Bob Ross's

The Joy of Painting

S10E12 - Winter Frost

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Hi, welcome back.

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Certainly, certainly glad

you could join me today.

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I thought today would do a

fantastic little winter scene,

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just a simple little scene.

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I think you're really, really

enjoyed doing so I tell you what,

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let's start out and have him run all

the colors across the screen that

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you need to paint this painting.

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And while they're doing

that, let's go on up here.

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I've already covered the canvas

with a nice, steady even coat of the

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liquid white it's wet and all already.

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So let's start today.

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We'll use a little one inch brush.

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I will start with a little

touch of the CAD yellow reach

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over here and grab a little.

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Just a very small amount

of the bright red.

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So we have yellow and bright red there.

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Just, just load a little bit on

the breakfast, go right up here.

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They will have a son in this scatter day.

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So decide where your son's going to live.

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There you go.

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See, my son lives with me.

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Every time he goes out, I moved,

but he finds me there and that's

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all we have to do with that brush.

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It's just, just put that in.

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Wash the brush.

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Now we'll take titanium white and I'm

going to reach up here and grab a touch,

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just a touch of the lizard Crimson.

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So we have white and the lizard Crimson.

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There we go.

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That's what I'm looking for.

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A load, the brush full of paint.

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Screw right up here.

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I come right around this

circle we made and do this.

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Just make little, little crisscross

strokes, just like, so, and then bring it

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right on up foot touches the yellow, there

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are fried something like that.

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Just the other day.

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Called it an egg.

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I'm not a very good cook.

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I burned Kool-Aid there.

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That's just, that's been

Crimson and titanium white put

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a little bit right down in here.

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What the heck?

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Just throw it off now then without

washing the brush, same a lizard Crimson.

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Right.

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And to that, I'm going to add a

touch, just a touch of low blue

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and just mix it on the brush.

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Make sort of a little lavender

color to go right out here.

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We'll lay that off.

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All of these colors are mixing with

the liquid fight, so that makes

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it makes this nice soft colors.

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And when you're doing this,

I really, really recommend.

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That you use the little

crisscross strokes.

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If you use these little crisscross

strokes where it comes together here

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will be very simple to blend together.

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If you just draw big circles

around here, it's a son of a gun

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to try to blend that together.

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We'll put a little bit of

that same lavender color we

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just smeared on right here.

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Like, so no big deal had this goes on.

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Okay.

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Still without washing the brush, go

right into some Vandyke Brown and mix it.

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Right.

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And the lavender that we had, it's

just straight, all bandaid Brown.

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All right, let's go up here and have

them all the way up to the edge.

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And maybe a touch more than a touch,

more that they little blue into there.

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Yeah, that's better.

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So we had Vandyke Brown and they little

blue blue helps brighten it up a little.

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I liked that a little better there.

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And while we have that on there,

once again, we can throw a

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little other grade in here, blue.

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Vandyke Brown.

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Just throw this off and some on this

side, all we're doing, just trying

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to apply some color to the canvas.

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I think we've got a mess going here today.

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Well, we may, we may really

be in trouble with this one.

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Let's take the old big brush and

using little crisscross strokes.

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Let's just begin blending

all this together.

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Just blended together.

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Now, when you're doing this at home,

you may want to step back from the

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canvas several times during this

blending procedure and take a look.

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See at it.

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It's very hard when you're standing

this close to it, to tell when it's

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all blended out nice and smooth.

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Always starting the lighter you

over here and blend outward.

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Don't don't take huddle, dirty

brush back into the center.

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You'll mess up the beautiful light

area you don't want to do that.

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Let me keep it nice and clean.

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All right.

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Just to all the way up to the very edge.

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Let me wash the brush.

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Wash the old brush.

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Shake it off and just raise cane.

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There we go.

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Now you can blend this as many

times as you want to get a

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desired softness or lightness.

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There's no limit to it, no

limit, but seriously do step

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back and take a look at it.

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It's hard to see up close now.

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Very lightly, very lightly

go across the entire canvas.

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Now down here, I just want

to blend all this together.

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Same way.

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See, because it's has the liquid

white on the canvas because blend

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color, this was a dry canvas.

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You would have a devil of a

time for moving all this paint.

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There we go, just bring

it all together easy.

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And we'll do that same thing over here.

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That's the beauty of wet

on wet painting right now.

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Just some long strokes

to really softening.

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Here we go.

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Hey, commercial brush again, actually,

I just, I want to get the camera, man.

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He's been giving me a hard time.

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Now he has freckles.

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Okay.

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Let's put a sun in here for that.

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I'm going to, I'm going to use

this finger big old finger.

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Just tap it right into the

paint can go right up here.

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Now you could use a brush, but

finger painting is fun too.

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And push them very firmly.

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You just want to push that

color right into the fabric.

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That of course, if you try to blend

this, uh, that paint's going to smear,

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take your knife, come right up here

so we can see, take your knife and

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just go soup and zip it right off.

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The value remains in the canvas.

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Now, now you can just blend it.

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And that's one of the neatest

easiest ways to make a fantastic

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little sign with almost no work.

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Okay.

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I told you this would be an easy one.

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I knew you would like it.

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Tell you what?

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Let's let's have us a

little mountain in here.

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We use impression blue, some

Vandyke Brown and a lizard,

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Crimson blue, Brown, and Crimson.

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Okay.

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And the more Crimson you use, the more

purplish your mountain will become.

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Pull it out, very flat, cut across

and get that small roll of paint

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right out on the edge of the knife.

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One of the questions that are answered

earlier, but in case you missed

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it on, say it again, because I get

so many, so many letters about it.

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People think that my knife is different

than the one they're using for television.

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They make us paint a knife black.

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So it doesn't glare.

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My knife is just like your

knife until I painted it.

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It looked.

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What did it look like?

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Chrome?

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It's very shiny, but if I leave

it that way on TV, then it shines

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and makes big things come on

and they yell and scream at me.

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So I just painted with a flat black spray

paint, just for the purposes of the TV.

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It's like all the Shannon

parts on the brushes.

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We.

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We've put duct tape on them that keeps

them from shiny, but they're no different

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than the equipment that you're using here.

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The only thing you're worried

about when you're building this

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mountain is a nice outside edge.

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You could care less what's

happening in here, scrape off all

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the excess paint, like, so, okay.

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Let me wipe off from the knife.

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Yeah.

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Then we'll take a two inch

brush and we grabbed this.

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Bend the brush firmly, pull it, just

pull it and let it blend right down

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to nothing, grab it and pull it.

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So these brush strokes, these brush

strokes can be used to lay out your

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entire mountain and you're not committed.

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And it's a super way of deciding where

your shadows and highlights will live.

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Just using breaststrokes.

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And you can change your mind a

thousand times, if you want to.

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So sneaky little waiter to help

you get through some of the,

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some of the more difficult parts.

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Look at this, see here, maybe put

a shadow, see how you can do that.

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Maybe you want to change it.

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And maybe you want this one

to come out here like that.

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You can do all these things and

just look and get an idea of what

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you, what is going to be like.

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All right.

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These, these little things

will help you use them.

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They're your friends.

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Okay.

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That little devil off.

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And let's put some snow on this mountain.

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We're gonna do a winter scene today.

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So for that I use white and we're

going to put the least little amount

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of bright red into it, the least,

least, little amount, just enough

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to warm it up, pull it out flat.

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Nice.

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Nice rule of pate right

out on the edge here.

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Okay.

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Let's go up here.

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Take the point of the knife.

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Put it right up here at the

point of your mountain touch.

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No pressure, no pressure.

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Just relax and enjoy.

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Let it flow.

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Just relax.

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Let it flow that easy, that easy.

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That's probably one of

the biggest problem areas.

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That people run into because they

applied too much pressure to the night.

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Take a weak pill.

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There you go.

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Just relax.

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Just relax there.

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Okay.

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And just let that bounce around and

play and have fun, but no pressure.

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I can't say that enough times.

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Maybe there's a little peak here.

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Maybe it just wanders all over the place.

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We don't know this is your mountain.

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So you decide, you decide

wherever you want it to go.

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That's exactly where it should go.

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Let's put some shadows on it.

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Let me clean off a little spot to work on.

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I just have paper towels over there.

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I'm wiping the wiping, the knife and

the brushes on we'll take some, a little

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bit of pressure and blue and white

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and just mix it about like, so you

don't have to overmix it just like,

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so that's, that's planning once again,

cut off that little roll of paint.

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It's very important that

you have that have that.

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Go back in here and begin finding all

these beautiful little shadow areas.

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See them there.

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They are just lay him in here.

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This is a very simple little mountain.

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When you're doing this at home,

you can do a much better job.

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You can put all kinds of things in

there, cats, and you can use a little

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edge of the knife or the small knife

to get into these little parts.

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There we go.

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Maybe we'll pull this down and

oops, right over into there.

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I see there.

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Fantastic.

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Cause you can put all kinds of

dimension into that little rascal here.

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There's a shadow right there.

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There comes a month.

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You can just keep on and on and on.

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Maybe I want to bring

that distinctly down.

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You can just keep going until you

get it just the way that you want it.

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And if you live someplace where there's

not a lot of mountains, you can pick

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up some books at the library that have

beautiful, beautiful scenes in them.

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Or you leave the mountains

out on this canvas.

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You're the creator.

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So you make the decision, you put

whatever you want in your world.

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Mountains are one of the most

popular things that we do.

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It's the reason I do so many,

but if you don't want mountains

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in Europe, leave them out.

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Now then let's take

the old two inch brush.

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Tap it, tap, tap it.

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Create the mist, flipped upward.

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All of the angles, always follow

the angles in the mountain.

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Like so another reason we

teach mountain so much.

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If you can make the knife work

on the mountains, then you can do

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all kinds of fantastic effects.

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You can make rocks and trees

and roads and just everything.

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Nothing teaches you to use the

knife better than making mountains.

253

00:14:21,689 --> 00:14:23,550

And this knife is a fantastic tool.

254

00:14:25,035 --> 00:14:29,495

There we are seeing how soft

the base of that mountain is.

255

00:14:29,675 --> 00:14:30,665

That's what we're looking for.

256

00:14:30,724 --> 00:14:33,275

I want to look like it's

just laying here in the mist.

257

00:14:35,464 --> 00:14:36,064

Okay.

258

00:14:38,015 --> 00:14:38,735

Let's have some fun.

259

00:14:40,084 --> 00:14:43,775

Oh, I'll take a little bit of this cover

that I had left over from the mountain.

260

00:14:43,775 --> 00:14:46,655

I'm going to add a little more Crimson

to it and we put some white weather,

261

00:14:48,785 --> 00:14:50,405

like, so let's see what we get here.

262

00:14:53,685 --> 00:14:55,245

It's not quite as light as I want it yet.

263

00:14:55,275 --> 00:15:01,935

Maybe I'll add three cups that counts

just like, so it's a nice color.

264

00:15:01,935 --> 00:15:05,714

Let me clean the knife for that.

265

00:15:06,165 --> 00:15:09,824

We just use, I got to, I got

a little dirty one inch brush

266

00:15:09,824 --> 00:15:10,935

here at leftover from the sky.

267

00:15:10,935 --> 00:15:11,564

It doesn't matter.

268

00:15:12,314 --> 00:15:16,005

I'm just gonna load a little

color into this wiggle.

269

00:15:16,005 --> 00:15:18,285

It brings it to a nice sharp edge.

270

00:15:19,875 --> 00:15:20,295

Let's say there.

271

00:15:21,930 --> 00:15:23,160

Had brushes very sharp.

272

00:15:23,579 --> 00:15:24,680

That's a chisel edge.

273

00:15:24,810 --> 00:15:27,930

Can just go up here and maybe

back in here, there's some

274

00:15:27,930 --> 00:15:29,040

happy little trees that live.

275

00:15:29,040 --> 00:15:31,770

Let's just take the corner of

the brush and tap them downward.

276

00:15:33,569 --> 00:15:36,810

Just tamp down right there.

277

00:15:38,760 --> 00:15:40,350

We can make all kinds of things.

278

00:15:40,350 --> 00:15:41,910

We load the brushes as needed.

279

00:15:43,580 --> 00:15:44,990

I want these to be quite loose.

280

00:15:44,990 --> 00:15:47,600

I want all kinds of little

things happening up here.

281

00:15:47,660 --> 00:15:49,910

Things are little trees

and bushes that live.

282

00:15:49,910 --> 00:15:52,940

We often distance and I'm tapping

and pulling at the same time

283

00:15:52,940 --> 00:15:54,290

that let it slide a little bit.

284

00:15:55,730 --> 00:15:56,990

Just let it slide a little.

285

00:15:59,300 --> 00:15:59,540

Okay.

286

00:15:59,540 --> 00:16:00,890

We'll just come right on across here.

287

00:16:02,240 --> 00:16:03,310

You make the decision.

288

00:16:06,010 --> 00:16:06,400

Oh my God.

289

00:16:10,065 --> 00:16:11,475

So now let it hang down here.

290

00:16:11,545 --> 00:16:14,355

What's hanging down here in a few minutes.

291

00:16:14,895 --> 00:16:16,995

Hopefully that'll become reflections.

292

00:16:21,325 --> 00:16:24,825

If it doesn't, then we'll just

make it taller trees either way.

293

00:16:25,065 --> 00:16:26,115

We're not worried about it.

294

00:16:27,705 --> 00:16:28,935

Cause we don't make mistakes.

295

00:16:29,115 --> 00:16:32,865

If we have happy accidents there.

296

00:16:34,395 --> 00:16:37,425

That's almost unbelievable to me

with the completion of this series,

297

00:16:38,265 --> 00:16:41,145

there'll be 130 half hour shows.

298

00:16:43,725 --> 00:16:44,775

They work me hard here.

299

00:16:48,135 --> 00:16:50,805

And if you haven't, if you haven't

had the opportunity to see them

300

00:16:50,805 --> 00:16:55,845

all, then you would like to give you

station to call, let them know, let

301

00:16:55,845 --> 00:16:57,045

them know they're available to them.

302

00:16:58,860 --> 00:17:00,240

And they want to hear what you want.

303

00:17:00,780 --> 00:17:04,889

And then let's take the two

inch brush grab and pull

304

00:17:05,250 --> 00:17:07,770

straight down, straight down.

305

00:17:07,829 --> 00:17:11,940

That'll create the reflections we

were looking for straight down.

306

00:17:13,109 --> 00:17:13,829

It's that easy to do.

307

00:17:15,359 --> 00:17:17,069

Reflections used to drive me crazy.

308

00:17:17,490 --> 00:17:21,569

Now it's one of the easiest

things we do have very lightly

309

00:17:21,780 --> 00:17:24,389

come across, just come across.

310

00:17:24,540 --> 00:17:25,319

So there is to it.

311

00:17:27,194 --> 00:17:29,115

An instant, instant reflections.

312

00:17:30,044 --> 00:17:33,794

I'm gonna take a little liquid

white and to that, I'm going

313

00:17:33,794 --> 00:17:35,415

to mix some titanium white.

314

00:17:35,475 --> 00:17:37,425

I just want this paint to

be a little bit thinner.

315

00:17:38,985 --> 00:17:41,115

So it's liquid white and titanium white.

316

00:17:41,685 --> 00:17:42,885

Now we just pull it out.

317

00:17:42,945 --> 00:17:43,845

Cut off a little bit.

318

00:17:43,905 --> 00:17:44,985

Just like we normally do.

319

00:17:45,225 --> 00:17:45,735

There we go.

320

00:17:46,605 --> 00:17:50,085

Let's go right up in here

and I want to put some happy

321

00:17:50,085 --> 00:17:51,615

little snow areas back in here.

322

00:17:53,865 --> 00:17:54,195

Pull them.

323

00:17:56,760 --> 00:18:01,110

This is where we begin forming her Lake

or water or whatever it is back in here.

324

00:18:01,140 --> 00:18:02,550

We don't know whatever you want to do.

325

00:18:04,460 --> 00:18:05,600

You have to make that decision.

326

00:18:08,330 --> 00:18:11,060

Maybe there's a little,

yep, you're right there.

327

00:18:11,060 --> 00:18:15,140

It is just a little peninsula

that comes right out here.

328

00:18:16,760 --> 00:18:18,740

So you can make all kinds

of little coves and.

329

00:18:20,085 --> 00:18:27,165

Just anything that you want, you

can do it, you can do it now.

330

00:18:27,165 --> 00:18:29,195

Then let me find there.

331

00:18:29,195 --> 00:18:34,565

It is a clean wanting to brush and I'm

going to grab this and just, it'll using

332

00:18:34,565 --> 00:18:37,145

little short strokes lift upper time.

333

00:18:37,745 --> 00:18:38,285

Let me see that.

334

00:18:38,435 --> 00:18:39,545

Just lift it upward.

335

00:18:40,775 --> 00:18:41,375

Just enough.

336

00:18:42,504 --> 00:18:43,804

To miss that.

337

00:18:44,595 --> 00:18:48,615

See just a very soft, it gets rid of that

harsh line and blends it all together.

338

00:18:50,024 --> 00:18:55,575

Mexican look very cold and very

soft and far away, straight

339

00:18:55,575 --> 00:18:56,745

liquid white on the knife.

340

00:18:57,945 --> 00:19:00,915

And we can go up in here and clean

up the base of this can put us

341

00:19:00,915 --> 00:19:08,475

in a happy little waterline, just

a happy little light, wherever.

342

00:19:12,495 --> 00:19:12,885

Okay.

343

00:19:12,975 --> 00:19:13,995

That'll fit right in there.

344

00:19:15,735 --> 00:19:16,195

See there.

345

00:19:17,085 --> 00:19:20,565

And that's a super, you can do it.

346

00:19:22,095 --> 00:19:23,565

Nah, I'll tell you what let's do.

347

00:19:24,885 --> 00:19:25,695

I am going to take.

348

00:19:25,695 --> 00:19:27,014

I can't make up a mine in here.

349

00:19:30,335 --> 00:19:32,475

I'm going to take and

make a big pilot dark.

350

00:19:32,475 --> 00:19:36,225

We'll use some black pressure,

blue, little Vandyke Brown,

351

00:19:36,225 --> 00:19:37,754

some Crimson, whatever we got.

352

00:19:39,660 --> 00:19:42,480

Every week I make a big pile of paint.

353

00:19:45,780 --> 00:19:46,250

That's good.

354

00:19:46,400 --> 00:19:51,080

No, that's good to fan

brush loaded, full of color.

355

00:19:51,260 --> 00:19:52,070

A lot of color.

356

00:19:54,140 --> 00:19:54,440

Okay.

357

00:19:54,740 --> 00:19:59,870

Maybe we'll have a happy little

evergreen and he lives right, right here.

358

00:20:01,970 --> 00:20:02,780

There we are.

359

00:20:03,540 --> 00:20:04,770

She was the corner of the brush.

360

00:20:05,490 --> 00:20:06,870

Tap downward down.

361

00:20:06,870 --> 00:20:07,790

We're down, we're down, we're down.

362

00:20:07,800 --> 00:20:10,290

We're down there.

363

00:20:10,290 --> 00:20:10,680

They are.

364

00:20:11,880 --> 00:20:13,260

They hide right here in this brush.

365

00:20:13,290 --> 00:20:14,100

Just shake them out.

366

00:20:14,760 --> 00:20:21,480

Maybe he's got a friend over

here, right there, there.

367

00:20:21,840 --> 00:20:24,810

See, and you put as many, or as

few as you want in your world.

368

00:20:28,920 --> 00:20:30,360

Maybe there's a little in there.

369

00:20:30,720 --> 00:20:31,170

I don't know.

370

00:20:32,490 --> 00:20:33,900

Decisions you have to make.

371

00:20:36,240 --> 00:20:36,990

There we go.

372

00:20:44,100 --> 00:20:47,490

Another way we just decided

373

00:20:51,810 --> 00:20:54,960

no, that one, maybe there's

a little one lives over here.

374

00:20:55,860 --> 00:20:56,910

It looks like a whole family.

375

00:20:56,910 --> 00:21:01,500

You got mom and pop on and three

kids hold family look, trees.

376

00:21:03,510 --> 00:21:03,810

Okay.

377

00:21:04,230 --> 00:21:11,050

And we can take another brush, a little

liquid white on it, a little white and

378

00:21:11,050 --> 00:21:14,010

at least, least little touch of blue.

379

00:21:15,270 --> 00:21:16,350

A lot of paint on the brush.

380

00:21:16,860 --> 00:21:21,600

Let's go up here now, then I'm just

going to take that and put the indication

381

00:21:21,600 --> 00:21:24,300

here and there some highlights.

382

00:21:24,990 --> 00:21:26,520

I don't want to lose that dark value.

383

00:21:26,520 --> 00:21:27,210

It's too pretty.

384

00:21:28,530 --> 00:21:32,130

The contrast will be very pretty

when it's done just here in their

385

00:21:32,130 --> 00:21:36,630

little snow, laying on some of these

trees, just a little don't overdue.

386

00:21:38,190 --> 00:21:41,490

You'll lose that dark contrast

and that's pretty cool.

387

00:21:41,939 --> 00:21:46,379

It'll work for you in a little bit,

and then go into some white let's

388

00:21:46,379 --> 00:21:51,120

grab some pressure and blue, very

dark, like a blue about that color.

389

00:21:51,750 --> 00:21:52,439

Go right up here.

390

00:21:53,149 --> 00:21:53,520

Yeah.

391

00:21:53,669 --> 00:21:56,550

Some happy little bushes

they have right there.

392

00:21:56,550 --> 00:21:57,570

We're putting some dark in.

393

00:21:57,959 --> 00:22:01,050

So our light will show

what we're doing right now.

394

00:22:01,530 --> 00:22:07,679

Just putting some dark and let's reflect

some of that right into the water.

395

00:22:10,965 --> 00:22:14,745

There we go see there now.

396

00:22:15,435 --> 00:22:19,785

Two inch brush, grab it and pull

down, pull it straight down.

397

00:22:20,685 --> 00:22:21,405

Go across.

398

00:22:22,635 --> 00:22:29,264

Gives us some reflections with a

clean, clean one-inch brush, dipped

399

00:22:29,264 --> 00:22:32,745

it into the, into the liquid white

and then into titanium white, pull

400

00:22:32,745 --> 00:22:36,315

the brush in one direction, one

direction, load, a lot of pain into it.

401

00:22:36,975 --> 00:22:39,435

Maybe the least, at least it

will touch the bright red.

402

00:22:40,574 --> 00:22:41,385

King Scott here.

403

00:22:42,254 --> 00:22:42,675

Touch.

404

00:22:42,915 --> 00:22:47,235

Give it a little push and let's make some

snow covered little bushes out of these.

405

00:22:48,165 --> 00:22:48,854

Aren't those pretty?

406

00:22:50,685 --> 00:22:52,725

There's another one right there.

407

00:22:54,764 --> 00:22:56,205

There's another here's one.

408

00:22:56,594 --> 00:22:57,554

And as many as you want.

409

00:22:59,895 --> 00:23:00,614

Okay.

410

00:23:01,604 --> 00:23:06,614

Let's take, let's do let's have a

happy little cabin head back here.

411

00:23:07,215 --> 00:23:08,054

We'll do the roof.

412

00:23:08,880 --> 00:23:09,330

My cat,

413

00:23:13,230 --> 00:23:14,010

a little bit of white.

414

00:23:14,460 --> 00:23:16,230

We'll go there.

415

00:23:16,230 --> 00:23:21,960

We're going to get the, get

the small knife pulled down

416

00:23:25,050 --> 00:23:28,410

over and down.

417

00:23:28,790 --> 00:23:35,310

Gives us a little front, take a

little bit of dark Sienna, white.

418

00:23:37,365 --> 00:23:39,195

But she had asked a little color on there.

419

00:23:40,905 --> 00:23:43,905

A little bit of snow on this side, or

if this is where that small knife really

420

00:23:43,905 --> 00:23:47,865

comes in handy, maybe it was a little,

all kinds of pretty little things.

421

00:23:49,155 --> 00:23:50,115

There's a little door.

422

00:23:52,695 --> 00:24:03,465

We get us a little cabin, take some

titanium, white, put it right out, like.

423

00:24:06,780 --> 00:24:13,229

So just let it come right out

and easy, a little liquid white,

424

00:24:13,800 --> 00:24:15,629

and we can drop in the truck.

425

00:24:15,629 --> 00:24:17,580

Then the water line into

here to clean it all up.

426

00:24:26,060 --> 00:24:26,510

thank Tara.

427

00:24:26,510 --> 00:24:26,990

Brushed it.

428

00:24:27,729 --> 00:24:31,490

It has the white on it, and we can pop

in a happy little Bush here and there.

429

00:24:33,420 --> 00:24:34,170

This guy's like me.

430

00:24:34,200 --> 00:24:34,950

Doesn't cut his yard.

431

00:24:34,950 --> 00:24:36,450

He's just about to feed his house up.

432

00:24:37,680 --> 00:24:38,280

Okay.

433

00:24:38,850 --> 00:24:40,080

Let's have some fun in the front.

434

00:24:40,980 --> 00:24:43,770

Take two, a big brush and go

into suppression, blue and

435

00:24:43,770 --> 00:24:47,790

white, maybe right along here.

436

00:24:48,780 --> 00:24:49,260

Wow.

437

00:24:51,090 --> 00:24:52,680

I'm going to just put all kinds of things.

438

00:24:54,300 --> 00:24:56,790

Just like, so maybe it

comes all the way over here.

439

00:25:03,260 --> 00:25:03,860

All right.

440

00:25:05,090 --> 00:25:09,470

Now, then there we go.

441

00:25:11,870 --> 00:25:15,500

And we'll put a few little, Ooh, look

them in the rascal sparkling side,

442

00:25:16,730 --> 00:25:19,130

make individual bushes one at a time.

443

00:25:19,240 --> 00:25:20,100

One at a time.

444

00:25:21,915 --> 00:25:24,915

And it picks up that blue color

it's underneath and it's beautiful.

445

00:25:27,825 --> 00:25:28,395

There we go.

446

00:25:30,225 --> 00:25:31,605

Can you just go back over here?

447

00:25:31,875 --> 00:25:37,575

There's one that I don't leave

a little water right there so we

448

00:25:37,575 --> 00:25:39,765

can see it go through that way.

449

00:25:39,765 --> 00:25:42,675

We don't know where this

little Lake or pond goes.

450

00:25:42,675 --> 00:25:43,995

It just wherever.

451

00:25:47,385 --> 00:25:48,524

Let's lay some snow in there.

452

00:25:48,675 --> 00:25:51,885

Just titanium white get also we'll pickup.

453

00:25:57,335 --> 00:25:58,355

Maybe it comes this way.

454

00:25:59,044 --> 00:26:00,245

Just a game of angles.

455

00:26:00,935 --> 00:26:02,375

Allow some of that blue to show through.

456

00:26:02,375 --> 00:26:03,425

It looks like shadows

457

00:26:08,675 --> 00:26:10,475

and a few little things here and there.

458

00:26:12,514 --> 00:26:14,705

I ex tell you what.

459

00:26:15,825 --> 00:26:16,665

Let's get crazy.

460

00:26:17,355 --> 00:26:18,495

Let's put a little tree in here.

461

00:26:20,085 --> 00:26:20,925

We put a little tree.

462

00:26:22,845 --> 00:26:27,345

He lives are right there, right there.

463

00:26:28,065 --> 00:26:37,485

And he's got a little friend

there, that little bit of Brown on

464

00:26:37,485 --> 00:26:42,254

the liner brush, and we can just

put a few little downs on here.

465

00:26:44,014 --> 00:26:44,295

See.

466

00:26:46,515 --> 00:26:51,815

Just like, so, and as many,

or as few as you want there.

467

00:26:51,815 --> 00:26:58,425

And I go in the old clock on the wall,

tells me it's about time to call it a day.

468

00:26:58,905 --> 00:27:00,165

This painting's about finished.

469

00:27:00,165 --> 00:27:01,455

So I hope you really enjoyed it.

470

00:27:02,265 --> 00:27:04,185

I look forward to seeing

you again next time.

471

00:27:05,775 --> 00:27:07,845

And from all of us here, happy painting.

472

00:27:08,325 --> 00:27:08,895

God blessed.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S10E12 - Winter Frost

Bob Ross's

The Joy of Painting

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