Bob Ross's

The Joy of Painting

S14E02 - Meadow Brook Surprise

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Hi, welcome back.

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I'm spending a few minutes

here with my friend.

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This is mr.

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Jay, and he's a little blue Jane

and he stays with me right now.

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And that's one of the cutest

little Rascals watching you.

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I thought you might enjoy seeing

him, but he's just a little baby,

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a little baby bird, and I thought

you might enjoy meeting him.

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Tell you what I'm going to sit him down

and we'll go ahead and get started.

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Hold on.

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I'm doing that.

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Let's have him run all the

colors across the screen that

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you meet paint along today.

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And I'm just going to

set him right over here.

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There you go.

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Okay.

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Okay.

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And while they're running the

colors across the screen, let's

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go on ahead here and get started.

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I'm gonna start out today.

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Take a tiny bit of the thalo

blue and I retried up here.

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I'll be right back right back and

get a little bit of alizarin Crimson.

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So I had a little blue

analyser and Crimson.

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There we go.

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And you just mix these on the

brush and let's go right up here.

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I thought today, maybe we just do a.

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A happy little painting.

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I've already covered the canvas with a

nasty and even coded the liquid white.

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So it's all wet.

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It's ready.

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So we can get started now just using

little crisscross strokes, we can

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begin just putting in a happy little

sky, a little more of a color there,

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and I'm just sort of burying the

Crimson in the blue proportionately.

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So we have different mixtures.

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Some of us, a little

bit to the ready side.

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Sounds a little bit to the bluish side.

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I want this to be a very

soft little painting today.

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Very quiet, very soft.

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There we go.

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And maybe right on over here, just to

wherever you want to just putting some

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pretty little things in the sky, he's

still using little crisscross strokes.

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Okay.

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A little more of the Crimson, the more

Thurlow blue, let's go right up in here.

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There we go.

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Just put those

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down until about like, so we really

don't have to make any big decisions yet.

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Okay.

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Let's wash your brush.

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And we'll scrub it with odorless thinner.

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And there's this screen here

in the bottom of my candidate.

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I scrubbed the brush against that

allows us solid materials to sort of

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settle to the bottom, shake it off

and just beat the devil out of it.

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Now, then at brush clean has got to

be the most fun part of the whole

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technique with a clean, dry brush.

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We can just blend this guy together.

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That's continually mixing

with the liquid white.

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So all of these beautiful little

effects just happen automatically.

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And you can just, just blend it to

any degree of lightness that you want.

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The more you blend it, the

softer it's going to become.

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You start to have to

just make a big decision.

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They're still using little

crisscross strokes, like, so.

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Okay, then very lightly,

just barely touching it.

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You just go across and it takes all

the brush strokes out and softens,

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blends everything together there.

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Tell you what let's have some fun go right

back into the Crimson and back over here

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to the, but they were blue, same colors.

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And then just mixing them on the brush.

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Just mix them right on the brush.

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Maybe there's some little.

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Little trees that live

back here in the distance.

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All you gotta do is touch the canvas.

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Just pull it down.

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Just a touch.

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Pulled downward.

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See you there.

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They're very light.

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Very subdued, quiet little trees just sort

of decide where you want them to live.

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And that's exactly where they are to live

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wherever you want them.

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And it's fantastic that you

can create a world that easy,

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maybe, maybe right here, like, so.

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There hope you enjoyed my little friend.

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He's he's quite a character.

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He's a little blue Jays,

just a few weeks old.

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One of the earlier shows I had shown her

Robin that I raised and turned loose.

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A lot of people wrote in wanting

to know how he was doing.

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He's doing fantastic.

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We turned him loose.

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He's out living with all of his friends

now, and then a few weeks, we're going

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to turn this little blue Jay Lewis.

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Now I'm gonna take a clean brush.

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I want to create the illusion

of missed at the base of this.

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So very firmly tapping with

the top of the brush, just tap.

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This will create a very.

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That's very soft Misty effect.

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Just tap it, really get in there and tap.

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But this is where you take out all

your frustrations and hostilities.

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It's better than going home

and arguing with your spouse.

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Tap very firmly and then lightly,

lightly just lift up and see how soft

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and Misty that becomes that quick.

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There we are.

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Okay.

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Maybe, maybe let me find a fan brush here.

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There's one, let's mix up a little

bit more that lavender here's some

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blue lizard Crimson and let this

make some of the knife be right

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back and get a little bit of white.

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I want to lighten that just a little bit.

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Maybe touch more of the Crimson.

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There we go.

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Go ahead.

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Okay, let me clean off my knife here.

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Okay.

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Put a little bit on the fan brush,

just work the brush back and forth.

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And maybe back in here, maybe right there.

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Maybe there's a happy little

evergreen tree that lives right there.

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And all you do is just

work it back and forth.

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We'll just let him feed

right into nothing down here.

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Softer softer, softer.

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It would give him a friend.

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I remind the trees.

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You want your world?

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That's exactly the right number of air.

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Okay.

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Maybe tell you what, I don't

want this side left out.

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Let's put one that lives right there.

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Just back and forth with a brush and we

want it just to feed right into the mist.

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We'll come back and tap a little

bit, make it even Mistier.

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I like these little Misty paintings.

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Sometimes you'll find it paintings that

are very salted Misty, maybe a little more

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difficult to do than ones that are bright

and shiny, but either way, either way,

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whichever kind of painting it, you like,

and you want to do that's the right car.

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Okay.

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Now back to my two inch brush.

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Okay.

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We have gently tap this, just

tap it and bring it into nothing.

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It's very soft.

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They just sort of float

around, down in the mist

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there.

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Can't tell you what, Oh,

we got that old brush.

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I'm gonna take that same brush.

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Leave the, the lavender color that we

had on it and add a little bit of the

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van Dyke Brown, same color lavender

with a little bit of band type brand.

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Just to darken it up a little

Misco right up in here.

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Maybe right over in here.

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We just tap down.

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Right?

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Maybe there's just a little group

of trees that live right in here.

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Pushes and trees.

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And.

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All kinds of little things there.

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Just let them work

right on out to nothing.

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Here we go.

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Can you, can you hear mr.

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Jay over there still talking?

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He thinks it's lunchtime.

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There we go.

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Okay.

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And maybe there's a more

distinct tree or two in here.

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The same way.

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Get him another one, like,

so it's all there is to it.

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You can put as many or as few of

these in your painting, as you want.

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Now, once again, with our large brush,

I want to create that illusion of mist.

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Very soft, barely touch it.

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Now toward the bottom of this,

you want to hit it harder.

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Then up here up here, I'm not

hitting very hard down here.

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I'm striking it quite firmly,

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really get in there and tap it.

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And then once again, lift

very gently up or down.

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Yeah, maybe you want to put here

in there, the indication of a

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more distinct tree or Bush, maybe

there's a different kind of tree.

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You can still just use the top

corner of this brush, just put in.

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So you just tap it, turn it.

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So you build a general shape and you can

create the illusion of any kind of little

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tree or Bush that you want back here.

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That easy.

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There we go.

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Some of them, you can just pull downward.

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The other side, the brush is still

pretty clean so we can tap it.

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And once again, create

that illusion of miss.

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There

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looks like it's maybe early in

the morning and the fog hasn't

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been burned off by the sunshine.

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Very soft.

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Shoot.

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We're having so much fun.

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Let's just keep on going here.

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I'm just going to take the old

two inch version, tap it right

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into some of that same color.

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Just tap it, like, so, okay,

well then maybe there's some

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landmasses that live in here.

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Now you have to start

making some big decisions.

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Where is your land live?

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Maybe Amy or along in there.

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All we're doing now is

putting in a dark color.

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So our light will show you need

dark in order to show light, sorta

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like sorta like life itself, indeed.

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A little sadness in your laugh.

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So, you know, when the good times come.

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It was the same here.

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You need a little dark.

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So, you know, when the lights are

there, like that come right down,

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like it just layer after layer.

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There we go.

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Yeah.

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Over here.

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Same way.

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All I'm doing once again, it's just

blocking out a base color here.

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Just blocking it out

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there.

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Okay.

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See there already.

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You're beginning to see

the lay of the land though.

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This is good practice for when

you're putting your highlights off.

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Ken, let's go back over here and

had a little more over in here.

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There we are.

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Okay.

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And that quickly, we filled up this whole

area and you could just paint it on, but

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I find that it works better by tapping it.

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So you can begin to make out

all these little indications of

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a land flowing and moving here

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we go.

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Now then let's take and begin

applying some highlights to that.

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I'll just use the same old brush here.

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Go right into a small

amount of the CAD yellow.

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And because it has all the blue

in the lavender's on it here.

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When I touch the yellow, it's

going to turn a beautiful green

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color and tap the brush like that.

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Tap it, load some color into the bristles.

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I bet where we begin putting

on all the little highlights,

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the pretty part you there.

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And all you're doing is

just barely touching.

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I'm going to add a little bit of the

yellow hooker in the end, in yellow.

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Maybe even start with a little

touch of bright red here and there.

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As we paint along, just to break it up

and give it all kinds of beautiful little

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colors, but in your world, you sort of

look at it and decide what you want there.

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Maybe over here.

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There we go.

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We don't want this side left down here.

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I've had all kinds of

little things in there.

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There is wine wherever you want

them to go chest that easy.

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Okay.

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But all you're doing here is tapping

and the more you tap the softer, this

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will become, you can make it to where

it absolutely just looks like velvet.

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So soft.

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It's so pretty when you do it that way.

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And at home, you have more time than I do.

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You can take your time and do something.

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It looks much, much nicer than this.

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There.

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okay.

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Yes.

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Continually tap.

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Okay.

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this is very simple and

I'm sure you'll enjoy it.

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Give it a try.

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I get enough said this before I get

letters every week from people all

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over the country that tell me they have

finally finally picked up the old brush.

257

00:14:45,074 --> 00:14:47,444

And they're painting some of

the most fantastic paintings.

258

00:14:47,834 --> 00:14:49,594

They never believed if they can do it.

259

00:14:50,464 --> 00:14:51,364

And you really can.

260

00:14:52,265 --> 00:14:55,295

You don't have to be blessed

by Michelangelo at birth.

261

00:14:55,655 --> 00:14:56,405

You can paint.

262

00:14:57,125 --> 00:14:59,525

All you need is a little bit of equipment.

263

00:15:00,574 --> 00:15:02,614

Somebody to show you how,

and that's, that's our job.

264

00:15:02,645 --> 00:15:03,395

We show you how.

265

00:15:04,380 --> 00:15:08,970

And practice, you do need to

devote a little time to practice.

266

00:15:10,800 --> 00:15:11,490

There we go.

267

00:15:11,490 --> 00:15:13,530

If you're like most of us, you

didn't learn to tie your shoe

268

00:15:13,530 --> 00:15:14,760

on the first time you tried it.

269

00:15:15,810 --> 00:15:18,420

And it's the same here with practice.

270

00:15:18,420 --> 00:15:19,770

It'll get easier and easier.

271

00:15:25,410 --> 00:15:25,980

Okay.

272

00:15:26,640 --> 00:15:28,560

Just bring it right on across like this.

273

00:15:32,415 --> 00:15:35,925

They're little touch of the bright

red here, and they will sparkle this

274

00:15:35,925 --> 00:15:41,055

rascal up just a little and take patch

275

00:15:45,645 --> 00:15:45,975

they're

276

00:15:49,515 --> 00:15:51,135

already in this short of time.

277

00:15:52,189 --> 00:15:55,800

Looks like a whole meadow

out here, just very soft.

278

00:15:55,800 --> 00:15:58,800

This would be a super place to take

your shoes off and sort of just run

279

00:15:58,800 --> 00:16:03,719

through there barefooted and find your

big old tree and sort of kick back and

280

00:16:05,310 --> 00:16:09,959

just, just enjoy God's beauty there.

281

00:16:13,949 --> 00:16:14,459

Okay.

282

00:16:17,010 --> 00:16:18,300

There's a bed right down in here.

283

00:16:21,250 --> 00:16:21,960

Like, so

284

00:16:26,370 --> 00:16:28,680

follow the lay of the land is

supposed to important here that you

285

00:16:28,680 --> 00:16:34,350

follow the basic lay of the land

and work from back to front forward,

286

00:16:34,350 --> 00:16:35,610

forward, forward all the time

287

00:16:39,060 --> 00:16:39,510

there.

288

00:16:43,920 --> 00:16:44,400

Okay.

289

00:16:45,810 --> 00:16:46,290

All right.

290

00:16:46,890 --> 00:16:47,940

Now we can have some fun.

291

00:16:49,905 --> 00:16:53,444

Tell you what grabbed my knife here?

292

00:16:56,535 --> 00:16:57,495

I think my friend, mr.

293

00:16:57,495 --> 00:16:58,515

J's proving here.

294

00:16:58,515 --> 00:16:59,025

He's over here.

295

00:16:59,025 --> 00:16:59,444

Squawking.

296

00:16:59,444 --> 00:17:02,505

I don't know if you can hear him or

not, but he's sitting here with me.

297

00:17:04,994 --> 00:17:05,415

Yeah.

298

00:17:05,474 --> 00:17:06,135

What'd you think?

299

00:17:06,165 --> 00:17:06,345

Okay.

300

00:17:07,214 --> 00:17:07,575

Okay.

301

00:17:08,444 --> 00:17:09,494

He says we're doing all right.

302

00:17:10,905 --> 00:17:11,865

Use the fan brush here.

303

00:17:11,865 --> 00:17:13,575

We'll just, we'll mix up some dark color.

304

00:17:13,575 --> 00:17:17,025

We had some black and some pressure and

blues and Vandyke Brown, little touch

305

00:17:17,025 --> 00:17:22,275

of Crimson scurried up here, maybe their

lives back in our world here, right there.

306

00:17:23,115 --> 00:17:26,115

Maybe there's just a happy little tree.

307

00:17:26,115 --> 00:17:26,895

It lives right there.

308

00:17:27,675 --> 00:17:31,185

See it just, all we're doing

is tapping with a fan brush.

309

00:17:32,715 --> 00:17:36,075

Just give him a little tap and that

makes those nice little fuzzy edges.

310

00:17:37,605 --> 00:17:43,635

Okay, now that maybe there's a lead

for two out here on this tree there.

311

00:17:44,804 --> 00:17:49,245

And all you're doing is touching and

pushing downward here and use the shape

312

00:17:49,245 --> 00:17:50,745

of the fan brush to your advantage.

313

00:17:52,665 --> 00:17:55,995

Probably noticed we use

absolutely no patterns here.

314

00:17:56,024 --> 00:18:00,314

I don't, I don't like to draw my painting

out because it gives you restrictions

315

00:18:01,514 --> 00:18:03,074

and then you have to stay in the lines.

316

00:18:03,254 --> 00:18:03,975

Shoot.

317

00:18:04,830 --> 00:18:08,470

This is such a free form of painting

that we just sort of start off

318

00:18:08,730 --> 00:18:10,409

and go with it, let it happen.

319

00:18:11,340 --> 00:18:15,389

And within a very short time,

if you practice, you learn

320

00:18:15,480 --> 00:18:16,800

to compose your paintings.

321

00:18:16,860 --> 00:18:17,669

As you paint.

322

00:18:19,860 --> 00:18:23,129

Another question that I'm asked

continually is if we do any

323

00:18:23,129 --> 00:18:25,830

editing on these shows, now I know

some of the shows have editing.

324

00:18:26,070 --> 00:18:26,820

We do not.

325

00:18:26,879 --> 00:18:28,830

There's absolutely no editing here.

326

00:18:30,450 --> 00:18:32,040

What you see actually happens.

327

00:18:33,270 --> 00:18:39,080

In the time that you see it happen,

you there, but that easily, you

328

00:18:39,080 --> 00:18:41,780

can make a happy little tree and

let's give him, well, let's give

329

00:18:41,780 --> 00:18:42,980

him that little friend, right?

330

00:18:45,650 --> 00:18:47,240

Just as many or as few as you are.

331

00:18:47,390 --> 00:18:51,650

This will give you a little practice

and show you how to do it there.

332

00:18:54,200 --> 00:18:54,580

Okay.

333

00:18:55,880 --> 00:19:00,020

Decide where you want to loop little

limbs to hang and how far they go.

334

00:19:01,545 --> 00:19:05,985

Drop a man back with our brush

with a little bit of color on it.

335

00:19:07,955 --> 00:19:10,505

And where did the yellowing come down

here and clean up his little foot

336

00:19:14,135 --> 00:19:14,555

there?

337

00:19:17,915 --> 00:19:21,785

A little dark color down here

indicate there's a, let us shadow

338

00:19:21,845 --> 00:19:23,735

living under this tree there.

339

00:19:23,795 --> 00:19:24,155

See there.

340

00:19:25,475 --> 00:19:26,525

So there's two of them.

341

00:19:29,520 --> 00:19:32,520

Okay, maybe

342

00:19:35,870 --> 00:19:36,560

let's get crazy.

343

00:19:36,590 --> 00:19:37,670

Let's have some fun today.

344

00:19:37,790 --> 00:19:39,770

I'm going to take the small

knife, a little bit of Vandyke

345

00:19:39,800 --> 00:19:42,350

Brown and go right up in here.

346

00:19:43,610 --> 00:19:49,310

And let's, let's put some land right

in this little recessed area here.

347

00:19:49,910 --> 00:19:53,510

Let's just scrub in a little bit of land

and I'm just using straight Vandyke Brown.

348

00:19:55,070 --> 00:19:56,630

Just scrubbing it in using it.

349

00:19:57,284 --> 00:19:58,425

Quite a firm pressure here.

350

00:19:58,425 --> 00:20:02,385

I really want this paint to be

mashed right into the canvas.

351

00:20:04,334 --> 00:20:06,225

Looks like a little path out to there.

352

00:20:08,024 --> 00:20:09,495

Just sort of wanders around.

353

00:20:14,495 --> 00:20:20,625

You could make a beautiful little path

there that easy if you wanted what.

354

00:20:21,930 --> 00:20:24,150

Once again, painting is

such an individual thing.

355

00:20:24,930 --> 00:20:27,420

All we want to do here is

show you how to do things.

356

00:20:27,780 --> 00:20:29,580

What you do is totally up to you.

357

00:20:29,820 --> 00:20:33,030

This is your world and you, you

create it the way that you want it.

358

00:20:34,260 --> 00:20:36,300

And if you like it, then it's right.

359

00:20:36,420 --> 00:20:39,450

And it's good painting.

360

00:20:39,450 --> 00:20:42,420

As I say over and over again,

eating should make you happy.

361

00:20:43,830 --> 00:20:44,820

Doesn't make you happy.

362

00:20:45,540 --> 00:20:46,560

You're doing the wrong thing.

363

00:20:48,135 --> 00:20:51,065

I spent half my life doing a job

that I really didn't want to do.

364

00:20:52,955 --> 00:20:56,705

And now, now I'm doing what I want to do.

365

00:20:58,895 --> 00:20:59,975

And now work is fun.

366

00:21:02,065 --> 00:21:05,945

I've met so many fantastic people

through, through the joy of painting

367

00:21:07,085 --> 00:21:08,585

and that may be the most fun at all.

368

00:21:11,165 --> 00:21:14,615

I've made friends with that G I

just, I just never, never dreamed.

369

00:21:15,275 --> 00:21:15,965

And that's super.

370

00:21:16,544 --> 00:21:17,054

There we go.

371

00:21:17,115 --> 00:21:18,465

Just put a little dark here and there.

372

00:21:21,574 --> 00:21:22,084

Okay.

373

00:21:23,135 --> 00:21:23,344

Yeah.

374

00:21:23,344 --> 00:21:24,695

Then let me find the fan brush.

375

00:21:25,175 --> 00:21:25,324

Okay.

376

00:21:25,385 --> 00:21:26,314

Think would take a fan brush.

377

00:21:26,314 --> 00:21:31,385

We go right into our yellows, a

little bit of green load, the brush

378

00:21:31,415 --> 00:21:32,945

full of color, a little yellow ochre.

379

00:21:34,145 --> 00:21:37,655

And let's go right up in here

and let's just push in some happy

380

00:21:37,655 --> 00:21:39,574

little bushes that come right down.

381

00:21:40,635 --> 00:21:43,995

And this little dirt area here

just right down to the edges

382

00:21:44,985 --> 00:21:46,305

that sort of brings it together.

383

00:21:48,585 --> 00:21:52,215

Like, so just brings it all together

384

00:21:55,635 --> 00:21:56,055

there.

385

00:22:02,385 --> 00:22:05,925

Now that I have several fan brushes

going, so I don't have to spend

386

00:22:05,925 --> 00:22:07,215

all my time cleaning brushes.

387

00:22:08,070 --> 00:22:09,210

I'm tell you what we're going to do here.

388

00:22:09,210 --> 00:22:12,240

I'm going to take a little liquid

white on my fan brush, and I'm going

389

00:22:12,240 --> 00:22:15,840

to go right into some titanium white,

be right back on, reach it, period.

390

00:22:15,840 --> 00:22:18,270

Get the least little

touch if they low blue.

391

00:22:18,659 --> 00:22:23,010

So I have liquid white to make

it thinner, titanium white and

392

00:22:23,010 --> 00:22:28,170

a touch, just a touch of the low

blue load, the brush full of color.

393

00:22:28,830 --> 00:22:31,320

Now back to our golden rule here

at the end, paint will stick to a

394

00:22:31,320 --> 00:22:33,450

thick paint, so let's have some fun.

395

00:22:34,020 --> 00:22:35,460

So we had a nice path up here.

396

00:22:36,045 --> 00:22:43,455

Now watch, maybe to look at that maybe and

your world, there's a little trickle of

397

00:22:43,455 --> 00:22:45,885

water that flows right down through here.

398

00:22:47,085 --> 00:22:50,385

It makes just a bubbling, a little,

little waterfall, the stream.

399

00:22:52,875 --> 00:22:54,255

Just let it play.

400

00:22:54,825 --> 00:22:55,875

Come right on down.

401

00:22:56,385 --> 00:23:05,105

Or if you want it to go see you

there, I didn't have fun there.

402

00:23:06,720 --> 00:23:09,480

Yeah, a thin paint will stick

right over the top of this thicker

403

00:23:09,480 --> 00:23:12,480

paint without it becoming mud.

404

00:23:14,550 --> 00:23:18,510

Every once in a while, you may have to

stop wipe your brush off that's okay.

405

00:23:18,930 --> 00:23:23,730

Overall, you'll get a

very nice effect here.

406

00:23:24,990 --> 00:23:29,400

Get that just a little trickle of water

is playing through the, through the metal

407

00:23:29,400 --> 00:23:32,820

here, and it's just having a good time.

408

00:23:35,625 --> 00:23:43,365

Let's have some fun, maybe go grab some

Bandag Brown on the fan brush here, maybe.

409

00:23:43,395 --> 00:23:43,695

Yep.

410

00:23:43,754 --> 00:23:44,295

Right here.

411

00:23:45,585 --> 00:23:49,365

Let's just drop in a

big tree, bigger tree.

412

00:23:49,395 --> 00:23:50,385

He lives right there.

413

00:23:51,495 --> 00:23:57,225

Some black little Browns and

onto that, put in a few, just

414

00:23:57,225 --> 00:23:58,725

a few leaves here and there.

415

00:24:00,075 --> 00:24:05,445

As many or as few as you want

to shoot, let's get crazy.

416

00:24:05,445 --> 00:24:10,365

You know, me, I like these old

big trees, maybe right there.

417

00:24:10,435 --> 00:24:10,965

Be brave.

418

00:24:11,955 --> 00:24:15,825

This is your brave retest,

just Brown and black.

419

00:24:18,495 --> 00:24:21,764

You don't have to be too careful here

just to sorta knock it until tell you

420

00:24:21,764 --> 00:24:22,905

about where we got that price going.

421

00:24:23,325 --> 00:24:26,385

Let's put a tree on the other

side, come right over here with me.

422

00:24:27,495 --> 00:24:30,645

And right here

423

00:24:33,885 --> 00:24:35,175

lives a big old tree.

424

00:24:36,735 --> 00:24:39,165

All you're doing is just firmly tapping

425

00:24:42,675 --> 00:24:43,665

my group down here.

426

00:24:47,595 --> 00:24:47,985

Yeah.

427

00:24:47,985 --> 00:24:51,945

Then I have another brush that we were

using for the stream that has white on it.

428

00:24:52,514 --> 00:24:57,675

So I'll take it and go right down

the side and that'll make the

429

00:24:57,675 --> 00:24:59,175

highlight side that this tree.

430

00:25:00,885 --> 00:25:02,475

And you can just plan that right together.

431

00:25:02,535 --> 00:25:05,385

Isn't that a sneaky way to

make a beautiful little tree.

432

00:25:06,555 --> 00:25:06,855

Okay.

433

00:25:07,125 --> 00:25:07,665

Over here.

434

00:25:07,875 --> 00:25:08,055

Yes.

435

00:25:08,055 --> 00:25:11,625

When the sun to just like, so.

436

00:25:13,905 --> 00:25:18,314

Put the lightest on the edge and

then blended back, fired her lighter,

437

00:25:18,314 --> 00:25:20,145

lighter, lighter, gentle touch.

438

00:25:20,445 --> 00:25:21,165

Very gentle.

439

00:25:23,975 --> 00:25:24,185

Okay.

440

00:25:24,544 --> 00:25:24,754

Yeah.

441

00:25:24,774 --> 00:25:25,475

That mistake.

442

00:25:26,375 --> 00:25:27,215

So paint thinner.

443

00:25:27,570 --> 00:25:31,110

Okay, little paint

thinner on or liner brush.

444

00:25:31,139 --> 00:25:32,340

We go right into some Brown.

445

00:25:32,639 --> 00:25:33,570

This should be thin.

446

00:25:34,260 --> 00:25:36,600

Oh, just almost like ink.

447

00:25:36,840 --> 00:25:37,590

Let's go right up here.

448

00:25:38,280 --> 00:25:38,700

Maybe.

449

00:25:39,030 --> 00:25:42,240

Oh, maybe there's a big old branch

that hangs down right there.

450

00:25:43,410 --> 00:25:44,370

Got a little arm.

451

00:25:44,370 --> 00:25:45,629

It comes out through here.

452

00:25:47,610 --> 00:25:52,530

If you have trouble making your paint

flow, then it's just not done enough.

453

00:25:53,400 --> 00:25:54,240

Add some more thinner.

454

00:25:56,639 --> 00:25:58,220

They're okay.

455

00:25:58,430 --> 00:25:59,659

There's little things here and there.

456

00:26:00,540 --> 00:26:01,220

Wherever you want them.

457

00:26:01,340 --> 00:26:02,270

A couple over here.

458

00:26:04,010 --> 00:26:08,450

I can feel clock on the wall tells me

it's about time to leave you for the day.

459

00:26:09,200 --> 00:26:10,370

Is it I'm finishing this up.

460

00:26:10,649 --> 00:26:13,840

I'd like to thank you very

much for being with me today.

461

00:26:13,879 --> 00:26:15,530

Certainly hope you've

enjoyed this painting.

462

00:26:15,560 --> 00:26:19,760

Hope you enjoyed meeting my little

friend and we'll be back with you again.

463

00:26:20,870 --> 00:26:25,140

So on behalf of the entire joy

painting staff, I'd like to wish

464

00:26:25,140 --> 00:26:28,320

you happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S14E02 - Meadow Brook Surprise

Bob Ross's

The Joy of Painting

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