Bob Ross's

The Joy of Painting

S15E04 - Peaceful Reflections

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Hi, I'm glad you could join me today.

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Today.

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We're going to do a wonderful

little painting and I really think

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you're going to, I think you're

going to enjoy this once I tell you

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what let's don't waste any time.

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That's how him run a hotly colors

across the screen that you need to

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paint along with me, me, I've got

mold 18, but 24 inch canvas up here.

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It's all covered with a nice then even

to the liquid white it's wet slick.

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It's ready to go.

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So let's just do what I thought today.

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Let's do maybe.

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A little traditional painting

with some mountains and, and

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pretty sky and maybe some water.

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And who knows, let's just, let's

just do stuff and have a good time.

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Start off with the old

two inch bursts today.

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I'm gonna go right into a small,

this little amount of the Indian,

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yellow, just, just a little color.

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Then take my towel and put a little

yellowish blue in the sky, or the Indian

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yellow was quite transparent there.

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I'm in a bright, happy mood today.

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It's a good day to be alive.

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So let's do a painting that reflects that

shoot every day is a good day to be alive.

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There we are maybe a

little bit of it down here.

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What we're going to have water.

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We just put a little in there.

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What the heck?

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Okay.

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Without even cleaning the brush,

I'm going to go right into a

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touch of a lizard and Crimson it.

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Just, just tap a little

bit into the bristles.

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So I'm going to Excel.

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I will go right up above this.

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And I just going to

lay in a little bit of.

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Crimson, just wherever, sort

of let them flow together.

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There we are.

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Blend those edges out.

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Very nice.

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Just put a little warm

spot up here in the sky.

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Okay.

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Let me take a little Crimson and we'll

throw a little of that down here, too.

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What the heck?

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What the heck?

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We don't care.

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That's good enough.

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Okay.

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Just have a good time.

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That's really, what is all

about is just enjoy yourself.

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Okay.

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A little fellow blue and I still

have the same old, dirty brush.

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Let's go right on, back up in here

using a little crisscross strokes.

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And I started out here

and working downward.

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So it'll mix with the lid, a

quick bite and automatic didn't

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get lighter and lighter in value.

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There.

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See the blue is so much

stronger than that Crimson.

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Well, it'll just, it'll eat

it up if you're not careful,

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maybe a little bit right in here

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that when you do your painting,

if you don't want all these colors

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in the sky, just leave them out.

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You can make any canvas guy that you want.

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Just want to show you how to make a

beautiful, bright little painting.

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We'll take some, a little blue and a

touch, just a touch of the little green.

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They look blue, they look green

and let's put some, put some water

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down here for a minute outside.

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Yeah.

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Outside.

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Yeah, a little bit.

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On the other side, there we go.

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Just let all these colors

just sort of blended together.

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Don't want to kill all that

bright spot right there.

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It'll go away and leave you

and had go away and leave you.

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There.

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Okay.

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Now we can wash her breasts.

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We've put all this color on there and

this is the first time we've watched

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her brush was odorless thinner,

shake off the excess and there we go.

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Okay.

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Now that I want to blend the sky out.

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Be sure your brush is good,

clean and dry starting the light

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area and the Lake area and blend

outward, always blending outward.

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Try not to bring that blue color back

into that yellow or you'll have a bright

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green sky unless that's what you want.

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Okay.

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Now, Just knock it.

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Excess paint off my brush.

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Continue to blend.

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There we go.

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Okay, one more time and you can bend this

till it's very soft and very delicate

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that you can't tell where one color

stops and the next color starts sometimes

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when you're painting at home, step back

from your painting and take a look.

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See, it's hard to see when you're up.

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We're very close.

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Step back and look at it and

you'll see a whole new perspective.

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Things will look totally different.

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They're

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all right.

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Down here.

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We just very lightly Jessica, across

this mixing with the liquid white and

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it all just sort of blends together.

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That's pretty already, that's pretty.

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Okay.

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And when you clean old brush, one

more time to shake it up, cover

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all the camera people we go.

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Let's put us a little

mountain up here for that.

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Oh, man.

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Use have used some midnight

blacks and Vandyke Brown alizarin

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Crimson, a little depression, blue.

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Cut dark color, mix it up, pull it out.

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Very flat.

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Cut off our little roll of paint.

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Turn right there.

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Now then you got to make your

first big major decision.

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Where's your mountain live in your world.

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Maybe, maybe your mountain

lives right there.

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What's your does now firmly push that

right into the fabric to really push.

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He was a lot of pressure.

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Maybe goes off over here, somewhere,

whatever, scrape off all the excess

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paint, take a two inch brush.

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And we grabbed that once

again, the canvas is wet.

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We can move color, absolutely move color.

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If you're on a dry canvas and

you try to pull this paint,

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you're going to be an agony city.

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That's one of the reasons that I

stress so much that we use a pre

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stretched double prime canvas.

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If you use a canvas board or

canvas paper, it will absorb your

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liquid white and you'll, you'll

be left with a dress surface.

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And we depend on this being

wet, the entire painting.

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There we go.

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Let's put some, let's put

some snow on that mountain.

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We take some white, we'll take the

least little touch of lizard, Crimson

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and put in there just to warm it

up the least, least little amount.

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Don't want to set it on fire, pull it out.

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Very flat, get strong with it.

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Very flat, go straight down.

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Cut off our little roll of paint.

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Now that you have to

make some big decisions.

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In my world, I think a light's

going to be coming from the right.

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And you're going to find if you're

right handed, it's normally easier

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for the light to come from the right.

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If you're left-handed, it will

vary from person to person.

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I have a brother who's left-handed

and I know have tended people.

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Their entire life are forced

to do right-handed things.

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So someday I've tended people

will find it easier to highlight

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on the left some on the right.

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But most right-handed people,

99 out of a hundred will find it

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easier to highlight on the right.

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Try it a little bit.

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See what works for you there.

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Okay.

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What I was when I was teaching

for a living all the time.

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One of the things that I found

when teaching a person who is

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left-handed, it's super nice.

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If you have a big mirror, if

you have a mirror, you can

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do it and it looks correct.

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Then two left-handed person.

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There we go.

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Take a little blue, little quiet.

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It's just they little

bit, I wasn't quite there.

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I was out flat once again, our little

roll of paint, just like, so now, then.

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That's just putting the

indication of a shadow.

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Now let's push this one back.

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Watch right here.

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He come right down through here and

distinctly come through that sweep

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and it pushes that little thing right

on back into the background that

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easy, you have the power to move.

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Just putting a few little

shadows here and there.

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There, push it out, went right on back.

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Bring that together.

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Maybe there's a little

shadow hides right in there.

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See anywhere you want a little and didn't

taste any mountain, put a shadow there.

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It's all it takes.

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Watch here, clean dry brush.

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I want to create the illusion of

from this down here at the base,

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gently tapping, following the angles

and lift up or up or down proper.

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Very gentle though.

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Very, very gentle.

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All you're doing here is caressing.

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The canvas is barely touching.

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Yeah.

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Sometimes it's fun to come

back and change your mountain.

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Watching here.

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Say maybe we want to bring us back, put a

little Dewar in there and do your world.

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You can do anything that you want to do.

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There we are.

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Maybe there's a comes

right out through here.

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I don't know wherever you want it.

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Just sort of making a decision in your

mind and drop it in practicing things in

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your mind and then putting them on canvas.

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Now, then our little shadow

back here, maybe here and there.

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A little shadow shoot.

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You've got one fantastic mountain.

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There we are.

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Okay.

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I hear always following the angles

that you have in your mountain.

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There we go.

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Okay.

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Just blend all that together.

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Time to have some fun.

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Let's make us up a mixture

of dark color here.

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We'll use some black oppression.

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Blue shoot.

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I'll throw some Tayloe green in there too.

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It doesn't matter.

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A little bit of Crimson,

little Brown, whatever you got.

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You just look in mainly for a

good dark colored should look

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black when we cleaned the knife.

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Hmm.

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Okay.

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And we'll take an old fan brush.

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Let's load it full of color.

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A lot of paint, both sides full.

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Okay then maybe back in here in

our world, I lived a lot of little

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district trees and all you're doing

is tapping down over the fan brush.

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Just tap it down

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now.

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I want to get progressively smaller.

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When, when this is done, that will

help lead the eye around the corner.

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On the corner, down the street.

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We don't know where it goes.

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Wherever it goes.

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It's a happy little place back here.

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Maybe, maybe here and there in our

world, maybe one or two of these

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trees is a little more distinct,

stands out a little stronger.

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You can see a little more detail,

a painter there's one just

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sort of working back and forth.

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And do you just put as

many or as few as you want.

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Now here let's have some

reflections because this is wet.

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The paint will move used to

when I was traditional painter

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reflections were hard to do.

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I turn the canvas upside down and

paint the scene over, but watch

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right here, because this is wet.

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All you have to do is grab it and

pull it straight down, straight down,

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like, so see there straight down,

and then very lightly come across.

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Isn't that fantastic.

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See how you can move those, push

them, pull them, wiggling, bend them,

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whatever you want to do with them.

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They're yours.

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And you can do anything, anything to

take a little liquid white to that.

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I'm going to add the least

little touch of blue.

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Kind of just a little bit of blue,

not much that you can't hardly

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even tell is any blue in there.

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Let's just pull a little, do that again.

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Put a little color like that on the knife.

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Push firmly.

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I'm really pushing very firmly here.

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Very firmly.

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There we go.

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And we can take our knife just to clean

that scraped through here and there, but

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the indication of some sticks, twigs, tree

trunks, all those happy little things.

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Now let's build some more trees.

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This'll be our evergreen painting.

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We will have a lot of

evergreens in this one.

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So let's come right up here.

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We'll put a happy little evergreen

right there, back and forth,

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back and forth.

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Little son of a gun it's just

live right in that brush.

257

00:14:41,400 --> 00:14:43,380

You gotta push him out.

258

00:14:43,380 --> 00:14:43,860

Sometime

259

00:14:50,970 --> 00:14:54,330

I lived in Alaska for so many

years and I love these scenes

260

00:14:54,330 --> 00:14:55,680

with mountains and evergreens.

261

00:14:56,640 --> 00:14:57,690

It looks like home to me.

262

00:15:00,495 --> 00:15:01,095

There we go.

263

00:15:03,145 --> 00:15:08,505

If you're into selling paintings,

these types of scenes that

264

00:15:08,505 --> 00:15:09,885

will they sell what they sell.

265

00:15:09,915 --> 00:15:12,495

Like hotcakes, everybody likes

it must come right over here.

266

00:15:12,495 --> 00:15:15,705

Maybe there's a little tree right here.

267

00:15:16,035 --> 00:15:22,575

I don't know wherever you want

to get her friend right there.

268

00:15:22,575 --> 00:15:24,225

This collide, he lives there.

269

00:15:30,255 --> 00:15:30,905

Just push it.

270

00:15:31,125 --> 00:15:32,385

See what that easy.

271

00:15:32,385 --> 00:15:34,145

We can make a little peninsula

that comes right out.

272

00:15:34,165 --> 00:15:35,564

See how that pushes everything back.

273

00:15:37,155 --> 00:15:38,295

Drop some of it underneath.

274

00:15:41,324 --> 00:15:47,415

Take our big brush, grab that,

give it a little downward pull and

275

00:15:47,415 --> 00:15:48,944

we have some instant reflections.

276

00:15:49,605 --> 00:15:49,814

Hmm.

277

00:15:50,490 --> 00:15:51,150

Sneaky, huh?

278

00:15:52,320 --> 00:15:52,710

Shoot.

279

00:15:52,710 --> 00:15:53,940

I'm gonna make a big evergreen.

280

00:15:53,940 --> 00:15:54,600

I want a big one.

281

00:15:54,840 --> 00:15:56,580

This one is taller than the mountain.

282

00:15:58,500 --> 00:16:03,150

And he goes, we appear in the

sky to granddaddy evergreen.

283

00:16:08,310 --> 00:16:08,819

In Alaska.

284

00:16:08,819 --> 00:16:11,760

I used to have a huge, huge

evergreen that lived in my front

285

00:16:11,760 --> 00:16:14,489

yard, or he was a sign of a guy.

286

00:16:15,810 --> 00:16:16,079

Okay.

287

00:16:16,079 --> 00:16:17,280

He's a hundred foot tall.

288

00:16:18,359 --> 00:16:22,109

And the term again, used to come in

every afternoon and they'd set from

289

00:16:22,109 --> 00:16:26,699

that tree ptarmigan, her beautiful

grass type bird that lives in Alaska.

290

00:16:28,199 --> 00:16:29,099

Not too smart though.

291

00:16:31,920 --> 00:16:33,209

They're sort of like, Oh, I don't know.

292

00:16:33,209 --> 00:16:36,540

They taste her like pheasant

and the people eat them there.

293

00:16:37,905 --> 00:16:43,245

Um, good Eaton from what I understand

that I wasn't much of a Hunter shoot

294

00:16:43,245 --> 00:16:45,975

I'd that drafted and feed them.

295

00:16:48,525 --> 00:16:49,755

They were safe at my house.

296

00:16:51,255 --> 00:16:52,275

A little bit of the liquid white.

297

00:16:52,334 --> 00:16:57,615

We just run that right around, like,

so let me find here's a good old brush.

298

00:16:58,814 --> 00:16:59,885

Just take a two inch brush.

299

00:16:59,935 --> 00:17:01,305

We'll pull it right through some color.

300

00:17:01,694 --> 00:17:03,525

Say, pull it in one

direction through the color.

301

00:17:04,585 --> 00:17:06,464

Lot of paints loaded into those bristles.

302

00:17:06,960 --> 00:17:07,740

Lighter paint.

303

00:17:07,770 --> 00:17:08,040

Okay.

304

00:17:09,419 --> 00:17:14,399

Now that maybe right in here and

lives some bushes and all kind of

305

00:17:14,399 --> 00:17:17,159

happy little things right there.

306

00:17:19,439 --> 00:17:21,329

And we can reflect some of

that right into the water,

307

00:17:24,480 --> 00:17:26,669

the water that easy.

308

00:17:29,189 --> 00:17:33,270

And on the other side, when you want

some just happy little bushes trees,

309

00:17:36,804 --> 00:17:41,715

See just make this look

like a little windy.

310

00:17:42,585 --> 00:17:48,075

Maybe it's a little river that just

winds or on back in there goes out

311

00:17:48,075 --> 00:17:55,455

behind the BN super place to take a canoe

and just sort of float down the river.

312

00:17:55,605 --> 00:17:55,985

Six, two.

313

00:17:59,625 --> 00:18:03,465

Can you take some dark Sienna, a

little bit of light, like sit up.

314

00:18:03,795 --> 00:18:09,045

So it sorta marbly cut me off a little

road paint and we'll go right up here.

315

00:18:10,995 --> 00:18:16,695

And or that I'm just going to put the

indication here and there of a few

316

00:18:16,695 --> 00:18:25,625

tree trunks there and this big old

tree, he needs a, he needs a trunk too.

317

00:18:28,304 --> 00:18:31,395

Big truck and hell, give

it a little sad words.

318

00:18:31,425 --> 00:18:31,725

Pull,

319

00:18:35,105 --> 00:18:36,665

you know, grabbing another fan brush.

320

00:18:36,695 --> 00:18:38,585

I have several of them going

here, so I don't have to spend

321

00:18:38,585 --> 00:18:40,264

all my time cleaning brushes.

322

00:18:41,435 --> 00:18:42,605

We'll take some dark color.

323

00:18:42,605 --> 00:18:46,655

We've made evergreens out of mix it with

a little yellow and automatically that's

324

00:18:46,655 --> 00:18:51,635

come to turn a beautiful green because it

has blue in it or black school up here.

325

00:18:52,835 --> 00:18:55,175

Now that let's put some

highlight on these trees.

326

00:18:56,564 --> 00:18:58,574

The mountain says our lights

coming from the right.

327

00:19:00,465 --> 00:19:02,294

So it also strike the trees stronger.

328

00:19:02,294 --> 00:19:02,354

Yeah.

329

00:19:02,375 --> 00:19:04,054

On the right than it would on the left.

330

00:19:05,885 --> 00:19:06,455

There we go.

331

00:19:10,264 --> 00:19:14,225

I like to keep these evergreens

quite dark, quite dark.

332

00:19:14,225 --> 00:19:17,675

It's adds, contrast to your painting

school right here in this big way.

333

00:19:22,460 --> 00:19:30,300

They're not super to see hundreds and

hundreds of little leaves and twigs

334

00:19:34,140 --> 00:19:37,560

and easy, and you can

take just a clean knife.

335

00:19:37,890 --> 00:19:40,410

Evergreens always have dead

sticks hanging off of them.

336

00:19:40,410 --> 00:19:41,460

Watch out, come on up here.

337

00:19:41,460 --> 00:19:42,240

What's your ticket.

338

00:19:42,780 --> 00:19:44,070

See it just pop in.

339

00:19:45,370 --> 00:19:47,730

Few little dead sticks and twigs

hanging around off your tree.

340

00:19:48,510 --> 00:19:52,620

And all you have to do is just

scrape, scrape, right through paint,

341

00:19:52,680 --> 00:19:58,530

just scraped through the paint and

the one inch precious clean, dip

342

00:19:58,530 --> 00:20:02,010

it into a little bit of the liquid

white and then added some color.

343

00:20:02,040 --> 00:20:07,950

We're going to take some SAP, green, CAD

yellow, and then we'll sort of bounce

344

00:20:07,950 --> 00:20:13,410

back and forth into who gets some yellow

ochre and a minute go right up here.

345

00:20:14,564 --> 00:20:15,705

It's a happy little Bush.

346

00:20:15,854 --> 00:20:16,514

I remember him.

347

00:20:16,695 --> 00:20:19,754

He lives right here, right there.

348

00:20:20,145 --> 00:20:21,195

Beautiful little Bush.

349

00:20:22,514 --> 00:20:23,925

And he shines in the sun.

350

00:20:26,925 --> 00:20:27,254

Okay.

351

00:20:27,254 --> 00:20:28,754

Now, then I tried here.

352

00:20:28,814 --> 00:20:34,995

Let's turn that into reflections just,

but pulling it down politely across.

353

00:20:38,504 --> 00:20:40,544

So I'll just do it now.

354

00:20:40,544 --> 00:20:41,074

I'm going into.

355

00:20:42,014 --> 00:20:47,475

Yellow ochre, little hidden yellow here

and there, here lives another little Bush.

356

00:20:47,535 --> 00:20:55,815

See, you just sort of visualize these in

your mind and drop them in, drop them.

357

00:20:55,815 --> 00:20:56,025

Yeah,

358

00:21:01,965 --> 00:21:03,014

maybe right here.

359

00:21:06,000 --> 00:21:10,560

There's another little Bush, but see, do

layer after layer, after layer one Bush at

360

00:21:10,560 --> 00:21:13,050

a time, drop it in and then work forward.

361

00:21:15,000 --> 00:21:17,520

Can you reflect a little bit of

that right into the water here?

362

00:21:18,750 --> 00:21:23,129

You know, one of the questions I've

probably get half a dozen letters a week

363

00:21:23,129 --> 00:21:28,260

asking if we do any tracings or any video

editing when we're making these shows.

364

00:21:29,220 --> 00:21:29,760

And I really.

365

00:21:31,065 --> 00:21:34,095

I've mentioned this before, but

there's, there's absolutely no

366

00:21:34,095 --> 00:21:35,535

video magic that happens here.

367

00:21:35,535 --> 00:21:37,005

What, what happens here?

368

00:21:37,035 --> 00:21:37,785

Good or bad?

369

00:21:38,625 --> 00:21:43,175

Absolutely happens in the time

that you see it happen there.

370

00:21:43,895 --> 00:21:44,615

Pull straight down.

371

00:21:44,615 --> 00:21:45,695

I go lightly across.

372

00:21:50,675 --> 00:21:51,005

Okay.

373

00:21:51,515 --> 00:21:51,695

Yeah.

374

00:21:51,695 --> 00:21:56,235

If I was to do something that you didn't

see, I'd feel like I was cheating.

375

00:21:58,325 --> 00:21:58,805

Tell you what.

376

00:22:00,105 --> 00:22:04,665

Can we get my fan brush here, get a

little bit of color red on the fan brush.

377

00:22:06,315 --> 00:22:11,565

Maybe back here in the distance,

put the indication of a little

378

00:22:11,565 --> 00:22:12,825

house, a little grassy area.

379

00:22:12,825 --> 00:22:14,195

We back in there.

380

00:22:15,905 --> 00:22:22,955

So same that pushes that when we back

now, watch here and we put a Bush here.

381

00:22:23,525 --> 00:22:25,355

That's really going to be the separator.

382

00:22:27,540 --> 00:22:30,600

Now it becomes a separate

entity as far away.

383

00:22:33,150 --> 00:22:34,080

That may be right here.

384

00:22:34,080 --> 00:22:35,370

Lives kept you're right.

385

00:22:36,120 --> 00:22:40,950

Happy little Bush would, this would

be a nice place to live out here.

386

00:22:40,980 --> 00:22:41,700

It's so pretty.

387

00:22:42,240 --> 00:22:43,110

It looks peaceful.

388

00:22:44,490 --> 00:22:45,780

Nobody's angry out here.

389

00:22:48,480 --> 00:22:50,070

Oh, this is a nice spot.

390

00:22:51,655 --> 00:22:54,824

Sit out here and watch the animals.

391

00:22:55,544 --> 00:23:04,034

Talk to trees, make friends

with God and nature right there.

392

00:23:05,024 --> 00:23:08,865

That's the spot, not the

little tree right here.

393

00:23:10,095 --> 00:23:15,435

So once again, though, put these

in layers layer after layer.

394

00:23:15,435 --> 00:23:16,274

I know what mr.

395

00:23:17,655 --> 00:23:18,044

Maybe.

396

00:23:19,199 --> 00:23:22,139

Maybe there's a stone here, so

you need a little place to sit.

397

00:23:22,740 --> 00:23:26,790

So let's, let's just put

us in just a little stone.

398

00:23:28,320 --> 00:23:33,360

We can set right here and be

comfortable, little quiet, little

399

00:23:33,360 --> 00:23:38,189

Brown, and go right in here and

drop the indication and a little

400

00:23:38,189 --> 00:23:41,720

highlight on top of that stone there.

401

00:23:43,460 --> 00:23:46,730

If you take care of this stone treated

right, it'll grow up to be a big mountain.

402

00:23:46,730 --> 00:23:47,449

Like back there.

403

00:23:49,375 --> 00:23:51,375

We know that's not true,

but it sounds good.

404

00:23:53,865 --> 00:23:54,645

It sounds good.

405

00:23:55,125 --> 00:23:56,085

Probably just the opposite.

406

00:23:56,085 --> 00:23:57,195

That used to be a big mountain.

407

00:23:57,195 --> 00:24:00,675

It's just got wore down to that there.

408

00:24:01,695 --> 00:24:05,055

And we can bring some of our

little bushes right around.

409

00:24:05,865 --> 00:24:11,835

If you have trouble making these stick

at a little tiny amount of liquid

410

00:24:11,835 --> 00:24:13,665

white to your brush, there's one.

411

00:24:18,195 --> 00:24:20,325

Even here where they're

crowded, do one of the times.

412

00:24:20,325 --> 00:24:21,735

So you have individuals in there.

413

00:24:22,755 --> 00:24:24,525

Give each one, a name if necessary.

414

00:24:24,945 --> 00:24:30,195

And I'm just going to take the knife,

scratch through the paint, to create

415

00:24:30,195 --> 00:24:34,035

the illusion of sticks, twigs, all kinds

of little things that are happening

416

00:24:36,285 --> 00:24:38,025

that helps you all different planes.

417

00:24:38,055 --> 00:24:41,595

Normally I do it in the dark

areas, not in the light because

418

00:24:41,595 --> 00:24:42,555

the light areas indicate.

419

00:24:43,080 --> 00:24:47,340

Leaves and stuff that are on this

side, the dark areas show, you know,

420

00:24:47,340 --> 00:24:51,180

where you're looking down between

the sticks or between the bushes.

421

00:24:51,180 --> 00:24:53,670

And you can see down into it, the

shadow areas, you can see those

422

00:24:53,670 --> 00:25:00,930

little sticks made me in the dark

areas, a little Vandyke Brown.

423

00:25:01,680 --> 00:25:03,210

It's got some land right out here.

424

00:25:05,730 --> 00:25:07,620

There's all kinds of

happy things out here.

425

00:25:08,070 --> 00:25:10,860

Watch, watch that cousin

just dropped down.

426

00:25:13,725 --> 00:25:19,605

There little bit of our highlight

color that was just dark Sienna, the

427

00:25:19,605 --> 00:25:26,685

white it's like I hit a little blue

there too, and that's just right.

428

00:25:27,835 --> 00:25:28,995

Graze it down a little bit.

429

00:25:30,405 --> 00:25:31,335

Makes it even better.

430

00:25:33,225 --> 00:25:35,415

A little touch, a little

touch of liquid white.

431

00:25:37,095 --> 00:25:40,065

I'm just going to pull that

out flat and pull it out.

432

00:25:40,065 --> 00:25:42,495

Like, so dropped my knife across it.

433

00:25:45,675 --> 00:25:49,425

Once again, using a very

firm pressure, very firm.

434

00:25:50,085 --> 00:25:53,895

And tonight at night strong,

you're not going to hurt it.

435

00:25:55,995 --> 00:25:59,685

That's another question I hear quite often

is my knife looks like it's a different

436

00:25:59,685 --> 00:26:01,815

color and the ones that people buy.

437

00:26:03,014 --> 00:26:04,995

There's not, there's not

any difference at all.

438

00:26:05,175 --> 00:26:08,835

The only thing is they make me spray

this one, black, so it doesn't shine,

439

00:26:10,125 --> 00:26:11,685

but it's the same knife that you have.

440

00:26:13,805 --> 00:26:17,264

Same identical knife, few little

ripples on the water here and there.

441

00:26:17,285 --> 00:26:17,435

Yeah.

442

00:26:19,325 --> 00:26:27,035

They're sticks and twigs liner

brush with dip it in the least,

443

00:26:27,055 --> 00:26:28,055

little bit of paint thinner.

444

00:26:28,439 --> 00:26:29,850

It makes them paint this very thin.

445

00:26:30,479 --> 00:26:32,699

And maybe at right here, here lives.

446

00:26:34,340 --> 00:26:36,240

Oh, stick.

447

00:26:37,449 --> 00:26:38,580

He lives right out here.

448

00:26:40,320 --> 00:26:44,939

Like, so go back into the paint

thinner and do some bright red.

449

00:26:45,840 --> 00:26:46,979

I think we'll sign this one.

450

00:26:49,020 --> 00:26:51,719

This is a painting that will teach

you how to use all the equipment.

451

00:26:52,469 --> 00:26:54,929

And it's always one of the

more popular things that we do

452

00:26:54,929 --> 00:26:56,429

these mountains and evergreens.

453

00:26:57,600 --> 00:26:58,710

Everybody likes these.

454

00:26:59,520 --> 00:27:03,540

So on behalf of the entire staff,

happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S15E04 - Peaceful Reflections

Bob Ross's

The Joy of Painting

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