Bob Ross's

The Joy of Painting

S09E04 - Meadow Road

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Hi glad you could join me today.

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You got your oil paints, all

put out and your big glass of

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ice tea besides you and ready.

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Okay.

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Let's do it.

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Then let's start off by having them

graphically put all the colors on the

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screen that you need to do this painting

with me and they'll come across as

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usual in the same order as I have them

on the pallet, starting with a white

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and working around, and I was going

up here and I've already covered the

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canvas with a nice thin even coat of

the liquid white it's wet and slick.

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And it's ready to go to, so let's do

a fantastic little painting together.

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And I thought today, we'll start

off with, uh, the old two inch brush

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and the smallest little amount of a

lizard Crimson, very small amount,

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and just tap the brush into that.

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Just tap it like it,

James, go right up here.

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And maybe in the sky here,

there's a little bit of pink.

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I just want a very small

amount when you're doing this.

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Just use the littlest touch of paint.

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Because if you're not careful,

you'll set your sky right on fire

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and we don't want it on fire.

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We just want a little pinkish glow in

it when we're done, just to brighten

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it up, make it a very happy little sky.

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And that's enough, right?

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There is enough.

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Okay.

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Without cleaning the brush, I'm going to

go right into if little blue and the blue

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is so much stronger than the Crimson.

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You don't have to clean the

brush and go right into it.

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Okay.

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Loaded the same way by tapping.

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Let's go right back up here.

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Now use a little crisscross

stroke, start right at the

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top and work down to the pink.

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Just like little crisscross

strokes, little exes.

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See, they're that easy and where

these come together, you'll get

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sort of a, sort of a lavender color.

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Very pretty, very warm there.

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All right.

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Let me clean the old brush.

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We just wash it right here.

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I have a screen in the

bottom of this bucket.

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That has scrubbed the brush against

shake it off and then just beat

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the devil out of that with a clean,

dry brush and be sure it's dry.

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Go right back up here and blend this.

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You want to make the

little X's right here?

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Where the pink and the blue come together.

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Just little crisscross.

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Okay.

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And that's that gives

us a happy little sky.

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Tell you what let's do.

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Let's put some big floating

clouds up in there and I'll

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use the one inch brush today.

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Pull it through the paint, pull

it through in one direction.

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Maybe we'll add at least a

little touch of bright red to it.

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Lee's little touch.

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Don't want to set these

clouds on fire assay.

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By pulling it one direction.

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You round one corner of the brush.

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Okay.

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Let's go up here now with this

rounded corner toward the top,

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just to make little tiny circles

and create all kinds of beautiful

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little fluffy clouds in your sky.

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Keep the brush moving.

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Keep it moving.

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Little circles, little tiny circles.

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Don't let it stay in one place.

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You'll end up with big cotton

balls in the sky, and that'll

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sort of bother you when it's over.

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And see layer after layer, after

layer, just as many clouds as you want.

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This is your world.

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So you make the big decisions then

you want, maybe let's put a happy

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little cloud that lives right here.

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We don't all want all of them.

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On one side, we don't

have them on both sides.

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I like to make clouds.

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When I was traditional painter

clouds used to drive me crazy.

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Well, I'd work with him,

son of a guns all day.

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This is easy way to do it.

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Okay.

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Now then we'll take clean, dry a two

inch brush and come right back up here.

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Now see up in here, you don't

want to touch these tops.

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All you want to do is gently,

gently blend the bottom.

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Use the top corner of the brush.

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You use the bottom of the brush.

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You're not going to be able

to tell where it's hitting.

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You don't want to touch his nice edges.

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You want to save those, just

blend right up to him and stop.

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And don't over blend.

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These don't overlap Lambda.

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Okay.

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Same thing on the other side,

just barely touching now then

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we'll lift that up very gently.

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Very gently, just barely

caressing the canvas.

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Barely, barely touch, lift it

up and then very lightly, very

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lightly blend the entire sky.

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That'll take out all the brush marks,

blend everything together and that

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quick got a fantastic little sky.

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All right, let's do, let's do

a happy little mountain today.

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And for that, I'll take

that midnight black.

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A little blue, just black and blue.

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That's all I'm going to use today.

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Midnight black, a little blue.

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If you wanted to check that, put a little

white over there and just add it because

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it's hard to tell what color that is.

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Little roll paint on the

knife, right on edge.

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Okay.

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Now you have to make some big decisions.

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Where does your mountain live?

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And what's his shape kind

of put in the shape here.

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Okay.

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That mountains grow different

all over the country.

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So the mountains in URI are

different than what I paint.

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Just use the idea of how to paint

mountains to do the ones in your area.

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The principles are about the

same, no matter what Kenyon

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mountains, you're painting there.

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That's just blue in black

scrape off the excess paint.

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Now then the two inch brush.

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I'm going to begin, just tapping and

getting a little that color on the brush.

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Now I want to put a

distant mountain back here.

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So just using that color that I

picked up, just tap and look it

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there that easy, that easy, you

can create the illusion of a little

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mountain that's far in the distance.

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Yeah, we'll pull that down automatically.

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Your mountain gets

lighter toward the bottom.

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It mixes with the liquid white

and all those things happen.

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You don't have to worry about them.

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Shoot.

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Maybe that was so much fun.

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Maybe there's another one over

here, wherever you want them.

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You can have another little

thing that lives right there.

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Pick up a little that color.

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See, they're not super, you can

just worry a little paint from

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this mountain and make another one.

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You can do anything in your world.

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Okay.

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Right.

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That camera over.

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Just like, so, and then we'll

blend it right down to nothing.

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And that gives us a nice base shape

for a little mountain nano that

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let's put some no on that mountain.

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So we go right into the titanium white,

pull it out in very flat, just as flat

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as you can get it, really get tough

with it and then cut across and get

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that little roll of paint on the knife.

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Let's go right up here.

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Now at the point of the knife,

right at the pointy mountain.

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And just let it literally float

right down the mountain a little

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bit more right in here and begin

creating the shape of your mountain.

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Okay.

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No pressure.

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Very, very light.

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Maybe, I guess when it comes down like

that delicate touch, delicate touch.

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And this is where you really,

really need to have a firm paint.

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If you have a soupy paint, you're going

to become a mud mixer and we'll take

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a little that black and blue color.

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Mix it with some titanium white and

make a shadow color out like that.

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Let me clean my knife here.

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Tell you what?

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I'll get the small knife for that.

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It sneaks into those little places better.

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Kennys go right up in here now.

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They don't, I don't want to just put the

indication of some shadows here and there.

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Touch it, pull it down.

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Just put down all kinds of

happy little shadows there.

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We'll put one right in there for wherever

you think there should be a shadow.

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That's where to where to be over in here.

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Pull these down a little bit.

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You can go back and pick up

a little bit dark and where

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the shadows are really deep.

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Look at there.

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Look at that.

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See, you can just spend all day just

playing with mountains are so much fun.

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When I was learning and

practicing all the time.

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I used to take a canvas and

paint mountains from me.

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Top to bottom from floor to ceiling

on it, and then just scrape them off.

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Start over again.

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You never waste a canvas.

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You can clean it over and over and over.

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And when your paint's wet, you

can just take, scrape it off.

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Take a little paint, thinner, wash it

down and use it again over and over.

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If your paint's dry, you can take a little

sandpaper, sand off, any bumps that you

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have, cover it with a little liquid white

and you're back in business again, easy.

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Canvas never goes bad.

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Just paint right over King.

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Let's play some more with that

mountain, a little bit more of the

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white and let's come right in here.

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And maybe there's another little

thing and he lives right there.

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Wherever you want them.

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You can just put layer after layer.

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You can just keep going.

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Like I say, do you cover up the

whole canvas with mountains?

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And that's one of the best ways

that I know of to practice.

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Don't be afraid to, to practice if

there's a secret to this or to any style

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of painting, it is practice just like

tying your shoe first time you tried it.

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It wasn't so easy.

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Wasn't so easy.

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Now you can just, you don't even

have to look and you can do it.

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Of course.

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I told that to a lady in class one

day and she looked down and she said,

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how come you still wearing loafers?

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There we go.

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But I know you can do it better

than I now that'll get it that dark

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just sort of play it here and there.

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See how it sets that Frank's back in

there and create some deep shadows.

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Super.

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Now, back to our clean dry brush,

just tap that creates all that missed.

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We got a tremendous big mountain here, and

maybe I'm just going to tap some of the

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same colors and let's begin doing this.

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Just tapping downward.

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Just let this sort of

work right on out here.

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Very gentle.

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Maybe this just comes over

and Dan's right there.

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There we go.

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So at all those little things just

sort of happen and you've created

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another layer in your mountain.

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You can just keep going on and on and on.

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There's no limit to it.

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That's what makes it fun.

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We've got a little

highlight right in there.

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Now with a clean one inch

brush, I'm going to grab this.

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And make very short, little strokes, tiny

little strokes, quarter of an inch type

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strokes, and just lift that up and it'll

make it look like little trees that are

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growing right up the side of the mountain

far, far away, too far to see any detail.

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Yeah, little tiny strokes.

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Can't say that enough.

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You let those strokes get too big.

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You're varying the illusion over here.

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Maybe there's some little,

little things going on.

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Like, so

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I we'll just that right out.

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So you have soft and gentle that easy.

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We bet covers up the whole

canvas with mountains here.

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But that's all right.

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If you learn how to make fun mountain,

then you can make a thousand mountains

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and you can do, you can do anything.

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All right.

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All right.

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Let's just use this same old brush.

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I'm going to go right into some

of this black and blue right here.

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Pick up a little, little, the

white, just tap it in there.

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So we have staying woke

colors, black, blue, and little

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white kids go right up here.

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Let's make a little footy Hill, same.

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There he is just using the corner of the

brush and he lives right there comes right

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on down as each layer gets closer to you.

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I had to get a little bit darker, a little

bit darker, clean dry two inch brush.

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Just tack the base.

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We want to have the mist in here.

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Just a little bit of mist.

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There we go.

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Now that use the same old,

dirty brush, same old color.

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Make it a little darker.

252

00:13:32,460 --> 00:13:33,390

Just tap it.

253

00:13:34,890 --> 00:13:37,200

I'll tell you what we'll add

tiniest little bit of Vandyke Brown.

254

00:13:37,200 --> 00:13:39,150

We want to start getting

this a little closer.

255

00:13:40,260 --> 00:13:40,470

Okay.

256

00:13:40,500 --> 00:13:41,310

Let's go back up here.

257

00:13:41,850 --> 00:13:43,890

And maybe there's another

little Foothill that we can see.

258

00:13:43,920 --> 00:13:44,730

Ooh, there he is.

259

00:13:44,970 --> 00:13:45,660

There he is.

260

00:13:47,400 --> 00:13:48,330

He knew he was there

261

00:13:51,810 --> 00:13:53,310

and he just goes right on up, like, yeah.

262

00:13:54,120 --> 00:13:56,490

See how you can just

create layer after layer.

263

00:13:59,010 --> 00:13:59,670

Tap that one.

264

00:14:00,180 --> 00:14:02,760

There's a little bit of mist

is the only thing that we have

265

00:14:02,760 --> 00:14:04,650

in here to separate all these.

266

00:14:06,750 --> 00:14:07,080

Okay.

267

00:14:07,170 --> 00:14:11,640

I'll tell you what, let's add a tiniest

little bit of SAP green to that same

268

00:14:11,640 --> 00:14:14,460

color, because it's getting closer.

269

00:14:14,490 --> 00:14:16,260

Now we're going to

begin to see more color.

270

00:14:16,650 --> 00:14:16,800

Okay.

271

00:14:16,800 --> 00:14:20,280

Let's go back here and maybe we'll

have a footie Hill that comes.

272

00:14:20,785 --> 00:14:21,885

Right down here.

273

00:14:23,535 --> 00:14:24,015

Look at that.

274

00:14:26,835 --> 00:14:29,135

See, and I'm just using

just the corner of his soul.

275

00:14:29,165 --> 00:14:29,735

Two inch, bro.

276

00:14:31,265 --> 00:14:39,245

Barely touching, barely

touching, clean, dry two inch.

277

00:14:44,745 --> 00:14:46,395

Give it a little bit of brief pull.

278

00:14:49,005 --> 00:14:51,435

We just got all kinds of

things happening in there.

279

00:14:53,795 --> 00:14:54,335

Okay.

280

00:14:54,335 --> 00:14:55,565

Let me watch just brush.

281

00:14:56,315 --> 00:14:58,565

So we'll have a clean, I've

got all my brushes dirty.

282

00:15:01,505 --> 00:15:02,925

We have to splatter the camera man.

283

00:15:02,925 --> 00:15:04,385

There was I'll make sure he's awake.

284

00:15:05,435 --> 00:15:10,595

I'm going to go ride into some van Dyke

Brown, a little bit of dark Sienna.

285

00:15:10,655 --> 00:15:11,825

Just mix them on the brush here.

286

00:15:12,435 --> 00:15:13,275

Let's have some fun.

287

00:15:14,295 --> 00:15:15,225

Let's go right in here.

288

00:15:15,314 --> 00:15:15,824

Do this.

289

00:15:18,765 --> 00:15:22,665

We just, we just cover

the whole canvas here.

290

00:15:22,694 --> 00:15:23,625

Oh, we're looking for here.

291

00:15:24,615 --> 00:15:25,185

Yes, I'm good.

292

00:15:25,215 --> 00:15:27,495

Dark color, good face color.

293

00:15:29,995 --> 00:15:30,715

Like it

294

00:15:35,025 --> 00:15:37,245

gives us a nice, nice color to work with.

295

00:15:39,015 --> 00:15:39,405

Fair

296

00:15:48,245 --> 00:15:52,385

take the same old brush and I'm

gonna go right into my CAD yellow.

297

00:15:53,510 --> 00:15:57,090

Little bit of yellow ochre, reach

up here and grab some SAP green.

298

00:15:57,540 --> 00:15:59,340

And I'm just going to

tap this into the brush.

299

00:15:59,520 --> 00:16:00,300

Just tap it.

300

00:16:00,990 --> 00:16:05,220

Or these yellows are a little bit

thinner than the other colors, so

301

00:16:05,220 --> 00:16:06,630

they, they stick a little easier.

302

00:16:06,660 --> 00:16:07,740

Now let's go right in here.

303

00:16:08,580 --> 00:16:08,910

Let's see.

304

00:16:09,000 --> 00:16:09,630

Just touch.

305

00:16:10,390 --> 00:16:13,260

If your color won't stick

at a little bit of it.

306

00:16:13,575 --> 00:16:15,885

The liquid clear, a little,

little paint thinner to it.

307

00:16:16,575 --> 00:16:17,385

That'll thin it down.

308

00:16:17,385 --> 00:16:22,545

So it'll stick for, if you want

your color to be brighter, add

309

00:16:22,545 --> 00:16:23,775

a little bit of liquid white.

310

00:16:25,605 --> 00:16:26,325

There we go.

311

00:16:27,195 --> 00:16:30,855

Now maybe, maybe there's

a, another little thing.

312

00:16:30,975 --> 00:16:31,875

It lives right there.

313

00:16:34,795 --> 00:16:35,295

See there.

314

00:16:35,295 --> 00:16:37,695

How you could just create

layer after layer after layer.

315

00:16:39,525 --> 00:16:40,275

There we are.

316

00:16:42,870 --> 00:16:43,590

I tell you what?

317

00:16:44,070 --> 00:16:44,880

Let's have some fun.

318

00:16:44,880 --> 00:16:46,380

Let me find a little fan brush here.

319

00:16:48,570 --> 00:16:49,620

Oh, fan brush.

320

00:16:49,980 --> 00:16:56,580

I'll take some, some black,

blue and SAP green tape with

321

00:16:56,580 --> 00:16:57,870

this mix up a bunch of that.

322

00:16:57,870 --> 00:16:58,800

Cause we're going to use it.

323

00:17:00,450 --> 00:17:01,440

Ooh, that is a bunch.

324

00:17:01,440 --> 00:17:05,579

It should look black, just

black, blue, SAP green.

325

00:17:06,870 --> 00:17:07,560

There we go.

326

00:17:07,950 --> 00:17:09,090

Clean the knife off.

327

00:17:10,964 --> 00:17:13,754

Now with a fan brush, just

pull it right through there.

328

00:17:13,994 --> 00:17:15,224

A lot of paint on the brush.

329

00:17:16,125 --> 00:17:17,145

All right, let's go up here.

330

00:17:17,655 --> 00:17:19,935

Maybe there's some happy

little evergreens at live.

331

00:17:20,984 --> 00:17:21,524

There he is.

332

00:17:22,545 --> 00:17:27,974

And all we're going to do is

just tap, go back and forth.

333

00:17:29,264 --> 00:17:31,305

Like, so see there, there he is.

334

00:17:31,665 --> 00:17:32,325

There he is.

335

00:17:33,524 --> 00:17:34,575

Let's give him a little friend.

336

00:17:35,504 --> 00:17:39,195

You know what me, I think everybody

has to have a friend, friends

337

00:17:39,195 --> 00:17:42,045

are so important, so important.

338

00:17:46,235 --> 00:17:46,855

That's one thing.

339

00:17:47,435 --> 00:17:51,215

So fantastic about painting

for you on television.

340

00:17:51,695 --> 00:17:55,775

I've made thousands and

thousands of beautiful, beautiful

341

00:17:55,775 --> 00:17:57,965

friends that I've never had.

342

00:17:57,965 --> 00:18:01,325

If I hadn't done this and

I thank you very much.

343

00:18:03,680 --> 00:18:04,890

What makes us so special

344

00:18:08,250 --> 00:18:10,530

and that quick, we got

four happy little trees.

345

00:18:12,630 --> 00:18:17,820

We'll take a little bit of the dark Sienna

and I'm just going to put just indication

346

00:18:17,820 --> 00:18:19,260

of a little trunk or two in here.

347

00:18:20,430 --> 00:18:21,060

There we go.

348

00:18:21,150 --> 00:18:24,960

I see just the tiniest little indication.

349

00:18:25,905 --> 00:18:27,794

Then with the brush,

it has the color on it.

350

00:18:27,794 --> 00:18:30,735

I'm going to go back in here and

grab a little bit of that dark color.

351

00:18:31,004 --> 00:18:34,004

Just grab it for the corner

of the brush and pull it down.

352

00:18:34,155 --> 00:18:40,185

See there makes a shadow

that easy and easy.

353

00:18:42,090 --> 00:18:44,159

Man let's begin playing.

354

00:18:44,159 --> 00:18:47,370

I'm going to grab a little more

of the green and the yellows.

355

00:18:48,179 --> 00:18:51,629

I got all the yellows go in

here and in the yellow, yellow

356

00:18:51,629 --> 00:18:53,429

ochre, CAD yellow, just whatever.

357

00:18:53,939 --> 00:18:54,300

Okay.

358

00:18:55,080 --> 00:18:58,500

Now maybe, maybe, yeah, you're right.

359

00:18:59,399 --> 00:19:01,350

There's another little Hill right there.

360

00:19:02,970 --> 00:19:05,340

So you can make as many of

these as you want in your world

361

00:19:05,340 --> 00:19:06,810

horse view, it's up to you.

362

00:19:07,620 --> 00:19:08,370

It's up to you.

363

00:19:09,629 --> 00:19:12,990

Get a little bit of the bright

red, just a tiniest little bit.

364

00:19:14,910 --> 00:19:15,570

There we go.

365

00:19:15,900 --> 00:19:16,110

Hmm.

366

00:19:16,650 --> 00:19:20,430

Firecracker, let pretty

make another little Hill

367

00:19:23,580 --> 00:19:23,790

there.

368

00:19:25,590 --> 00:19:25,920

Okay.

369

00:19:26,070 --> 00:19:28,080

And if you wanted that to stand

out a little brighter, you can

370

00:19:28,080 --> 00:19:30,810

handle a little bit of yellow,

either drop it right on top.

371

00:19:32,130 --> 00:19:33,210

Just zings.

372

00:19:34,050 --> 00:19:34,620

All right.

373

00:19:35,790 --> 00:19:37,110

I'm going to get a one inch brush here.

374

00:19:38,550 --> 00:19:41,700

Let's pull that right through

this dark color, pull it through.

375

00:19:41,850 --> 00:19:42,390

Wiggle it.

376

00:19:43,530 --> 00:19:45,480

Wiggle it, that brings

it to a nice sharp point.

377

00:19:45,660 --> 00:19:46,650

Can I just go back up here?

378

00:19:47,520 --> 00:19:49,740

Maybe there's a happy liver, green.

379

00:19:50,940 --> 00:19:51,210

Ooh.

380

00:19:51,510 --> 00:19:54,120

That's going to be a happy, big

evergreen take just the corner

381

00:19:54,120 --> 00:19:57,000

of the brush back and forth.

382

00:19:57,450 --> 00:19:57,960

Look at that.

383

00:19:58,980 --> 00:20:04,470

See, they live right there in that

one inch brush, just like you're doing

384

00:20:04,470 --> 00:20:08,430

a fan brush or the two inch brush.

385

00:20:10,260 --> 00:20:12,170

There we go, just let him come around.

386

00:20:12,180 --> 00:20:14,130

Or that rule, we just

killed my little tree there.

387

00:20:15,510 --> 00:20:16,080

That's all right.

388

00:20:16,080 --> 00:20:16,980

We know he's back here.

389

00:20:18,690 --> 00:20:23,220

We ain't know he's there killed

my mountain up there too.

390

00:20:23,280 --> 00:20:26,310

Well, I'm just, I'm just running

everything that I did, but as

391

00:20:26,310 --> 00:20:28,950

long as you learn how to do it,

that's, what's so important.

392

00:20:30,990 --> 00:20:32,610

Just so he learned how to do it.

393

00:20:33,930 --> 00:20:35,370

Let's make that one a little bit taller.

394

00:20:35,370 --> 00:20:35,940

There we go.

395

00:20:37,920 --> 00:20:42,930

There another happy

little tree down in here.

396

00:20:42,930 --> 00:20:44,760

We could care less just anywhere.

397

00:20:44,910 --> 00:20:45,450

Doesn't matter.

398

00:20:47,070 --> 00:20:48,690

You separate these with highlights.

399

00:20:49,230 --> 00:20:49,980

There is another one.

400

00:20:55,700 --> 00:20:57,260

You decide how many trees you want?

401

00:20:57,620 --> 00:21:00,080

10 trees, maybe there's

a whole forest there.

402

00:21:00,950 --> 00:21:05,000

Put them in every tree you do

gives you that much more practice.

403

00:21:06,620 --> 00:21:10,399

And the more practice you have, the

better your tree is going to get here.

404

00:21:10,399 --> 00:21:11,420

I'm just adding some color.

405

00:21:13,530 --> 00:21:14,340

Adding some color.

406

00:21:16,139 --> 00:21:18,510

I can, let's put a tree on the other side.

407

00:21:18,510 --> 00:21:22,260

We wouldn't want one that side over

there to be left out and feel lonely.

408

00:21:23,310 --> 00:21:24,659

There he is right there.

409

00:21:27,750 --> 00:21:28,590

All right.

410

00:21:32,219 --> 00:21:33,000

Big old tree

411

00:21:37,350 --> 00:21:37,679

there.

412

00:21:39,419 --> 00:21:40,919

Just let him fall right out of there.

413

00:21:47,100 --> 00:21:49,890

And once again, Dan, in here,

we could really care less.

414

00:21:49,890 --> 00:21:51,480

What's happening all we're

looking for down here.

415

00:21:51,960 --> 00:21:56,460

It's just a nice dark color, maybe.

416

00:21:57,630 --> 00:21:57,870

Yep.

417

00:21:58,110 --> 00:21:58,770

You're right.

418

00:21:59,280 --> 00:22:02,280

We don't have another happy

little tree is right there.

419

00:22:02,730 --> 00:22:04,140

Can we just let him work right on down?

420

00:22:08,040 --> 00:22:10,440

And does it match where she

trees lives right there?

421

00:22:10,620 --> 00:22:11,129

I remember.

422

00:22:15,659 --> 00:22:18,740

Nice little tree shoot.

423

00:22:18,750 --> 00:22:19,980

Head brush is too slow.

424

00:22:20,190 --> 00:22:20,639

Let's get her.

425

00:22:20,879 --> 00:22:22,080

Let's get a two inch brush here.

426

00:22:22,770 --> 00:22:24,240

I can just drop in some little things.

427

00:22:29,250 --> 00:22:34,350

A little bit of the dark Sienna gave us an

indication of a tree trunk here and there.

428

00:22:35,985 --> 00:22:40,745

Wherever, maybe there's even

one in this Bush over here.

429

00:22:42,065 --> 00:22:42,875

Same, same.

430

00:22:43,895 --> 00:22:48,995

I want to leave him out and you can

just take the point of the knife

431

00:22:48,995 --> 00:22:51,395

and scrape a little things in here.

432

00:22:55,025 --> 00:22:55,295

Okay.

433

00:22:55,595 --> 00:22:58,985

Let me just take the brush

that has the yellow on it.

434

00:22:59,615 --> 00:23:02,165

And SAP green loaded four.

435

00:23:03,854 --> 00:23:05,175

Okay, let's go right back up here.

436

00:23:05,865 --> 00:23:12,064

Now that she is pop in a few little

highlights on these trees, don't let it

437

00:23:12,064 --> 00:23:13,985

get too light and keep it quite dark.

438

00:23:14,195 --> 00:23:16,834

Evergreens are usually a

little darker than other trees.

439

00:23:18,304 --> 00:23:18,965

There we go.

440

00:23:21,155 --> 00:23:21,935

Fantastic.

441

00:23:23,615 --> 00:23:27,814

There these little trees back

here, they need a little touch too.

442

00:23:28,560 --> 00:23:31,530

There this old tree.

443

00:23:31,560 --> 00:23:36,629

He don't want to be left out a

little bit in there and that's

444

00:23:36,629 --> 00:23:38,370

enough to give us some indications.

445

00:23:40,550 --> 00:23:43,489

Alrighty, tell you what, let me get,

446

00:23:46,820 --> 00:23:50,239

let's take some yellow, a little bit

of Sam green on the one inch brush.

447

00:23:50,479 --> 00:23:51,560

Put it in one direction.

448

00:23:53,120 --> 00:23:55,550

Let's put some happy little

bushes right up in here.

449

00:23:56,550 --> 00:23:57,090

There they are.

450

00:23:58,429 --> 00:23:58,790

There.

451

00:23:58,830 --> 00:23:59,189

They are.

452

00:23:59,550 --> 00:24:03,659

Look at all those little things,

all kinds of little bushes.

453

00:24:03,689 --> 00:24:05,070

This is just yellow and green.

454

00:24:11,040 --> 00:24:16,500

These are the kinds of paintings

that really make you happy and

455

00:24:16,560 --> 00:24:17,969

touch a paint thinner to my pain.

456

00:24:18,540 --> 00:24:20,070

There's so much paint here.

457

00:24:20,129 --> 00:24:22,469

You need a very thin paint to

get it, to stick to all of this.

458

00:24:24,524 --> 00:24:28,625

There and put some shape and

some form until you Busch.

459

00:24:28,625 --> 00:24:30,814

Don't just, don't just throw

this up there at random.

460

00:24:31,655 --> 00:24:32,284

Think about it.

461

00:24:33,425 --> 00:24:34,324

Think like a Bush.

462

00:24:36,665 --> 00:24:37,324

Here we go.

463

00:24:39,905 --> 00:24:39,995

Good.

464

00:24:39,995 --> 00:24:43,804

One of the previous series I told a story

about, and as a kid, my uncle told me

465

00:24:43,804 --> 00:24:49,415

if I wanted to catch a rabbit, I stood

behind should stand behind the tree and.

466

00:24:49,950 --> 00:24:51,150

Make a noise, like a carrot.

467

00:24:51,150 --> 00:24:54,960

And when he came by grabbing and he

was just saying, catch me rabbits.

468

00:24:56,160 --> 00:24:56,490

Okay.

469

00:24:56,490 --> 00:24:58,350

Back with a two inch brush into the color.

470

00:25:00,090 --> 00:25:04,830

Let's come right along in here

and just happy in all kinds of

471

00:25:04,830 --> 00:25:06,840

little happy little grassy areas.

472

00:25:08,880 --> 00:25:10,530

This is where the little

bunny rabbit live.

473

00:25:10,530 --> 00:25:11,670

He'd hide right up in here.

474

00:25:14,190 --> 00:25:15,210

That's where he'd live.

475

00:25:15,945 --> 00:25:18,585

And just sort of bounce back

and forth with your color.

476

00:25:21,845 --> 00:25:22,985

Let's go on the other side.

477

00:25:24,245 --> 00:25:24,735

There it is.

478

00:25:24,755 --> 00:25:26,135

You just cut it off wherever you want it.

479

00:25:28,175 --> 00:25:28,655

Look at that.

480

00:25:28,715 --> 00:25:30,155

See how it pushes everything back.

481

00:25:30,155 --> 00:25:35,795

The wind creates a layer after layer and

that's what makes your painting look deep.

482

00:25:35,795 --> 00:25:37,295

And like, it has a lot of distance.

483

00:25:41,129 --> 00:25:42,960

We could have another

rabbit over on this side.

484

00:25:43,600 --> 00:25:46,379

They have rabbits everywhere in

this, and this is where it's.

485

00:25:49,080 --> 00:25:49,710

All right.

486

00:25:50,490 --> 00:25:52,919

Tell you what catch up a little

rabbit that lives back here.

487

00:25:52,919 --> 00:25:54,690

We need a, we need a little path.

488

00:25:55,580 --> 00:25:59,250

I'm gonna go right into some

Vandyke Brown, little dark

489

00:25:59,250 --> 00:26:01,860

Sienna with the old fan brush.

490

00:26:01,950 --> 00:26:03,240

Just pull it through there.

491

00:26:03,690 --> 00:26:05,250

Like so, okay.

492

00:26:05,730 --> 00:26:07,020

Maybe the little path lives.

493

00:26:07,470 --> 00:26:10,350

And just back and forth strokes.

494

00:26:11,100 --> 00:26:13,679

See you just put the little

path wherever you want it.

495

00:26:14,970 --> 00:26:17,040

Just like, so there he is.

496

00:26:18,990 --> 00:26:19,470

Look at that.

497

00:26:22,050 --> 00:26:25,500

And that quick, you got a happy little

path that just sort of smoothing off

498

00:26:30,189 --> 00:26:30,870

the point of the knife.

499

00:26:30,899 --> 00:26:32,939

Let's just go in here, put

in a few little sticks.

500

00:26:34,020 --> 00:26:36,750

The old clock on the wall was

telling me I got to go for this time.

501

00:26:37,830 --> 00:26:39,629

So I think we'll call

this painting finished.

502

00:26:40,350 --> 00:26:42,690

We're wrapping it up in this

week from all of us here.

503

00:26:42,690 --> 00:26:43,409

Happy painting.

504

00:26:43,620 --> 00:26:44,310

We got blessed.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S09E04 - Meadow Road

Bob Ross's

The Joy of Painting

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FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

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