Bob Ross's

The Joy of Painting

S12E12 - Mountain In An Oval

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I'm glad you could join me today.

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You're ready to do another little

fantastic painting super today.

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I thought I would do one of the little

ovals that has, that has really become

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one of the most popular things we've ever

introduced in this television series.

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And I've got so many cards and

letters from people saying, how

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about doing some more of those

that I thought I'd do another one

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day and show you how it's done.

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So I'll tell you what, let's have him run

all the colors across the screen that you

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need to paint this little Lobel with me.

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And we're going up here

and get started the oval.

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Here is made from just contact paper.

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You can buy at the local hardware

grocery store, just cut a design in it.

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And it does not necessarily

have to be an oval.

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You can cut squares or octagons or.

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Your imagination is your only limit.

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You can do anything here

that you want to do.

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So let's just do a fun,

little painting in it.

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Show you how that's done.

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Let's start today with the old

two inch brush and I'll go right

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into a touch of the lizard.

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Crimson.

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Just pull a little bit of color out.

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Just a small amount and

tap the brush firmly.

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Okay, let's go right up here.

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Let's have a happy little sky.

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Yes, just, just a warm pinkish little sky.

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And don't use too much of this

Crimson just a little bit.

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We don't want, we don't want

to set this couch on fire.

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All we want to do is have

a nice pinkish glow there.

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Maybe even we'll have just a

little touch of it in the water.

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Had to have some water down here.

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Okay.

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And you just can blend this

right on that it's continually

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mixing with the liquid white.

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So it gets lighter and lighter.

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The more you blend it

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that quick.

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Yeah.

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You have a nice pinkish little sky.

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I think maybe in this one, let's

have, let's have the sun up here.

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That's a lot of fun.

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So I'm going to, I'm

going to use my finger.

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We just go right into a little titanium,

white and touch and come right up here and

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then decide where you want the sun to be.

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And then just take your finger

and draw a little circle.

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So there is to it that easy.

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And easy.

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You can put a sun right in the

sky that helps if it's, if it's

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sort of round, it looks funny.

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If it's all weird shapes there and

very lightly three hairs in some

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areas you can just go across and

blend it in and you're all fixed

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up where you wash your brush now.

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Give it a little shake,

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redecorate the studio.

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All right.

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I'm going to take alizarin

Crimson and visiting Crimson.

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That's a pretty color.

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I like that.

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And a little touch of little blue.

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So we have Crimson and

blue proportionately.

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There's much, much more Crimson than blue.

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The blue is so strong in comparison.

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So quite a bit of Crimson,

a little bit of blue.

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Now that's hard to tell what color it is.

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Put a little white out here, and then

you can, you can take a look, see

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and see if it's the color you want.

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I think I wanted a little more

into the blue side, so I'm going

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to add a little bit more blue.

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You just keep mixing it till you

get it, the color you want it.

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Okay.

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That's better.

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That's more what I'm looking for?

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Give, let me clean the knife off hand.

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We can, we'll get a fan brush.

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There we go.

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Take a touch of this color.

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Just a little bit of it.

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Not much.

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And that's go right up here.

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Maybe there's some happy little clouds

that live in here and, and these little

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clouds, they just sorta just sort of

float around the sky and have fun all day.

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Not much paint, very, very little paint.

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And I'm just barely touching the canvas.

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Maybe, maybe this cloud comes,

maybe it comes all the way

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over and gets back again.

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We don't know tiny little

circles, just wherever you want.

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There's another one.

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you can just put layer after layer,

after layer little clouds here.

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This is a very, very nice painting.

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If it's one of your first paintings,

this is a good one to do you just, just

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getting introduced to this technique.

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This is an excellent painting

to do because it works so well.

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maybe, Oh shoot.

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Maybe down in here.

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There's a little floaters

that just live right in here.

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Wherever you want.

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Maybe just when it comes right on up here,

it comes right in front of the little sun.

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just let your imagination take

you wherever you want to go.

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That easy.

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You can create all kinds of

beautiful little cloud effects.

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I get carried away here.

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I'll cover up all the pink.

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Sorry, there we go.

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Maybe.

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No, my, my cat a little bit bigger

and we'll take a clean, dry two inch

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brush and very gently, very gently.

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I'm just going to blame this.

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Chin is going to blend it a little just

enough to sort of bring it all together.

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And you can also soften it.

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If you want your cloud to be a

little softer, the more you blend

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it, the lighter it will become.

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You'll get later in the

lighter, softer and softer

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so you can grab them, just

move them, pull them out.

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The canvas is wet so you can move color.

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A little bit now maybe, maybe, maybe,

maybe there's a clouded to here.

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That's a little stronger

when you're darker.

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So let's go right back up in here.

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And here's a cloud.

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That's a little dark,

it's the same exact color.

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I'm just applying a little more

paint, a little more pressure.

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So it makes this cloud look

like it's darker and stronger

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and a little bit closer to us.

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Maybe.

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Maybe down in here is another one.

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So, but you can create

layers of clouds that easy.

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I had easy to, it helps create

the illusion of depth in your sky.

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It's not just one flat or color.

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You got all kinds of beautiful

little things was happening.

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He was another one that

floats right down in here.

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Okay.

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And we can go back to our large

brush and lightly blend these.

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Blend and bring together

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three hairs in some air.

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Very gently, very gently

just blend the entire sky

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and a super way to make a very

effective little sky and you can do it.

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Okay.

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Shoot desk.

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That's so much fun.

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Let's keep going.

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We use that same color and

that same lavender colored.

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Still use a fan brush.

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What the heck?

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Just load both sides full of color.

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And we go right back up here.

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Now we have to make a big decision.

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Where does our where's our

horizon or our waterline?

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Maybe it's right about here.

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It's going to take and push

in a little bit of color.

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Just push that the bristle

sort of bent upward.

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When you push, maybe sit here, push bend.

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See.

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Come over here.

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See how it's bended like that.

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That's what we're doing.

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Just push it and bend it.

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There we go.

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That camera I now, and I'm

going to grab it and just gently

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little short stroke, little short

stroke just lifted up that top.

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Backed up, make it a quite little trees

that are far, far off in the distance.

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We back here.

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Well, I got this color.

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We'll just pull some down here.

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I can't

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get the water in.

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That'll be our reflection.

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Okay.

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And speaking of water, let's put

some, yeah, I'll just take some,

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I'm gonna take a little bit of.

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They little blue hair on the brush.

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Just tap a little color

into the, to the bristles.

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Maybe at least little touch of

the midnight, black into it,

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just a little black and blue.

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Now then let's come right in here,

right in here and add some water.

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Pull from the outside inward

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outside here.

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How are we doing here?

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He's just laying some cover on the canvas.

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Wash my brush, wash the old brush.

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That's the fun part of this.

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He came off, you get

the devil out of it now.

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Very easy, very easy.

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You can just run right across

here and bring all that together

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and that'll be our water.

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Okay.

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Grab the bottom of this, pull it

straight down, straight down the

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street down, go across very lightly.

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And we have her reflections

and maybe, maybe there's

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another little pencil out here.

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What the heck, if you want one here, put

at the end, maybe it comes right out.

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I can't, but do the back first to greet

your reflections and then come in here

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and do this one layer after layer, do

the thing it's focused away from you.

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And then work forward a little color

down underneath that for the reflection

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negative reflection, then we can grab it.

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And lifted upward, very gentle

and very short little strokes.

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Okay.

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Now you're having a big brush

and pull straight down again,

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straight down, straight down.

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There go across.

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We have instant reflections.

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I'm gonna take a little touch of the

liquid white button on the pallet

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and pull it out as flat as I can

get it just really mash at heart.

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Really.

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I cut across where that let's go right

up in here and very gently, very easily.

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We can just cut in a little waterline.

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Just act like you turn the, saw

a whole read through the canvas.

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There we go

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that sort of separates everything.

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Makes it nice and pretty.

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They're little, little ripples here and

there, wherever you want to, but all

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these lines need to be basically straight.

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They're not straight into your water.

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It looked like it's going

to run out on the floor.

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Get your carpet wet there.

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Speaking of carpet.

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One of the, one of the biggest

questions I get is how do

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you contain all that leading?

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When you're working at home, they make

the thing called a breastfeeding rack.

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It goes in the bottom of a wastepaper

basket and you stick it down in there

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and shaky brush inside of that basket.

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And it'd be alone.

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This rack it'll contain all

that splashing and stuff.

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Cause if you do what I'm doing

here, you can be the most

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unpopular person in the house.

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I guarantee you.

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Cause you can cover a room, change your

whole decor in a matter of minutes.

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So be careful.

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Let's make a little mountain here.

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I'll take some black, some blue little

lizard, Crimson, black, blue, and Crimson.

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Okay.

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Pull it out.

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Flat kind of cross.

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Get our little roller paint

right on the edge of the knife.

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Maybe then maybe we have a mountain that

lives right about here and just sort of

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decide where you want it and put it in.

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How would it be, man?

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See.

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Oh, we worried about at this

point is a nice outside of edge.

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We could care less what's

happening anywhere, but there

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maybe there's another little piece.

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It comes down right there.

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There we go.

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Can you scrape off all the excess paint?

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We'll take a two inch brush, grab

it and give it a little downward.

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Pull that removes the paint and blends it.

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Outward.

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Cleanse it out.

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maybe underneath here, we want a

little reflection or reflect that

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mountain right into the border.

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A little bit of color.

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Just pull it straight down, straight down,

straight down, and then go lightly across.

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And we have the mountain

with like, into the water.

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Let's take some titanium, white, put

some, put some highlights on that

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mountain, pull it out, flat, got cross.

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And once again, we get

our little roll of paint.

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That's the way I always load the knife.

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And let's put some

highlights on this smell.

257

00:13:24,060 --> 00:13:24,690

Just touch.

258

00:13:25,200 --> 00:13:27,030

No pressure, no pressure.

259

00:13:27,600 --> 00:13:29,040

It flow right down the

side of the mountain.

260

00:13:30,030 --> 00:13:34,410

Tell you what, while I'm doing this,

because you've seen this over and over.

261

00:13:36,030 --> 00:13:38,730

No, I get I've mentioned

before people send me.

262

00:13:39,439 --> 00:13:43,280

All kinds of beautiful photographs of

the paintings are doing, and you can't

263

00:13:43,280 --> 00:13:44,569

believe what some people are doing.

264

00:13:45,050 --> 00:13:48,079

And then once in a while, I like to stick

them on a little board and let you see

265

00:13:48,110 --> 00:13:51,949

what people at home are doing and what

I'm putting in the snow on this mountain.

266

00:13:52,040 --> 00:13:52,910

Take a look at this.

267

00:13:52,970 --> 00:13:57,410

Can you believe, can you believe

what some of these people are doing?

268

00:13:58,819 --> 00:14:00,620

And they're learning this

from watching this show.

269

00:14:00,944 --> 00:14:05,675

And just practicing in

that fantastic weather.

270

00:14:05,745 --> 00:14:09,915

It just makes me so proud when I

see what, what people are doing.

271

00:14:10,935 --> 00:14:13,694

And if you've sent me a photograph

and it's, and it's not on this

272

00:14:13,694 --> 00:14:15,704

particular board, I apologize.

273

00:14:16,474 --> 00:14:17,805

I'll try to get it on the next one.

274

00:14:18,495 --> 00:14:19,365

But let me hear from you.

275

00:14:19,365 --> 00:14:20,685

Send me pictures of what you doing.

276

00:14:20,925 --> 00:14:22,745

I left to see love to see them.

277

00:14:24,635 --> 00:14:25,444

There we go.

278

00:14:27,305 --> 00:14:29,344

Some of those are just other spectacular.

279

00:14:32,520 --> 00:14:34,770

And that's something I

thought you'd like that.

280

00:14:35,489 --> 00:14:39,390

And you can do it too dry and

got your brush and give it a try.

281

00:14:40,260 --> 00:14:45,239

I'll take some white, a little bit of

blue, mix it together, mix it together.

282

00:14:46,589 --> 00:14:48,420

We'll make a little shadow color here.

283

00:14:48,870 --> 00:14:52,140

Pull it out flat once again, cut across

and get her a little roll of paint.

284

00:14:53,040 --> 00:14:55,530

Let's go up here and just drop in

the indication of a happy little

285

00:14:55,530 --> 00:14:56,790

shadow in these little mountains.

286

00:14:58,620 --> 00:14:59,250

There we go.

287

00:15:00,350 --> 00:15:02,930

And for all the people who sent me

photographs that we just showed you.

288

00:15:03,050 --> 00:15:03,920

Thank you very much.

289

00:15:04,250 --> 00:15:09,800

I appreciate you sharing your talents and

your work with me and with everyone else.

290

00:15:12,200 --> 00:15:12,680

Okay.

291

00:15:13,260 --> 00:15:17,940

Yeah, we've got a little mountain

take a good clean dry brush.

292

00:15:18,180 --> 00:15:20,490

And I just want to tap the base of

it a little bit, create a little

293

00:15:20,490 --> 00:15:26,700

bit of mist lifted, upper upper

duct, very gentle, very gentle,

294

00:15:33,600 --> 00:15:34,350

except some horror.

295

00:15:34,350 --> 00:15:36,870

My color here, Crimson and blue.

296

00:15:37,625 --> 00:15:38,855

There was some black in there too.

297

00:15:38,885 --> 00:15:39,395

What the heck?

298

00:15:40,685 --> 00:15:42,665

Even a little SAF green into it.

299

00:15:45,215 --> 00:15:45,485

Okay.

300

00:15:47,615 --> 00:15:49,145

And we go back to the old fan brush.

301

00:15:49,175 --> 00:15:50,075

That's working quite well.

302

00:15:50,465 --> 00:15:54,005

Maybe back here, maybe

there's some little trees.

303

00:15:54,005 --> 00:15:55,115

These are getting a little closer.

304

00:15:55,115 --> 00:15:56,465

It will begin to make out a little detail.

305

00:15:56,915 --> 00:16:00,805

Just take the brush and tap

downward just happened to her.

306

00:16:00,855 --> 00:16:03,455

Maybe it comes right on out here.

307

00:16:04,955 --> 00:16:05,915

Like, so.

308

00:16:07,465 --> 00:16:09,595

Maybe the sound back in here,

we'll make a couple of layers.

309

00:16:09,595 --> 00:16:10,045

See that way.

310

00:16:10,045 --> 00:16:11,815

It'll another plane.

311

00:16:11,905 --> 00:16:12,715

I can look deeper.

312

00:16:14,520 --> 00:16:17,460

Deep or deeper these different

planes and you're painting.

313

00:16:17,490 --> 00:16:18,750

That's what I asked.

314

00:16:18,750 --> 00:16:21,000

What creates the illusion

of depth and distance.

315

00:16:21,240 --> 00:16:24,450

And if you're out selling your

paintings, that's what that, what

316

00:16:24,450 --> 00:16:27,750

brings that happy buck home there?

317

00:16:27,750 --> 00:16:29,310

Maybe, maybe there's a tree right here.

318

00:16:29,310 --> 00:16:30,240

This a little stronger.

319

00:16:31,190 --> 00:16:32,660

Make that a little more detail on him.

320

00:16:32,780 --> 00:16:33,920

Big Tufts on we go.

321

00:16:35,275 --> 00:16:41,214

And he's got a friend over here

and air, just a couple of those, a

322

00:16:41,214 --> 00:16:42,474

little bit of that color underneath

323

00:16:45,665 --> 00:16:51,655

would take her brush, pull that straight

down and make some reflections for that.

324

00:16:55,855 --> 00:16:58,615

I'm going right back into my

liquid white on the knife.

325

00:16:59,064 --> 00:17:04,165

And let's put in another water

line or two, you have to do,

326

00:17:04,224 --> 00:17:05,345

but just cut it in there.

327

00:17:10,464 --> 00:17:10,764

Easy.

328

00:17:13,690 --> 00:17:18,340

You can do anything here, unlimited

power on this piece of canvas.

329

00:17:20,350 --> 00:17:20,800

All right.

330

00:17:22,360 --> 00:17:27,190

Tell you what I'm going to, I'm going to

grab an oval brush a one inch oval brush.

331

00:17:27,250 --> 00:17:28,810

Mix up a little more color here.

332

00:17:29,590 --> 00:17:32,470

Black blue, throw some Brown in there too.

333

00:17:32,470 --> 00:17:32,980

What the heck?

334

00:17:33,740 --> 00:17:36,590

Sam green Crimson long as

it's long as it's dark.

335

00:17:36,590 --> 00:17:37,129

I don't care.

336

00:17:38,810 --> 00:17:39,050

Okay.

337

00:17:39,050 --> 00:17:40,159

Let me wipe off the knife.

338

00:17:41,629 --> 00:17:43,700

I just wiped that knife

on no paper towels.

339

00:17:43,700 --> 00:17:46,159

If you wonder where I'm going

there now, I'm going to take

340

00:17:46,159 --> 00:17:48,290

the oval brush and just tap it.

341

00:17:49,370 --> 00:17:50,689

And it's sort of different on the end.

342

00:17:50,780 --> 00:17:52,610

It's it's oval.

343

00:17:53,535 --> 00:17:54,735

It does some nice things.

344

00:17:56,505 --> 00:17:56,835

Okay.

345

00:17:58,305 --> 00:18:01,065

Maybe, maybe right in here.

346

00:18:01,065 --> 00:18:04,785

There's a little, it's a little

peninsula that comes out and we're

347

00:18:04,785 --> 00:18:06,135

beginning to see more detail.

348

00:18:06,480 --> 00:18:07,890

That's the reason I change brushes here,

349

00:18:11,040 --> 00:18:12,780

push hard, but that come down.

350

00:18:12,780 --> 00:18:13,950

That's going to be the reflections

351

00:18:17,370 --> 00:18:18,060

wherever you want it.

352

00:18:19,530 --> 00:18:21,000

Maybe I have a little connection here.

353

00:18:22,740 --> 00:18:23,100

Grab it.

354

00:18:23,850 --> 00:18:25,020

Decide where your reflections are.

355

00:18:25,110 --> 00:18:26,040

Pull that part down.

356

00:18:28,300 --> 00:18:30,660

Think I've mentioned over and over

again as traditional payment or

357

00:18:30,660 --> 00:18:32,370

reflections used to drive me crazy.

358

00:18:33,810 --> 00:18:35,970

I used to be one of the hardest

little things to do in that.

359

00:18:35,970 --> 00:18:36,630

So simple.

360

00:18:37,770 --> 00:18:38,220

Grab it.

361

00:18:38,550 --> 00:18:39,390

Another oval brush.

362

00:18:39,420 --> 00:18:40,560

I have several of them going here.

363

00:18:41,040 --> 00:18:43,410

Put some yellow, grab some SAP green.

364

00:18:45,070 --> 00:18:47,290

And all I'm doing is tapping

the brush into the paint.

365

00:18:47,410 --> 00:18:53,430

Just tap it, looking for

a nice green, just tap it.

366

00:18:54,690 --> 00:18:54,900

Okay.

367

00:18:54,960 --> 00:18:55,800

Let's go right up here.

368

00:18:56,250 --> 00:19:00,780

And I want to put all kinds of

little grassy looking things

369

00:19:00,780 --> 00:19:01,830

right out here on the edge.

370

00:19:01,920 --> 00:19:02,130

Huh?

371

00:19:02,700 --> 00:19:03,300

That's super.

372

00:19:04,380 --> 00:19:09,150

This brush makes some of the

nicest little effects, the hair.

373

00:19:12,015 --> 00:19:12,615

And it's easy.

374

00:19:12,645 --> 00:19:18,285

All you have to do is just tap,

tap, leaving street, dark area.

375

00:19:18,285 --> 00:19:19,425

So it looks like it's layered.

376

00:19:19,425 --> 00:19:21,645

I don't want to, I don't want

to kill all your dark areas.

377

00:19:23,715 --> 00:19:24,105

Shoot.

378

00:19:24,105 --> 00:19:27,015

When I got that going, you could

maybe up here that lives a little

379

00:19:27,015 --> 00:19:30,645

tree, whatever, but how to use it.

380

00:19:30,645 --> 00:19:35,025

You can create a tree, take your

liner, brush paint, thinner, a

381

00:19:35,025 --> 00:19:38,385

little bit of Brown paint thinners,

just at the end of the paint down.

382

00:19:39,015 --> 00:19:39,285

Okay.

383

00:19:39,925 --> 00:19:40,815

Let's go right in here.

384

00:19:41,610 --> 00:19:43,740

Yeah, I just put a little

trunk on that tree.

385

00:19:45,060 --> 00:19:49,560

Say there, maybe there's an whole

sticker too out here, but that easy

386

00:19:49,560 --> 00:19:51,270

you can make a pretty good old tree.

387

00:19:51,930 --> 00:19:52,410

Pretty good.

388

00:19:52,410 --> 00:19:52,860

Old tree.

389

00:19:53,780 --> 00:20:01,040

Let's have some fun going back to

my fan brush here right about here.

390

00:20:01,040 --> 00:20:03,170

Lives, lives, lives, lives.

391

00:20:03,890 --> 00:20:04,160

Nice.

392

00:20:04,160 --> 00:20:04,640

Evergreen.

393

00:20:05,594 --> 00:20:08,355

I like to make those this back

and forth, back and forth.

394

00:20:08,514 --> 00:20:09,824

Don't just fall out of the brush.

395

00:20:11,594 --> 00:20:12,465

There is another one.

396

00:20:15,645 --> 00:20:18,465

So you have to make the decision though.

397

00:20:18,465 --> 00:20:19,725

How many evergreens live here?

398

00:20:20,355 --> 00:20:20,925

It's up to you.

399

00:20:22,215 --> 00:20:23,024

It's up to you.

400

00:20:23,415 --> 00:20:25,155

Maybe over here.

401

00:20:25,725 --> 00:20:27,764

Just put the indication of

a couple of little ones.

402

00:20:29,504 --> 00:20:31,365

Here's wanting to see a little detail.

403

00:20:35,455 --> 00:20:39,284

We can just pop in some dark rich color.

404

00:20:41,804 --> 00:20:42,824

First it's too slow.

405

00:20:44,235 --> 00:20:45,165

Let's get serious here.

406

00:20:46,455 --> 00:20:48,465

Let's take two minutes fresh.

407

00:20:50,215 --> 00:20:51,855

There's a nice last week.

408

00:20:51,885 --> 00:20:52,695

Bullshit lives here.

409

00:20:56,895 --> 00:20:57,465

There you go.

410

00:20:58,860 --> 00:21:00,990

Need a little bit of color

into here for our reflection.

411

00:21:01,350 --> 00:21:03,090

Just pull it down, pull it down straight.

412

00:21:03,900 --> 00:21:03,990

Okay.

413

00:21:04,440 --> 00:21:05,070

Cool cross.

414

00:21:07,790 --> 00:21:08,240

Okay.

415

00:21:08,300 --> 00:21:10,310

Maybe, I don't know.

416

00:21:10,310 --> 00:21:11,750

Maybe this comes right out here.

417

00:21:12,530 --> 00:21:13,010

Let's do that.

418

00:21:13,129 --> 00:21:15,139

Let's have it come right out.

419

00:21:16,490 --> 00:21:19,639

Right across like here, since

we have an oval, let's just

420

00:21:19,639 --> 00:21:20,780

sort of follow that the zone.

421

00:21:25,014 --> 00:21:26,615

Maybe this goes, I think it is.

422

00:21:27,675 --> 00:21:28,695

We'll have a big tree right here.

423

00:21:28,695 --> 00:21:29,595

I like a big tree.

424

00:21:29,595 --> 00:21:30,585

So we'll put one right here.

425

00:21:32,325 --> 00:21:38,145

All we're doing right now is just

putting in some background color there.

426

00:21:40,455 --> 00:21:41,085

Okay.

427

00:21:41,955 --> 00:21:42,585

We'll take a knife.

428

00:21:43,034 --> 00:21:44,534

Didn't put a little water line over here.

429

00:21:44,625 --> 00:21:45,675

We'd have a little water line.

430

00:21:46,274 --> 00:21:47,445

Don't want this side left out.

431

00:21:50,365 --> 00:21:52,285

Just put him in right there that easy.

432

00:21:54,895 --> 00:21:55,285

Okay.

433

00:21:55,345 --> 00:21:59,635

I'm going back to the little

oval brush and here and there.

434

00:22:00,265 --> 00:22:06,475

All I want to do is just tap in

the indication of a little, little

435

00:22:06,475 --> 00:22:08,755

Bush, just layer after layer.

436

00:22:10,405 --> 00:22:13,825

However many you want, how many.

437

00:22:16,440 --> 00:22:16,890

Okay.

438

00:22:19,320 --> 00:22:22,970

A little bit of green on the fan brush,

put some highlights on his elabor greens.

439

00:22:26,990 --> 00:22:29,180

Let's come right on down here

and let's begin dropping in.

440

00:22:29,705 --> 00:22:32,375

All kinds of little different

individual bushes down in here

441

00:22:35,375 --> 00:22:39,785

going into Indian, yellow, every once

in a while, at least little touch to

442

00:22:39,805 --> 00:22:42,445

them, bright red that it's parked.

443

00:22:44,955 --> 00:22:46,125

It makes it nice and pretty,

444

00:22:49,925 --> 00:22:51,935

but leave his dark areas

in between their door.

445

00:22:52,325 --> 00:22:53,405

Don't cover all those up.

446

00:22:53,555 --> 00:22:53,945

You do.

447

00:22:54,695 --> 00:22:59,255

It's going to get flat and

neat little brush though.

448

00:22:59,795 --> 00:22:59,885

Okay.

449

00:23:02,885 --> 00:23:04,565

There and just put layer after layer.

450

00:23:07,835 --> 00:23:09,215

I think it's about time.

451

00:23:09,925 --> 00:23:11,755

Put a water line into here

and then let's take that.

452

00:23:12,685 --> 00:23:17,095

Let's take the pool, the oval off

and see what we got scraped in

453

00:23:17,095 --> 00:23:18,355

a few little sticks and twigs.

454

00:23:19,285 --> 00:23:19,585

Okay.

455

00:23:19,675 --> 00:23:20,095

Let's watch.

456

00:23:20,095 --> 00:23:21,325

Bring the camera right at piercing.

457

00:23:21,335 --> 00:23:23,965

See this when you take this off,

458

00:23:29,065 --> 00:23:29,485

look at there.

459

00:23:29,590 --> 00:23:33,970

Isn't that super that's one of

the nicest, nicest little effects.

460

00:23:34,480 --> 00:23:36,760

I'm going to take the fan brush and

go right into some Vandyke Brown.

461

00:23:36,790 --> 00:23:39,910

I knew you'd like, that really knew.

462

00:23:39,910 --> 00:23:43,060

You'd like it let's have a big tree.

463

00:23:43,210 --> 00:23:44,470

Maybe our big tree lives.

464

00:23:45,580 --> 00:23:46,180

He lives.

465

00:23:48,040 --> 00:23:49,330

No, this hasn't gone all the way through.

466

00:23:49,960 --> 00:23:50,050

Okay.

467

00:23:51,280 --> 00:23:52,480

Put some bushes down here.

468

00:23:52,840 --> 00:23:58,629

Let's just extend these come right

on out of the old one breaks,

469

00:23:58,629 --> 00:24:01,300

the borders breaks the borders,

470

00:24:04,899 --> 00:24:11,350

like, so that's neat how you can

just pull it painting right on out.

471

00:24:11,620 --> 00:24:12,129

Let it go.

472

00:24:15,320 --> 00:24:16,659

There's our whole big tree.

473

00:24:17,860 --> 00:24:18,970

He lives right there.

474

00:24:21,615 --> 00:24:28,635

Can begin putting in all kinds of little,

little things that live in there, however

475

00:24:28,635 --> 00:24:31,155

you want it just layer after layer.

476

00:24:36,795 --> 00:24:38,355

I love these little oval paintings.

477

00:24:42,215 --> 00:24:45,425

So I tell you there's some of the most

popular paintings we've ever came up with.

478

00:24:50,275 --> 00:24:52,655

Let's take a little dark Sienna, white.

479

00:24:54,545 --> 00:24:57,335

Let's put that touch your

highlight on this tree here.

480

00:24:59,115 --> 00:25:00,764

Just a little touch

up, up, up, up, up, up,

481

00:25:04,595 --> 00:25:11,645

take her liner brush with paint

thinner, go into her Brown, make

482

00:25:11,645 --> 00:25:14,295

it very, very thin, very thin.

483

00:25:17,825 --> 00:25:19,025

We're going to go out of this border.

484

00:25:19,475 --> 00:25:20,675

Let's take a little bit of that color.

485

00:25:21,929 --> 00:25:26,110

And just bring it right on, off too bad,

486

00:25:29,219 --> 00:25:30,030

man.

487

00:25:30,360 --> 00:25:35,850

A few little branches and

limbs to let them come right

488

00:25:35,850 --> 00:25:36,899

off this little liner brush.

489

00:25:37,110 --> 00:25:37,199

Okay.

490

00:25:37,250 --> 00:25:41,449

And if you had trouble making the paint

flow, add more paint, thinner just

491

00:25:41,449 --> 00:25:45,620

means is it's not, not thin enough.

492

00:25:47,090 --> 00:25:47,389

Okay.

493

00:25:48,290 --> 00:25:49,100

Take some of the.

494

00:25:51,555 --> 00:25:53,565

Color right on this brush.

495

00:25:55,605 --> 00:25:58,935

Let's go right up here and

let's begin putting, let's put

496

00:25:58,935 --> 00:26:00,195

a few little leaves on here.

497

00:26:01,815 --> 00:26:02,865

See how easy those are.

498

00:26:07,475 --> 00:26:10,395

Suggest green and yellow.

499

00:26:14,115 --> 00:26:15,945

Just let him pull right

out of the borders.

500

00:26:17,340 --> 00:26:22,080

Say that as many or as few as you want

in your world, let's come down here.

501

00:26:22,080 --> 00:26:24,780

We'll take some white,

do a cock on the world.

502

00:26:24,780 --> 00:26:25,980

Tells me it's about time to go.

503

00:26:26,850 --> 00:26:27,750

I want to show you right here.

504

00:26:27,750 --> 00:26:29,250

Let's put a little sand right here.

505

00:26:29,490 --> 00:26:30,840

Just take some white and Brown.

506

00:26:32,129 --> 00:26:33,840

Just let this blend right on out.

507

00:26:35,480 --> 00:26:35,899

Look at there.

508

00:26:37,970 --> 00:26:40,730

I really hope you've enjoyed

this little oval once again.

509

00:26:41,385 --> 00:26:44,055

If you haven't tried one of

these yet, give them a try.

510

00:26:44,145 --> 00:26:48,105

I think you'll find them to be one of the

most fun and reward paintings you can do.

511

00:26:48,585 --> 00:26:50,655

And from all of us here, happy painting.

512

00:26:50,955 --> 00:26:51,764

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S12E12 - Mountain In An Oval

Bob Ross's

The Joy of Painting

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