Bob Ross's

The Joy of Painting

S12E02 - Mountain Reflections

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Hi, welcome back.

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I'm glad you could join me today.

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You ready to do a

fantastic little painting?

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Tell you what let's start out and hammer

on all the colors across the screen

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that you need to paint along with me.

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And as usual they'll come across

in the same order as I have on

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the pallet, starting with a height

and working all the way around.

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I was going up to the canvas here.

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I've got my standard old

18 by 24 canvas up here.

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And it's all covered with liquid

white and it's ready to go.

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So let's, let's get started today.

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I'm going to start out with a touch

of the little blue, just a touch.

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It's very strong, very strong.

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And I'm going to reach up here

and grab a touch of the midnight

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black and put it in there.

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So now we have black and blue or blue

and black, just tap it into the bristles.

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Can you just go right up here?

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Let's just build a happy little sky

and I'm just going to make little

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Xs little crisscross strokes and

work all the way across the canvas.

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Just keep going all the way across.

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And you can add a little more colors.

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You need it now by starting at

the top, working all the way

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across and then working downward.

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Your color will mix with a liquid white

and automatically, automatically it'll get

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lighter and lighter toward the horizon.

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You don't have to do a thing

it'll work for you automatically.

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And then a landscape always want

it to be lighter toward the horizon

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and darker on the top and bottom

that had helps create that illusion

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of distance in your painting.

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Yeah, we can just blend it.

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Like, so like, so

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very lightly, he just makes a

long, horizontal strokes to take

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out all the, all the brush marks.

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Now, though.

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Tell you what, while we have this old,

dirty breast going, I'm going to go

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right back into my blue, back into the

blue and black same old colors, and

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let's have some water in his painting.

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I'd love to paint water,

water, so fantastic.

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And this is one of the easiest

things to do in this technique.

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So start from the outside and Poe

inward, start at the bottom and work

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up that way automatically once again.

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It gets lighter and

lighter toward the horizon.

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See my pulling from the outside

in you don't have any strong edges

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here that you have to blend out.

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It's very soft.

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Very soft and it works much better.

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A little more of a color on the brush.

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Hey, we'll do the other side pull

from the outside of the F and I

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want to leave little area open here.

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If everything works just right.

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It'll look just like a little sheen

of light coming across the water, make

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your painting pretty when it's done.

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They're not easy and easily.

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You got to order him.

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He did very lightly just grazing

the canvas, this, bring it all

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together and you're lighter.

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You still remains in there.

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And as we work.

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My mother and father did a painting.

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You'll see why that light

area is so, so valuable.

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Come to Goodfriend.

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All right.

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Let's wash our brush and we

wash our brushes with odorless

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dinner and are really, I really

recommend you use odor to stand.

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Are you going to be working by yourself?

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There's a screen in the bottom

of the Canada's grip, the brush

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against it allows a solid materials

to settle into the bottom.

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And we'll shake off the excess

and then it was beat to death.

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That's the most fun part

of this whole technique.

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But if you do that and you live in a room,

you're going to get run out in the yard.

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Let's build a happy little cloud today

going to use, we use it one inch brush.

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You can do it with a fan brush with

two antagonists, use a one inch.

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We'll be right back.

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We'll get a touch of

bright red, just a gotcha.

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Pull quite a bit of color into

the brush and can just go up here.

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Maybe their lives appeared in this

guy, a happy little cloud that floats

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around and just has fun all day.

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See, keep the brush moving.

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Keep the brush moving.

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Tight little circular strokes.

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And you had to make big decisions here.

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Where does your cloud live?

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He lives right there and just drop him in.

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Okay.

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And maybe he's got a friend there.

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His, his friend lives right there.

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Maybe this was a lady friend there.

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See how easy that is.

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You can do it.

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You can do it.

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I get so many letters and

stuff from people that are.

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They never believed.

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They never believed that they could paint.

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And you wouldn't believe some of the,

some of the pictures they send me the

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paintings, my gosh, it, it really makes

it all worthwhile and young people.

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I have so many young friends,

they are doing some of the most

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beautiful paintings you've ever seen.

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There we go.

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Well, we just can't.

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I get to talk in here and I just

put clouds all over the place now

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with a clean, dry brush Fisher, your

brushes drew Gooden, and couldn't

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dry tongue got over my teeth hurt.

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I couldn't see what I was saying.

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Okay.

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Now I'm just going to blend at the

base of these clouds out a little

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tiny circles, tiny little circles.

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There you go.

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See, just blend the base out over here.

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Blended out a little bit and then

very lightly lifted up, lifted up,

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fluff it, and then blend it and had

a super nice, easy way to make a

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beautiful little cloud and a traditional

painter clouds used to give me a fit.

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Now they're one of the easiest

things or has to do like a dare.

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Just very loose fluffy, and you can

make a happy little clown and we

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will wash your brush one more time.

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Okay.

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I just, I just like to beat on that rush.

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That's what you take out

all your frustrations.

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Let's build a mountain in this way.

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I lived in Alaska for well over a dozen

years, and I'm crazy about mountains.

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We'll take some black,

some pressure and blue.

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If it's some Vandyke Brown shoot with

throw some lizard Crimson in there too.

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So them, the blue, black, Brown

Crimson looking for a good dark color.

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Cut us off a little roll of

paint, right edge of the knife.

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Okay.

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Now then decide where your

mountain lives and maybe in your

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world, it lives her right here.

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Push very firmly in all your all you're

worried about is outside edge here.

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You could really care less.

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What's going on inside this mountain.

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See, that's all you're looking for.

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And mountains are one of the most

fun and educational things to paint

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because it'll teach you how to, how

to make friends with this whole knife.

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And this knife can do some of the

most fantastic things imaginable,

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just like everything else.

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You have to make friends with it,

devote a little time to practice,

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scrape off all the excess paint.

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Just really get in there.

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You can probably hear

how hard I'm scraping.

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It's really good in

there and scrape it out.

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You're not going to hurt the canvas.

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You're not going to hurt.

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It is tough.

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It's really tough.

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I would take the large brush and

I'm going to pull that color.

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Because this canvas is wet.

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You can move the color with blended out.

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If you can see the entire mountain.

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It's always more distinct at the

top than it is at the bottom because

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of mist and pollution and all those

things that break up a diffuse light.

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So by allowing it to just blend

out on the base, like, yes,

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that happens automatically.

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See, I found it looks like he's

just floating out there in the sky

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floating mountain fluting mountain.

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Hmm.

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Tasteless.

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Let's put some snow on the mountain.

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Now, when you're doing this

at home, maybe, maybe you

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don't want to have snow on it.

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Maybe you want to have rocks and stuff.

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Change the color.

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The white shows up much

better for television.

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So I'm going to use white today

and we'll put a touch of just a

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touch of the bright red in there.

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And I say touch because we

very quickly, very quickly,

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you can set your white on fire.

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Okay.

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Cut across.

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And once again, We need that little roll

of paint right on the edge of the knife.

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Okay.

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Now then take the point of the knife.

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Put it right up here on

the point of your mountain.

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No pressure, no pressure, no pressure.

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Just let it float.

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Just let it float.

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And you want to paint a break and by

break means have all these holes left in

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it and you need a firm paint to do this.

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If you're using a paint

that's thin or oily.

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You're going to probably become

a bud mixer and you're probably

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going to be upset at me.

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So be sure your paint is good and firm

she'd be very dry and then it'll do this.

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Okay.

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No pressure though.

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Absolutely no pressure.

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And I was teaching my son, Steve to paint.

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I used to tell him just to pretend he was

a whisper floating across the mountain.

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A little bit right there.

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Now, then I'm going to take some white.

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She was a little touch of oppression, blue

point and a little touch of Prussian blue.

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Doesn't take much of that pressure and

boot boy hits strong when it is strong.

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One tube of the ocean

would change the color.

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Okay.

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Pull it out very flat.

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Once again, cut across and

get our little roller paint.

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We need that.

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Now then notice here that all the

angles are going basically in the same

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direction, all the highlight angles.

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Now then when we start putting the

shadows on, they'll go in the opposing

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or opposite angle C, and that makes sense

that makes those highlights, just pop out.

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Now, if you want this little peak to be

in the background with that shadow in

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first, then when you come here, bring

this one distinctly through and that easy,

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that easy, you pushed a mountain back.

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I told you, you had a lot of power here.

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Put a little touch right in there.

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This peak right there needs

its own little shadow.

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There we go.

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And let's hit paint freak.

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So very delicate touch,

very delicate touch.

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And you sort of work it back

and forth redefining from edges.

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Maybe that comes on out right on around.

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When you're practicing, get an old

canvas or something and just paint

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mountain after mountain that'll teach

you control, teach you how to make

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some of these fantastic effects.

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Okay, good.

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Clean dry brush Homer.

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I want again, create the

illusion of miss down here.

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So very gently following

the angles in the mountain.

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Always following those

angles, just tap for sure.

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Your brush is clean and dry.

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Then lightly two hairs and some air.

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Lift upward to hairs and those

mayor boy, that is light.

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It's barely grazing.

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We canvas over here, all of

these angles and same thing

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lift up, but just on the base.

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Let me show you a little trick.

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Maybe, maybe you want to show another

range of mountains right in front here.

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Okay.

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Watch here.

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Watch here.

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Watch here.

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Let's start off.

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I'm gonna put a little highlight on there.

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Say there maybe who knows maybe in

your world, maybe there's a bump.

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That's right there.

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Oh, you have to do, make

a decision and drop it in.

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Cause you can do anything on this

canvas and anything that you want to.

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Yeah, I had easy, but now we

need a shadow watch right here.

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See, this makes no sense until

you slipped back in here and put a

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happy little shadow right in there.

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So the blue just jumps right up here.

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All right, here we go.

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That's like

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every highlight needs its own shadow

or it won't come out and play with you.

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You got a couple here and there.

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Okay.

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Yeah, clean dry brush.

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And we'll put some mist at the base of

this little mouth, but see how you can

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put another mountain right in front

of that one that easy, bad, easy.

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I told you you had power.

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You can do anything.

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All right.

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Okay.

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Let's have some fun.

253

00:12:49,400 --> 00:12:53,689

We'll just keep that same old mountain

color we got here that was black and blue.

254

00:12:53,689 --> 00:12:55,670

Some van Dyke Brown, some Crimson.

255

00:12:56,300 --> 00:12:58,459

And I'll add a little

touch of SAP green to it.

256

00:13:00,439 --> 00:13:02,300

Just a little bit of salad green.

257

00:13:02,990 --> 00:13:03,079

Okay.

258

00:13:03,375 --> 00:13:04,965

So we have a very dark color.

259

00:13:05,055 --> 00:13:05,325

Okay.

260

00:13:06,495 --> 00:13:07,695

Clean off my knife.

261

00:13:09,495 --> 00:13:11,085

Let me reach over here today.

262

00:13:11,085 --> 00:13:12,555

Let's let's use a one inch brush.

263

00:13:12,565 --> 00:13:13,845

I'm going to go right into that color.

264

00:13:14,065 --> 00:13:16,725

Just, just tap a little color in there.

265

00:13:18,585 --> 00:13:18,915

Let's go.

266

00:13:18,915 --> 00:13:20,775

Right, right down at the

base of this mountain.

267

00:13:21,450 --> 00:13:24,960

And maybe down in here, there's

some little trees and bushes

268

00:13:24,960 --> 00:13:25,980

that live right down in here.

269

00:13:26,580 --> 00:13:29,070

Just push, bend the

brush, upward, push it.

270

00:13:29,190 --> 00:13:33,120

That makes all those little

things just happen that easily.

271

00:13:34,755 --> 00:13:36,015

There they go there.

272

00:13:36,015 --> 00:13:38,715

Isn't another one wherever

you want them to be.

273

00:13:41,055 --> 00:13:41,415

Okay.

274

00:13:48,245 --> 00:13:50,025

It looks like I've got

four pack of a mess there.

275

00:13:51,285 --> 00:13:51,945

Let me show you though.

276

00:13:52,315 --> 00:13:55,125

See, now one of the things used to

drive me crazy when I was traditional.

277

00:13:55,125 --> 00:13:56,115

Painting was reflections.

278

00:13:56,115 --> 00:13:56,925

Watch are easy.

279

00:13:56,985 --> 00:13:58,635

Just grab that and pull it down.

280

00:13:59,805 --> 00:14:03,855

Because the canvas is wet, the paint

will move and reflections can be

281

00:14:03,855 --> 00:14:08,835

made that easy pull straight down and

then go lightly across just enough to

282

00:14:08,835 --> 00:14:15,555

distort it a little that easy, instant

reflections, instant reflections.

283

00:14:17,385 --> 00:14:18,705

Now let's put some highlights on there.

284

00:14:18,735 --> 00:14:23,685

I'll dip a one inch brush into a touch

of the, just a touch of the liquid white.

285

00:14:23,715 --> 00:14:27,705

We'll go through some yellow, reach

up here and grab some Sam green.

286

00:14:29,670 --> 00:14:38,720

Okay, let's go right up in here now, then

let's just come right in here and we'll

287

00:14:38,720 --> 00:14:42,050

throw some beautiful little highlights

on these and it will sort of vary the

288

00:14:42,050 --> 00:14:45,500

colors and I'll hit a little ochre,

little Indian, yellow here and there.

289

00:14:45,890 --> 00:14:47,600

Maybe even a little touch of bright red.

290

00:14:49,010 --> 00:14:51,740

See, now, while you have this on

the brush, we can reflect some

291

00:14:51,740 --> 00:14:53,480

of it right down into the water.

292

00:14:54,569 --> 00:14:54,959

Shoot.

293

00:14:54,959 --> 00:14:56,699

We're having so much fun

with reflections here.

294

00:14:56,760 --> 00:14:57,750

Why not keep them going?

295

00:14:59,219 --> 00:15:05,160

So not a little Bush at him reflect right

into the water, right into the water.

296

00:15:07,560 --> 00:15:08,640

Maybe this one right here.

297

00:15:09,569 --> 00:15:09,750

Ooh.

298

00:15:09,780 --> 00:15:14,729

That's a pretty much reflect

him down into the water.

299

00:15:16,890 --> 00:15:19,500

Not on right there wherever

you think they should live.

300

00:15:20,280 --> 00:15:23,370

See, they can go in and push the

brush upward and just see there.

301

00:15:23,490 --> 00:15:26,700

And that's super and just

make all kinds of happy little

302

00:15:29,870 --> 00:15:30,530

right down in there.

303

00:15:32,510 --> 00:15:33,050

Now then

304

00:15:36,650 --> 00:15:41,600

back to the two inch brush and two

hairs and some arrogant, very lightly

305

00:15:42,140 --> 00:15:44,840

just caress it, my club to it.

306

00:15:45,810 --> 00:15:51,030

Straight down, straight down and very

lightly go across fairly lightly.

307

00:15:52,440 --> 00:15:54,690

And that was super way to

make those mirror reflections.

308

00:15:54,750 --> 00:15:55,470

And it's easy.

309

00:15:56,010 --> 00:15:56,730

It's easy.

310

00:15:57,650 --> 00:16:02,260

Don't take a touch of the ER, liquid

white to that land a little bit, a

311

00:16:02,820 --> 00:16:07,700

little bit of Brown, a little bit

of a dark Sienna, pull it out very

312

00:16:07,700 --> 00:16:09,470

flat and then cut across it down.

313

00:16:09,824 --> 00:16:10,665

Okay, let's go up here.

314

00:16:11,415 --> 00:16:15,495

And now with that, I'll retread it

here and use a firm pressure and

315

00:16:15,495 --> 00:16:17,114

let's just cut in a little waterline.

316

00:16:17,175 --> 00:16:19,635

You're really get tough with it.

317

00:16:19,905 --> 00:16:22,334

Cut it right into right into the fabric.

318

00:16:22,484 --> 00:16:23,954

Just really cut it

319

00:16:33,854 --> 00:16:34,515

that easy.

320

00:16:36,870 --> 00:16:38,070

We'll put a little ripple here and there.

321

00:16:38,070 --> 00:16:41,250

If you want to test sort up to

you that keeps these water lines

322

00:16:41,250 --> 00:16:42,780

and ripples basically straight.

323

00:16:43,050 --> 00:16:46,830

If they're not, if they're not straight,

your water looked like it's going to

324

00:16:46,830 --> 00:16:50,660

run right out of the red, out of your

painting on the floor, get the floor wet.

325

00:16:50,690 --> 00:16:51,690

We don't want that to happen.

326

00:16:52,950 --> 00:16:53,250

Okay.

327

00:16:53,500 --> 00:16:59,370

Going right back to the one inch brush

into the dark color, very dark color.

328

00:17:00,570 --> 00:17:01,410

Pull the brush.

329

00:17:03,020 --> 00:17:03,750

Lot of paint.

330

00:17:04,530 --> 00:17:05,369

Give it a wiggle.

331

00:17:06,030 --> 00:17:09,960

We're trying to retrain and make

a sharp chisel SES sharp brushes.

332

00:17:11,129 --> 00:17:11,940

Very sharp.

333

00:17:12,210 --> 00:17:14,879

It takes a lot of pain on the

bristles to hold it together.

334

00:17:16,020 --> 00:17:16,200

Okay.

335

00:17:16,200 --> 00:17:22,740

Now then maybe their lives in our world

right here, a happy little evergreen tree.

336

00:17:22,829 --> 00:17:27,180

And we start off by just making a line

than just using the corner of the brush.

337

00:17:28,889 --> 00:17:32,610

And you can do this with a two inch

pressure or the fan brush pan brush

338

00:17:32,610 --> 00:17:33,900

makes a nice delicate balance.

339

00:17:35,010 --> 00:17:40,860

One inch breasts,

anything, anything there?

340

00:17:40,889 --> 00:17:41,310

Okay.

341

00:17:41,730 --> 00:17:45,270

Between each tree, bring it back

to a nice sharp chisel edge.

342

00:17:45,360 --> 00:17:45,990

Very sharp.

343

00:17:47,220 --> 00:17:48,480

Just the corner of the brushes.

344

00:17:48,480 --> 00:17:53,430

You worked down the tree, add more

and more pressure and you're using

345

00:17:53,430 --> 00:17:56,790

more of the brush, but the angle

that you hold, the brush is basically

346

00:17:56,790 --> 00:17:58,649

the same through the entire tree.

347

00:17:59,730 --> 00:18:01,379

It's just that you're adding

more and more pressure.

348

00:18:01,379 --> 00:18:03,990

So it pushes, bends the brush.

349

00:18:06,720 --> 00:18:07,050

Okay.

350

00:18:07,080 --> 00:18:10,440

I tell you what I tell you what

let's have one more right there.

351

00:18:11,310 --> 00:18:11,399

Okay.

352

00:18:11,880 --> 00:18:15,150

Right there you have two trees

or sooner or later, you'd think

353

00:18:15,210 --> 00:18:18,000

you'd have a third one then little

Rascals, or you got to watch him

354

00:18:23,700 --> 00:18:24,030

Cain.

355

00:18:24,030 --> 00:18:30,900

How maybe under here, something lives,

bushes and stuff laying right out here.

356

00:18:30,900 --> 00:18:31,650

Just push him in.

357

00:18:33,390 --> 00:18:35,310

Push push the brush upward.

358

00:18:35,670 --> 00:18:37,710

And one thing you want avoid,

don't let the brush slide.

359

00:18:37,770 --> 00:18:41,850

If the brush slides cause watch,

if it slides you're going to

360

00:18:41,850 --> 00:18:47,040

get that kind of effect, don't

let it slide, push it, bend it.

361

00:18:49,440 --> 00:18:49,770

Okay.

362

00:18:49,770 --> 00:18:52,020

Now let's put a little

bit of that down here.

363

00:18:52,020 --> 00:18:53,670

We'll have some reflections in this water.

364

00:18:53,670 --> 00:18:54,030

I like.

365

00:18:54,945 --> 00:18:56,025

I like reflections

366

00:19:01,005 --> 00:19:06,765

in that the nicest way you've ever

seen to make reflections there.

367

00:19:07,515 --> 00:19:10,635

Tell you what, we don't want this

other side to get left out all.

368

00:19:10,635 --> 00:19:11,805

I have the old brush dirty here.

369

00:19:12,435 --> 00:19:12,765

That's cool.

370

00:19:12,765 --> 00:19:15,885

When the other side I reload

the brush the same way, bringing

371

00:19:15,885 --> 00:19:17,355

it to a nice sharp chisel edge.

372

00:19:18,915 --> 00:19:20,145

All right, let's go back up here.

373

00:19:21,315 --> 00:19:21,795

Maybe.

374

00:19:23,260 --> 00:19:30,560

I have a big evergreen lives right here

as the corner of the brush back and forth.

375

00:19:31,640 --> 00:19:32,960

I had a lady in class one time.

376

00:19:32,980 --> 00:19:37,610

She called these Z trees like Zorro,

and that's sort of a good analogy sorta

377

00:19:37,760 --> 00:19:41,210

just back and forth, back and forth.

378

00:19:42,270 --> 00:19:45,480

Well, I taught, traveled and taught

for many, many years and met some of

379

00:19:45,480 --> 00:19:47,910

the most fantastic people country.

380

00:19:48,840 --> 00:19:52,920

And I still correspond with a lot of

them because you can't believe how some

381

00:19:52,920 --> 00:19:57,629

of the paintings people are doing now

after taking a class and a couple of

382

00:19:57,629 --> 00:20:00,810

years of practice, it's just unreal.

383

00:20:02,115 --> 00:20:04,845

We have several people that have

literally quit their job and they

384

00:20:04,845 --> 00:20:06,075

went into painting full time.

385

00:20:07,715 --> 00:20:08,415

Now they're happier.

386

00:20:09,225 --> 00:20:10,335

Painting makes you happy.

387

00:20:12,045 --> 00:20:13,515

Don't think you can be sad and do this.

388

00:20:15,780 --> 00:20:17,610

Let's have another little

Bush that's right here.

389

00:20:19,170 --> 00:20:23,760

Like, so I've got too old and tired.

390

00:20:23,760 --> 00:20:26,070

I don't do much traveling

and teaching anymore.

391

00:20:26,070 --> 00:20:30,510

We have a staff of teachers travel

and teach now and they're fantastic.

392

00:20:33,000 --> 00:20:34,139

They are fantastic.

393

00:20:35,790 --> 00:20:36,960

Same, same old color here.

394

00:20:38,070 --> 00:20:39,000

Same color.

395

00:20:42,044 --> 00:20:44,235

Pop in some little things

wherever you want them.

396

00:20:45,495 --> 00:20:47,475

If I'm not careful, I'm gonna

cover up the whole canvas

397

00:20:59,325 --> 00:21:02,804

right now, then let's go back.

398

00:21:04,545 --> 00:21:09,195

To the two inch brush decide where

we're reflection and land meet here

399

00:21:09,255 --> 00:21:10,995

and grab it and pull straight down.

400

00:21:11,565 --> 00:21:12,075

It's important.

401

00:21:12,075 --> 00:21:17,625

You pull straight down, you don't want

your reflections to be all crookedy okay.

402

00:21:17,685 --> 00:21:21,015

Then lightly go across, see over here.

403

00:21:21,075 --> 00:21:22,065

Make the same decision.

404

00:21:22,065 --> 00:21:24,195

Or do you want this one to be right there?

405

00:21:25,425 --> 00:21:26,745

Right there, right there.

406

00:21:27,075 --> 00:21:27,825

And pulling down.

407

00:21:28,905 --> 00:21:32,595

Anything you don't like, you just

turn it into reflections that easy.

408

00:21:33,435 --> 00:21:35,595

We don't make mistakes too.

409

00:21:35,625 --> 00:21:36,855

We have happy accidents.

410

00:21:38,835 --> 00:21:42,585

Now we'll take a little bit of the

dark Sienna, put a little white

411

00:21:42,585 --> 00:21:47,025

into it, pull it, paint out as

flat as I can get it cut across.

412

00:21:47,235 --> 00:21:49,485

And once again, we have that

small little roll of paint.

413

00:21:50,715 --> 00:21:51,135

Okay.

414

00:21:51,615 --> 00:21:52,035

That's great.

415

00:21:52,035 --> 00:21:54,645

That period, this whole

evergreen tree, we'll just put

416

00:21:54,645 --> 00:21:55,905

the indication here and there.

417

00:21:57,030 --> 00:21:58,110

Little trunk in there.

418

00:22:04,110 --> 00:22:05,940

Same thing on the other side,

419

00:22:09,990 --> 00:22:11,190

wherever you think they should be.

420

00:22:13,290 --> 00:22:14,550

And you won't see the whole truck.

421

00:22:15,030 --> 00:22:17,850

So just here and there, you can

also just take me scrape through

422

00:22:17,850 --> 00:22:21,810

and make all kinds of little bushes

and sticks and twigs and people.

423

00:22:21,810 --> 00:22:22,140

Thank you.

424

00:22:22,140 --> 00:22:26,400

Spend a lot of time, a lot of time

putting them Rascals and don't you tell

425

00:22:26,400 --> 00:22:27,690

them any different that's our secret.

426

00:22:29,100 --> 00:22:32,190

All right, I'm going to take some

yellow, my reach up here and grab a

427

00:22:32,340 --> 00:22:36,050

little bit black, black, and yellow.

428

00:22:36,050 --> 00:22:39,500

Make a beautiful, beautiful dark

green pullet brush in one direction.

429

00:22:40,889 --> 00:22:46,740

Okay, now then let's just begin popping

in some little highlights on these trees.

430

00:22:47,580 --> 00:22:50,490

I think about the individual

limbs that live in this tree.

431

00:22:51,750 --> 00:22:53,220

Don't just throw these on at random.

432

00:22:54,450 --> 00:22:58,170

I know sometimes it looks that way,

but sort of think, I think like a

433

00:22:58,170 --> 00:23:06,510

tree, there we go pick up a little bit

of the yellow ochre and we can begin

434

00:23:06,510 --> 00:23:08,070

reflecting this right into the water.

435

00:23:09,280 --> 00:23:10,410

If your paint won't stick.

436

00:23:10,920 --> 00:23:13,920

If you have trouble making it

stick and the least little touch

437

00:23:13,920 --> 00:23:17,280

of paint thinner, or a little bit

of the liquid white, either one,

438

00:23:18,120 --> 00:23:19,410

but work in the layers, doing that.

439

00:23:19,710 --> 00:23:22,590

The Bush or the tree, that's a

father's to way and coming forward,

440

00:23:22,620 --> 00:23:26,940

see how you can create the illusion

of distance and depth that easy.

441

00:23:27,480 --> 00:23:27,900

That is.

442

00:23:29,250 --> 00:23:31,020

There's another one, that's a sparker.

443

00:23:31,020 --> 00:23:38,659

They're pretty little devil

like count, count there.

444

00:23:42,020 --> 00:23:44,689

See these little, these

little things are real to me.

445

00:23:46,909 --> 00:23:49,340

Somebody wrote me a letter and said,

guys, she referred to these things.

446

00:23:49,340 --> 00:23:50,330

Like they were real people.

447

00:23:50,330 --> 00:23:51,649

They have arms and legs and.

448

00:23:54,450 --> 00:23:56,760

You know, you have to be a

little weird to be a painter.

449

00:23:56,790 --> 00:24:00,810

So they're real to me,

these are my friends.

450

00:24:03,110 --> 00:24:03,630

Right?

451

00:24:04,230 --> 00:24:05,610

Did he screw on the other side?

452

00:24:05,940 --> 00:24:08,010

Same thing, same thing.

453

00:24:08,040 --> 00:24:12,900

Let's put some happy little bushes

and trees and, Oh, that's a nice one.

454

00:24:16,050 --> 00:24:18,390

And there's nothing wrong with

making friends with nature.

455

00:24:21,330 --> 00:24:24,600

Nothing wrong with it Monday.

456

00:24:24,600 --> 00:24:28,800

Nature's going to take over again and

you're going to need a friend there.

457

00:24:29,370 --> 00:24:33,480

Get a touch of a bright red and maybe,

Ooh, there's a pretty much look at that

458

00:24:33,480 --> 00:24:36,900

son of a gun shot right up in there.

459

00:24:39,330 --> 00:24:40,050

There we go.

460

00:24:40,320 --> 00:24:42,420

That one once again, though,

we're layering these.

461

00:24:43,800 --> 00:24:46,230

So it creates that illusion of distance.

462

00:24:48,479 --> 00:24:50,669

And we can reflect some of

that right into the water.

463

00:24:51,510 --> 00:24:52,139

It's that easy.

464

00:24:52,139 --> 00:24:54,270

It is to make some of the

most striking reflections.

465

00:24:55,620 --> 00:24:58,649

And if you're out selling paintings for

this one, this will sell your painting.

466

00:24:59,790 --> 00:25:01,620

People love these little reflections.

467

00:25:01,679 --> 00:25:05,550

Now, Paul straight down,

very light, very, very light.

468

00:25:05,760 --> 00:25:08,580

I mean just one hair in some air.

469

00:25:10,709 --> 00:25:11,100

Okay.

470

00:25:11,399 --> 00:25:13,979

Now then let's take a little

bit of bandaid Brown and I.

471

00:25:14,670 --> 00:25:16,290

We need some land for all this to sit.

472

00:25:16,379 --> 00:25:21,330

I don't want to fall over in the water

and make a big splash to treat a drowned.

473

00:25:21,600 --> 00:25:22,740

You just made friends with him

474

00:25:28,010 --> 00:25:32,600

and maybe right up in here, look at that.

475

00:25:34,790 --> 00:25:34,879

Okay.

476

00:25:35,120 --> 00:25:38,270

I think about the lay of the

land and pull this just like.

477

00:25:39,030 --> 00:25:42,149

Just like it was a real, just

give it a pool because water

478

00:25:42,149 --> 00:25:43,680

normally sits in a recessed area.

479

00:25:43,680 --> 00:25:46,770

So you want this to be a,

have the impression of lower.

480

00:25:46,950 --> 00:25:51,810

It's not take some dark sand, a little

Vandyke Brown, a little white, and

481

00:25:51,810 --> 00:25:54,960

let's come right in here and put

a few little highlights on this.

482

00:25:56,480 --> 00:25:56,960

Stay there.

483

00:25:57,080 --> 00:26:03,050

I could look like rocks and stones,

all kinds of little things that easy,

484

00:26:03,470 --> 00:26:04,879

but yeah, angles are very important.

485

00:26:06,230 --> 00:26:07,310

That'll be the liquid white.

486

00:26:09,470 --> 00:26:12,150

We dropping just a little

water lines under here, just

487

00:26:12,150 --> 00:26:13,200

like we did in the background.

488

00:26:13,860 --> 00:26:20,670

Just ketamine on the other side here.

489

00:26:28,935 --> 00:26:31,485

Let me take your soul breath and I'm

just going to put a few highlights.

490

00:26:32,205 --> 00:26:34,935

Old clock on the wall, tells me

it's about time to go for today.

491

00:26:35,804 --> 00:26:38,564

So as I finished up his tree

here, I'd like to, I'd like

492

00:26:38,564 --> 00:26:40,385

to wish you happy painting.

493

00:26:41,915 --> 00:26:42,485

God bless.

494

00:26:42,995 --> 00:26:44,044

And I'll see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S12E02 - Mountain Reflections

Bob Ross's

The Joy of Painting

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