Bob Ross's

The Joy of Painting

S11E03 - Daisy Delight

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Hi, welcome back.

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Certainly glad you can join me today.

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You ready to do a again?

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Fantastic painting thought today.

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We'll do something as a little bit

better different, and I really, really

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believe you're going to enjoy this.

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Let's go up here and let

me talk just a second.

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Now we have our good old 18 to 24

inch canvases normal, but today I've

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covered the entire canvas with a very,

very thin coat of the liquid clear.

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And if you want, remember in some of

the past series, I've used that to do

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some beautiful, beautiful seascapes.

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And I've got so many letters saying, can I

do landscapes with it when I want to show

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you something that's a little different

and I think you're going to enjoy it.

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So let's start out and have him run all

the colors across the screen that you need

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to do this little painting with me and

they'll come across as usual, starting

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with a white and they are in the same

order that I have them on my palette.

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And let's go on up here and get started.

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Does that say, there's just a very

thin coat of this liquid clear.

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Yeah.

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The biggest thing to remember

from using the clear is to put.

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Uh, that tiniest little

amount on it goes so far.

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One jar we're probably last

year, the rest of your life.

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Very, very thin amount.

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Now then let's have some fun.

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Let's do something.

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It's hold us to a background, a

date that's a little different.

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I'm going to start with at least

little touch of dark Sienna and very

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little paint, very little paint.

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Let's go right up here that

just pick a spot you like, and

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let's do something like it.

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Easy.

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That is.

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All right now, reach over here.

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We'll grab a touch of alizarin

Crimson, same way, but it's very,

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very little paint on the brush.

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Very little.

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And we'll just do this, that most of

these colors in the background that

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I'm going to use today are transparent,

but by being transparent, they'll

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give you a whole different effect.

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And if you had liquid white on

the canvas, you'll enjoy this one.

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Okay.

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I'm going to go into a touch.

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Vandyke Brown, just least little

touch, Lee's little touch and

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we'll just do another one.

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And all I'm doing is making little

streaks of color here and there.

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Get out.

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Tiny's a little bit of the blue.

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Dan is a little bit of blue.

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We'll come right up in here,

right there, right there.

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And just sort of let these colors work

together, but we don't want to blend them.

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Totally.

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Yeah.

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Just sort of hearing there and just

sort of let your imagination go crazy.

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This is one of those paintings you

should really do when you're, when

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you're in a fantastic, happy mood.

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And you just sorta want

to let things happen.

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I'm just going back and forth between

the crimsons and the Browns and blue and

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whatever, sort of let your imagination be

your guide here, back to the dark Sienna.

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And maybe I'll put a little

darker streak here in there.

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Hey, man,

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I want to make the indication.

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This would be almost, almost

unrecognizable back in here.

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Maybe baby, there's just a slightest

little indication of some distant trees

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are going back into the dark Sienna

and tapping, just tap a little color.

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Maybe able to pick up a little bit of

the Crimson, a tiny little bit of color.

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Okay.

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Let's go back up here.

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And maybe back we back in here,

there's some big trees that live back

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in there, but they're so far back,

you don't make out anything, but

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just very, very little shapes there.

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We're not looking for any detail,

avoid detail at this point.

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There we go.

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Add a little bit of the Vandyke

Brown in there, and you can make

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some of them maybe a little darker.

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It's almost abstract back here.

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Okay.

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Maybe there's a little one in here

wherever you just sorta make up your mind

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where you'd like when he dropped it in.

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Cause this is what, today.

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This is really your creation.

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I don't even know what this

was going to end up being.

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There's one, that's a little bit darker.

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So,

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all right, now then.

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Tell you what number?

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Just beat the pain of that breath.

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Very lightly.

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Very lightly.

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I'm just going to lift all this up.

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Just barely touching.

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I want to blend it right

back into that background.

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Let's see there.

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I'm going to leave the pallet down today.

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Pick up a, let me grab a fan brush here.

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Here we go.

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Here's a mass fan brush and I'm going

to dip it into the paint thinner.

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Now the liquid clear and paint thinner

have almost a violent reaction.

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So watch what happens.

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I'm just going to use the edge of the

knife and just flick a little on here.

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Look at that.

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See excellent.

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All those beautiful

little patterns in there.

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Now this is so much fun.

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You can get carried away

and just eat it all up.

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So just.

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A little at a time, just little,

little time, you could always add more.

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And if you do two meetings,

you don't like them.

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You can go back and add

some color in there.

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See how pretty that is.

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And it's so simple and it makes an effect.

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It's very unique and it looks like

thousands and thousands of thousands of

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little leaves that are far, far away,

but we have no detail in them yet.

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There we go.

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Now.

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The longer, this sets, the more

these little things will grow.

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Let's have some more fun.

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Let's do some big evergreens.

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Now we have this nice soft background.

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I'll take some blue and some

black I'll grab a bunch of

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Brown, some SAP green shoot.

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We'll throw some cramps in there too.

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I'm just really looking for a dark color

and you might as well mix up a big bunch.

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Okay, let me claim a knife off here.

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Tell you what let's do today.

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Let's make some nice big evergreens back

here and we'll use a two inch brush.

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Sometimes we avoid this big brush

because it's so big, but it will

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do absolutely fantastic things.

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Now pull the breast through

the paint and wiggle it as you

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pull it, both sides, wiggle.

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And then sharpen it just like you

would have find knife and you can bring

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this brush to a super chisel edge.

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Yes.

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Sharp ideas.

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Look at that.

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That's what you're looking for.

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Pull it through by wiggling it,

a lot of pain in the bristles.

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If you don't have a lot of paint,

then the bristles will not stick

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together and they'll flop open.

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Okay.

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So it's just sharpen it.

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So it's very short.

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Now then maybe right in here, there is.

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Now we will have a big evergreen tree.

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And just begin working back and forth.

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He was just the corner of the

brush and pushed downward.

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Just push down.

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Now these are close to you.

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So we're going to have a

lot of detail look at that.

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Did you ever believe you could

make such a fantastic tree?

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A great big brush.

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Look at that.

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I'll tell you what let's do.

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I see something else here that I

think would just work very nice.

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In a painting you want

to put a lot of planes.

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These planes create the

illusion of depth and distance.

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Let's put a plane back here before we

put too much out and I'll show you how

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that that'll help push everything back.

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I'm gonna use the round brush and the

tiniest little bit tiniest, little

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bit of a dark Sienna and just tap.

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Okay, let's go right up here.

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Maybe there's some

little bushes that live.

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Right.

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Their tiniest little bit of color

though there, and that easy, you can

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create all kinds of happy little bushes

living back here, just like, so how

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about taking the brush and pulling it?

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See this once again is a color.

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It's very transparent.

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Very nice little things happen.

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We're done.

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This will look like a

little plane back here.

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I'll show you in just a second and

that'll help create the illusion

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of more distance in your painting.

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Of course, I was interested in that

happy book, but should you be, this

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is what sales you painting with

a liner brush with a paint that's

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been thinned a little thinner.

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You can add just the indication of a

few little sticks and twigs back here.

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Not too many, just a few,

just to feel like, so, okay.

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Shoot on it.

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Makes them more than evergreen.

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So those are fun.

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Back to our very dark color, very,

very dark color load that brush full

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of paint to a nice sharp chisel edge.

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So you sometimes maybe you just

want to make the indication of

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trees that are far away cheer.

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If you can just take that brush and

tap downward, give it a little pull

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and make the creation of trees that

are far away, that you don't see a

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tremendous amount of detail in and

wherever you think they should live.

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That's exactly where they are live.

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You can make hundreds of

trees that are far away.

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That's simple.

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See how we've been talking here.

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This background has continued to grow

with the little dots and that's pretty

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though, and you can make all kinds of

beautiful effects for the clear, and then

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just sprinkling a little thinner on it.

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I'm not a very good portrait painter,

but I'm sure you, you might be.

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And it's a super background

for doing portraits.

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So try that sometimes you'll enjoy it.

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Okay, let's go back here.

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I don't want this one big

old tree to get lonely.

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So I'm going to give him a friend and

his friend, his friend lives right there.

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See the corner of the brush.

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This will give you some

practice with that big brush.

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Oh, it's the best tree

maker you ever seen?

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Beautiful, beautiful trees.

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Beautiful trees.

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Okay.

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Maybe there's another one.

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That's right there wherever you want.

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Wherever.

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There we go.

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Just tree after tree, after tree and

between each tree reload, the brush.

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Start with that brush.

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It has a nice sharp page.

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You want it?

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And you'll get much better results.

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Let that work right on down

wherever you want it to go.

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Maybe there's another one right there.

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And we'll put one little one here,

so you can make little trees with a

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large brace to look at that, that easy.

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And then we can take the knife,

pick a little bit of the dark

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Sienna, these little touch of white

into its dark Sienna and white.

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Pull it out.

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Cut off that little roll of paint.

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Let's go up here now that let's just

put the indication here and there.

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I have a little tree trunk

in some of these trees.

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You're not going to see the entire Trump.

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So just here and there, don't

get over concerned about it.

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There we are.

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Let's drop it yet.

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Okay.

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And you can scrape through just

literally scrape right through the paint.

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So you can probably hear that, make all

kinds of little sticks and twigs in there.

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This is your world.

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So you make the determination

where things live.

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And you drop them in wherever you want.

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Okay, good.

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Don't you?

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This would be a fun, little painting

and very different, same old, dirty

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brush going right into the CAD yellow.

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I, because we had all the blue and the

black in there and that touches it.

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Yellow.

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It's going to turn a beautiful,

beautiful dark green car.

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Reload the brush back to

the same shape, chisel edge.

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It's very, very sharp.

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Look at that, you could almost shave it.

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Okay.

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Now come back in here.

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And then we're going to

just gently highlight these.

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She asked using the corner of the brush,

and if you have trouble making the

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paint stick at the least little touch

of paint, thinner least little touch,

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a little bit goes a long way because at

the end paint was taken to a thick paint.

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There we go.

253

00:13:44,595 --> 00:13:45,345

There we go.

254

00:13:46,455 --> 00:13:51,185

Yeah, that miss big old

tree here did your painting.

255

00:13:51,215 --> 00:13:53,675

You put as many or as few

highlights as you want.

256

00:13:54,005 --> 00:13:57,935

Just sorta look at it, make a

determination and drop it down.

257

00:13:59,795 --> 00:14:00,515

Just drop it.

258

00:14:00,515 --> 00:14:00,725

Yeah.

259

00:14:03,215 --> 00:14:05,375

But if you put too much, you're

going to kill that beautiful

260

00:14:05,375 --> 00:14:06,725

dark color in your painting.

261

00:14:06,725 --> 00:14:07,325

I'll get flat.

262

00:14:07,325 --> 00:14:08,045

So be careful.

263

00:14:09,245 --> 00:14:10,025

Be careful.

264

00:14:11,175 --> 00:14:15,165

There we go right on down wherever.

265

00:14:17,085 --> 00:14:17,565

Okay.

266

00:14:18,465 --> 00:14:19,785

Tell you what, let me grab another brush.

267

00:14:19,785 --> 00:14:23,385

I have, I have several brushes

going here and watch right in here.

268

00:14:24,315 --> 00:14:28,545

I'm going to start going to

just scrub them a little bit

269

00:14:28,545 --> 00:14:29,955

of color right up to this dark.

270

00:14:31,215 --> 00:14:34,515

Now we're going to begin

creating the lay of the land.

271

00:14:36,085 --> 00:14:37,815

Just scrub it in.

272

00:14:38,350 --> 00:14:39,840

Liquid clear is on the canvas.

273

00:14:41,820 --> 00:14:48,420

And the big thing here is to use almost

no paint, just virtually no paint.

274

00:14:48,510 --> 00:14:52,470

I'm just literally scrubbing it in.

275

00:14:53,640 --> 00:14:55,920

Maybe, maybe the lay of the land

would go this way over here.

276

00:14:57,735 --> 00:14:59,355

We'll have this setting

up on a little Hill

277

00:15:02,444 --> 00:15:06,435

and you decide in your painting, you

decide to have the lay of the land.

278

00:15:06,435 --> 00:15:06,795

We'll go.

279

00:15:08,895 --> 00:15:10,425

We're not trying to

teach you to copy here.

280

00:15:10,454 --> 00:15:13,725

We're trying to teach you a technique

and then turn you loose on the

281

00:15:13,725 --> 00:15:17,475

world because you can do it in

new playing that you want to do.

282

00:15:22,224 --> 00:15:22,375

No.

283

00:15:22,375 --> 00:15:28,074

I heard one time that you can have

anything that you want, anything

284

00:15:28,074 --> 00:15:33,115

that you want, if you help enough

other people get what they want.

285

00:15:34,615 --> 00:15:38,574

So all you have to think

about that a little bit.

286

00:15:38,964 --> 00:15:42,145

Now, then with the same brush, I'm

going to begin reaching up in here.

287

00:15:42,569 --> 00:15:45,150

And I'm going to grab a

little touch this dark.

288

00:15:46,260 --> 00:15:47,790

Don't add any more color to your brush.

289

00:15:47,880 --> 00:15:50,760

Just grab this and begin

working at outward.

290

00:15:51,599 --> 00:15:55,770

If you need more and my finger

and get it, just tap downward and

291

00:15:55,770 --> 00:16:00,089

that it began working outward,

and this is the way we'll make all

292

00:16:00,089 --> 00:16:01,500

different planes in this painting.

293

00:16:03,329 --> 00:16:03,780

Neat.

294

00:16:04,035 --> 00:16:08,125

And now you can see how that

pushed that area back here.

295

00:16:08,125 --> 00:16:08,655

Here we go.

296

00:16:10,605 --> 00:16:11,635

Just let it go.

297

00:16:13,305 --> 00:16:15,195

And you have to determine how far it goes.

298

00:16:22,815 --> 00:16:26,175

And all I'm doing is just tapping

down or just tapping down.

299

00:16:32,470 --> 00:16:32,980

Over here.

300

00:16:33,069 --> 00:16:34,270

I want to change the angle.

301

00:16:34,300 --> 00:16:36,280

I want this to look like you're

setting up on a little Hill

302

00:16:36,850 --> 00:16:37,810

as we've mentioned earlier.

303

00:16:38,470 --> 00:16:40,480

So that's the way you make

the lay of the land go.

304

00:16:42,370 --> 00:16:44,800

And the more you tap this,

the softer it will become.

305

00:16:48,220 --> 00:16:49,180

Let's go right up here.

306

00:16:49,865 --> 00:16:51,635

And we can create things

happening in here.

307

00:16:54,065 --> 00:16:54,575

Look at that.

308

00:16:55,985 --> 00:16:57,155

Isn't that fantastic.

309

00:16:58,415 --> 00:17:00,275

I really think you would

like this liquid clear.

310

00:17:02,465 --> 00:17:08,435

It is a lot of fun and you can do

this with any color, any colors,

311

00:17:09,185 --> 00:17:10,895

especially the transparent colors.

312

00:17:13,035 --> 00:17:14,735

We just sort of begin rounding this off.

313

00:17:15,425 --> 00:17:18,755

I just happy, happy.

314

00:17:20,885 --> 00:17:24,245

And you could go in and you can pick

up a little bit of Brown if you want

315

00:17:24,245 --> 00:17:27,065

to and create different little things,

316

00:17:30,065 --> 00:17:36,485

all kinds of happy, little effects,

a little bit of the Browns, and maybe

317

00:17:36,485 --> 00:17:38,315

even a touch of Crimson here and there.

318

00:17:39,065 --> 00:17:42,335

However, you sort of look at it

and you make the determination of

319

00:17:42,335 --> 00:17:43,325

what you want in your painting.

320

00:17:46,440 --> 00:17:47,550

And knew you could do it.

321

00:17:49,020 --> 00:17:49,950

Can do anything.

322

00:17:55,110 --> 00:17:57,000

We just sort of let that

feed off into nothing.

323

00:17:59,010 --> 00:18:04,880

Let's have some fun, let's take the little

knife and maybe, maybe there's a fancier.

324

00:18:05,150 --> 00:18:06,890

So a nice way to start here.

325

00:18:06,890 --> 00:18:11,060

Let's take the small edge of

the small knife and very firmly.

326

00:18:11,805 --> 00:18:12,555

Very firmly.

327

00:18:12,615 --> 00:18:12,975

I'm glad.

328

00:18:14,325 --> 00:18:16,965

See there, isn't that neat.

329

00:18:20,835 --> 00:18:22,935

And I'm using a lot of pressure.

330

00:18:25,005 --> 00:18:29,475

You have to decide how far back your

little, little stance will go, but

331

00:18:29,475 --> 00:18:32,805

just by taking a knife and pulling

down very firmly, you really getting

332

00:18:32,805 --> 00:18:36,075

in there, digging into the canvas,

tell you what I was so much fun.

333

00:18:36,075 --> 00:18:36,705

Let's do another one.

334

00:18:38,790 --> 00:18:39,420

Right over here.

335

00:18:40,260 --> 00:18:40,890

Very firm.

336

00:18:45,090 --> 00:18:46,710

Can you hear how hard I'm pushing that?

337

00:18:48,240 --> 00:18:48,570

Okay.

338

00:18:49,700 --> 00:18:51,330

Let's have some rails on this fence.

339

00:18:51,990 --> 00:18:52,680

Same thing.

340

00:18:52,680 --> 00:18:57,690

I'm just going to take the small edge

of the knife and very firmly, just go

341

00:18:57,690 --> 00:19:01,170

right up like that and perspective wise.

342

00:19:01,170 --> 00:19:03,090

Let it get bigger out here.

343

00:19:04,830 --> 00:19:05,189

Okay.

344

00:19:05,219 --> 00:19:06,360

Let's do the same thing over here.

345

00:19:06,540 --> 00:19:13,229

Very firm, literally bending the

knife and you can let them get

346

00:19:13,229 --> 00:19:14,909

wider as they get closer to you.

347

00:19:15,000 --> 00:19:18,060

That'll help push everything back.

348

00:19:19,590 --> 00:19:20,100

Let's do that.

349

00:19:20,250 --> 00:19:21,719

Make us make this one a wider.

350

00:19:23,399 --> 00:19:24,120

There's a nice one.

351

00:19:25,020 --> 00:19:30,300

It's a rickety old fence had to fence

these trees in so they wouldn't get away.

352

00:19:33,405 --> 00:19:38,775

I'll take my liner brush and I'll go into

some, Oh, this is titanium white with

353

00:19:38,775 --> 00:19:40,155

at least little touch of Brown in it.

354

00:19:40,155 --> 00:19:43,865

Let's go right up here and

we can come right along and

355

00:19:43,865 --> 00:19:45,035

just sort of highlight these

356

00:19:48,035 --> 00:19:48,785

right along the top.

357

00:19:50,425 --> 00:19:52,145

Just enough to sort of bring it together.

358

00:19:53,795 --> 00:19:59,825

A little highlight there across the

top a little bit across that fence.

359

00:20:01,035 --> 00:20:01,695

And off you go

360

00:20:04,985 --> 00:20:05,825

hidden that sneaky.

361

00:20:06,095 --> 00:20:09,395

I thought you'd like this now,

then back to my big brush.

362

00:20:09,395 --> 00:20:13,355

And I just want to tap the base of

these little fence just to work on me.

363

00:20:14,675 --> 00:20:18,065

I could look like you pick up a little

dark scene, go back in here, make

364

00:20:18,065 --> 00:20:20,375

it look like it's a little grassy

growing right here to the bottom of

365

00:20:20,375 --> 00:20:24,275

his foot there a little bit over here.

366

00:20:25,950 --> 00:20:30,060

And you can create some

super, super effects.

367

00:20:31,530 --> 00:20:31,950

Shoot.

368

00:20:31,950 --> 00:20:36,230

Isn't that something

that's, it's just unreal.

369

00:20:36,680 --> 00:20:37,790

It's very easy.

370

00:20:38,180 --> 00:20:40,790

And it's extremely enjoyable painting.

371

00:20:40,790 --> 00:20:43,730

I want to take a fan brush and

go into some, Oh, a little bit of

372

00:20:44,120 --> 00:20:46,430

Vandyke Brown, some dark Sienna.

373

00:20:47,510 --> 00:20:51,980

And I'm going to reach down here and dip

my brush right into some liquid clear.

374

00:20:52,190 --> 00:20:54,110

So now I'm making this paint quite thin.

375

00:20:54,380 --> 00:20:54,650

It's.

376

00:20:55,095 --> 00:20:55,814

Quite thin.

377

00:20:57,314 --> 00:20:58,995

You can probably see,

it looks shiny there.

378

00:20:58,995 --> 00:20:59,685

It's nice and thin.

379

00:21:00,254 --> 00:21:00,585

Okay.

380

00:21:00,705 --> 00:21:03,034

Let's come right out in here

and how let's get crazy.

381

00:21:03,514 --> 00:21:08,345

Let's just go in here and just literally

just punch in, um, just pushing very

382

00:21:08,345 --> 00:21:10,715

hard and making the bristles bend upward.

383

00:21:11,074 --> 00:21:11,495

See you there.

384

00:21:12,315 --> 00:21:16,395

We're just going to punch in a

few little things here and there.

385

00:21:18,585 --> 00:21:19,845

Just drop them in.

386

00:21:22,905 --> 00:21:23,295

Okay.

387

00:21:23,315 --> 00:21:24,855

That'll come right on out like that.

388

00:21:25,575 --> 00:21:28,965

And then I'm going to begin grabbing

them because this paint's thin you can

389

00:21:28,965 --> 00:21:31,545

do this just for the corner of the brush.

390

00:21:32,685 --> 00:21:35,925

I begin just pulling up all kinds of

little grassy things here and there.

391

00:21:36,495 --> 00:21:40,035

And I'm going to also add a

touch of yellow ochre and begin

392

00:21:40,425 --> 00:21:41,535

lifting it up here and there.

393

00:21:43,379 --> 00:21:48,480

Just lift it up, give it a

poll lighter, lighter, lighter,

394

00:21:52,500 --> 00:21:53,820

wherever you want these things to go.

395

00:21:53,820 --> 00:21:54,750

It's really up to you.

396

00:21:56,730 --> 00:21:57,840

It's really up to you.

397

00:22:04,490 --> 00:22:06,290

Don't have them all

just straight pull them.

398

00:22:06,409 --> 00:22:09,010

So they curve and they

wiggle and they have fun.

399

00:22:09,020 --> 00:22:09,919

It's going to look like a hole.

400

00:22:10,544 --> 00:22:15,855

Grassy things growing here, lighter,

lighter, lighter is that works away

401

00:22:18,605 --> 00:22:19,764

because there's more shadow in there.

402

00:22:19,774 --> 00:22:20,855

We want to keep that darker.

403

00:22:22,655 --> 00:22:22,895

Okay.

404

00:22:22,935 --> 00:22:23,675

Now we can go back.

405

00:22:24,405 --> 00:22:25,485

Pick up our large brush.

406

00:22:26,145 --> 00:22:32,715

And once again, we're going to grab

this and begin tapping this tap and

407

00:22:32,715 --> 00:22:35,355

allow it to pick up a little bit of

that color and work out where this

408

00:22:35,355 --> 00:22:42,315

will smooth out the whole base of

seat there also, once again, it helps

409

00:22:42,315 --> 00:22:43,875

create more Plains in your painting.

410

00:22:45,655 --> 00:22:46,375

There we go.

411

00:22:49,575 --> 00:22:50,925

So this painting is so simple.

412

00:22:50,925 --> 00:22:54,195

If this is your first attempt

with liquid clear, I think

413

00:22:54,195 --> 00:22:55,514

you will absolutely love it.

414

00:22:56,385 --> 00:22:56,865

Tell you about us.

415

00:22:56,865 --> 00:22:57,764

Do something a little different.

416

00:22:57,764 --> 00:22:59,655

I normally don't do this,

but I'm going to today.

417

00:23:00,375 --> 00:23:04,304

We'll take a little bit of the liquid

clear on the Filbert brush and I'm

418

00:23:04,304 --> 00:23:08,054

gonna go right in to the titanium white.

419

00:23:08,054 --> 00:23:09,585

I want this paint to be quite thin.

420

00:23:09,615 --> 00:23:12,135

Let me get a little more of

the clear it's quite that.

421

00:23:13,814 --> 00:23:15,345

Great then let's go right up here.

422

00:23:15,725 --> 00:23:16,625

Maybe back in here.

423

00:23:16,685 --> 00:23:19,865

There lives a few little,

little happy daisies.

424

00:23:20,254 --> 00:23:22,625

See, there are, you got

to do is just pop them in.

425

00:23:23,615 --> 00:23:24,814

These little daisies are simple.

426

00:23:24,814 --> 00:23:26,725

That's about the easiest little flower.

427

00:23:26,855 --> 00:23:30,965

Like even I can make these and

I'm not a big flower painter.

428

00:23:32,105 --> 00:23:36,695

Let's see, just pop them in

like, so, and you put as many

429

00:23:36,695 --> 00:23:37,995

in your painting as you want.

430

00:23:39,185 --> 00:23:39,965

Just pop them out.

431

00:23:41,520 --> 00:23:45,090

Uh, here's one right here.

432

00:23:47,190 --> 00:23:54,860

There we'll have little flowers

all over here, but you need

433

00:23:54,860 --> 00:23:56,270

to keep this paint very thin.

434

00:23:56,960 --> 00:24:00,290

Now, the other thing that this

clear is so fantastic about when

435

00:24:00,290 --> 00:24:07,520

this paint dries everywhere you

put liquid clear, it will be shiny.

436

00:24:07,850 --> 00:24:09,230

It's almost like a glaze coat.

437

00:24:10,695 --> 00:24:12,195

You'll have a nice glaze to it.

438

00:24:14,385 --> 00:24:16,005

There is one, maybe he lives right here.

439

00:24:17,775 --> 00:24:19,425

And I tell you, I tell

you, I reached over here.

440

00:24:19,425 --> 00:24:20,355

I'm going to get a little blue.

441

00:24:21,135 --> 00:24:23,895

We'll have some, we'll have some

pretty little blue daisies too.

442

00:24:25,575 --> 00:24:26,025

Okay.

443

00:24:26,325 --> 00:24:28,275

That's a very thin, very thin.

444

00:24:28,785 --> 00:24:31,035

And there's one he lives.

445

00:24:31,425 --> 00:24:31,845

Yep.

446

00:24:32,115 --> 00:24:32,745

Right there.

447

00:24:34,425 --> 00:24:35,115

Right there.

448

00:24:36,105 --> 00:24:37,455

He's got a friend over here.

449

00:24:39,060 --> 00:24:39,870

His friend's name is

450

00:24:44,630 --> 00:24:48,350

We have another one, just as

many or as few as you want.

451

00:24:49,430 --> 00:24:53,570

So I say, you have to make these

determinations and you put them wherever

452

00:24:53,570 --> 00:24:58,430

you think they should be, because I've

seen exactly, exactly where that little

453

00:24:58,430 --> 00:25:02,450

rascal should live and just sort of

look around and see where you want them.

454

00:25:05,270 --> 00:25:05,600

Yeah.

455

00:25:06,870 --> 00:25:07,470

Not pretty though.

456

00:25:07,480 --> 00:25:11,220

Little, just a little field of daisies

out here in front of all those trees.

457

00:25:12,510 --> 00:25:14,370

Maybe he just, it, he

lives right out here.

458

00:25:16,950 --> 00:25:19,550

Just drop them in that.

459

00:25:19,550 --> 00:25:23,370

I'm just sort of fall

off the brush, I think.

460

00:25:23,460 --> 00:25:23,700

Yep.

461

00:25:24,060 --> 00:25:25,080

We'll have one right here.

462

00:25:27,120 --> 00:25:27,570

Look at that.

463

00:25:29,040 --> 00:25:29,370

Okay.

464

00:25:29,550 --> 00:25:31,590

Let me, let me wipe off the brush.

465

00:25:32,610 --> 00:25:33,450

Give it a little clean.

466

00:25:34,725 --> 00:25:37,485

This is a number six Filbert

brush that I'm using to do this.

467

00:25:38,175 --> 00:25:40,185

You could probably make these

with your liner brush without

468

00:25:40,185 --> 00:25:41,985

any problem, just as well.

469

00:25:42,555 --> 00:25:44,325

I'm going to go take the Filbert brush.

470

00:25:44,865 --> 00:25:46,695

Let me get a little liquid clear.

471

00:25:47,595 --> 00:25:51,075

I go ride and to touch of yellow ochre.

472

00:25:51,855 --> 00:25:52,935

Just load a little bit in there.

473

00:25:53,355 --> 00:25:55,425

I'm going to go back and just touch.

474

00:25:56,055 --> 00:25:59,895

Give it a little bit into the,

some of these little days easier.

475

00:26:00,585 --> 00:26:01,515

Give it a little center.

476

00:26:02,685 --> 00:26:03,075

See you there.

477

00:26:06,285 --> 00:26:10,185

However, okay.

478

00:26:10,775 --> 00:26:12,275

Yeah, let's take our liner brush.

479

00:26:13,055 --> 00:26:18,545

I want dip it in some paint thinner, go

right into the Brown in here and there.

480

00:26:19,175 --> 00:26:23,945

We need to put the indication of a few

little sticks and twigs and little grassy

481

00:26:23,945 --> 00:26:27,845

things grow up through here wherever.

482

00:26:28,205 --> 00:26:31,625

And you know, you put in a few

loose stems to hold your flowers up.

483

00:26:31,685 --> 00:26:32,615

Don't want them to fall over.

484

00:26:34,305 --> 00:26:35,655

See, that'll stick here in there.

485

00:26:37,485 --> 00:26:37,845

Isn't that?

486

00:26:37,845 --> 00:26:38,595

Fantastic.

487

00:26:39,305 --> 00:26:39,905

Try this.

488

00:26:39,965 --> 00:26:41,195

I think you're really enjoy it.

489

00:26:41,615 --> 00:26:44,225

And from all of us here until

next time, happy painting.

490

00:26:44,705 --> 00:26:45,185

God bless.

491

00:27:12,630 --> 00:27:13,230

Uh,

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S11E03 - Daisy Delight

Bob Ross's

The Joy of Painting

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