Bob Ross's
The Joy of Painting
S15E06 - Waves Of Wonder
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Hi, welcome back.
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I'm glad you joined me today
because they were going to do
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a fantastic little seascape.
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I think you'll like that.
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Let me tell you what I've
already done up here.
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I have my standard old canvas up here
and I've covered the top of it with just
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liquid white, just like we normally do.
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Then I have a piece of masking
tape and this is slightly above
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the center, slightly above center.
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And then the bottom of this I've
covered with liquid clear and
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I've just have a thin even coat.
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I'll tell you what, let's have
him run all the colors across the
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screen that you need to paint along.
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And we're going up here and get started.
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Now, let's start today with a small
amount of the theolo blue smallest
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little amount, just a tiny bit.
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Okay.
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Let's just go up in here and let's
just drop a Sam happy little sky.
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She has to quick little sky.
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Now when you're putting this.
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Liquid clear on like we have on
the bottom, use it very, very
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sparingly because you can't see it.
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You have a tendency to
put too much on need.
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Very, very little of it to all
son-of-a-gun one, one can have,
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it might last you for years and
years and years, there we go.
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I have a big old cloud up in the sky.
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So we'll just leave a spot open for it.
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And we just blend that out a little that
like, so yeah, same old brush and I'll
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take some more thalo blue reach up here
and grab a touch of the lizard Crimson.
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So we have the little
blue analyser in Crimson.
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Just mix it on the brush.
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I'm just looking for sort of a
lavender color, maybe in our sky today.
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There's a big old cloud to choose
a corner of the breast seat.
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Just, just tap you in the back of the
cloud here, putting in some shadow.
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Dennis drop him down
wherever you want to be here.
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Right on down.
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I don't know.
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You'll be the judge of
where you want clouds to be.
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Maybe it comes right
on down here somewhere.
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All we're doing is putting
in some dark shapes.
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So when we put light on it'll
stand out sparkle for you.
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Let's bend this one over a little there.
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So make him tilt over a little bit.
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You can just do anything
to want to do your cloud.
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Clean the brush here, give him a shake.
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We're in business.
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Okay, I'm going to go right into titanium.
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White, still use old two inch brush.
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What the heck.
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Now, when you're doing this at home, maybe
you want to use your fan brush to do it.
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If you want very delicate little
clouds or a one inch brush, or you
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can get brave and just use this big
sign over it, that it doesn't matter.
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There we go.
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Just put them Rascals out in there.
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I want big fluffy cloud
just lives out here.
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As a good time, maybe there
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just wherever you think they should be.
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Maybe there's a little bit of
it that floats right over here.
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Wherever, wherever.
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Look at that.
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So you speak old brush
will make beautiful clouds.
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If you just give it a chance, but I'm
using just the corner of the brush.
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Okay, we'll wash that rascal again.
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If you've painted with me
before, you know, I use odorless
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thinner to clean the brush.
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If you don't use odorless standard,
I guarantee you you're going to be
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working alone and you're going to be
the most unpopular person in the house.
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Now just use just the
top corner of the brush.
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It will begin mixing this, blending
it, and I'm going to beat the
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brush occasionally just to knock
off excess painted a pickup there,
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just begin blending it together.
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And by just beating the brush,
you don't have to go through
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the whole cleaning procedure.
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Just give it a good they're knocking.
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A good goodbye.
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Okay.
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Now I'm going to fluff this cloud a little
kind of make those little noises there.
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Just fluff it up.
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Like, so give it another beat in a bang.
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And here we are
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sort, it looks like a bomb.
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Went off her doing anything.
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Sunday half year.
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We want to paint that
big explosion, big bomb.
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You know how to do it.
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We both learned something there
very lightly, very lightly.
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Just want to go right across that.
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Just blend it very softly.
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Three hairs and some
air that's all it takes.
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Okay.
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Knock off an excess paint.
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Now then, as I mentioned earlier, there's
a piece of masking tape across here.
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I have that on here only to give us
a beautiful straight horizon line.
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So let's take care of it.
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That's the fun part is pulling that off.
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Now that we can go up here and
begin playing a little bit.
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It might take a clean, dry brush
and put the least little touch of a
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liquid clear right up to the horizon.
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And you're using this clear
one of the neatest things.
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Try this at home, take it clear
and liquid white, mix it together
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in about equal proportions and
then put it on your canvas.
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Make some of the most.
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Beautiful effects you've ever seen.
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You'll like it, you like it.
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Now I'm going to take a, just little
lighter bruh or Filbert brush.
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I'm sir, little Filbert brush here.
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Put a little color on it.
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I like to sort of lay out a basic
idea when I'm going to do little
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seascapes, because I want to keep
the eye, this wave transparent.
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So come right up here
and watch let's just go.
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There'll be our, our major wave.
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You'll come right along
in there somewhere.
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And it'll curl over.
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Does that sort of help, like, so
maybe we'll have some stones in here.
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I don't know.
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Somewhere in here we'll have some stones.
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See, it doesn't matter.
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You can just do anything
that you want to do there.
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The only thing I'm worried
about saving is this nice.
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Please where the, our wave will be.
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I want to keep that nice
and clean and sparkly.
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Let's get a little, little bit
of the little blue be right back.
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Grab some alizarin Crimson.
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Blue.
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Okay.
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Now then I'm just going to put a
little touch of color right up in here.
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Maybe a touch, more of the Crimson there.
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This is just background color.
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There we go.
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Right up to the horizon.
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And roughly down to where
we're going to have that room.
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We're really not committed.
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So it's not a big deal.
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That's the only part I'm
trying to say is right there.
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Rest of it, wherever
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right over here somewhere.
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Okay.
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You add a little, a little
green to my brush here.
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Maybe.
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And he gets down in here and we're
going to have a little touch of green.
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I'm going to add some black to that.
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Very dark black.
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They look blue, no green dead right on up.
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I was looking for a
super, super dark color.
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There we go.
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I'm gonna grab another brush.
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Maybe there'd be a little sand over here.
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So I'm going to go into the
Bandag Brown little dark Sienna.
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Just mix them up a
little bit on the brush.
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Maybe there's a little sand lives
right over here in the corner.
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And all we're doing is
just blocking in color.
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Add a little touch of
yellow ochre to that.
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It'll touch it, yellow
ochre, as it gets down here.
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They're, it's hard to
let them blend together.
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No big deal right now, once again,
all we're doing is blocking in color.
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When you come back and do
anything that we want to do.
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Okay.
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Clean or brush scrubbing.
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And beat the devil out of it.
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Kay.
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Now we can start playing back here,
grab a fan brush, go into a little
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bit of white and we can make our
first big decision looking for some
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waves back here in the background.
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There's one just straight white.
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So all it is.
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There's another one that lives right back
in here, just straight white, a little bit
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of white, right along to this major one.
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Now all we want to do is gently.
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Blend this back, allow it to
pick up that color is back here.
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Just blend it back.
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Okay.
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Grab the next one.
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Blend 10 back.
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Wipe all the excess paint off your
brush and just use the paint that you
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have on the canvas and blend back.
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See what happens.
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It's these dark edges that are important,
not the light ones at the beginning.
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Getting all those beautiful
little wave shapes in there.
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And we can just pet a little
of the white on the brush here.
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This put the indication of some
little things that are happening.
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We back in there just make little
wave shapes just here and there.
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Okay.
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Let's get a Filbert here, right
in this area on have some fun.
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So we'll take.
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Some straight titanium, white and two that
I'm going to add the smallest little touch
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of CAD yellow, very little color in there.
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Load the bristles full of paint.
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That was go right up in here.
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If this is where the I, the way
he was going to be here, the
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transparency than just scrub it.
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Yeah.
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Get tough with it.
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Get tough with it.
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Really scrubbed it yet.
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Now they will begin picking
up some of this color.
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Just let it blend out dark and darker
while I have been on the brush.
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Maybe some of it comes down in here.
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See, let all kinds of
little things just happen.
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Bring them sort of back
and forth a little.
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Now we can wash it and brush.
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Okay.
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Now we have a good dry two inspiration.
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I will use just the top corner
and very lightly, very lightly
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make tiny little circles here.
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And we can begin blending
all that together.
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Turn this little circles, just
barely, barely touching the canvas
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and you just sort of wind it up for
a while while we're on Romsey there.
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And now we can begin creating some shape.
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Just pull those colors together.
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That's pretty already now shapes.
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There we go.
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Okay.
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Now we want that water to crash over.
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So just take some white on the
brush and we're, let's see here.
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Let me find another brush.
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I got two or three of them go in here.
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Maybe a little more dark right in here.
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There we are.
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We've got to have plenty of dark in there.
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Sorry.
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Lidl show.
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Nah, we can take our, this
is just titanium white.
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I'm going to grab it.
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Give it a pull at it, curl over.
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Think about that way.
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You're crashing over the top here.
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Grab it helps to make
those little noises too.
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There you go.
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Okay.
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Maybe.
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Said there was going to be some stones.
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I'm gonna take some, Oh,
let's go in right in here.
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Has some Vandyke Brown,
dark Sienna mixed together.
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And right here, I'm going to mix up a
blue and lizard Crimson, proportionally,
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much more Crimson, take a little of each.
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And maybe our stone lives right up
in here and push it in very firmly.
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Now I'm going, it's going to
start blending this together.
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All I'm doing is bending that knife.
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I have the small knife pushing very
firmly and begin blending this together.
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Let it pick up some of this white.
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00:14:17,055 --> 00:14:20,895
I want this to be very soft, very
subdued, a little more white.
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And just see what's happening.
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That's a lot of pressure,
really, a lot of pressure.
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Wipe your knife continually.
245
00:14:37,945 --> 00:14:39,875
Just make it look so soft.
246
00:14:40,385 --> 00:14:41,975
Maybe this way he comes
right in front of it.
247
00:14:42,095 --> 00:14:43,385
And you have to make a big decision
248
00:14:47,585 --> 00:14:49,325
to take a little blue, blue.
249
00:14:49,680 --> 00:14:53,430
Crimson touch your white.
250
00:14:55,530 --> 00:15:00,180
Let's put up, let's go right in here and
let's start putting the foam in here.
251
00:15:00,180 --> 00:15:01,079
That's the fun part.
252
00:15:01,920 --> 00:15:07,410
Let's think about that phone crashing
and carry it on in there helps to
253
00:15:07,410 --> 00:15:12,030
make all these little noises can,
you know, we have to clean the Bush.
254
00:15:15,569 --> 00:15:17,400
I'm just wiping it on
some paper towels here.
255
00:15:19,155 --> 00:15:25,205
Can we go right back into, this is white
with a least little touch of the CAD,
256
00:15:25,205 --> 00:15:26,975
yellow, at least little touch load.
257
00:15:26,975 --> 00:15:28,295
A lot of color into the brush.
258
00:15:31,265 --> 00:15:32,225
Let's start right up here.
259
00:15:33,155 --> 00:15:34,565
Let's give it a little upward push.
260
00:15:35,435 --> 00:15:36,605
Create that nice phone.
261
00:15:41,195 --> 00:15:42,905
Wipe your brush off in between loading.
262
00:15:44,375 --> 00:15:45,935
So you have nice, fresh color on it.
263
00:15:48,025 --> 00:15:49,585
Foam, just follow right around here.
264
00:15:49,585 --> 00:15:55,405
Think about how the water's going
to crash and churn and carry on all
265
00:15:55,405 --> 00:15:56,814
the little things that are going on.
266
00:15:57,985 --> 00:16:00,625
Water really gets boy gets
having a good time out here.
267
00:16:02,305 --> 00:16:06,145
Now I'm wiping all the
paint off the brush.
268
00:16:06,655 --> 00:16:06,745
Okay.
269
00:16:07,194 --> 00:16:09,775
And very gently just going
to blend these back together.
270
00:16:10,725 --> 00:16:13,605
Get all the paint off the brush that
you can get off, just rub it, clean
271
00:16:18,735 --> 00:16:22,845
our two inch brush and very lightly
once again, just blend that together
272
00:16:23,575 --> 00:16:25,425
comes out so soft and delicate looking.
273
00:16:26,535 --> 00:16:28,725
People never believe he'd done
that with a great big brush.
274
00:16:31,365 --> 00:16:36,375
Don't take the liner brush, go into
some of that lavender here, and
275
00:16:36,375 --> 00:16:37,755
I want to strengthen this edge.
276
00:16:39,375 --> 00:16:40,575
So it really stands out.
277
00:16:42,525 --> 00:16:43,095
There we go.
278
00:16:45,255 --> 00:16:51,315
Really strengthened the pear a little
bit of that color on it and begin
279
00:16:51,315 --> 00:16:53,145
putting some little things in your wave.
280
00:16:55,125 --> 00:16:57,405
These little things help show the shape.
281
00:16:59,830 --> 00:17:00,220
Fair.
282
00:17:02,610 --> 00:17:02,910
Okay.
283
00:17:02,910 --> 00:17:05,610
Now let's go back to a small knife.
284
00:17:07,530 --> 00:17:11,940
I'll tell you, I tell you what
let's have an opening between
285
00:17:11,940 --> 00:17:14,760
these stones and always looks neat.
286
00:17:15,694 --> 00:17:19,534
Come right in here and you need
a few little things happening.
287
00:17:21,694 --> 00:17:22,834
We're not too worried about this.
288
00:17:22,834 --> 00:17:25,175
Most of it's going to be covered
up with maybe a little it to show
289
00:17:25,194 --> 00:17:28,895
through, and we have a little bit
of action going on back there.
290
00:17:29,524 --> 00:17:30,485
Neat little action.
291
00:17:31,925 --> 00:17:35,495
Go back into our lavender and Brown
mixture and maybe come around to appear.
292
00:17:35,495 --> 00:17:37,594
Maybe there's another stone.
293
00:17:38,610 --> 00:17:39,149
There he is.
294
00:17:41,520 --> 00:17:43,500
It's not a great deal of color on here.
295
00:17:44,820 --> 00:17:46,110
Not a great deal of color.
296
00:17:47,220 --> 00:17:48,960
Really push firmly
297
00:17:54,870 --> 00:17:55,230
there.
298
00:17:55,240 --> 00:17:58,830
Just really push it up, shaping it.
299
00:17:58,830 --> 00:18:02,189
Rocks, take off all that excess paint.
300
00:18:09,630 --> 00:18:13,560
Types a little of the
things happening at home.
301
00:18:13,710 --> 00:18:18,450
You have unlimited time and you can just
make layer after layer of a beautiful
302
00:18:18,450 --> 00:18:19,980
stone after beautiful stone here.
303
00:18:25,120 --> 00:18:28,230
This little knife is
really ideal for this.
304
00:18:31,395 --> 00:18:32,395
Can you maybe okay.
305
00:18:32,395 --> 00:18:38,074
In our world here, a little touch
of highlight, it just sings right
306
00:18:38,074 --> 00:18:41,524
on down on that rock out there.
307
00:18:41,524 --> 00:18:43,925
It is stay there.
308
00:18:44,135 --> 00:18:45,754
Now they just grabbed the edges of that.
309
00:18:45,754 --> 00:18:47,014
Maybe in blended back a little.
310
00:18:51,665 --> 00:18:52,955
That's a mean looking rocket.
311
00:18:52,955 --> 00:18:57,784
Now take a little touch of blue and white.
312
00:18:59,770 --> 00:19:01,220
Just put a little of that right in here.
313
00:19:10,240 --> 00:19:11,440
A little bit of straight white,
314
00:19:14,480 --> 00:19:19,840
just by making these little circles here,
you can create all kinds of foam, miss
315
00:19:19,850 --> 00:19:21,760
that's, building and churning down here.
316
00:19:23,555 --> 00:19:27,515
Look at that, you can do it.
317
00:19:27,965 --> 00:19:32,315
You can do it from
pressure bending at night.
318
00:19:38,765 --> 00:19:41,345
You can do entire seascapes,
this little knife.
319
00:19:42,065 --> 00:19:44,045
It's very, very good for seascapes.
320
00:19:46,325 --> 00:19:47,075
Okay.
321
00:19:47,669 --> 00:19:51,600
You find more fan brush again,
maybe there's right in here.
322
00:19:55,560 --> 00:19:57,030
Not a little dirt lives right there.
323
00:19:58,050 --> 00:19:58,679
Wherever you want it.
324
00:19:58,889 --> 00:20:00,389
Put a little trough right there.
325
00:20:04,440 --> 00:20:06,000
Just very gently blended together.
326
00:20:06,000 --> 00:20:09,030
This liquid clear is
fantastic for seascapes.
327
00:20:09,989 --> 00:20:11,879
That's one of the nicest
things ever invented.
328
00:20:12,679 --> 00:20:13,709
It works so well.
329
00:20:14,129 --> 00:20:14,340
Okay.
330
00:20:14,939 --> 00:20:17,639
Let's see that, how, that just
is a troth right in there though.
331
00:20:17,639 --> 00:20:19,409
That that flows for you.
332
00:20:20,870 --> 00:20:21,320
Okay.
333
00:20:24,139 --> 00:20:24,350
Yes.
334
00:20:24,379 --> 00:20:25,669
I lost an eye for a second time.
335
00:20:27,620 --> 00:20:29,570
Maybe there's another stone right here.
336
00:20:31,504 --> 00:20:35,135
And as I say, in your world, you put
as many or as few stones as you want.
337
00:20:37,415 --> 00:20:40,504
This is just a little bit of Brown
and some of that lavender color,
338
00:20:43,794 --> 00:20:45,865
just let it churn and
missed right in there.
339
00:20:50,455 --> 00:20:54,925
That's pretty though the way that
just comes together and we'll take at
340
00:20:54,925 --> 00:20:56,575
least little touch of yellow ochre.
341
00:20:57,690 --> 00:21:00,690
Least little touch, a little
bit of white and maybe let's
342
00:21:00,690 --> 00:21:01,770
just come right out in here.
343
00:21:02,540 --> 00:21:04,350
Sort of define the stone a little bit,
344
00:21:08,380 --> 00:21:09,870
such a small amount of the ochre in there.
345
00:21:09,870 --> 00:21:11,370
It really doesn't even look.
346
00:21:11,430 --> 00:21:14,970
It doesn't even look like ochre,
little touch you the blue.
347
00:21:15,050 --> 00:21:15,200
Okay.
348
00:21:20,455 --> 00:21:21,024
Why do you
349
00:21:31,705 --> 00:21:34,074
continually get off any excess paint?
350
00:21:35,695 --> 00:21:36,925
Just blend all this together.
351
00:21:38,514 --> 00:21:38,814
Shoot.
352
00:21:38,814 --> 00:21:40,104
Let's have a big rock right here.
353
00:21:40,225 --> 00:21:41,245
I'm getting so carried away.
354
00:21:41,545 --> 00:21:43,375
Leave something to cover
up his big opening here.
355
00:21:44,605 --> 00:21:46,285
We'll just take some Vandyke Brown here.
356
00:21:48,085 --> 00:21:49,885
This is bringing right off the canvas.
357
00:21:49,885 --> 00:21:50,485
What the heck?
358
00:21:52,225 --> 00:21:58,885
Maybe he comes right there, wherever
it comes right down in front.
359
00:22:00,985 --> 00:22:04,765
And just fill this out, scrape
off all the excess paint.
360
00:22:07,995 --> 00:22:08,845
Really get in there.
361
00:22:11,505 --> 00:22:12,915
Pull all of it out that you can.
362
00:22:16,485 --> 00:22:17,625
Caitlin or a little knife.
363
00:22:18,885 --> 00:22:23,475
I just want to blend all
this together over here.
364
00:22:23,475 --> 00:22:25,545
I'm going to add a little bit
of the fellow blue and white
365
00:22:27,885 --> 00:22:29,355
act as a nice shadow color.
366
00:22:32,175 --> 00:22:33,405
Maybe there's a touch.
367
00:22:33,700 --> 00:22:33,970
Okay.
368
00:22:34,030 --> 00:22:36,460
And here a little highlight.
369
00:22:40,030 --> 00:22:42,070
You're continually wiping the knife.
370
00:22:45,520 --> 00:22:46,240
There we go.
371
00:22:52,629 --> 00:22:53,560
That must have some fun.
372
00:22:53,590 --> 00:22:56,169
Maybe, maybe, maybe in our world.
373
00:22:57,035 --> 00:23:00,215
Maybe the old water line here comes right.
374
00:23:00,905 --> 00:23:04,165
Push very firmly, firmly.
375
00:23:08,585 --> 00:23:09,545
Just blend that back.
376
00:23:13,375 --> 00:23:14,275
It's unbelievable.
377
00:23:14,305 --> 00:23:15,355
What you can do with the knife.
378
00:23:15,745 --> 00:23:19,254
If it really truly is spend
some time learning as son of
379
00:23:19,254 --> 00:23:20,365
a gun, make friends with it.
380
00:23:21,965 --> 00:23:26,945
Thank you too good for him, because it
will do things that you could not believe.
381
00:23:29,075 --> 00:23:31,175
Creative illusion of a little mist here.
382
00:23:37,265 --> 00:23:44,225
Maybe, maybe there's another little ripple
and appear on the shore a little bit.
383
00:23:52,490 --> 00:23:52,880
Okay.
384
00:23:54,440 --> 00:23:57,200
We need some little fun things in here.
385
00:23:57,350 --> 00:24:03,560
Maybe in here we have all kinds, a
little phone things live in here.
386
00:24:12,235 --> 00:24:18,314
You can blend these until they any, any
degree of lightness, softness harshness
387
00:24:18,314 --> 00:24:21,375
that you want can make it very, very soft.
388
00:24:24,945 --> 00:24:27,824
Take a little paint, thinner,
little yellow, blue, and white.
389
00:24:28,845 --> 00:24:31,784
And let's go back in here
and begin putting in.
390
00:24:33,495 --> 00:24:39,075
Just a little wave indications and
you can put in all kinds of these to
391
00:24:39,075 --> 00:24:40,815
really make your painting stand out.
392
00:24:42,495 --> 00:24:47,565
Just all kinds of, if
you come across here.
393
00:24:51,025 --> 00:24:52,225
Pink where the lights coming.
394
00:24:52,405 --> 00:24:57,295
If you have a little bright spot here,
maybe this right in here, it's a little
395
00:24:57,295 --> 00:25:00,415
bit brighter that I'm just shine.
396
00:25:06,165 --> 00:25:07,455
Maybe right along in here.
397
00:25:13,905 --> 00:25:14,265
Okay.
398
00:25:14,325 --> 00:25:19,485
Here's some, they come right on
around, look at that, see this
399
00:25:19,485 --> 00:25:21,315
gives shape and form to your way.
400
00:25:22,965 --> 00:25:23,055
Okay.
401
00:25:23,520 --> 00:25:23,949
There,
402
00:25:29,040 --> 00:25:29,639
there we go.
403
00:25:29,790 --> 00:25:33,510
Just that your hand wiggled
and jiggled carry on.
404
00:25:34,020 --> 00:25:36,780
This is where if you have a little
nervous Twitch you're ahead of the
405
00:25:36,780 --> 00:25:41,250
game where you've got something
going, take advantage of it.
406
00:25:41,639 --> 00:25:42,419
Here comes one.
407
00:25:42,720 --> 00:25:42,899
Yep.
408
00:25:42,960 --> 00:25:43,470
You're right.
409
00:25:49,949 --> 00:25:50,970
Just let him go.
410
00:25:54,705 --> 00:25:59,495
There at these things, as I say,
this is what the ads, the little
411
00:25:59,495 --> 00:26:01,745
details that are so fantastic.
412
00:26:02,915 --> 00:26:06,695
And if you're out selling paintings,
for example, this is what will make
413
00:26:06,695 --> 00:26:09,875
your painting stand out over everybody.
414
00:26:09,875 --> 00:26:10,745
Else's it's around.
415
00:26:12,449 --> 00:26:16,110
So spend some time and do some of
these little things and enjoy it.
416
00:26:17,100 --> 00:26:18,210
It's a fun part of it.
417
00:26:19,889 --> 00:26:24,449
Maybe even in here, a few little
gooders over in here, something
418
00:26:24,449 --> 00:26:28,470
like, so there's no end to this.
419
00:26:29,790 --> 00:26:31,470
The seascapes, it should not be hard.
420
00:26:31,470 --> 00:26:33,149
They shouldn't be a big mystery.
421
00:26:33,240 --> 00:26:33,780
I think we've.
422
00:26:34,905 --> 00:26:37,455
Come up with some ways here to do
some seascapes that even if you've
423
00:26:37,455 --> 00:26:42,525
never painted them before, you'll
have very, very good success.
424
00:26:43,185 --> 00:26:46,845
I'm going to sign this one, take a
little red and we'll call it done.
425
00:26:47,445 --> 00:26:48,405
I hope you've enjoyed it.
426
00:26:48,915 --> 00:26:53,415
Show you how to use the liquid
clear and having just a few minutes.
427
00:26:53,685 --> 00:26:57,495
You can do a fantastic little
seascape and from all of us here,
428
00:26:57,555 --> 00:26:59,235
I'd like to wish you happy painting.
429
00:26:59,325 --> 00:26:59,925
God bless.
430
00:26:59,955 --> 00:27:01,035
And I'll see you next time.
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