Bob Ross's

The Joy of Painting

S15E11 - Pathway To Autumn

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Hey, welcome back.

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I'm glad you joined me today and

I hope you get your paints all

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set up and you're ready to do a

fantastic little painting with me.

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Tell you what let's start out today

and have them run all the colors across

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the screen that you need to paint

along with me while they're doing that.

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Let's go on up here.

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I've got my standard old canvas up here.

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It's all covered with liquid white

and it's slick and it's ready to go.

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So let's get started today.

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Let's do a little autumn scene

has a lot of nice colors in it.

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A lot of the reds and

oranges and yellows and.

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It's such a fantastic day.

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Let's just do a fantastic little painting.

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I'm going to start out today with a

little bit of a fellow blue, small amount.

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Just tap a little into the two inch

brush and let's go right up here.

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We'll just use our little crisscross

strokes, just like so, and let's

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just dance in a happy little sky.

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Just sort of let it wander

around, have fun and play there.

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Now your color is continually

mixing with the liquid white

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and that way it's very smooth.

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You get all these different values.

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You don't end up with just one dead color.

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Fair.

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Just let it go.

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Have fun with it.

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Enjoy it.

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Painting.

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Shouldn't make you happy,

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but see all this beautiful

blending that you get.

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If you run a dry canvas,

you'd be an agony city now.

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Now you can blend this until it's

just as smooth as, as it can be.

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I want to leave some of these little spots

in it and that'll look, it looks almost

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like distant clouds without doing a thing.

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There we go.

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So when you're doing your painting,

make, make a big decision.

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Do you want to blend these all out?

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Do you want to leave some of them in

it's totally completely up to you.

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There we are.

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And that easy.

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We have a happy little sky.

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Tell you what?

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We'll just take your

same old, dirty brush.

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I'm lazy.

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I don't want to clean it.

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I'm gonna go right into some Vandyke Brown

and Brown with a pick-up some dark Sienna.

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I'm going to use mostly Browns

today for the base colors.

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Just tap a little color into

the brush and let's start

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making some big decisions here.

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We use just the corner of the brush.

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Let's start tapping in some basic

tree and Bush shapes here, there.

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And I usually start at the

bottom and work up that way.

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My darkest color is down here and

it gets lighter toward the top.

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And then it gives the indication

that there's deep shadows down.

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Here we go.

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And all the little creatures

need a place to hide.

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So they hide down here and miss

that, all we're looking for here is

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just some very basic little shapes.

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Just sort of let your imagination go.

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If you want the shadows to be a little

darker, a little deeper at a little tiny

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amount of the midnight black that'll

really create some darkness down here.

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There we go.

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There's another happy little Bush.

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Let's see how you can, can just, you can

create tree after tree Bush after Bush,

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you can just anything that you want.

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Anything that you want?

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Maybe there's one.

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Yep.

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You're right.

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He lives right there.

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Right there.

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He's got some arms at hang we out there.

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It's fantastic.

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That easy.

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You can make all kinds

of little things there.

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Maybe there's another tree

there hit in between them.

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We don't know.

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We don't know.

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We'll separate them with highlights.

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Right now, all we're doing is

just blocking in some color.

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So we're doing

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okay.

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Maybe, maybe we have Pearson.

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Nice one.

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Okay.

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Does that say if we're going to have

a little fall scene, we need a lot of,

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a lot of Browns in here, so I'll just

load a lot of color into the brush.

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It didn't matter how you load it.

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And let's just, let's just fill the sand.

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Let's just fill this out.

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All I'm using is the two

Browns, a little bit of black.

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All I'm looking for here.

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It's just a nice dark, brownish color.

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And this will be our base color.

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When we put all the

beautiful little highlights.

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There we go.

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Okay.

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A little bit more over here, and

there's really not a lot of paint on

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the canvas, just enough to cover it.

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And already we have the

whole thing filled in.

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I think we can wash your

brush, wash her brush.

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Should we wash her brush as you

know, with the other two standard?

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Shake off the excess and just

beat the devil out of it.

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Okay.

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Tell you what, let's take our liner brush.

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I'm going to dip it right into some paint

thinner and go into the Brown color.

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This is the two Browns,

dark Sienna van Dyke Brown.

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I want this to be thin like ink.

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Turn the brush head brings

it to a nice sharp point.

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Turn it cause he was a long,

long bristles on this brush.

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Okay.

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Now then let's go up in here and we

will just begin putting in all kinds

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of little tree trunks and stealings and

twigs there, just wherever you want.

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Does that say we're going to come back

and put leaves on all these trees here.

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So a lot of these are going to be covered

up, but even if they're covered up,

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if you get some practice, your time's

not wasted any time with you to learn.

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You haven't wasted your time and

painting is like everything else.

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The more you practice, the easier

it becomes and the better you

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get, the more confidence you have.

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And half of painting is just

being confident, just believe in

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yourself, believe that you can

do it because you can, can you

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really can, you can do anything.

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There we go.

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Let's put, say some people like

to start at the top and come down

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to some, start at the bottom.

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Yeah, go up just however,

try it both ways.

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Whichever way works.

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The best for you is the right way there.

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Now, when you're doing this, if

you don't paint doesn't flow.

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If you have troubles making it

flow, then all you have to do is

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add a little bit more thinner.

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Little bit more thinner.

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Cause if the paint's thin enough,

it will flow on here, there.

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And remember trees grow

wherever which way there we are.

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Let's have one up here

in this whole big ranch.

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Make him big strong

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there.

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See, and this is where if you sort of

have a little, little nervous Twitch

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to your hand you're ahead of everybody

else, because it gives these tree limbs.

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Some character makes them interesting.

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They're just not old.

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Straight stick.

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There we are.

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Wherever now, tell you what let's do.

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Let me get her.

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Let me grab a one inch brush here.

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I'm going to go into a small amount of

the dark Sienna first, just to get a

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little color on the brush, I'm going to go

right down here to the yellow CAD yellow.

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And the only reason I put that dark sand

on there first is to dull this yellow.

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I don't want it too bright.

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This is CAD yellow, yellow ochre, Indian,

yellow, little touch of the bright red.

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And we're going to use

all of these colors.

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I'll be grabbing a little

bit of red over here.

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Ooh, it's pretty.

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This is going to be a fall scene.

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We need a lot of that.

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Now, then let's just start picking

out some highlights, take just

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the corner of the brush and just

begin creating all kinds of just

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beautiful little leaf patterns here.

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Just the corner of the breasts.

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All you need with the worry about form and

shape, don't just throw them in at random.

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There we go.

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And when you're doing fall

pictures, you can have two or three

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different colors on the same tree.

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There sometimes you'll see trees

that just certain parts of it

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are bright red or yellow or gold

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fall paintings are so pretty.

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And they go well with most things.

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People have in their homes.

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A lot of times, if you're out

selling paintings, you'll find it.

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People buy paintings as much

for color as for content.

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There we are.

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They're looking for something maybe

that matches something in their

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living room or bedroom or wherever

they're going to hang that painting.

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So a lot of times color is

more important than content.

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I know it sounds crazy.

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Pick up a little bit, Indian,

yellow here and there too.

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That's a nice, transparent, yellow color.

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Just really zings through there,

there, see all those little things

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once again, think about form and shape

and there's limbs inside of there.

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Don't just hit her at random.

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Do one Bush at a time, one tree at a time.

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Make friends with him.

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Give him a name if necessary.

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That's all right.

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It's what we've mentioned before.

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You know, when you're a painter,

people expect you to be a little

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different, so you can get away

with things like there we are.

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Can I get so many fantastic

letters from people all over the

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country and they send me ideas.

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This idea came from a, from a card.

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Someone had sent me.

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If there's things that you want to see

that I'm not doing drop me a line, let

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me know what it is that you want to see.

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I'd love to hear from you.

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And if you're painting, if you're

painting, send me a photograph

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of your, of what's your painting.

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I'd love to see that.

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It's unbelievable what

some people are doing.

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Absolutely unbelievable.

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There we go.

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Just all kinds of little

things happening here.

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Maybe we'll take a little bit

of yellow and add in there.

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Just the CAD yellow,

make it sound over again.

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Sing in the sunshine out here.

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There we are a little bit of pear.

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Jack Frost has had a good day here.

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He has been through here.

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He has a really worked on these trees.

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Worked overtime here.

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There we go.

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But all of this you can do.

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We're just a corner of the one

inch brush or the two inch brush.

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Either one works very well.

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There we go.

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Let's put the indication, maybe hearing

their few little bushes growing down

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here at the foot of these trees there.

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Maybe he's got a friend over here.

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There we are.

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Here's another one.

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Just starting in your mind.

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Figure out where you want

these to be and drop them in.

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Where ever

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here's what I see one right there

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as you're painting along, you

you'll just visualize these.

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You just sort of see them

maybe here and there.

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Don't take a little bit of the titanium,

white and thin it down with some

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paint thinner, maybe here and there.

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We can see.

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One and two sticks that are,

that are light and color.

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They stand out great against

this background, light against

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dark, dark, against light,

always playing games with these.

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So a few little light sticks

here, and they're all things

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that make it interesting.

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There we are.

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Okay.

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Now, if you wanted to add

just a little bit more detail.

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You can take just the point of the knife

and just dropped in all kinds of little

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sticks and twigs that are growing in here.

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And all these little things show

different planes in your pants.

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They help create that illusion of depth

and distance just wherever you want.

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Okay.

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Now then we have to make

some big decisions here.

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Now, before I go any further,

I want to show you something.

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I get letters from people also that

say, Hey, you know, Bob, I can't paint.

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You can paint.

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I want to show you what a

friend of mine's daughter did.

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This is, this is my little girlfriend.

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Her name is Elise she's six years old.

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And look at this painting that she did.

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Now.

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If Elise can do this at six, you

don't have any excuse at all.

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Now she's the daughter, Dana jester.

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He's one of our teachers that

travels all over the country.

254

00:14:05,385 --> 00:14:08,235

And that gives her a little advantage

because she watches daddy paint all the

255

00:14:08,235 --> 00:14:11,505

time, but you can do it six years old.

256

00:14:12,255 --> 00:14:13,005

I'm proud of her.

257

00:14:13,905 --> 00:14:15,105

I'm going to take a big brush here.

258

00:14:15,705 --> 00:14:19,875

Let's begin making some little,

some little grassy areas.

259

00:14:20,265 --> 00:14:22,665

We'll just use our same colors here.

260

00:14:22,755 --> 00:14:24,915

Tap a little bit of paint

right into the bristles.

261

00:14:26,895 --> 00:14:28,575

Now we have to make some big decisions.

262

00:14:29,505 --> 00:14:30,585

Where does our land live?

263

00:14:30,825 --> 00:14:31,215

Maybe?

264

00:14:32,010 --> 00:14:32,730

Right down here.

265

00:14:34,470 --> 00:14:35,070

There we go.

266

00:14:36,120 --> 00:14:39,180

When you do this, try to leave a

little bit of this dark between them.

267

00:14:39,180 --> 00:14:40,590

That dark is your separator.

268

00:14:41,880 --> 00:14:42,870

That keeps them apart.

269

00:14:46,800 --> 00:14:48,060

I like doing these kinds of pictures.

270

00:14:48,060 --> 00:14:49,620

Cause you can go crazy with color.

271

00:14:50,850 --> 00:14:53,130

Just use all kinds of beautiful colors.

272

00:14:58,740 --> 00:15:00,960

Maybe there's some over on this side.

273

00:15:02,235 --> 00:15:04,425

It comes right down through

there wherever you want them.

274

00:15:06,944 --> 00:15:08,535

You have to make some big decisions.

275

00:15:09,375 --> 00:15:12,194

I'm going to add a touch of a

lizard Crimson to my color Crimson.

276

00:15:12,704 --> 00:15:13,935

It's a nice fall color.

277

00:15:16,605 --> 00:15:21,645

There we are now here and

there, here and there.

278

00:15:22,210 --> 00:15:24,670

There's little patches

still have some greens.

279

00:15:24,700 --> 00:15:30,130

I've had it a small amount of SAP

green, maybe Jack Frost missed that one.

280

00:15:32,890 --> 00:15:34,090

There's always little patches.

281

00:15:34,090 --> 00:15:35,080

It seemed to get away.

282

00:15:41,310 --> 00:15:43,560

And the more you tap this,

the softer it'll become.

283

00:15:43,890 --> 00:15:46,230

It'll look just like a little

field out here or a meadow

284

00:15:46,980 --> 00:15:49,260

that's deep and fall colors.

285

00:15:51,600 --> 00:15:53,670

You can leave it a little stronger.

286

00:15:53,670 --> 00:15:55,740

So it looks more like

bigger bushes and trees.

287

00:15:56,370 --> 00:15:58,800

This is sort of a decision that

you'll have to make, look at your

288

00:15:58,800 --> 00:16:00,960

painting, decide what you want in it.

289

00:16:02,235 --> 00:16:04,545

Let's go near the side here and

begin bringing some things down.

290

00:16:06,855 --> 00:16:07,125

291

00:16:11,685 --> 00:16:13,005

I'll tell you what

we're going to tell you.

292

00:16:13,545 --> 00:16:16,185

This would be a good place to have

maybe a little building back here.

293

00:16:16,485 --> 00:16:17,204

So let's do that.

294

00:16:17,204 --> 00:16:22,694

Let's come right up in here and take

the knife and scrape out a basic shape.

295

00:16:23,475 --> 00:16:24,375

It does two things.

296

00:16:24,375 --> 00:16:25,275

It allows you to lay the.

297

00:16:26,575 --> 00:16:29,095

The proportions of your building

out without being committed

298

00:16:29,935 --> 00:16:31,735

and it removes excess paint.

299

00:16:33,415 --> 00:16:35,515

So just scrape out a very basic shape.

300

00:16:35,545 --> 00:16:36,505

That's all we're looking for.

301

00:16:36,685 --> 00:16:37,405

Don't worry about it.

302

00:16:38,995 --> 00:16:44,695

Like, so then I'll take some Vandyke

Brown, a little bit of dark CN, and

303

00:16:44,695 --> 00:16:49,375

let's go right up here and begin

blocking that in all we're doing

304

00:16:49,915 --> 00:16:51,295

is just filling in color here.

305

00:16:51,355 --> 00:16:55,525

We just putting in some dark background

color, we could really care less.

306

00:16:56,085 --> 00:16:57,195

We're not committed yet.

307

00:16:58,245 --> 00:16:59,535

We can still change your mind.

308

00:16:59,535 --> 00:17:01,305

We can do anything that

we want to do here.

309

00:17:04,925 --> 00:17:05,105

Yeah.

310

00:17:05,305 --> 00:17:06,454

I made some sides on this.

311

00:17:06,575 --> 00:17:12,005

Maybe this'll be an old barn, whatever you

want it to be, whatever you want it to be.

312

00:17:12,395 --> 00:17:16,744

Just make a decision over here.

313

00:17:19,295 --> 00:17:21,005

Kind of Michael's little

noises or it doesn't work.

314

00:17:23,055 --> 00:17:24,254

Let's have a red roof on there.

315

00:17:24,254 --> 00:17:27,224

We'll take some bright red,

little touch of dark Sienna.

316

00:17:27,974 --> 00:17:29,535

So it's not real bright.

317

00:17:31,065 --> 00:17:31,815

It can get so bright.

318

00:17:31,815 --> 00:17:32,655

It hurts your eyes.

319

00:17:33,615 --> 00:17:36,465

Cut off a little roll of paint right

out on the edge of the knife there.

320

00:17:36,545 --> 00:17:36,815

Yes.

321

00:17:37,565 --> 00:17:40,025

Now just take in touch.

322

00:17:40,235 --> 00:17:41,225

Just sort of let it bounce.

323

00:17:41,225 --> 00:17:45,395

Bloop, bloop, bloop, bloop, bloop,

right down top of that old building.

324

00:17:46,865 --> 00:17:47,285

See there.

325

00:17:47,345 --> 00:17:48,335

Just sort of let it bounce.

326

00:17:49,540 --> 00:17:51,660

If you want to it to be new,

or you can just pull it.

327

00:17:52,110 --> 00:17:54,090

I want this one to be

sorta rough and ragged.

328

00:17:55,080 --> 00:17:56,100

It's had a hard life.

329

00:17:59,160 --> 00:18:02,460

Maybe on the other side, you see the

least little touch of red over there.

330

00:18:05,040 --> 00:18:06,480

Now then let's take.

331

00:18:07,679 --> 00:18:14,580

We'll use some yellow ochre,

dark Sienna, grab some titanium,

332

00:18:14,639 --> 00:18:17,669

white, pull it out very flat.

333

00:18:18,090 --> 00:18:20,580

And once again, we cut across

and get our little roll of paint.

334

00:18:21,600 --> 00:18:24,179

Now then let's come right down here.

335

00:18:24,449 --> 00:18:26,610

Touch no pressure at all.

336

00:18:26,699 --> 00:18:27,389

No pressure.

337

00:18:27,899 --> 00:18:29,520

Just let the knife glide on there.

338

00:18:30,719 --> 00:18:31,949

Just let it collide.

339

00:18:33,510 --> 00:18:36,840

It'll slide right down there and it

makes, it makes the impression of very

340

00:18:36,840 --> 00:18:42,360

old wood, a little dark right there

on the shadow underneath these heaves.

341

00:18:42,660 --> 00:18:43,200

There we go.

342

00:18:45,930 --> 00:18:46,320

Easy.

343

00:18:46,980 --> 00:18:48,810

Why we see it was that easy

to really build a house.

344

00:18:49,290 --> 00:18:50,940

Let's put a, let's put a door in there.

345

00:18:50,940 --> 00:18:55,650

If this is going to be a

barn, we need a big door and.

346

00:18:58,170 --> 00:19:00,660

The color that I used on the front

and we'll use the same color.

347

00:19:00,780 --> 00:19:02,850

Only have added some

Vandyke Brown to dark in it.

348

00:19:02,880 --> 00:19:06,650

Cause I will decide to

be much darker there.

349

00:19:08,130 --> 00:19:10,460

If it didn't stand out enough,

take a little bit of a light

350

00:19:10,460 --> 00:19:12,560

color, just come right back in

there, where they come together.

351

00:19:13,880 --> 00:19:16,850

See, and you can wait a separate one.

352

00:19:16,850 --> 00:19:20,630

That's a mean looking old buildings,

a little bit of Brown on the knife.

353

00:19:20,930 --> 00:19:24,380

You can go in here, put the

indication a few boards.

354

00:19:28,245 --> 00:19:32,235

Now we come back, they

have straight, no door out.

355

00:19:32,645 --> 00:19:36,185

When you come back and do a barn

ectomy, we're just going to whack him

356

00:19:36,185 --> 00:19:38,195

off on the bottom here and get him.

357

00:19:38,375 --> 00:19:38,824

We want it.

358

00:19:40,925 --> 00:19:46,115

Don't take it a little bit of titanium

height on the knife and just sort

359

00:19:46,115 --> 00:19:47,375

of outline this door a little bit.

360

00:19:47,375 --> 00:19:48,395

So it stands out good.

361

00:19:49,865 --> 00:19:50,465

There we go.

362

00:19:51,645 --> 00:19:54,705

Now then go back to our big

rush that we were using.

363

00:19:54,925 --> 00:19:56,295

Put the little grassy areas in.

364

00:19:57,215 --> 00:20:00,575

We'll grab some more that'll lizard

cramps, and that's a nice color for fall.

365

00:20:01,295 --> 00:20:01,385

Okay.

366

00:20:01,685 --> 00:20:02,915

Just have a little bit in there.

367

00:20:04,175 --> 00:20:07,085

We come right along here and put a

little bit right around his little foot.

368

00:20:08,405 --> 00:20:10,355

And I have a little grass

sweater in the aunties here.

369

00:20:11,705 --> 00:20:12,065

There.

370

00:20:14,639 --> 00:20:15,840

Here's a little bit right in there.

371

00:20:16,679 --> 00:20:21,270

And then we can just begin putting

in all kinds of little things.

372

00:20:23,429 --> 00:20:27,330

All I'm doing is gently tapping downward,

then gently, gently tapping down.

373

00:20:30,480 --> 00:20:31,050

Absolutely.

374

00:20:31,050 --> 00:20:32,100

No secret to this.

375

00:20:33,210 --> 00:20:33,780

There we go.

376

00:20:37,409 --> 00:20:40,590

I like all these oranges,

yellows and goals.

377

00:20:41,655 --> 00:20:44,625

They're happy colors,

warm colors, warm colors.

378

00:20:45,015 --> 00:20:46,035

They make you feel good

379

00:20:50,775 --> 00:20:51,225

there.

380

00:20:51,945 --> 00:20:52,935

Add a little bit more red,

381

00:20:56,295 --> 00:20:59,775

just layer after layer, starting

in the back and work forward.

382

00:20:59,835 --> 00:21:01,725

Always working forward forward forward

383

00:21:08,745 --> 00:21:10,575

a little bit more of the

Crimson mixed in there.

384

00:21:17,060 --> 00:21:17,210

Yeah.

385

00:21:17,210 --> 00:21:20,360

Did I tell you, I'll tell you

when we need a little path or a

386

00:21:20,360 --> 00:21:23,240

road or whatever we want to call

it Kevin from our little barn.

387

00:21:23,240 --> 00:21:25,640

So I'll just take a fan brush

and we'll be right into Vandyke

388

00:21:25,670 --> 00:21:26,750

Brando, dark sand, right?

389

00:21:26,780 --> 00:21:30,290

Mixed together, just

loaded, full of color.

390

00:21:30,950 --> 00:21:31,250

And.

391

00:21:32,370 --> 00:21:34,140

The old farmer had to

have way to get up here.

392

00:21:34,140 --> 00:21:35,430

So maybe it comes out here.

393

00:21:39,270 --> 00:21:39,960

Just scrubbing.

394

00:21:40,320 --> 00:21:44,460

Just think about, think about

how you want this path to go to.

395

00:21:44,460 --> 00:21:50,610

So to scrub it, look it they're saying

it leads right on back up in there.

396

00:21:51,960 --> 00:21:55,410

Now I'm gonna take another fan

brush, but some of the yellows.

397

00:21:56,535 --> 00:21:59,025

Alizarin Crimson go bright red.

398

00:21:59,175 --> 00:22:00,345

Just mix them on the brush here.

399

00:22:00,405 --> 00:22:01,125

Same colors.

400

00:22:02,085 --> 00:22:06,765

Now then with that, we can pop a few

little grassy areas around the path.

401

00:22:06,795 --> 00:22:09,735

That'll help push that path

right down into the painting.

402

00:22:10,605 --> 00:22:11,775

It makes it become part of it.

403

00:22:13,695 --> 00:22:14,085

There we

404

00:22:17,595 --> 00:22:22,515

see that easy, all kinds of little things

that are growing around the edge here.

405

00:22:25,365 --> 00:22:25,605

All right.

406

00:22:25,605 --> 00:22:28,965

There's okay.

407

00:22:30,015 --> 00:22:30,405

Shoot.

408

00:22:31,905 --> 00:22:32,625

Let's get crazy.

409

00:22:32,835 --> 00:22:36,975

You know, me, you painted for me

before, you know, I like big trees.

410

00:22:37,905 --> 00:22:39,195

Let's have a couple of big trees.

411

00:22:40,215 --> 00:22:40,905

I like them.

412

00:22:41,955 --> 00:22:44,085

There lives a tree right there.

413

00:22:44,985 --> 00:22:46,365

This is just straight Vandyke Brown.

414

00:22:47,910 --> 00:22:50,760

There he is very, he is soon.

415

00:22:52,320 --> 00:22:53,490

I don't want him to be lonely.

416

00:22:55,200 --> 00:22:59,990

I give him a friend that

lives there with him are

417

00:23:03,800 --> 00:23:06,170

we can, maybe this one's

got a big old root today.

418

00:23:06,530 --> 00:23:08,390

It goes right out there and holds him up.

419

00:23:10,310 --> 00:23:11,360

She was, let's get crazy.

420

00:23:12,830 --> 00:23:14,120

Let's have one on the other side, too.

421

00:23:14,745 --> 00:23:20,264

This one's really going to be big, but

a wiggled in him while he's got hurt.

422

00:23:20,264 --> 00:23:26,475

Anyway, I don't like all my trees

being straight, so really get in

423

00:23:26,475 --> 00:23:30,554

there and that gives them character.

424

00:23:30,554 --> 00:23:31,725

It makes them more interesting.

425

00:23:33,675 --> 00:23:34,365

Okay.

426

00:23:36,745 --> 00:23:38,715

Have him take the knife.

427

00:23:38,745 --> 00:23:43,425

We'll just use some Brown and white,

pull it out, very flat, cut across.

428

00:23:43,725 --> 00:23:47,865

And then we have our little roll of paint

again, and let's just come right in here.

429

00:23:50,235 --> 00:23:53,475

Just touch it, give it a little,

little pull, tiny little pull.

430

00:23:54,885 --> 00:23:57,405

And it just make the indication

and some highlights on these trees.

431

00:23:59,745 --> 00:24:01,155

Just like, so.

432

00:24:05,025 --> 00:24:08,775

I'd really make some standout there.

433

00:24:10,235 --> 00:24:10,445

Okay.

434

00:24:10,595 --> 00:24:13,955

A little bit on this big one on the

other side, don't want him left out.

435

00:24:14,645 --> 00:24:19,085

He'd get angry and nothing

worse than an angry tree.

436

00:24:19,205 --> 00:24:21,395

I Evelyn, chase mail

across a yard one time.

437

00:24:26,615 --> 00:24:26,975

Okay.

438

00:24:29,505 --> 00:24:31,725

Trees are a lot of fun, a lot of fun.

439

00:24:33,765 --> 00:24:39,455

We were working on our newsletter the

other day, and I did an article just about

440

00:24:39,455 --> 00:24:41,435

trees and people's problems with them.

441

00:24:43,545 --> 00:24:47,135

Gives me a little more time to

work in detail on that when I

442

00:24:47,135 --> 00:24:49,805

write rather than talk there.

443

00:24:50,135 --> 00:24:53,615

Well, it's a big old

tree I'm going to take.

444

00:24:55,200 --> 00:24:58,830

The liner brush go right into

paint, thinner Vandyke Brown,

445

00:24:59,400 --> 00:25:00,420

then it down like water.

446

00:25:00,450 --> 00:25:01,260

Let's go right up here.

447

00:25:02,010 --> 00:25:02,130

Now.

448

00:25:02,160 --> 00:25:06,510

Let's, let's say in our world, there's

a big lamb list on this tree that was

449

00:25:06,510 --> 00:25:10,430

Ray on the out wherever there it comes.

450

00:25:12,650 --> 00:25:14,660

Just give him all kinds of character.

451

00:25:18,480 --> 00:25:22,700

Yeah, wherever you want it, wherever,

just sort of look at your tree and make

452

00:25:22,700 --> 00:25:24,530

a big decision where you think they live.

453

00:25:28,010 --> 00:25:32,150

There are a few on this tree here.

454

00:25:32,510 --> 00:25:33,650

We don't want him left town.

455

00:25:35,870 --> 00:25:36,620

There we go.

456

00:25:38,660 --> 00:25:40,160

There's one, it comes right across.

457

00:25:42,330 --> 00:25:42,480

No,

458

00:25:46,320 --> 00:25:48,689

they're just all kinds of

little things that are going on.

459

00:25:48,689 --> 00:25:51,120

Maybe here's one you're right.

460

00:25:51,899 --> 00:25:52,560

Wherever you want.

461

00:25:54,179 --> 00:25:55,770

This one comes right across all of them.

462

00:25:58,649 --> 00:26:02,370

There's another one it's

just here and there.

463

00:26:03,000 --> 00:26:04,230

Spend some time with a tree.

464

00:26:05,025 --> 00:26:05,535

Look at it.

465

00:26:05,535 --> 00:26:07,035

Talk to it, make friends with it.

466

00:26:07,875 --> 00:26:10,995

They'll give you an idea of

how a lot of these things look

467

00:26:11,325 --> 00:26:12,315

and I get that go in here.

468

00:26:12,405 --> 00:26:14,025

Put a little stick

right there at the heck.

469

00:26:15,675 --> 00:26:19,875

Now, then maybe there's a few

leaves left on these trees.

470

00:26:19,935 --> 00:26:21,435

Not many, just a few.

471

00:26:21,435 --> 00:26:24,495

I'm going to go into CAD yellow.

472

00:26:25,470 --> 00:26:27,270

Quite a bit of it is correct up here.

473

00:26:27,840 --> 00:26:31,889

I just want to put the indication of a

few leaves that are still hanging on.

474

00:26:31,889 --> 00:26:35,910

Maybe most of these, maybe the

wind came back as blown most of

475

00:26:35,910 --> 00:26:37,290

them away, but there's a few here.

476

00:26:38,520 --> 00:26:43,200

So we just take almost straight

CAD yellow, put a few happy little

477

00:26:43,200 --> 00:26:44,250

leaves that are hanging in there.

478

00:26:45,060 --> 00:26:45,510

Literally.

479

00:26:45,840 --> 00:26:46,050

Hmm.

480

00:26:47,399 --> 00:26:48,120

There we go.

481

00:26:50,010 --> 00:26:51,300

Okay, but a few over here.

482

00:26:53,580 --> 00:26:56,280

And I think we've asked you

to finish painting shoot.

483

00:26:58,320 --> 00:27:01,890

There we are coupled there.

484

00:27:04,080 --> 00:27:06,690

I think we'll call that

son of a gun finished hope.

485

00:27:06,690 --> 00:27:08,400

You've enjoyed it from all of us here.

486

00:27:08,460 --> 00:27:09,240

Happy painting.

487

00:27:09,630 --> 00:27:10,500

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S15E11 - Pathway To Autumn

Bob Ross's

The Joy of Painting

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