Bob Ross's

The Joy of Painting

S12E01 - Golden Knoll

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Hello, I'm Bob Ross.

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And I'd like to welcome you to

the 12th joy of painting series.

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First of all, let me thank you for

inviting me back into your homes.

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For another series of painting shows.

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If this is your first time with us, let

me extend a personal invitation for you

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to try to get your oil paints and brushes

and paint along with this each week.

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Or just pull up the old easy

chair and spend a relaxing half

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hour with us as we play some of

nature's masterpieces on canvas.

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We'll use a few big brushes.

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A dozen colors or so, and I'll show you

how easy it is to create some of the most

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fantastic paintings you've ever seen.

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I'll take you step by step through

each phase of the painting.

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So you'll be able to create

your own masterpieces at home.

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So I'll tell you what, let's go on up

to the canvas here and get started.

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Now I've already covered the canvas

with a thin even coat of the liquid

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white and the liquid white just makes

the canvas wet and it makes it slick.

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And it allows us to actually

blend color on the canvas.

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So let's have run all the colors across

the screen that you will need to paint

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this painting with me and they'll come

across in the same order that I have

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them on my pallet, starting with a

titanium white and working around to

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tell you what, while they're doing that.

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Let's go on up here and get started today.

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Let's start with the old two inspiration.

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We'll go into, uh, a little

touch touch-up dark CN.

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I think I'll just do a, a warm little

painting today that uses mostly Browns,

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sort of a monochromatic type picture.

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Thank you like that.

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Just a tiny bit of the Brown little

dark Sienna red on the brush.

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Just a little bit.

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Can I ask her right up here and we'll

use little, little crisscross strokes.

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And let's just put in a happy little sky.

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I want a very, very soft,

very pretty little sky.

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And this is a simple little painting.

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If this is your first time painting along

with us, I think you'll like this one.

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Thank you like this one,

because it works so easy.

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And even if you've never painted

before this one, you can do.

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There we go.

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Just make little crisscross

strokes, little exes, back

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and forth, back and forth.

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Now the color is continually mixing

with the liquid white and it gets

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lighter and lighter and lighter.

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As you blend it in a landscape, you

want things to get lighter toward the

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horizon, darker as they get closer to you.

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And that helps create the illusion

of distance in your painting.

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There we go.

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See, I, you see that is.

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Okay.

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You make it as dark as you want it.

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As I say over and over again, this piece

of canvas is your world, and you can

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do anything here that you want to do.

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You have unlimited power

oil, and I go home.

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The only thing I can say is yes ma'am

but on this piece of canvas, You

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can do anything that you want to do.

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All right.

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Maybe we'll just bring it right

on down here, wherever you want.

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Okay.

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Then I'll just use long horizontal

strokes just to blend it out.

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Like, so

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it makes us super, super soft little sky.

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Now, then right up here, I

won't have a little sun in this.

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I'm going to go right into it.

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Small touch of CAD yellow.

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This is cadmium yellow and just a little

tiny bit, just same old, dirty brush.

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Just tap a little touch of

that right on the brush.

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Great right up appear.

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And maybe right in here.

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Well, just still using those little

crisscross strokes and working out

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word, blending outward, just putting

a little touch of this yellow.

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Just like, so we'll put a little sun

up in the sky and this will be the

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aura around this, around this side.

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Very lightly.

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Like, nah, I think we

can put a sun in here.

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Tell you what for that.

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The juice let's use the

almighty finger here.

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And I just put a little paint on

my finger and right here, I figured

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out where you want the sun to be.

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All you have to do is just

draw a little circle, like, so.

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See that easy now, very lightly three

hairs in some air, just blend right over

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that and it'll bring it all together.

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And that easy, that easy.

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You have happy little son.

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I'll take one.

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Let's put a little cloud up here.

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And for that, I'll use a little fan brush.

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Just the number six fan brush.

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We'll just tap a little,

the dark Sienna on there.

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Same color.

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Okay, let's go right up here.

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Maybe.

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Maybe, maybe you're right there.

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It is right here.

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It lives a happy little cloud and I'm

still using the same cover that the

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sky was just drop in a little cloud.

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Just sort of let it float

around and have fun.

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Clouds are one of the

freest things in nature.

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They just sorta, they just

sort of bounce around and yeah.

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Have fun all day.

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Maybe there's one right here.

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B Bray.

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We'll let this one come right on out.

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Correct.

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Across there.

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See there.

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Just like, so maybe, maybe

there's another one here.

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Just however many you want, just

make a big decision and drop him

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in, but you see how he's already

making tiny little circular strokes.

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Okay.

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Then we'll go back to our large brush.

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And very gently.

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I'm just going to blend that a little

bit, Lafayette, from how to easy that

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easily, you got a happy little cloud

right there, blended and blended

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the base more than I am the top.

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And then very lightly go over it.

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You have a happy little, little cloud

in your sky and you're already, and you

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can do this in any color that you want.

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I've just sort of picked Browns today.

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Cause that's a very nice warm color.

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Kim, go back into a little touch of

that dark Sianna, same old color.

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And I'm just tapping

the brush right into it.

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Maybe, maybe we back here in the distance.

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There's some little,

little foothills live.

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Just take the corner of the

brush and very lightly touched

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the canvas and pulled downward.

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Just pull it straight down.

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Straight there now put

several layers in this one.

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I think.

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So the first one you want to be

very light and then each layer after

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that will get darker and darker.

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See, they're straight down though.

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So all there is to it.

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Just sort of let it disappear.

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Yeah.

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Same color, same color only.

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And we'll make it a little bit

darker, but it's the same exact color.

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Maybe now there's a little footy Hill.

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That lives right here, here.

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I'm going to add a little bit

more pressure to the breast.

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So it's just a little bit darker

and this one day becomes right on

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down wherever you want it, wherever.

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Just wherever you think

he's a little foothills now

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it's that easy.

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This is, you really can do it.

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Even if you've never painted before never

picked up a brush, you really can do this.

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So let me show you a little

trick, a little trick here.

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Maybe you want to create the illusion

that there's several layers here.

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All you have to do is grab this.

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Same color steel and you can

come right on down and makes the

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indication of like, there's another,

another little Foothill in front.

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You can make layer after layer,

after layer the head easy.

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There we go.

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Okay.

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Maybe right under here, I'm just going

to take some street street, titanium

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white, and I picked up a clean brush.

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I have several brushes going

here, so I don't have to wash

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them each time that I use them.

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And maybe right in here,

it's going to pull down.

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Make it look like maybe just a

little, little body of water.

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We back in the distance

here, straight down, straight

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down, and then go across it.

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Won't show too much now, but the minute

in a minute, you'll see why that's there.

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I think it'll be pretty.

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And I'll take a little touch

of the Brown on the knife.

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Let's just go right up in here.

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And we'll make the indication of a happy

little ripple here and there, and maybe

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a little something right along in here.

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Just scrub it in very hard.

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So there's two.

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Okay.

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Back to the same old dark Sienna, but

this time I'm going to pick up a touch

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of the Vandyke Brown and mix it in with

it and just mix these on the brush.

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Don't worry about trying to mix them on

a pallet, just to reach over here and

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take a little bit and put it in there.

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So we have dark Sienna and Vandyke

Brown just tapping on the brush.

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Okay, let's go right up in here now.

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Maybe.

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Maybe their lives, a Hill right

here, a little Hill comes right

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down, just wanders right on boys.

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Sure does.

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Now say there, and all you're

doing is just tapping the sand.

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There we go.

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And this is where you begin to

create the lay of the land to sort

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of decide how your land is going on.

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How the angles are going to

flow here and begin tapping,

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following those basic angles.

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And all you're doing here is

just applying some base color.

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We'll come back and highlight this.

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This is only base color,

so don't worry about it.

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You really cannot make a mistake here.

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And did you know, we don't make mistakes.

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We have happy accidents.

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We just have happy

accidents and very quickly.

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Very quickly, you learn how to work

with anything that happens on canvas.

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And that's really when you, and

experiencing the joy of painting,

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getting in a little plug there.

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So you can start down here maybe

in a workup or whichever way.

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It doesn't matter.

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This is where you take out all

your frustrations and hostilities.

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Just really just beat

this old canvas to death.

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And I'm tapping quite firmly here.

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Once again, all we're doing

is putting in a base color.

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We could really care less.

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Okay, so you already, it's beginning

to show the way the land flows here.

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Okay.

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Just keep following those

basic angles that you want.

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No, let him, let him go.

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And that quick you pretty

well get it filled in.

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Okay.

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Now maybe.

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Tell you what?

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Get my whole fan brush again.

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I'm gonna go right into the Vandyke

Brown, grab a little bit of the

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dark Sienna, mostly Vandyke Brown.

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I'm looking for a little darker

color now and maybe here and there.

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There's a happy little

tree that lives back here.

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Yeah.

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So we just take the corner of the brush

and I'm just going to give it a little

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upward push and we just, this is one

way of making just a happy little tree.

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And all we're doing now is just

putting in a little basic shape.

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Just decide how you want your

little tree or Bush to look

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and just sort of push it in.

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So there's to it.

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So how there's two it, maybe tell

you what, maybe there's another

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one and he lives right here.

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Same way.

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Just sort of push him in there,

decide where you want to drop him in.

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I can,

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maybe he's got a friend right here.

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I don't want him to get along me.

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Everybody needs a friend,

he even a little tree.

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So we'll just put him in

a little tree right there.

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A little Bush.

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See how he's at.

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He's just pushing upward with a

brush to create all those little,

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little grassy effects there.

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Okay.

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Then.

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Let's use our one little brush.

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This is the little script liner

brush, and I'm just going to dip

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it right into some paint thinner.

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And I want to thin this paint, tell

us like ink, a lot of paint thinner,

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and then turn the brush, turn it

and brings it to a very sharp point.

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This is a script liner brush.

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It has a very long bristles.

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Okay, let's get up here.

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Maybe, maybe here and there.

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There's a happy little tree.

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It lives in here.

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So by having very thin paint here.

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On your brush.

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This will literally just flow.

251

00:13:03,705 --> 00:13:05,835

And we can put in all these

little delicate looking

252

00:13:05,835 --> 00:13:08,205

limbs and branches say easy.

253

00:13:08,205 --> 00:13:12,285

That is what you have to decide

where they live and, and put

254

00:13:12,285 --> 00:13:13,125

them wherever you want them.

255

00:13:13,995 --> 00:13:20,405

There is another say there, or

you can just make all kinds of

256

00:13:20,405 --> 00:13:21,965

happy, little things that easy

257

00:13:24,995 --> 00:13:25,265

to say.

258

00:13:25,265 --> 00:13:27,575

They're September behind summer in front.

259

00:13:31,050 --> 00:13:35,400

And these little things are what create,

they create interest in your painting.

260

00:13:35,969 --> 00:13:38,459

And of course, you're not interested

in that happy book, but if you're,

261

00:13:38,760 --> 00:13:41,790

if you're out selling paintings,

this is what sells your paintings.

262

00:13:41,790 --> 00:13:45,329

All these little details, people

like that, they think you'd spent

263

00:13:45,420 --> 00:13:49,020

hours and hours and maybe even

weeks working on this rascal.

264

00:13:49,770 --> 00:13:52,469

And don't you tell them any

different that's our secret.

265

00:13:53,969 --> 00:13:54,630

There we go.

266

00:13:56,520 --> 00:13:56,880

Okay.

267

00:13:57,240 --> 00:14:00,050

Now maybe we want to put the

indication of a little highlight here.

268

00:14:00,060 --> 00:14:03,890

Now use that same fan brush and

put just a touch of the yellow

269

00:14:03,890 --> 00:14:05,540

ochre on it, just a touch.

270

00:14:06,620 --> 00:14:11,480

And we can go up here and we just pop in

the indication of a few little highlights

271

00:14:11,480 --> 00:14:12,860

here and there on some of those bushes.

272

00:14:14,270 --> 00:14:14,960

Just a few.

273

00:14:15,920 --> 00:14:17,270

I don't want this to be too bright

274

00:14:20,390 --> 00:14:21,410

and a little bit up here.

275

00:14:23,115 --> 00:14:25,845

Don't want this little Bush to get upset

cause he doesn't have any highlights.

276

00:14:25,845 --> 00:14:26,895

So we'll give him some too.

277

00:14:29,535 --> 00:14:32,685

And we can just begin putting in

a few little things back in here.

278

00:14:34,385 --> 00:14:35,075

There we go.

279

00:14:39,305 --> 00:14:42,005

Now maybe, maybe we want to have

a little tree or two this in

280

00:14:42,005 --> 00:14:44,165

front, distinctly in front here.

281

00:14:44,735 --> 00:14:48,605

So after you have your highlight, then

you come back and put in another one.

282

00:14:50,355 --> 00:14:54,015

And once again in your world, you put

as many or as few of these as you want.

283

00:14:56,345 --> 00:14:58,505

Just want to show you how, okay.

284

00:14:59,015 --> 00:15:00,395

We're not trying to teach you to copy.

285

00:15:00,395 --> 00:15:03,415

When we, when we bring you these shows,

we're trying to teach you a technique

286

00:15:03,425 --> 00:15:07,055

and turn you loose on the world because

we each see nature through different

287

00:15:07,055 --> 00:15:10,954

eyes and the way that you see it,

that's the way it should be painting.

288

00:15:11,105 --> 00:15:12,005

That's the way it's right.

289

00:15:14,375 --> 00:15:14,975

Okay.

290

00:15:15,635 --> 00:15:16,535

Maybe one over here.

291

00:15:16,535 --> 00:15:18,214

This there.

292

00:15:21,255 --> 00:15:23,954

You can get carried away with these

and just pinned your whole, your

293

00:15:23,954 --> 00:15:26,895

whole time just is painting, happy,

little tree branches and stuff.

294

00:15:28,230 --> 00:15:28,740

Okay.

295

00:15:29,790 --> 00:15:31,620

That's enough of those for awhile too.

296

00:15:31,980 --> 00:15:32,850

Let's have some fun here.

297

00:15:33,390 --> 00:15:37,710

I'm gonna go into a little of the CAD

yellow, little yellow ochre shoot.

298

00:15:37,710 --> 00:15:40,950

We'll grab some Indian, yellow,

just sorta mixed them up on the

299

00:15:40,950 --> 00:15:42,390

brush and we'll be right back.

300

00:15:42,420 --> 00:15:45,360

Reach up here and get a

touch of white titanium.

301

00:15:45,390 --> 00:15:45,750

White.

302

00:15:46,530 --> 00:15:47,160

Just tap it.

303

00:15:47,370 --> 00:15:47,640

Okay.

304

00:15:48,240 --> 00:15:50,340

Maybe right up in here.

305

00:15:50,630 --> 00:15:53,930

We can begin adding just a little

touch of highlight on this.

306

00:15:54,860 --> 00:16:01,670

And all I'm doing is just tapping

downward, just tapping down right now.

307

00:16:01,670 --> 00:16:06,740

If you have trouble making your paint

stick, add a tiny bit of paint thinner,

308

00:16:07,219 --> 00:16:08,599

or the liquid white, either one.

309

00:16:10,020 --> 00:16:12,810

Cause we, we start with a very

firm base color here, though.

310

00:16:12,930 --> 00:16:15,150

The paint is on the canvas is very firm.

311

00:16:15,360 --> 00:16:16,199

It's very dry.

312

00:16:17,189 --> 00:16:20,819

So that way we can add layer after

layer, after layer of paint on top

313

00:16:20,819 --> 00:16:22,260

of it without becoming a bud mixer.

314

00:16:22,290 --> 00:16:25,979

But the only way you can do that

is if each layer gets thinner and

315

00:16:25,979 --> 00:16:29,189

consistency, it's the same consistency.

316

00:16:29,219 --> 00:16:30,660

Then you're going to become a mud mixer.

317

00:16:30,800 --> 00:16:31,939

Then you're going to be mad at me.

318

00:16:33,410 --> 00:16:34,640

And I want this to work for you.

319

00:16:35,240 --> 00:16:36,020

Cause it's fun.

320

00:16:38,189 --> 00:16:42,750

There, and you can really begin

creating the lay of the land now.

321

00:16:45,260 --> 00:16:45,470

Hmm.

322

00:16:45,540 --> 00:16:46,430

Tell you what this do.

323

00:16:47,180 --> 00:16:51,260

Tell you if I missed it, this is a perfect

place to have a happy little house listed.

324

00:16:51,290 --> 00:16:54,949

Let's take the knife here,

take some bandaid and Brown,

325

00:16:55,460 --> 00:16:56,840

pull it out and very flat.

326

00:16:57,380 --> 00:16:59,870

Take the knife and cut across.

327

00:16:59,870 --> 00:17:01,910

Like, so you have that little

roller paint right out there.

328

00:17:02,360 --> 00:17:02,480

Okay.

329

00:17:02,480 --> 00:17:03,079

Let's go up here.

330

00:17:03,800 --> 00:17:06,319

Maybe there's a little house and it lives.

331

00:17:07,560 --> 00:17:08,070

Right there.

332

00:17:08,100 --> 00:17:12,360

So we'll put part of the roof

phone come over on this side.

333

00:17:13,620 --> 00:17:19,040

But the other part don't say

easy that is put the side.

334

00:17:20,150 --> 00:17:20,240

Okay.

335

00:17:20,720 --> 00:17:23,660

Or the front, depending on which way

you're looking at it and come over here.

336

00:17:23,690 --> 00:17:25,610

All I'm doing now is

just blocking in color.

337

00:17:26,810 --> 00:17:28,250

We're just blocking in color.

338

00:17:29,670 --> 00:17:32,720

See how easy it is to block

in a happy little house.

339

00:17:34,170 --> 00:17:37,590

Now it takes some dark CN and a

little bit of Bandag and reach

340

00:17:37,590 --> 00:17:38,730

over here and get some points.

341

00:17:40,830 --> 00:17:44,130

And we just mix that up till about

like, so we don't want to overmix it.

342

00:17:44,460 --> 00:17:47,070

Just leave it sort of marble

and then cut across and get

343

00:17:47,070 --> 00:17:48,210

that little roll paint again.

344

00:17:48,240 --> 00:17:49,080

It's most important.

345

00:17:49,080 --> 00:17:55,260

You load the knife correctly and let's

go up here and we just touch and just

346

00:17:55,260 --> 00:17:56,520

let this run right down the roof.

347

00:17:56,730 --> 00:17:57,660

Bloop, bloop, bloop, bloop, bloop.

348

00:17:57,900 --> 00:18:00,150

See you there got, make those

little noises or it don't work.

349

00:18:03,120 --> 00:18:03,510

Okay.

350

00:18:03,540 --> 00:18:08,760

Maybe a little bit there over here.

351

00:18:09,120 --> 00:18:10,860

Grab it, pull down.

352

00:18:11,270 --> 00:18:13,170

You want this side to be a little

darker than that one because

353

00:18:13,170 --> 00:18:14,130

there is your light source.

354

00:18:16,500 --> 00:18:21,450

So it's a little darker color here,

but just pull it down, let it impair.

355

00:18:21,660 --> 00:18:26,220

Barely, barely, barely touch the fabric

and it makes it look like old wood.

356

00:18:27,930 --> 00:18:28,200

Okay.

357

00:18:28,290 --> 00:18:29,820

Let's bear to touch it.

358

00:18:31,575 --> 00:18:32,175

There we go.

359

00:18:34,145 --> 00:18:36,425

I can take the knife here and cut it off.

360

00:18:36,455 --> 00:18:40,625

You can do a, you can do a cabin

ectomy say here, you can just cut

361

00:18:40,625 --> 00:18:44,254

it off any way that you wanted

to get your perspective, right.

362

00:18:44,254 --> 00:18:46,475

And everything and that easy.

363

00:18:46,535 --> 00:18:47,615

You got a cute little cab.

364

00:18:47,645 --> 00:18:48,845

Let me get the small knife here.

365

00:18:49,504 --> 00:18:51,245

Maybe there's a couple of

little windows over here.

366

00:18:51,665 --> 00:18:52,565

Just takes a little knife.

367

00:18:54,035 --> 00:18:54,395

That's great.

368

00:18:54,395 --> 00:18:58,325

Then a couple of happy little windows,

take a little of midnight black.

369

00:19:04,280 --> 00:19:06,650

maybe, maybe over here, there's

a window to have anyone.

370

00:19:06,650 --> 00:19:09,740

Did you want just up to you?

371

00:19:11,750 --> 00:19:15,680

That's how easy it is to make

a little cabin now I see.

372

00:19:16,220 --> 00:19:18,410

And then home, when you have a

lot of time, you can put little

373

00:19:18,410 --> 00:19:19,640

curtains in the wind and just.

374

00:19:20,220 --> 00:19:21,210

All those kinds of things.

375

00:19:22,020 --> 00:19:22,380

All right.

376

00:19:22,950 --> 00:19:28,260

Now take the old two inch brush here

and I'll just tap in a little bit

377

00:19:28,260 --> 00:19:29,930

of the grassy stuff around his foot.

378

00:19:32,190 --> 00:19:33,180

Bring it all together.

379

00:19:34,260 --> 00:19:36,090

And your little cabins, just

sitting right out there.

380

00:19:38,830 --> 00:19:40,950

Little touch of white.

381

00:19:40,980 --> 00:19:43,410

I just want to highlight

this just a little bit.

382

00:19:43,410 --> 00:19:45,030

So it stands out and

you can see it better.

383

00:19:46,395 --> 00:19:49,445

Just a little touch of highlight right

down there, make it edge, stand out.

384

00:19:50,055 --> 00:19:50,595

Just looks.

385

00:19:50,595 --> 00:19:53,525

It looks a little cuter just

really stands out before you

386

00:19:56,585 --> 00:19:57,965

let's take the old fan brush here.

387

00:19:58,295 --> 00:20:00,965

I'm gonna dip it right into

some liquid white and we're

388

00:20:00,965 --> 00:20:03,335

going to the different yellows.

389

00:20:03,335 --> 00:20:05,045

All the yellows, all the yellows.

390

00:20:05,915 --> 00:20:07,895

Grab a little touch of dark Sienna.

391

00:20:08,015 --> 00:20:08,675

Throw it in there.

392

00:20:09,125 --> 00:20:09,995

Just load the brush.

393

00:20:09,995 --> 00:20:11,195

Full little white.

394

00:20:13,034 --> 00:20:17,534

Okay, but we've got CAD yellow,

Indian, yellow, yellow ochre, all in

395

00:20:17,534 --> 00:20:19,875

the same brush and a lot of paint.

396

00:20:20,205 --> 00:20:20,355

Okay.

397

00:20:20,355 --> 00:20:21,105

Let's go up in here.

398

00:20:21,794 --> 00:20:24,975

And I think we can begin just to

coming along in here and putting

399

00:20:24,975 --> 00:20:28,455

in some happy little grassy things

and follow the lay of the land.

400

00:20:30,605 --> 00:20:31,155

Let it go.

401

00:20:32,835 --> 00:20:33,885

Just work in layers.

402

00:20:33,975 --> 00:20:36,585

You can do it like this, or you

can do it with a two inch brush,

403

00:20:37,185 --> 00:20:41,145

one inch brush, try them all, see

which one works the best for you.

404

00:20:43,425 --> 00:20:43,725

All right.

405

00:20:43,725 --> 00:20:49,215

So layer after layer after

layer, though, they're

406

00:20:52,965 --> 00:20:54,675

easy that isn't looks like a little field.

407

00:20:54,705 --> 00:20:56,264

Tell you what to do.

408

00:20:57,570 --> 00:21:00,270

I'm going to take, go right

into some Vandyke Brown here,

409

00:21:00,770 --> 00:21:02,600

maybe right up in through here.

410

00:21:03,199 --> 00:21:08,240

Maybe it's just a happy

little path comes right out.

411

00:21:09,470 --> 00:21:10,220

Comes right out.

412

00:21:10,520 --> 00:21:11,240

Sarah comes.

413

00:21:11,330 --> 00:21:15,169

Third comes Bandag Brown on the fan brush.

414

00:21:16,610 --> 00:21:18,560

Let that path come right out here.

415

00:21:19,040 --> 00:21:19,610

So easy.

416

00:21:19,610 --> 00:21:21,169

That is okay.

417

00:21:21,870 --> 00:21:24,300

And it just disappears

somewhere on, back in here.

418

00:21:24,570 --> 00:21:25,170

Wait, on nowhere.

419

00:21:25,170 --> 00:21:31,170

It goes wherever you want it to

go pick up a touch of the white.

420

00:21:32,550 --> 00:21:34,500

I just very lightly grazed here and there.

421

00:21:35,340 --> 00:21:40,650

Just crazy, just crazy dark,

dark back of our bar there.

422

00:21:40,830 --> 00:21:42,900

So he went right on out around the corner.

423

00:21:46,050 --> 00:21:47,790

Put a little paint

tender on this big brush.

424

00:21:48,330 --> 00:21:50,909

I'm going to go back

into all my yellows here.

425

00:21:51,330 --> 00:21:52,350

Grab a little of wine.

426

00:21:55,850 --> 00:21:56,030

Yeah.

427

00:21:56,900 --> 00:22:00,530

So you can do it with a fan brush

or this brush, whichever one, try on

428

00:22:00,530 --> 00:22:02,270

both tracks, try tapping with this.

429

00:22:02,270 --> 00:22:04,010

Sometimes you'll find that works better.

430

00:22:04,070 --> 00:22:06,590

Sometimes you'll find it for some people.

431

00:22:07,280 --> 00:22:08,630

Your fan brush works better.

432

00:22:08,960 --> 00:22:16,130

So whichever way every way, but you can

just put layer after layer, after layer.

433

00:22:18,520 --> 00:22:21,750

Start the part, his fathers

to way and work forward.

434

00:22:30,980 --> 00:22:34,580

Just keep going in here.

435

00:22:37,545 --> 00:22:37,785

Brian.

436

00:22:37,785 --> 00:22:37,965

Yes.

437

00:22:37,965 --> 00:22:38,595

Right on down.

438

00:22:40,815 --> 00:22:42,075

I've showed you several different ways.

439

00:22:42,075 --> 00:22:46,004

You can make these little grassy

things, try them all at once.

440

00:22:46,004 --> 00:22:49,605

Again, sometimes the fan brush will

work better for some people, some people

441

00:22:49,605 --> 00:22:51,525

would like the two inch brush better.

442

00:22:52,785 --> 00:22:54,555

The one inch brush works very well.

443

00:22:55,875 --> 00:22:56,745

Give them all a try.

444

00:22:59,054 --> 00:23:00,314

Get the effect that you want.

445

00:23:09,165 --> 00:23:09,975

Okay.

446

00:23:12,254 --> 00:23:15,014

Now let me take my hair.

447

00:23:15,014 --> 00:23:17,115

I've got a little bit right

here, so we'll just take our fan

448

00:23:17,115 --> 00:23:18,405

brush and clean up the edges.

449

00:23:18,794 --> 00:23:19,665

See that easy.

450

00:23:21,135 --> 00:23:22,155

Tell you what we need here.

451

00:23:22,574 --> 00:23:23,385

Let's build us up.

452

00:23:23,625 --> 00:23:24,554

Let's build us a tree.

453

00:23:25,080 --> 00:23:29,100

I'm going to start with Vandyke

Brown, hold that flat cut across.

454

00:23:29,340 --> 00:23:30,690

And we get that little roll of paint.

455

00:23:31,470 --> 00:23:34,050

Maybe our tree is going to live, right.

456

00:23:34,080 --> 00:23:35,310

Ooh, right over our other tree.

457

00:23:35,940 --> 00:23:36,660

That's okay.

458

00:23:38,290 --> 00:23:39,210

That's okay.

459

00:23:39,360 --> 00:23:40,889

Maybe he lives right there.

460

00:23:41,100 --> 00:23:44,639

Say they're building with trunk.

461

00:23:44,879 --> 00:23:46,080

Maybe he's got an arm

462

00:23:49,170 --> 00:23:51,830

lives right out through

here wherever you want it.

463

00:23:53,570 --> 00:23:54,020

However.

464

00:23:55,439 --> 00:23:56,379

But the other side,

465

00:23:59,520 --> 00:24:00,330

just like, so

466

00:24:03,510 --> 00:24:05,010

say you see it is to make a tree

467

00:24:08,220 --> 00:24:11,159

only God can create a tree,

but you can paint one.

468

00:24:12,270 --> 00:24:12,959

Okay.

469

00:24:14,820 --> 00:24:19,980

A little bit of white and Brown and

let's put a little highlight on his tree

470

00:24:20,129 --> 00:24:22,320

and just touching, just, just touching.

471

00:24:24,915 --> 00:24:28,035

Touching like, so a

little bit on this arm,

472

00:24:31,755 --> 00:24:32,295

barely count.

473

00:24:34,865 --> 00:24:36,935

Let's go back to our script liner brush.

474

00:24:38,735 --> 00:24:40,985

We'll take paint, thinner, thinner

paint on, and we'll put a little

475

00:24:40,985 --> 00:24:42,275

black and a little Brown together.

476

00:24:42,275 --> 00:24:42,935

Make him dark.

477

00:24:43,920 --> 00:24:46,050

But you need a lot of paint

thinner on your brush to make

478

00:24:46,050 --> 00:24:47,400

this paint just like ink.

479

00:24:47,490 --> 00:24:49,139

It's almost a water consistency.

480

00:24:50,120 --> 00:24:50,420

All right.

481

00:24:50,450 --> 00:24:52,220

Now then let's make

some big decisions here.

482

00:24:52,460 --> 00:24:54,920

Maybe there's a, there it is.

483

00:24:55,639 --> 00:24:56,120

They go home.

484

00:24:56,120 --> 00:24:57,620

It comes out over here.

485

00:24:58,220 --> 00:25:02,150

Maybe this one goes up, stay

there however you want them.

486

00:25:03,770 --> 00:25:04,490

However you want them.

487

00:25:06,860 --> 00:25:10,280

There is another one saying maybe here.

488

00:25:10,665 --> 00:25:14,655

Oh, there's another big

alarm comes right now.

489

00:25:16,185 --> 00:25:21,765

Now, if your paint will not flow like this

and more thinner to it, it doesn't flow.

490

00:25:22,005 --> 00:25:23,595

It's just because it's not thin enough.

491

00:25:24,465 --> 00:25:29,025

So just add some more

thinner stand some more,

492

00:25:33,785 --> 00:25:34,845

see how easy that is.

493

00:25:34,905 --> 00:25:37,845

If your paints the right consistency,

it'll just flow right off your brush.

494

00:25:38,700 --> 00:25:42,540

And this liner brush has very long

bristles, so it holds a lot of paint.

495

00:25:44,430 --> 00:25:51,240

You can just pop him little Rascals

right on there like that there.

496

00:25:53,760 --> 00:25:54,150

Okay.

497

00:25:54,180 --> 00:25:54,810

Here's the one.

498

00:25:57,000 --> 00:26:00,150

And you can really take your time

and put just hundreds of all these

499

00:26:00,150 --> 00:26:03,330

little Liam's on here and it'll

make you, it'll make your painting.

500

00:26:03,330 --> 00:26:04,200

Very interesting.

501

00:26:04,200 --> 00:26:04,800

Very nice.

502

00:26:06,765 --> 00:26:08,265

Just wherever you think they should live.

503

00:26:08,475 --> 00:26:10,605

That's exactly where they should live.

504

00:26:12,555 --> 00:26:17,985

Can can't tell you what let's

put a little, maybe there's a

505

00:26:17,985 --> 00:26:20,025

little fence posts set right here.

506

00:26:20,415 --> 00:26:21,105

See right there.

507

00:26:21,105 --> 00:26:22,515

Just touch and give it a little pull.

508

00:26:24,165 --> 00:26:27,975

Like, so that'll touch

your highlight on it.

509

00:26:28,035 --> 00:26:28,275

Nope.

510

00:26:29,050 --> 00:26:32,610

Like that we can take

that same old liner brush.

511

00:26:32,850 --> 00:26:34,680

Maybe there's a little

bit of wire on there.

512

00:26:36,450 --> 00:26:39,510

See, take a little tiny bit of

wire hanging on that rascal.

513

00:26:41,580 --> 00:26:43,500

And I think with that, we've

got, have a finished painting.

514

00:26:43,530 --> 00:26:47,040

So let's say in this one, I'll take

a little red, thin it down with

515

00:26:47,040 --> 00:26:50,850

paint thinner and we'll sign this

one right down here in the corner.

516

00:26:52,230 --> 00:26:53,850

Certainly hope you've enjoyed this one.

517

00:26:54,300 --> 00:26:55,620

So a very easy painting.

518

00:26:56,580 --> 00:26:59,130

As I say, if this is your first

time painting along with us,

519

00:26:59,520 --> 00:27:00,720

this is a good painting to do.

520

00:27:01,170 --> 00:27:02,430

You'll have instant success.

521

00:27:03,000 --> 00:27:05,670

And from all of us here, I'd

like to wish you happy painting.

522

00:27:06,030 --> 00:27:06,630

God bless.

523

00:27:06,810 --> 00:27:07,830

And I'll see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S12E01 - Golden Knoll

Bob Ross's

The Joy of Painting

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