Bob Ross's

The Joy of Painting

S13E04 - Evening at Sunset

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Hi, I'm glad you could join me today.

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Today.

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I think we'll do a painting that

I've had a lot of letters requesting.

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A lot of people have written and

said, Bob, I'd like to know how

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to do a very simple little sunset.

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So I want to show you

how to do that today.

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It's going up and let me tell you

what I've already gotten done today.

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We have an 18 by 24 inch black canvas and

that's painted with a black Jesso and in

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the black Jesso is allowed to dry on top

of that, I've covered the entire canvas.

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With alizarin, Crimson,

just a thin even coat.

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And in the corners, we've put a little

bit of Vandyke Brown just to darken it.

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And then a couple of places here,

I've added a little bit of fallow

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blue just to have some little streaks.

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So I tell you what, let's start off

and have him run all the colors across

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the screen that you need to paint

along with me while they're doing that.

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Let's go on up here and get started today.

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I'm going to start with just plain

titanium white on the two inch brush.

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And just add a little color

to the brush by just tapping

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just a little didn't take much.

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I remember the canvases already covered

with your lizard and Crimson and the Brown

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and little touch of blue here and there.

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Not much blue and keep the blue

toward the top of the canvas.

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Okay.

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Now immediately today we

have to make a big decision.

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Normally we don't have

to make any, but today.

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We have to make a big decision, basically,

where's your horizon going to be?

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Because that will be the lightest area.

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If this is going to be

a sunset type painting.

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So let's make a decision and decide

that right here, Fred along here will

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be the horizon and I'm just using little

crisscross strokes and start in this

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light area and begin working outward,

just like so, but I'm using the brush

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like, so, and then little strokes.

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Like just little strokes.

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So it makes a little patterns in here.

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Okay.

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And we can add a little

more a fight here and there

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and just begin laying

in some little, some.

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Happy little things here or there, it

hit a little bit of the blue, so you're

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going to get sort of a, sort of a

little lavender field and that's nice.

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That's very nice there.

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Okay.

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Okay.

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And this is a fantastic

painting to do for friends.

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And don't tell them, you've put the thing

on the canvas and they see you starting

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out with just white paint and you start

putting this on and all of these beautiful

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colors appear and they think you're magic.

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So try that.

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You'll enjoy it.

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There we go.

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We have teachers that travel all

over the country and I have them

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do payments where, where they start

out like this people don't no,

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they have anything on the canvas.

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And then they started just

adding plain old, white.

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And all of these beautiful colors appear

and immediately they have an audience

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that they stay with them a long time.

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There we go.

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I don't want this to be the

brightest area right in here.

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But isn't that a fantastic scout already.

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You could leave it just like it.

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If you wanted to and have a winner

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and just use long strokes, just

to sort of bring it all together.

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Okay.

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I love these black canvases.

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Some of the most exciting

effects in this technique happen.

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Now then let me wash my brush and we wash

her brush as you know, with odors thinner.

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Let's get rid of that excess

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and beat the devil out of it.

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Tell you what let's go right into a

little touch of the cadmium yellow, just

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a small amount of paint on the brush.

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Just tap a little in there.

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Okay, let's go right back up here.

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Maybe right here.

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I'll add a little yellow.

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There you go.

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You wonder where the

yellow out there it is.

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That's where it went.

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And just sparkle this area here.

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Now we don't want to

let this go up too high.

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We have a little bit

of blue on the canvas.

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I've been here.

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If we don't want to let that yellow get

up into that blue, if it does, you're

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going to have a bright green sky and

then you're going to be upset with me.

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I don't want you to be unhappy.

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I'm going to add a touch of yellow Booker.

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We can just add a little

of that here and there.

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We're still using that little sort of

like, just that it sort of rock back

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and forth when it creates all kinds

of happy little things in the sky.

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Maybe up in here just to change the color

for getting very close to that blue there.

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So be careful

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hitting that up.

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Unbelievable little

sky and it's so simple.

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It really is one of the easiest guys to do

because all your color is done beforehand.

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You put all that Crimson on

there and it just works for you.

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And that flag Jesso holds it so well.

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And the black Jesso is designed

specifically for this type of painting.

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Works.

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Okay.

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Now then very lightly go across

the entire sky and we can

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wash her brush one more time.

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Get rid of that excess shaken.

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They were in business again.

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Okay.

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Now then I'm going to use, we use

the little fan brush and I'm going

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to go into a little touch of blue.

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Stay low blue.

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They look blue and a lot of lizard

Crimson, proportionately, much, much

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more Crimson than the blue, much,

much more in case we hit yellow.

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We don't want it to turn green if you're

not sure what color you have there.

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Add a little white to your, and put a

little over here and add a little white

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and you can tell exactly what you have.

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Okay.

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Now then.

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Let's have, I guess, a little floater

clouds around here and just sort of

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still using that same little stroke.

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Just let some of these little things just

sort of float around, let them have fun

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wherever you want them to go.

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Maybe there's some little

ones that they come right down

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into, into that bright spot,

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wherever here's here's

a little one over here.

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I see it.

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There it is.

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Okay.

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So you just sort of just sort of

make these things up in your mind.

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And let them drop in maybe right in here.

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There's one, there is an old big

one that just sort of floats around,

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see how you can create the illusion

of all kinds of beautiful effects.

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Just like, so you need these dark ones.

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Just make that color stand out.

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Just like, so here we are that has just,

they look blue and lesser in Crimson.

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So all there is to it.

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Now back to our big

brush, make sure it's dry.

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You want to, you want

a dry brush for this?

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If you take a wet brush and go over

this, the color is gonna mix together.

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And you're going to be living in mud city.

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It'll all turn to mud on it.

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We don't want that.

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We want to keep these colors vibrant

and happy and just beautiful.

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Be sure your brush is dry.

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I can't say that enough.

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You might want to, might want to

run it against some pay for towels

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or something just to make sure.

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Sarah Waco.

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And all we're doing here

is still just falling.

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When those little, what

do we want to call?

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Maybe little rocking

strokes, like, so I can.

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But didn't have a super way

to make a very, very nice guy,

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have to wear your sunglasses.

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When you look at this one, but already

you have the feeling of a sunset and all

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these clouds are rolling through there.

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And you can do it.

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All right.

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Yeah.

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Then maybe I want to keep this

painting quite easy in case this

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is your first time painting where

this, this is a good one to do.

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So let's take some black and

Crimson and some Tayloe blue.

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We just mix all these colors together.

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Let me wipe the knife off.

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I'll be right back.

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Okay.

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With our fan brush and loaded, full

of paint, a lot of paint load, both

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sides for all right, let's go up here.

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They are right here.

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Or we decided, we decided our

horizon would be, we're going to

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begin tapping him some basic little.

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Tree shapes look like little

trees far away and allow it

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to pick up some of that color.

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So some of them is

lighter in the background.

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It looks like a light

shining through don't fight.

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This it'll happen automatically,

but sometimes we have a tendency to

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want to make it darker and darker.

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Let some of those remain lighter.

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It really will enhance your painting.

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There we go.

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And that's one of those happy accidents.

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Let them happen.

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Just let that go right on

out like soft and easy.

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We have the indication of some distant

trees that are just living far away there.

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And you can have as many

or as few as you want.

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Now.

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One thing that I noticed when people

first start is they'll put these trees.

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Too far apart like this and they

end up looking like fence posts.

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Should that happen?

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All you need to do is just add

some little things in between

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and it'll bring them together and

make them look pretty good there.

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And wherever we want this to go,

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here we go.

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Maybe here and there.

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Real dark ones might

be a little bit closer.

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Now super, super way of making the

indication of some little tree trunks

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that live back in here without doing a

lot of work, show you how to do that.

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That's a lot of fun, a lot of fun.

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Let me find another fan brush.

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I have several of each brush

going here, so I don't have to

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waste all my time cleaning up.

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I like clean those brushes.

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I'm going to just pull, just barely tap a

little tiny bit of white into the brush.

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Just.

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Little bit.

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I see none on that side.

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Just a little bit.

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Now, if we want to make this look

like a little trunks that are far

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away, just take it a lightly, pull up

just lightly, just lightly pull up.

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Very light color shows up so much

stronger on these black canvases,

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just slightly here and there.

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There's light coming through and you can

see those little trunks that are far away.

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If you have to get one.

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That's too light.

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It's too bright.

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All you have to do is just go over

it two or three times in that dark

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color that we have underneath.

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We'll just eat it up and it'll go away

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already.

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You have thousands of little tree trunks

and you haven't heard it done a thing.

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And that's the joy of painting there.

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Hmm, that's a pretty

little painting already.

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Can you go wash my fan brush and

that we just washing the thinner,

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then wipe it on a paper towel.

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So now.

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Let me find here's an

old, dirty two inch brush.

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We'll just use it now.

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I want to begin creating some

little grassy areas back here

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and create the lay of the lamb.

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So I'll take his brush.

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It has a little bit of

that dark color on it.

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Doesn't matter.

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And I'm, we'll go right into some yellow.

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Let me reach up here and get some green.

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I'll be right back there.

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We are a little touch of the SAP green,

but now tap downward with that brush.

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Do it slow seeing, see tap, but

it slide a little bit there.

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Okay.

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Now then you have to make them

now the big decision here,

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where's our lay of the land.

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How does, how does the

land flow in this painting?

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Is there a Hill here?

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I think there is, maybe

I'll have a little water.

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You know, me, I love water.

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So I had to do is decide where you

want you to land to be and just start.

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Tapping just tapping, like, so in reality,

if you had a sunset, this bright chances

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are this, wouldn't be quite this green.

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But it looks better, all

these beautiful colors.

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And you know, when you, when you

buy your first tube of paint, you

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get an artist license and that

license says you can do anything

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that you want to do on this canvas.

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Maybe not anywhere else, but on

this canvas, your artists license

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gives you complete freedom.

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So we will do that.

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And all I'm doing here is just tapping.

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Now, if you get one that's too

bright, continue to tap it.

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And once again, the color

underneath will be picked up and

251

00:13:42,165 --> 00:13:43,455

automatically would get darker.

252

00:13:43,545 --> 00:13:46,425

Amanda, little yellow ochre,

Indian, yellow here and there.

253

00:13:47,625 --> 00:13:53,025

Maybe leave them touch a little

bright red, just however,

254

00:13:56,205 --> 00:13:59,745

but begin, begin thinking

about a lay of the land.

255

00:14:02,340 --> 00:14:05,550

I know I say that over and over,

but to me in a painting, that's very

256

00:14:05,550 --> 00:14:12,090

important, most important to heavy land

flow the way you want it to normally,

257

00:14:12,420 --> 00:14:14,760

if you have water, water is lazy.

258

00:14:14,790 --> 00:14:18,210

It's like me, it lays in a recessed area.

259

00:14:18,210 --> 00:14:21,540

So you need to Hill or something

here to show that there's a recessed

260

00:14:21,780 --> 00:14:24,630

carry a reason for the water being

down there instead of a pier.

261

00:14:29,390 --> 00:14:31,160

and do you not to worry

about where you go here?

262

00:14:31,189 --> 00:14:32,870

We're going to have some

reflections in this water.

263

00:14:32,930 --> 00:14:36,500

So anything that we don't like,

we'll turn it into reflections.

264

00:14:37,850 --> 00:14:39,770

Well, wish you could do

that in the real world.

265

00:14:42,400 --> 00:14:45,100

But anyway, this is our world

here, so we can do it here.

266

00:14:46,660 --> 00:14:47,320

Okay.

267

00:14:49,330 --> 00:14:53,920

And we just keep on this little

Hill, but didn't it fantastic.

268

00:14:54,010 --> 00:14:57,820

Look at the look at the way the

land flows there and the more you

269

00:14:57,820 --> 00:15:04,660

tap this, the darker and the softer

it'll become very, very soft.

270

00:15:07,660 --> 00:15:08,590

Looks like velvet.

271

00:15:08,590 --> 00:15:09,220

If you try.

272

00:15:10,095 --> 00:15:14,954

You can make little, little grassy

areas that, Oh, it's just someplace you

273

00:15:14,954 --> 00:15:16,425

want to go and run through barefooted.

274

00:15:17,745 --> 00:15:18,194

Okay.

275

00:15:18,375 --> 00:15:19,605

You ever had any places like that?

276

00:15:20,505 --> 00:15:21,464

Let me wash this brush.

277

00:15:25,485 --> 00:15:26,685

There goes the studio again.

278

00:15:27,255 --> 00:15:27,645

Okay.

279

00:15:27,944 --> 00:15:29,925

Now then if we're going to

have some reflections on here.

280

00:15:30,855 --> 00:15:34,995

I'll go right into some yellow,

right into the CAD yellow,

281

00:15:34,995 --> 00:15:36,045

just tap a little on a brush.

282

00:15:36,045 --> 00:15:39,255

It doesn't matter how you load it and

you have to make another big decision.

283

00:15:39,255 --> 00:15:42,135

Where's your, where's your

reflections going to live?

284

00:15:42,225 --> 00:15:45,225

If you want them right here,

touch and pull straight down.

285

00:15:45,555 --> 00:15:48,225

Just grab it and pull straight down.

286

00:15:49,094 --> 00:15:52,905

Think about the, how the land would

be underneath this grass though.

287

00:15:53,704 --> 00:15:54,755

Just pull it straight down.

288

00:15:57,064 --> 00:15:58,594

I hope you get your sunglasses on the day.

289

00:15:58,594 --> 00:15:59,824

That's a bright sign of again.

290

00:16:00,635 --> 00:16:01,235

Beautiful.

291

00:16:02,584 --> 00:16:06,515

And maybe this water goes,

let it go right on up here.

292

00:16:07,665 --> 00:16:09,854

Yeah, the more you rubbed

this, the darker it'll get.

293

00:16:09,854 --> 00:16:12,824

Cause it's picking up the Crimson and

the other colors underneath all the time.

294

00:16:14,354 --> 00:16:18,814

It's continually picking them up there.

295

00:16:23,074 --> 00:16:25,265

Now, maybe into here, we want

that to be the brightest.

296

00:16:26,915 --> 00:16:30,454

If you want to in your world, you could

even take a little bit of titanium white

297

00:16:30,875 --> 00:16:33,454

and add to it and make it even brighter.

298

00:16:34,285 --> 00:16:36,055

So you don't remember what I was

telling you, anything you don't

299

00:16:36,055 --> 00:16:37,145

like, you can turn reflections.

300

00:16:37,145 --> 00:16:38,935

So if you wanted to grab

that, look it there.

301

00:16:39,505 --> 00:16:39,775

Of course.

302

00:16:39,775 --> 00:16:43,735

Now I have to do it all the way

across, but anything that you want,

303

00:16:44,575 --> 00:16:46,135

you can change to reflections here.

304

00:16:47,275 --> 00:16:47,575

Okay.

305

00:16:47,785 --> 00:16:50,005

If you want to add a little,

the titanium white, see how that

306

00:16:50,005 --> 00:16:53,505

makes it be sparingly on mountain.

307

00:16:53,885 --> 00:16:55,845

Be sparing, not too much.

308

00:16:58,425 --> 00:16:59,505

Don't want to overkill.

309

00:17:00,704 --> 00:17:00,885

Okay.

310

00:17:00,885 --> 00:17:04,724

Now very lightly, very lightly come

straight across, even though this

311

00:17:04,724 --> 00:17:08,415

is going uphill, it's a tendency

to go this way, come straight

312

00:17:08,415 --> 00:17:11,835

across just enough to wiggle it.

313

00:17:12,105 --> 00:17:14,014

You can move this ripple.

314

00:17:16,784 --> 00:17:17,244

Look at that.

315

00:17:18,385 --> 00:17:19,185

Fantastic.

316

00:17:21,315 --> 00:17:22,274

You can create water.

317

00:17:22,335 --> 00:17:22,875

That's easy.

318

00:17:24,524 --> 00:17:26,534

Now then let's go back.

319

00:17:26,834 --> 00:17:30,435

I'm going to take a little dark Sienna,

a little Bandag Brown, little white.

320

00:17:31,034 --> 00:17:32,084

We just mix that together.

321

00:17:33,534 --> 00:17:35,205

You don't have to worry

about over mixing it.

322

00:17:35,415 --> 00:17:39,345

Just like, so cut off her little roll

of paint that we use all the time.

323

00:17:39,495 --> 00:17:41,445

Like, so now then.

324

00:17:41,895 --> 00:17:45,465

Come in here and you can begin making

big decisions, whereas our water

325

00:17:45,465 --> 00:17:49,275

lines and very lightly just grubbing.

326

00:17:50,955 --> 00:17:53,295

You can begin putting up a little bank.

327

00:17:53,385 --> 00:17:53,925

I'm sure.

328

00:17:53,925 --> 00:17:58,185

Line just let it work

its way right around.

329

00:18:00,135 --> 00:18:01,215

That's all there is to it.

330

00:18:02,355 --> 00:18:03,165

You can do it.

331

00:18:03,825 --> 00:18:07,345

Ken can do anything there.

332

00:18:07,345 --> 00:18:07,725

Accounts.

333

00:18:10,335 --> 00:18:13,245

Okay, just see there wherever you want it.

334

00:18:19,805 --> 00:18:25,715

Now, maybe over here on the other

side, we need some, we need some

335

00:18:25,715 --> 00:18:26,945

things happening over here too.

336

00:18:26,945 --> 00:18:27,455

We don't want this.

337

00:18:27,485 --> 00:18:28,595

I go back to this big brush.

338

00:18:28,595 --> 00:18:29,405

Shoot is faster.

339

00:18:29,465 --> 00:18:33,575

We go right into a dark color, like so.

340

00:18:37,409 --> 00:18:41,459

We just use the corner of this brush and

let's begin making some big decision.

341

00:18:41,469 --> 00:18:46,969

Maybe other side is over here and there's

little grassy things deliberate out.

342

00:18:48,199 --> 00:18:51,649

Like, yeah, I just closed that

and turn it into a little,

343

00:18:52,129 --> 00:18:53,360

little stream or a little river.

344

00:18:53,360 --> 00:18:56,330

It lizard down here,

whatever you want it to be.

345

00:18:58,429 --> 00:18:58,939

I'll tell you why.

346

00:18:59,560 --> 00:19:02,500

Let's get crazy and add

a little more color here.

347

00:19:02,500 --> 00:19:06,250

I ran out of color while we

got this big old brush going.

348

00:19:06,490 --> 00:19:07,629

Let's just get crazy with it.

349

00:19:08,680 --> 00:19:13,360

Maybe their lives, a great big, huge tree.

350

00:19:13,360 --> 00:19:13,629

Right?

351

00:19:16,810 --> 00:19:17,230

Let's see.

352

00:19:17,500 --> 00:19:18,670

Maybe that tree comes.

353

00:19:20,590 --> 00:19:27,370

Oh, my gosh, when I say big tree, I mean,

big tree didn't realize it was going to be

354

00:19:27,370 --> 00:19:33,460

that big, but that's all right, Lexi and I

wanted to sort of tilt that sort of leads

355

00:19:33,460 --> 00:19:37,570

your eye into the painting and nature.

356

00:19:37,570 --> 00:19:41,590

Didn't make all of its trees

perfectly straight trees grow anyway.

357

00:19:41,860 --> 00:19:42,760

Didn't make some happy.

358

00:19:44,550 --> 00:19:46,260

And that one grew right on off the canvas

359

00:19:50,100 --> 00:19:50,429

there.

360

00:19:52,409 --> 00:19:52,889

Okay.

361

00:19:54,300 --> 00:20:00,000

Now then maybe I'll tell you when

you're painting like this, a lot of

362

00:20:00,000 --> 00:20:03,209

times you just look at a painting

and you begin seeing things.

363

00:20:03,270 --> 00:20:06,240

You might not have planned them

when you began this painting, but

364

00:20:06,240 --> 00:20:10,379

they happen and learning to use

whatever you see in your mind.

365

00:20:11,230 --> 00:20:15,100

Because it's very quickly, if

you do much practicing, you'll

366

00:20:15,100 --> 00:20:17,800

learn to compose as you go along.

367

00:20:19,300 --> 00:20:23,020

And maybe there's a little, maybe right

down here, there's a little peninsula

368

00:20:23,020 --> 00:20:25,960

of land that just sort of floats around.

369

00:20:27,720 --> 00:20:32,070

Jazz comes out there like so,

and there's a little touch of

370

00:20:32,070 --> 00:20:33,780

highlights sparkling across there.

371

00:20:33,780 --> 00:20:38,820

This is just a little tiny, a

little bit of white, but Tyne is

372

00:20:38,820 --> 00:20:44,850

a little bit tiny, little bit, a

little bit of dark underneath to

373

00:20:44,850 --> 00:20:46,350

sort of set it down into the water

374

00:20:50,120 --> 00:20:50,389

st.

375

00:20:50,389 --> 00:20:54,919

There, create a little

shadow underneath it.

376

00:20:57,554 --> 00:21:00,705

Then we can put a little

tiny water line into there.

377

00:21:02,655 --> 00:21:06,135

Let that just sort of, maybe the

water just bounces and plays, right?

378

00:21:06,135 --> 00:21:07,995

There's little slow stream.

379

00:21:07,995 --> 00:21:09,195

It just has fun.

380

00:21:11,594 --> 00:21:14,504

Just plays and meanders along here.

381

00:21:16,125 --> 00:21:19,304

There, this is a little caddy

yellow with white, just to

382

00:21:20,385 --> 00:21:21,675

sparkle the water here and there.

383

00:21:24,780 --> 00:21:26,220

And add that let's use the knife today.

384

00:21:26,280 --> 00:21:31,110

We could do this with a fan brush or a

knife, whatever I will take Vandyke Brown

385

00:21:31,200 --> 00:21:32,790

and just cut off a little roll of paint.

386

00:21:33,150 --> 00:21:33,690

There it is.

387

00:21:34,740 --> 00:21:40,170

And then maybe there's a nice

tree trunk that goes right

388

00:21:40,170 --> 00:21:41,460

up through this big old tree.

389

00:21:41,910 --> 00:21:47,580

And if a tree is crooked, chances are

chances are so as the trunk, we'll have

390

00:21:48,150 --> 00:21:51,510

two in the codices of dark, you really

don't have to put nothing but an outline.

391

00:21:52,935 --> 00:21:56,405

A little Brown and white it's

the same color I was using

392

00:21:56,405 --> 00:21:59,375

for the little land areas.

393

00:21:59,585 --> 00:22:01,325

Put a few little

indications here and there.

394

00:22:03,455 --> 00:22:08,855

Trunk, maybe touch your

white right on the edge.

395

00:22:08,975 --> 00:22:11,195

Just where the light's really striking.

396

00:22:12,795 --> 00:22:16,065

Really sparkly and we can come back.

397

00:22:16,065 --> 00:22:17,385

Let's use a one inch brush today.

398

00:22:17,505 --> 00:22:17,985

What the heck?

399

00:22:18,955 --> 00:22:22,485

Take a little yellow, yellow poker.

400

00:22:22,665 --> 00:22:24,855

And in yellow, all the colors

I get over here and get some

401

00:22:24,855 --> 00:22:26,145

bright red to hunt the devil.

402

00:22:28,995 --> 00:22:32,745

Now then let's put some happy

little Liam's that live right out

403

00:22:32,745 --> 00:22:34,185

here on this tree, little leaves.

404

00:22:35,745 --> 00:22:36,985

Oh, why them sign up again?

405

00:22:37,015 --> 00:22:37,755

The, a sparkling.

406

00:22:39,090 --> 00:22:42,270

And you've heard me over and over say,

you know, repeat it one more time.

407

00:22:42,600 --> 00:22:44,790

Think about form and shape

when you're doing this.

408

00:22:45,449 --> 00:22:47,010

Don't just throw these in at random.

409

00:22:47,669 --> 00:22:49,860

Think about all the little shapes.

410

00:22:51,790 --> 00:22:59,460

See there all the little clumps, let

them sparkle the sun shine to here.

411

00:23:00,510 --> 00:23:01,649

Use your artists license.

412

00:23:01,649 --> 00:23:02,970

Even if we get a little too brightened.

413

00:23:03,389 --> 00:23:03,870

Sorry.

414

00:23:04,290 --> 00:23:04,620

Pretty.

415

00:23:06,915 --> 00:23:11,294

So pretty I got there.

416

00:23:11,445 --> 00:23:16,875

See and you can put as many, or

as few as you want in your world.

417

00:23:17,054 --> 00:23:19,965

Just drop them in like that.

418

00:23:20,804 --> 00:23:24,975

Can you maybe down in here, let's

highlight some of these little things.

419

00:23:28,004 --> 00:23:28,814

There we go.

420

00:23:28,935 --> 00:23:29,175

Ooh.

421

00:23:29,355 --> 00:23:29,504

Wow.

422

00:23:29,534 --> 00:23:31,155

That's a beautiful little surprise there.

423

00:23:33,135 --> 00:23:33,945

Just drop them in.

424

00:23:36,570 --> 00:23:39,170

I see by putting some of these in

front of that dirt area that we

425

00:23:39,170 --> 00:23:41,940

built, that'll push it right back.

426

00:23:41,940 --> 00:23:42,690

It's over the Hill.

427

00:23:44,850 --> 00:23:45,780

I can't even see that.

428

00:23:46,620 --> 00:23:52,140

Now, maybe in here, maybe in

here, this little land areas,

429

00:23:52,920 --> 00:23:57,990

just at random, wherever you want

them few little dirt areas show.

430

00:23:57,990 --> 00:24:02,310

And that's just the Brown wanting to

be used to make all the little colors.

431

00:24:02,835 --> 00:24:05,265

All the little banks and stuff.

432

00:24:05,325 --> 00:24:09,075

I mean, there there's another little Bush.

433

00:24:09,155 --> 00:24:10,395

I think of individuals here.

434

00:24:10,754 --> 00:24:12,045

Don't just throw these in at random.

435

00:24:12,045 --> 00:24:13,035

You'll be unhappy with me.

436

00:24:13,935 --> 00:24:17,715

Think of individual little

bushes that live here in there.

437

00:24:19,185 --> 00:24:20,955

Give each one of a name if necessary.

438

00:24:21,254 --> 00:24:24,015

I know that's a little

crazy, but it's all right.

439

00:24:24,585 --> 00:24:24,795

Sorry.

440

00:24:24,795 --> 00:24:25,155

Our world.

441

00:24:25,800 --> 00:24:26,400

We can do that.

442

00:24:26,400 --> 00:24:31,200

If we want to tell you what I got a few

minutes left here, so let's have some fun.

443

00:24:32,670 --> 00:24:34,470

Let's put us a happy

little cabin over here.

444

00:24:34,500 --> 00:24:34,800

Shoot.

445

00:24:34,800 --> 00:24:35,870

This is such a pretty scene.

446

00:24:35,900 --> 00:24:37,500

You need a place to live.

447

00:24:38,600 --> 00:24:42,650

There's one side, there's the other side.

448

00:24:44,180 --> 00:24:44,870

And you're painting.

449

00:24:44,870 --> 00:24:47,640

If you don't want a little

cabin, don't put it in.

450

00:24:48,530 --> 00:24:50,570

You can put anything in

your world that you want.

451

00:24:50,955 --> 00:24:53,235

I just want to show you how

to do some of these things.

452

00:24:55,005 --> 00:24:59,295

And I just think it's a super place

to have a little cabin and said,

453

00:25:00,045 --> 00:25:01,665

enjoy these beautiful sunsets.

454

00:25:01,665 --> 00:25:06,195

Let's use a little red, white,

maybe a little yellow ochre.

455

00:25:08,595 --> 00:25:10,515

We'll make that sound

Oregon right on front.

456

00:25:13,080 --> 00:25:15,510

Sun striking there and all

those beautiful colors are

457

00:25:15,510 --> 00:25:16,950

reflecting on that little cabin.

458

00:25:18,240 --> 00:25:20,040

On the other side would just

use a little Brown and white.

459

00:25:20,040 --> 00:25:21,840

It's not very dark.

460

00:25:22,290 --> 00:25:23,850

I mean, very light it's in the shadow.

461

00:25:26,040 --> 00:25:32,130

A little bit of Vandyke Brown, make a door

and we can take a little, little bit of

462

00:25:32,130 --> 00:25:33,720

Brown on the knife and just cut through.

463

00:25:36,555 --> 00:25:37,905

Of slabs in that cabin.

464

00:25:41,085 --> 00:25:46,845

They're little ass, little side,

and we'll come right down and grab a

465

00:25:46,845 --> 00:25:52,845

little red, little dark Sienna, little

touch, your white, yellow ochre.

466

00:25:54,155 --> 00:25:57,165

Let's come right down this side

here and just let this knife

467

00:25:57,195 --> 00:26:00,225

bounce and make it a little noise.

468

00:26:03,870 --> 00:26:05,070

And over here on the other side,

469

00:26:08,210 --> 00:26:12,379

it'll touch her white with a little

red in it, just to make it edge, stand

470

00:26:12,379 --> 00:26:18,560

out a little so you can really see it

like so, and we can take our big brush,

471

00:26:18,889 --> 00:26:20,450

but some grass around his little foot.

472

00:26:22,514 --> 00:26:29,145

Knife a little Brown add in

a little path and that thank

473

00:26:29,145 --> 00:26:30,465

your paintings about finished.

474

00:26:30,825 --> 00:26:31,875

Let's call this one done.

475

00:26:33,075 --> 00:26:34,125

I hope you enjoyed this one.

476

00:26:34,125 --> 00:26:36,105

This will teach you how to

make a very simple sunset.

477

00:26:36,315 --> 00:26:38,534

That'll work for you from all of us here.

478

00:26:38,805 --> 00:26:39,555

Happy painting.

479

00:26:40,034 --> 00:26:40,875

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S13E04 - Evening at Sunset

Bob Ross's

The Joy of Painting

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