Bob Ross's

The Joy of Painting

S09E05 - Winter Oval

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Well, I'm glad you could join me today.

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You ready to do a

fantastic painting with me?

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Good.

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In the last series, we took a

canvas and we put some contact paper

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around it and cut an oval in it.

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And we made a fantastic little painting.

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And we have such a

positive response about it.

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I thought we'd do another one today.

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So tell you what let's have.

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We run all the colors across the screen

that you need to do this painting with

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me and they'll come across as usual

in the same order as I have pallet

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starting with a titanium white and

working around while they're doing that,

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let's go on up here and get started.

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And as I say, I've covered this with

contact paper around the edges, and

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this is just ordinary contact paper

that you can pick up at your local

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hardware store, grocery store, whatever.

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Just cut an oval in it,

stick it on the canvas.

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Then I've put liquid white in

the, in the center here as usual.

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And we ready.

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So we'll take a two inch brush and

I'm going to go right into a little

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bit of a lizard Crimson and all we

want is just a very small amount.

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So tap the brush into just a little

tiny bit of the color a little bit.

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Okay.

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Let's go right up here.

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Now then right in here, just making

little, little crisscross strokes.

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I'm going to lay in a

little touch of that.

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Just let it work for add.

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I see there.

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Now I'm going to take a little touch

of the little blue on the brush

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and mix it right into that Crimson.

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So it makes a beautiful

little lavender color.

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There we are just tap the brush.

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Okay.

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Back up here.

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And we'll.

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Just lay in a little bit of that

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beautiful colors.

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We do a little winter scene today.

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I'd like to do little, little winter

saying since I lived in Alaska so long,

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they're, they're sort of special to me.

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There we go.

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So now we have sort of.

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Lavender on each side and a

little bit of pink right in there.

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I we'll take a touch of that

Crimson color and we'll have

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some water in this painting.

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So I'll just lay a

little bit right in here.

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There, that's pretty,

already very soft colors.

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Make you happy when

you're finished with it?

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Okay.

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Let me wash the old brush here.

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We'll scrub it against the screen is

in the bottom and we can shake it off.

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And just have a good time with it.

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All right.

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Now I want to take this clean, dry

brush and just blend this together.

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Very softly, still using

little crisscross strokes.

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Just blended together.

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Okay.

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Now then.

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Same old brush and I haven't cleaned it.

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Same old, dirty brush.

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I'm going right into midnight black.

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And I'm going to tap some

of that right in there.

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You don't have to clean the brush

because the black is so strong.

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It'll just eat up.

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Whatever's on there.

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All right, let's go up here now.

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I want some big clouds that

are coming across here.

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So just use the brush

store, the sideboards.

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Just kind of like it, we just make

all kinds of happy, little things.

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See, they're a little more of the black.

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Maybe there's an ass, big thing.

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It lives right up through there.

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Wherever we're going to

let them play and have fun.

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There's one.

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I want to see what, right.

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Just pull that right on down.

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There we go.

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It's a super, super easy little

way to make a very effective sky.

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It's very quickly.

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Now I have the black on the brush.

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But a little bit down here in

the water, just pulling from

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the outside in red cross.

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There we go.

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Good.

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Okay.

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No that take a clean brush and I'm going

to very gently bring all this together.

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This will soften all the edges here.

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Go all the way across.

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That's all there is to it.

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We have a happy little square now

then let's build us a mountain today.

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Let's take this black, we'll take

midnight black, a little bit of the blue.

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We'll throw a little Crimson in there too.

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Little lizard and Crimson.

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So we have black Crimson and blue,

pull it out, very flat, go across

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and cut off a little roll of paint.

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There.

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Here.

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You can see it can go right up in here

now then decide where your mountain

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Liv's iron mountain is going to live

right there using very firm pressure.

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Very firm pressure.

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Just push that son of a

gun right into the fabric.

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Okay.

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That easy.

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We have a happy little mountain shape.

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And the only thing that you're worried

about at this point is this nice topic.

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You could care less what's

happening down here.

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That doesn't matter.

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Only thing you're worried about the edge.

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There we go.

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Okay.

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Now with the two inch brush, grab

this, pull it cause a canvases wet.

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You can move the paint.

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Look at that, that easy, easy.

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You can move a mountain

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and it fantastic to have that much power.

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Now then let's put some

snow on that mountain.

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I'm gonna go right into the

titanium white and I'm going to

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pull it out just as flat as I can.

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And to that, I'm going to add

the least little touch of the

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bright, red, least little touch.

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Pull it out.

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Very flat, gets strong with

it straight down, cut across.

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And get that little roll of paint.

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Let's do that again.

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Seeing, see it, pull it

out very flat, cut across.

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See that.

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That's what you're

looking for right there.

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Okay.

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Now then just take the knife.

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No pressure.

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Touch it and just let it slide

right along the mountain.

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See how easy that is.

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No pressure.

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No pressure.

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Here we go.

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One thing I should mention.

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When you look at the knife close up,

you'll notice that it's black wood.

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Are we painted knife black

on TV, so it doesn't shine.

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My knife is like yours.

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It's just painted when they're

new, it looks just like Chrome.

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Beautiful.

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But if I use that on

television director killed me.

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When I started shining, here we go.

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We'll put a little touch up,

highlight right back there.

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Now then for the shadow

color, we will take some blue.

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They look blue.

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Why I'm going to add a little black

to that, to dull it down, pull it out.

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Same way.

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Very flat cut across.

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And once again, we have

a small roll of paint.

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Okay, now then touch no pressure

and just give it a gentle pull.

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Stay there.

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And that easy, you can create

a fantastic little mountain.

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There he comes right there and

there's another one wherever you

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want them, just drop them in and you

can go back and you can make this

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mountains shape, change, mid fantastic.

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You can change a mountain that easy.

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You can put a new peak on there,

or you can take them away.

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Whatever makes you happy.

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Okay, good.

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Clean dry brush.

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There we go.

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And just tap.

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If we want to create mist at the

bottom of this mountain, follow the

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angles in the mountain over here.

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Go in this direction.

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Always follow the angles and new mountain.

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Then lift up Britain.

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See how soft it makes the

base of the mountain lift.

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It looks like he's just

laying out there in the best

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and that easy.

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We've got a happy little mountain.

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Tell you what, tell you what, let's

put a little footy Hill in there.

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I'm just going to take some white and

go right into that same mountain color.

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Then I'm going to lighten it up

a little bit and I'm just taking

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the corner of the brush there.

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You can see it and pulling it through

right through the color can go up here.

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And maybe the little

Foothill lives right there.

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Take the corner of the brush touch

and just give it a downward pull.

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Just downward.

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You can just make all kinds

of little things happen.

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You have to make some

big decisions though.

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Whereas you Foothill live.

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Is there a lot of bumps,

a few bumps there.

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Have to make those big decisions

right now, then with a clean

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brush, I want to Creek missed

at the bottom of the Foothill.

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So we'll just have just happened

the bottom, just the bottom.

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We don't want to touch

his top edge at all.

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Just the bottom.

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Very lightly lift up burden.

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And do you have a Foothill now?

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Maybe, maybe in your world, maybe

there's another layer of foothills.

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Same color only a little

darker use, less white.

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Let's see.

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Now it stands out.

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As things get closer to you in a

landscape, they should get that

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darker, darker, darker, darker.

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Now, while I have that color

on the brush, watch right here.

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Maybe there's going to be some

reflections in the water and

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they live right about there.

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All we're doing is laying

some color on the canvas.

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Then we'll take a clean brush,

grab and pull straight down.

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And go across and that easy.

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We have instant reflections and a little

bit of the liquid white, and we'll put

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it out here and pull it out very flat

and take the knife and cut across.

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Okay, let's go up here.

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Now.

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We can go back in here.

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Just cut in a little water line.

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Just a little waterline and

act like you tried to cut a

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hole right through the canvas.

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Just really get in there and cut on it.

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You're not going to hurt this canvas.

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It's tough.

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Maybe there's a few little

ripples here and there,

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but even these ripples and the

waterline, everything needs to be

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basically straight or your water

run right out of your painting.

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Get your floor wet.

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Then you're going to be upset with me.

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Okay.

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Listen, let's build some trees.

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We'll take a big bunch of

the midnight and black.

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We'll throw some Vandyke Brown in it.

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Some Crimson shoot with throw

some blue in there, too.

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What the heck looking for color that looks

black, but we want some blue in there.

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So it has a blue base to it.

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All right.

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And this doesn't have

to be mixed very much.

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Can let me clean the knife off here.

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And we'll, we'll grab a fan brush.

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We'll make them with a fan brush today.

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That's the easiest way.

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Okay.

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Load the fan brush full of paint.

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Just really pull it through there.

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Like, so, okay.

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Look at all the paint us in that brush.

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Lots of paint.

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Okay.

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Let's go up here now.

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You have to make another big decision.

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Where does your trees live?

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I think.

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It's going to be a tree right there.

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So just touch the canvas and give

yourself sort of a little guideline and

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then just the corner of the brush and

work back and forth, back and forth.

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And as you work down the tree, push

harder and more pressure to the

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brush and those bristles watch, see

the bristles are bending downward.

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See, see, that's bending down like that.

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Okay, thank you.

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Can really see that.

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Good.

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There we go.

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Right on down maybe to

about there wherever.

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And he's got a little friend right there

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and maybe, maybe there's

another one right over here.

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We don't know, just make a decision,

decide how many trees live in your world

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and drop them in Janice, drop them in.

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Shoot.

260

00:13:22,725 --> 00:13:25,545

I tell you, I think there's another

tree in my world and he lives over

261

00:13:25,545 --> 00:13:31,485

here and I liked the trees once in a

while, and paintings that are crooked.

262

00:13:33,915 --> 00:13:36,785

Just like politicians, that'd be a

crooked one every once in a while.

263

00:13:39,224 --> 00:13:40,724

Slept that wouldn't be

on the right on over

264

00:13:45,194 --> 00:13:45,735

there.

265

00:13:48,944 --> 00:13:49,305

Okay.

266

00:13:52,844 --> 00:13:57,735

I tell you, let's take a

little bit of the dark scene.

267

00:14:00,814 --> 00:14:01,334

We'll make a.

268

00:14:02,189 --> 00:14:03,270

Happy little tree trunk.

269

00:14:03,329 --> 00:14:06,990

Get that little roll of paint

again, and let's go right up here.

270

00:14:08,540 --> 00:14:09,550

Just barely touch.

271

00:14:10,160 --> 00:14:10,719

Just touch.

272

00:14:10,969 --> 00:14:12,439

Canvas will pull off what it wants.

273

00:14:12,500 --> 00:14:13,069

Give you back.

274

00:14:13,069 --> 00:14:13,699

What's left.

275

00:14:16,420 --> 00:14:17,990

That's what my tax man says too.

276

00:14:17,990 --> 00:14:19,730

We're going to pull off what

we want and give you back.

277

00:14:19,730 --> 00:14:20,360

What's left.

278

00:14:21,709 --> 00:14:22,760

Of course written nothing left.

279

00:14:24,020 --> 00:14:24,290

Yeah.

280

00:14:26,839 --> 00:14:28,189

Now we got little trunks in there.

281

00:14:28,640 --> 00:14:29,959

I'm gonna find a one inch brush.

282

00:14:31,064 --> 00:14:38,505

And go right into a touch of the low blue

and into the midnight black, uh, reach

283

00:14:38,505 --> 00:14:42,345

over here and grab some white, just put it

right in there and make a very dark blue.

284

00:14:42,864 --> 00:14:43,545

Very dark.

285

00:14:44,744 --> 00:14:45,974

Okay, let's go right up here.

286

00:14:46,395 --> 00:14:51,015

Maybe there's some happy little bushes

that live underneath these trees that

287

00:14:51,015 --> 00:14:52,515

we're putting the dark in here only.

288

00:14:53,385 --> 00:14:55,214

So the light will show when we put it on.

289

00:14:57,074 --> 00:14:59,234

That's the only reason we're

using this dark right here.

290

00:15:04,724 --> 00:15:05,204

Okay.

291

00:15:05,295 --> 00:15:06,584

We'll get of dark underneath.

292

00:15:07,425 --> 00:15:07,515

Okay.

293

00:15:07,995 --> 00:15:10,635

Do you know already, that's going

to end up being the reflection.

294

00:15:11,015 --> 00:15:19,625

Do you see, just pull it down and

go across instant reflections, then

295

00:15:20,464 --> 00:15:21,995

let's put some snow on those bushes.

296

00:15:22,295 --> 00:15:28,025

I'm going to dip right into the liquid

white and go in to the titanium white,

297

00:15:29,584 --> 00:15:32,165

add a little touch of Rhea to that.

298

00:15:32,285 --> 00:15:33,545

A little touch of the bright rift.

299

00:15:34,295 --> 00:15:34,985

Let me say it again.

300

00:15:35,045 --> 00:15:35,974

Little touch.

301

00:15:37,454 --> 00:15:41,354

Eat up your whole world in a second read

is so bright, full this brush in one

302

00:15:41,354 --> 00:15:43,094

direction, load a lot of pain into it.

303

00:15:43,935 --> 00:15:47,055

C has a curve because you

pulled it in one direction.

304

00:15:47,985 --> 00:15:48,135

Okay.

305

00:15:48,135 --> 00:15:52,125

Let's go up here now with a

rounded corner to the top touch and

306

00:15:52,125 --> 00:15:55,035

just give it a little tiny push.

307

00:15:55,425 --> 00:15:57,104

Just enough to get the paint to stick.

308

00:15:58,925 --> 00:15:59,615

There we go.

309

00:16:02,854 --> 00:16:03,275

Touch.

310

00:16:04,590 --> 00:16:07,290

And do one Bush at a time

for me, a little Bush.

311

00:16:07,890 --> 00:16:11,280

Remember he's an individual he's

has a personality, all of his

312

00:16:11,280 --> 00:16:17,790

own, put a little touch, more

of the liquid white on my brush.

313

00:16:18,390 --> 00:16:21,360

If your paint will not stick,

add more of the liquid white.

314

00:16:22,680 --> 00:16:27,240

Remember our golden rule, then

paint will stick to a thick paint.

315

00:16:27,330 --> 00:16:30,390

Now here I have to reverse the brush

and I'm tapping down, or I want to

316

00:16:30,390 --> 00:16:32,160

make some reflections in the water.

317

00:16:33,959 --> 00:16:39,949

Easy clean dry brush now is when we find

out, if you have a delicate touch, whisper

318

00:16:39,949 --> 00:16:43,189

light, whisper, just barely caress.

319

00:16:43,189 --> 00:16:44,600

It, it can go across.

320

00:16:46,010 --> 00:16:51,829

This is three hairs and some

air man, tell you what let's do.

321

00:16:53,060 --> 00:16:53,780

Take some white.

322

00:16:54,980 --> 00:16:56,870

Let's put us a little

snowbank right out here.

323

00:16:56,990 --> 00:16:58,310

All this needs a place to sit.

324

00:16:58,310 --> 00:17:00,410

So it doesn't fall over in the

water and make a big splash.

325

00:17:02,430 --> 00:17:09,660

Okay, angles here are very important, very

important, a little bit of the liquid wine

326

00:17:10,069 --> 00:17:11,670

and will cut us in a little water line.

327

00:17:12,420 --> 00:17:15,300

This puts in a water line

and also cleans up the edges.

328

00:17:16,050 --> 00:17:18,510

If you've got some little ragged edges

down here, this is when you clean

329

00:17:18,510 --> 00:17:20,610

them all up and make them pretty.

330

00:17:22,875 --> 00:17:23,565

There we go.

331

00:17:25,545 --> 00:17:26,145

Okay.

332

00:17:27,484 --> 00:17:31,175

Now with a clean point of the knife,

I'm just going to scrape it a few little

333

00:17:31,175 --> 00:17:32,705

sticks and twigs wherever you want them.

334

00:17:36,425 --> 00:17:36,695

Okay.

335

00:17:36,725 --> 00:17:40,715

Now I have several fan brushes going

and take a little bit of the liquid

336

00:17:40,715 --> 00:17:47,045

white, a little Taleb blue, and it

will make a nice blue color here.

337

00:17:47,975 --> 00:17:48,725

You knew that though.

338

00:17:48,725 --> 00:17:50,135

When I went into the little blue.

339

00:17:52,064 --> 00:17:52,395

Okay.

340

00:17:53,175 --> 00:17:55,125

See there, brushes loaded quite well.

341

00:17:55,875 --> 00:17:56,024

Okay.

342

00:17:56,024 --> 00:18:01,034

Let's go up here now, then let's put

a little bit of snow on these trees.

343

00:18:01,485 --> 00:18:02,235

Don't overdo.

344

00:18:03,135 --> 00:18:05,084

Don't overdo the contrast here.

345

00:18:05,115 --> 00:18:08,054

The dark against the light is what

makes this painting so pretty.

346

00:18:09,465 --> 00:18:10,155

Don't overdue.

347

00:18:10,524 --> 00:18:13,034

Just, just enough to give the

indication that there's a little

348

00:18:13,034 --> 00:18:14,504

snow land on these evergreens.

349

00:18:16,544 --> 00:18:16,965

There.

350

00:18:17,790 --> 00:18:20,040

And as they go down, they

don't get darker, darker,

351

00:18:20,040 --> 00:18:21,630

darker, darker, not as much.

352

00:18:21,630 --> 00:18:23,250

Light's going to get

down toward the bottom.

353

00:18:23,520 --> 00:18:24,810

It's going to be in shadow more.

354

00:18:25,800 --> 00:18:26,220

I right.

355

00:18:27,240 --> 00:18:29,190

I think we've got a nice little

thing happening over there.

356

00:18:29,880 --> 00:18:31,500

Let's call on the other

side and play some now.

357

00:18:32,670 --> 00:18:34,560

Maybe there's a nice evergreen

that lives over here.

358

00:18:34,560 --> 00:18:38,180

So once again, low that

brush full of paint.

359

00:18:39,440 --> 00:18:40,880

A lot of paint cans go right up here.

360

00:18:41,690 --> 00:18:44,600

Maybe this one, maybe he goes,

we up here, we don't know.

361

00:18:47,475 --> 00:18:48,284

There we go.

362

00:18:50,325 --> 00:18:52,125

And he just works right on down

363

00:18:55,504 --> 00:18:55,774

there.

364

00:18:57,645 --> 00:18:58,185

Right there.

365

00:18:58,215 --> 00:19:00,105

Cover up that beautiful

mountain that you made.

366

00:19:02,115 --> 00:19:02,955

This is a good way.

367

00:19:03,075 --> 00:19:05,895

You know, trees, trees really

cover a multitude of sins.

368

00:19:05,895 --> 00:19:08,745

If you haven't a place in your

painting, that's not so great.

369

00:19:08,804 --> 00:19:09,615

Put a tree over it.

370

00:19:10,575 --> 00:19:11,835

That's an easy way to cover it up.

371

00:19:13,365 --> 00:19:15,705

I said that in class one time, the

lady says, well, I'm going to have

372

00:19:15,705 --> 00:19:17,295

nothing but a forest in my picture.

373

00:19:17,295 --> 00:19:21,195

Cause I'm going to cover

up the whole thing there.

374

00:19:22,755 --> 00:19:25,845

Now then back to my one inch brush

and pick up some of that dark blue

375

00:19:25,845 --> 00:19:27,525

color, pull it in one direction.

376

00:19:30,365 --> 00:19:31,235

Go back up here.

377

00:19:34,285 --> 00:19:35,795

I'm gonna put in some happy little bushes.

378

00:19:39,045 --> 00:19:41,445

Push up then that brush

don't let it slide though.

379

00:19:42,315 --> 00:19:44,985

If it slides, you're going

to get that and that's bad.

380

00:19:46,605 --> 00:19:51,315

If that happens to you, just cover it

up with a nice little Bush that easy.

381

00:19:51,315 --> 00:19:51,945

You can fix it.

382

00:19:55,245 --> 00:19:55,905

Here we go.

383

00:20:00,075 --> 00:20:00,495

Okay.

384

00:20:01,575 --> 00:20:04,575

Now then back to my one inch

breast, it has the white on it.

385

00:20:04,635 --> 00:20:08,235

A little bit of liquid white, little

titanium, white, and the least little

386

00:20:08,235 --> 00:20:13,815

touch of bright red, at least little

touch load at brush full of paint.

387

00:20:14,565 --> 00:20:15,764

Tell you what, let me hold it this way.

388

00:20:15,794 --> 00:20:16,635

Look at the end of it.

389

00:20:16,754 --> 00:20:17,774

Look at all the paint.

390

00:20:18,645 --> 00:20:21,225

Probably the biggest single mistake

made is not putting enough paint.

391

00:20:21,225 --> 00:20:21,284

Yeah.

392

00:20:21,365 --> 00:20:23,935

To the brush there.

393

00:20:23,945 --> 00:20:26,975

Now push barely touched the canvas.

394

00:20:27,395 --> 00:20:29,375

It's a gentle, gentle little touch.

395

00:20:31,200 --> 00:20:31,980

Maybe right here.

396

00:20:31,980 --> 00:20:36,990

There's another happy little

Bush, one Bush at a time.

397

00:20:39,570 --> 00:20:40,260

There we go.

398

00:20:40,380 --> 00:20:41,340

And work in the layers.

399

00:20:41,340 --> 00:20:43,350

That's what helps create

the illusion of depth.

400

00:20:46,220 --> 00:20:46,880

There's one,

401

00:20:50,710 --> 00:20:51,510

there's one.

402

00:20:52,550 --> 00:20:54,080

I tell you what I want to know the tree.

403

00:20:55,670 --> 00:20:56,750

So you can change your mind.

404

00:20:56,750 --> 00:20:58,670

I'm going to have a tree

that lives right here.

405

00:21:01,980 --> 00:21:04,770

Yes, I don't want this one

big tree to get lonely.

406

00:21:06,480 --> 00:21:07,650

Trees are like all of us.

407

00:21:07,650 --> 00:21:08,400

They need friends.

408

00:21:11,550 --> 00:21:12,330

He has a friend.

409

00:21:15,645 --> 00:21:18,375

If, if I had a beautiful little

place, like, yes, I'd have to

410

00:21:18,375 --> 00:21:19,425

have a little cabin out there.

411

00:21:19,425 --> 00:21:20,145

So let's do that.

412

00:21:20,595 --> 00:21:24,225

And probably one of the easiest ways

to paint a cabin is to take your knife

413

00:21:24,465 --> 00:21:26,235

and just scrape out the basic shape.

414

00:21:26,835 --> 00:21:29,955

This does two things,

probably most important.

415

00:21:29,955 --> 00:21:35,595

It removes the thin paint, the

loose paint, but it also allows

416

00:21:35,595 --> 00:21:39,045

you to lay out your snatch, a

cabin without being committed.

417

00:21:39,255 --> 00:21:40,545

We'll take a little Vandyke Brown.

418

00:21:41,159 --> 00:21:41,909

Just do that.

419

00:21:41,969 --> 00:21:46,739

So we need to do a little Brown,

little dark Sienna mixed together

420

00:21:47,100 --> 00:21:48,270

and were put in the front.

421

00:21:49,500 --> 00:21:50,189

There we go.

422

00:21:51,750 --> 00:21:53,250

Other side soup.

423

00:21:53,489 --> 00:21:56,610

See how quick you can build

a little cabin over here.

424

00:21:56,820 --> 00:22:01,379

Zoop got to make those little

noises or just work a little dark,

425

00:22:01,379 --> 00:22:03,449

CNN white and just barely touch.

426

00:22:03,479 --> 00:22:04,919

Just like you're putting

snow on the mountain.

427

00:22:05,475 --> 00:22:07,635

And that'll, that'll make it look old.

428

00:22:08,955 --> 00:22:10,274

It will straighten that out a little bit.

429

00:22:10,334 --> 00:22:11,264

There that's better.

430

00:22:11,655 --> 00:22:12,284

That's better.

431

00:22:13,784 --> 00:22:17,294

A little more of the Vandyke

Brown put a little door in there.

432

00:22:19,935 --> 00:22:23,415

We'll go right around the edges,

sort of outline that door.

433

00:22:23,415 --> 00:22:26,175

So it stands out and you can

just cut through this and make

434

00:22:26,175 --> 00:22:27,405

it look like little planks.

435

00:22:28,485 --> 00:22:32,774

Now we need, we need some roof

on their guy that lives there

436

00:22:32,774 --> 00:22:33,794

is going to freeze to death.

437

00:22:33,824 --> 00:22:34,695

We don't give them a roof.

438

00:22:34,875 --> 00:22:39,375

So come right down and put

some snow right on his roof.

439

00:22:41,625 --> 00:22:42,614

That easy.

440

00:22:44,294 --> 00:22:47,774

Now, over here on this side, it's

gotta have some snow over there too.

441

00:22:49,324 --> 00:22:49,834

Look at that.

442

00:22:53,044 --> 00:22:56,044

Let's have here's some snow out in front.

443

00:22:56,685 --> 00:23:00,645

You'll have a little path and he

walks right down this path and

444

00:23:00,645 --> 00:23:04,425

goes over here, fishes that great

big trout that lives out there.

445

00:23:06,675 --> 00:23:07,005

Okay.

446

00:23:07,005 --> 00:23:10,245

Now we can take a little more

of the liquid white titanium,

447

00:23:10,245 --> 00:23:12,675

white touch to the bright red,

448

00:23:15,755 --> 00:23:21,385

and we can put some bushes around

his little cabin there that kind of.

449

00:23:23,879 --> 00:23:26,219

Look, it they're easy.

450

00:23:26,340 --> 00:23:28,290

You've got a little

cabin, a little walkway,

451

00:23:31,379 --> 00:23:36,629

happy, little snow pitchers, nice and

cold, but yet it's still warm now.

452

00:23:36,629 --> 00:23:38,189

Then tell you what, let's have some fun.

453

00:23:39,240 --> 00:23:42,659

As I mentioned at the beginning of the

show, we have contact paper up here.

454

00:23:43,004 --> 00:23:43,905

So let's take it off.

455

00:23:44,205 --> 00:23:49,064

Maybe we can come right down in here and

watch, I'm going to grab this, come right

456

00:23:49,064 --> 00:23:50,385

up here and watch, watch what happens.

457

00:23:51,824 --> 00:23:53,475

Just pull that right

off and look at there.

458

00:23:55,895 --> 00:23:56,615

There we go.

459

00:23:57,544 --> 00:23:58,054

Isn't that neat.

460

00:23:58,865 --> 00:24:00,335

Of course we run a tree over here.

461

00:24:02,195 --> 00:24:02,945

So watch here.

462

00:24:03,064 --> 00:24:08,375

We'll go right back into the dark color,

unless let's just give his tree a shot of

463

00:24:08,375 --> 00:24:11,435

vitamins saying we can come right back.

464

00:24:12,330 --> 00:24:17,760

I like to do these ovals and allow part of

the painting to project out of the oval,

465

00:24:20,760 --> 00:24:23,640

just like, so see, there's a tree.

466

00:24:24,000 --> 00:24:28,470

We gave him some vitamins and he grew

right back and he had a friend here.

467

00:24:28,470 --> 00:24:28,770

Right.

468

00:24:29,880 --> 00:24:32,520

So we don't want him to be left out.

469

00:24:34,139 --> 00:24:37,470

And that easy, you can go right back

in there and put his friend back here

470

00:24:41,040 --> 00:24:44,639

and it started like a vignette, but

not, not exactly like it is a little

471

00:24:44,639 --> 00:24:48,960

different and it creates a very nice mood.

472

00:24:52,050 --> 00:24:56,250

And if you're interested in that and that

happy buck, these will certainly sell.

473

00:24:58,350 --> 00:24:59,639

People like these paintings.

474

00:24:59,700 --> 00:25:04,230

Now take a little bit dark CNN

white mixture, and we'll put a

475

00:25:04,230 --> 00:25:05,639

happy little tree trunk in here.

476

00:25:07,710 --> 00:25:09,990

Now you might notice these edges are blue.

477

00:25:10,560 --> 00:25:11,460

That was a little sneaky.

478

00:25:11,460 --> 00:25:11,700

Huh?

479

00:25:12,480 --> 00:25:17,730

I had painted the canvas blue in advance

and the liquid white is so opaque.

480

00:25:18,660 --> 00:25:20,490

If there's some blue in

here, it'll go right over it.

481

00:25:20,490 --> 00:25:21,660

You don't have to worry about it.

482

00:25:21,899 --> 00:25:22,889

It'll cover it right up.

483

00:25:24,000 --> 00:25:27,650

And then when you pull your contact

paper off, there, it is all around the

484

00:25:27,650 --> 00:25:31,550

edges and it really gives you, it gives

you a nice painting, but try it with

485

00:25:31,580 --> 00:25:35,870

other colors and you can make all kinds

of things happen on the edges here.

486

00:25:36,200 --> 00:25:38,990

And you can put different colors

that you can fade paint in.

487

00:25:39,680 --> 00:25:40,550

I could get carried away.

488

00:25:40,750 --> 00:25:42,410

You could do so many things with this.

489

00:25:43,490 --> 00:25:44,240

So many things.

490

00:25:44,240 --> 00:25:44,300

Yeah.

491

00:25:44,330 --> 00:25:48,500

I'm getting letters from people all over

the country and they, they just say all

492

00:25:48,500 --> 00:25:50,120

kinds of beautiful things are happening.

493

00:25:51,080 --> 00:25:51,590

Try it.

494

00:25:54,305 --> 00:25:55,925

You'll see what it can do.

495

00:25:56,165 --> 00:25:59,014

Look at there just as a little

bit of thing, a little blue and

496

00:25:59,014 --> 00:26:06,605

white, just to put a little light

on there, there, not too much.

497

00:26:06,905 --> 00:26:07,745

Just sort of touch

498

00:26:11,555 --> 00:26:13,385

there we go like that.

499

00:26:13,774 --> 00:26:17,315

See, and as it gets down here, darker,

darker, darker, darker, darker.

500

00:26:19,530 --> 00:26:19,949

Okay.

501

00:26:20,399 --> 00:26:23,939

Now we can take the knife and

evergreens always have so deadly.

502

00:26:23,939 --> 00:26:24,610

I was just grabbing.

503

00:26:24,699 --> 00:26:27,449

So you take the point of the

knife, give it a little pull

504

00:26:28,050 --> 00:26:29,399

C, make him a little deadly.

505

00:26:29,399 --> 00:26:32,100

I'm hanging still a couple on

the other side, over here too.

506

00:26:32,100 --> 00:26:33,149

We don't want him left out.

507

00:26:35,480 --> 00:26:38,570

And I think we just about have

a, have a completed painting.

508

00:26:38,570 --> 00:26:42,139

So let's sign this one now just

take my liner, brush, dip it right

509

00:26:42,139 --> 00:26:46,040

into some liquid clear and go

right into the bright red and year.

510

00:26:46,459 --> 00:26:47,510

You want to make this color?

511

00:26:48,375 --> 00:26:49,905

Very thin, almost like water.

512

00:26:50,745 --> 00:26:51,015

Okay.

513

00:26:51,035 --> 00:26:51,885

Let's go right up here.

514

00:26:52,665 --> 00:26:54,465

Maybe I'll sign this one right here.

515

00:26:55,905 --> 00:26:59,645

Like, so I hope you've

enjoyed this painting.

516

00:26:59,885 --> 00:27:02,645

Give these ovals and

different shapes a try.

517

00:27:02,645 --> 00:27:03,905

Use the contact paper.

518

00:27:04,655 --> 00:27:08,255

You won't believe things you can make

until next time from all of us here.

519

00:27:08,465 --> 00:27:09,245

Happy painting.

520

00:27:09,755 --> 00:27:10,295

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S09E05 - Winter Oval

Bob Ross's

The Joy of Painting

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