Bob Ross's

The Joy of Painting

S14E07 - Windy Waves

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Hi, it's a fantastic day and

I'm glad you're here with me.

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So I tell you what today let's

paint a little animated opening.

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That's the one you see at the

beginning of each show in this

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series, a little seascape and I'll

show you exactly how that was done.

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Let's start out and have run

all the colors across the screen

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that were used to paint that

picture while they're doing that.

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Let me show you what I've done up here.

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I have my standard old pre-stretch

canvas, but today I've covered

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it with a thin even coat of.

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Well, I guess you'd call this liquid gray.

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I've taken liquid white and liquid

black, and about equal proportions

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and covered the entire canvas.

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I've also decided basically where the

horizon line will be, because I want

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it to be straight in the seascape.

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And I've just put a piece of masking tape

across here, which we'll pull off later.

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So tell you what.

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Let's get started and

let's do a little seascape.

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I'm going to start today with a small

amount of pressure and blue on the

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two inch brush pressure and blue.

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This is an overcast looking sky

in this particular painting.

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So we'll add a little black to it.

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Just mix it on the brush.

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These capes traditionally are, are

sort of hard to paint, but after I

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try to show you an easy way of making

very effective little seascapes,

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let's start right up in here.

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Just using the little crisscross strokes.

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Jess begin putting in a little sky.

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There we go.

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Very, very easy, just a little Xs and the

area where the big clouds are going to be.

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We'll just sort of leave that

open a little more of the Prussian

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blue and the black, and let's

go to the other side over here.

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There.

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Okay, but just a second.

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When you're using a two inch brush

to drop in a happy little sky for

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today, maybe a mean little sky

now, then that cleaning the brush.

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I'm going to get least little

touch of a lizard Crimson on the

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bristles, just a small amount.

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Just a small amount and because

there's blue on there, that'll

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turn sort of a lavender color.

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I want a little lavender right down here.

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I Excel.

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Okay, fantastic.

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A little bit over on this side.

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Okay.

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Maybe a little touch more.

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Now, when you're doing your seascape,

you put whatever color you want in there.

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And in what degree you may want

it brighter or dollar or whatever,

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whatever, whatever makes you happy.

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That's what we were to do.

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Okay.

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Well, you've got the start

of a nice little sky now.

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Yeah.

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Today, let's use the one inch

brush and put some clouds in.

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You can put them in with a two

inch brush with a fan brush.

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I'll just use the one inch brush today.

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It doesn't matter.

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Whatever makes you happy.

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Go through titanium white,

pull the brush, just like so

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to load it, I'll be right back.

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I'm going to get the least little touch

of CAD, yellow, least little touch.

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A lot of paint in the bristles.

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The bristles are fully loaded.

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Can you now, then let's

go right up in here.

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And just using little circular strokes.

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Let's just begin laying in

some basic shapes, basic little

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shapes, maybe around like seven.

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And this will not be an exact

duplicate of the one that you

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see at the opening of the show.

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I don't think you could ever in a

hundred years paint exact duplicate,

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but it'll show you how it was

made and you can make your own.

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There we are.

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up in here once again, a little

circular strokes and try not to stay

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in the same area and keep working

it, or you just end up with great

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big old cotton balls in the sky.

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And we really want, we really

want to have nice actions up here.

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Well, waste is off monster cloud.

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Big cloud is going to be

a big storm coming here.

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Yeah.

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If you got a little boat,

you better put it away.

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Let's go get washed ride

on now, maybe over here.

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See, okay.

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Let me grab a big brush.

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Be sure it's dry now using

just the corner of the brush.

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I'm just sort of stirring it

up, makes it out like that.

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Very gentle every once in a while.

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You can beat the brush just

to knock the excess paint out.

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You're going to pick

up a little paid here.

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There we go.

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Just knock it out.

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Blended there now.

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Very lightly.

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This is two hairs in some air.

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Grab it and lifted them.

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Fluff it, tease it, pull it there.

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Make love to it here.

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Very gentle, very gentle.

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Here we go.

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And this paint that I'm using

is very firm and very dry.

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And you can do all this

blending without it mixing.

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Now we just take out the

breaststrokes is easy, easy.

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You got, well, you got a big cloud.

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They're a little more of

the white on the brush.

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And maybe over here let's

have another cloud right up.

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And there, see just as many or as

few clouds as you want in your world.

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Just drop them in, always using

that little circular stroke though.

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And think about, think

about shape and form here.

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Don't just throw them in at random.

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You might luck out, but your

chances are much better if you,

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if you plan it a little bit, when

you're looking there, we are.

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All right.

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Well, that's a lot of

clouds in one painting.

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Maybe that one comes, we have here.

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Look at that.

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Let's see how easy it was used to

when I was traditional painter,

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I used to labor over clouds.

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That's one of the easiest

things that there is today.

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There.

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Okay, let's go right over there.

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I'd had some more happy little clouds and

work in layers in your mind think which

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clouds of fathers to away and do that one

first and work forward forward forward.

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I'm always working forward there.

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Maybe one right here, you have

to make those big decisions.

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And that's why it makes painting fun is

that you can make decisions and you can

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create a world that you want there where

sometimes we're not totally satisfied

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with the world the way it is in here.

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If you're not satisfied with the

world that you create, then you

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have no one to blame, but yourself.

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There we go.

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I think I've mentioned on previous

shows, I spent half my life in the

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military and I used to come home,

take off my little soldier hat put

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on my painters happened and there had

build the kind of world that I wanted.

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It was peaceful.

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It was quiet.

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There was no hassles.

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Nobody was yelling and it was good.

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Everything was good.

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Nobody was going to get shot

or hurt, not in my world.

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And it's a happy place, but you

build, build the kind of world

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that you want there, fluff it up,

lifted, tease it, pull it there.

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See just to, can blend those clouds to

any degree of softness that you want.

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But always in a big

circular strokes like that.

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You don't want to come straight up.

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It looked like it's raining up.

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Handle usually bother you.

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Knock off the excess paint very lightly.

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Or once again, just blend the entire sky.

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There we are.

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See there.

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We got a fantastic little

sky, super big clouds.

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Okay.

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I can wash this whole, brush it off now.

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Odorless thinner.

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It'd be sure it's odorless who you

have, not only running your whole family

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off, but you're running yourself off.

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Okay.

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Now, as I mentioned already, I have

a little masking tape right here.

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Let's pull that off zip and we

have a very straight horizon line

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because we put that on there and

I'll take a little touch of that.

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That's get a little touch.

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Little touch of color here.

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We'll just work that in.

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Just picking up a little bit of that.

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What'd we call it liquid gray there

cause it's wet and just working it in.

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Okay.

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That's basically all you have to do.

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Just working a little bit of car,

cover up where the tape was at.

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Okay.

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And we're in business again, when I'm

doing a seascapes, let me clean this.

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One of the things that I like to do.

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It sort of lay out a basic form

for my major wave, main reason

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being where the transparency there,

that, or the eye of the wave is.

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I want that to be light.

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I don't want to start color on there.

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So to do that, that must

take a little Crimson.

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I just use liner, brush your

Crimson little Tayloe blue.

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Just mix it on the brush,

get a little thinner on it.

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There we'll just make sort

of a little lavender color.

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It doesn't matter.

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Now then come right down here,

decide where you made your way.

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He was going to be.

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Maybe that son of a gun is going to go.

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We appear, see, it's going to break the

horizon here, come down, maybe go over.

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Think that's the way we had it.

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So I'm like, so it doesn't matter and off.

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And that's going to

come right on out there.

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That right here, maybe that'll help.

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Right.

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There will be the eye.

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I have a way where the transparency.

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Now that we can take a,

let's take our fan brush.

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We'll go right in here and get

a little, they little blue,

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little thing, a little blue

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oppression, blue.

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And let's just go right up

in here in between here.

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I'm going to add a little bit of

this darker color right in here.

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All you gotta do is

just sort of over there.

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Yeah, keep this horizon

line quite straight.

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It gets crooked a little body and I'm,

I'm using this fan brush only because

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I don't want to get in there with a

big brush and to lose those areas.

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Normally we just do this with a big brush.

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See there.

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Speaking of big brushless, get one here.

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We will get some blue, white,

and some black and a little touch

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of the they low green, very dark

and come right down in here.

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Right in here.

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There we can begin putting in some color.

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All we're doing here is laying in color.

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Very dark, sorry, light liked show there.

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That's just the blues and

black and little green.

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Okay.

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Maybe about down st.

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There.

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That's good.

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That's about where we had it.

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All right, I'll just take the same old

brush immigrant right into van Dyke

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Brown, just blowed some in the bristles.

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It really doesn't matter

how you load this taps.

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I'm in there now, then the rest

of the canvas, I'm going to fill

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up with Brown van Dyke Brown.

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Once again, this is just a base color.

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We're going to cover all of this up.

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It really.

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No big deal.

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She start base color.

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I don't look like much

of a seascape so far.

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It isn't, but you

remember our golden rule.

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We don't make mistakes.

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We have happy accidents so we can

turn this into a beautiful painting,

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no matter what, because between the

two of us, we can do anything there.

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All right.

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And we have our painting blocked

in and we can go ahead and let me

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take a little blue and little green.

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This is the little blue,

little potato green.

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And I know right here say

it's nice because we've

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already painted this painting.

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I know, basically what's going to happen.

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We can take put in where our

major waves going to be here.

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Say there.

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Just add a little color.

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That's all there is there.

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Pull it over.

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Just think about how the waves formed

right here, that here and there.

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All right.

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Now let's take her.

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Let's take her a little Filbert brush,

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take some titanium white.

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The least, least little touch

of CAD, yellow, least little

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touch, very small amount.

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Let's go right back up here.

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Now, if this is going to be the,

our wave, our transparency, take

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your Filbert and just scrub it.

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Using the side of it, scrub it

firmly and begin working out.

253

00:14:35,015 --> 00:14:37,475

You're going to start picking up

the underneath color, just going to

254

00:14:37,475 --> 00:14:41,135

get darker, darker, darker as you

work out from that transparency.

255

00:14:41,165 --> 00:14:43,045

And that's exactly what we want.

256

00:14:44,130 --> 00:14:45,660

Allow the canvas to work for you.

257

00:14:47,520 --> 00:14:48,209

There we go.

258

00:14:48,810 --> 00:14:49,260

Okay.

259

00:14:51,060 --> 00:14:56,250

Let's have a little more

right over here there.

260

00:14:57,680 --> 00:15:00,560

I don't want this one quite as bright

as the other one with Ryan in there,

261

00:15:00,800 --> 00:15:04,579

we'll have a little, and in here we're

going to have all kinds of little foamy

262

00:15:04,579 --> 00:15:07,640

things that are happening and you can

begin putting in some basic little

263

00:15:07,640 --> 00:15:11,000

shapes here, just using this brush there.

264

00:15:13,020 --> 00:15:19,579

All right now, be sure this two inch brush

we're going to use is clean and dry use.

265

00:15:19,579 --> 00:15:28,550

Just the corner of it, just the corner

and just, just gently, gently wiggle it.

266

00:15:29,569 --> 00:15:30,140

Just wiggle it.

267

00:15:30,170 --> 00:15:30,770

Can you see that?

268

00:15:32,630 --> 00:15:38,689

Barely see, just barely turning

the little tiny circular strokes.

269

00:15:38,719 --> 00:15:39,199

There you go.

270

00:15:39,199 --> 00:15:40,310

Now you can see it better.

271

00:15:41,385 --> 00:15:45,645

See how that's just coming together

and fantastic that you can do

272

00:15:45,645 --> 00:15:47,325

that with such a big old brush.

273

00:15:49,215 --> 00:15:54,135

Now we can begin pulling in the

shape here that easy, that easy.

274

00:15:57,465 --> 00:16:02,115

And over here, we'll blend this one

out using just the corner of the brush.

275

00:16:02,145 --> 00:16:04,785

And I prefer the two inch to the

one inch brush for doing this.

276

00:16:04,785 --> 00:16:07,905

It seems to have more bristles

and it makes it smoother.

277

00:16:10,770 --> 00:16:11,370

There we are.

278

00:16:12,810 --> 00:16:13,320

Okay.

279

00:16:13,320 --> 00:16:16,080

Now then let me find, I've got

several of each breath going here.

280

00:16:16,800 --> 00:16:21,060

I'm going back into the Crimson

and a little bit of blue, and I'm

281

00:16:21,060 --> 00:16:23,070

gonna make a, a lavender color here.

282

00:16:23,130 --> 00:16:26,910

Just lesbian, Crimson,

and little fellow blue.

283

00:16:27,720 --> 00:16:31,320

All right, let's go back up here

now, then I'm going to start.

284

00:16:31,650 --> 00:16:33,390

I want to add a little shadow right here.

285

00:16:34,470 --> 00:16:34,860

This is.

286

00:16:36,610 --> 00:16:38,220

Just using the side of the brush.

287

00:16:39,660 --> 00:16:41,610

Think about that foam.

288

00:16:41,610 --> 00:16:42,780

It's crashing all in here.

289

00:16:43,500 --> 00:16:44,940

This is the shadow part of the foam.

290

00:16:44,940 --> 00:16:46,020

That's all we're doing right now.

291

00:16:46,560 --> 00:16:47,790

Tiny little strokes though.

292

00:16:47,820 --> 00:16:48,720

Hope you can see that

293

00:16:52,170 --> 00:16:53,700

and just let it go right on the rail.

294

00:16:54,360 --> 00:16:56,760

See, like, so.

295

00:16:58,260 --> 00:17:04,500

Okay, clean man now comes the fun part.

296

00:17:06,300 --> 00:17:10,310

Now we want to make this wave crashing

over someone, use a fan brush, just load

297

00:17:10,310 --> 00:17:14,360

some titanium, Hawaiians, just both sides.

298

00:17:15,530 --> 00:17:18,980

Now I think about how the wave

is coming up here and is hitting.

299

00:17:19,910 --> 00:17:21,050

Gotta make those little sounds.

300

00:17:21,080 --> 00:17:21,170

Okay.

301

00:17:22,520 --> 00:17:24,590

See, wipe you brush off.

302

00:17:25,244 --> 00:17:26,355

As it picks up the color.

303

00:17:28,935 --> 00:17:29,355

Okay.

304

00:17:29,385 --> 00:17:32,555

Here's another one and don't make it too.

305

00:17:32,555 --> 00:17:36,395

Even this, this is water is

it's churning and it's mad.

306

00:17:37,294 --> 00:17:38,945

Oh, it's just a reason.

307

00:17:38,945 --> 00:17:39,365

The devil.

308

00:17:40,205 --> 00:17:40,504

Okay.

309

00:17:40,745 --> 00:17:46,475

Back to my little Filbert wipe, a

painter will take titanium white

310

00:17:46,475 --> 00:17:49,294

and the least, least little touch

of the yellow in it once again.

311

00:17:50,524 --> 00:17:51,485

Okay, let's go up here.

312

00:17:52,565 --> 00:17:52,715

Now.

313

00:17:52,715 --> 00:17:54,125

We want to put some highlights on this.

314

00:17:55,170 --> 00:18:00,180

So here we just sort of push outward,

push, give it a little upward push.

315

00:18:04,190 --> 00:18:04,280

Yeah.

316

00:18:04,310 --> 00:18:07,790

And as you pick up that under

color or reload your brush, but new

317

00:18:07,790 --> 00:18:11,720

color on it, come back like a dad.

318

00:18:12,650 --> 00:18:13,250

Look at that.

319

00:18:13,250 --> 00:18:13,820

Isn't it fun?

320

00:18:16,820 --> 00:18:22,040

Well that water's just churn

and embracing the devil there.

321

00:18:25,320 --> 00:18:26,520

Comes all up to them.

322

00:18:28,590 --> 00:18:35,120

Maybe it just sorta goes riding off

into the distance like that cane

323

00:18:35,120 --> 00:18:36,750

number wipe off on the painter.

324

00:18:37,350 --> 00:18:40,649

And I'm gonna come back and very

lightly just to clean dry brush

325

00:18:41,280 --> 00:18:42,629

again, blending that together.

326

00:18:44,490 --> 00:18:46,919

Keep your brushes cleaned

and dry as possible.

327

00:18:46,949 --> 00:18:50,879

So I've just put a blends together there.

328

00:18:53,774 --> 00:18:54,284

Hang on.

329

00:18:54,284 --> 00:18:58,064

Let me find my big brush again,

back to the old two inch brush.

330

00:18:58,304 --> 00:18:59,955

Once again, very lightly.

331

00:19:01,215 --> 00:19:02,804

All you're doing is just mixing it up.

332

00:19:04,605 --> 00:19:07,185

Just stirring it up and stay

there and you can make it as

333

00:19:07,185 --> 00:19:11,504

smooth as silk, just during depth.

334

00:19:16,294 --> 00:19:16,655

Okay.

335

00:19:18,304 --> 00:19:19,054

I'm going to take.

336

00:19:19,830 --> 00:19:22,080

We're going to define this age

a little more, make it a little

337

00:19:22,080 --> 00:19:25,379

bit brighter and make some

little things happening in there.

338

00:19:26,160 --> 00:19:26,550

Push.

339

00:19:26,730 --> 00:19:32,370

So yeah, when you push upward, that's

when your foam pattern comes off there.

340

00:19:36,660 --> 00:19:37,200

All right.

341

00:19:41,580 --> 00:19:42,000

Okay.

342

00:19:42,929 --> 00:19:44,700

Now then we need some waves to here.

343

00:19:45,720 --> 00:19:46,679

Let's take the small knife.

344

00:19:46,679 --> 00:19:51,870

I like the small knife for this, cause

it's a little bit thinner, a little bit.

345

00:19:51,870 --> 00:19:54,000

Flimsier it bends easier.

346

00:19:54,000 --> 00:19:55,740

And I need this to be

a little roll of paint.

347

00:19:56,490 --> 00:19:57,750

We're going to start right up in here.

348

00:19:58,110 --> 00:19:58,530

Watch here.

349

00:20:00,629 --> 00:20:06,000

Very firm pressure, very firm pressure.

350

00:20:07,560 --> 00:20:09,960

Did you run out of paint,

had a little more paint,

351

00:20:13,500 --> 00:20:14,010

look at that.

352

00:20:14,730 --> 00:20:15,420

Fantastic.

353

00:20:17,280 --> 00:20:21,330

And, and, and it comes

right on out through here.

354

00:20:23,730 --> 00:20:26,130

See there that easy.

355

00:20:29,475 --> 00:20:35,175

But need a very firm pressure and a good

dry paint, or you run into problems.

356

00:20:37,455 --> 00:20:40,245

How you can begin thinking

about form and shape here.

357

00:20:41,534 --> 00:20:44,625

This little knife is fantastic

for doing entire seascapes.

358

00:20:45,645 --> 00:20:46,574

It's unreal.

359

00:20:46,605 --> 00:20:47,415

What you can do with it.

360

00:20:49,754 --> 00:20:51,584

It's just absolutely unreal.

361

00:20:53,490 --> 00:20:55,500

Can you tell you what

that was so much fun.

362

00:20:55,530 --> 00:20:56,940

Let's do another, let's do another one.

363

00:20:57,750 --> 00:21:00,720

Maybe start right about here in

the same, almost the same spot

364

00:21:04,220 --> 00:21:05,730

and let it come out.

365

00:21:05,730 --> 00:21:05,910

And

366

00:21:10,950 --> 00:21:14,520

lot pressure Ben that knife.

367

00:21:15,840 --> 00:21:16,110

Ben.

368

00:21:16,110 --> 00:21:20,250

Did you want that to Ridge your painter?

369

00:21:27,209 --> 00:21:29,429

We got the water coming right

up on the shore that easy.

370

00:21:30,419 --> 00:21:35,909

Maybe there's a little more water

just to wherever and let that

371

00:21:35,909 --> 00:21:39,540

just sorta land right on back.

372

00:21:39,629 --> 00:21:41,340

Um, I'm applying quite a bit of pressure.

373

00:21:41,879 --> 00:21:42,780

Don't be afraid of this.

374

00:21:42,780 --> 00:21:43,300

Getting in there.

375

00:21:46,665 --> 00:21:49,514

Okay, tell you what, I'll

take some paint thinner.

376

00:21:50,825 --> 00:21:55,085

I'm going go right into the white

titanium, white with the least, least

377

00:21:55,085 --> 00:21:56,345

little touch of the yellow on it.

378

00:21:57,784 --> 00:22:02,345

I just want to sparkle this edge on

this, just Parkland a little bit,

379

00:22:03,004 --> 00:22:04,355

and we can bring it right on down.

380

00:22:05,945 --> 00:22:11,105

They're like, so, and back in

here, we want to begin pudding.

381

00:22:11,955 --> 00:22:14,625

Individually little wave shapes

all the way up to the horizon.

382

00:22:15,794 --> 00:22:19,485

Now all these little details in here

are what really make the painting

383

00:22:19,485 --> 00:22:27,705

exciting and just sort of use a

little motion, clip like little waves

384

00:22:31,465 --> 00:22:34,395

that easy you can create the

illusion of all kinds of little

385

00:22:34,395 --> 00:22:35,504

things happening in there.

386

00:22:36,405 --> 00:22:37,725

Let's go on the other side over here.

387

00:22:39,435 --> 00:22:39,885

See there.

388

00:22:41,400 --> 00:22:42,480

Just throw in a few

389

00:22:45,600 --> 00:22:51,710

and right along in here, but a few

little things, these little, little

390

00:22:51,710 --> 00:22:55,730

foamy things here, they are really

what make your painting spectacular.

391

00:22:57,050 --> 00:23:02,780

And you can put them in with a liner

brush, but a few of them in here at

392

00:23:02,780 --> 00:23:06,170

home where you have unlimited time,

it's unbelievable what you can do.

393

00:23:09,650 --> 00:23:09,860

here.

394

00:23:09,860 --> 00:23:12,140

If I go over 30 minutes, they

don't have any sense of humor.

395

00:23:12,140 --> 00:23:13,460

They yell and scream at me.

396

00:23:14,180 --> 00:23:16,790

Director comes out here

and says bad things.

397

00:23:18,050 --> 00:23:20,690

She's mean there.

398

00:23:21,200 --> 00:23:22,280

I may be back in here.

399

00:23:23,630 --> 00:23:26,210

Just put some little indications

of things happening back in that

400

00:23:27,690 --> 00:23:29,390

it gives it just a little detailed.

401

00:23:33,440 --> 00:23:34,070

There we go.

402

00:23:38,375 --> 00:23:45,135

see, the more you put in, the more

interesting it becomes, new people

403

00:23:45,165 --> 00:23:46,895

think you work for so long on these.

404

00:23:49,855 --> 00:23:53,255

All right, let's get,

let's get serious here.

405

00:23:54,275 --> 00:23:55,655

Clean off a pallet a little bit.

406

00:23:58,770 --> 00:24:00,780

Let's go into the Vandyke Brown gum.

407

00:24:00,780 --> 00:24:01,950

We'll grab a big bunch of paint.

408

00:24:02,419 --> 00:24:03,419

Let's come right up in here.

409

00:24:03,570 --> 00:24:07,470

I want to take, this is your

bravery test on this painting.

410

00:24:08,669 --> 00:24:10,530

That's just come right out there.

411

00:24:11,820 --> 00:24:13,649

You have to put a little

bit of land out here.

412

00:24:13,919 --> 00:24:15,659

There was some Palm

trees in that painting.

413

00:24:16,139 --> 00:24:17,250

We need a place for us.

414

00:24:23,970 --> 00:24:24,659

All right.

415

00:24:26,925 --> 00:24:29,175

All I'm doing is putting a band-aid Brown.

416

00:24:30,705 --> 00:24:30,975

Kidding.

417

00:24:30,975 --> 00:24:35,955

Let's take some whites and dark

Sienna, just plain white dark Sienna.

418

00:24:37,875 --> 00:24:42,945

Maybe underneath here, colors

a little lighter and take

419

00:24:42,945 --> 00:24:44,115

your knife and just scrub it.

420

00:24:44,625 --> 00:24:45,645

Just rub it very hard.

421

00:24:48,705 --> 00:24:49,875

You can blend this right in.

422

00:24:51,765 --> 00:24:53,385

Make that beach just stand out there.

423

00:24:57,875 --> 00:24:59,405

Kenny, a little bit of black right here.

424

00:24:59,405 --> 00:25:01,805

Maybe there's a look there.

425

00:25:02,285 --> 00:25:04,915

Let's see just a little

something there to sparkle it.

426

00:25:07,895 --> 00:25:07,985

Okay.

427

00:25:08,445 --> 00:25:11,045

Let's begin working on

some things in here.

428

00:25:11,045 --> 00:25:12,935

We will take some of

the Brown and the white.

429

00:25:14,825 --> 00:25:16,025

They had a little

highlight here and there.

430

00:25:16,025 --> 00:25:20,045

Just let that Oop sort of run

right over the edge here and there.

431

00:25:21,330 --> 00:25:24,689

Whatever, there we go.

432

00:25:26,540 --> 00:25:28,820

So you just let all kinds of

little things happen in here.

433

00:25:30,740 --> 00:25:32,990

When you pick up some white and

get a little touch, the bright

434

00:25:32,990 --> 00:25:35,780

red, the yellows get crazy in here.

435

00:25:35,840 --> 00:25:37,639

Let's put in some beautiful colors,

436

00:25:41,300 --> 00:25:43,730

but these things just happen

wherever you want them.

437

00:25:46,879 --> 00:25:48,169

Little Seth green.

438

00:25:51,240 --> 00:25:52,250

Yeah, here and there.

439

00:25:52,280 --> 00:25:53,240

Ooh, that's nice.

440

00:25:54,680 --> 00:25:56,240

I like to paint with a pallet knife.

441

00:25:56,240 --> 00:25:58,850

It just makes so many

beautiful things happen.

442

00:26:00,000 --> 00:26:02,660

Let me take my fan brush Vandyke Brown.

443

00:26:03,860 --> 00:26:07,580

We have a Palm tree

that lives right there.

444

00:26:08,960 --> 00:26:10,370

One right here.

445

00:26:12,620 --> 00:26:14,780

Another one, maybe he lives right there.

446

00:26:15,710 --> 00:26:16,070

Yeah.

447

00:26:17,085 --> 00:26:20,565

With a paint, as thin as water,

I'm going into street at night

448

00:26:20,595 --> 00:26:26,745

black and let's put in just the

indication of some leaves or a window.

449

00:26:30,725 --> 00:26:36,545

Oh, look at him, go look at him, go see.

450

00:26:36,605 --> 00:26:38,225

And you just put as many as you want.

451

00:26:39,725 --> 00:26:42,185

And that's basically how the

little animated opening at the

452

00:26:42,185 --> 00:26:43,415

beginning of the show is made.

453

00:26:45,405 --> 00:26:47,925

Only takes a minute to do it,

but it takes a lot of people

454

00:26:48,675 --> 00:26:50,385

a long time to make it happen.

455

00:26:51,465 --> 00:26:52,365

They work very hard.

456

00:26:54,435 --> 00:26:55,094

Okay.

457

00:26:57,044 --> 00:26:59,534

They clock on the wall, tells me,

and that's about it for the day.

458

00:27:01,004 --> 00:27:03,794

And I think with that, you can see

how it was done from all of us here.

459

00:27:03,794 --> 00:27:04,455

Happy painting.

460

00:27:04,875 --> 00:27:05,685

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S14E07 - Windy Waves

Bob Ross's

The Joy of Painting

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