Bob Ross's

The Joy of Painting

S10E05 - Ocean Breeze

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Hey, welcome back.

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Certainly glad you could join me today.

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Let's start out and have them graphically

run all the colors across the screen that

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you need to do this painting with me.

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And as usual they'll come across in

exactly the same order as I have them

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laid out on the palette, starting

with the white and working around

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today, we have something a little

different, little unusual up here.

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I've taken an 18 by 24 inch canvas and

I have it vertical that's up and down.

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And, uh, the bottom half here.

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Probably, Oh, it's not.

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It's below half.

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I've covered with black Jesso and the

top half, then it's just left white.

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Now I've covered the whole

top half with liquid white.

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It's nice and wet and ready to go.

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As usual.

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The bottom half I've started

up here with a, uh, Elizabeth

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Crimson and Taylor blue mixture.

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It makes a lavender graduated into a

mixture of, and blue and a little bit of

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yellow ochre in it to give it sort of a

green issue and then graduated on into.

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They little blue and yellow green.

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So we have a lavender, dark

green, and then a brighter green.

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And this is going to be

a happy little seascape.

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So listen, let's take off.

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You're going to have some fun.

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Thank you to enjoy this one.

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I want to start off

today with fellow blue.

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Reach over here and grab some

goodnight black and mix them together.

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So I have blue and black, blue, and

black or black and blue, whichever way.

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There we go.

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That's the way we always look when

I get home late black and blue.

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All right, let's go right up in

here and let's just drop in some

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happy little, little sky areas.

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Yes.

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She was in little crisscross strokes.

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I'm going to have some big clouds today.

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We'll do some and testing big clouds.

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So we'll make this guy maybe a little

bit darker than I usually do, just

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so that the clouds will stand out,

drop in some, some basic shapes.

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I'm leaving some areas open here.

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And then those open areas we'll

come back and we'll put all the

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little, little clouds and let

them dance around and have fun.

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Maybe it comes right on down.

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Like it doesn't matter.

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And if you get down here to

this color, that's okay too.

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No, it was a big deal.

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We don't make mistakes.

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We have happy accidents.

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I know you're sitting at home

saying why that's really the,

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we were looking at cloud.

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Bob's making a day.

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Let me see if we can straighten them out.

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Can let me wash them old brush washer

brush with just odorless paint thinner.

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Shake it off.

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Hm, just beat the devil out of now, then

with a clean dry brush, go back and then

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we'll soften this and it's all right.

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If you pull a little bit of this color

into the light area, there we go.

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Just soften it and bring it together.

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Spraying it together.

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Our basic little cloud

shape is still there.

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Okay.

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Let's have some fun go.

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Let's take out the brush strokes.

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Same old, dirty brush.

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Don't even have to clean it this time.

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I'm going to go right into some bright

red, take it and go into midnight black.

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So I have bright red and midnight black

and just tap the brush into the color.

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Just tap it.

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Okay.

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Let's go back up here.

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Okay.

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And then we have to make some decisions.

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Where is our shadows live in here?

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I'm going to have a shadow right

here, right against the water.

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We'll just let that work right on up.

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Like, so.

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Just a happy little shadow that lives

in their clouds today, but the shadows

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in first and they will come back and

we'll put some highlights on them.

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Just sort of look around here

and make it like a big decision.

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Where do you think the shadows

will live in this cloud?

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There they are.

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Well, he has a son and we're

going to have a cloud to wherever.

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And it's not a big deal because

if you put her put a shadow

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here, you don't like that.

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We'll just cover it up.

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We, you can fix anything.

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Wash the brush, shake him off.

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This is the fun part.

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That's crazy.

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And then I'll get carried

away with Bruce clean.

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Now then let's take a little bright red

and go right into the titanium white.

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Just a little, this little

amount of bright red Lynsey,

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pull it breasts through there.

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A little, a lot of pain into it.

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Hands go up here.

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Now let's go up to the top and just

begin making all those fluffy little,

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little things on top of the cloud.

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Let that brush just dance around

there and play in tiny little circles.

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Tiny little circles are making all those

little fluffies that live in the clouds.

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Bring it right on, down into

the dark here, right on down.

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Now, if you pick up too much of the dark

color, just stop and wash your brush,

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nothing wrong with washing your brush.

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There we go.

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Put some light area right

in there, right in there.

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See you there told you that would be easy.

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There comes a nice little fluffer.

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Clouds are free.

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They just float around in a scowl.

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They didn't have fun.

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They're one of the

freest things in nature.

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Hmm, totally was gonna

make a big cloud today.

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This is going to be a big

cloud comes right on down.

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Okay.

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There.

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Going back to heat up a

whole canvas with clowns.

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That's all right.

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If you learn how to make a cloud, then

it's worth all the effort learning.

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Every time you practice, you learn more.

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Every painting you do, you learn a little

bit more and you know, in your heart that

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the next one's going to be even better.

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Each one gets better.

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Now let's take a two inch brush

and use just the top corner

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and we're just going to mix up.

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The bottom of this cloud, just gently,

gently using tiny little circles.

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Mix it right into that darker color.

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Don't touch the top of the clouds yet.

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We want them to stay strong and bright.

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Shiny.

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Right now, if you begin picking

up paint, just beat the brush and

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that'll remove the excess paint.

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See, just blend it all.

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I got a son of a gun of a cloud.

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It's a big one ankle happy cloud.

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There, there we go.

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Look at that.

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That just removes an excess paint

and you don't have to go through

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the whole cleaning procedure.

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Now we're going to fluff this

cloud, grab it and pull it circle.

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So it's circular strokes.

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If you pull straight up.

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Hmm, just going to look like

it's raining up and that'll

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bother you if it's raining up.

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So try not to have it raining

up, pull it in big circles, big,

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big circles, like a dancing.

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Now we'll come to the next layer and

lifted up like, so she has to grab

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it, lifted up, lifted up diaper.

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I'm continually beating the

paint out of this brush.

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So the brush remains dry and

relatively free of color.

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Well, just a clean, dry brush.

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And if you get too much, once

again, stop and wash your brush.

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There's not a thing in the world

wrong with washing your brush.

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There we go.

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Very lightly.

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Just blend it all together.

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Just make this as soft as you want it.

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Very lightly, very lightly

three hairs and some air.

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And that quick pull, you

got one heck of a sky.

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Now, if you want to add little details

in it, you could come back in here and

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you could still go back and put little,

little floaters that float around

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in there and still change the shape.

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Anything you want to do?

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You can do here.

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Linda's C give it a little fluff in

that cloud leads right out there, right

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out there in front of the rest of it.

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He went to the front of the class.

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Okay.

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Oh, right now we can wash your brush.

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We've got a little sky that easy, easy.

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Take him off.

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There you go.

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Now, go ahead and clean this

one inch brush at the same time.

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Okay.

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We're going to do a happy

little seascape today.

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So maybe one of the easiest ways

that I have found to do other

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than the seascape is take, this

is a number six Filbert brush.

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I'm going to put a little white on

it and I'm just going to go up here.

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The thing that we're most concerned

about is the one big major wave.

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I have so many letters saying I want to

do the big crashing waves, transparent.

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I gave him, let's go right here.

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Yeah.

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Decide where that big

transparency is going to be.

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Maybe it comes right down, like yes.

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And the water comes wherever you want it.

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And then down something like, so this

is just to give you an idea, sort of

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a guide you're really not committed.

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So all you need right about there, that

sort of gives us something to work by.

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Okay.

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Let's take a fan brush.

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I'm going to start with

just plain old titanium.

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White.

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Let's go right back

here in the background.

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This is just plain white.

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Now remember this color already

on the canvas and it's wet.

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Don't let that color dry and

we can go right back in here.

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Look at that.

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Let's see here, just make little strokes

like it, and it mixes with a color it's

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on the canvas and all these beautiful

little effects will happen automatically.

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Automatically.

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I like to do CS keeps on black

canvas because all your dark is

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already in there for you watch here.

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Here's here's something that's fine.

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We'll just take quite, maybe

let's go right in here.

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I'll do this.

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I can look at that.

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See, I know you saying, Ooh,

Bobby done it this time.

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You may be right.

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Let's do it again.

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Then what the heck there?

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Right?

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Yeah.

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The only thing we're worried

about, isn't this part right here.

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We don't care about that right there.

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We don't worry about that part.

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You just worried about the black watch

that my wife has brushed off and get

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all the excess paint off of at it.

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See which way this is going.

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That'll give you a guide.

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Yeah, very lightly, very lightly.

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Just blend that color back.

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This gives you the little trough as it's

called trough, right in between these.

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See there all of a sudden

it'll start making sense.

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Now, there we go.

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That easy then it's easy.

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You can make just all kinds of

little wave things happening.

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I'm cleaning the brush.

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I'm just drying it on a paper

towel, go back into my white.

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Now then let's make

some big decisions here.

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This comes as a zoo and

then it comes like that.

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And we'll do exactly the same thing.

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Again,

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just very gently, very gently.

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Bring it back or lightly.

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Just barely caressing the canvas.

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We get too much paint.

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Just wipe off the excess.

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All right.

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All right.

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I, you could do that.

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This is one of the nice, easiest

ways I have ever found of

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making a happy little seascape.

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There we go.

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Let's take.

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And worry about this

nice transparency here.

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So for that, I'm going to take

white, white titanium, white,

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and the least little touch, least

little touch of the cadmium yellow.

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Just load this Filbert brush

full of paint, a lot of paint.

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Okay.

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At it.

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Decide where your little transparency

or the light part's going to be and

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begin laying it in, scrub it in,

get top with it right along the top.

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Channel gently, gently disciplines, right?

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I don't know how to do nothing.

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Then we need to, you can do this as many

times as you want to achieve a desired

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effect or a desired lightness, clean your

brush each time and reloaded with paint.

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Cause you want this to be

bright area right in here, and

255

00:14:25,830 --> 00:14:27,030

you can add more paint to it.

256

00:14:27,600 --> 00:14:32,400

And if you begin getting a buildup of

paint, it begins getting too thick.

257

00:14:32,820 --> 00:14:33,330

I'll show you.

258

00:14:33,480 --> 00:14:33,810

I share it.

259

00:14:35,400 --> 00:14:38,370

Take your knife and just scratch it off.

260

00:14:38,760 --> 00:14:40,290

See that value remains.

261

00:14:42,660 --> 00:14:46,680

You can wash it, go back.

262

00:14:47,340 --> 00:14:49,950

Say, and each time it's going to

get a little brighter, a little,

263

00:14:50,580 --> 00:14:53,430

little shiny, or you can do this

as many times as you desire.

264

00:14:54,120 --> 00:14:57,240

And here you begin worrying about

the shape of this major wave.

265

00:14:59,370 --> 00:14:59,939

There we go.

266

00:15:01,770 --> 00:15:08,070

Just like so I can wash

the brush, give it good.

267

00:15:08,070 --> 00:15:08,550

And dry

268

00:15:11,910 --> 00:15:14,190

happened with a clean, dry two inch brush.

269

00:15:14,940 --> 00:15:17,100

Very lightly, very lightly.

270

00:15:17,750 --> 00:15:21,840

I'm going to begin blending this

little transparency here and here.

271

00:15:21,840 --> 00:15:25,920

I'm going to grab it and begin working

on the basic shape of the wave.

272

00:15:27,450 --> 00:15:29,520

As it goes out, it's going

to get flatter and flatter.

273

00:15:31,430 --> 00:15:32,160

How you say that is?

274

00:15:33,690 --> 00:15:34,620

Doesn't have to be hard.

275

00:15:39,260 --> 00:15:41,040

That gives us some of our initial shapes.

276

00:15:42,780 --> 00:15:43,110

Okay.

277

00:15:43,110 --> 00:15:44,400

I'll clean that old brush,

278

00:15:50,010 --> 00:15:50,760

beaten and dry.

279

00:15:51,090 --> 00:15:52,380

Let me find another fan of brush here.

280

00:15:52,950 --> 00:15:53,280

Okay.

281

00:15:54,420 --> 00:15:58,260

Go right into titanium, Hawaii.

282

00:16:00,135 --> 00:16:00,945

Right into it.

283

00:16:02,775 --> 00:16:04,185

There's was a little

blue in that color too.

284

00:16:04,185 --> 00:16:08,055

So it's not pure white, a little tiny bit

of blue that was left over in scope here.

285

00:16:09,015 --> 00:16:11,865

And then it's why he was

going to be crashing over.

286

00:16:12,105 --> 00:16:12,285

Ms.

287

00:16:12,285 --> 00:16:13,275

Comes over here and goes,

288

00:16:16,275 --> 00:16:18,075

gotta make those little

noises or it won't work.

289

00:16:20,055 --> 00:16:20,325

Okay.

290

00:16:20,385 --> 00:16:20,925

Reload it,

291

00:16:24,375 --> 00:16:24,795

load it.

292

00:16:25,215 --> 00:16:25,635

Touch.

293

00:16:28,035 --> 00:16:30,255

Touch say there, how easy that is.

294

00:16:33,045 --> 00:16:34,545

Pick up too much of the under color.

295

00:16:34,665 --> 00:16:37,755

You may have to wash your brush

several times, but that's all right.

296

00:16:38,355 --> 00:16:39,075

That's all right.

297

00:16:46,785 --> 00:16:51,435

Now then we go back and get

our little Filbert brush.

298

00:16:52,140 --> 00:16:56,520

Take some white, some let's use

some alizarin, Crimson and a

299

00:16:56,520 --> 00:17:00,089

little bit of fade, a little blue,

300

00:17:03,709 --> 00:17:04,760

more Crimson and more blue.

301

00:17:04,760 --> 00:17:05,659

I want it a little darker.

302

00:17:05,810 --> 00:17:06,050

Ooh.

303

00:17:06,200 --> 00:17:06,889

And we get in there.

304

00:17:07,909 --> 00:17:08,480

There we go.

305

00:17:08,480 --> 00:17:09,369

That's what I'm looking for.

306

00:17:09,389 --> 00:17:11,180

Dark lavender looking color.

307

00:17:12,050 --> 00:17:12,139

Okay.

308

00:17:12,379 --> 00:17:13,940

Load the bristles full of paint.

309

00:17:14,540 --> 00:17:15,859

Just really rub it in there.

310

00:17:15,920 --> 00:17:16,639

Kind of scope here.

311

00:17:17,420 --> 00:17:17,780

Now.

312

00:17:18,050 --> 00:17:20,389

Maybe there's some nice

foam splashing on here.

313

00:17:21,704 --> 00:17:27,795

We're putting in the shadow for the phone,

just scrub, scrub it and scrub it out.

314

00:17:28,575 --> 00:17:31,125

Art work on work.

315

00:17:31,125 --> 00:17:32,235

When you basic shape here.

316

00:17:32,235 --> 00:17:34,605

Now maybe it splashes.

317

00:17:35,115 --> 00:17:37,935

We have like, it comes right around.

318

00:17:38,535 --> 00:17:39,435

This is the shadow.

319

00:17:40,645 --> 00:17:41,685

This is the shadow.

320

00:17:42,135 --> 00:17:44,775

This is where you put the

dark part of your phone, man.

321

00:17:47,550 --> 00:17:51,300

You'll be an expert pressure

washer by the time this is over.

322

00:17:52,830 --> 00:17:54,090

Be sure the brush is dry though.

323

00:17:54,090 --> 00:17:55,560

That's most, most important.

324

00:17:57,240 --> 00:17:57,629

Okay.

325

00:17:58,760 --> 00:18:03,469

Now then I'm going to go back

into white with a absolute least

326

00:18:03,469 --> 00:18:06,560

little touch of the cadmium yellow.

327

00:18:08,270 --> 00:18:10,250

Probably can't hardly even

see any in there, but there's

328

00:18:10,250 --> 00:18:11,060

a little touch in there.

329

00:18:11,600 --> 00:18:12,860

At least at least little touch.

330

00:18:13,830 --> 00:18:14,220

Okay.

331

00:18:14,370 --> 00:18:18,630

Let's put some highlight on this phone

now sort of hold a brush to the side

332

00:18:18,630 --> 00:18:22,440

here and give it a little upward pushes

so that when it hits at the top, then

333

00:18:22,440 --> 00:18:26,100

it makes all those little splashes

and there's one side gets wore out.

334

00:18:26,370 --> 00:18:27,840

All the colors use, turn it over.

335

00:18:28,320 --> 00:18:29,460

It's got two sides on it.

336

00:18:30,510 --> 00:18:34,850

Wipe off the excess and you go back

in there and get you a little more.

337

00:18:38,270 --> 00:18:38,780

There we go.

338

00:18:39,890 --> 00:18:41,330

Just place that in there.

339

00:18:44,550 --> 00:18:44,850

Okay.

340

00:18:44,880 --> 00:18:48,390

Wipe it between at least wipe

it between each application.

341

00:18:48,390 --> 00:18:53,400

So you get that dark color

off starts getting dirty.

342

00:18:53,580 --> 00:18:55,080

Give it a good, good wash.

343

00:18:57,050 --> 00:18:57,950

There we go.

344

00:18:58,760 --> 00:19:01,100

Pick up a little more light, a

little touch of yellow in it.

345

00:19:02,600 --> 00:19:03,080

There we go.

346

00:19:03,650 --> 00:19:04,730

Now let's go right in here.

347

00:19:05,870 --> 00:19:06,980

Gotta make those little noises.

348

00:19:09,180 --> 00:19:09,639

There we go.

349

00:19:09,669 --> 00:19:11,610

Just let it come right up

here and breaks or horizon.

350

00:19:14,070 --> 00:19:16,020

All kinds of happy little splashes.

351

00:19:16,020 --> 00:19:19,100

See, here we go.

352

00:19:21,320 --> 00:19:22,310

Splash right there.

353

00:19:24,440 --> 00:19:27,260

No, a super little way though,

to make, make a happy seascape.

354

00:19:28,940 --> 00:19:32,750

Now find out if you have a really

delicate touch, just a corner

355

00:19:32,750 --> 00:19:35,090

of the brush, just the corner.

356

00:19:36,495 --> 00:19:41,415

And just gently, gently just

sort of winded up just little,

357

00:19:41,415 --> 00:19:45,015

tiny, tiny little circles, barely

touching the brushes, hardly moving,

358

00:19:46,795 --> 00:19:48,165

sort of blended all together.

359

00:19:49,275 --> 00:19:51,105

See how soft and look at that.

360

00:19:55,085 --> 00:19:58,205

There you don't.

361

00:19:58,595 --> 00:20:01,505

So you say you don't have to be

crazy to do this, but it does help.

362

00:20:03,015 --> 00:20:03,455

Yeah.

363

00:20:05,325 --> 00:20:05,865

That's fine.

364

00:20:05,895 --> 00:20:06,375

There we go.

365

00:20:08,025 --> 00:20:08,565

That's really good.

366

00:20:08,985 --> 00:20:09,915

Let's get wild today.

367

00:20:10,005 --> 00:20:14,985

I will go right back in

to the white right back.

368

00:20:14,985 --> 00:20:15,135

Yeah.

369

00:20:15,165 --> 00:20:16,695

Maybe right along in here.

370

00:20:17,805 --> 00:20:24,165

Maybe there's a, there's another little

Dewar comes right out my cat and then

371

00:20:24,945 --> 00:20:32,115

we'll blend this one back and this begins

making the shape of a large wave here.

372

00:20:32,700 --> 00:20:34,200

See there, it's picking up that color.

373

00:20:34,200 --> 00:20:37,440

It's underneath all the

beautiful colors we had here.

374

00:20:37,470 --> 00:20:41,070

We had for beginning to hit the

they low green and they were blue

375

00:20:41,070 --> 00:20:45,180

mixture speaking, coming together.

376

00:20:46,860 --> 00:20:49,440

This is where you create

the, the shape of that wave.

377

00:20:51,360 --> 00:20:54,180

So angles are very important.

378

00:20:54,330 --> 00:20:55,470

See attention to them here.

379

00:20:56,460 --> 00:20:57,690

Very, very important.

380

00:20:59,700 --> 00:21:00,210

Of course now.

381

00:21:00,750 --> 00:21:06,090

Any big mass seascape needs

a stone for the, the way he

382

00:21:06,090 --> 00:21:07,260

used to be crashing against.

383

00:21:08,070 --> 00:21:08,940

We got us a splash.

384

00:21:09,020 --> 00:21:10,380

Let's put a stone right here.

385

00:21:10,980 --> 00:21:12,420

I want to break the horizon with that.

386

00:21:12,420 --> 00:21:14,010

So it comes right on that.

387

00:21:14,040 --> 00:21:20,610

Maybe this is a big tall stone bump

out here and wherever this is just

388

00:21:20,610 --> 00:21:28,770

straight Vandyke Brown, all you need is

just a basic little, little rocks here.

389

00:21:29,459 --> 00:21:31,139

Whatever you think your

rock should look like.

390

00:21:32,399 --> 00:21:33,570

That's what the door looked like.

391

00:21:38,729 --> 00:21:47,030

Now that I'm going to take the

fan brush and I'll take some paint

392

00:21:47,030 --> 00:21:51,020

that are on the fan brush and go

right in to straight bright red.

393

00:21:51,020 --> 00:21:52,850

But it's very thin, very thin.

394

00:21:52,850 --> 00:21:56,510

This is bright red, the stand

with paint thinner very thin.

395

00:21:57,020 --> 00:21:57,350

Okay.

396

00:21:58,129 --> 00:22:01,020

Now then, Let's just take this and

go right over the edge of the rock.

397

00:22:01,050 --> 00:22:05,040

You can do this with a liner brush and

really put a lot of detail into it.

398

00:22:05,040 --> 00:22:09,780

I just don't have time here to sit into

it one stroke at a time, but at home,

399

00:22:10,500 --> 00:22:15,510

if you want to really shape these rocks,

take a liner brush and you can just make

400

00:22:15,510 --> 00:22:17,550

all kinds of beautiful little effects.

401

00:22:18,510 --> 00:22:19,440

Maybe there's another little.

402

00:22:19,590 --> 00:22:20,280

Oh, see there.

403

00:22:22,190 --> 00:22:26,600

See, they're all kinds

of happy, little things.

404

00:22:28,710 --> 00:22:30,090

And just sort of blend the mouth,

405

00:22:33,330 --> 00:22:39,720

just go on and I'll, maybe there's a stay

there just as many as you want or as few.

406

00:22:41,340 --> 00:22:42,900

And we can take our, our burst.

407

00:22:42,900 --> 00:22:44,940

It has the white on it.

408

00:22:47,520 --> 00:22:54,270

Just begin putting some little splashes

down here at the bottom, lift it up.

409

00:22:59,774 --> 00:23:02,864

Now we can begin working all

kinds of happy, little things.

410

00:23:03,074 --> 00:23:04,034

Tell you what I see.

411

00:23:05,024 --> 00:23:09,465

Let me get the small

knife I see right in here.

412

00:23:09,915 --> 00:23:16,574

Another happy little stone he

lives right there, right there.

413

00:23:17,205 --> 00:23:17,985

And he's got a friend.

414

00:23:19,170 --> 00:23:20,310

Well, I'll tell you what I got.

415

00:23:20,340 --> 00:23:21,120

I got an idea.

416

00:23:21,930 --> 00:23:22,740

Got another idea.

417

00:23:23,250 --> 00:23:25,110

When you're painting these, you

just look up here and you see

418

00:23:25,139 --> 00:23:26,220

all kinds of things happening.

419

00:23:26,220 --> 00:23:27,600

Let's put a little highlight on here.

420

00:23:28,710 --> 00:23:35,670

This is just a natural, this is a natural,

let me grab a little white, maybe this

421

00:23:35,970 --> 00:23:38,700

there's another little wave come in

here and it's splashing up against the

422

00:23:38,700 --> 00:23:47,580

bottom of this and there's just foam and

churning and carrying on there and easy.

423

00:23:48,915 --> 00:23:49,665

Work in layers.

424

00:23:49,665 --> 00:23:52,245

Now, maybe there's another

happy stone right there.

425

00:23:52,245 --> 00:23:53,205

He's a little smaller.

426

00:23:56,165 --> 00:23:56,254

Okay.

427

00:23:56,825 --> 00:23:57,635

We just use a knife.

428

00:23:57,725 --> 00:23:59,764

You can put a little touch of

high, like right there on him.

429

00:24:03,335 --> 00:24:03,785

Go back.

430

00:24:06,995 --> 00:24:09,075

I did some foam around his foot rock.

431

00:24:09,075 --> 00:24:09,815

RockNet some foam.

432

00:24:09,815 --> 00:24:14,555

If it's turning over now I have

sort of blue and white on here.

433

00:24:14,555 --> 00:24:16,290

We can begin creating all kinds of little.

434

00:24:16,770 --> 00:24:17,970

Foam patterns in here.

435

00:24:21,110 --> 00:24:23,450

Just like, so follow

the angles in your wave.

436

00:24:24,409 --> 00:24:25,700

It's most, most important.

437

00:24:25,700 --> 00:24:30,800

Maybe here's one spilling over, coming

down, leave some little holes in there.

438

00:24:33,620 --> 00:24:35,389

Just like, so yeah.

439

00:24:36,170 --> 00:24:37,580

Oh, kinds, a little things.

440

00:24:38,030 --> 00:24:41,330

Sometimes I like to use a fan

brush because you can just do

441

00:24:42,260 --> 00:24:43,590

beautiful little effects with it.

442

00:24:46,004 --> 00:24:51,855

Like so you can make it look

all on like water, all kinds

443

00:24:51,855 --> 00:24:52,965

of little things going on.

444

00:24:55,245 --> 00:24:58,905

You can really get carried away

and spend a lot of time making

445

00:24:58,995 --> 00:25:00,524

beautiful, beautiful effects.

446

00:25:02,085 --> 00:25:07,635

Let's take, we'll take a touch

of paint thinner right into the

447

00:25:08,065 --> 00:25:09,795

brightest color that yellow and white.

448

00:25:10,605 --> 00:25:12,735

And I want to highlight just

these little edges here.

449

00:25:14,085 --> 00:25:15,195

I can come right on down.

450

00:25:15,225 --> 00:25:17,385

See there, there we go.

451

00:25:18,755 --> 00:25:22,805

And back in here where the light

striking this, put all kinds

452

00:25:22,805 --> 00:25:23,915

of little details back here.

453

00:25:23,915 --> 00:25:27,965

This is what really, really

makes you seascape stamps.

454

00:25:28,025 --> 00:25:38,075

Now all these little doers that a rounder

back up through here, and you can, you can

455

00:25:38,075 --> 00:25:40,115

just take and put hundreds of these hands.

456

00:25:42,615 --> 00:25:45,135

Just hundreds of them, just

wherever you think they were to go.

457

00:25:47,865 --> 00:25:48,855

So I'm in here.

458

00:25:50,445 --> 00:25:53,445

This is where you create

the, the shape of the wave.

459

00:25:57,675 --> 00:25:58,965

Do you use a lot of paint thinner?

460

00:25:58,965 --> 00:26:00,615

So that pain is very thin.

461

00:26:01,525 --> 00:26:02,145

Think we're light.

462

00:26:02,145 --> 00:26:03,045

What's striking here.

463

00:26:04,395 --> 00:26:08,295

See all the little details you can

just drop in that easy to add easy.

464

00:26:09,405 --> 00:26:10,215

You can do it.

465

00:26:13,005 --> 00:26:15,285

Do you ever think you could

make such a seascape so easy?

466

00:26:16,755 --> 00:26:20,415

I like his black and white canvas as

they, they open whole new worlds to you.

467

00:26:20,745 --> 00:26:22,815

You can do all kinds of

beautiful little effects.

468

00:26:26,045 --> 00:26:32,555

They're like all kinds of little, little

things that are happening in the water.

469

00:26:39,575 --> 00:26:43,685

and you can take the blue and white

and put the liner brush and put

470

00:26:43,685 --> 00:26:46,325

all kinds of little watery things

dribbling down the side here.

471

00:26:48,005 --> 00:26:50,675

I think that'll give you a good

idea of how to do a fantastic

472

00:26:50,675 --> 00:26:52,755

little seascape quite fast.

473

00:26:52,755 --> 00:26:56,435

So I'll take a little of the bright

red we'll sign this one right here.

474

00:26:58,595 --> 00:26:58,955

Good thing.

475

00:26:58,955 --> 00:26:59,915

I have a short name.

476

00:27:00,575 --> 00:27:01,895

Doesn't take, but just a second.

477

00:27:03,825 --> 00:27:08,265

I hope you've enjoyed this, and I

hope you two enjoy painting along

478

00:27:08,265 --> 00:27:10,065

and, and doing a fantastic seascape.

479

00:27:10,605 --> 00:27:13,245

And from all of us here, I'd

like to wish you happy painting.

480

00:27:13,545 --> 00:27:14,175

God bless.

481

00:27:14,385 --> 00:27:15,165

And I'll see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S10E05 - Ocean Breeze

Bob Ross's

The Joy of Painting

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