Bob Ross's

The Joy of Painting

S11E02 - Country Cabin

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Hello.

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I'm certainly glad you

could join me today.

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You got your paints out.

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Ready to do a fantastic painting.

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Well, let's get started.

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Tell you what let's have them graphically

run all the colors across the screen

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that you need to do this painting

with me while they're doing that.

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Let's go on up here and let me

show you what I've already done.

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Have her standard old

18 by 24 inch canvas.

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This is a double prime

canvas pre stretched.

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And on this canvas, I've

completely covered it with a thin

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even coat of the liquid white,

which makes it wet and slick.

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And it's all ready to go.

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So let's go to.

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Tell you what?

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Let's have some fun today.

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Let's do a little winter scene.

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So I'll start out with a touch of

a lizard Crimson just to touch it.

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We will work it into the two inch brush

just by tapping it, just tap it, just

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like, so can you just go right up here?

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Right.

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When I paint winter scenes, I like to have

a little bit of warmth than it bothers me.

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I don't like winter sings.

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It is so cold that you, you

have to put a coat on to it.

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I feel comfortable when you look at him.

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So I like to put a touch of warmth

in my winter scene, but when you

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paint yours, you paint them in any

way that you want them in your way.

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Everybody's different.

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And everybody sees

nature in different ways.

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So you paint it the way

that makes you happy.

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And well, I have that on the brush.

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Maybe we just throw a little

bit right down in here.

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I'm going to have some snow.

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I think down here, we'll put snow

down here, a little, that color, maybe

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we'll reflect right into the snow.

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Just just lady now, then without even

cleaning the brush, let's go into a little

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bit of pressure and blue oppression.

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Blue is so strong.

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It's very strong.

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You don't even have to clean the brush

because it'll just absolutely eat up

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the alizarin, Crimson, this left on

there, their load, a little bit of it.

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Yeah, let's go right up in here.

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And now then let's just sort of let the

brushes dance a little color in here.

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Just sort of like little

exes, but just let it just be.

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Just sort of dance and play and just

have fun, leave little openings in

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your sky, little holes in the sky.

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We'll come back and we'll

put the indication of some

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little soft clouds here.

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And they're, they're a

little bit more of the blue.

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See how easy that is.

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Just sort of let your imagination

go and just, just drop these

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things right in wherever you want.

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That'd be careful.

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Right in here because

this blue is so strong.

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It'll eat a few little pinkish color.

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It'll heat it up in a heartbeat.

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And I'll just add a little bit

of that same cover down here.

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What's going to be snugly.

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Does that say we really

don't care right now.

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Now we can wash your brush.

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We wash her aggression to odorless

dinner, shake off the excess,

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and this was the fun part.

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Just beat the devil out of it.

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Okay.

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Now with our clean dry brush, go

right on, back up here and just start

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blending the sky a little bit there.

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I've probably painted an excess of

20, 30,000 paintings and I still

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get a kick out of clean the brush.

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Of course they don't hear when

they have to clean the studio.

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There we go.

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Now what I'm doing, it's

just lightly blended here.

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I don't want to over blend, lose

little spots like this in the sky.

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Those are very pretty.

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And they give you a scary

character, especially if you're

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doing a winter scene now just beat

the excess paint off at brush.

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I'm gonna go right into some titanium

white and just pull that brush right

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through the white, just loaded for look at

all the color, a lot of pain in the brush.

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Kenny, let's go up here now.

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I just want indications

a little clouds a day.

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So I'm not going to overdo this.

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Just sorta put them here.

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Just want little indications.

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This is just sort of on the Misty

little sky who you it's cold.

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No, it's cold.

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It has to be, I lived in

Alaska for a dozen years or so.

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When you saw a sky like this, you'd

be getting the old Parker out.

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Any mukluks there.

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Yeah, some little things happening here.

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Just blend them together.

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Just like, so

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I have several of each brush going,

so take a clean, dry two inch

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brush, and I'm just going to mix

this up and blend it a little bit.

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I don't want to blend too much or

it'll go away and leave you just

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go and leave you all by yourself.

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There.

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There you go.

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Okay.

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And we can sort of

fluff it a little Slack.

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So very lightly, very lightly, just

barely caressing the canvas, like some

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long strokes to blame it all together.

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And that easy, easy.

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You have a fantastic little sky.

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Let's put a bunch of

evergreens in this painting.

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Evergreens are a lot of fun to paint

and they're, they're quite easy.

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So let's take, let's take,

we use pressure and blue.

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I put some midnight black in there and

some vendor Brown, some lizard Crimson.

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Whatever ever looking for a dark color

and then we'll pick up some white there.

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Cause we put the pressure and

blue in there and it's so strong.

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This color will be predominantly blue.

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Maybe I'll add a touch,

more of the Crimson to it.

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There we go.

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Still predominantly blue Kenny and he

buys a mix up a pretty good pile of paint.

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Let me clean the knife off.

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And grab the old fan, but I tell

you what, let me show you an

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easy way to do a lot of trees.

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Take the old two inch brush and

we'll just pull it right through

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a little bit of color here.

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I have it.

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The big thing here is just to

apply some color to the canvas.

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So we'll just put this, put some

color wherever, once again, I

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don't want to lose all that pink.

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Most of it's going to go away, but I want

to save just enough to keep it warm there.

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All we're doing is looking for paint

on the canvas could really care less.

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What's happening, just

tapping to this tapping.

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Okay.

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Now that let me grab a move fan brush, and

we'll go right into this color we made.

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They're just loaded, full lot of paint.

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See there a lot of paint, both sides.

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Let's go ahead up there now.

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Then begin picking out individual

trees, take the corner of the brush,

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just work back and forth, back and

forth, back and forth and see down here.

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We don't care.

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It'll all just sort of come together

and it saves you a lot of time.

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Risk easier than painting

each tree individually.

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And you can make shoot.

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You can make a forest back here.

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We could also made these trees

with a one inch brush, two inch

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brush, a palette knife pallet

that makes beautiful trees there.

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Like you see already.

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We got to get the beginnings

of a little forest.

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Little squirrel has to

have a place to live.

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And he turns up here

and grabs him pine cone.

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Gotta take care of the little creatures.

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There we go.

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Okay.

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Let's just take he's all the way

across wherever there is that say

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squirrel's gotta have a place to live.

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I call squirrels tree or genus.

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That's sort of my little name for him.

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He kept things for all my little friends.

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Rally up.

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I have hundreds and hundreds of

birds that come every day and I

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got to spend all my money, buying

the bird seed and putting out four.

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And in return they let me watch him.

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And sometimes I get to get to

raise one or two little ones.

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In fact, I think the last series we

showed on the little birds we were raising

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maybe a little later on in this series.

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Let's show let's show that little

bird, maybe a little later I'll show

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you, show you what happened to him.

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We had so many letters and

cards asking what happened to

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the little bird we showed up.

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I'll get Sally to put

him up on the screen.

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We'll look at him later.

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Okay.

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It is some trees.

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Here we go that easy.

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I want to create the illusion of

a little bit of miss down here.

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So I'll just take a clean brush

and just tap this a little bit.

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Just a little

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lift upward, just lift

it up for that product.

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Bring up bridge.

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Okay, now then I want

to put another layer.

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Yeah.

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Trees that look like

they're closer to you.

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So I show you how to do that.

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Same color only.

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There's no white in this color.

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This is just pure color.

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And we can do the same thing,

the same old dark color, but

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don't kill all that missed.

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You worked so hard to put it in there.

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Don't kill it.

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So you can, we'll just put in.

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Just put in.

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This is just a base color.

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We really could care less.

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Same as we did back here.

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This is just a base color,

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black and blue, and a little

Brown, little touch of a lizard

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and Crimson all together here.

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I guess will save you a

tremendous amount of time.

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And I'm a lazy painter.

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Always look for easy ways to paint.

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Here we go.

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Let me wash it and brush it off

and get the light color out of it.

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Just wash it off.

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And then all we do is just wipe that

brush against the paper towel, and then

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we can go right into our dark color.

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That's blue, black, grab some

Brown touch of alizarin Crimson.

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Load debt brush full of paint.

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Okay.

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Now they're right along in here.

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That's brain, some trees that

are darker and therefore they

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look like they're closer.

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Hey there, you don't have to paint

all this bottom really will save

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you a lot of time when you have

a multitude of trees together.

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Like, yes.

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Now if you just do it in one tree

at a time, you wouldn't want to, you

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wouldn't want to paint it this way.

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I thought that they would

do a bunch of trees.

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I thought you'd like that.

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I see heads pushing

those lighter ones back.

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Did you know, you could push

your whole forest back that easy.

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You can, you can do anything.

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Can anything, at least on this piece

of canvas, you can, there we go.

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Maybe let's put two or three top

Sam like that, and then just come

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along and give them some that alarms

wherever you want them that easy.

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Can you maybe, Oh,

there's a nice one here.

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You got a little more sunlight,

a little, these little stronger.

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He just grows right on up there.

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There's wine.

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There's fine.

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There's wine, wherever you want to make

big decisions and drop them in this piece

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of canvas, you are, you are the creator.

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You have absolute power.

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Absolutely.

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You can make any kind of world

that you want here and it

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kind of world that you want.

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That's part of the.

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Get a little plug that's part of the

joy of painting is the fact that you

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can create your own world and painting.

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Painting should make you happy.

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It doesn't make you happier.

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You're doing their own thing.

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Okay.

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Another one.

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There he is.

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And if you do, if you do this

painting along with me, by

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the time you're finished.

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You will be an expert at

making evergreen trees.

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No doubt you have those down.

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Do you have never, never again,

have a problem making evergreen

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trees now that I'm just gonna

take a clean knife, nothing on it.

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And just here and there.

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Just sort of pull through and

it'll make the indication I'm

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cutting right through the paint.

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It'll just make it look like

tree trunks here and there.

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We don't want a lot of detail, but

it makes it look like a little tree

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trunks and there's some here and there.

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Can you see the amount of distance between

these, but just by varying the color.

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It's exactly the same color, except

back here, there's a little white

252

00:13:10,815 --> 00:13:15,615

in it, same color, but it helps

create that illusion of distance.

253

00:13:16,005 --> 00:13:18,495

And that's so important

when you're doing paintings.

254

00:13:18,525 --> 00:13:21,885

Distancing paintings are what makes

it makes a difference between.

255

00:13:22,425 --> 00:13:24,345

Uh, painting is just so-so.

256

00:13:24,345 --> 00:13:28,035

So a painting that when you look at

it, it does wonderful things to you

257

00:13:28,035 --> 00:13:29,345

and you get excited from watching.

258

00:13:29,535 --> 00:13:30,465

And that's what it is.

259

00:13:30,675 --> 00:13:33,845

It's this depth in a painting.

260

00:13:35,525 --> 00:13:36,125

There we go.

261

00:13:37,415 --> 00:13:37,775

Okay.

262

00:13:38,855 --> 00:13:43,505

Now we said we were going to

have some snow in this one.

263

00:13:44,219 --> 00:13:49,619

So let's take the little two inch

brush, just lewd it full of white paint.

264

00:13:49,949 --> 00:13:54,300

This is just straight old

titanium, white, a lot of pain

265

00:13:54,300 --> 00:13:55,650

in the brush, but I had paint.

266

00:13:57,910 --> 00:13:58,239

Okay.

267

00:13:59,989 --> 00:14:03,050

Let's just sort of retread up

in here and grab some of this.

268

00:14:03,050 --> 00:14:04,400

Do you want to pick up some of this color?

269

00:14:04,400 --> 00:14:08,689

I'm trying to pick up the bottom

of these trees because that's

270

00:14:08,689 --> 00:14:10,250

going to end up being my shadows.

271

00:14:10,430 --> 00:14:12,500

It's going to Creech

shadows under these trees.

272

00:14:13,125 --> 00:14:14,625

And it'll happen automatically.

273

00:14:14,625 --> 00:14:15,915

You don't have to worry about it.

274

00:14:16,755 --> 00:14:18,015

It just, it happens.

275

00:14:19,755 --> 00:14:20,415

There we go.

276

00:14:22,125 --> 00:14:23,055

There we go ahead.

277

00:14:23,055 --> 00:14:27,285

And it's super, and it's so easy

and you can change the angles and

278

00:14:27,345 --> 00:14:31,275

make all different planes in the

painting and by planes, like see

279

00:14:31,275 --> 00:14:32,595

how this one overlaps that one.

280

00:14:34,725 --> 00:14:38,195

Just, just like you just

grab that bottom and pull it.

281

00:14:38,865 --> 00:14:39,495

Pull it hard.

282

00:14:39,584 --> 00:14:40,334

Get tough with it.

283

00:14:40,875 --> 00:14:43,485

And this is where you take

out all your frustrations.

284

00:14:44,895 --> 00:14:47,685

Just grab it and pull over there.

285

00:14:50,235 --> 00:14:54,584

And you can sneak back in there and grab

little pieces pull, and you can create

286

00:14:54,615 --> 00:14:57,135

as many or as few shadows as you want.

287

00:14:57,135 --> 00:15:00,944

If you want the indication of a few

little, little happy grassy areas

288

00:15:00,944 --> 00:15:05,145

coming out of there, you can just lift

upward to give a little upward pole.

289

00:15:06,435 --> 00:15:09,465

It makes all kinds of little things and

it sort of cleans up your edges there.

290

00:15:10,905 --> 00:15:11,355

Okay.

291

00:15:12,585 --> 00:15:13,635

Shoot, where we get that on there.

292

00:15:13,645 --> 00:15:18,255

Let's just think we'll have all of this

snow, so we can just add white here

293

00:15:19,485 --> 00:15:23,325

all over and I'm leaving some of these

little pinks and blues that we've put

294

00:15:23,325 --> 00:15:25,455

in there that just came off with those.

295

00:15:25,575 --> 00:15:27,465

I'm just adding a little white

hearing there and letting

296

00:15:27,465 --> 00:15:28,385

some of that show through.

297

00:15:29,474 --> 00:15:35,175

So the paint that we're applying is

extremely thick, very, very thick.

298

00:15:36,495 --> 00:15:39,555

And that way we can put layers of

thinner paint, right over the top of

299

00:15:39,555 --> 00:15:41,115

that without creating any problems.

300

00:15:41,925 --> 00:15:45,704

If all the layers of paint are the

same thickness, then when you try

301

00:15:45,714 --> 00:15:49,515

to put one layer on top of another,

you're going to be a mud mixer, and

302

00:15:49,515 --> 00:15:50,474

then you're going to be mad at me.

303

00:15:50,834 --> 00:15:51,944

So don't want that to happen.

304

00:15:53,025 --> 00:15:53,685

Take you what let's do.

305

00:15:53,984 --> 00:15:55,875

That's that's built, it's

a little cabin out here.

306

00:15:56,550 --> 00:15:56,849

Shoot.

307

00:15:56,849 --> 00:15:57,540

It's cold out here.

308

00:15:57,540 --> 00:15:58,560

You'd need a place to live.

309

00:15:58,979 --> 00:16:03,209

Now, one of the easiest ways to make

a cabin here is to take your knife,

310

00:16:03,810 --> 00:16:08,250

decide basically who you wanted

and scrape out an initial shape,

311

00:16:08,969 --> 00:16:13,620

who there goes or drink, but you

can just grab it and scrape it out.

312

00:16:14,040 --> 00:16:15,300

This does several things.

313

00:16:15,390 --> 00:16:16,170

Most important.

314

00:16:16,860 --> 00:16:21,930

It removes the excess paint off

the canvas and makes your next

315

00:16:21,930 --> 00:16:23,459

layer much easier to stick.

316

00:16:23,970 --> 00:16:24,270

I see.

317

00:16:24,600 --> 00:16:27,480

Yeah, but it also allows you to

lay out your cabin and get the

318

00:16:27,480 --> 00:16:28,740

perspective the way you want it.

319

00:16:29,460 --> 00:16:30,480

And you're not committed.

320

00:16:31,290 --> 00:16:32,760

You're not committed at this point.

321

00:16:34,170 --> 00:16:36,300

So you can't make a mistake here.

322

00:16:38,190 --> 00:16:40,410

If something goes wrong, you

just dropped your trees right.

323

00:16:40,410 --> 00:16:40,890

Back in.

324

00:16:41,520 --> 00:16:42,090

Do it again.

325

00:16:43,860 --> 00:16:45,780

As you know, we don't make mistakes.

326

00:16:46,200 --> 00:16:48,900

You have happy accidents there.

327

00:16:48,930 --> 00:16:50,340

Just maybe tell you about my stoop.

328

00:16:50,760 --> 00:16:52,650

Maybe in this cabin, let's put a chimney.

329

00:16:53,235 --> 00:16:57,555

So same thing take and just

scraping the basic shape.

330

00:16:58,125 --> 00:17:02,985

So you know where that chimney is going

to be and we'll have it see up and over.

331

00:17:02,985 --> 00:17:03,915

So it looks square.

332

00:17:05,025 --> 00:17:05,505

Come down.

333

00:17:05,505 --> 00:17:08,775

Sort of remember that if you covered

up, do you remember where it's at and

334

00:17:08,775 --> 00:17:10,725

then your roof's going to come down?

335

00:17:11,535 --> 00:17:12,225

We might shoot.

336

00:17:12,225 --> 00:17:13,785

We might even put a porch on this one.

337

00:17:14,195 --> 00:17:14,945

We have enough time.

338

00:17:14,945 --> 00:17:21,095

We'll drop start off with titanium

white, pull it out very flat.

339

00:17:21,660 --> 00:17:25,320

Cut across and we get our little roll

of paint right on the edge of the

340

00:17:25,320 --> 00:17:27,870

knife and have that big decision time.

341

00:17:29,310 --> 00:17:30,540

So here let's start.

342

00:17:31,740 --> 00:17:35,730

I began laying snow right out here,

and the roof angles are very important.

343

00:17:37,320 --> 00:17:38,070

Very important.

344

00:17:38,100 --> 00:17:39,720

Just pull that tricycle down

345

00:17:44,070 --> 00:17:44,370

out here.

346

00:17:44,370 --> 00:17:47,070

If you want to make your Sage nice

and sharp, you can come along that way

347

00:17:48,420 --> 00:17:50,610

and then come back and smooth it out.

348

00:17:51,240 --> 00:17:51,720

Sneaky.

349

00:17:51,720 --> 00:17:51,930

Yeah.

350

00:17:53,280 --> 00:17:54,540

And then just move it out.

351

00:17:55,860 --> 00:18:02,070

Like, so, and that's part of our roof.

352

00:18:02,220 --> 00:18:05,130

I don't want to go into a little bit of

the Vandyke Brown, get a little roll of

353

00:18:05,130 --> 00:18:07,740

paint and we'll do this back Yves here.

354

00:18:08,820 --> 00:18:12,840

And for that, we just sort

of pull it over like that.

355

00:18:14,760 --> 00:18:18,780

Now we'll take a mixture of dark

Sienna and Vandyke Brown and

356

00:18:18,780 --> 00:18:19,980

just sort of mix it a little bit.

357

00:18:19,980 --> 00:18:23,400

Not much just don't overmix

it cut off a little bit.

358

00:18:23,640 --> 00:18:28,070

Once again, that role of paint

so important now then let's take

359

00:18:28,070 --> 00:18:30,740

that and just begin pulling.

360

00:18:30,830 --> 00:18:31,010

Yeah.

361

00:18:31,040 --> 00:18:32,360

Remember we have a chimney in here.

362

00:18:32,360 --> 00:18:33,650

We don't put a chimney in this one.

363

00:18:35,410 --> 00:18:35,930

I remember that.

364

00:18:37,640 --> 00:18:39,800

So you can sort of save a little

spot there for your champion.

365

00:18:40,905 --> 00:18:43,545

We don't want this old guy that

lives out here to freeze to death

366

00:18:45,465 --> 00:18:50,295

so he can color it out there.

367

00:18:52,635 --> 00:18:53,505

So there's two

368

00:18:57,945 --> 00:18:59,775

that gives us a basic shape.

369

00:19:02,385 --> 00:19:05,565

Now, then I'm gonna take some quite

a little bit of the titanium white

370

00:19:06,045 --> 00:19:07,485

touch of the dark Sienna in it.

371

00:19:08,909 --> 00:19:12,389

And maybe the least, least

little touch of bright red,

372

00:19:12,810 --> 00:19:15,210

dark Sienna touch or bright red.

373

00:19:15,210 --> 00:19:19,590

That's so strong and white,

a little more dark sand.

374

00:19:19,620 --> 00:19:20,490

I want that darker.

375

00:19:21,899 --> 00:19:23,310

See you make the decision.

376

00:19:23,399 --> 00:19:25,860

However you want it there.

377

00:19:26,040 --> 00:19:27,810

Does he leave you paint like this?

378

00:19:27,810 --> 00:19:31,679

Don't overmix it get a little

roll of paint and all those colors

379

00:19:31,679 --> 00:19:32,490

are right there in that role.

380

00:19:32,490 --> 00:19:36,540

Let's go up here now that

you can touch no pressure.

381

00:19:37,185 --> 00:19:38,745

No pressure, no pressure.

382

00:19:39,435 --> 00:19:42,585

Pull down, pull down, let it break.

383

00:19:43,135 --> 00:19:44,115

Let them holes in there.

384

00:19:44,715 --> 00:19:47,115

They'll give the illusion of age.

385

00:19:47,355 --> 00:19:49,515

It looks old like me there.

386

00:19:50,715 --> 00:19:58,545

See there now on the other side of

this little cabin, I want it to be much

387

00:19:58,575 --> 00:20:01,365

darker, much darker, so same color.

388

00:20:01,425 --> 00:20:02,595

I just added Brown to it.

389

00:20:03,720 --> 00:20:06,540

See here, same color,

but it's much darker.

390

00:20:07,860 --> 00:20:09,300

So there's a distinct difference.

391

00:20:11,400 --> 00:20:12,630

There's the difference.

392

00:20:13,260 --> 00:20:15,510

Now take some Brown.

393

00:20:17,550 --> 00:20:19,020

Let's put a little chimney up here.

394

00:20:19,470 --> 00:20:20,730

We'll come right up in here.

395

00:20:21,060 --> 00:20:29,550

And it came down like Sue, see slight

angle down, down, like right on the cross.

396

00:20:30,570 --> 00:20:31,320

I'll tell you what I'm going to get.

397

00:20:31,320 --> 00:20:34,730

My little knife, a little knife is

so good for these little ones and

398

00:20:34,730 --> 00:20:40,310

we'll go right in here and thought

this one sorta go upward, upward.

399

00:20:42,139 --> 00:20:48,620

So it gives the illusion that this chimney

square that'll be it right down through

400

00:20:48,620 --> 00:20:53,300

there, because most of that chimneys

inside the house, we won't see it.

401

00:20:53,300 --> 00:20:54,500

I'll take some bright red.

402

00:20:54,795 --> 00:21:00,605

Some bright red and talk a

little bit of Vandyke Brown,

403

00:21:00,635 --> 00:21:01,565

and I'm gonna mix it together.

404

00:21:02,285 --> 00:21:06,905

Maybe these are bricks, so easy way to

just make indications, just touch and just

405

00:21:06,905 --> 00:21:10,715

sort of let the knife and bounces you work

down, but up, up, up, up, up, and if you

406

00:21:10,715 --> 00:21:12,305

don't make a little noise, it won't work.

407

00:21:12,935 --> 00:21:14,165

Got ahead of that little noise.

408

00:21:15,335 --> 00:21:20,975

Can I add habit and maybe just a few over

here, but show the difference in angle

409

00:21:21,155 --> 00:21:23,225

that way it'll, it'll make it square.

410

00:21:24,705 --> 00:21:28,455

And tell your heart right along

the top up here, maybe there's

411

00:21:28,455 --> 00:21:29,865

a little snow man up here.

412

00:21:30,675 --> 00:21:31,245

There we go.

413

00:21:32,115 --> 00:21:41,325

Just a touch of snow, clean off my

knife and talking about speaking

414

00:21:41,325 --> 00:21:45,315

of a touch of snow on this side

of the roof over here, we need

415

00:21:48,375 --> 00:21:51,525

a little bit of snow on

that side of the now.

416

00:21:52,480 --> 00:21:54,690

And it said we might

put a porch on this one.

417

00:21:54,690 --> 00:21:56,580

So I think we're doing all right for time.

418

00:21:56,580 --> 00:22:04,320

Let's do it, take some, a

little bit of Brown and just

419

00:22:04,320 --> 00:22:05,400

sorta kind of right out here.

420

00:22:05,400 --> 00:22:09,510

I'm not using much Brown, just a

little, because I want a little bit

421

00:22:09,510 --> 00:22:17,070

of the show through, right into the

white porch right out like that.

422

00:22:17,190 --> 00:22:19,140

See there and it easy.

423

00:22:20,850 --> 00:22:21,570

And easy.

424

00:22:21,570 --> 00:22:22,530

Now we need a floor.

425

00:22:23,129 --> 00:22:25,070

So same thing under here.

426

00:22:26,060 --> 00:22:29,689

Bring it out roughly the same angle,

427

00:22:34,790 --> 00:22:36,770

a little touch of highlight,

which sneak under here.

428

00:22:36,800 --> 00:22:41,659

Not a whole bunch, cause it's going to

be pretty dark in there, pretty dark.

429

00:22:42,919 --> 00:22:46,669

And then we'll give it a

little distance that easily.

430

00:22:48,705 --> 00:22:49,335

Well, you know what?

431

00:22:50,925 --> 00:22:52,875

We need something to hold this port yet.

432

00:22:53,685 --> 00:23:01,605

So let's just put a rail or two in here,

just like, so see there that's easy, easy.

433

00:23:02,024 --> 00:23:02,774

You gotta do rail.

434

00:23:03,825 --> 00:23:07,935

And since our light's coming from this

direction, put a little light on that.

435

00:23:10,064 --> 00:23:10,485

Yeah.

436

00:23:12,660 --> 00:23:16,460

And we can put the indication of a board

or two here, just using the dark color.

437

00:23:17,750 --> 00:23:18,440

That simple.

438

00:23:19,550 --> 00:23:24,230

If you wanted to window, you could

just scrape in a couple of windows.

439

00:23:24,230 --> 00:23:24,830

Isn't that easy?

440

00:23:26,270 --> 00:23:29,360

No, you could do that now, then I'm

gonna do something a little different.

441

00:23:29,360 --> 00:23:35,780

I'm going to liquid clear, liquid

clear, and then right in to a

442

00:23:35,780 --> 00:23:40,100

titanium white, I use the liquid

clear to thin the paint just to touch.

443

00:23:40,995 --> 00:23:41,254

All right.

444

00:23:41,264 --> 00:23:47,955

I'm going to screw right up here and let's

begin adding all kinds of little things.

445

00:23:47,955 --> 00:23:48,735

That's liquid clear.

446

00:23:48,735 --> 00:23:52,695

It makes the paint flow cause it's

standard now flows right over there.

447

00:23:53,235 --> 00:23:56,565

You can just really bring these

things out, locks you there.

448

00:23:58,725 --> 00:24:03,585

And when this dries the areas that you

put this clear in will shine, they'll

449

00:24:03,585 --> 00:24:05,355

have a, they'll have a luster to them.

450

00:24:05,355 --> 00:24:06,465

It's very nice.

451

00:24:08,175 --> 00:24:08,895

Very nice.

452

00:24:10,350 --> 00:24:14,070

Maybe, maybe right up

in here, let's do this.

453

00:24:14,070 --> 00:24:17,070

Maybe there's a little thing right here.

454

00:24:17,670 --> 00:24:21,210

It's a little Brown and white

and maybe we'll pull that out.

455

00:24:21,930 --> 00:24:25,410

We'll make a little bump bump right there.

456

00:24:26,880 --> 00:24:31,080

And maybe at one time maybe they

had a little snow fence up here.

457

00:24:31,080 --> 00:24:34,860

You just take a little Brown, see here.

458

00:24:35,010 --> 00:24:38,490

Just sort of adds to the painting, put

a little fancy sort of laying over.

459

00:24:40,360 --> 00:24:44,520

Little white on the knife and

just weekly just to do, to do and

460

00:24:44,520 --> 00:24:45,659

put some little wires on there.

461

00:24:45,680 --> 00:24:45,830

Yeah.

462

00:24:47,899 --> 00:24:50,840

That take your fan brush

and grab some of those.

463

00:24:51,980 --> 00:24:53,840

Create a very nice little effect.

464

00:24:57,740 --> 00:24:59,000

Maybe right here.

465

00:24:59,120 --> 00:24:59,419

Right here.

466

00:24:59,480 --> 00:25:00,860

There's a little Bush

that lives right here.

467

00:25:02,000 --> 00:25:02,840

We just pop it up.

468

00:25:03,649 --> 00:25:04,550

Just popping out.

469

00:25:05,925 --> 00:25:07,245

And we don't want him to get left out.

470

00:25:07,245 --> 00:25:12,225

So we'll put one right over here and all

I'm doing is pushing upward with a fan

471

00:25:12,225 --> 00:25:14,385

brush, push very firmly, push upward.

472

00:25:16,065 --> 00:25:20,435

Like, so then our brush that has

the white on it and touch it.

473

00:25:20,475 --> 00:25:25,215

The clear liquid clear, you can grab that

and pull it once again, you allow that

474

00:25:25,215 --> 00:25:27,825

dark color to become part of the shadows.

475

00:25:29,055 --> 00:25:29,925

Very desirable.

476

00:25:29,955 --> 00:25:30,615

Don't fight it.

477

00:25:30,825 --> 00:25:32,024

Don't find it, but it happens.

478

00:25:34,200 --> 00:25:36,300

There we go look at that in super.

479

00:25:37,760 --> 00:25:37,970

Hmm.

480

00:25:38,030 --> 00:25:40,310

Now, you know me, I'm a tree nut.

481

00:25:40,340 --> 00:25:41,149

I like trees.

482

00:25:41,510 --> 00:25:44,899

Let's take the old fan brush and

go right in to van Dyke Brown.

483

00:25:45,020 --> 00:25:45,530

A lot of it.

484

00:25:47,149 --> 00:25:47,360

Yep.

485

00:25:47,690 --> 00:25:54,409

I'm going to have a happy tree that

was right there and I don't want

486

00:25:54,409 --> 00:25:58,790

him to be lonely or give him, we'll

give him a friend just like, so.

487

00:26:00,765 --> 00:26:07,875

And then we can take our liner

brush, go into some Brown and you

488

00:26:07,875 --> 00:26:09,375

just dropped on a few little lamps.

489

00:26:10,425 --> 00:26:11,715

Then this with thinner.

490

00:26:12,915 --> 00:26:16,215

See here, you can put on a few little

lambs wherever you want them drop in as

491

00:26:16,215 --> 00:26:18,885

many or as few as you want in your world.

492

00:26:22,455 --> 00:26:26,085

I want to take the knife,

grab a little white tape.

493

00:26:26,265 --> 00:26:28,575

Let's make these Birch trees.

494

00:26:29,130 --> 00:26:33,060

Just by pulling it around, you can

create a happy little Birch tree.

495

00:26:34,860 --> 00:26:37,380

Just give it a little round, full display.

496

00:26:39,690 --> 00:26:43,200

And I think with that, we

about have a finished painting.

497

00:26:43,230 --> 00:26:44,460

I hope you've enjoyed this one.

498

00:26:45,360 --> 00:26:45,690

Thank you.

499

00:26:45,690 --> 00:26:46,500

It'll teach you a lot.

500

00:26:46,500 --> 00:26:48,390

Show you how to do a

beautiful little winter scene.

501

00:26:49,770 --> 00:26:52,530

And I'm going to call this painting

complete from all of us here.

502

00:26:52,890 --> 00:26:54,660

Happy painting and got blessed.

503

00:27:21,764 --> 00:27:21,855

Okay.

504

00:27:22,850 --> 00:27:23,480

Uh,

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S11E02 - Country Cabin

Bob Ross's

The Joy of Painting

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