Bob Ross's

The Joy of Painting

S11E12 - Roadside Barn

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Welcome back.

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Glad you could join me today.

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I hope you're having a fantastic day.

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You get your paints out.

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You're ready.

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The paint along with me.

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I think you're going to enjoy this one.

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Let's start off and have them

graphically run all the colors across

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the screen that you need to paint

along with me while they're doing that.

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Let's go on up here and get started.

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I've already covered the

canvas to the liquid white and

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it's all wet and ready to go.

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So we can, we can take right off today.

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Can start right off with a little

touch of the Prussian blue.

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Just a little bit, just tap the

brush, ride into it, just a little

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reach over here and grab a little

bit of that midnight black kinks go

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right up here now, then that's just

dancing some happy little things here.

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Just using little, little Xs,

little crisscross strokes.

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Just sort of let that go.

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And.

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Just have fun with it.

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Just have fun.

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Another, the paint would mix with

a liquid white and automatically,

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automatically it'll get the lighter in

value as you work down toward the horizon.

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There, maybe a little

touch more right there.

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Okay.

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And that quick you can have a basic

little sky and just a little blue sky.

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And then very lightly, we just burst

across, take out the brush strokes.

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Hmm.

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Okay.

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Now let's take a, another brush.

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I have several going, so I don't have

to spend all my time washing them.

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Let's go into titanium white.

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We'll make a happy little cloud,

pull it, burst through the paint.

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I'm going to reach down and get a

least little touch of the bright red.

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Just the least little touch, a

lot of pain in the bristles here.

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Okay.

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Let's just come out of

here and dance in it.

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Happy little cloud or two, and I'm

just using the brush in small little

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circular patterns here, tiny little

circles that the bristles work.

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Let them, I don't build

your cloud for yet.

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You're looking for all those

nice soft fluffy edges.

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Oh, this is a fantastic day.

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Clouds of playing in the sky.

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Just let them bounce around.

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Wherever you think they should be.

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That's exactly where they are to be.

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Okay.

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I don't know, wash that brush out and we

just scrubber brush and odorless thinner

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paint, thinner shake off the excess,

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and then just take out

all your frustrations.

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Kay.

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Now with a clean, dry brush.

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Very dry.

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If you have trouble dragging the brush,

you probably can't beat it like I can.

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And your living room or wherever you

paint, cause you would cover everything.

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Uh, they make up a thing

called a brush beater racket.

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You can put in the bottom of a

wastepaper can garbage can or something

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and you can shake your brush inside

the cannon beetle against this wreck.

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And that keeps it contained.

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So it doesn't go all over your house.

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You might, you might want

to have one of those.

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If you're going to paint

inside, there we go.

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Okay.

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Shoot.

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Can we get us a quick little

sky that easy now then?

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Let's take and maybe back in the

background here, we'll put a, let's put

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a few little bushes and trees back here.

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We'll take some dark CNS and Vandyke

Brown, and I'm using the round brush.

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I'm just going to tap

this color right into it.

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Pick up a little black, too.

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What the heck?

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It'll SAP green tap

firmly to load the brush.

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Okay, let's go right up here.

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Now then decide where you want

your little bushes to live.

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These are distant trees and just very

quickly just have some basic shapes.

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Very, very basic shapes.

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You're not looking for any detail.

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All you're looking for

is just a basic shapes,

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however many you want.

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Okay.

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Now then with the same old brush.

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Let's go right into a little touch

of, Oh, we'll use some yellow ochre.

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I'm going to reach up here.

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I'll be right back.

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Get a little bit of the SAP

green, a little CAD yellow.

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And once again, I'm just tapping it in.

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Allow that color to stay in the brush.

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Cause I wanna, I want to all this.

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Okay, let's go right up here now, then

just the top bristles you can put in

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all types of little highlights here.

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Okay.

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And see how easy that

is just half a minute.

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And we're still not looking

for a great deal of detail.

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If you have, if you have troubles

making the paint stick, add a little

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paint thinner, but all you need is

a tiny little bit tiny, little bit.

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Don't overdo with a paint thinner,

tiny a little bit and make layers.

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That'll create the illusion of depth.

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All those little things.

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It was just thousands

of little leaves there.

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And you can do it in just a matter

of a minute or two that easy.

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Okay.

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Let's have a little pond and a other.

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That's easy to do.

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And a lot of fun, you

know, me, I love water.

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Go back to my brush.

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It had the blue and the black on

it, and we can just come right

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across that easy, quick indication

of a little touch of water.

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And if you want it to reflect all these

little bushes that you made, you can take

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the same brush, just turn it upside down.

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Tap downward like that and put

in some basic basic ideas here.

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We're not looking for

a great deal of detail.

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Now take your two inch brush

and pull Chad lay down.

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This is two hairs and some air just

barely, barely touching and go across.

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And then Nate instant reflections are

that easy, that easy, take a little

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bit of the frowns, dark CNN Vandyke.

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Just mix them together.

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Although not very flat cut

across, get that little roll

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of paint out here on the knife.

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And let's go right up in here.

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Let's put a little land back here.

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I'm just going to sort

of scrub that again.

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There we go.

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Just to give the indication of a

little land that lives back here.

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Just something for all those trees

to set off and you can take a little

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of the quick wipe, a little Brown and

dull it cut across and just put in the

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indication of a little water line here.

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I don't want this to be too

bright and shiny because it's.

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It's going to be too far back in the

painting and I don't want to distract from

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whatever it is we put in the foreground.

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Okay.

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It's build some more trees.

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I like him trees.

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Same old round brush.

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We'll go back into the Browns,

reach over here and I'll get a

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little bit of glue Sam green.

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Oh shoot.

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You might as well have

some black, too, whatever.

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Basically.

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We're looking for dark colors.

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Okay.

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Let's go back up here now.

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Then I want a bigger tree

here, but I still want to

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start at the base and work up.

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So it's darker.

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Down in here and down here,

we have all these shadows.

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This is where a little bunny rabbit hides.

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See, and as we work up here, we're going

to pick up the paint on the canvas and

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automatically it gets lighter in value.

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Learning to use what happens?

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I hit that.

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Let's bring this right on down.

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We'll just push it's that little pond

right on, back into the, into the,

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yeah, let's just keep it going here.

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These trees are so much fun to make

all we're looking for at this point.

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Is the basic shapes, just basic shapes.

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So just sort of look around your yard

and see the kind of trees you have.

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And if that's what you want to paint

and paint that initial shape, and then

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we'll come back and we'll highlight those

trees and put all the little leaves and

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all the little pretty things into it.

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But initially, are you looking

for his chest, the basic shape?

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And normally it's always darker down

here at the base than it is at the top

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is tapping.

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All we're doing is tapping very easy.

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Loader brush again, maybe.

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Right in here.

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Yeah.

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What the heck?

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Let's just push this life.

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We back, we do that just by

putting some bushes right here.

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I'm not careful.

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I'm just going to cover that little rascal

up and the plants so dry on that there.

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All right.

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Here's our liner brush middle

number two, script liner.

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And I go right into some

of that Brown color load.

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The brush full.

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You want your paint to be very thin.

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Let's go right up in here and touch.

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And we just make the indication

of a few little tree trunks here.

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Now we're going to put

leaves on all these trees.

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So we're going to lose

most of these things.

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So you don't have to put a

whole bunch of detail in here.

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Save your detail for the foreground.

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There we go.

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Just some happy little things.

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You're going to see a few little

trunks and lambs here and there.

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Okay, it's fantastic that you

can build a tree that easy.

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All right.

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In a few little, thanks.

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Wherever, wash out a little brush.

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Now that.

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Let's take a round brush and we'll

go right into some yellow and

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some yellow ochre yellow ochre.

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I'm going to reach up here again.

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I just slip off and leave you sometime.

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Don't come back.

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I a little green on there.

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Little Sapp green tap

the brush full of color.

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Can you ask her right up here and

then go slightly above the dark.

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And just begin tapping on all those

little, all those little leaves and

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stuff there, Janice here and there.

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See there.

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And once again, don't just throw them

on at random make little patterns

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because there's limbs that project

out every which way am I going?

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I had a little yellow Volcker ready?

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Just let all these little things happen.

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So long there's tree who

don't want to have left out.

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There we go.

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And over here,

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do one tree at a time.

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They'll remember each one of these little

trees and bushes they're individuals.

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They each have their own

separate personality.

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Okay.

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There and a little touch to

the bright red right there.

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So you had a nice, it makes that one

and just pick out places you think there

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is a Bush and that's where he lives.

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That's where he lives.

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I had a little thinner to my burster.

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That'll make the paint stick easier.

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So now that one.

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See now here we have two that

are exactly the same color.

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The only thing that separates

them is that little dark area.

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That little dark areas are very valuable.

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When you're painting,

don't kill all the dark.

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Save them little Rascals.

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They're your friends.

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They'll make you happy.

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You got to make your paintings.

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Beautiful.

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Beautiful, beautiful.

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Okay.

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There's a nice one.

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It looks like it has a

little flowers on top.

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That's one of them happy

accidents, cherish them.

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Don't fight them.

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I see all the dark it's left back here

without that there would be no depth.

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Absolutely no depth.

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It'd be as flat as if you cut it out,

a newspaper just glued it up there.

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And you would not be happy with it.

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There we go.

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Stuff.

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I'm gonna cover up the whole canvas

here with all these happy little trees.

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Okay.

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Okay.

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Now that you can take the knife and

just take the point of the knife

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scrape right through the paint.

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Let some of the white shine through.

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And make all kinds of little layers

and twigs and all the things it takes

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to hold up all these little clumps of

bushes and grass and small trees and

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all those things just by scratching

through the C it's that easy.

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Okay.

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Let's have some fun, fantastic fun.

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I'm gonna take some Brown and then go

right into SAP green, put the Brown

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in there just to build the group.

255

00:13:40,750 --> 00:13:44,230

I want it to be very

dark, very dark Kennis.

256

00:13:44,230 --> 00:13:45,069

Go right up in here.

257

00:13:45,910 --> 00:13:46,150

Yeah.

258

00:13:46,300 --> 00:13:47,199

Just by tapping.

259

00:13:47,560 --> 00:13:51,819

I want to tap in some

dark color right in there.

260

00:13:52,270 --> 00:13:53,740

And all I'm doing is just tapping down.

261

00:13:57,840 --> 00:13:58,320

Okay.

262

00:14:00,840 --> 00:14:04,920

Browns and greens and

throw some black in there.

263

00:14:09,310 --> 00:14:11,960

We began thinking about

the lay of the land.

264

00:14:12,050 --> 00:14:14,780

In other words, the

direction the land flows.

265

00:14:17,550 --> 00:14:20,310

We need this dark color so that we

can come along and highlight it and

266

00:14:20,310 --> 00:14:23,430

put grass on it and it'll stand out.

267

00:14:24,820 --> 00:14:29,310

Only way you can make that stand out

is if you have dark underneath light

268

00:14:29,310 --> 00:14:32,400

against light gives you nothing dark

against dark gives you that thing.

269

00:14:33,599 --> 00:14:38,370

Gotta have dark and already to

see light just like in life.

270

00:14:38,800 --> 00:14:40,380

You have to have a few of those dark days.

271

00:14:40,380 --> 00:14:43,890

So you understand when you have a

good one, otherwise they'll just

272

00:14:43,890 --> 00:14:45,209

sneak by and you'll never notice it.

273

00:14:47,790 --> 00:14:48,359

There we go.

274

00:14:55,050 --> 00:14:57,329

Look at all of those little

things that just happened already.

275

00:14:57,329 --> 00:15:00,479

It's already, you can see

how the land flows here and

276

00:15:00,479 --> 00:15:01,380

that's what we're trying to do.

277

00:15:05,525 --> 00:15:06,155

I'm kidding.

278

00:15:06,545 --> 00:15:10,985

That'll give us a base coat to

work with now that same old brush.

279

00:15:10,995 --> 00:15:12,545

I want this color very dark.

280

00:15:13,055 --> 00:15:14,195

I want to go back in here.

281

00:15:14,195 --> 00:15:16,625

I can put just the indication

of a little bit of highlight.

282

00:15:16,625 --> 00:15:17,645

Don't want much back here.

283

00:15:18,605 --> 00:15:20,555

I'll show you why in a minute,

I just made a decision.

284

00:15:21,215 --> 00:15:24,785

See when you paint, you

have unbelievable power.

285

00:15:25,595 --> 00:15:26,495

Unbelievable.

286

00:15:26,875 --> 00:15:28,345

You have to make big decisions.

287

00:15:29,965 --> 00:15:32,905

I just made a decision,

just made a big decision.

288

00:15:33,775 --> 00:15:35,485

I'm going to have a happy

little building right here.

289

00:15:35,755 --> 00:15:38,125

So come right down here

and let's watch first.

290

00:15:38,125 --> 00:15:40,405

You have to make a decision where

your building is going to live.

291

00:15:41,215 --> 00:15:44,545

And one of the easiest ways is

to take your knife and begin

292

00:15:44,845 --> 00:15:48,475

scraping out the general shape

that you want this building to be.

293

00:15:49,225 --> 00:15:50,545

Maybe there's the roof.

294

00:15:52,200 --> 00:15:58,470

So see there, this removes that excess

paint back here and allows you without

295

00:15:58,470 --> 00:16:00,810

being committed to lay your building out.

296

00:16:01,620 --> 00:16:05,730

You can, you can just change

the shape any way you want it.

297

00:16:06,555 --> 00:16:08,325

Because at this point,

you're not committed.

298

00:16:08,835 --> 00:16:10,575

Maybe it's got a little

roof, it comes out this way.

299

00:16:10,575 --> 00:16:16,605

Who knows, scrape out all this

paint when you're at home at this

300

00:16:16,605 --> 00:16:17,835

point, step back and take a look.

301

00:16:17,835 --> 00:16:19,155

So you see if it's what you want.

302

00:16:20,055 --> 00:16:24,105

It helps to stand away from your

canvas and look at it can, now

303

00:16:24,105 --> 00:16:25,545

we can begin filling it in here.

304

00:16:25,965 --> 00:16:30,285

We've got a basic idea of what we

want now, then let's take, start with

305

00:16:30,285 --> 00:16:31,965

Vandyke Brown, little rule of paint.

306

00:16:31,995 --> 00:16:33,615

Always use that little roll of paint.

307

00:16:35,535 --> 00:16:41,444

And that's just fill in the squares

that, just put that right in.

308

00:16:42,854 --> 00:16:43,755

See how easy that is.

309

00:16:43,785 --> 00:16:44,685

Just drop it right here.

310

00:16:45,915 --> 00:16:49,214

Just like, so right out through

there, we're going to have it.

311

00:16:51,015 --> 00:16:51,584

Okay.

312

00:16:56,714 --> 00:16:59,214

A little bit right here, pull down.

313

00:17:00,645 --> 00:17:02,204

See, we're still keeping a basic idea.

314

00:17:02,204 --> 00:17:03,165

We're not committed yet.

315

00:17:03,645 --> 00:17:07,335

If I can do anything that we want

to do back in here, but we're still

316

00:17:07,335 --> 00:17:08,805

keeping the basic idea in mind.

317

00:17:11,825 --> 00:17:12,755

There we go.

318

00:17:15,395 --> 00:17:15,575

Thank you.

319

00:17:15,605 --> 00:17:17,704

I wish it was that easy to

build a house in real life.

320

00:17:18,545 --> 00:17:21,214

Now then let's begin putting

some fun things on there.

321

00:17:21,214 --> 00:17:25,115

I'll take some dark CNN, bright red,

and reach over here and get some

322

00:17:25,714 --> 00:17:29,825

titanium white and don't, overmix it.

323

00:17:29,825 --> 00:17:31,565

Leave it, leave it about like that.

324

00:17:32,685 --> 00:17:36,555

Grab it and let's come right down here.

325

00:17:37,215 --> 00:17:39,885

We'll put a little touch of

highlighter right along that edge.

326

00:17:40,515 --> 00:17:42,185

See, that'll indicate there's

a little something good on

327

00:17:42,185 --> 00:17:43,055

the other side of the roof.

328

00:17:43,835 --> 00:17:49,355

And let's take some white grab

some of that Lu and some Brown.

329

00:17:49,985 --> 00:17:52,745

Let me just mix all that together

and make sort of a bluish gray

330

00:17:52,745 --> 00:17:53,975

with Rose and black in there.

331

00:17:54,755 --> 00:17:55,445

Oh, that's nice.

332

00:17:56,045 --> 00:17:57,035

My shadow color.

333

00:17:57,905 --> 00:18:00,695

Once again, little roller paint now, then.

334

00:18:01,770 --> 00:18:04,140

Yeah, then just let this

sort of bounce along here.

335

00:18:07,320 --> 00:18:08,880

If you don't make them little

noises that don't work.

336

00:18:10,560 --> 00:18:10,740

Okay.

337

00:18:10,740 --> 00:18:13,560

Now, now you really do have to

start making some big decisions.

338

00:18:13,560 --> 00:18:16,590

Whereas this little, this is

going to be a little shit.

339

00:18:18,030 --> 00:18:19,710

You have to start deciding heartset.

340

00:18:20,880 --> 00:18:23,520

Maybe there's a little light plays

through here, and there's a little

341

00:18:23,520 --> 00:18:25,230

highlighted bounces along here.

342

00:18:26,730 --> 00:18:27,180

See that?

343

00:18:27,450 --> 00:18:28,710

Say that again, and then meet.

344

00:18:30,255 --> 00:18:31,245

And you can do that.

345

00:18:31,545 --> 00:18:34,205

You really can do that over here.

346

00:18:34,265 --> 00:18:38,285

I'll take just a little touch

of the light color, just sparkle

347

00:18:38,285 --> 00:18:40,265

that seaside roof stands out.

348

00:18:40,295 --> 00:18:42,575

Maybe the lights really

zing in right through there.

349

00:18:43,655 --> 00:18:47,675

And that'll sort of give us an idea

of just where the roof line is.

350

00:18:49,740 --> 00:18:50,220

Okay.

351

00:18:50,520 --> 00:18:54,150

Now we can come in here and

really start playing dark Sienna.

352

00:18:55,830 --> 00:18:57,090

We'll just screw it back into there.

353

00:18:58,950 --> 00:19:00,960

Pull that out a little

roll of paint again.

354

00:19:01,470 --> 00:19:04,430

They're aware of that touch.

355

00:19:04,790 --> 00:19:06,230

No pressure, no pressure.

356

00:19:07,100 --> 00:19:09,530

Barely, barely panic.

357

00:19:09,560 --> 00:19:14,810

Chris, the canvas, no

pressure, no pressure at all.

358

00:19:16,080 --> 00:19:18,210

I want to make us look old and tired.

359

00:19:19,140 --> 00:19:20,160

She just like me.

360

00:19:22,100 --> 00:19:22,400

Okay.

361

00:19:22,490 --> 00:19:23,480

A little bit right in here.

362

00:19:23,840 --> 00:19:24,200

Sit there.

363

00:19:25,760 --> 00:19:32,270

This side over here, we wanted a

very dark, very dark, very dark.

364

00:19:32,630 --> 00:19:37,280

So we'll take some dark CNN Vendex brand

and just a tiniest little bit of white.

365

00:19:37,310 --> 00:19:38,900

We want to keep this side very dark.

366

00:19:39,710 --> 00:19:40,130

Not as much.

367

00:19:40,130 --> 00:19:41,390

Light's kind of strike over here.

368

00:19:44,885 --> 00:19:47,595

Now that this is just a little bit

of Brown that we can come right

369

00:19:47,595 --> 00:19:53,445

down in here and we can make all

kinds of old boards and see, make

370

00:19:53,445 --> 00:19:57,945

it look old or just that easy.

371

00:19:59,425 --> 00:20:01,725

You can put little

sparkers here and there.

372

00:20:02,024 --> 00:20:05,445

Those touches of fight can

really get in here and make this

373

00:20:05,445 --> 00:20:10,245

look like old, old wood, just

wherever you think it should be.

374

00:20:10,710 --> 00:20:13,590

That's where it wouldn't be King.

375

00:20:13,620 --> 00:20:14,189

We need a door.

376

00:20:15,270 --> 00:20:19,350

I've been known to paint barns and

cabins and forget to put a door in them.

377

00:20:20,030 --> 00:20:25,399

But let's put one right here,

just fantastic Brown and pull

378

00:20:25,399 --> 00:20:26,629

it down the straight down.

379

00:20:27,110 --> 00:20:34,639

So you have to do a little bit

of color cut around it that easy.

380

00:20:35,750 --> 00:20:36,290

Tell you Harlan.

381

00:20:36,795 --> 00:20:38,325

Shoot, let him so much fun with this.

382

00:20:38,925 --> 00:20:39,345

Watch here.

383

00:20:39,375 --> 00:20:39,705

Watch here.

384

00:20:39,705 --> 00:20:40,035

Watch here.

385

00:20:40,035 --> 00:20:44,835

Maybe this guy, maybe he's like me

runs out a room continually and he

386

00:20:44,835 --> 00:20:46,395

had to build a shed right out here.

387

00:20:47,885 --> 00:20:54,065

Just pull that out, come

straight down over here.

388

00:20:54,095 --> 00:20:54,995

This will be lighter.

389

00:20:57,725 --> 00:21:01,865

And that super come along

here, but a few little board

390

00:21:01,865 --> 00:21:04,265

indications in there and that easy.

391

00:21:04,775 --> 00:21:05,885

You got a happy little shit.

392

00:21:07,325 --> 00:21:10,095

You can put a little, this color

right on the roof to make it

393

00:21:10,095 --> 00:21:11,595

sort of separate and stand out.

394

00:21:14,465 --> 00:21:15,815

It'll highlight right along there.

395

00:21:18,335 --> 00:21:23,765

And we have, well, we have one nice

little barn and maybe watch it right.

396

00:21:23,765 --> 00:21:24,545

And they come right up in here.

397

00:21:24,575 --> 00:21:25,355

Let me show you something.

398

00:21:26,045 --> 00:21:28,715

Maybe you wanted to create the

illusion that this is an overhang.

399

00:21:29,075 --> 00:21:30,185

You can come right back in here.

400

00:21:30,305 --> 00:21:32,585

I'm always telling my time playing

with his barn, but there's so many

401

00:21:32,585 --> 00:21:33,665

things I want to show you here.

402

00:21:34,355 --> 00:21:35,555

See, you can cut that off.

403

00:21:36,750 --> 00:21:38,040

And did make this very dark.

404

00:21:38,490 --> 00:21:39,960

See now, watch, watch, watch.

405

00:21:41,340 --> 00:21:44,760

When he back under there, we need a

little bit of shadow that'll shadow.

406

00:21:46,410 --> 00:21:51,920

Now we come alone here and put some

post highlight those little post

407

00:21:55,790 --> 00:21:56,180

touch.

408

00:21:58,250 --> 00:21:58,910

Okay.

409

00:22:00,420 --> 00:22:00,930

Not playing.

410

00:22:00,940 --> 00:22:02,550

I hit it, got to get to move in here.

411

00:22:03,000 --> 00:22:03,690

I get carried away.

412

00:22:03,690 --> 00:22:07,830

Sometimes these little buildings are so

much under making as come right along

413

00:22:07,830 --> 00:22:13,850

in here, here, put some little grassy

things that live right out, come right in.

414

00:22:16,310 --> 00:22:16,730

Okay.

415

00:22:16,940 --> 00:22:18,140

Let me find my little knife.

416

00:22:18,200 --> 00:22:19,250

I'll use a little knife for that.

417

00:22:19,850 --> 00:22:21,230

Maybe right in here.

418

00:22:22,340 --> 00:22:28,520

A little fence off it goes

right up into the distance.

419

00:22:29,145 --> 00:22:33,735

Wherever, wherever, wherever, wherever,

put a little wire right across center

420

00:22:34,155 --> 00:22:35,745

that easy, push everything back.

421

00:22:36,014 --> 00:22:39,075

Now there's a little place, a

little place where the farmer can

422

00:22:39,075 --> 00:22:40,485

store stuff up underneath there.

423

00:22:42,745 --> 00:22:44,264

Put a little touch of thinner on there.

424

00:22:47,054 --> 00:22:48,435

You held those little green.

425

00:22:49,845 --> 00:22:50,145

Okay.

426

00:22:51,254 --> 00:22:55,784

Let's begin creating all the little

grassy things that we want in here.

427

00:22:57,375 --> 00:23:02,225

Just wherever you want, wherever you want.

428

00:23:03,615 --> 00:23:07,575

And this is where you really, really,

really make the lay of the land work.

429

00:23:09,975 --> 00:23:10,305

Okay.

430

00:23:10,605 --> 00:23:16,515

Maybe right over in here, all

those little things CIAC there.

431

00:23:16,635 --> 00:23:17,385

You just dropped them.

432

00:23:17,385 --> 00:23:17,535

Yeah.

433

00:23:19,275 --> 00:23:20,415

Just drop them in.

434

00:23:21,285 --> 00:23:22,035

Tell you about the steel.

435

00:23:22,875 --> 00:23:24,135

Maybe there's a little road in there.

436

00:23:25,185 --> 00:23:29,004

Take this Vandyke Brown decide

where you road lives and pull it

437

00:23:32,495 --> 00:23:33,034

that easy.

438

00:23:36,965 --> 00:23:38,254

We just fill up the whole canvas.

439

00:23:38,254 --> 00:23:38,735

What the heck?

440

00:23:47,024 --> 00:23:48,334

A little bit of Brown and white.

441

00:23:48,455 --> 00:23:48,905

Touch it.

442

00:23:52,125 --> 00:23:52,635

Touch it.

443

00:23:52,865 --> 00:23:53,465

And pull.

444

00:23:56,480 --> 00:23:56,689

Yep.

445

00:23:56,899 --> 00:23:57,080

Yep.

446

00:23:57,209 --> 00:23:57,360

Yep.

447

00:24:04,730 --> 00:24:08,659

That maybe, maybe there's a little

path that comes out and you can

448

00:24:08,659 --> 00:24:10,280

just go crazy in your world.

449

00:24:10,280 --> 00:24:11,389

You put whatever you think.

450

00:24:11,389 --> 00:24:14,990

Would it be, there was a

bit of paint right there.

451

00:24:23,040 --> 00:24:26,490

And bring a little bit of

the grassy things right down.

452

00:24:27,360 --> 00:24:28,680

So it brings all this together.

453

00:24:28,770 --> 00:24:35,250

See how simple, so big brush does

fantastic things and tastic thing.

454

00:24:35,970 --> 00:24:40,320

Then over here on this side of the

path, we need some more little grassy

455

00:24:40,320 --> 00:24:41,670

areas to bring all this together.

456

00:24:44,205 --> 00:24:45,705

Just bring it all together

457

00:24:57,855 --> 00:25:03,044

that quick you can, you can create

all of this beautiful landmass just

458

00:25:03,044 --> 00:25:08,895

by tapping a little bit with a big

brush and maybe watch right here.

459

00:25:09,074 --> 00:25:11,925

Maybe two, we put a fence.

460

00:25:13,530 --> 00:25:19,020

Prove a little fence, touch it,

highlight on it, cut across a

461

00:25:19,020 --> 00:25:25,290

little bit of paint and they would

put somewhere on that fence too.

462

00:25:25,770 --> 00:25:26,910

You can do anything.

463

00:25:27,180 --> 00:25:27,780

You can do.

464

00:25:27,870 --> 00:25:29,310

Absolutely anything.

465

00:25:29,340 --> 00:25:30,480

Let's take some Brown hair.

466

00:25:31,320 --> 00:25:32,010

Watch your watch.

467

00:25:33,150 --> 00:25:37,410

Maybe their lives, the sheer.

468

00:25:37,410 --> 00:25:39,660

It is big old tree.

469

00:25:41,670 --> 00:25:47,580

The little tree, just

like, yeah, just like that.

470

00:25:48,990 --> 00:25:50,190

Let's put some highlight on it.

471

00:25:50,190 --> 00:25:50,490

Tree.

472

00:25:52,500 --> 00:25:56,880

See, see there.

473

00:25:56,880 --> 00:25:57,330

Yes.

474

00:25:58,080 --> 00:25:59,190

Pull that around a little more.

475

00:25:59,880 --> 00:26:04,890

This looks like a little Birch treated

good here in front of the barn and with

476

00:26:04,890 --> 00:26:06,870

our liner brush a little bit of thinner.

477

00:26:08,324 --> 00:26:13,034

We can go right up in here, take a

very thin paint and let's just put

478

00:26:13,695 --> 00:26:18,105

the indication of a happy little

tree limb here and there, just here

479

00:26:18,105 --> 00:26:20,504

and there, wherever you want them.

480

00:26:21,915 --> 00:26:25,965

The old clock on the wall tells me

it's time to leave you for today,

481

00:26:26,925 --> 00:26:28,485

but I'll be back again next time.

482

00:26:30,345 --> 00:26:33,405

So as I finished putting these

limbs on here, I'd like to wish you.

483

00:26:34,185 --> 00:26:34,875

Happy painting.

484

00:26:35,264 --> 00:26:35,895

God bless.

485

00:26:35,955 --> 00:26:36,975

Thanks for joining me.

486

00:27:05,160 --> 00:27:05,790

Uh,

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S11E12 - Roadside Barn

Bob Ross's

The Joy of Painting

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