Bob Ross's

The Joy of Painting

S10E04 - Secluded Bridge

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Hey, welcome back.

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Glad you could join me today.

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Today.

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I thought we'd do a

fantastic little painting.

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Maybe that's, maybe it's deep in

the woods and it's very dark and

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Misty and I think you'll enjoy them.

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So let's start out and have them

graphically run all the colors across

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the screen that you need to paint

along with me and they'll come across

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in the same order as I have them on

the pallet, starting with a white and

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working around, or they're doing that.

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Let's go on up here.

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I have the good old standard 18 by 24

inch canvas, and I've already covered

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it with a thin even coded the liquid

white and it's all wet and slick in it.

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It's ready to do a fantastic oil painting.

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So let's, let's just take

off and have some fun today.

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Let's start tell you what let's use

a little, they little blue, blue.

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We pick up a little SAP green.

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So we have the little blue and

SAP green, just sort of mix amount

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of brush, a little bit of paint.

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I don't have a whole bunch of paint now,

then we're going to be deep in the woods.

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We need some nice colors back in here.

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So just sort of dance this around.

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Twirl it let it play.

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Don't get it too.

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Even we want it to be dark in areas

and light in areas and use a lot of

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pressure in places and no pressure,

a lot of pressure, no pressure.

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Just make all these little

different things happen.

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Just like, so snacks, a little

more color on the brush, which just

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cover the whole top of the canvas.

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Like, yes.

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Really push hard when you want it to be

darker and then, or do you want it light?

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Just light it caressed the canvas,

just very gentle and very soft.

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And every once in a while you can

get tough and just grinded in and

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see, it makes a nice dark spot.

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That's blue.

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That's the little blue and stuff.

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Green.

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Just mix on the brush there.

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I want to go darker right in there.

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Too.

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I don't care where this goes.

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Just let it, just let it blend down

and pull wherever, wherever it makes.

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No difference.

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Okay.

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Yeah.

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Let me wash the brush and we wash

your brush with odorless dinner.

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I have a screen in the bottom of

this bucket that I scrubbed the

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brush against shake out the excess.

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Just beat the devil out of it.

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That's all there is to it now,

then with a clean, dry brush.

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And we'll go right back up in here

and just bring all this together

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and you can over blend it until it

becomes just one solid mass of color.

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I don't want to lose all these

light and dark areas here.

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I just want to bring it together.

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Just, just about like, so right in there.

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Right in there.

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Sometimes it's hard to

stop things, get working.

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So will you guys want to keep going

there when we're all finished?

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I hope this looks like trees.

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We pack in the distance.

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All kinds of little things

will be happening back here.

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Okay.

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That gives us a nice little background.

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We'll just go across to

take out the breast strokes.

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I'm going to have some water down here.

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So I use some, they look blue, some

Sam green and it'll add a little black.

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We'll make this dark.

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And I'll just, I'm going to have

water maybe right in here, maybe

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a little bit more to the Blackish.

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There we go.

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I want this to be dark start at the

bottom, cause I want to be the darkest.

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And then working back up that way, it's

going to pick up the liquid white and

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automatically it gets lighter in value.

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That's where our water

will be somewhere in there.

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We don't really care right now.

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Okay.

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Wash the old brush.

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One more time.

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That's the most fun part of this whole

technique is just, just washing the brush.

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Sometimes they slip out of your

hand, go across the room there.

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Now I'm going to take the liner brush,

put some thinner on it and go right

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into a little bit of Vandyke Brown

at this paint is thin like water.

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It's about the consistency of ink.

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Turn that brush, pull it to

a nice sharp point C there.

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Good.

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Let's go up here.

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And then we're going to

start making some decisions.

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There's all kinds of trees

that live in here just wherever

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you think they should live.

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That's where they left.

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Look at them.

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These are far away trees, and we can just

put the indication here and there, if I'm

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happy little limb, if it doesn't want to.

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Flow off your brush, head a

little bit more of the thinner

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C and then it'll just flow.

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And I'm just going to put

in some basic indications.

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When you're at home, you

have all kinds of time.

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You can put in just as

many or as few as you want.

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There we go.

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Just wherever you think

there should be a tree.

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That's exactly where it

should be and you can lift up.

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Some people find it

easier to lift up birds.

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Some, find it easier to pull down.

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Right.

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Try it both ways, whichever works

best for you, then that's the right.

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They're just as many

as you want or as few.

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And don't make them all straight

trees grow every which way.

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Some of them have little, little

kinks in them and they're like people

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everybody's different trees are different.

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Let them be individuals.

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Let them have personalities.

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There they go.

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See all the little Rascals, it looks like

a, looks like a woods already back here.

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Sometimes it's nice when these

paintings dry to have a tree

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trunk that has some shine to it.

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So for that, I use liquid

clear, take a little liquid

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clear, and then the paint down.

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They'll put these in tree trunks

that are a little bit closer.

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Now, when this dries, these trunks

it'll look almost like they're glazed.

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My glaze, it just, that's a,

a thin paint with an oil base.

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It's put over the old masters,

used to use a lot of glazing.

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It's very pretty, and that'll

help push all those back here.

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Farther back.

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There we go

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there just wherever you want these,

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there we go.

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Don't want to get too carried away here.

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You could spend all day just putting in

all kinds of beautiful little tree trunks.

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All right.

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They will liner brush

does fantastic things.

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A liner brush is nice because

it has a long hair on it, long

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hair, and it tells a lot of paint.

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Okay.

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Now then today I'm going

to use the oval brush.

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And I'm going to mix up.

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Let's take some of that blue, green,

and I'm going to reach right over here.

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Grab a little touch of white.

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It's more to the bluish side.

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There we go.

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So that's the little blue, green, white.

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I'm going to add a

little blacks too bright.

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Too bright, a little more white

so we can see what we got.

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Good.

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Good.

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Very nice.

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That's take over brushing, just

load a little bit of paint.

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We don't want a whole bunch yet.

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Let's go right up in here and then

just begin, just putting a few little

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details, see how it makes them.

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Oh, we're brushing makes it look like

there's thousands of little leaves

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on those Rascals super for that.

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And I'm just barely, barely tapping.

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Barely tapping.

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Just sort of look at where you think

they might live, drop them, drop on me.

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If you want them to have more curve

on them, then hold a brush downward.

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If you want it to be

straight, go straight in.

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Yeah.

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Neat.

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Just barely touching.

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Allow the canvas to

take off what it wants.

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Maybe down in here.

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There's some.

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We're getting into some things

that are a little bit thicker, nice

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bushy creatures that they have here.

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Just like, so some, it

just sort of float around

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there.

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There's one, he lives right there.

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Just have as many or as few as you want

in your world, all kinds of little things.

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Pushes everything back,

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maybe over in here.

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There's some, there's

some little indications.

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These are just sorta show through

and it'll look like there's all kinds

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of little branches and leaves and

squirrels had to have a place to hide.

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I call squirrels tree or chins

cause they live in the tree.

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I have a whole bunch of them around where

I live and they come down and I feed them.

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They come in.

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They can eat all the time at the house,

have all kinds of little creatures ever

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had Coons and possums and bunny rabbits.

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There we go.

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On the last show.

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I think I showed you my little bird.

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Maybe I'll show him again.

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We've got, we were beginning

to get so many calls about him.

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Maybe we'll just have to show him again.

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Alrighty.

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Let's do, let's take a little Brown.

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This is just straight Vandyke Brown.

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And let's start making some decisions.

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Maybe there's some land lives back here.

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Just all I'm doing here.

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Just pushing in some color.

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Just like so little color,

no big deal right now.

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No big deal.

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We'll take a little white light,

little dark Sienna, pull it out.

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Cut us off a little bit.

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Barely touch.

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I just put the indication of a

little highlight here and there.

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I don't want too much.

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This is too far back.

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It's too dark back in here.

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It's too dark.

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Now that we'll use a number six fan brush,

I'm going to go right into some yellow.

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I went into the, the liquid white

first going into some yellow reach

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up here and grab some SAP green

over here and a little bit of black.

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There want this to be quite dark yellow

ochre to just mix these on the brush.

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Okay.

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Now maybe back in here, we're beginning to

see a little color, just push upward with

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that brush, pushing upward over there.

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See all these little things just

sort of happen here and maybe

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I'm using that oval brush again.

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Hey, I'm going to add a little color.

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I just put the least little touch

of highlight here and there.

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Not much talking about yet when

we get into the foreground and

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we begin adding more highlights.

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But right now, right now, I just want the

least little indication here and there.

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Little light playing through there,

again, picking out just sort of

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some individual little bushes.

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Now that must do, let me find who

use a fan brush, liquid white.

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Titanium white load the

brush full of paint.

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Lots of paint.

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Okay, let's go right up here.

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Maybe there's some happy little water

coming right down through here, and it's

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just bubbling along, having a good time.

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The splashing carried off.

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Just, just think, have water with

think, you know, just pretend your

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water coming down here and having a

good time and just the world's happy.

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And it's a good day.

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And all of a sudden, Oh, to fall

over, you just, it falls right over.

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Look at that, that easy.

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You can make a happy little waterfall.

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There just drops right over, but you

need the dark underneath her on the show.

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And it splashes down here

underneath this waterfall.

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And it's just all kinds

of little things going on.

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Like, so, so many little happy things.

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Put a little splashy here and there.

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Maybe it's a stone under the water there,

all these little things just to splash

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a little water actions.

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Just this fan brush is fantastic

for doing these absolutely unreal.

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And sometimes it's fun just to, just

to play a little, let me play around.

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We'll just take a one inch brush and

go right into we'll use some Brown,

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some black, that'll say green on there.

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Very dark green here.

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Let's have a, maybe there's

a happy little Bush.

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He lives right here.

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Just push up or down a very

dark little Bush right here.

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He's in the shadows and

my world and your world.

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Maybe he's maybe he's in the sunshine so

you can put all kinds of happy, little.

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Little highlights on me, but in my

world today, have him in the dark there.

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We'll put another one right there.

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Just sort of closes all that down.

251

00:13:48,585 --> 00:13:50,415

Pushes that whole area back here.

252

00:13:50,455 --> 00:13:52,965

Just pushes it right back into

that, into the background.

253

00:13:54,795 --> 00:14:00,105

Then if you lived here, you'd have to

have a way to get over this little stream.

254

00:14:00,555 --> 00:14:01,485

So let's do that.

255

00:14:01,785 --> 00:14:02,535

Let's have some fun.

256

00:14:03,480 --> 00:14:05,280

Oh, I'll take some Vandyke Brown.

257

00:14:06,390 --> 00:14:08,070

Maybe there's a happy little bridge here.

258

00:14:08,610 --> 00:14:10,650

And I tell you what, maybe

it's behind these bushes.

259

00:14:10,650 --> 00:14:12,570

And all you can see is the

part that goes over the water.

260

00:14:13,290 --> 00:14:20,190

So let's have it come up and then maybe

like this, we'll put some character hit

261

00:14:20,430 --> 00:14:21,690

and then it has a little bend in it.

262

00:14:22,830 --> 00:14:28,530

There we get the small knife, small

knife to do a little better for that.

263

00:14:29,340 --> 00:14:30,750

I'll put some little post on here.

264

00:14:31,560 --> 00:14:32,849

See, there's a little post.

265

00:14:33,060 --> 00:14:33,660

There is one.

266

00:14:35,119 --> 00:14:35,589

Look at that.

267

00:14:38,780 --> 00:14:39,079

Cute.

268

00:14:40,069 --> 00:14:40,160

Okay.

269

00:14:40,369 --> 00:14:40,969

There we go.

270

00:14:42,170 --> 00:14:43,550

That one goes over behind the Bush.

271

00:14:46,849 --> 00:14:49,160

Take the big knife and look, I

had to put a little rail up here.

272

00:14:49,160 --> 00:14:49,489

We moved.

273

00:14:49,910 --> 00:14:52,060

We didn't want anybody to fall

off this bridge and get wet.

274

00:14:54,979 --> 00:14:58,069

Hey there, I know you could do that.

275

00:15:00,025 --> 00:15:02,505

Little Brown and white

tiniest little bit of paint.

276

00:15:02,895 --> 00:15:05,265

Now I want to go along here and

just show the indication of a

277

00:15:05,265 --> 00:15:06,375

little highlight here and there.

278

00:15:07,815 --> 00:15:12,795

Just to brighten him up, making him

sing in the sunshine, used to be a

279

00:15:12,795 --> 00:15:14,475

song about singing in the sunshine.

280

00:15:17,205 --> 00:15:17,745

Okay.

281

00:15:18,375 --> 00:15:19,425

Back to my small knife.

282

00:15:20,175 --> 00:15:22,245

And I put a little indication

here on these posts.

283

00:15:23,725 --> 00:15:27,675

Little knife gets right in there

and does these little things there.

284

00:15:30,855 --> 00:15:32,715

Yeah, maybe here and there,

that light really hits it.

285

00:15:32,715 --> 00:15:36,435

And you could add a little, just a

little sparkle of white, just don't

286

00:15:36,435 --> 00:15:40,065

overdue, just hearing there, maybe the

lights zinging through there and it's

287

00:15:40,065 --> 00:15:42,315

right there to give it a little sparkle.

288

00:15:42,905 --> 00:15:45,305

Like I said, it makes that

little rascal jump out at you.

289

00:15:45,905 --> 00:15:48,695

All right, there we go.

290

00:15:49,405 --> 00:15:50,345

And then we'll push this.

291

00:15:50,745 --> 00:15:52,185

A little bridge behind this Bush.

292

00:15:53,775 --> 00:15:59,385

We don't know where he

lives or whatever there.

293

00:16:01,694 --> 00:16:02,564

Same thing over here.

294

00:16:02,564 --> 00:16:05,204

I'm going to push this bridge

completely back behind these bushes.

295

00:16:07,844 --> 00:16:10,155

My cat brushes too slow.

296

00:16:10,155 --> 00:16:10,875

Let's get a big one.

297

00:16:12,084 --> 00:16:13,665

Go right into my Vandyke Brown.

298

00:16:14,204 --> 00:16:18,974

I'm going to have a lot of land

areas and big rocks and maybe.

299

00:16:19,500 --> 00:16:21,540

Maybe there's some big, let's just do it.

300

00:16:24,010 --> 00:16:26,130

Just, just take the big brush.

301

00:16:26,579 --> 00:16:30,930

It's a straight band-aid Brown and

here we're just applying dark color.

302

00:16:32,460 --> 00:16:35,280

Maybe there's one that

comes right on out here.

303

00:16:36,270 --> 00:16:38,310

And all you're doing is

laying in basic shapes.

304

00:16:38,340 --> 00:16:41,670

We'll go back with a knife and

straighten all this out and make big

305

00:16:41,670 --> 00:16:43,410

decisions about where things live.

306

00:16:44,430 --> 00:16:47,910

But right now, all we're

interested in is just basic shapes.

307

00:16:49,485 --> 00:16:50,955

Maybe this has comes way on out here,

308

00:16:57,335 --> 00:16:59,525

fill it up, just fill it up for the color.

309

00:17:01,385 --> 00:17:06,964

Like, so yeah, I really hope you enjoyed

seeing my little bird on the last show.

310

00:17:07,835 --> 00:17:08,974

He's coming along fine.

311

00:17:08,974 --> 00:17:14,464

If you're following his progress, I

say we've got so many calls, maybe.

312

00:17:15,900 --> 00:17:17,760

Maybe on one of the future

shows, I'll bring him back.

313

00:17:17,790 --> 00:17:18,660

Let you see him again.

314

00:17:18,960 --> 00:17:20,520

I think, I think you liked him.

315

00:17:20,900 --> 00:17:21,500

He's my friend.

316

00:17:27,680 --> 00:17:27,950

Okay.

317

00:17:28,130 --> 00:17:31,070

Taking care of him under the

supervision of the bird lady.

318

00:17:31,430 --> 00:17:35,060

We have a lady here in Muncie who takes

care of all the injured animals and

319

00:17:35,090 --> 00:17:37,130

stuff, and they call her the bird lady.

320

00:17:39,980 --> 00:17:42,930

She keeps me straight and tells me how to

take care of all these little creatures

321

00:17:46,260 --> 00:17:46,490

fact.

322

00:17:46,490 --> 00:17:49,820

When these days we'd like to do it, we'd

like to do a television show where we show

323

00:17:49,820 --> 00:17:53,840

you what she does and, and people like

her all over the country that devote their

324

00:17:53,840 --> 00:17:58,730

time and money and energies and to taking

care of all the God's little creatures,

325

00:18:00,500 --> 00:18:02,600

because they're super special people.

326

00:18:04,010 --> 00:18:05,240

So maybe one day we can do that.

327

00:18:06,560 --> 00:18:06,920

Right.

328

00:18:08,649 --> 00:18:10,889

Yeah, same old, dirty brush.

329

00:18:10,919 --> 00:18:12,270

I'm going to add some SAP.

330

00:18:12,270 --> 00:18:15,659

Green took fullest pressure in one

direction, load a lot of pain into it.

331

00:18:17,189 --> 00:18:20,220

Just tiny little bit of SAP green,

and we'll grab some dark Sienna too.

332

00:18:20,639 --> 00:18:24,030

So we get dark Sienna, van

Dyke, Brown and SAP green.

333

00:18:24,960 --> 00:18:30,030

Maybe, maybe over here, there's

going to be a big tree right here.

334

00:18:30,060 --> 00:18:34,080

So we can go ahead and throw in

some dark color, see how all this

335

00:18:34,080 --> 00:18:36,870

dark, it sort of closes in and

make sure I go toward the water.

336

00:18:37,970 --> 00:18:38,580

It's lighter.

337

00:18:40,275 --> 00:18:42,465

All right, let's do on the other side.

338

00:18:42,465 --> 00:18:43,965

Maybe there's a happy thing.

339

00:18:43,965 --> 00:18:50,835

It lives wherever you just make a

decision and put it in for whatever.

340

00:18:55,095 --> 00:18:55,725

There we go.

341

00:18:56,575 --> 00:18:56,835

Quick.

342

00:18:56,835 --> 00:18:58,065

We got all that blocked in.

343

00:18:59,475 --> 00:19:03,015

We're ready to start picking out

some, some beautiful little details.

344

00:19:04,755 --> 00:19:05,205

Okay.

345

00:19:06,515 --> 00:19:06,885

Now that.

346

00:19:08,940 --> 00:19:09,840

May it be fine.

347

00:19:11,100 --> 00:19:14,940

If I end the one inch brush,

we'll dip it into a little bit of

348

00:19:14,940 --> 00:19:19,800

liquid white, some yellow, and I'm

going to grab some at night black.

349

00:19:20,220 --> 00:19:23,879

I want this to be a dark, dark green

pullet brush brushing one direction,

350

00:19:24,210 --> 00:19:26,850

one direction loaded, full of color.

351

00:19:27,210 --> 00:19:28,140

Okay, next go right up here.

352

00:19:29,220 --> 00:19:33,510

And maybe right in here,

we'll put on some dark leaves.

353

00:19:33,929 --> 00:19:37,620

Yeah, just to begin building some

shape and form into this big tree

354

00:19:37,620 --> 00:19:44,330

that lives here, just like, so look

at all those things, but thank you,

355

00:19:44,340 --> 00:19:48,110

individual little bushes and limbs

and stuff that are all living in here.

356

00:19:49,399 --> 00:19:54,470

Each one has its own personality,

all kinds of happy, little things.

357

00:19:55,310 --> 00:19:55,909

There's one.

358

00:19:58,140 --> 00:20:00,240

You can just make hundreds

and hundreds of them.

359

00:20:00,640 --> 00:20:01,070

layers.

360

00:20:01,250 --> 00:20:04,610

Do the one that's farthest away

first and work forward at weight.

361

00:20:05,020 --> 00:20:06,590

It has depth and distance in there.

362

00:20:08,210 --> 00:20:15,590

Add a little yellow ochre, but that maybe

there's one right here, this side, a

363

00:20:15,590 --> 00:20:17,060

little bit of light zinging through there.

364

00:20:18,160 --> 00:20:18,230

Yeah.

365

00:20:18,260 --> 00:20:21,950

And you can leave some of them

dark and total shadow, especially

366

00:20:21,950 --> 00:20:25,610

when you're doing these deep woods

scenes or you can use almost pure.

367

00:20:26,130 --> 00:20:26,580

Green.

368

00:20:26,580 --> 00:20:28,410

So it just barely barely shows.

369

00:20:28,440 --> 00:20:32,730

I like to leave some of these

that are very dark, like at sea

370

00:20:35,040 --> 00:20:39,270

and here and there, the lights

going to zoom through and sparkle.

371

00:20:39,270 --> 00:20:41,100

Some of these make up shine.

372

00:20:42,870 --> 00:20:43,290

Look at that.

373

00:20:45,900 --> 00:20:46,260

Right?

374

00:20:46,260 --> 00:20:48,360

Darker, darker, darker

down here toward the base.

375

00:20:48,900 --> 00:20:49,890

Leave these dark areas.

376

00:20:49,890 --> 00:20:51,870

They're very, very important.

377

00:20:52,410 --> 00:20:53,130

Very important.

378

00:20:53,250 --> 00:20:53,910

Little wash it over.

379

00:20:53,910 --> 00:20:54,360

Brush you off.

380

00:20:55,740 --> 00:20:56,550

Give them a shake.

381

00:20:58,320 --> 00:20:58,830

There we go.

382

00:20:59,670 --> 00:21:04,380

Now then let's start not start

picking out some stones and rocks.

383

00:21:04,560 --> 00:21:07,440

You used some dark Sienna

here, a little bit of white,

384

00:21:12,120 --> 00:21:15,210

maybe, maybe right along in here.

385

00:21:16,740 --> 00:21:20,640

We're beginning to see

some nice Rocky areas.

386

00:21:22,605 --> 00:21:31,955

Still want this to stay quiet, dark, quite

dark, just all kinds of things happening.

387

00:21:34,745 --> 00:21:36,245

Tell you what let's do that up here.

388

00:21:36,695 --> 00:21:37,745

Now, watch here, watch here.

389

00:21:38,794 --> 00:21:42,064

This is so much fun because now you can

make a decision that there's a big cliff

390

00:21:42,095 --> 00:21:44,735

or a sheer drop off right here, bank.

391

00:21:44,824 --> 00:21:45,274

I swear.

392

00:21:45,274 --> 00:21:49,324

I'm looking for, and you

can just bring that around.

393

00:21:49,785 --> 00:21:51,315

And leave this right in front.

394

00:21:51,645 --> 00:21:53,775

You can make all kinds of little

things that go up in there.

395

00:21:55,125 --> 00:22:01,965

Like, so I have some fun, sometimes

some of these stones get just full

396

00:22:03,195 --> 00:22:05,685

of little grassy and mossy things.

397

00:22:06,555 --> 00:22:11,985

So just tap, tap the fan

brush, like, so, okay.

398

00:22:12,855 --> 00:22:16,515

This isn't the greens and the yellows,

and all you do is just tap, just

399

00:22:16,515 --> 00:22:18,975

touch, pick out individual stones.

400

00:22:20,100 --> 00:22:23,160

See, it makes it look like it was

just all crowns, a little grassy

401

00:22:23,910 --> 00:22:28,080

slimy things, the things that are wet

all the time, they grow all kinds of

402

00:22:28,080 --> 00:22:34,710

little algae and it's pretty stones

look like they have fur on them at

403

00:22:34,710 --> 00:22:39,230

times, right down here by the water.

404

00:22:39,530 --> 00:22:42,680

And you can just do as many

of these, at least in dark

405

00:22:42,830 --> 00:22:44,060

don't don't kill all the dark.

406

00:22:46,220 --> 00:22:47,450

Look at all those little Rascals.

407

00:22:50,160 --> 00:22:53,060

Like, so, okay.

408

00:22:53,180 --> 00:23:00,680

Back to my one inch brush, a little

bit of the yellow and the green, how

409

00:23:00,710 --> 00:23:05,780

that let's bring all this together,

we can begin putting all kinds

410

00:23:05,780 --> 00:23:08,420

of little bushes that live here.

411

00:23:10,040 --> 00:23:11,330

They follow the lay of the land.

412

00:23:11,690 --> 00:23:16,010

Kevin, write down like yes,

as many or as few as you want.

413

00:23:17,219 --> 00:23:17,969

This is your world.

414

00:23:20,429 --> 00:23:21,270

You make it happen.

415

00:23:23,219 --> 00:23:24,449

You make it happen.

416

00:23:24,780 --> 00:23:25,320

There it is

417

00:23:29,330 --> 00:23:29,870

to you hunt.

418

00:23:31,100 --> 00:23:33,979

Maybe there's one lives down here.

419

00:23:35,270 --> 00:23:36,590

So how you can bring all that together.

420

00:23:40,280 --> 00:23:43,070

and we will go back with our

little fan brush and let's put some

421

00:23:43,070 --> 00:23:44,830

little grassy things out here on.

422

00:23:45,330 --> 00:23:46,200

These stones too.

423

00:23:46,200 --> 00:23:47,400

We don't want them to be left out.

424

00:23:49,500 --> 00:23:50,220

There we go.

425

00:23:51,600 --> 00:23:53,160

Just all kinds of little Rascals.

426

00:23:55,110 --> 00:23:55,470

Got it.

427

00:23:57,920 --> 00:23:58,860

We can come right over here.

428

00:23:58,890 --> 00:24:00,240

Maybe there's a happy little Bush.

429

00:24:01,090 --> 00:24:01,920

He lives right there.

430

00:24:03,470 --> 00:24:05,390

Just sort of let your

imagination go crazy.

431

00:24:07,010 --> 00:24:12,920

Let's get the small knife and we can

take some dark Brown come right in here.

432

00:24:13,950 --> 00:24:18,420

And just begin adding all kinds

of little, little flips on these

433

00:24:18,420 --> 00:24:19,980

stones, spring them straight down.

434

00:24:20,580 --> 00:24:22,440

If you get a little that in the

water, don't worry about it.

435

00:24:22,470 --> 00:24:23,040

Don't worry about it.

436

00:24:24,540 --> 00:24:33,630

Can fix easy, just all kinds of

little, little things and how, let

437

00:24:33,630 --> 00:24:38,040

me find my fan brush that has a

quick honey and titanium white on it.

438

00:24:38,220 --> 00:24:41,280

A lot of paint on the brush, uh, paint.

439

00:24:41,370 --> 00:24:41,760

Now, then.

440

00:24:42,480 --> 00:24:45,030

Let's begin cleaning up the

bottom of all this stuff.

441

00:24:45,090 --> 00:24:49,379

Water splashing into some of these

little recessed areas here, like a

442

00:24:49,379 --> 00:24:53,280

death and that fun splash and crashing.

443

00:24:53,610 --> 00:24:57,149

Maybe it's just a little, that

little stone underneath the water.

444

00:24:57,179 --> 00:24:59,730

Just sort of look at

it and make decisions.

445

00:24:59,730 --> 00:25:01,560

There's stones underneath

the water all over.

446

00:25:03,800 --> 00:25:04,100

Yeah.

447

00:25:04,129 --> 00:25:04,730

Sort of take it.

448

00:25:04,879 --> 00:25:05,179

Ooh.

449

00:25:05,450 --> 00:25:07,340

The other one, they go in

all kinds of directions.

450

00:25:08,510 --> 00:25:10,250

This water's just churning through here.

451

00:25:10,815 --> 00:25:12,315

You ever listened to a little stream?

452

00:25:12,945 --> 00:25:14,895

It has one of the most

peaceful sounds to it.

453

00:25:16,635 --> 00:25:19,155

That's always been one of my

fantasies is to have a house that

454

00:25:19,155 --> 00:25:20,475

was right next to a little stream.

455

00:25:20,685 --> 00:25:22,575

And at night you could go

to sleep, listening to all

456

00:25:22,585 --> 00:25:24,675

that bubbling and Cherney.

457

00:25:27,105 --> 00:25:27,615

There we go.

458

00:25:28,575 --> 00:25:29,595

Just as many as you want.

459

00:25:31,695 --> 00:25:38,055

I could there, so right off in

here, wherever can I nail that?

460

00:25:38,055 --> 00:25:39,525

And that's, that's taken out.

461

00:25:39,945 --> 00:25:45,945

I'm going to dip right into

some liquid clear Brown.

462

00:25:46,485 --> 00:25:53,085

Maybe there's some mass trees Shoon live

just to wherever many of them as you want.

463

00:25:53,415 --> 00:25:57,645

Or as few you can just

drop a tree here and there.

464

00:25:59,775 --> 00:26:00,555

Just like, so

465

00:26:04,685 --> 00:26:06,275

a couple of little tree

lambs here and there.

466

00:26:10,185 --> 00:26:10,875

There we go.

467

00:26:12,135 --> 00:26:16,605

Yeah, we'll take her oval

brush, put a little, we'll put

468

00:26:16,605 --> 00:26:17,865

a little brighter yellow on it.

469

00:26:18,525 --> 00:26:19,485

The old clock on the wall.

470

00:26:19,515 --> 00:26:21,105

Tell me I got to finish this up.

471

00:26:22,665 --> 00:26:25,665

Just tap in the indication of all

kinds of little leaves hanging in here.

472

00:26:27,645 --> 00:26:29,865

Say there it's easy.

473

00:26:31,535 --> 00:26:34,125

You can really, really do

a fantastic little painting

474

00:26:34,545 --> 00:26:35,775

in just a matter of minutes.

475

00:26:38,235 --> 00:26:41,595

As I say the whole clock is telling me

I got to leave you for this, this time.

476

00:26:41,895 --> 00:26:42,405

I'll be back.

477

00:26:43,605 --> 00:26:46,784

So we'll put a little leaf, maybe

there's one that hangs out right here.

478

00:26:47,794 --> 00:26:52,115

I can't, I think that pretty

well gives us a finished little

479

00:26:52,115 --> 00:26:53,465

painting from all of us here.

480

00:26:53,764 --> 00:26:54,425

Happy painting.

481

00:26:54,965 --> 00:26:55,445

God bless.

482

00:27:24,090 --> 00:27:25,050

Um,

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S10E04 - Secluded Bridge

Bob Ross's

The Joy of Painting

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