Tuesday, December 29, 2020

S15E06 - Waves Of Wonder

Bob Ross's

The Joy of Painting


S15E06 - Waves Of Wonder

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Hi, welcome back.


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I'm glad you joined me today

because they were going to do


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a fantastic little seascape.


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I think you'll like that.


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Let me tell you what I've

already done up here.


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I have my standard old canvas up here

and I've covered the top of it with just


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liquid white, just like we normally do.


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Then I have a piece of masking

tape and this is slightly above


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the center, slightly above center.


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And then the bottom of this I've

covered with liquid clear and


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I've just have a thin even coat.


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I'll tell you what, let's have

him run all the colors across the


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screen that you need to paint along.


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And we're going up here and get started.


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Now, let's start today with a small

amount of the theolo blue smallest


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little amount, just a tiny bit.


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Okay.


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Let's just go up in here and let's

just drop a Sam happy little sky.


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She has to quick little sky.


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Now when you're putting this.


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Liquid clear on like we have on

the bottom, use it very, very


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sparingly because you can't see it.


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You have a tendency to

put too much on need.


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Very, very little of it to all

son-of-a-gun one, one can have,


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it might last you for years and

years and years, there we go.


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I have a big old cloud up in the sky.


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So we'll just leave a spot open for it.


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And we just blend that out a little that

like, so yeah, same old brush and I'll


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take some more thalo blue reach up here

and grab a touch of the lizard Crimson.


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So we have the little

blue analyser in Crimson.


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Just mix it on the brush.


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I'm just looking for sort of a

lavender color, maybe in our sky today.


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There's a big old cloud to choose

a corner of the breast seat.


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Just, just tap you in the back of the

cloud here, putting in some shadow.


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Dennis drop him down

wherever you want to be here.


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Right on down.


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I don't know.


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You'll be the judge of

where you want clouds to be.


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Maybe it comes right

on down here somewhere.


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All we're doing is putting

in some dark shapes.


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So when we put light on it'll

stand out sparkle for you.


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Let's bend this one over a little there.


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So make him tilt over a little bit.


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You can just do anything

to want to do your cloud.


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Clean the brush here, give him a shake.


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We're in business.


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Okay, I'm going to go right into titanium.


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White, still use old two inch brush.


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What the heck.


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Now, when you're doing this at home, maybe

you want to use your fan brush to do it.


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If you want very delicate little

clouds or a one inch brush, or you


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can get brave and just use this big

sign over it, that it doesn't matter.


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There we go.


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Just put them Rascals out in there.


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I want big fluffy cloud

just lives out here.


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As a good time, maybe there


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just wherever you think they should be.


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Maybe there's a little bit of

it that floats right over here.


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Wherever, wherever.


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Look at that.


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So you speak old brush

will make beautiful clouds.


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If you just give it a chance, but I'm

using just the corner of the brush.


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Okay, we'll wash that rascal again.


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If you've painted with me

before, you know, I use odorless


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thinner to clean the brush.


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If you don't use odorless standard,

I guarantee you you're going to be


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working alone and you're going to be

the most unpopular person in the house.


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Now just use just the

top corner of the brush.


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It will begin mixing this, blending

it, and I'm going to beat the


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brush occasionally just to knock

off excess painted a pickup there,


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just begin blending it together.


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And by just beating the brush,

you don't have to go through


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the whole cleaning procedure.


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Just give it a good they're knocking.


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A good goodbye.


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Okay.


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Now I'm going to fluff this cloud a little

kind of make those little noises there.


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Just fluff it up.


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Like, so give it another beat in a bang.


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And here we are


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sort, it looks like a bomb.


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Went off her doing anything.


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Sunday half year.


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We want to paint that

big explosion, big bomb.


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You know how to do it.


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We both learned something there

very lightly, very lightly.


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Just want to go right across that.


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Just blend it very softly.


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Three hairs and some

air that's all it takes.


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Okay.


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Knock off an excess paint.


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Now then, as I mentioned earlier, there's

a piece of masking tape across here.


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I have that on here only to give us

a beautiful straight horizon line.


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So let's take care of it.


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That's the fun part is pulling that off.


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Now that we can go up here and

begin playing a little bit.


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It might take a clean, dry brush

and put the least little touch of a


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liquid clear right up to the horizon.


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And you're using this clear

one of the neatest things.


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Try this at home, take it clear

and liquid white, mix it together


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in about equal proportions and

then put it on your canvas.


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Make some of the most.


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Beautiful effects you've ever seen.


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You'll like it, you like it.


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Now I'm going to take a, just little

lighter bruh or Filbert brush.


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I'm sir, little Filbert brush here.


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Put a little color on it.


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I like to sort of lay out a basic

idea when I'm going to do little


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seascapes, because I want to keep

the eye, this wave transparent.


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So come right up here

and watch let's just go.


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There'll be our, our major wave.


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You'll come right along

in there somewhere.


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And it'll curl over.


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Does that sort of help, like, so

maybe we'll have some stones in here.


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I don't know.


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Somewhere in here we'll have some stones.


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See, it doesn't matter.


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You can just do anything

that you want to do there.


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The only thing I'm worried

about saving is this nice.


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Please where the, our wave will be.


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I want to keep that nice

and clean and sparkly.


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Let's get a little, little bit

of the little blue be right back.


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Grab some alizarin Crimson.


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Blue.


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Okay.


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Now then I'm just going to put a

little touch of color right up in here.


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Maybe a touch, more of the Crimson there.


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This is just background color.


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There we go.


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Right up to the horizon.


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And roughly down to where

we're going to have that room.


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We're really not committed.


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So it's not a big deal.


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That's the only part I'm

trying to say is right there.


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Rest of it, wherever


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right over here somewhere.


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Okay.


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You add a little, a little

green to my brush here.


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Maybe.


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And he gets down in here and we're

going to have a little touch of green.


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I'm going to add some black to that.


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Very dark black.


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They look blue, no green dead right on up.


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I was looking for a

super, super dark color.


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There we go.


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I'm gonna grab another brush.


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Maybe there'd be a little sand over here.


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So I'm going to go into the

Bandag Brown little dark Sienna.


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Just mix them up a

little bit on the brush.


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Maybe there's a little sand lives

right over here in the corner.


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And all we're doing is

just blocking in color.


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Add a little touch of

yellow ochre to that.


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It'll touch it, yellow

ochre, as it gets down here.


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They're, it's hard to

let them blend together.


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No big deal right now, once again,

all we're doing is blocking in color.


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When you come back and do

anything that we want to do.


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Okay.


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Clean or brush scrubbing.


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And beat the devil out of it.


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Kay.


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Now we can start playing back here,

grab a fan brush, go into a little


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bit of white and we can make our

first big decision looking for some


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waves back here in the background.


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There's one just straight white.


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So all it is.


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There's another one that lives right back

in here, just straight white, a little bit


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of white, right along to this major one.


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Now all we want to do is gently.


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Blend this back, allow it to

pick up that color is back here.


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Just blend it back.


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Okay.


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Grab the next one.


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Blend 10 back.


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Wipe all the excess paint off your

brush and just use the paint that you


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have on the canvas and blend back.


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See what happens.


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It's these dark edges that are important,

not the light ones at the beginning.


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Getting all those beautiful

little wave shapes in there.


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And we can just pet a little

of the white on the brush here.


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This put the indication of some

little things that are happening.


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We back in there just make little

wave shapes just here and there.


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Okay.


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Let's get a Filbert here, right

in this area on have some fun.


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So we'll take.


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Some straight titanium, white and two that

I'm going to add the smallest little touch


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of CAD yellow, very little color in there.


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Load the bristles full of paint.


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That was go right up in here.


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If this is where the I, the way

he was going to be here, the


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transparency than just scrub it.


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Yeah.


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Get tough with it.


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Get tough with it.


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Really scrubbed it yet.


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Now they will begin picking

up some of this color.


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Just let it blend out dark and darker

while I have been on the brush.


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Maybe some of it comes down in here.


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See, let all kinds of

little things just happen.


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Bring them sort of back

and forth a little.


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Now we can wash it and brush.


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Okay.


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Now we have a good dry two inspiration.


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I will use just the top corner

and very lightly, very lightly


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make tiny little circles here.


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And we can begin blending

all that together.


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Turn this little circles, just

barely, barely touching the canvas


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and you just sort of wind it up for

a while while we're on Romsey there.


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And now we can begin creating some shape.


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Just pull those colors together.


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That's pretty already now shapes.


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There we go.


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Okay.


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Now we want that water to crash over.


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So just take some white on the

brush and we're, let's see here.


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Let me find another brush.


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I got two or three of them go in here.


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Maybe a little more dark right in here.


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There we are.


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We've got to have plenty of dark in there.


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Sorry.


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Lidl show.


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Nah, we can take our, this

is just titanium white.


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I'm going to grab it.


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Give it a pull at it, curl over.


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Think about that way.


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You're crashing over the top here.


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Grab it helps to make

those little noises too.


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There you go.


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Okay.


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Maybe.


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Said there was going to be some stones.


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I'm gonna take some, Oh,

let's go in right in here.


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Has some Vandyke Brown,

dark Sienna mixed together.


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And right here, I'm going to mix up a

blue and lizard Crimson, proportionally,


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much more Crimson, take a little of each.


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And maybe our stone lives right up

in here and push it in very firmly.


237

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Now I'm going, it's going to

start blending this together.


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All I'm doing is bending that knife.


239

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I have the small knife pushing very

firmly and begin blending this together.


240

00:14:14,055 --> 00:14:15,345

Let it pick up some of this white.


241

00:14:17,055 --> 00:14:20,895

I want this to be very soft, very

subdued, a little more white.


242

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And just see what's happening.


243

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That's a lot of pressure,

really, a lot of pressure.


244

00:14:29,975 --> 00:14:31,235

Wipe your knife continually.


245

00:14:37,945 --> 00:14:39,875

Just make it look so soft.


246

00:14:40,385 --> 00:14:41,975

Maybe this way he comes

right in front of it.


247

00:14:42,095 --> 00:14:43,385

And you have to make a big decision


248

00:14:47,585 --> 00:14:49,325

to take a little blue, blue.


249

00:14:49,680 --> 00:14:53,430

Crimson touch your white.


250

00:14:55,530 --> 00:15:00,180

Let's put up, let's go right in here and

let's start putting the foam in here.


251

00:15:00,180 --> 00:15:01,079

That's the fun part.


252

00:15:01,920 --> 00:15:07,410

Let's think about that phone crashing

and carry it on in there helps to


253

00:15:07,410 --> 00:15:12,030

make all these little noises can,

you know, we have to clean the Bush.


254

00:15:15,569 --> 00:15:17,400

I'm just wiping it on

some paper towels here.


255

00:15:19,155 --> 00:15:25,205

Can we go right back into, this is white

with a least little touch of the CAD,


256

00:15:25,205 --> 00:15:26,975

yellow, at least little touch load.


257

00:15:26,975 --> 00:15:28,295

A lot of color into the brush.


258

00:15:31,265 --> 00:15:32,225

Let's start right up here.


259

00:15:33,155 --> 00:15:34,565

Let's give it a little upward push.


260

00:15:35,435 --> 00:15:36,605

Create that nice phone.


261

00:15:41,195 --> 00:15:42,905

Wipe your brush off in between loading.


262

00:15:44,375 --> 00:15:45,935

So you have nice, fresh color on it.


263

00:15:48,025 --> 00:15:49,585

Foam, just follow right around here.


264

00:15:49,585 --> 00:15:55,405

Think about how the water's going

to crash and churn and carry on all


265

00:15:55,405 --> 00:15:56,814

the little things that are going on.


266

00:15:57,985 --> 00:16:00,625

Water really gets boy gets

having a good time out here.


267

00:16:02,305 --> 00:16:06,145

Now I'm wiping all the

paint off the brush.


268

00:16:06,655 --> 00:16:06,745

Okay.


269

00:16:07,194 --> 00:16:09,775

And very gently just going

to blend these back together.


270

00:16:10,725 --> 00:16:13,605

Get all the paint off the brush that

you can get off, just rub it, clean


271

00:16:18,735 --> 00:16:22,845

our two inch brush and very lightly

once again, just blend that together


272

00:16:23,575 --> 00:16:25,425

comes out so soft and delicate looking.


273

00:16:26,535 --> 00:16:28,725

People never believe he'd done

that with a great big brush.


274

00:16:31,365 --> 00:16:36,375

Don't take the liner brush, go into

some of that lavender here, and


275

00:16:36,375 --> 00:16:37,755

I want to strengthen this edge.


276

00:16:39,375 --> 00:16:40,575

So it really stands out.


277

00:16:42,525 --> 00:16:43,095

There we go.


278

00:16:45,255 --> 00:16:51,315

Really strengthened the pear a little

bit of that color on it and begin


279

00:16:51,315 --> 00:16:53,145

putting some little things in your wave.


280

00:16:55,125 --> 00:16:57,405

These little things help show the shape.


281

00:16:59,830 --> 00:17:00,220

Fair.


282

00:17:02,610 --> 00:17:02,910

Okay.


283

00:17:02,910 --> 00:17:05,610

Now let's go back to a small knife.


284

00:17:07,530 --> 00:17:11,940

I'll tell you, I tell you what

let's have an opening between


285

00:17:11,940 --> 00:17:14,760

these stones and always looks neat.


286

00:17:15,694 --> 00:17:19,534

Come right in here and you need

a few little things happening.


287

00:17:21,694 --> 00:17:22,834

We're not too worried about this.


288

00:17:22,834 --> 00:17:25,175

Most of it's going to be covered

up with maybe a little it to show


289

00:17:25,194 --> 00:17:28,895

through, and we have a little bit

of action going on back there.


290

00:17:29,524 --> 00:17:30,485

Neat little action.


291

00:17:31,925 --> 00:17:35,495

Go back into our lavender and Brown

mixture and maybe come around to appear.


292

00:17:35,495 --> 00:17:37,594

Maybe there's another stone.


293

00:17:38,610 --> 00:17:39,149

There he is.


294

00:17:41,520 --> 00:17:43,500

It's not a great deal of color on here.


295

00:17:44,820 --> 00:17:46,110

Not a great deal of color.


296

00:17:47,220 --> 00:17:48,960

Really push firmly


297

00:17:54,870 --> 00:17:55,230

there.


298

00:17:55,240 --> 00:17:58,830

Just really push it up, shaping it.


299

00:17:58,830 --> 00:18:02,189

Rocks, take off all that excess paint.


300

00:18:09,630 --> 00:18:13,560

Types a little of the

things happening at home.


301

00:18:13,710 --> 00:18:18,450

You have unlimited time and you can just

make layer after layer of a beautiful


302

00:18:18,450 --> 00:18:19,980

stone after beautiful stone here.


303

00:18:25,120 --> 00:18:28,230

This little knife is

really ideal for this.


304

00:18:31,395 --> 00:18:32,395

Can you maybe okay.


305

00:18:32,395 --> 00:18:38,074

In our world here, a little touch

of highlight, it just sings right


306

00:18:38,074 --> 00:18:41,524

on down on that rock out there.


307

00:18:41,524 --> 00:18:43,925

It is stay there.


308

00:18:44,135 --> 00:18:45,754

Now they just grabbed the edges of that.


309

00:18:45,754 --> 00:18:47,014

Maybe in blended back a little.


310

00:18:51,665 --> 00:18:52,955

That's a mean looking rocket.


311

00:18:52,955 --> 00:18:57,784

Now take a little touch of blue and white.


312

00:18:59,770 --> 00:19:01,220

Just put a little of that right in here.


313

00:19:10,240 --> 00:19:11,440

A little bit of straight white,


314

00:19:14,480 --> 00:19:19,840

just by making these little circles here,

you can create all kinds of foam, miss


315

00:19:19,850 --> 00:19:21,760

that's, building and churning down here.


316

00:19:23,555 --> 00:19:27,515

Look at that, you can do it.


317

00:19:27,965 --> 00:19:32,315

You can do it from

pressure bending at night.


318

00:19:38,765 --> 00:19:41,345

You can do entire seascapes,

this little knife.


319

00:19:42,065 --> 00:19:44,045

It's very, very good for seascapes.


320

00:19:46,325 --> 00:19:47,075

Okay.


321

00:19:47,669 --> 00:19:51,600

You find more fan brush again,

maybe there's right in here.


322

00:19:55,560 --> 00:19:57,030

Not a little dirt lives right there.


323

00:19:58,050 --> 00:19:58,679

Wherever you want it.


324

00:19:58,889 --> 00:20:00,389

Put a little trough right there.


325

00:20:04,440 --> 00:20:06,000

Just very gently blended together.


326

00:20:06,000 --> 00:20:09,030

This liquid clear is

fantastic for seascapes.


327

00:20:09,989 --> 00:20:11,879

That's one of the nicest

things ever invented.


328

00:20:12,679 --> 00:20:13,709

It works so well.


329

00:20:14,129 --> 00:20:14,340

Okay.


330

00:20:14,939 --> 00:20:17,639

Let's see that, how, that just

is a troth right in there though.


331

00:20:17,639 --> 00:20:19,409

That that flows for you.


332

00:20:20,870 --> 00:20:21,320

Okay.


333

00:20:24,139 --> 00:20:24,350

Yes.


334

00:20:24,379 --> 00:20:25,669

I lost an eye for a second time.


335

00:20:27,620 --> 00:20:29,570

Maybe there's another stone right here.


336

00:20:31,504 --> 00:20:35,135

And as I say, in your world, you put

as many or as few stones as you want.


337

00:20:37,415 --> 00:20:40,504

This is just a little bit of Brown

and some of that lavender color,


338

00:20:43,794 --> 00:20:45,865

just let it churn and

missed right in there.


339

00:20:50,455 --> 00:20:54,925

That's pretty though the way that

just comes together and we'll take at


340

00:20:54,925 --> 00:20:56,575

least little touch of yellow ochre.


341

00:20:57,690 --> 00:21:00,690

Least little touch, a little

bit of white and maybe let's


342

00:21:00,690 --> 00:21:01,770

just come right out in here.


343

00:21:02,540 --> 00:21:04,350

Sort of define the stone a little bit,


344

00:21:08,380 --> 00:21:09,870

such a small amount of the ochre in there.


345

00:21:09,870 --> 00:21:11,370

It really doesn't even look.


346

00:21:11,430 --> 00:21:14,970

It doesn't even look like ochre,

little touch you the blue.


347

00:21:15,050 --> 00:21:15,200

Okay.


348

00:21:20,455 --> 00:21:21,024

Why do you


349

00:21:31,705 --> 00:21:34,074

continually get off any excess paint?


350

00:21:35,695 --> 00:21:36,925

Just blend all this together.


351

00:21:38,514 --> 00:21:38,814

Shoot.


352

00:21:38,814 --> 00:21:40,104

Let's have a big rock right here.


353

00:21:40,225 --> 00:21:41,245

I'm getting so carried away.


354

00:21:41,545 --> 00:21:43,375

Leave something to cover

up his big opening here.


355

00:21:44,605 --> 00:21:46,285

We'll just take some Vandyke Brown here.


356

00:21:48,085 --> 00:21:49,885

This is bringing right off the canvas.


357

00:21:49,885 --> 00:21:50,485

What the heck?


358

00:21:52,225 --> 00:21:58,885

Maybe he comes right there, wherever

it comes right down in front.


359

00:22:00,985 --> 00:22:04,765

And just fill this out, scrape

off all the excess paint.


360

00:22:07,995 --> 00:22:08,845

Really get in there.


361

00:22:11,505 --> 00:22:12,915

Pull all of it out that you can.


362

00:22:16,485 --> 00:22:17,625

Caitlin or a little knife.


363

00:22:18,885 --> 00:22:23,475

I just want to blend all

this together over here.


364

00:22:23,475 --> 00:22:25,545

I'm going to add a little bit

of the fellow blue and white


365

00:22:27,885 --> 00:22:29,355

act as a nice shadow color.


366

00:22:32,175 --> 00:22:33,405

Maybe there's a touch.


367

00:22:33,700 --> 00:22:33,970

Okay.


368

00:22:34,030 --> 00:22:36,460

And here a little highlight.


369

00:22:40,030 --> 00:22:42,070

You're continually wiping the knife.


370

00:22:45,520 --> 00:22:46,240

There we go.


371

00:22:52,629 --> 00:22:53,560

That must have some fun.


372

00:22:53,590 --> 00:22:56,169

Maybe, maybe, maybe in our world.


373

00:22:57,035 --> 00:23:00,215

Maybe the old water line here comes right.


374

00:23:00,905 --> 00:23:04,165

Push very firmly, firmly.


375

00:23:08,585 --> 00:23:09,545

Just blend that back.


376

00:23:13,375 --> 00:23:14,275

It's unbelievable.


377

00:23:14,305 --> 00:23:15,355

What you can do with the knife.


378

00:23:15,745 --> 00:23:19,254

If it really truly is spend

some time learning as son of


379

00:23:19,254 --> 00:23:20,365

a gun, make friends with it.


380

00:23:21,965 --> 00:23:26,945

Thank you too good for him, because it

will do things that you could not believe.


381

00:23:29,075 --> 00:23:31,175

Creative illusion of a little mist here.


382

00:23:37,265 --> 00:23:44,225

Maybe, maybe there's another little ripple

and appear on the shore a little bit.


383

00:23:52,490 --> 00:23:52,880

Okay.


384

00:23:54,440 --> 00:23:57,200

We need some little fun things in here.


385

00:23:57,350 --> 00:24:03,560

Maybe in here we have all kinds, a

little phone things live in here.


386

00:24:12,235 --> 00:24:18,314

You can blend these until they any, any

degree of lightness, softness harshness


387

00:24:18,314 --> 00:24:21,375

that you want can make it very, very soft.


388

00:24:24,945 --> 00:24:27,824

Take a little paint, thinner,

little yellow, blue, and white.


389

00:24:28,845 --> 00:24:31,784

And let's go back in here

and begin putting in.


390

00:24:33,495 --> 00:24:39,075

Just a little wave indications and

you can put in all kinds of these to


391

00:24:39,075 --> 00:24:40,815

really make your painting stand out.


392

00:24:42,495 --> 00:24:47,565

Just all kinds of, if

you come across here.


393

00:24:51,025 --> 00:24:52,225

Pink where the lights coming.


394

00:24:52,405 --> 00:24:57,295

If you have a little bright spot here,

maybe this right in here, it's a little


395

00:24:57,295 --> 00:25:00,415

bit brighter that I'm just shine.


396

00:25:06,165 --> 00:25:07,455

Maybe right along in here.


397

00:25:13,905 --> 00:25:14,265

Okay.


398

00:25:14,325 --> 00:25:19,485

Here's some, they come right on

around, look at that, see this


399

00:25:19,485 --> 00:25:21,315

gives shape and form to your way.


400

00:25:22,965 --> 00:25:23,055

Okay.


401

00:25:23,520 --> 00:25:23,949

There,


402

00:25:29,040 --> 00:25:29,639

there we go.


403

00:25:29,790 --> 00:25:33,510

Just that your hand wiggled

and jiggled carry on.


404

00:25:34,020 --> 00:25:36,780

This is where if you have a little

nervous Twitch you're ahead of the


405

00:25:36,780 --> 00:25:41,250

game where you've got something

going, take advantage of it.


406

00:25:41,639 --> 00:25:42,419

Here comes one.


407

00:25:42,720 --> 00:25:42,899

Yep.


408

00:25:42,960 --> 00:25:43,470

You're right.


409

00:25:49,949 --> 00:25:50,970

Just let him go.


410

00:25:54,705 --> 00:25:59,495

There at these things, as I say,

this is what the ads, the little


411

00:25:59,495 --> 00:26:01,745

details that are so fantastic.


412

00:26:02,915 --> 00:26:06,695

And if you're out selling paintings,

for example, this is what will make


413

00:26:06,695 --> 00:26:09,875

your painting stand out over everybody.


414

00:26:09,875 --> 00:26:10,745

Else's it's around.


415

00:26:12,449 --> 00:26:16,110

So spend some time and do some of

these little things and enjoy it.


416

00:26:17,100 --> 00:26:18,210

It's a fun part of it.


417

00:26:19,889 --> 00:26:24,449

Maybe even in here, a few little

gooders over in here, something


418

00:26:24,449 --> 00:26:28,470

like, so there's no end to this.


419

00:26:29,790 --> 00:26:31,470

The seascapes, it should not be hard.


420

00:26:31,470 --> 00:26:33,149

They shouldn't be a big mystery.


421

00:26:33,240 --> 00:26:33,780

I think we've.


422

00:26:34,905 --> 00:26:37,455

Come up with some ways here to do

some seascapes that even if you've


423

00:26:37,455 --> 00:26:42,525

never painted them before, you'll

have very, very good success.


424

00:26:43,185 --> 00:26:46,845

I'm going to sign this one, take a

little red and we'll call it done.


425

00:26:47,445 --> 00:26:48,405

I hope you've enjoyed it.


426

00:26:48,915 --> 00:26:53,415

Show you how to use the liquid

clear and having just a few minutes.


427

00:26:53,685 --> 00:26:57,495

You can do a fantastic little

seascape and from all of us here,


428

00:26:57,555 --> 00:26:59,235

I'd like to wish you happy painting.


429

00:26:59,325 --> 00:26:59,925

God bless.


430

00:26:59,955 --> 00:27:01,035

And I'll see you next time.


End .srt file.



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