318

00:16:50,475 --> 00:16:56,535

We'll have a little pool here,

little pool back into the Brown.

319

00:16:57,885 --> 00:17:00,015

Let's bring some happy rocks

right down through here.

320

00:17:01,365 --> 00:17:02,475

There is another rock.

321

00:17:02,865 --> 00:17:05,235

Got to have something to

contain this little waterfall.

322

00:17:07,635 --> 00:17:08,805

Maybe comes right down.

323

00:17:15,515 --> 00:17:18,905

There's another stone right there.

324

00:17:19,225 --> 00:17:23,105

See all these different stones

will help push everything back.

325

00:17:23,105 --> 00:17:24,335

We'll put another one right here.

326

00:17:24,365 --> 00:17:30,335

Just sort of look and make

sure that it's logical there.

327

00:17:31,175 --> 00:17:32,735

Something has to hold that water in.

328

00:17:32,765 --> 00:17:34,475

Otherwise they run over

the top of the rock.

329

00:17:38,940 --> 00:17:39,540

There we go.

330

00:17:41,490 --> 00:17:44,280

Now then a little bit of highlight

on this rock, where the light

331

00:17:44,280 --> 00:17:48,180

striking it's delicate touch,

332

00:17:51,510 --> 00:17:52,260

like a touch

333

00:17:56,610 --> 00:17:57,060

there.

334

00:17:57,150 --> 00:18:00,390

See, and follow the angle of the rock

335

00:18:03,420 --> 00:18:04,050

and the rocks.

336

00:18:04,560 --> 00:18:08,790

I just like making little

mountains, they'll grow up.

337

00:18:09,810 --> 00:18:15,690

Be big strong mountains, take some green

and some yellow, some yellow ochre,

338

00:18:15,840 --> 00:18:20,610

grab some and Daniella to just mix them

together here on the fan brush though.

339

00:18:20,610 --> 00:18:21,210

Right up here.

340

00:18:22,650 --> 00:18:23,610

And there's some areas here.

341

00:18:24,014 --> 00:18:28,514

Or maybe you want to put some happy,

shiny little bushes help cover up the

342

00:18:28,514 --> 00:18:31,995

foot on the rocks or some things that are

grown right here next to the waterfall.

343

00:18:33,254 --> 00:18:33,764

Look at there.

344

00:18:34,365 --> 00:18:40,514

Maybe some big bushes live in

here, big bushes, right in here.

345

00:18:40,514 --> 00:18:44,415

We'll put some and they live

right out on that stone.

346

00:18:45,285 --> 00:18:47,235

See how that helps push everything back.

347

00:18:50,010 --> 00:18:53,580

Fantastic knew you could do it.

348

00:18:57,210 --> 00:18:57,899

There we go.

349

00:18:59,070 --> 00:19:00,240

Come right down through here.

350

00:19:03,480 --> 00:19:06,899

See curve that follow the land.

351

00:19:09,645 --> 00:19:10,245

Let it be.

352

00:19:11,044 --> 00:19:15,675

And if we're going to have a little

pool down here, we need to contain it.

353

00:19:15,675 --> 00:19:19,334

Somehow don't want it to get loose on us.

354

00:19:21,975 --> 00:19:24,405

Darker, darker, darker, back

up in here in the shadows.

355

00:19:26,130 --> 00:19:26,450

Okay.

356

00:19:26,470 --> 00:19:27,630

Let's come over in this side.

357

00:19:32,780 --> 00:19:36,960

Looks like the kind of place my mother

would like her and I used to go walking

358

00:19:36,960 --> 00:19:39,420

in the woods and she's crazy as I am.

359

00:19:39,420 --> 00:19:40,680

We talked a little squirrels.

360

00:19:41,775 --> 00:19:42,825

We hunt with a camera.

361

00:19:45,005 --> 00:19:50,165

I used to be a Hunter, but in my old age,

I got to where I'd rather take pictures

362

00:19:50,165 --> 00:19:51,695

of the creatures and then shoot them.

363

00:19:54,665 --> 00:19:55,205

There we go.

364

00:19:57,065 --> 00:19:57,785

There we go.

365

00:20:00,605 --> 00:20:03,035

All right, let's play right in here.

366

00:20:03,185 --> 00:20:06,575

I'm going to take some white on

a fan brush, a little bit of the

367

00:20:07,205 --> 00:20:08,585

little touch it, the little blue.

368

00:20:09,720 --> 00:20:16,430

Load the brush and let's come right in

here and this water is going to hit down

369

00:20:16,430 --> 00:20:19,910

here and splash all kinds of little.

370

00:20:19,970 --> 00:20:24,710

This water's going to be rough down

in here, right up to the little

371

00:20:24,710 --> 00:20:27,320

grassy areas and maybe the water

just sort of sneaks under there.

372

00:20:27,320 --> 00:20:27,830

We don't know.

373

00:20:30,020 --> 00:20:33,530

I said we had put blue with the

liquid black under there, so now

374

00:20:33,620 --> 00:20:37,610

it's picking up and all these

beautiful little colors just happen.

375

00:20:39,210 --> 00:20:39,960

She has to happen.

376

00:20:42,600 --> 00:20:43,320

There we go.

377

00:20:44,870 --> 00:20:47,390

That gives us a nice little

pool for that water to run into.

378

00:20:49,490 --> 00:20:51,800

I tell you what now we got

these big dark sides here.

379

00:20:52,160 --> 00:20:55,910

Let's play a little bit over

here, back into my van Dyke Brown.

380

00:20:55,910 --> 00:20:57,410

I'm going to pull it out very flat.

381

00:20:57,830 --> 00:21:02,130

I'll tell you what, we'll add some dark

sand for that pull that flat cut across.

382

00:21:02,130 --> 00:21:04,040

And once again, our little roll of paint.

383

00:21:05,240 --> 00:21:07,800

I know you get tired of seeing that,

but it's important how you load this

384

00:21:07,800 --> 00:21:15,659

knife and let's put a, let's put a

tree trunk right there, right there.

385

00:21:18,860 --> 00:21:20,000

Maybe this whole trunk.

386

00:21:20,510 --> 00:21:20,990

There it is.

387

00:21:20,990 --> 00:21:27,889

Look, see, see, let that

trunk come right down there.

388

00:21:27,889 --> 00:21:28,909

We'll give him a big foot.

389

00:21:31,250 --> 00:21:33,229

Nah, I see big foot's wasn't a tree.

390

00:21:36,680 --> 00:21:37,820

but we'll call this one.

391

00:21:38,510 --> 00:21:43,129

We'll call this tree big foots

and let's give that tree in arm

392

00:21:43,790 --> 00:21:44,960

needs a little arm out there.

393

00:21:47,659 --> 00:21:52,430

And one over here, wherever,

wherever she would tree.

394

00:21:52,580 --> 00:21:58,310

So you put arms where you want

them wherever you want to take a

395

00:21:58,310 --> 00:22:00,950

little bit of the Brown and white.

396

00:22:01,520 --> 00:22:03,660

Let's just drop in touch of highlight.

397

00:22:05,730 --> 00:22:09,840

Look at that and say against that dark

one that just sparkles jumps out at you.

398

00:22:11,800 --> 00:22:12,290

Here we go.

399

00:22:14,750 --> 00:22:15,050

Yeah.

400

00:22:15,050 --> 00:22:16,700

My brush has got the dark color of it.

401

00:22:16,850 --> 00:22:18,710

This was at original dark mixture.

402

00:22:18,710 --> 00:22:21,980

We just had everything and it

sat green, black, Brown, blue.

403

00:22:23,030 --> 00:22:24,530

Now that must go right up in here.

404

00:22:25,160 --> 00:22:29,570

And at this one, I want to create

little leaves that come off this tree.

405

00:22:31,365 --> 00:22:34,905

And as always as always,

we put the dark end.

406

00:22:35,355 --> 00:22:36,405

So the light will show

407

00:22:39,885 --> 00:22:41,505

because we had the liquid black on there.

408

00:22:41,895 --> 00:22:43,605

A lot of this dark is already done.

409

00:22:43,635 --> 00:22:45,165

We don't have to worry about it at all.

410

00:22:49,135 --> 00:22:49,825

So much fun.

411

00:22:49,825 --> 00:22:53,365

Let's do that on the other side,

maybe over here, there's another tree.

412

00:22:55,015 --> 00:23:00,235

It's just sort of brings the whole

compensation together and fantastic.

413

00:23:02,755 --> 00:23:09,595

I like doing these kinds of paintings

are so striking, so striking.

414

00:23:09,625 --> 00:23:10,165

They're fun.

415

00:23:11,395 --> 00:23:15,475

They find they make you happy and

that's, that's what paintings all

416

00:23:15,475 --> 00:23:16,615

about it should make you happy.

417

00:23:19,305 --> 00:23:25,095

There we go do some Sam green to

pick up some of that yellow ochre.

418

00:23:26,205 --> 00:23:30,455

Now, when you're doing this, if your

paint won't stick at a little touch

419

00:23:31,264 --> 00:23:35,014

up, paint thinner, or the liquid white,

just using the corner of the brush

420

00:23:36,065 --> 00:23:38,524

again, tapping in basic shapes here.

421

00:23:38,524 --> 00:23:41,915

We don't want to just hit it random

tap in some very basic shapes.

422

00:23:43,655 --> 00:23:44,105

No, hold on.

423

00:23:44,165 --> 00:23:45,725

Finishing this tree up.

424

00:23:46,095 --> 00:23:50,655

I'd like to just take a second and

thank a lot of fantastic people

425

00:23:51,315 --> 00:23:52,995

for making these programs possible.

426

00:23:54,585 --> 00:23:59,295

All the people behind the scenes that

you don't see, they're super, we have

427

00:23:59,745 --> 00:24:05,375

some of the best people in PBS here

and absolutely the best director.

428

00:24:06,545 --> 00:24:11,435

She yells at me a lot, but she's good

director and she makes these shows happen.

429

00:24:14,370 --> 00:24:17,850

And there's just so many people

that you never get a chance to meet.

430

00:24:19,050 --> 00:24:19,800

And they're special

431

00:24:27,290 --> 00:24:33,080

takes a lot of people to put these shows

together, even a fantastic lady who

432

00:24:33,080 --> 00:24:34,850

makes all these beautiful shirts for me.

433

00:24:35,540 --> 00:24:36,230

That's the net.

434

00:24:38,250 --> 00:24:41,070

And I think each and every one of

them from the bottom of the heart.

435

00:24:42,470 --> 00:24:48,260

And most of all, I thank you for turning

on the TV or, but we can allow us in.

436

00:24:50,780 --> 00:24:55,580

Do you make a lot of hard

work with, wow, there we go.

437

00:24:55,590 --> 00:24:58,310

I'm just have some yellow

and some green here.

438

00:25:01,100 --> 00:25:02,930

Pull that brush in one direction.

439

00:25:03,020 --> 00:25:03,830

Let's go right up here.

440

00:25:05,389 --> 00:25:05,810

Maybe.

441

00:25:06,825 --> 00:25:08,475

Let's put a little

sparkler here and there.

442

00:25:10,095 --> 00:25:12,105

Maybe he lives right here

in front of this tree.

443

00:25:13,095 --> 00:25:14,985

See push that tree right back.

444

00:25:16,245 --> 00:25:21,165

But that work right down, seeing

that little bright son of a gun boy,

445

00:25:21,175 --> 00:25:23,865

he, he shines against that dark.

446

00:25:24,975 --> 00:25:28,065

Really rarely just striking.

447

00:25:30,975 --> 00:25:31,275

Okay.

448

00:25:31,575 --> 00:25:35,345

Add a little bit of liquid,

a little more of the.

449

00:25:36,225 --> 00:25:43,264

South green, yellow decide to be left out.

450

00:25:43,475 --> 00:25:43,955

Let's put up.

451

00:25:44,645 --> 00:25:45,935

Oh boy, that's a nice one.

452

00:25:45,935 --> 00:25:46,115

There.

453

00:25:47,345 --> 00:25:48,545

That is a nice one.

454

00:25:53,855 --> 00:25:54,274

Okay.

455

00:25:54,635 --> 00:25:56,555

It's sort of look around and there it is.

456

00:25:57,305 --> 00:25:59,615

See, there's a happy little

blue shit lives right down here.

457

00:26:00,065 --> 00:26:01,295

He lives right on the edge of the water.

458

00:26:01,295 --> 00:26:03,235

So you can get a drink

anytime he wants to.

459

00:26:08,475 --> 00:26:10,754

Maybe here and there behind the rocks,

460

00:26:14,524 --> 00:26:17,195

just take a knife and we could

just scrape through, put a few

461

00:26:17,195 --> 00:26:18,245

little sticks here and there.

462

00:26:20,675 --> 00:26:22,774

And we just about have

a completed painting.

463

00:26:26,615 --> 00:26:27,845

We'll call that one finished.

464

00:26:28,655 --> 00:26:31,655

I really want to thank you for

being with me during this the ninth.

465

00:26:32,070 --> 00:26:33,270

Joy of painting series.

466

00:26:33,720 --> 00:26:36,390

I look forward to seeing you

again from all of us here.

467

00:26:36,780 --> 00:26:37,500

Happy painting.

468

00:26:38,100 --> 00:26:38,730

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S09E13 - Mountain Hideaway

Bob Ross's

The Joy of Painting

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