Bob Ross's

The Joy of Painting

S10E07 - Winter Solitude

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Hey, welcome back.

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I'm glad to see you again today.

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Today.

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I thought we did a little animated

opening, the little painting that

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you see, just sort of pop up, pop and

appear at the beginning of each show.

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And I'll show you how

that painting was done.

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So let's start out and have them

graphically run all the colors across the

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screen that you need to paint along with

me and they'll come across as usual in the

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same order as I have them on the pallet.

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So we have an 18 by 24 canvas up here.

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It's already been coated with a

thin even coat of the liquid white.

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It's all wet and ready to go.

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So let's do the same thing.

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Let's start off today with

the old two inch brush.

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And I'm going to go into the least, least,

little touch of a lizard Crimson, just tap

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a tiny bit onto the brush and that little

animated pitcher has a very soft sky.

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It almost, you almost don't see it.

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So use very little color.

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Let's go right up in here.

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And now I'm just going to lay

at least little touch of this

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Crimson and just begin working.

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Some little areas like, yes, now we're

going to put a darker color in between.

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So if your Crimson gets a little

big, it doesn't matter because it's a

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very easy color to cover up and we'll

just cover up whatever we don't want.

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We don't make mistakes.

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Remember that was just

half happy accidents.

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I just let this come ride them down.

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Like, so.

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Wherever, wherever, just make

a decision to drop it in.

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Now we're going to have snow down here.

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So while we have this Crimson

on the brush, we can just put a

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little bit down here and there

that'll end up being shadows and

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a little bright spots in the snow.

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Okay.

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Now, without cleaning the brush,

I'm gonna go into a touch, just

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a touch of the midnight black and

they had, he used a little amount.

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Least little mountain of dilo

blue, tiniest little bit.

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Okay.

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There's very little paint on the brush.

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Very little.

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See if when you do this, if you have too

much color, just taken, wipe your brush

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on a paper towel or something, just, you

just want the least little hint of color.

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This is a very soft guy.

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Very gentle.

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Almost nondescript.

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You don't even notice it in the painting.

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There we go.

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And that's mixing with a liquid

fight and automatically you get

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those soft blended cages, a little

let down here, we don't care.

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This is just a good

place to clean the brush.

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Whatever.

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Now let's wash the brush.

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I would really just paint thinner,

shake it off, give it a good shake

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and beat the devil out of it.

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Okay.

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All right.

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Let's go back up here and begin

just blending all of this together.

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Just sort of follow the angles

that you have in this guy.

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Let's talk a minute about

canvases, I guess I think a lot

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of questions about canvases.

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The canvas that we use is

double primed, pre stretched.

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It has two coats of acrylic Jesso on it.

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And it's important that you use two Cokes

because it seals better in the liquid.

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White will stay wet for

extended periods of time.

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If you use a canvas that only has one

coat of Jesso on it, or canvas board,

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it will absorb your liquid white.

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And in a matter of minutes, You're working

on a dry canvas and you're in agony city,

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and then you're going to yell at me.

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The other thing I use a canvas that

has, it has a gray primer on it.

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So that way, when you put the liquid,

why don't, you can tell exactly

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where you've got it and what's

covered and what's not covered.

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The other thing a lot of people ask me,

you get with some canvases, you get a.

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A little, a little wooden pegs

or they're plastic coordinate,

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branded canvas, you buy.

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And they say, what are those?

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Those are called keys.

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And there's little slots in the back.

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And you put the keys in the

slots, take a hammer and tap it.

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And it stretches a canvas out

and makes it good and tight.

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Now, normally what I do to make a

canvas good and tight is just take.

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Okay.

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A little bit of water to put on the

back and as the water dries up, it'll

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bring that canvas tight as a drum.

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And I like a nice tight canvas.

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Okay.

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Enough talk about camp.

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Here's a little blue and black.

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I'm gonna make a little

footy Hill back here.

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So decide where he lives and just

barely touching and pulling down

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with a corner of the brush, laying

a basic little Foothill shape.

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This is far away.

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So it's very light in value.

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Very light in color.

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There we go.

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Just like so, and it's softer down

at the bottom than it is at the top.

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See down here, it's very soft.

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Okay.

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A little more of the color and we'll

have another little footy Hill and

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on this one, I'll make it a little

bit darker, just a little bit.

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So it stands out and you can see

a variation as they get closer

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to you to get a little darker.

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No, when I, it takes us a couple of

minutes to do the little painting that

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you see at the beginning of the show,

but it takes some fantastic people.

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A lot of time to animate it.

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They do it one frame at a time and

make that little rascal jump out.

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We paint a picture in whole 30,

40 minutes and they spend six

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or eight hours on it to get it.

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To get it, to look like that.

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Really do some nice work.

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Okay.

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I'm gonna take a clean brush and

I want to create mist Mistier.

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So I've tapped that, tap it.

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And then I'm going to lift upward.

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Just stuff like that.

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Okay.

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Let's do another one.

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Same color.

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This black with a touch

it, they look blue.

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Black and blue, maybe

this one lives there.

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He is here.

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And in your world, you put as many or as

few of these little foothills as you want,

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whatever you

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see there.

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But they're that easy to do.

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These are far away, so they should

have very little detail on them.

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Well, tap the bottom of that

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and it's just gently lift it all up here.

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We got us a little Foothill.

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Now that back in here, it looks

like a little, a little Lake

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or something that's frozen.

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We back in there.

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So just use the old two inch

brush titanium, white decide,

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decide where you want it to be.

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And just to put in a little bit of color.

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Just wherever you want it.

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This is just straight

titanium white come across.

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Look at they're

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easy.

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And maybe it's a little bit of hair.

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It is a little touch of gray here.

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Just some little shadows.

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Sometimes it's neat to take

the knife and just do that.

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Yeah, take that, pull it and blend it.

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Nice and soft, buddy.

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Yes, there we go.

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Okay.

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All right.

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Back into the white and

I'm going to take to that.

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Add a little blue, blue, blue, blue, blue.

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And reach up in here and grab

some, a lizard crammed in.

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So I'm making sort of a

lavender color on the brush.

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Okay.

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Let's go up here now.

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I think there's a little Hill right here.

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Just pull that down and

make the basic shape.

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Tell you what, that's

not quite dark enough.

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It didn't show up enough.

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I want you to be able to see it

better, so we will just mix it

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a little darker and do it again.

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Now you can see it.

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There we are all we're doing here now.

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It's just laying on a base

cover, just a little Hill.

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I like to do these little snow pitchers.

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I lived in Alaska for a dozen years or

so, and God was having a good day when he

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made Alaska beautiful, beautiful country.

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So pretty.

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All right.

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Let me grab an old fan brush.

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Let's go right in to dark

Sienna, van Dyke Brown.

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And I'm just going to mix some

of these colors on the brush.

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Okay.

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Let's go right up here.

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And maybe there's some old dead weeds

and stuff that live right along here.

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Touch, push, and bend that brush upward.

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See, can you see that?

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Let me get way back here so you

can see ended up with like that.

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That's it.

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Okay.

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And that it just wander

right open and nothing.

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And maybe it comes down the Hill in

some places, just wherever you want it

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to sort of look at it and let it go.

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Let it go at this.

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Won't be an exact duplicate of

what you see at the beginning.

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Cause it can never go back and do that.

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It'll show you how it was made.

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Maybe there's some big ones right there.

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Just turn the brush out of the way.

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And you can pop all kinds of

little happy things in there.

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Okay.

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I have several fan verses going

so I don't have to clean them.

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Now let's take quiet.

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We'll use at least a little

touch of the bright red in it.

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Wipe, least little touch of bright red.

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Now you can go back in here and begin

forming all these little things.

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And if you pick up a little,

let Brown, don't worry about it.

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It makes it look like shadows in there.

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See how you can just stay

at all these little things.

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If you do doing seascapes, this is also

a super way to make little sand dunes.

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Look at that.

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And I'm going to keep that now

let's do some liner brush work.

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I'm going to take a paint, thinner

paint, thinner on the liner brush.

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I want my paint to be like water.

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It's very thin consistency of ink.

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Turn that brush twisted and bring

it to a beautiful sharp point.

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There you are.

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Okay, let's go up here now.

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There's little trees back in here.

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Now this pain is very thin.

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It'll flow.

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If it doesn't flow for you,

add a little more thinner.

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All right.

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And you can put as many or as few of

these little trees, these little trees.

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Lost their leaves for the winter

as many, or as few as you want.

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And at home, you don't have

the clock ticking away.

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So you can put hundreds and

hundreds of little limbs on here.

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If you want to really add some

detail to it here, if I go over

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30 minutes, they yell and scream.

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I mean, have no sense of humor at all.

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I don't understand it.

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There we go.

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I'm just kidding.

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I work with the best crew in television.

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Okay.

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Maybe I think there was a bigger

one that lived right there.

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Give him a little arm.

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There is another one right there.

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Wherever, wherever.

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There we go.

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Just as many little lambs as you want

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the paint very thin.

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So it literally just

flows right off the brush.

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Some people will find

it easier to pull out.

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Some will find it easier

to go down, try both ways.

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Whichever works the best for you.

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Then that's the right way to do it.

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Look at all the little things

you can make here, there.

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Just pop them in.

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Little sticks and twigs,

just hundreds of them.

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Hmm.

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It gives you the indication of all

kinds of little things in there.

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A little more, the paint thinner.

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And I think there's a

little fence right here.

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Do do, do, do it comes

right on over the Hill.

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There goose that's a little

sticks on an acute stay there.

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Make a happy little fence that easy.

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That just goes right on over the Hill

where you don't know where he goes.

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Adam, let's cut back in here.

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Let's load a little white on this

pressure test to really, really

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fill it up, reach over here and

grab a little that bluish color.

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Okay.

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Now, right along in here.

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Just lay a little letter.

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Don't cover everything.

254

00:13:27,330 --> 00:13:27,900

Let some of it.

255

00:13:28,290 --> 00:13:30,930

That's some of the pinkish

color show through that.

256

00:13:30,930 --> 00:13:35,430

We've put on there, but

we're changing the angle.

257

00:13:35,430 --> 00:13:36,480

So it flattens this.

258

00:13:38,040 --> 00:13:38,730

There we go.

259

00:13:42,660 --> 00:13:43,660

All right.

260

00:13:44,340 --> 00:13:45,540

We got, we got that.

261

00:13:45,750 --> 00:13:47,310

Oh, most finished on that side.

262

00:13:47,700 --> 00:13:48,060

Okay.

263

00:13:48,660 --> 00:13:52,890

Let's go back into some of our light

lavender color house, a lizard Crimson.

264

00:13:54,555 --> 00:13:58,545

They little blue and white

Crimson blue and white

265

00:14:01,604 --> 00:14:02,805

came back here.

266

00:14:03,045 --> 00:14:03,944

Happy little Hill.

267

00:14:04,155 --> 00:14:07,275

He comes right down.

268

00:14:08,744 --> 00:14:12,045

We'll put a bump to let him

come right down in there.

269

00:14:18,525 --> 00:14:18,885

Shoot.

270

00:14:18,885 --> 00:14:20,474

I tell you what, while we get that going.

271

00:14:22,290 --> 00:14:23,969

We'll just bring this right on down.

272

00:14:27,030 --> 00:14:29,130

Just lay in some of these

little colors here and there

273

00:14:32,640 --> 00:14:33,750

all kinds of little things.

274

00:14:37,459 --> 00:14:38,000

Okay.

275

00:14:38,280 --> 00:14:39,979

Now we'll take our fan brush.

276

00:14:40,130 --> 00:14:42,620

It has the dark Sienna and

the van like Brown on it.

277

00:14:42,800 --> 00:14:45,439

Let's go right up here and then.

278

00:14:45,810 --> 00:14:51,810

We just kind of pop in some more

little bushes, just push, bend up, just

279

00:14:51,810 --> 00:14:54,330

bend it up or let them, there we go.

280

00:14:54,390 --> 00:14:57,870

Let's let them come right on down my cat.

281

00:14:58,470 --> 00:15:00,480

And this is the way you

create the lay of the land.

282

00:15:02,430 --> 00:15:10,260

Just like, so just like, so now we can

take our white little bright red in it.

283

00:15:11,280 --> 00:15:12,150

Come back in here.

284

00:15:13,410 --> 00:15:13,830

See you there.

285

00:15:15,464 --> 00:15:17,444

Create all kinds of

beautiful little things.

286

00:15:19,214 --> 00:15:20,175

You can do it.

287

00:15:21,015 --> 00:15:21,615

No, you could.

288

00:15:22,095 --> 00:15:22,995

No, you can do it.

289

00:15:25,964 --> 00:15:26,204

See,

290

00:15:30,074 --> 00:15:35,235

there you are just very softly

blend this just the way you want it.

291

00:15:36,885 --> 00:15:40,635

Just like, so, and then

back to my liner brush.

292

00:15:41,700 --> 00:15:42,720

The very thin paint.

293

00:15:42,750 --> 00:15:45,360

This is dark Sienna and Vandyke Brown.

294

00:15:45,420 --> 00:15:46,140

Very thin though.

295

00:15:46,860 --> 00:15:47,670

Very, very thick.

296

00:15:48,210 --> 00:15:52,350

And let's just put a happy little

tree right there, right there.

297

00:15:54,610 --> 00:16:01,610

I didn't go wherever, wherever there.

298

00:16:01,670 --> 00:16:03,830

Put a few little twigs

and sticks and Layla,

299

00:16:07,130 --> 00:16:07,910

those are fun.

300

00:16:08,570 --> 00:16:09,470

So those are fun.

301

00:16:09,890 --> 00:16:10,580

And maybe there's one.

302

00:16:11,640 --> 00:16:13,140

A little closer to you.

303

00:16:15,510 --> 00:16:18,600

See, we put his little foot in the

front, let it go right across this one.

304

00:16:20,520 --> 00:16:23,640

And in your world, you decide where

the trees live and put them in.

305

00:16:28,069 --> 00:16:28,829

There they go.

306

00:16:29,400 --> 00:16:30,780

All kinds of little twigs,

307

00:16:34,079 --> 00:16:37,530

just like, so, and maybe back here.

308

00:16:38,865 --> 00:16:41,985

Maybe there's some more little

fence things where you can just

309

00:16:41,985 --> 00:16:46,605

have all of them at your walk,

wherever, a few little sticks and

310

00:16:46,605 --> 00:16:47,955

stuff that are growing up in here.

311

00:16:50,535 --> 00:16:51,855

Say there they are.

312

00:16:54,135 --> 00:16:54,765

Okay.

313

00:16:55,995 --> 00:16:58,345

Now I'm going back to my fan

brush with the Browns on it.

314

00:16:58,405 --> 00:16:59,505

Same old fan brush.

315

00:17:00,855 --> 00:17:01,545

I think maybe.

316

00:17:02,385 --> 00:17:02,955

There it is.

317

00:17:04,275 --> 00:17:08,105

I think just make a decision,

just make a decision.

318

00:17:08,105 --> 00:17:10,204

Here's uh, here's another

happy little plane.

319

00:17:12,335 --> 00:17:13,895

Say their head pushes that one back.

320

00:17:15,454 --> 00:17:16,595

Just sort of let it flow.

321

00:17:18,485 --> 00:17:21,355

It really creates the illusion

of the land wherever you want it.

322

00:17:21,515 --> 00:17:21,694

Yeah,

323

00:17:25,655 --> 00:17:26,255

there.

324

00:17:29,955 --> 00:17:33,165

We'll just change this angle and make it

sort of, this is what it looks like Hills.

325

00:17:33,765 --> 00:17:34,735

This is the place you bring.

326

00:17:34,735 --> 00:17:35,855

You, you bring your sled.

327

00:17:35,895 --> 00:17:38,655

He goes right down in there with my luck.

328

00:17:38,655 --> 00:17:40,875

I'd run into the tree

over here, hurt my head.

329

00:17:43,065 --> 00:17:43,695

Okay.

330

00:17:45,405 --> 00:17:46,545

Back to the liner brush.

331

00:17:48,345 --> 00:17:53,355

And we can just pop in some little

sticks and twigs in this plane, all kinds

332

00:17:53,355 --> 00:17:54,405

of little things that are happening.

333

00:17:56,985 --> 00:17:57,495

Okay.

334

00:17:57,495 --> 00:17:59,565

And it's maybe right here.

335

00:17:59,655 --> 00:18:01,504

Maybe there's a big, big old poster.

336

00:18:01,665 --> 00:18:01,985

Okay.

337

00:18:04,655 --> 00:18:06,575

Just a couple of posts

left this old fence.

338

00:18:06,575 --> 00:18:12,155

That's just about fell down,

got one board, got across pay.

339

00:18:12,365 --> 00:18:14,345

Maybe there's some soup soup.

340

00:18:14,435 --> 00:18:15,304

I started, it looks neat.

341

00:18:16,385 --> 00:18:21,004

I have some little stuff hanging on

there and go through a little, touch

342

00:18:21,004 --> 00:18:22,774

your height to get a little soup.

343

00:18:24,645 --> 00:18:29,805

I got to make him funny noises

or nothing works that easy.

344

00:18:31,754 --> 00:18:32,415

My fan burst.

345

00:18:32,415 --> 00:18:37,004

It has the white with a little

touch of the bright red on it.

346

00:18:37,435 --> 00:18:38,295

Now we can go back

347

00:18:41,405 --> 00:18:48,815

credo, a little white areas in here,

the little highlights, the good things.

348

00:18:52,035 --> 00:18:53,355

Happy little things there.

349

00:18:53,355 --> 00:18:53,805

They are.

350

00:18:56,525 --> 00:18:56,885

There.

351

00:18:56,885 --> 00:19:01,055

They are here comes one right now.

352

00:19:01,055 --> 00:19:01,445

I'm doing it.

353

00:19:01,455 --> 00:19:03,485

Just, just laying on some painful.

354

00:19:03,485 --> 00:19:04,475

We don't want to cover everything.

355

00:19:04,475 --> 00:19:06,004

That's on these shadows show through.

356

00:19:06,995 --> 00:19:10,355

If you get carried away and cover

it all up, then back to the white

357

00:19:10,355 --> 00:19:12,065

canvas you started with now.

358

00:19:12,125 --> 00:19:17,195

Very light, very likely, very likely,

just barely grazing the canvas.

359

00:19:18,060 --> 00:19:19,380

Now you can blend all this together.

360

00:19:19,410 --> 00:19:23,730

This is a bristle fan

brush and very thick paint.

361

00:19:24,480 --> 00:19:25,200

So you need a brush.

362

00:19:25,200 --> 00:19:27,200

It's got some, got some oomph to it.

363

00:19:27,220 --> 00:19:27,950

Little soft brush.

364

00:19:27,970 --> 00:19:29,580

Won't move this thick paint, I guess.

365

00:19:30,910 --> 00:19:32,340

See how you can smooth all that together.

366

00:19:33,105 --> 00:19:33,585

That easy.

367

00:19:35,175 --> 00:19:35,625

Okay.

368

00:19:35,625 --> 00:19:37,845

And I think in the, in the one,

at the beginning of the show,

369

00:19:37,855 --> 00:19:40,365

there's a big, strong, almighty

tree that lives right here.

370

00:19:40,845 --> 00:19:46,335

So let's do him, uh, take some Vandyke

Brown Pali mountain, cut off a little bit.

371

00:19:46,615 --> 00:19:48,495

They have to make a

decision or does he live?

372

00:19:49,665 --> 00:19:53,195

And our world, he lives, right.

373

00:19:53,764 --> 00:19:57,995

They're there and there and there.

374

00:19:57,995 --> 00:19:59,165

And wherever you wanting to go.

375

00:20:01,020 --> 00:20:02,610

Need a strong base frame.

376

00:20:02,630 --> 00:20:03,120

Stand on.

377

00:20:03,120 --> 00:20:04,140

This is a big tree.

378

00:20:05,010 --> 00:20:06,000

Excuse my arm there.

379

00:20:06,000 --> 00:20:14,550

And let me come over this side, just

putting right in, like, so see how

380

00:20:14,580 --> 00:20:16,530

easy it is to make a big, strong tree.

381

00:20:18,030 --> 00:20:19,620

Let's go right in here.

382

00:20:21,150 --> 00:20:22,670

Maybe, maybe.

383

00:20:22,670 --> 00:20:23,460

Yeah, there it is.

384

00:20:24,810 --> 00:20:25,770

There's another arm.

385

00:20:25,770 --> 00:20:27,330

It comes right out.

386

00:20:28,605 --> 00:20:32,055

See, you can take a straight

knife and make a curbing.

387

00:20:32,055 --> 00:20:32,385

Liam.

388

00:20:33,675 --> 00:20:34,605

I knew he could do that

389

00:20:38,705 --> 00:20:39,185

there.

390

00:20:40,205 --> 00:20:41,945

And I like trees that have character.

391

00:20:41,945 --> 00:20:46,745

I get tired of trees that look

like their future telephone poles.

392

00:20:46,745 --> 00:20:52,475

I like trees at handsome character to

them when they ain't got Gnarls and bins.

393

00:20:52,475 --> 00:20:55,475

And Oh, look at here comes.

394

00:20:58,140 --> 00:21:00,180

I'll tell you this history

has had a rough life.

395

00:21:02,940 --> 00:21:05,010

He got, he got hurt when he was little.

396

00:21:05,010 --> 00:21:12,570

I can tell when you don't, you don't get,

look in this bad overnight, turn old tree

397

00:21:17,280 --> 00:21:18,600

back turtle liner brush.

398

00:21:19,950 --> 00:21:20,680

I'm going to take that.

399

00:21:20,820 --> 00:21:23,250

Go into some white, a little bit.

400

00:21:24,840 --> 00:21:30,860

A little touch of the dark Sienna,

paint, thinner white dark Sienna with

401

00:21:30,860 --> 00:21:35,659

that disappeared very quickly, just

sorta jerked at around, down there.

402

00:21:36,649 --> 00:21:37,219

Just pull it.

403

00:21:37,639 --> 00:21:40,969

So it skips, causes over rough

looking things to happen.

404

00:21:42,199 --> 00:21:44,120

Just pull it real fast.

405

00:21:44,540 --> 00:21:44,929

See there.

406

00:21:45,770 --> 00:21:48,560

So you get all those old

barky looking things.

407

00:21:49,065 --> 00:21:50,025

That's what my dog does.

408

00:21:50,325 --> 00:21:50,685

Marquis.

409

00:21:50,705 --> 00:21:51,105

Thanks.

410

00:21:53,295 --> 00:21:53,655

Okay.

411

00:21:54,915 --> 00:21:56,235

Back to paint thinner and Brown.

412

00:21:58,455 --> 00:22:04,875

And now then let's begin putting in all

kinds of limbs and give this thing some

413

00:22:04,875 --> 00:22:11,625

character, lot of thinner, thinner black.

414

00:22:11,635 --> 00:22:13,785

So we can just go anywhere.

415

00:22:13,785 --> 00:22:14,685

We want to go with ease.

416

00:22:19,965 --> 00:22:20,745

Wherever.

417

00:22:21,105 --> 00:22:22,635

Ooh, there's a nice one.

418

00:22:24,155 --> 00:22:24,875

Nice one.

419

00:22:26,825 --> 00:22:27,515

There's one

420

00:22:31,205 --> 00:22:36,845

there just gobs and gobs and gobs of them.

421

00:22:48,020 --> 00:22:50,090

yes, I'm over here wherever you want them.

422

00:22:50,150 --> 00:22:51,920

Just sort of look at

them, make a decision.

423

00:22:53,570 --> 00:22:55,670

This is where the birds

all set in the winter time.

424

00:22:56,210 --> 00:22:58,220

They got to have a place

to sit and be happy.

425

00:23:01,400 --> 00:23:02,810

Hey, there, right on up.

426

00:23:06,200 --> 00:23:06,680

So.

427

00:23:10,080 --> 00:23:14,580

These little lambs are a lot of fun

to make a lot of fun, but they're very

428

00:23:14,580 --> 00:23:16,230

time consuming to make a lot of them.

429

00:23:16,590 --> 00:23:20,400

So just take your time, enjoy,

get your big glass of ice

430

00:23:20,400 --> 00:23:23,130

tea and really have some fun.

431

00:23:26,100 --> 00:23:31,800

And the more of me having here that more

realistic, it looks isn't that neat.

432

00:23:32,220 --> 00:23:36,270

Oh, kinds of old things happened there.

433

00:23:38,970 --> 00:23:42,330

Okay, let's go.

434

00:23:43,790 --> 00:23:45,139

Let's go back to my fan brush.

435

00:23:45,139 --> 00:23:49,370

It has the Brown on it, and I'm

going to take and make a little

436

00:23:49,370 --> 00:23:50,990

flips for this tree to stand on.

437

00:23:51,199 --> 00:23:53,000

It's got to have a big,

strong foot out here.

438

00:23:55,820 --> 00:23:58,250

Maybe, maybe there's a little, there.

439

00:23:58,250 --> 00:23:58,580

It is

440

00:24:01,820 --> 00:24:02,689

little thing like that.

441

00:24:05,430 --> 00:24:07,320

Little thing like it,

let me find my brush.

442

00:24:07,320 --> 00:24:13,170

It has the, uh, there, the white, a

little bit of a little touch of the

443

00:24:13,500 --> 00:24:19,950

bright red, and we'll go right in here

and grab that, bring all this together.

444

00:24:20,670 --> 00:24:23,190

So if you pick up a little

bit Brown, don't fight it.

445

00:24:23,640 --> 00:24:25,770

It makes beautiful little

shadows in the snow.

446

00:24:26,370 --> 00:24:29,970

It's very pretty look at there.

447

00:24:30,930 --> 00:24:31,290

See.

448

00:24:33,554 --> 00:24:37,034

Grab a little bit of that,

pull it, just let it go.

449

00:24:41,284 --> 00:24:48,604

And with our liner brush, we'll take

a little touch of the Brown and just

450

00:24:49,084 --> 00:24:54,995

pop a few more little sticks and twigs

here and there I act so all kinds of

451

00:24:54,995 --> 00:24:58,715

little things, Janice, let them go.

452

00:25:03,985 --> 00:25:09,185

Like that, and you can, you can have as

many or as few as you want in your world.

453

00:25:10,355 --> 00:25:13,715

Tell you what, let me just about

having a finished painting.

454

00:25:13,745 --> 00:25:17,135

I'm going to take a little bit

of the bright red we'll sign it.

455

00:25:17,165 --> 00:25:20,975

And this one right here,

456

00:25:23,975 --> 00:25:24,905

this is a lot of fun.

457

00:25:24,995 --> 00:25:26,215

Thank you to enjoy this painting.

458

00:25:26,215 --> 00:25:27,035

It'll teach you a lot.

459

00:25:28,305 --> 00:25:32,765

I'm gonna tell you what, you know, I've

talked to him in several of the shows

460

00:25:32,975 --> 00:25:34,505

about my little friend, a little bird.

461

00:25:34,505 --> 00:25:35,405

I showed him earlier.

462

00:25:36,125 --> 00:25:38,555

I was had so many people ask

me if I'd show him again.

463

00:25:38,555 --> 00:25:40,115

So we have a minute or so left here.

464

00:25:40,565 --> 00:25:42,395

So let me, let me bring him over here.

465

00:25:42,855 --> 00:25:43,165

Show you.

466

00:25:43,295 --> 00:25:46,265

He's doing look at here.

467

00:25:46,985 --> 00:25:52,055

This is, this is the little mocking or a

little, uh, Robin, can you see him there?

468

00:25:53,795 --> 00:25:54,305

Look at here.

469

00:25:56,070 --> 00:25:56,550

Look at that.

470

00:25:58,320 --> 00:26:05,760

See if you see, I always talk about

the birds have to have a place to sit.

471

00:26:06,330 --> 00:26:08,610

This little bird was orphaned

and he lives with me now.

472

00:26:09,600 --> 00:26:11,399

And I feed him every day

and take care of him.

473

00:26:11,879 --> 00:26:13,620

And pretty soon he's

going to be a big bird.

474

00:26:13,860 --> 00:26:17,070

He's going to learn to fly, and

we're going to turn him loose

475

00:26:17,070 --> 00:26:18,659

and send him back to nature.

476

00:26:19,590 --> 00:26:23,129

So if you see little creatures around

your house, help take care of them.

477

00:26:23,460 --> 00:26:28,290

Cause they are God's little

creatures and they're fantastic.

478

00:26:28,380 --> 00:26:29,940

Get to know them, make friends with them.

479

00:26:30,810 --> 00:26:33,510

This one, let alone to me by the

bird lady here in Muncie, where

480

00:26:33,510 --> 00:26:37,080

I film and he's a loner bird.

481

00:26:37,920 --> 00:26:41,100

So I call him peep because

he peeps all the time.

482

00:26:41,670 --> 00:26:42,480

Always hungry.

483

00:26:43,770 --> 00:26:45,060

Look at that, eat my finger.

484

00:26:45,930 --> 00:26:48,000

Oh, clock on the wall

tells me we have to go.

485

00:26:48,300 --> 00:26:51,720

So from all of us here, And

my little friend I'd like

486

00:26:51,720 --> 00:26:53,070

to wish you happy painting.

487

00:26:53,850 --> 00:26:54,450

God bless.

488

00:26:54,540 --> 00:26:55,530

And we'll see you next time.

489

00:27:23,955 --> 00:27:24,915

Um,

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S10E07 - Winter Solitude

Bob Ross's

The Joy of Painting

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