Bob Ross's

The Joy of Painting

S09E12 - Mountain by the Sea

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Hi glad you could join me today.

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You ready to do a fantastic painting?

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Well, let's get started.

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Okay.

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Let's have him run all the

colors across the screen.

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As you need to do this painting,

they'll come across as usual in

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the same order that I have on the

pallet while they're doing that,

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let's go up here and talk a second.

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I've done something a

little different today.

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I have my standard old 18 by 24

inch canvas up here, but I've

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covered the top with liquid white

in the bottom with liquid clear.

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Now that's just a clear.

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Medium is just like the

liquid white on is clear.

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I'm going to do a little seascape data

and I want my dark color to stay dark.

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So we've put the clear in here.

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So let's get started.

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I'm going to take off with a

little bit of Prussian blue.

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Little Prussian blue into that

tiniest little bit of black

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midnight black depression.

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Boom.

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Let's go up here now using

the little crisscross strokes.

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I want to just drop in a happy little

sky and we'll have some, let's have

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some beautiful clouds in this guy.

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So we'll just leave some general shapes.

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Where are we?

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We put a little cloud.

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There we go.

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Something like that.

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Just happy little sky seven,

take you back a second.

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When you're using a

big old two inch brush.

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I'm going to use the same old dirty

brush go right into some of the

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midnight black reach down here.

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And I grabbed a little bit

of the bright red, so I have

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midnight black and bright red.

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Just mix them on the brush.

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Let's go right up here.

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And maybe, maybe there's a big old

cloud and he leaves right there.

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We'll put the shadow in first and

then we'll come back and we'll

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drop in some of the shiny stuff.

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Some highlights let's

start off with a shadow.

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Right.

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I'm just going to reach over

here and grab a one inch brush.

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Correct.

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And two titanium white with the

least little touch of bright red,

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again, little sunshine color load,

a lot of pain into the bristles.

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Let's go right here now, then just

lay in your basic little cloud shape.

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Using tiny, tiny little circles.

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Say there.

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Just let these little Rascals just float

around in your world that float around.

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All right, right in here.

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There's another happy little

cloud and you're painting.

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You put as many or as

few clouds as you want.

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There we go.

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Yeah, we'll take a clean, dry two inch

brush and we just sort of stir this up.

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Just sort of mix it using tiny little

circles with the top corner of the

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brush, tiny little circles, like

that will knock off the excess paint.

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And we'll flip this cloud.

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Just grab it lifted, fluff it up.

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Hmm.

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I think that a fantastic way to make

a happy little cloud happy big cloud.

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That's a son of a gun.

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All right.

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Maybe, maybe in this painting, tell you

when I'll wash your brush here real quick.

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Shake it off and redecorate the studio.

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Maybe at this painting,

let's have a big mountain.

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We'll really have some fun.

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We'll have a mountain made out of

black and blue, black and blue.

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This is and blue.

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Cut us off a little roll of paint.

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Okay, let's go right up here now,

then maybe this whole mountain

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lives right up in the clouds here.

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There you go.

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So there's a bump there.

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Just make your mountain

wherever you want him.

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Maybe this one sorta leans over

when he was just a little Hill.

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Maybe somebody stepped on even pushed him.

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He's got sort of a BM Donny.

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What the heck?

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Scrape off all the excess paint.

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Just really see there.

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Get tough with it.

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You can probably hear how

hard I've scraped my canvas.

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There we go.

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Now then take a two inch brush and

very lightly see there, just pull it

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out and let it fly flat rise into the

liquid white, just like, so apparently

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they're like off in that super.

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Let us take, let's take, we'll use some

titanium white, pull it out very flat,

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and we need that little roll of paint.

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Always get that little roll of

paint and go right up here and

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begin laying in some highlights.

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No pressure, no pressure it off.

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Look at that.

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Look at that.

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Just flow together over here.

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Grab it.

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See how you can make that whole mountain

just curve right around in there.

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Look at that.

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Let that paint break.

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No pressure.

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Can't say that enough times.

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There it goes.

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Okay.

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Take a little edge of the knife.

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We put a little right there.

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Maybe even some right in there wherever

you want it sort of just look at your

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mountain and decide where you think.

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Where you think light wood strikes

will take a little bit of, they

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look blue and white and that

just makes us up a shadow color.

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That's a little bit too bright.

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So I'll put a little black in it.

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That'll delve it.

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There that's much better.

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Okay.

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Now then we can picking and

picking out the shadows here.

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Look at that, bring it right on through.

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Let all these things just happen.

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Right over in here.

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There's a little shadow that

goes right off in there.

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I started bringing it together.

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See how you can create those

beautiful, beautiful effects.

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And do you could do it knew

you could do it all right.

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Wherever you want a little thing

right in here, we need a little shit.

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Okay.

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Okay.

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Clean dry brush.

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All of the angles, create

a Misty appearance.

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Just tap, just following those angles

over here to go in this direction.

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Here we are clean, dry brush

left peppered just lifted up

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like, so, okay here, follow.

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Those angles always follow

the angles in your mountains.

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The most, most important

probably got a while.

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Look at mountain there already.

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Okay.

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Now down here we have the liquid clear,

so let's just add some nice dark color.

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I'm going to go right into blue.

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I says suppression blue, Prussian

blue ocean blue, and let's take

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some alizarin Crimson and add to it.

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So we got pressure and

blue and lizard Crimson.

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Okay.

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Let's go right up here and you

have to make a big decision here.

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Where's your water line going to be?

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I think it should be right there.

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Try to keep this fairly straight.

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If you, if your water line is

not straight, your water's gonna

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run a ride off in the floor,

then you're going to be angry.

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There we go.

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Maybe I'll put some more Crimson in there.

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That's yeah, there we go.

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Now we have sort of a lavender color.

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That's pretty.

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Let's see.

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Now, if you, if you had liquid

white up there, when you did this,

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you would pick up the liquid white

and you would lose all your values.

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Now, then we have to make some decisions.

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Let me show you.

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I'll just take a little

Filbert brush here.

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Come right up here.

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We have to decide where.

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Where are we going to

have this major weight?

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So just take a little Filbert and

you can just sort of catch it in and

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maybe it comes right along in here.

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Somewhere comes up here and crashes over.

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Boom, right there.

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She will have another one over

here wherever you want it.

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And these areas, if we're going

to have two little Crashers that's

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technical, talk to little Crashers.

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Then we want to have a

little light area in there.

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So we want to say that area.

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That's one of the reasons I use

that liquid clear so we can save

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the transparency and the rest of it.

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We can just fill in with a very dark

color, just like stuff that easy

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rascal in there.

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Now, then I'm going to

go into a little touch.

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A fellow green, right on the same

old, dirty brush, too much green hair.

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That's better.

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I want some say no,

don't, don't kill that.

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Area's going to be transparent.

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Good.

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Right up into there.

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We can cover up in here.

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And all we're doing here is

just flocking in some color.

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We're not looking for a great deal of

detail or anything else at this point.

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You'll do that a little bit.

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Just laying some color on the canvas.

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It looks like a wildness there already.

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Okay.

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Let me grab my fan brush.

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Now.

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Let's begin putting some swells back here.

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We'll just go right into

titanium white load, that brush

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full of paint, full of paint.

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Can you, let's go back up

here now, then right in here.

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I'm just going to begin.

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Just barely touching the canvas.

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Don't kill all the little dark

areas, just sort of back and forth

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leaves in the middle dark areas.

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And right in here, we

will have, there we go.

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There a nice one.

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There's a nice one, maybe

right along in there.

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And I'll wipe off the excess paint.

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And very lightly here.

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I'm going to grab this and begin

pulling it, pull it, look at that.

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See that picks up all that

beautiful color we have underneath.

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Look at all the little

things that are happening.

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Super she know you could

do a seascape that easy.

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They don't have to be hard now

then come right along this way.

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Like a little lady in.

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And pull it back and that

creates the little swells.

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We'll bring it down.

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You could say this is

a swell painting now.

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You know why I paint instead of

being a comedian, there we go.

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All of that in before us, and let's

go back to our little number six

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Filbert, and I'm going to take.

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Titanium white.

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Just pick it up with a brush and

the least little touch of the CAD

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yellow titanium, white CAD yellow

lit a lot of paint on your brush.

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Let's go back up here.

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If your little transparency are your eyes

going to be right here and drop it in

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who isn't that pretty ready to come down

and begin picking up some of this color

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that it began picking up some

of that green that would put in.

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All right now over here, we

decided maybe right here,

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there's going to be another one.

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Let me move over a little.

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It's going to come right through there.

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Like that, like that there.

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All right.

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Now we can take a clean two inch brush and

we want to just blend this all together.

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So it's very smooth.

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Now we'll do the other one.

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Yeah.

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And you can be to begin creating

the shape of this wave just

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by pulling down with a brush.

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Same thing over here.

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Yeah.

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Grab another fan brush.

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And I have, I have several brushes

going, so I don't have to stop

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him and continually clean them.

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I'm gonna take a little less dark

colors is blue, a little halo,

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gray, and where this is going to be

crashing would need some dark in here.

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Need a dark in here.

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So our light color will show

you how to put the dark in.

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So the light will show, but could there,

we were going to have one over here

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too, that dark and all right, we got it.

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Okay.

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Get that brush all cleaned up and then

we can come right along the top of this.

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This is just the whole Filbert, one

little white and yellow on it of a

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nice highlight up on top of that.

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You can do that with a fan brush.

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Let's do it with a fan brush.

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See they're smoother, but leave

that little bright Ridge on there.

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That's pretty.

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That's pretty.

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Okay.

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Now then let's take a little

titanium white on the fan brush.

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And come right up here and

let this crash right over.

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Make little noises, little sounds.

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00:14:01,250 --> 00:14:01,760

Look at that.

258

00:14:04,130 --> 00:14:07,910

And over here, there's some

more that easy, that easy.

259

00:14:10,490 --> 00:14:11,090

Okay.

260

00:14:13,880 --> 00:14:14,570

We'll take some.

261

00:14:15,285 --> 00:14:17,655

Some of this lavender color,

that's alizarin Crimson,

262

00:14:17,655 --> 00:14:18,795

and the blue mixed together.

263

00:14:19,575 --> 00:14:24,045

And we will put a little touch

of white and like that good.

264

00:14:25,065 --> 00:14:26,535

Let's call up here now.

265

00:14:26,595 --> 00:14:27,285

Right in here.

266

00:14:28,005 --> 00:14:29,805

We're going to have some crash.

267

00:14:29,835 --> 00:14:34,395

So we got to put the shadow in first, once

the shadow in first, then we'll come back.

268

00:14:35,145 --> 00:14:38,925

We'll come back and

add a nice bright area.

269

00:14:39,645 --> 00:14:40,185

There it is.

270

00:14:41,475 --> 00:14:42,945

I think he's really crashing up here.

271

00:14:42,975 --> 00:14:43,395

We'll just.

272

00:14:43,980 --> 00:14:44,730

Over here.

273

00:14:45,510 --> 00:14:48,900

I want this one to have

a little crash on it too.

274

00:14:50,610 --> 00:14:51,120

Okay.

275

00:14:52,260 --> 00:14:53,250

You got the crash again,

276

00:14:57,560 --> 00:15:02,960

and then we can go back to her

titanium, white with a little bit of

277

00:15:02,960 --> 00:15:04,340

yellow in it, just a small amount.

278

00:15:04,940 --> 00:15:07,730

And let's come back in here and

put some highlights on this.

279

00:15:09,050 --> 00:15:10,280

Push it, push it.

280

00:15:10,340 --> 00:15:11,120

Bend that fresh.

281

00:15:13,305 --> 00:15:14,324

Jazz bending.

282

00:15:16,005 --> 00:15:18,165

And all you're doing to start

with is just laying it on.

283

00:15:18,165 --> 00:15:21,045

We'll come back with a clean

brush and smooth it right now.

284

00:15:21,885 --> 00:15:24,525

Jess, looking to get to, Ooh, there we go.

285

00:15:24,555 --> 00:15:25,935

Get that nice shape in there.

286

00:15:29,925 --> 00:15:33,074

Like, so, okay.

287

00:15:33,224 --> 00:15:34,094

A little bit over here.

288

00:15:35,385 --> 00:15:36,165

Same idea.

289

00:15:37,665 --> 00:15:38,625

Same idea.

290

00:15:45,870 --> 00:15:48,230

Let me cleans, crushed up a little bit.

291

00:15:48,960 --> 00:15:49,520

We want it good.

292

00:15:49,520 --> 00:15:51,830

And draft express needs

to be dragged to do this.

293

00:15:53,060 --> 00:15:54,440

I just have a paper towel now.

294

00:15:54,440 --> 00:15:57,230

I won't just take the brush and rub it.

295

00:15:58,640 --> 00:16:00,050

Just bring all that together.

296

00:16:01,890 --> 00:16:02,369

Stay there.

297

00:16:04,229 --> 00:16:05,609

Don't let this get too light on you.

298

00:16:05,609 --> 00:16:08,310

It's almost a natural tendency

to want to jump in there and

299

00:16:08,310 --> 00:16:10,349

make us all shiny and white.

300

00:16:11,010 --> 00:16:11,849

It doesn't work well.

301

00:16:13,400 --> 00:16:13,880

Okay.

302

00:16:15,839 --> 00:16:19,640

Now with a clean brush,

very gently, very gently.

303

00:16:20,839 --> 00:16:22,339

Just sort of mix that up a little bit.

304

00:16:23,420 --> 00:16:23,630

Okay.

305

00:16:24,170 --> 00:16:24,859

Okay.

306

00:16:25,670 --> 00:16:26,810

It gives us a little crasher.

307

00:16:28,110 --> 00:16:28,250

Yeah.

308

00:16:28,250 --> 00:16:33,270

And then we can begin coming in here

and begin making little, little foam

309

00:16:33,270 --> 00:16:37,020

patterns, little things that you're

just traveling right up the way.

310

00:16:37,030 --> 00:16:38,550

This is where you shape the way.

311

00:16:40,980 --> 00:16:42,270

Give him some personality

312

00:16:47,430 --> 00:16:48,240

over here too.

313

00:16:48,569 --> 00:16:49,530

I don't want him left out.

314

00:16:54,240 --> 00:16:56,069

Create all kinds of little things.

315

00:16:57,375 --> 00:17:00,255

And then here, this is be out

of the shadow of the wave.

316

00:17:00,255 --> 00:17:04,815

So it'll be a little, little

brighter, just a little bit brighter,

317

00:17:08,264 --> 00:17:08,954

a little things.

318

00:17:10,305 --> 00:17:10,754

Allen.

319

00:17:10,964 --> 00:17:14,145

We need something for this big

crashing wave to be hitting.

320

00:17:14,145 --> 00:17:15,585

I like to have stones in there.

321

00:17:15,885 --> 00:17:20,655

So I'll take a little Bandag of Brown,

little dark, sand, and mixed together.

322

00:17:21,060 --> 00:17:21,660

Pull it out.

323

00:17:21,720 --> 00:17:23,340

Get that little roll

of paint on the knife.

324

00:17:23,400 --> 00:17:23,940

Need there.

325

00:17:25,110 --> 00:17:29,000

Kinara or big stone lives right there.

326

00:17:29,820 --> 00:17:30,440

Right there.

327

00:17:31,700 --> 00:17:32,040

See there.

328

00:17:33,860 --> 00:17:34,310

Copy me.

329

00:17:35,650 --> 00:17:35,860

Yeah.

330

00:17:35,870 --> 00:17:41,810

Then we'll take some dark Sianna,

some yellow ochre and mix it together.

331

00:17:41,840 --> 00:17:44,150

I threw a little, a little bit

of bright red in there too.

332

00:17:44,210 --> 00:17:44,930

What the heck?

333

00:17:45,440 --> 00:17:46,640

Cut us off a little piece.

334

00:17:47,870 --> 00:17:49,010

Go right up in here.

335

00:17:50,100 --> 00:17:50,850

No pressure.

336

00:17:51,210 --> 00:17:57,510

Just let this sort of graze that make

that quite bright so you can see it.

337

00:17:57,510 --> 00:17:57,679

Well,

338

00:18:01,790 --> 00:18:04,310

all right, now it brings some

water right around his little foot.

339

00:18:06,500 --> 00:18:10,399

Let's bring it all together,

bringing it all together.

340

00:18:14,310 --> 00:18:17,149

The, these little, little

foamy things in here.

341

00:18:17,750 --> 00:18:18,590

Tell you what let's do.

342

00:18:19,905 --> 00:18:24,125

I'm going to go right into

touch up the dark Sianna and a

343

00:18:24,125 --> 00:18:25,875

little bit of a Vandyke Brown.

344

00:18:26,715 --> 00:18:29,805

And let's put some sand right here

345

00:18:34,875 --> 00:18:39,975

to get lighter and lighter and lighter

and lighter right up to the water.

346

00:18:43,245 --> 00:18:44,955

Maybe the least little touch you.

347

00:18:45,435 --> 00:18:46,455

Alizarin Crimson.

348

00:18:46,995 --> 00:18:47,775

Oh, look at that.

349

00:18:48,135 --> 00:18:48,675

Nice.

350

00:18:52,515 --> 00:18:53,355

Fantastic.

351

00:18:55,875 --> 00:18:59,235

I know you could do it and

clean the old brush up.

352

00:19:00,585 --> 00:19:01,755

Give it a good shake.

353

00:19:05,175 --> 00:19:07,725

Just beat the devil out of, I can

get the biggest kick out of there.

354

00:19:08,685 --> 00:19:11,385

All right, I'm gonna to

take a little paint thinner.

355

00:19:12,524 --> 00:19:13,335

Correct into this.

356

00:19:13,365 --> 00:19:19,514

This is the little blue and white, and

let's go up in here and just begin adding

357

00:19:19,514 --> 00:19:23,135

a few little details just here and there.

358

00:19:24,875 --> 00:19:26,945

Just to sort of make some

of these little things, just

359

00:19:26,945 --> 00:19:30,455

sparkle, jazz, make them sparkle.

360

00:19:32,435 --> 00:19:36,544

Then I think thinner going right

into my, this is the titanium

361

00:19:36,575 --> 00:19:38,135

white with a little touch.

362

00:19:39,075 --> 00:19:40,365

Of CAD yellow into it.

363

00:19:40,575 --> 00:19:44,504

And we just would this put a few

little sparklers up here on the water.

364

00:19:45,405 --> 00:19:48,495

Don't get too many or

you'll lose their effect.

365

00:19:49,695 --> 00:19:50,385

Just a few.

366

00:19:50,835 --> 00:19:52,935

You can overdo you easy.

367

00:19:54,705 --> 00:20:01,235

Say let's put a few little things coming

down the way and down through here there.

368

00:20:02,705 --> 00:20:03,274

All right.

369

00:20:03,544 --> 00:20:04,264

All right.

370

00:20:06,905 --> 00:20:07,315

Yeah.

371

00:20:07,860 --> 00:20:12,360

More paint thinner and picked

up a little bit of dark color.

372

00:20:12,390 --> 00:20:15,300

I want to make a little line

underneath the edge of my water here.

373

00:20:16,620 --> 00:20:22,710

Just a little line to set it

off, just to set it off and we

374

00:20:22,710 --> 00:20:24,750

can gently, gently blend that.

375

00:20:26,520 --> 00:20:31,710

See how that makes it

sort of set up very nice.

376

00:20:32,640 --> 00:20:33,150

Okay.

377

00:20:33,750 --> 00:20:34,320

Tell me what.

378

00:20:35,415 --> 00:20:36,705

Grab a whole fan brush here.

379

00:20:37,095 --> 00:20:41,145

I'm going to go into some SAP

green salad greens, have green or

380

00:20:41,145 --> 00:20:45,245

grab some black and some Brown.

381

00:20:45,245 --> 00:20:48,665

And we just make a big

old gooky color here.

382

00:20:49,925 --> 00:20:55,475

This is green, Brown, black, all those

good colors, a little more Brown and

383

00:20:55,475 --> 00:20:57,425

telescope up here, maybe back in here.

384

00:20:58,155 --> 00:20:59,115

Far away.

385

00:21:00,195 --> 00:21:03,825

There's some little trees that

live and we can make the indication

386

00:21:03,825 --> 00:21:04,965

and move this to the trees.

387

00:21:05,655 --> 00:21:10,515

Just by tapping downward with,

with the old fan brush, we're

388

00:21:10,515 --> 00:21:14,715

not looking for a detail it's too

far away and things are far away.

389

00:21:14,715 --> 00:21:19,305

You don't see a bunch of detail

and let that run right on out

390

00:21:24,225 --> 00:21:26,955

just to give the indication

of trees far, far away.

391

00:21:28,815 --> 00:21:29,415

Right.

392

00:21:30,574 --> 00:21:35,584

Now we can take a two inch brush and

we'll go right into dark Sienna, Vandyke

393

00:21:35,584 --> 00:21:37,475

Brown, just tap some onto the brush here.

394

00:21:38,524 --> 00:21:41,675

And maybe underneath these little

distant trees, there's a little bit of

395

00:21:42,064 --> 00:21:47,195

Brown comes right down through there.

396

00:21:48,034 --> 00:21:49,715

We might even have some nice cliffs.

397

00:21:49,715 --> 00:21:51,844

We can just lay them in with a

brush and then highlight them.

398

00:21:51,844 --> 00:21:52,445

It doesn't matter.

399

00:21:54,625 --> 00:21:55,425

Comes right out.

400

00:21:56,025 --> 00:21:56,595

Isn't that neat?

401

00:21:57,915 --> 00:22:02,055

I mean, there's another one and

he lives there just like, yeah.

402

00:22:03,525 --> 00:22:04,155

Okay.

403

00:22:05,345 --> 00:22:05,525

Okay.

404

00:22:05,585 --> 00:22:13,175

Now with another two inch brush, I'm going

to go into yellow ochre and dark Sienna.

405

00:22:13,685 --> 00:22:14,855

Just mix them on the brush.

406

00:22:16,235 --> 00:22:16,895

Okay, let's go ahead.

407

00:22:16,955 --> 00:22:17,555

I've been here.

408

00:22:18,285 --> 00:22:20,525

I just want to tap some

nice little highlights.

409

00:22:23,085 --> 00:22:26,265

Right on there, make it look like

little grassy things where you back.

410

00:22:28,035 --> 00:22:35,415

I can, we can take the knife

and we confirm these edges up

411

00:22:35,415 --> 00:22:39,035

here a little bit back at that.

412

00:22:39,045 --> 00:22:41,145

You can just put as many of

them in there as you want.

413

00:22:42,555 --> 00:22:44,445

I'm going to grab a crap.

414

00:22:44,455 --> 00:22:47,595

The old fan brush would take some yellow.

415

00:22:50,280 --> 00:22:54,060

Yellow SAP green go yellow ochre.

416

00:22:54,060 --> 00:22:55,290

Just mix them together here.

417

00:22:55,980 --> 00:22:57,030

A lot of pain in the brush.

418

00:22:57,060 --> 00:22:59,220

Go back up here now then.

419

00:22:59,715 --> 00:23:03,585

Maybe there's some little grassy things

that go right down these Hills, right.

420

00:23:03,585 --> 00:23:09,735

Almost out to the water, a lot of

bass color, let him come right on out.

421

00:23:10,425 --> 00:23:12,225

And this is where you

create the lay of the land.

422

00:23:13,515 --> 00:23:16,185

See there, all those

little things just happen.

423

00:23:16,185 --> 00:23:18,635

It just happened.

424

00:23:21,855 --> 00:23:22,065

Yeah.

425

00:23:22,095 --> 00:23:25,215

Let's put some, put some little things.

426

00:23:27,575 --> 00:23:29,595

See here, we're going

to make his sand wet.

427

00:23:29,595 --> 00:23:37,024

So pull that down, go across liner

brush, and we'll go right into

428

00:23:37,205 --> 00:23:38,524

a little bit of blue and white.

429

00:23:38,735 --> 00:23:40,835

We want this paint to be thin as water.

430

00:23:41,975 --> 00:23:42,995

Can you just go back up here?

431

00:23:44,285 --> 00:23:46,565

Yeah, maybe right along these edges here.

432

00:23:47,045 --> 00:23:51,425

See if we can clean up all

those nice little edges and

433

00:23:51,425 --> 00:23:53,135

here's a little, little ripple.

434

00:23:53,435 --> 00:23:54,245

He lives right there.

435

00:23:56,639 --> 00:23:58,980

Yeah, it's letting go right on back.

436

00:24:00,810 --> 00:24:03,090

Just all kinds of little ripples happen.

437

00:24:04,710 --> 00:24:09,360

Like, so I would say there is

many of them are if you want.

438

00:24:12,720 --> 00:24:13,260

Okay.

439

00:24:14,879 --> 00:24:15,540

Tell you what.

440

00:24:17,715 --> 00:24:19,875

We need a, we need a couple

of nice trees in there.

441

00:24:20,175 --> 00:24:25,935

We'll take, we'll take some Vandyke

Brown and some Sam green, just use the

442

00:24:27,205 --> 00:24:30,315

one and brush tree lives right there.

443

00:24:31,754 --> 00:24:32,025

Nice.

444

00:24:32,025 --> 00:24:32,745

Big Bush.

445

00:24:33,485 --> 00:24:34,365

He lives right there.

446

00:24:38,055 --> 00:24:39,405

And we can highlight that.

447

00:24:39,405 --> 00:24:41,805

We'll use a little yellow,

the yellow, blue, green.

448

00:24:43,665 --> 00:24:44,865

Okay, let's go back up here.

449

00:24:45,825 --> 00:24:45,915

Okay.

450

00:24:46,395 --> 00:24:48,225

And we need some leaves

on this little tree.

451

00:24:48,284 --> 00:24:52,475

Don't want him to look naked out

here, put some clothes on him.

452

00:24:52,475 --> 00:25:02,225

So he really sparked that

easy and easy back in here.

453

00:25:02,225 --> 00:25:06,034

We'll just take a little white clean up

these edges so that all comes together.

454

00:25:08,254 --> 00:25:08,615

Now.

455

00:25:08,615 --> 00:25:10,325

That's totally right.

456

00:25:10,985 --> 00:25:11,764

Let's have some fun.

457

00:25:12,544 --> 00:25:14,585

We'll take Vandyke Brown.

458

00:25:14,855 --> 00:25:15,304

We'll use.

459

00:25:15,765 --> 00:25:16,125

Well either.

460

00:25:16,145 --> 00:25:18,465

So Filbert brush and maybe there's a tree.

461

00:25:20,205 --> 00:25:20,745

You're right.

462

00:25:20,805 --> 00:25:23,505

He does a right there, right there.

463

00:25:23,505 --> 00:25:27,765

Maybe he's got an old arm

trees that live out here.

464

00:25:28,665 --> 00:25:32,325

Let's give him a friend trees that live

out here where they catch the devil.

465

00:25:32,955 --> 00:25:34,545

I mean, this is some rough living.

466

00:25:37,155 --> 00:25:42,515

Anyway, you gave him another little

arm here and there, wherever we ever

467

00:25:42,905 --> 00:25:43,865

going to take a little bit of that.

468

00:25:45,535 --> 00:25:50,955

Little bit of the liquid black

put a dome of talent liner brush,

469

00:25:51,075 --> 00:25:52,395

and I added paint thinner to it.

470

00:25:52,395 --> 00:25:59,565

So it's even a little bit thinner and then

take, and we'll just put a couple of whole

471

00:26:00,045 --> 00:26:03,615

old, tired arms out here on this bike.

472

00:26:03,615 --> 00:26:11,775

So there SI just an old tired arm and.

473

00:26:12,540 --> 00:26:16,290

With a fan brush and we'll

just use some green and Brown.

474

00:26:16,860 --> 00:26:21,840

Let's put the indication of a few

leaves out here, but not many most

475

00:26:21,840 --> 00:26:28,080

of them have already, or they got

tired and quit just an indication.

476

00:26:30,330 --> 00:26:32,129

This is a rough place to live right here.

477

00:26:33,570 --> 00:26:36,689

And I think with that, we just

about got a finished painting.

478

00:26:37,560 --> 00:26:40,080

The clock on the wall tells me I

have to leave you for this week.

479

00:26:40,545 --> 00:26:42,975

But I really hope you've enjoyed

this one until next time.

480

00:26:43,125 --> 00:26:43,905

Happy painting.

481

00:26:44,085 --> 00:26:44,655

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S09E12 - Mountain by the Sea

Bob Ross's

The Joy of Painting

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