Bob Ross's

The Joy of Painting

S14E05 - Mountain River

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Hey, welcome back.

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Certainly glad you could join me today.

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You ready to do another

little fantastic painting?

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Good.

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Tell you what let's have them start off

and run all the colors across the screen.

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That you need to paint along with me.

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And as usual they'll come across in

the same waters I have on my pallet,

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starting with the white and working

around while they're doing that.

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Let me tell you what I've

already done up here.

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I have my standard old

18 by 24 inch canvas.

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And today I've taken a little

contact paper and cut a design out

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of it and just stuck it on there.

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And on top of that, then I've put some

liquid white and we're all ready to go.

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So I hope you are too tell

you what let's get started.

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Today, I'm going to start

out with a two inch brush.

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I'm gonna go right into the least

little amount of pressure in the blue.

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This is a very, very strong color.

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It doesn't take very much.

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Just tap a little bit into the bristles.

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There we go.

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Let's go right up here.

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Now we'll start right up here.

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We'll just use our little crisscross

strokes, just dance in a happy little sky.

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So all there is to it.

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Just have fun, sort of

let it happen there.

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This is continually mixing with the

liquid white and the color gets lighter

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and lighter as we work down the canvas.

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Thank you.

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All right.

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For a little variation, I'm going

to go right into some of the

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low blue, same old, dirty brush.

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And I'm gonna retry it over here and get

the least little touch, but the low green.

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So we have fail-over

blue and yellow, green.

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We'll just, it's such a fantastic day.

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Let's just make a bright,

shiny little painting though.

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It'll just make you happy.

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There we go.

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Just use somebody's beautiful

little colors, but we'll touch

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more color fair and let's have

some water in this painting.

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You know, me, I'm such a water freak out.

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I've put water just about

every painting that I do.

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There let's go down and I'll get a

little more of the blue or the blue

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and a little more of the green.

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And all I'm doing is just tapping

the brush into the color, pulled

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out the tiniest little amount of

color, and then tap the brush there.

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It's all you have to do.

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Yeah, maybe the water will live

right along in here somewhere.

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So let's just go right across like,

so, and we'll decide where the water is

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really at later, right now we're doing

is putting a little color on the canvas.

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Okay.

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That's why share brush.

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Hand wash her brushes with

odorless thinner, scrub them off.

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Good.

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Get all the pain out.

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Give them a shake

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and cover everybody now

with a clean, dry brush.

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All I'm going to do here.

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Still using the little crisscross strokes.

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I sort of blend my sky out.

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You can make this sky soft as you want it.

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Or you can leave it

with some action in it.

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So it didn't look dead.

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Very lightly.

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Go across, take out the brushstrokes.

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Okay.

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Now then let's have some fun today.

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Let's take, we'll use the old fan brush.

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We'll go right into titanium

white with a fan brush load,

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a lot of paint into the brush.

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A lot of paint will reach down.

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He'd be right back.

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Right back.

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There we go.

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Get the least little touch of bright

red in it, least little touch.

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Okay.

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Let's go up here.

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Maybe they up here in the sky,

their lives just to happy little

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cloud and he just sort of floats

around the parent has fun all day.

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They're just sort of let it

play wherever you want it.

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And clouds are free.

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Clouds are very free.

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One of the freest things in nature.

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There we go.

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Maybe right along in there and

I'll take a clean, dry brush

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and a very gently, very gently.

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I'm just going to blend

the base of it out.

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Not touching the top.

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Yeah.

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Hello off the excess paint off

the brush, then I'm going to

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grab it and lift it up or down.

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In a big circular stroke and

then very lightly, very lightly

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just blend it a little bit.

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Not a super way of making

a happy little cloud.

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Okay.

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We don't want this cloud to get

lonely, so let's go right in here.

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I think we'll put up another

little cloud right here.

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Okay.

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And you can put as many or as few

clouds in your world as you want.

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Just drop them in.

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There we go.

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Maybe one lives right in there.

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I don't know.

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Just make a decision, drop it in.

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I'll call it the excess paint again there.

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I beat this big brush.

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It just removes the paint.

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That way you don't have to go through

the entire cleaning procedure.

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Blend the base.

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Start to lift it up,

tease it a little bit.

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And then very lightly, very lightly.

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Just go that easy.

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You got a sky full of

beautiful little clouds.

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We'll wash his fresh there.

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Okay.

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I spelled us up, I be on this little

mountain today and I think for that,

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I'm going to take a little bit of black.

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Vandyke Brown and a little

touch of Prussian blue.

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There we go.

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Just sort of mix it like, so pull it

out as flat as you can get it, go in

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straight with a knife and cut across

and get that little roll of paint

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right out on the edge of the knife.

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Okay.

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Now that got to make your

first major decision.

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Where did your mountain

maybe he lives right there.

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Push this paint right into the fabric.

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Get tough with it.

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Gotta make all those little

noises or it didn't work right.

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There we go.

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See, I sort of let that

fall right after there.

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So in to our large brush and I want

to grab that and pull it since this

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is wet, you can move the color.

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You can move paint right

on the canvas there.

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Okay.

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Just sort of let it disappear

right down here into the mist.

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Okay.

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Now then let's take some titanium

white and dark Sienna got to mix

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that together, but leave it marble.

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Like don't, overmix it.

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And we don't cut off once

again, that little roll of

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paint and, and go right up here.

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No pressure, no pressure.

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Just touch and let it float right down

the side of the mountain, but no pressure.

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Just pretend you're a whisper

floating across the mountain.

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There we go.

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All right.

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Maybe let the knife bounce.

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Some play.

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Think about where there's little

peaks and ridges and where the

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sunlight would bounce through there.

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Sparkling it all up.

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Wherever you want it.

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Okay.

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Now let's take a little white

oppression, blue oppression, blue

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and some Vandyke Brown, maybe a

touch, more of the white there.

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Very nice.

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Very nice.

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That'll be our shadow color.

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Once again, we cut off that

little tiny roll of paint.

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There it is.

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And that's it go right up in here.

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Just touch and just follow the

angles right down the mountain.

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Just like that there.

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I want to keep that side quite dark.

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I want this to really stand out.

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Okay, now then take a clean, dry brush.

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And I have several of each brush

go in here, so I don't have to

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spend all my time cleaning brushes.

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And here, I'm just going to tap, tap

following day and goes into the mountain.

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If you come straight across, like,

Hey, let's go like cut it off.

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Like somebody took a big knife

and just cut the bottom of it off.

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We don't want that now.

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Very lightly.

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Two hairs and some air.

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Lift that up right now, upper deck.

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So it just looks like it's sitting

right out there in the mist and

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then take the fan brush this time.

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I've dipped the fan brush into a small

amount of the liquid white liquid

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white first, and then into titanium

white only to thin the paint a little.

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Now then let's go up here.

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I thought today would have some happy

little clouds that had floated down here.

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Right down into the mountain

here, right in front of him.

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Just floated down.

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Maybe they got tired and decided

to rest while sitting down here on

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this mountain, take life easy there.

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So all there is to it.

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Just let it float right on down there

and you put them wherever you want them.

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It was as many as you want.

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Clean dry brush, very gently.

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Very gently and that it would

just stir these up a little bit.

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Very lightly.

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See the paint we use down here

though, is very firm, very dry and

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you can paint right over the top

of it without it turning into mud.

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So be sure you have a very dry paint.

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A lot of times I have people write and

tell me that they went to the art store

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to buy paint and they said, Oh, it

doesn't matter what kind of paint you use.

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You can do that.

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Be sure the pain is very, very dry.

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If not, you're going to

be angry with me now.

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I want this to work for you.

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I'm going back to the same

old mountain color here.

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Cut off a little row.

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And maybe there's another mountain

that lives here since we're doing

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a good tall, vertical painting day.

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We can have several ranges of mountain.

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So you just, once again,

blocking your basic little shape.

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This is good because

it'll give you practice.

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With a couple of layers

of mountains there.

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Take our big brush, grab it and pull it.

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There we go.

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But you could make a layer

after layer after layer.

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It's just super, super way

to make friends with a knife.

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Okay.

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Go back to her.

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Highlight color, dark CNN, white touch and

flow right down the side of the mountain.

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Just touch it in flow,

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touch it.

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Let it go there.

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Tell you what I'm going

to get the little graph.

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That little Resco works so nice.

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Sometimes in these smaller areas.

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Get my shadow color and that's cool.

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There say that little knife

just sneaks right in there.

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Yeah.

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We'll just put a little bit

of shadow right along there,

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wherever, maybe have that highlight

sort of wiggle and jiggle it.

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There we go.

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Just let your imagination

be your guide there.

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You're only restricted

by your imagination.

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Once again, do you want this

mystery area at the base?

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That's the only thing you have to

separate little soft Misty area.

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All I'm doing is banging the brush

a little bit to knock off the

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excess cover after her lightly.

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Just whisper light, whisper light.

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Fantastic.

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That you can create two rows of mountains,

two ranges of mountains that easy, but

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you can, you can, you can do anything.

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Okay.

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Let's let's have some fun.

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Maybe we'll make some

little foothills back here.

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We'll take some little touch

of fellow green, a little

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blue, a little bit of Brown.

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Get some more white in there.

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And the blue, the Brown.

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Leave enough to get a brush

dirty here, there, not so much.

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Let me clean my knife off here.

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And tell you what, let's take a one inch

brush and then we'll go right into some

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of that color with a one inch brush.

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Just load both sides,

a little bit of color.

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That's correct.

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Up here.

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Maybe just take the corner of the brush.

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Maybe there's a happy little Foothill.

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Lives right along there.

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See, there he is.

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There he is.

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You know, he was there.

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Didn't he straight down the

street now with our big brush, I

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00:13:56,939 --> 00:13:59,100

want to create and tap that from

259

00:14:07,829 --> 00:14:08,430

that easy.

260

00:14:08,760 --> 00:14:10,890

I had creates the illusion of mist.

261

00:14:13,334 --> 00:14:15,045

Okay, we'll just take the same old brush.

262

00:14:15,555 --> 00:14:16,694

Maybe we need another Foothill.

263

00:14:17,474 --> 00:14:21,405

You want to add a little bit of a lizard

Crimson to that, a little more of the

264

00:14:21,405 --> 00:14:26,234

Prussian blue dark, and at each layer

of foothills, as they get closer to you,

265

00:14:26,805 --> 00:14:29,145

she'll get darker in value, darker color.

266

00:14:30,515 --> 00:14:31,084

There we go.

267

00:14:36,915 --> 00:14:39,435

By this being a little

darker now it'll stand out.

268

00:14:39,495 --> 00:14:42,314

It becomes an individual it's different.

269

00:14:44,505 --> 00:14:45,255

There we go.

270

00:14:47,324 --> 00:14:50,234

And you can just make layer after

layer, after layer in your world,

271

00:14:53,505 --> 00:14:54,314

wherever you want them.

272

00:14:55,365 --> 00:14:56,385

And as many as you want.

273

00:15:01,635 --> 00:15:04,214

Now once again, I want

to create that illusion.

274

00:15:04,214 --> 00:15:10,905

If we missed at the base to take big brush

and really get tough with it on the bottom

275

00:15:10,905 --> 00:15:15,975

down here, don't get tough up here, but

down here, just beat the devil out of it.

276

00:15:16,245 --> 00:15:21,915

This is where you take out all your

frustrations of hostility also,

277

00:15:21,925 --> 00:15:23,895

where you need a good, strong easel.

278

00:15:24,535 --> 00:15:25,935

You don't have a good, strong easel.

279

00:15:26,505 --> 00:15:27,405

It's probably just going to.

280

00:15:28,510 --> 00:15:29,500

Just fall over on.

281

00:15:29,500 --> 00:15:30,550

You didn't want that to happen.

282

00:15:31,220 --> 00:15:36,130

This particular easel, I made

myself out of a platform letter

283

00:15:36,370 --> 00:15:40,240

and it makes us super, super easel.

284

00:15:40,270 --> 00:15:41,110

Goodness strong.

285

00:15:43,260 --> 00:15:46,380

And you can use it to do

a lot of other things.

286

00:15:47,490 --> 00:15:51,810

My friend Dana had had to plaster on

his house the other day, so he just

287

00:15:51,810 --> 00:15:54,449

took the easel head off and used

his ladder to do some plastering.

288

00:15:55,635 --> 00:15:59,265

So you came to, has multiple uses.

289

00:15:59,865 --> 00:16:06,035

I'm mixing up just some blue, Brown,

black, all the dark colors, a little

290

00:16:06,035 --> 00:16:07,175

bit of SAP green in there too.

291

00:16:07,175 --> 00:16:11,194

We need a very dark

color, very dark color.

292

00:16:11,285 --> 00:16:11,824

There we go.

293

00:16:12,574 --> 00:16:15,814

And you're going to need a

pretty good, I love it there.

294

00:16:18,935 --> 00:16:19,145

Okay.

295

00:16:19,145 --> 00:16:21,665

Let me find there's a

nice looking fan brush.

296

00:16:21,965 --> 00:16:22,954

Just go right into this.

297

00:16:23,564 --> 00:16:29,074

Load the fan brush full of

color, both sides right up here.

298

00:16:29,074 --> 00:16:32,495

Now maybe it is some little trees

that we back here to distance.

299

00:16:32,944 --> 00:16:34,805

Notice this color is darker.

300

00:16:36,395 --> 00:16:37,595

This color is darker.

301

00:16:38,135 --> 00:16:39,185

So it stands out.

302

00:16:41,305 --> 00:16:42,045

It wasn't darker.

303

00:16:42,135 --> 00:16:42,915

It wouldn't look right.

304

00:16:44,385 --> 00:16:46,454

You ever looked at a painting

and maybe it didn't know exactly

305

00:16:46,454 --> 00:16:50,354

what was wrong with it, but your

mind told you something's not.

306

00:16:50,354 --> 00:16:50,805

Right.

307

00:16:51,584 --> 00:16:54,974

A lot of times it's something as

simple as the fact that the color

308

00:16:55,005 --> 00:16:56,555

does not get progressively darker.

309

00:16:56,625 --> 00:17:00,765

It works forward there.

310

00:17:00,765 --> 00:17:01,505

Just lift up.

311

00:17:05,579 --> 00:17:08,220

So we've made one heck

of a mess here at me.

312

00:17:09,740 --> 00:17:11,150

We don't make mistakes though.

313

00:17:11,630 --> 00:17:17,990

We have happy accidents very soon, very

soon, and to work with anything to happen.

314

00:17:18,060 --> 00:17:19,160

I want a big tree there.

315

00:17:20,000 --> 00:17:21,170

This son of a gun with us.

316

00:17:21,585 --> 00:17:22,725

Sunshine doing him.

317

00:17:22,725 --> 00:17:23,835

And he got a lot of water.

318

00:17:24,945 --> 00:17:25,965

Life was good to him.

319

00:17:27,615 --> 00:17:31,605

He really got strong, big old tree.

320

00:17:33,345 --> 00:17:38,505

Now then let's take, create a SAR

reflection because this is wet.

321

00:17:38,955 --> 00:17:40,935

You can make this paint slide and move.

322

00:17:40,965 --> 00:17:42,135

See that easy.

323

00:17:42,315 --> 00:17:47,865

Just grab it and pull it and lightly

go across an instant reflections.

324

00:17:49,635 --> 00:17:57,975

Yeah, let's take, we'll use some yellow,

some yellow, that'll better green into it.

325

00:17:59,085 --> 00:18:00,764

And just mix these colors on your brush.

326

00:18:02,085 --> 00:18:05,534

Let's go up in here and

let's put the indication.

327

00:18:06,465 --> 00:18:07,005

Absolutely not.

328

00:18:07,005 --> 00:18:09,825

It's just shiny little grassy

things that are far away.

329

00:18:09,855 --> 00:18:13,365

I'm just pushing upward

with a brush there.

330

00:18:16,485 --> 00:18:17,415

So hobbies to it.

331

00:18:19,215 --> 00:18:21,465

Just make a little

peninsula that there he is.

332

00:18:21,585 --> 00:18:22,605

We have to ride out there.

333

00:18:23,855 --> 00:18:24,345

We got him.

334

00:18:25,455 --> 00:18:26,625

We'll take a little touch of that.

335

00:18:27,375 --> 00:18:31,305

The Brown and white it's dark,

CNN white, but the indication

336

00:18:31,305 --> 00:18:32,895

of a little tree trunk in there.

337

00:18:34,780 --> 00:18:37,649

Little more of the dark green

and we can put just a few little

338

00:18:37,649 --> 00:18:39,419

highlights on this big Everdeen here.

339

00:18:39,449 --> 00:18:40,590

We don't want any highlights back here.

340

00:18:40,590 --> 00:18:41,399

They're too far away.

341

00:18:42,449 --> 00:18:46,290

We want him to have a few right

there though, a little liquid way.

342

00:18:49,770 --> 00:18:50,550

Get us a little of that.

343

00:18:50,550 --> 00:18:54,840

And let's put us a water line

right up in here, just like, so.

344

00:18:59,970 --> 00:19:02,250

Cut that out act like you're trying

to cut a hole right through the

345

00:19:02,250 --> 00:19:09,840

canvases, very strong card, few,

little ripples here and there.

346

00:19:14,940 --> 00:19:17,700

We have to start making

some big decisions.

347

00:19:19,320 --> 00:19:20,250

So let's have some fun.

348

00:19:20,790 --> 00:19:21,320

Let's go up here.

349

00:19:21,330 --> 00:19:23,340

We'll get some black and

some pressure and blue.

350

00:19:23,760 --> 00:19:24,420

What the heck?

351

00:19:25,260 --> 00:19:26,290

Just black impression.

352

00:19:27,330 --> 00:19:31,710

And let's make a decision maybe in

this particular painting right here.

353

00:19:32,260 --> 00:19:35,040

Want some dark color just

to really get in there.

354

00:19:35,850 --> 00:19:39,390

Wiping off just maybe

right along in there.

355

00:19:42,750 --> 00:19:45,450

Doesn't matter how you put this out and

you could put it on with a paint roller,

356

00:19:47,070 --> 00:19:50,070

started holding fat, just drop it in.

357

00:19:51,060 --> 00:19:54,300

We need some dark in order to show some

light that we're going to put on there.

358

00:19:55,020 --> 00:19:58,290

Let's make, let's make a couple of

big trees back to our fan breast.

359

00:19:58,290 --> 00:20:03,270

Since it's already dirty,

maybe their lives in our world.

360

00:20:04,755 --> 00:20:06,105

Big evergreen right there.

361

00:20:06,525 --> 00:20:07,245

And there he goes.

362

00:20:08,895 --> 00:20:09,885

There you go.

363

00:20:12,855 --> 00:20:14,595

Big, strong evergreen tree.

364

00:20:16,515 --> 00:20:19,065

And that indicates by size,

but he's closer to you.

365

00:20:20,235 --> 00:20:21,705

He lives right here in the foreground.

366

00:20:23,175 --> 00:20:26,535

There, there we go.

367

00:20:28,005 --> 00:20:32,385

Just wherever you want him to live, maybe.

368

00:20:34,004 --> 00:20:35,835

Yeah, let's say he has

a friend right there.

369

00:20:40,920 --> 00:20:41,370

Okay.

370

00:20:43,720 --> 00:20:45,240

Just started work back and forth.

371

00:20:45,870 --> 00:20:49,530

It's obvious to Evergreen's live

right there in your fan break.

372

00:20:49,540 --> 00:20:51,330

Sometimes you have to sort

of push them out though.

373

00:20:54,360 --> 00:20:54,930

Okay.

374

00:20:56,820 --> 00:20:57,960

Shoot had brushes too slow.

375

00:20:57,960 --> 00:20:58,950

Let's get serious here.

376

00:21:00,840 --> 00:21:04,260

Take the two inch brush, pull it

through the paint and one direction.

377

00:21:04,440 --> 00:21:05,460

One direction.

378

00:21:06,150 --> 00:21:10,380

Load a lot of color into the

bristles and maybe right here,

379

00:21:11,250 --> 00:21:14,640

libs, just a happy little Bush.

380

00:21:14,850 --> 00:21:17,280

And all we're doing is putting in

the background color for the Bush.

381

00:21:18,360 --> 00:21:19,110

We'll come back here.

382

00:21:19,110 --> 00:21:21,900

We'll put them up all the beautiful

little highlights on right now.

383

00:21:22,830 --> 00:21:25,050

We're just putting in some

nice background color.

384

00:21:28,485 --> 00:21:33,255

Just push that brush, bend it, bend it.

385

00:21:36,585 --> 00:21:39,345

So I have that.

386

00:21:40,515 --> 00:21:48,215

We find a fan brush into the liquid

white and then into titanium white.

387

00:21:48,365 --> 00:21:50,555

So we have liquid white titanium, white.

388

00:21:51,635 --> 00:21:54,365

The liquid white is

only to make it thinner.

389

00:21:54,855 --> 00:21:55,605

Okay, let's go up here.

390

00:21:56,175 --> 00:21:58,215

Maybe the water's coming right along here.

391

00:21:59,525 --> 00:22:00,735

Just having a good time.

392

00:22:00,765 --> 00:22:01,785

And, Oh my gosh.

393

00:22:01,815 --> 00:22:07,725

Flip, somebody has pulled the cork

out and there, Joseph C just let

394

00:22:07,725 --> 00:22:14,145

it fall off and it splashes down

through here and it just wanders on

395

00:22:14,145 --> 00:22:16,935

around wherever you want it to go.

396

00:22:19,035 --> 00:22:19,455

Stay there.

397

00:22:21,360 --> 00:22:23,310

Push upward to make those

little foamy things.

398

00:22:24,840 --> 00:22:25,650

Just let it wander.

399

00:22:25,680 --> 00:22:26,550

I hit on down.

400

00:22:27,900 --> 00:22:28,200

Okay.

401

00:22:28,200 --> 00:22:29,790

Let me get asked me yet.

402

00:22:30,840 --> 00:22:33,510

I want it to brush and dip

it into the liquid white.

403

00:22:34,050 --> 00:22:38,580

Once again, at the end of the paint,

then into some SAP, green and yellow,

404

00:22:39,180 --> 00:22:40,290

a lot of pain in the bristles.

405

00:22:42,240 --> 00:22:45,659

And let's begin putting some beautiful

little highlights on some of these

406

00:22:45,659 --> 00:22:48,870

bushes and trees here, there.

407

00:22:49,320 --> 00:22:50,550

Think about individual bushes.

408

00:22:50,550 --> 00:22:55,649

Don't just throw this on at

random yellow ochre, little

409

00:22:55,679 --> 00:22:57,240

Indian, yellow here and there.

410

00:22:57,240 --> 00:22:58,919

Maybe just a touch of a bright red.

411

00:23:00,659 --> 00:23:02,520

Now we need something

for this to stand up.

412

00:23:04,129 --> 00:23:07,850

Let's take Ben Dyke Brown,

and we will go right there.

413

00:23:09,750 --> 00:23:12,480

And we make a little rock.

414

00:23:12,960 --> 00:23:17,129

Just a little for it to

stand on out here, maybe.

415

00:23:17,639 --> 00:23:17,850

Yep.

416

00:23:18,300 --> 00:23:20,580

It comes right over in

here wherever you want it.

417

00:23:22,710 --> 00:23:24,480

Take a touch of that mountain color.

418

00:23:24,720 --> 00:23:27,919

It will add a little highlight there.

419

00:23:30,110 --> 00:23:30,590

Look at that.

420

00:23:33,560 --> 00:23:34,010

Okay.

421

00:23:34,220 --> 00:23:37,429

And then to just pull that

down on the side, there.

422

00:23:42,350 --> 00:23:49,860

A bit of our water splashing up against

the edges, back to our one inch brush,

423

00:23:50,770 --> 00:23:53,399

get some more SAP green, some yellow here.

424

00:23:54,030 --> 00:23:56,820

Now let's put a, let's put a

happy little Bush here and there.

425

00:23:58,784 --> 00:24:00,254

Maybe some girl right down here.

426

00:24:00,465 --> 00:24:02,445

Let's see, let him go right down.

427

00:24:02,445 --> 00:24:09,645

Like that must go on the other side

over here, there lives a nice Bush.

428

00:24:11,955 --> 00:24:13,575

See, think about the individuals though.

429

00:24:13,575 --> 00:24:14,865

I can't say that enough.

430

00:24:16,620 --> 00:24:19,709

Can't say that enough, a little

touch with the bright red there.

431

00:24:19,709 --> 00:24:21,409

Just sparkles it up.

432

00:24:23,110 --> 00:24:24,240

Makes it really shine.

433

00:24:24,540 --> 00:24:25,830

Maybe right here,

434

00:24:30,179 --> 00:24:35,610

there Stu we need something for

this side to stand up to back to

435

00:24:35,610 --> 00:24:39,990

my Vandyke Brown and that's come

right along in here and we'll put a

436

00:24:39,990 --> 00:24:41,669

happy little stone that goes here.

437

00:24:42,330 --> 00:24:43,679

See, just pull down.

438

00:24:45,570 --> 00:24:46,020

I kept

439

00:24:49,320 --> 00:24:52,860

it there a little bit to highlight color.

440

00:24:55,350 --> 00:24:58,800

Just public cross angles are very

important when you're doing this.

441

00:24:59,879 --> 00:25:00,780

Angles angles.

442

00:25:00,800 --> 00:25:04,210

Always look at angles here,

hold a little touch of it down.

443

00:25:04,240 --> 00:25:05,909

I want this to stay

dark underneath though.

444

00:25:08,280 --> 00:25:09,060

There we go.

445

00:25:09,750 --> 00:25:14,280

Now back to our fan brush, we can

splash a little bit of water up

446

00:25:14,280 --> 00:25:18,870

on there that cleans up the bottom

of that brings it all together.

447

00:25:20,159 --> 00:25:21,510

It makes it look nice.

448

00:25:23,465 --> 00:25:27,095

Tell you what I want to go into a

little bit of titanium, white, the

449

00:25:27,095 --> 00:25:29,525

least little touch, a fellow blue.

450

00:25:29,555 --> 00:25:30,665

Let's get crazy today.

451

00:25:30,695 --> 00:25:32,045

Just a little bit of a fail-over.

452

00:25:32,825 --> 00:25:34,445

Maybe there's a little blue Bush.

453

00:25:34,445 --> 00:25:35,345

It lives right there.

454

00:25:36,510 --> 00:25:39,690

Once in a while, something like that

really sparkles your painting up.

455

00:25:41,460 --> 00:25:41,940

Okay.

456

00:25:42,120 --> 00:25:43,980

Then we can come right

on back down in here,

457

00:25:48,480 --> 00:25:51,360

see there, push it to everything

right back into the distance.

458

00:25:52,860 --> 00:26:00,630

Now take a touch of Brown and

white little indication here

459

00:26:00,630 --> 00:26:04,320

in there of a, of a tree trunk.

460

00:26:05,580 --> 00:26:09,630

A little bit of highlight

don't want too much.

461

00:26:12,360 --> 00:26:12,660

Alright.

462

00:26:12,720 --> 00:26:17,250

So scratch in a few

little sticks and twigs,

463

00:26:20,610 --> 00:26:21,360

let's have some fun.

464

00:26:21,720 --> 00:26:22,860

Let's bring the camera right up here.

465

00:26:22,860 --> 00:26:24,300

I'm going to take the contact paper off.

466

00:26:24,300 --> 00:26:29,850

Now, pull that down and look at that.

467

00:26:30,090 --> 00:26:33,000

Isn't that fantastic, Mandy.

468

00:26:33,929 --> 00:26:35,730

Watch here, the old clock on the wall.

469

00:26:35,760 --> 00:26:38,520

Tell me it's about time to get

out of here, but I want to show

470

00:26:38,520 --> 00:26:43,209

you how you can bring this right

out of this painting, like a hair

471

00:26:47,070 --> 00:26:49,110

that is evergreen, just

protrude right out.

472

00:26:50,250 --> 00:26:53,310

I love these shapes made with

a contact paper and some of the

473

00:26:53,310 --> 00:26:55,139

fantastic effects you can get by that.

474

00:26:56,520 --> 00:26:57,080

Look at there.

475

00:26:57,419 --> 00:26:58,379

A few highlights on it.

476

00:27:05,915 --> 00:27:09,185

why do you think, I think

we have a finished painting.

477

00:27:09,425 --> 00:27:11,195

I really hope you've enjoyed this.

478

00:27:11,465 --> 00:27:12,185

Give it a try.

479

00:27:12,875 --> 00:27:15,334

You can make all kinds of

different shapes once again.

480

00:27:15,334 --> 00:27:18,034

You're only limited by your

imagination and from all of us here.

481

00:27:18,274 --> 00:27:18,995

Happy painting.

482

00:27:19,294 --> 00:27:20,135

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S14E05 - Mountain River

Bob Ross's

The Joy of Painting

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