Tuesday, December 29, 2020

S10E13 - Lakeside Cabin

Bob Ross's

The Joy of Painting


S10E13 - Lakeside Cabin

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Back.


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I'm certainly glad you could join

me for this, the last show of


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the 10th joy of painting series.


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So I tell you what, let's start off and

have them graphically run all the colors


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across the screen that you need to paint

along with me while they're doing that.


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Let's go on up here.


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We have our standard old

18 by 24 inch canvas.


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It's covered with a nice even coat of

liquid white, and it's all slick and wet.


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And it's, it's ready to go.


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So let's start.


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Hi, I'm going to start out today

with some fellow blue on the breast.


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Just tap the brush right into the blue.


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Just tap it in.


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Like, so Kennis go right up here.


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Let's build us a happy little sky.


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Let me just take this blue and we'll make

some little crisscross strokes, like,


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so maybe we'll leave some areas open.


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We'll have some fun.


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We'll play a little bit.


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Just leave them open to that blue.


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I'm going to add the least

little touch of midnight black.


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Okay.


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Just want to make it a

little darker in places.


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There we go, got a touch of black.


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There we are color is automatically

blending with the liquid white and


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it gets lighter and lighter and

lighter down here toward the horizon.


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And that's exactly what we're looking at.


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Okay.


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Oh, we have that on the brush.


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We're blue in the brush.


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Let's come right down here and let's put,

maybe there'd be a little water down here.


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Let's start right down here.


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Okay, come across this way.


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We'll have a little water down

the bottom of this painting.


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What's the devil.


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You can do that if we

want something about Lexa.


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Okay, let me wash the brush.


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Hey, you wash your brushes

with odorless paint thinner.


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Shake off the excess,


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just beat the devil out of it.


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All right now with a clean

brush, we go back in here.


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Very gently.


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Just blend, just Flint, just

like so see those areas we left


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now are nice little light areas.


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We could stop right there and have

nice cloud looking effects in the sky.


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I think we'll make a

happy little cloud today.


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They're here.


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We just blended the paint

out and very lightly.


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We'll go across it to take out

the brush strokes down here.


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Same thing all the way across a

little light area that we left.


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It remains right there.


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It looks like a little machine

of light's going to be playing


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across the water when we're done.


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Okay,


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the wash your brush again.


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That's the fun part of this.


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Take out all your frustrations

and hostilities, just like that.


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Okay.


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Happy little clouds.


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We'll grab a one inch brush and

let's go right into titanium.


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White.


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Just pull that brush right through there.


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We can even go down here and get up.


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The least little touch of the bright,

red, least, least little touch don't get.


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Don't get crazy with it.


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It's very strong.


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A lot of pain in the brush.


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Guess go up here.


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Yeah.


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If we're going to have a cloud that

lives right here, let's just go


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right in here using little circles.


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You could do this with a fan brush

or the two inch brush, whatever.


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I just happened to pick up this one.


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It's just lay in.


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All kinds of beautiful

little clouds just started.


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Let your imagination go crazy.


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Just to think like a cloud,

just float around the sky.


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Have a good time.


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That's all.


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When you're doing this, just, just

sort of relax and be calm and peaceful.


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Enjoy the life.


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Just really.


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Really, should she bring her a

lot of, a lot of good feelings


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here should make you happy.


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Painting should really make you happy.


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It doesn't make you happy that

you're doing the wrong thing.


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There we go.


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Let's shoot.


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Just put another layer here.


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Just make a decision.


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How many clouds you want?


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Drop a mail.


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No big deal might even put one up here.


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That'll give you a lot of practice.


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If there's a secret to this.


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It's practice.


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Just practice anything that you

want to be good at you practice.


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And it's the same with painting.


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The more you practice, the easier it

gets, the more fun you have with it.


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Pretty soon, you don't even have to think

about how you loading the brushes or all


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because you know, what's going to happen.


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All you have to think about

is composition and effects.


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That's when it really becomes fun

is when you no longer, no longer


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have to spend all your thinking

time, thinking about how did I load


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this, brush her head onto the knife.


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And that will become automatic here.


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I'm just blending.


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Take out the little brush

strokes corner, the brush.


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Just sort of wind this up, mix it up.


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Just mixed.


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Don't overdo.


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Don't overdo.


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If you blend too much, they'll

just, they'll just disappear.


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They'll go and leave you.


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You'll be sitting there all by yourself.


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But if that happens, you can go right

back and drop them right back in.


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It's no problem at all.


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Lift up this just sort of fluffs up.


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It makes those nice little fluffy

edges just left some, not like a


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tablet, not a super nice, easy way.


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To make some fan tastic, little

clouds, and I beat the brush just


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to knock the excess paint off of it

because I'm lazy and it's easier than


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cleaning the brush all over again.


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I think I would go, I've got a

beautiful little sky that quick.


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We, you could do it.


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There we are.


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Now we can wash your brush, shake it off.


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Okay, we're in business now.


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Let's see.


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Today.


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She was the old round brush.


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I'm going to go right into some

Vandyke Brown, some dark Sienna.


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She would grab a touch of this and blue.


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Just to touch because it's very strong.


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So we got both Browns and

a little pressure and blue.


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There it is.


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Now they had to make some decisions.


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Maybe we'll have a, he must have

a little happy little tree that


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lives right here on the corner.


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I want to do.


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Maybe, maybe we'll do a little.


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Little country scene today.


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There we are.


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So I have a lot of new trees back here.


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This round brush is super super

for doing little background trees.


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See, I start at the

bottom and work upward.


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That way it gets lighter and

lighter and lighter as it goes up.


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So the dark area down here.


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It's where all the shadows are


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down here.


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Not as much light will get through.


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So you want that darker.


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So by starting there and working

up your brushes, your brush


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is just running out of paint.


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That's all.


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Just make a decision.


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Look at there.


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That tree just grew on me.


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Just grows and grows and just.


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However many trees you want in your world.


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That's how many there should be.


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That's how many there should be.


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Maybe right here.


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You knew that.


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Okay.


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Well, we got tree city right

here in a matter of minutes,


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we could literally just

fill all this in with color.


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I'm tapping quite firmly.


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You can probably hear that it's

Rudy tapping quite firm in here.


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We said there was going to be some

water, but don't worry about anything.


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It comes down to here.


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Shoot.


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We just turned it into reflections.


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Don't worry about it.


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No big deal at all.


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We can, we can fix any

old thing that happens.


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Some of the instructional video tapes

we make, we show how to correct as


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well as how to make these things.


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So that's to be able to correct

is probably as important


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as being able to paint.


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So we devote a lot of, a lot of

energy to showing you how to do that.


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All right.


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Now then.


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Take the liner brush

little paint thinner on it.


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And I want to then this paint till

it's like water, turn it brush


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and pull it out to a nice sharp

point because there be a sharp.


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It is good.


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And let's go up here, uh, here and there.


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We're going to put in the

indication of a little tree trunk,


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wherever, wherever there is one.


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And maybe there's some out here.


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Okay.


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No, no worry.


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Just there.


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Just relax and enjoy.


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Just sort of let this happen.


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Think like a tree.


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There we go.


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A little more thinner.


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Anytime you paint, won't just

slide right off the brush and


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some more thinner then paint will

stick to the paint then the tech.


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Okay.


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That gives us some indication of a

lot of happy little trees out there.


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Let's take, I'm going

to go right into you.


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Use the same old, dirty brush.


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I'll get right into some midnight

and black, and then some yellow


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tap that brush, tap it, load a lot

of paint, same old, dirty brush.


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I'm using the color.


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It's already in the

brush to mix with this.


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There was a little bit of blue in that,

so that helps it turn green there.


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Okay now right up here,

let's go start here.


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Just touch and let all those little,

sparkers just jump right off the brush.


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Just here's a little one, right there.


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Work in layers, work in layers.


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Oh around breakfast, Desmond.


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Fantastic.


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Thanks.


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Bye.


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Individual trees back here.


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We can dip into a little yellow ochre,

Indian, yellow, and then here and


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there, I'm going to jump on the bright

red there's another little Bush.


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Well, he's a pretty little devil.


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He lives right there.


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There we go.


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Maybe not here.


226

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There's another one.


227

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Here's a little piece over here.


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So you think about the limbs

projecting out and causing,


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see those little clumps here.


230

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There's just not a solid green bass.


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They're not just hit at random.


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Let's see.


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Look at the shapes.


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Pay particular attention to the shapes.


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When you're doing these,

don't just hit at random.


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Think about what you're doing.


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Look at that.


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Look at the trees in New York, take a trip

to the woods, go out and talk to a tree.


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Make friends with it.


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Look at all the little layers and stuff.


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There we go.


242

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They're just all kinds of

little things happening there.


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We'll put another one right in there

that one's got a little more red.


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It just really jumps out at you.


245

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Pretty little rascal parity,

little rascal, just layer


246

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after layer after layer.


247

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Okay.


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I'm just wandering all over here.


249

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Just dropping all kinds of.


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Maybe there's one right here.


251

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Careful.


252

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I'm going to cover up everything

I said was going to be water.


253

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I get carried away.


254

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These little Rascals is so much

fun to make and they're so pretty.


255

00:12:36,335 --> 00:12:38,495

Sometimes I just get carried

away and I'm going to stop them.


256

00:12:38,855 --> 00:12:39,875

Caitlin's come right in here.


257

00:12:40,265 --> 00:12:41,285

This is going to be water.


258

00:12:41,525 --> 00:12:43,955

Let's grab this and turn

it into reflections.


259

00:12:43,985 --> 00:12:46,205

Polar straight down,

straight down, straight down.


260

00:12:47,285 --> 00:12:49,475

I can see there.


261

00:12:50,415 --> 00:12:51,435

That fantastic.


262

00:12:51,944 --> 00:12:54,405

And I'd go across and that easy.


263

00:12:54,705 --> 00:12:57,194

You have instant, instant reflections.


264

00:12:57,255 --> 00:12:58,694

It's very, very simple.


265

00:12:59,705 --> 00:13:02,555

When does she use that same old brush him

going right into some of the Browns again?


266

00:13:02,555 --> 00:13:07,265

Yeah, let's just, let's just lay

in a little bit of color here.


267

00:13:07,395 --> 00:13:10,775

We can begin creating all

kinds of happy little things.


268

00:13:13,415 --> 00:13:17,645

He's just the Browns least little touch

of depression blew up, but not much.


269

00:13:19,140 --> 00:13:20,040

Mostly Browns,


270

00:13:23,070 --> 00:13:27,660

all kinds of things going on there.


271

00:13:29,640 --> 00:13:30,180

Here we go.


272

00:13:35,780 --> 00:13:36,740

Let me just throw this on.


273

00:13:36,740 --> 00:13:38,030

Like yet it doesn't make any difference.


274

00:13:38,060 --> 00:13:39,020

All we're looking for right here.


275

00:13:39,020 --> 00:13:39,710

It's just color.


276

00:13:42,500 --> 00:13:44,360

Just applying color to the canvas.


277

00:13:47,655 --> 00:13:49,245

You could really put it

on with a paint roller.


278

00:13:49,245 --> 00:13:49,935

If you wanted to.


279

00:13:51,075 --> 00:13:52,485

We started a whole new style of painting.


280

00:13:57,225 --> 00:13:57,795

Here we go.


281

00:14:00,165 --> 00:14:00,405

Quick.


282

00:14:00,405 --> 00:14:04,485

We got the canvas all covered up

and it's ready now then if we want


283

00:14:04,485 --> 00:14:08,685

reflections, just to say where the

little landmasses are going to be, pull


284

00:14:08,685 --> 00:14:11,145

it down, go across, maybe I'm to here.


285

00:14:11,685 --> 00:14:12,135

See there.


286

00:14:12,255 --> 00:14:12,585

See there.


287

00:14:13,515 --> 00:14:17,444

At easy, you can create all kinds of

little peninsulas, little projections


288

00:14:17,444 --> 00:14:26,105

out into the water ever, ever go back to

my round brush, get a little color on it


289

00:14:26,915 --> 00:14:29,135

and that's put a happy little Bush right.


290

00:14:29,135 --> 00:14:32,045

About there we go.


291

00:14:33,245 --> 00:14:37,954

I know, I know let's do out here

on this little body of water,


292

00:14:38,645 --> 00:14:39,935

let's build a, some little cabin.


293

00:14:40,680 --> 00:14:42,540

It's just a tiny little

house it's out here.


294

00:14:43,829 --> 00:14:48,540

We'll take the Vandyke Brown and

let's go right up in here and decide


295

00:14:48,540 --> 00:14:49,590

where our house is going to live.


296

00:14:50,130 --> 00:14:52,439

If he's right here, touch and pull.


297

00:14:53,610 --> 00:14:54,750

Just give it a little pull.


298

00:14:56,780 --> 00:14:57,530

There we go.


299

00:14:59,360 --> 00:15:04,520

Like that over on this side, all we're

doing right now is just blocking in color.


300

00:15:05,930 --> 00:15:06,800

So we don't care.


301

00:15:09,150 --> 00:15:10,560

Just blocking in color.


302

00:15:15,130 --> 00:15:16,460

little place to go and hide.


303

00:15:17,630 --> 00:15:22,520

Everything gets too hectic

and go out here and just, just


304

00:15:22,520 --> 00:15:23,840

have a good time by yourself.


305

00:15:24,680 --> 00:15:29,510

Listen to the birds, take some

red, a little dark Sienna.


306

00:15:31,440 --> 00:15:33,570

Maybe the least little

touch of white into that.


307

00:15:34,800 --> 00:15:35,670

Ooh, nice color.


308

00:15:36,000 --> 00:15:36,870

Maybe a little more red.


309

00:15:38,120 --> 00:15:38,660

There we go.


310

00:15:39,290 --> 00:15:39,590

Okay.


311

00:15:40,530 --> 00:15:41,720

Let's go right up here.


312

00:15:42,170 --> 00:15:45,530

We have this sort of a rust color roof.


313

00:15:46,730 --> 00:15:48,620

Maybe had a tan roof and it rusted on him.


314

00:15:52,010 --> 00:15:52,340

Okay.


315

00:15:52,920 --> 00:15:54,140

Little touch of that color.


316

00:15:54,890 --> 00:15:56,900

Right down the other side of the roof.


317

00:15:57,020 --> 00:15:57,530

There we go.


318

00:16:00,824 --> 00:16:04,574

Now that's the least little

touch of a light color.


319

00:16:05,595 --> 00:16:09,765

See just enough to make that

stand out so you can see it.


320

00:16:09,765 --> 00:16:12,365

Well, Lee's little mountain.


321

00:16:12,365 --> 00:16:13,395

Let's get the small knife.


322

00:16:15,685 --> 00:16:20,385

We'll take some white touch,

midnight black and do it.


323

00:16:22,650 --> 00:16:26,819

There we are pull it out,

very flat, cut across.


324

00:16:27,329 --> 00:16:29,219

And once again, we have

our little roll of paint.


325

00:16:29,699 --> 00:16:32,790

Let's go up here, touch

it, pull it straight down.


326

00:16:33,089 --> 00:16:36,360

So just sort of a grayish color and the

more you pull it, see, it's going to


327

00:16:36,360 --> 00:16:40,199

pick up that Brown so you can take it

to any degree that you want it to be.


328

00:16:40,800 --> 00:16:44,880

Now, then on the other side, I wanted

a little darker, so I'll use the same


329

00:16:44,880 --> 00:16:46,500

color and add a little more black tooth.


330

00:16:48,209 --> 00:16:49,860

See probably the out once again.


331

00:16:49,890 --> 00:16:50,099

That's.


332

00:16:50,835 --> 00:16:51,735

Little world of paint.


333

00:16:51,765 --> 00:16:52,935

This is a small knife.


334

00:16:55,035 --> 00:16:58,935

See it sneaks up in these little areas

or you're just right up in there.


335

00:17:00,915 --> 00:17:05,655

And it's a little bit more flexible,

a little bit more flexible.


336

00:17:07,004 --> 00:17:07,454

Okay.


337

00:17:07,545 --> 00:17:12,135

Tell you what let's find the little

Brown and we'll give him a door.


338

00:17:12,194 --> 00:17:13,095

We'll put the door over here.


339

00:17:13,095 --> 00:17:15,375

You can put the door anywhere

you want to do in your cabin.


340

00:17:18,575 --> 00:17:19,444

Take a little white.


341

00:17:20,135 --> 00:17:21,345

Just go right around the edges.


342

00:17:22,125 --> 00:17:22,964

Sort of outline it.


343

00:17:23,795 --> 00:17:26,734

Maybe, maybe, maybe,

maybe, maybe you're right.


344

00:17:27,035 --> 00:17:31,625

There is a window, a little

Brown and there's another window.


345

00:17:33,004 --> 00:17:34,745

It looks like two big guys looking at you.


346

00:17:35,765 --> 00:17:36,965

This is a Halloween house.


347

00:17:38,405 --> 00:17:38,705

Yeah.


348

00:17:38,975 --> 00:17:39,905

Chop off the bottom.


349

00:17:40,535 --> 00:17:43,025

We'll do a, we'll do a

house act to me right there.


350

00:17:45,335 --> 00:17:45,575

Yeah.


351

00:17:45,575 --> 00:17:47,015

That must be a Halloween house.


352

00:17:48,315 --> 00:17:48,794

Okay.


353

00:17:48,825 --> 00:17:49,815

Where's my fan brush.


354

00:17:50,385 --> 00:17:51,105

Very tides.


355

00:17:52,254 --> 00:17:55,774

I'll take a little yellow, little yellow,

reach up here and grab a little black.


356

00:17:56,465 --> 00:17:58,085

That'll make a beautiful green color.


357

00:17:58,595 --> 00:18:00,815

Just work it right in,

right into the brush.


358

00:18:01,925 --> 00:18:04,055

Pick up a yellow ochre to a lot of things.


359

00:18:04,095 --> 00:18:04,385

Color.


360

00:18:04,955 --> 00:18:05,615

Just go pair.


361

00:18:07,055 --> 00:18:10,955

Now we can go back here and

begin pushing up symbolize.


362

00:18:11,024 --> 00:18:14,254

Nice little nice little grassy

areas right around the house.


363

00:18:15,840 --> 00:18:21,660

Just give it a little upward push,

just a little upward, push that easy.


364

00:18:23,040 --> 00:18:23,580

There we go.


365

00:18:23,700 --> 00:18:26,040

We can just make all kinds

of little grass areas.


366

00:18:28,410 --> 00:18:28,980

Look at that.


367

00:18:29,070 --> 00:18:29,700

Look at that.


368

00:18:30,690 --> 00:18:32,070

And we'll use the other side of the brush.


369

00:18:35,310 --> 00:18:36,630

See what we left there.


370

00:18:37,560 --> 00:18:42,000

Let's use the little knife and

we'll sneak right back up in here.


371

00:18:42,450 --> 00:18:43,620

We'll make that a little pass.


372

00:18:43,620 --> 00:18:44,420

We can come down here.


373

00:18:45,375 --> 00:18:47,025

I can come down here

and catch that big fish.


374

00:18:47,055 --> 00:18:48,045

It lives over here.


375

00:18:50,415 --> 00:18:51,165

There we go.


376

00:18:54,465 --> 00:18:55,155

All right.


377

00:18:56,310 --> 00:18:56,580

Okay.


378

00:18:56,690 --> 00:18:59,220

Over here, we'll put in some

happy little grassy areas.


379

00:19:00,720 --> 00:19:07,139

Like, so just wherever you want

them, I'll tell you what the last one


380

00:19:09,570 --> 00:19:11,040

tell you, what do you want to see?


381

00:19:11,670 --> 00:19:14,700

Maybe that's just a perfect

place to have a little path.


382

00:19:14,790 --> 00:19:15,450

So let's do that.


383

00:19:16,770 --> 00:19:17,610

Let's not do that.


384

00:19:18,570 --> 00:19:18,930

You don't hold on.


385

00:19:18,930 --> 00:19:20,070

I'm putting this little path in.


386

00:19:20,805 --> 00:19:23,475

Some of the questions that

we get asked over and over.


387

00:19:25,155 --> 00:19:30,275

Probably one of the most common

questions that are here is, is


388

00:19:30,275 --> 00:19:35,585

there any editing done to the shows

all the time I get asked, do you


389

00:19:35,585 --> 00:19:37,145

actually paint the pictures as quick?


390

00:19:37,415 --> 00:19:38,555

Or is it video magic?


391

00:19:39,575 --> 00:19:41,105

There is no editing.


392

00:19:42,075 --> 00:19:42,764

Absolutely.


393

00:19:42,764 --> 00:19:42,915

No.


394

00:19:42,915 --> 00:19:48,524

What you see is what happened, even

the mistakes they're in there too.


395

00:19:49,965 --> 00:19:51,435

There is no editing at all.


396

00:19:54,045 --> 00:19:55,035

None whatsoever.


397

00:19:57,764 --> 00:19:58,335

Sometimes.


398

00:19:58,335 --> 00:20:03,885

Maybe be better if there was, but I

think that's what I like about this.


399

00:20:03,885 --> 00:20:07,125

It's it's very spontaneous

and we just do it.


400

00:20:08,925 --> 00:20:09,225

Okay.


401

00:20:09,225 --> 00:20:10,905

I get a little Brown and white

here and I'm going to go back.


402

00:20:11,730 --> 00:20:14,850

Just put the indication of at least

a little bit, at least a little


403

00:20:14,850 --> 00:20:17,790

bit of highlight right along there.


404

00:20:19,950 --> 00:20:20,220

Okay.


405

00:20:21,000 --> 00:20:21,540

That easy.


406

00:20:21,600 --> 00:20:25,800

We got a little path now then to

push that path into the painting,


407

00:20:25,800 --> 00:20:28,980

let me grab a little more of the

black, the yellow, make some green.


408

00:20:30,419 --> 00:20:34,080

Now then let's begin bringing some

grassy areas down into the path.


409

00:20:35,040 --> 00:20:37,590

That'll help set the path down

into the painting, make it


410

00:20:37,590 --> 00:20:38,909

look like it belongs there.


411

00:20:40,169 --> 00:20:43,889

And not many people come down this

path, the bushes and the grasses.


412

00:20:45,139 --> 00:20:47,610

Don't have to reclaim it

a couple of more years.


413

00:20:47,610 --> 00:20:49,230

And you're going to be

able to find this one.


414

00:20:51,600 --> 00:20:54,120

If you don't use it, nature

comes and takes it back.


415

00:20:59,575 --> 00:21:00,495

Comes right on out.


416

00:21:00,975 --> 00:21:13,005

Just all kinds of little things

there that easy, easy by, by making


417

00:21:13,005 --> 00:21:16,245

this go up or it'll look like

here's a little, little bump there.


418

00:21:17,025 --> 00:21:18,165

Change the lay of the land.


419

00:21:18,165 --> 00:21:19,365

So it's not all just flat.


420

00:21:19,395 --> 00:21:22,335

Maybe this path sits

down in a recessed area.


421

00:21:22,815 --> 00:21:27,675

So just by see how that goes around

little simple things like that.


422

00:21:27,675 --> 00:21:29,415

Keep your painting from being boring.


423

00:21:31,935 --> 00:21:32,655

There we go.


424

00:21:33,675 --> 00:21:35,475

Use these little things to your advantage.


425

00:21:36,495 --> 00:21:36,585

Okay.


426

00:21:37,575 --> 00:21:43,755

Yeah, then we can take the knife in here

and they're just scratching a sticker too.


427

00:21:43,815 --> 00:21:45,135

And usually in the dark areas.


428

00:21:46,635 --> 00:21:47,085

Okay.


429

00:21:47,085 --> 00:21:49,125

And some of them come right over the path.


430

00:21:49,215 --> 00:21:50,715

I hope you will see those they're there.


431

00:21:51,855 --> 00:21:54,045

Sometimes they're hard to see

and I'll turn the knife this way


432

00:21:54,045 --> 00:21:54,855

and make them a little bigger.


433

00:21:54,855 --> 00:21:55,515

So they stand up.


434

00:21:55,515 --> 00:22:02,385

See, there we go in back in here, even you

might see a few little things now then.


435

00:22:04,679 --> 00:22:08,120

Let's take a little, little

Brown and right up in here,


436

00:22:08,450 --> 00:22:09,290

I would go with this one.


437

00:22:09,470 --> 00:22:17,810

Maybe there's some little areas like,

so like, so this is here, I'm just


438

00:22:17,810 --> 00:22:23,000

using the small knife, but Brown and

white, we can come back and make it look


439

00:22:23,000 --> 00:22:26,419

like there's a few little stones and

rocks and all kinds of happy things.


440

00:22:27,660 --> 00:22:30,480

Little liquid white, very flat.


441

00:22:31,510 --> 00:22:32,580

Let's come along here.


442

00:22:33,210 --> 00:22:36,360

I just send a little water

line right on back here.


443

00:22:38,580 --> 00:22:43,050

She wants a little water line right here.


444

00:22:43,530 --> 00:22:48,090

This sort of cleans up the bottom and

it gives you a division, breaks it up.


445

00:22:49,875 --> 00:22:50,445

Breaks it up.


446

00:22:50,555 --> 00:22:54,405

Sometimes I use a much darker

color for television purposes.


447

00:22:54,405 --> 00:22:58,385

It shows up much, much,

better, much, much better.


448

00:23:00,215 --> 00:23:00,815

There we go.


449

00:23:01,264 --> 00:23:01,745

You know what?


450

00:23:03,274 --> 00:23:05,705

I didn't put any grass over

here on this land area.


451

00:23:07,415 --> 00:23:10,595

Don't want to have left down

that a little bit right there.


452

00:23:11,855 --> 00:23:15,365

Make another little peninsula,

give him a waterline.


453

00:23:17,325 --> 00:23:19,575

I get that, that easy, easy.


454

00:23:19,635 --> 00:23:26,075

We got him a little sticker tweak

here and there let's have some fun.


455

00:23:27,905 --> 00:23:28,955

We're doing so well here.


456

00:23:31,175 --> 00:23:34,685

Doing so well here, let's take the

old fan brush loaded full of Brown.


457

00:23:35,225 --> 00:23:36,575

Maybe there's a happy tree.


458

00:23:37,865 --> 00:23:40,985

Maybe, maybe, maybe, maybe you're right.


459

00:23:41,975 --> 00:23:43,385

He lives right there.


460

00:23:44,835 --> 00:23:46,274

Right there.


461

00:23:47,715 --> 00:23:51,165

Big old tree there.


462

00:23:51,165 --> 00:23:51,495

Yes.


463

00:23:51,915 --> 00:23:53,205

We just using the fan brush.


464

00:23:54,135 --> 00:24:01,095

Maybe he's got a friend right there,

right there, wherever you want it.


465

00:24:01,274 --> 00:24:01,845

It's up to you.


466

00:24:03,225 --> 00:24:05,054

It could be another little

one hiding in there.


467

00:24:05,705 --> 00:24:10,385

Know we can take our liner, brush, paint,

thinner on it, right into the Brown.


468

00:24:11,824 --> 00:24:12,335

And let's.


469

00:24:13,290 --> 00:24:18,810

Put an arm or two out here on the

tree, just a little arm or two.


470

00:24:22,310 --> 00:24:23,000

There we go.


471

00:24:24,500 --> 00:24:25,730

There's one over here


472

00:24:28,850 --> 00:24:33,650

wherever you want them paint should

be as thin as ink then as water


473

00:24:36,710 --> 00:24:41,420

there they are wherever, just too many.


474

00:24:42,840 --> 00:24:43,290

Is phew.


475

00:24:48,890 --> 00:24:55,010

We can go right into a little bit

of the light color and put the


476

00:24:55,010 --> 00:24:56,540

indication of some highlight here.


477

00:24:59,240 --> 00:25:03,020

One side of the trunk is usually

lighter, cause a light striking


478

00:25:03,020 --> 00:25:05,150

it and bring it all together.


479

00:25:08,630 --> 00:25:09,290

just like that.


480

00:25:09,290 --> 00:25:10,800

We'll put some grass on his little foot.


481

00:25:10,800 --> 00:25:18,020

So now round brush would go right

into some of this Brown, little


482

00:25:18,020 --> 00:25:19,250

touch of the Prussian blue.


483

00:25:19,790 --> 00:25:20,900

Just tap it right in there.


484

00:25:21,890 --> 00:25:22,670

Tap firmly.


485

00:25:23,030 --> 00:25:23,210

Okay.


486

00:25:23,210 --> 00:25:23,990

Let's go back up there.


487

00:25:24,830 --> 00:25:28,010

And maybe, maybe there's some happy

little leaves that live up here.


488

00:25:29,210 --> 00:25:29,990

Just half a mile.


489

00:25:31,670 --> 00:25:32,360

Isn't that simple.


490

00:25:40,950 --> 00:25:44,120

This last year draws to a close.


491

00:25:45,110 --> 00:25:47,930

So to say, I had to be leaving

you for awhile, but I'll be back.


492

00:25:47,930 --> 00:25:50,630

We already have plans the next series.


493

00:25:50,630 --> 00:25:52,220

So we'll be back.


494

00:25:52,640 --> 00:25:53,360

We'll be back.


495

00:25:56,295 --> 00:25:56,775

You're too good.


496

00:25:56,775 --> 00:25:58,695

A friend to go away and

leave for any length of time.


497

00:25:59,515 --> 00:26:00,185

We'll be back.


498

00:26:01,235 --> 00:26:03,545

Let's go up here with

a little bit of yellow.


499

00:26:05,195 --> 00:26:07,835

Just let that rascal shine out here.


500

00:26:09,335 --> 00:26:14,495

Uh, kinds of beautiful little

things happening, and I really would


501

00:26:14,495 --> 00:26:16,985

like to thank you for inviting me.


502

00:26:17,015 --> 00:26:23,430

I mean, to your home, I feel as if I

know you and if we're good friends, It


503

00:26:23,430 --> 00:26:26,550

does wonderful things to my heart to

know that you're watching the shows and


504

00:26:26,550 --> 00:26:28,890

that you're having and testing success.


505

00:26:30,300 --> 00:26:33,570

That also before I go, like

to thank the entire crew here


506

00:26:33,600 --> 00:26:35,190

for another job well done.


507

00:26:36,690 --> 00:26:37,950

They're fantastic people.


508

00:26:39,810 --> 00:26:40,500

There we go.


509

00:26:42,000 --> 00:26:45,900

So from all of us here, I'd

like to wish you happy painting.


510

00:26:46,290 --> 00:26:46,950

God bless.


511

00:26:47,100 --> 00:26:48,330

And I hope to see you very soon.


512

00:27:17,024 --> 00:27:18,254

Um,


End .srt file.



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