Bob Ross's

The Joy of Painting

S10E10 - Ocean Sunset

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Hey, glad to see you again.

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The day you're ready to do a

fantastic seascape thought.

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That's what we'd do today.

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So let's start out and have him run

all the colors across the screen that

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you need to do this seascape with me.

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And let's go on up here.

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Let me talk just a little

bit while they're doing that.

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I started with the good old standard

18 by 24 inch canvas, but I've done

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something a little bit different today.

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The top part of the canvas is

totally covered with a thin even

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coat of liquid white, all the way

up here, down that you can see this

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little line here now from here down.

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Is covered with liquid clear.

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Now this is just like liquid white only.

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It's clear.

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That's all.

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So let's go and do a

fantastic little seascape.

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I'm going to start out with a two inch

brush and a small, small amount of

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the CAD yellow ferry, small amount.

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Just beat it into the

bristles a little bit.

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Okay.

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Let's go up here now, then

maybe we'll have a beautiful,

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bright little scatter day.

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So I'm just going to start

with a little yellow.

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Do something like, so just let that mix

with the liquid white there now without

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cleaning the brush or right to a touch of

yellow ochre load the brush the same way.

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Go back up here.

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I read around the edges of that.

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See, they're still using

little crisscross strokes.

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We'll just bring that red

around sorta like, so.

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There we go a little happens to

get down here and you're painting.

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Don't worry about it.

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Don't worry about it.

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No problem at all.

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Okay.

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Let's still without cleaning the brush.

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We'll go right into bright

red, a little bit very strong.

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Okay.

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Now right around those edges, we'll

take a little bit of this beautiful

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red color, just like so pretty already.

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We have a, we have a painting for

the museum of modern art here.

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You can just stop right there.

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Now that I want to put a little bit of red

over here and just let it work right along

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right in here is going to be the horizon.

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There we go.

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And we're just very lightly

blend all this together.

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Okay.

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Now then I have several brushes go inside

and I have to spend all my time washing.

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I'm going to take.

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Straight titanium white, just straight

white and go right up in this area.

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And I want this to be very bright.

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So I'm going to take white

and put it right there.

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Straight titanium point.

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Now it won't show up much because late

against light is nothing, but you just

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wait, I'm going to grab it and pull it.

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Just pull,

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grab it and pull.

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We don't care.

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What happens in here.

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We're going to cover all that up anyway.

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Now then let me wash your brush

and we just wash her brushes with

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odorless paint, thinner, shake them

off and beat the devil out of them.

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Okay.

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Or we can just use this same old brush.

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I'm going to go into a small

amount of the little blue.

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And reach up here and grab a

little touch of a lizard Crimson.

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So we have the little blue and the

lizard and Crimson proportionately,

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much more Crimson than blue.

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I want this to be a little

bit to the radish side.

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Okay.

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There's very little paint on the brush.

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Let's go back up here now then.

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Yeah, that's take and use just the corner

of the brush using little circular,

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little circular strokes, and let's just

begin laying in some happy little clouds.

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Maybe there's one that lives all.

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Look there, look there at that guy.

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There he is.

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Cause he comes right out there.

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See how easy it is to make all kinds

of beautiful little cloud shapes.

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All you need.

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It's just the corner of the brush.

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There we go.

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Okay.

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Now that over here, we'll

put him as a little cloud.

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Liz right there.

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There we go and did your world.

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You decide where the clouds live and

you put as many or as few as you want.

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It's your decision.

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There we go.

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Wherever, maybe there's one, right?

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They're still using those tiny little

strokes, little circular strokes.

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Just for the corner of the brush.

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Okay.

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So say I have, I have several brushes

going here now with a clean brush.

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I'm just going to very gently blend this

a little, don't have to over blend it just

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enough to sort of mix it up like soft.

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There we go still using little round

strokes, little circular strokes.

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You can blend this till

it absolutely goes away.

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All we want to do is blend it

just enough to soften the edges.

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So it comes out again.

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Then watch here and we'll take

this and very gently three

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hairs and some air very gently.

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Just bring it all together.

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You don't want to lose your shapes.

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You just want to soften all the edges.

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And then you can tune, can do like cat

and see how it just brings it right over.

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It makes it look like little light

streaks coming through there.

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Now then to really add a little

more contrast, I'm going to mix

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a little more color, the same

color, Crimson, they, little blue.

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Those are Crimson.

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They go blue, but a little darker,

a little more on the brush and right

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in here, I want to show a cloud.

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That's a little closer.

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So for that, we'll just use a little

darker color and it'll give the impression

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that this cloud is closer to us.

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See how easy that is.

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You can create all kinds of beautiful

little things happening in here.

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All right, then we'll go back to her

clean brush, stir this up a little bit.

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Just mix it.

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Don't over to Dawn over to easy to

get carried away and then very lightly

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two hairs and some air this time.

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So it gives the impression now that

that cloud is in front a little bit.

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So it helps create the illusion

of depth and distance in your sky.

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And you can put a couple

here and there wherever.

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But that easy, you can make

a fantastic, fantastic sky.

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Looks like a nice sunset already.

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And if you, if you want to, you

can go in here with a fan brush and

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you can add some little Strykers,

little streaky clouds that easy.

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And you can put as many of these.

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And as you want, just want to show

you how clean, dry brush, and then

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blend them right into the painting.

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There we go.

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Isn't that a beautiful

sky and you can do it.

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Yeah, Washington fan brush.

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I have some paper tells over here.

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I just dry the fan brush home.

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Okay.

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That's the fun part of

this whole technique.

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Alrighty.

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Now that we have to make

a big decision here.

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Let's take, let's take, let's take,

let's take earth, blue alizarin

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Crimson, and I'm going to make a dark,

dark lavender color on the palette.

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It should look black.

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All right.

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We got our mixed here now then probably

let me show you one other thing.

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First, one of the easiest ways.

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To help you with the seascape because

they're sort of hard at first till

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you practice a little, I won't

take the little Filbert brush here.

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And to that, I've added

a bunch of paint thinner.

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So this is then is water nearly sorta,

sorta come in here and sketch out

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where you want the major wave to be.

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And let's just say, it's going

to live boom right there.

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And this is not a commitment at this time.

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You can still change it

soon, comes up like that.

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Maybe it comes over.

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Maybe the is going to crash up

in here somewhere like that.

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Now our shoreline, maybe it'll come.

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Oh, I get something like it.

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That just helps give you a

little bit or sort of a layout.

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And it'll really save

you a lot of trouble.

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Okay.

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After you've practiced a, well, maybe

you don't need to do this, but at first.

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I really recommend you do it that way.

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It'll it'll help you lay it out here.

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I'm using that dark color we made.

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It's a very dark lavender color.

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See if we, if we had used liquid white

here, when we put this on, it would

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pick up the white and you would lose

this beautiful, beautiful, dark color.

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Hair liquid clear allows us

to mix on the canvas without

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changing the value of the cover.

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Look at that with this camera I

don't down in here in here, we're

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going to have the transparency or

the, or the bright spot of the wave.

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That's the part of the way.

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If you're into selling paintings,

that's the part of the wave itself.

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That's what everybody wants to see.

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Big big crasher.

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We'll come right in here.

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Just sort of follow this guide.

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All we're doing here is

putting in some dark color.

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So our light will show later on.

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I may add a little more color.

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Little more color.

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That's really Crimson the low blue.

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Now, when you're doing these at home,

you can add all kinds of colors.

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A lot of times they look green.

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It's very pretty and seascapes.

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Ooh.

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It is dynamite color, beautiful color.

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It's very strong.

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Be careful with it.

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So you already, we have all of our dark

areas blocked in when you're using the

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big old two inch brush you didn't take.

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But a second,

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isn't that a beautiful, rich color.

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All right.

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Now we can really start playing.

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Let me grab my fan brush.

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I won't take same old colors,

lizard, Crimson, and low blue.

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And let's say let's put

some on the fan brush here.

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Just load it back and forth, like yet

not a great deal of paint on the brush.

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Okay, let's go up here.

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Maybe there's a little

foot land back here.

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That's a fancy name for a rock sticks

out in the water, a little peninsula.

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We back in the distance.

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And this is too far away to show detail.

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So don't worry about it.

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All we're looking for here is

just a basic Kenny, tell you

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what too tight was so much fun.

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Let's do another one.

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Maybe there's another bigger

stone in front of it here.

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Bigger foot.

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This will help create the

illusion of distancing.

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You can put all kinds of things back here.

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You can put little trees

on these foot lands and.

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Just whatever, but it really helps.

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So you choose different

Plains in your painting.

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You can see that.

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Okay.

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Now if it, if it doesn't show up quite

well enough, you can take and add a

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little, little highlight to it, just

to get it to stand out a little more.

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That'd be maybe that'll help.

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I can see that a little better.

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Now.

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There we go.

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Okay.

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And that click would get a happy

little foot wind back here.

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All right.

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Now we can begin putting

in some of the good stuff.

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How did it start with just

plain old titanium white

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and we'll go right up here.

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And just began putting in some happy

little highlights, sweet by carrying

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a distance, barely, barely touching,

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barely touching and sort of like

make all these little things happen.

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Bring it right around the base

of this little, little foot line

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back here now then let's have some

fun, let's go like right in here.

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Watch here, grab it and

just come right up like it.

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Oh, what have we done now?

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And maybe there's another one

right here, back in the school.

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Right?

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A long hair

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like that.

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And then right along there.

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See how easy that is.

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Let me clean off the old brush here.

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now, then I'm going to

take another fan brush.

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It's clean and very

gently, very gently here.

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I'm just going to begin doing

like, so see, just work that back.

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Pay very, very close attention to angles.

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All you want to leave in

here is the dark area.

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This is a time when the dark areas

are much more important than the light

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areas and right in here, same thing.

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Same thing.

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Just blend that up.

254

00:14:56,555 --> 00:14:56,975

Like yet

255

00:15:00,155 --> 00:15:01,385

again, it looked pretty already.

256

00:15:02,915 --> 00:15:03,425

Okay.

257

00:15:04,625 --> 00:15:04,775

Yeah.

258

00:15:04,775 --> 00:15:05,704

Then we can go.

259

00:15:06,600 --> 00:15:09,090

Right into a little bit of white sea.

260

00:15:09,210 --> 00:15:12,000

I began making all these little

things that are far, far away, little

261

00:15:12,000 --> 00:15:14,910

swells that are far in the distance.

262

00:15:16,410 --> 00:15:18,000

Don't want too much detail back there.

263

00:15:20,490 --> 00:15:21,540

There's our little footprint.

264

00:15:23,460 --> 00:15:24,330

Okay, good.

265

00:15:28,300 --> 00:15:29,040

This painting.

266

00:15:29,490 --> 00:15:31,530

It'll teach you to be

an expert brush washer.

267

00:15:32,260 --> 00:15:35,640

Let's go back into our blue

and Crimson blue and Crimson.

268

00:15:37,260 --> 00:15:38,969

Just mix it right on the palette.

269

00:15:41,400 --> 00:15:41,819

All right.

270

00:15:41,880 --> 00:15:45,900

Now this area here, we have to put dark

yen before we can put our light in.

271

00:15:46,979 --> 00:15:49,739

So let's just add a little

bit of dark color right here.

272

00:15:49,829 --> 00:15:50,729

See how easy that is.

273

00:15:52,530 --> 00:15:54,120

Follow that basic angle.

274

00:15:54,120 --> 00:15:56,750

So look at that.

275

00:16:01,080 --> 00:16:03,090

Oh, we're doing, it's just applying dark.

276

00:16:03,150 --> 00:16:07,020

We have come back later and put all

the highlights on the good parts.

277

00:16:07,950 --> 00:16:10,470

Everybody wants to jump on these

good parts, but you have to do this.

278

00:16:10,940 --> 00:16:12,410

You have to do the framework first.

279

00:16:15,380 --> 00:16:15,710

Okay.

280

00:16:15,830 --> 00:16:20,090

Now that we get some dark

from there, let's take some

281

00:16:20,090 --> 00:16:22,300

white, just use some titanium.

282

00:16:22,340 --> 00:16:22,670

Right?

283

00:16:24,020 --> 00:16:25,040

Lot of paint on the brush.

284

00:16:25,040 --> 00:16:26,240

Now, a lot of paint.

285

00:16:27,410 --> 00:16:27,710

Okay.

286

00:16:28,250 --> 00:16:28,610

Now then.

287

00:16:29,489 --> 00:16:33,540

Grab this and pull it, pull it.

288

00:16:33,920 --> 00:16:35,270

Strokes are very important.

289

00:16:35,270 --> 00:16:37,550

You might need to wash or wipe your brush.

290

00:16:37,939 --> 00:16:40,430

Sometimes you can just wipe

it in between each stroke.

291

00:16:41,870 --> 00:16:43,760

Cause you got to pick up

some of this under color.

292

00:16:46,370 --> 00:16:52,219

Say grab it and pull it here.

293

00:16:52,760 --> 00:16:53,160

Okay.

294

00:16:55,189 --> 00:16:55,760

Okay.

295

00:16:56,959 --> 00:16:57,319

Yeah.

296

00:16:57,319 --> 00:16:57,560

Then.

297

00:16:58,785 --> 00:17:02,555

Let's let's get her a

little Filbert brush here.

298

00:17:02,645 --> 00:17:07,444

I'm going to go into white and

the least, least little touch.

299

00:17:07,954 --> 00:17:12,514

I've canned him, yellow, white,

and yellow, white and yellow.

300

00:17:12,754 --> 00:17:16,565

Let's go up here now, then

let's go right in here.

301

00:17:16,775 --> 00:17:20,464

This is the part that makes the painting.

302

00:17:20,464 --> 00:17:21,035

So pretty.

303

00:17:22,685 --> 00:17:23,254

This is it.

304

00:17:23,675 --> 00:17:25,835

All we're doing here is

scrubbing in some color.

305

00:17:27,315 --> 00:17:29,805

And the light would come right

along the top of this wave

306

00:17:30,615 --> 00:17:31,935

because the water's thinner here.

307

00:17:33,345 --> 00:17:33,735

Look at that.

308

00:17:35,595 --> 00:17:38,205

Just like, so maybe there's a

touch even right over in here.

309

00:17:39,405 --> 00:17:40,695

Just a little bit right in there.

310

00:17:42,045 --> 00:17:42,615

All right.

311

00:17:48,165 --> 00:17:51,705

With a clean, dry be sure it's dry.

312

00:17:51,705 --> 00:17:52,635

It's most important.

313

00:17:53,250 --> 00:17:55,740

Clean dry two inch brush

come right in here.

314

00:17:56,850 --> 00:17:58,500

Very, very gently.

315

00:17:59,580 --> 00:18:00,930

Just begin blending this.

316

00:18:03,540 --> 00:18:09,630

We're going to begin picking up some of

this nice rich lavender color we have down

317

00:18:09,630 --> 00:18:11,910

here and blending it right up into it.

318

00:18:14,250 --> 00:18:14,760

Look at there.

319

00:18:16,830 --> 00:18:21,660

This is where we begin forming

the basic angle of what now.

320

00:18:22,800 --> 00:18:26,010

I beat the brush just

to remove excess paint.

321

00:18:27,910 --> 00:18:30,390

Say it doesn't matter for a little,

that color goes up in there that

322

00:18:30,390 --> 00:18:33,420

light, the light area will remain.

323

00:18:33,930 --> 00:18:34,920

Grab it, pull.

324

00:18:37,110 --> 00:18:37,950

Okay.

325

00:18:38,790 --> 00:18:41,400

Let me find my little Filbert brush here.

326

00:18:42,270 --> 00:18:44,370

We'll use some of this

lavender color that we have.

327

00:18:45,180 --> 00:18:46,530

Same old lavender color.

328

00:18:47,220 --> 00:18:47,730

Put to touch it.

329

00:18:47,730 --> 00:18:48,240

Quiet in it.

330

00:18:48,390 --> 00:18:48,960

There we go.

331

00:18:49,860 --> 00:18:50,550

Now let's begin.

332

00:18:50,895 --> 00:18:57,885

Putting some foam and first we put

the shadows in and you take his brush

333

00:18:57,885 --> 00:19:02,085

and just lay it over and just really

scrub it in, get tough with it.

334

00:19:02,085 --> 00:19:02,865

Get mean with it.

335

00:19:03,825 --> 00:19:08,265

Think about water churning bubbling,

and maybe it comes way up here and

336

00:19:08,265 --> 00:19:13,845

crashes and splashes and all kinds of

fantastic little things are happening.

337

00:19:14,325 --> 00:19:15,975

And this is only the shadow.

338

00:19:17,835 --> 00:19:18,975

Only the shadow.

339

00:19:19,035 --> 00:19:21,585

We will come back and put the

highlights on in a second.

340

00:19:24,065 --> 00:19:24,455

Okay.

341

00:19:28,205 --> 00:19:28,985

Fill this end.

342

00:19:29,075 --> 00:19:33,125

This needs to be good

and dark also like that.

343

00:19:35,735 --> 00:19:38,995

And with our clean brush, we

want to continue this angle.

344

00:19:39,045 --> 00:19:43,295

Just grab it, bring it through there.

345

00:19:47,010 --> 00:19:47,730

Okay.

346

00:19:49,070 --> 00:19:55,459

Yeah, be sure it filled with good and

clean and dry now comes the fun part.

347

00:19:55,730 --> 00:19:57,139

This is what we weighed on.

348

00:19:57,649 --> 00:19:59,780

Take quite CAD yellow

349

00:20:02,899 --> 00:20:04,610

load, a lot of pain into the bristles.

350

00:20:05,330 --> 00:20:07,639

Just really fill the son of a gun up.

351

00:20:09,169 --> 00:20:09,379

Okay.

352

00:20:09,379 --> 00:20:12,679

Now then sort of hold a brush here.

353

00:20:13,200 --> 00:20:16,560

And give it a little upward

push and it's that upward push

354

00:20:17,370 --> 00:20:18,750

that's where the splash happens.

355

00:20:20,040 --> 00:20:23,250

And when you begin running out

of paint, turn it over and use

356

00:20:23,250 --> 00:20:24,270

the other side of the brush.

357

00:20:24,960 --> 00:20:26,610

And usually you can just

wipe off the excess.

358

00:20:26,610 --> 00:20:28,590

You don't have to go through

the whole cleaning procedure.

359

00:20:29,130 --> 00:20:33,510

You want to keep this color as

pure as you can, because it's

360

00:20:33,510 --> 00:20:34,800

going to mix with what's on there.

361

00:20:37,740 --> 00:20:38,640

Okay.

362

00:20:38,880 --> 00:20:40,080

Plenty of paint on the brush.

363

00:20:41,340 --> 00:20:42,300

Plenty of paint.

364

00:20:44,370 --> 00:20:45,780

Splashing way up here.

365

00:20:45,870 --> 00:20:48,389

All kinds of beautiful

little things are happening.

366

00:20:49,919 --> 00:20:52,409

Continually wipe that brush

to keep it good and clean

367

00:20:59,959 --> 00:21:04,969

and we'll have a little bit, well,

you can get carried away with these.

368

00:21:05,929 --> 00:21:09,320

You can really get carried

away in the hammock super time.

369

00:21:10,760 --> 00:21:11,840

Seascapes are fun.

370

00:21:15,615 --> 00:21:16,155

Okay.

371

00:21:17,295 --> 00:21:18,225

Clean off the brush.

372

00:21:22,415 --> 00:21:22,565

Okay.

373

00:21:22,565 --> 00:21:26,435

Now with a good clean, dry brush, you

just want to sort of mix this together.

374

00:21:26,435 --> 00:21:30,845

That'll make it sort of make a

different value, a medium value here

375

00:21:30,845 --> 00:21:33,545

because it'll mix with the dark and

the light brings it all together.

376

00:21:34,385 --> 00:21:35,495

Just stirred up a little bit.

377

00:21:39,215 --> 00:21:39,545

Okay.

378

00:21:41,145 --> 00:21:43,595

No, I didn't good.

379

00:21:43,595 --> 00:21:47,795

Clean dry two inch brush, just

the corner and just mix this up.

380

00:21:49,025 --> 00:21:53,315

All you have to do is just very

gently bring all this together.

381

00:21:55,235 --> 00:21:56,135

Very gently.

382

00:21:56,585 --> 00:22:04,205

This is two hairs and some air

barely, barely touching and that easy.

383

00:22:04,775 --> 00:22:05,465

We have it.

384

00:22:08,675 --> 00:22:08,735

Yeah.

385

00:22:09,525 --> 00:22:15,915

I'm going to take a paint, thinner,

yellow and white, and be sure

386

00:22:15,915 --> 00:22:22,335

your paint is as thin as ink, sort

of very thin water consistency.

387

00:22:22,335 --> 00:22:23,145

Let's go right up here.

388

00:22:23,535 --> 00:22:25,095

This nice bright area here.

389

00:22:25,515 --> 00:22:28,155

There's going to be all kinds

of light shining through.

390

00:22:29,535 --> 00:22:31,995

Just put all these happy little things.

391

00:22:33,455 --> 00:22:36,915

I at home, when you have unlimited time,

you can just really go in here and put it.

392

00:22:38,085 --> 00:22:40,695

All kinds of beautiful,

beautiful little things.

393

00:22:45,004 --> 00:22:45,425

Okay.

394

00:22:47,105 --> 00:22:51,155

Come right along here and

just sparkle that like so

395

00:22:54,784 --> 00:22:55,085

great.

396

00:22:57,215 --> 00:23:01,235

Let's take it some white, a little

touchy that they look blue, very

397

00:23:01,235 --> 00:23:03,064

little blue, white, and blue.

398

00:23:03,814 --> 00:23:05,014

And let's begin working on some.

399

00:23:06,045 --> 00:23:09,765

Happy little things that are just

floating right on down through here.

400

00:23:09,825 --> 00:23:14,325

All kinds of little, this is

where you begin forming the wave.

401

00:23:17,705 --> 00:23:18,815

This gives it shape.

402

00:23:18,845 --> 00:23:19,805

It gives it character

403

00:23:26,705 --> 00:23:27,485

back in here.

404

00:23:30,275 --> 00:23:31,505

Just bring it right on back.

405

00:23:33,335 --> 00:23:34,115

Let's have some fun.

406

00:23:35,190 --> 00:23:36,510

Right into that light area.

407

00:23:36,540 --> 00:23:41,700

I'm going to go right into some CAD

yellow with just throw that right on

408

00:23:41,700 --> 00:23:45,180

there, right into the yellow ochre.

409

00:23:45,420 --> 00:23:46,500

Just like we did this guy.

410

00:23:47,760 --> 00:23:52,410

Let's drop it in to some bright red.

411

00:23:53,880 --> 00:23:58,560

We got us a fireball go in here and

I'm going to reach into dark Sienna.

412

00:24:03,105 --> 00:24:09,285

A little bit more dark Sienna here

then right into Vandyke Brown over

413

00:24:09,285 --> 00:24:11,475

here, I wanted to get quite dark.

414

00:24:11,535 --> 00:24:14,055

So it makes that light

red at least stand out.

415

00:24:15,255 --> 00:24:15,585

Okay.

416

00:24:15,625 --> 00:24:19,845

Now that little tattoo fight right there.

417

00:24:20,085 --> 00:24:23,985

And then with a clean brush, all you

have to do is blend all this together,

418

00:24:26,165 --> 00:24:29,985

blend it together to color, sorta mix.

419

00:24:32,400 --> 00:24:39,990

And then lightly, lightly, lightly

score across line, like go across

420

00:24:40,260 --> 00:24:42,150

and we'll take a fan brush.

421

00:24:42,390 --> 00:24:45,690

I want to put that titanium

white with a least, least little

422

00:24:45,690 --> 00:24:47,790

touch if they low blue on it.

423

00:24:48,450 --> 00:24:51,540

And then let's come right in

here and begin making all kinds

424

00:24:51,540 --> 00:24:53,670

of happy little foam things.

425

00:24:54,420 --> 00:24:58,530

Just laying out here, having a good

time, leave some of these dark areas.

426

00:25:00,450 --> 00:25:01,830

Leave some dark areas.

427

00:25:02,100 --> 00:25:02,880

Don't kill them off.

428

00:25:06,420 --> 00:25:08,670

Begin paying attention

to the shape of the wave.

429

00:25:10,170 --> 00:25:11,130

Very important.

430

00:25:13,110 --> 00:25:13,890

Very important.

431

00:25:13,890 --> 00:25:14,430

Over here.

432

00:25:15,150 --> 00:25:16,020

I have some coming up.

433

00:25:16,080 --> 00:25:16,500

I get,

434

00:25:21,090 --> 00:25:22,260

well, I got the old brush going.

435

00:25:22,260 --> 00:25:25,710

I'll just take it right into

some Brown and that's half

436

00:25:25,890 --> 00:25:27,810

maybe just some sand right here.

437

00:25:29,699 --> 00:25:30,000

Right.

438

00:25:30,000 --> 00:25:30,540

There it is.

439

00:25:30,570 --> 00:25:34,169

I'll look at there and just put, this is

just Brown with a little touch of white.

440

00:25:34,169 --> 00:25:36,750

That was left on it right down.

441

00:25:36,750 --> 00:25:39,179

Like, yeah, it's a little

bit of sand on the beach.

442

00:25:40,199 --> 00:25:46,020

Vandyke Brown, dark Sienna, a

little touch of white little, see,

443

00:25:46,260 --> 00:25:47,520

we've got to have a place to run.

444

00:25:50,480 --> 00:25:50,899

Okay.

445

00:25:51,590 --> 00:25:52,280

Yeah.

446

00:25:54,139 --> 00:25:56,060

Pick a little paint there

with some dark paint.

447

00:25:56,625 --> 00:26:00,915

And we just run a little

line and into here, like, so

448

00:26:04,785 --> 00:26:09,995

paint them with some of the light blue

and we can just put the indication of a

449

00:26:09,995 --> 00:26:15,515

little, little bit of water playing all

down there on the beach, all kinds of

450

00:26:15,515 --> 00:26:17,105

little lines and stuff here and there.

451

00:26:18,395 --> 00:26:19,415

See how easy that is.

452

00:26:19,895 --> 00:26:22,145

And it really makes a nice, nice effects.

453

00:26:24,915 --> 00:26:28,004

And let's have a happy little

stall lives right there.

454

00:26:28,995 --> 00:26:30,315

This is just Vandyke Brown.

455

00:26:32,115 --> 00:26:32,445

Shoot.

456

00:26:32,445 --> 00:26:34,425

I tell you what, we'll have

another little stone right there.

457

00:26:35,735 --> 00:26:36,735

Pull a little bit down.

458

00:26:38,895 --> 00:26:39,315

Grab it.

459

00:26:40,455 --> 00:26:41,415

Makes a reflection.

460

00:26:42,615 --> 00:26:43,635

Take the little knife.

461

00:26:47,865 --> 00:26:50,445

Hey, we'll put the least little

touch of some highlights on here.

462

00:26:52,034 --> 00:26:52,544

Like, so.

463

00:26:53,715 --> 00:26:56,655

The old clock on the wall is telling

me you got to stop for today.

464

00:26:57,315 --> 00:27:00,135

So with that, think we'll

call this painting finished.

465

00:27:00,975 --> 00:27:02,445

I sincerely hope you've enjoyed it.

466

00:27:03,675 --> 00:27:07,305

That'll give you a good idea of how to

do a fantastic seascape, happy painting.

467

00:27:07,595 --> 00:27:08,075

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S10E10 - Ocean Sunset

Bob Ross's

The Joy of Painting

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