Bob Ross's

The Joy of Painting

S11E07 - Lakeside Path

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Glad you could join me today.

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You ready to do a fantastic

painting together?

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Well, let's get started.

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Let's have him graphically run all

the colors across the screen that

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you need to paint along with me.

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And while they're doing

that, let's go on up here.

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We've got the canvas set up.

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We have it covered with a thin

even coat of liquid white and it's

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already, so let's get started.

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Let's start out today

with a two inch brush.

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Go right into a little tiny,

tiny bit of the fellow blue.

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And we'll reach over here and we'll

grab a little bit of the midnight black,

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and then I'm going to go down here and

at least little touch of yellow ochre.

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So we have blue, black,

little yellow, correct.

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Let's go right up to the canvas here and

let's put us in a happy little sky today.

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Just use a little crisscross strokes, let

it just sort of float across the canvas.

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Just make all those happy little things.

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Maybe skip a space and

then we'll come down here.

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It would have a cloud or two in there.

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Just sort of skip a space.

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I can go for, I don't like it.

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Okay.

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Why we have that brush going,

put a little water today.

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We're going to do the

little animated opening.

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That's the little painting that you see

go Fitbit at the beginning of the show.

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So I'll show you how that was done.

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All right.

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There's a little water in it.

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So we want a little touch

of water right here.

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And this may not be an exact

duplicate of the opening, but

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it'll show you how it was made.

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They give me quite a bit of

time to paint that and then some

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fantastic people animate it.

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They do that one frame at a time,

so it just sort of comes alive.

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There we go.

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Okay.

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And that'll be our water right in there.

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Alrighty, I'll wash the brush,

give it a good scrub, shake it off.

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Beat the devil out of it.

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Cover everybody in the studio here.

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I'm gonna go right into.

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Right into titanium white pulled

at burst through the paint.

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I get a lot of paint on it.

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It must make a happy

little cloud up in the sky.

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Go right up here and we'll

just work in a little cloud.

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I don't want a big bright cloud.

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Just want a tiny little cloud

floats right around here and have

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some fun just sorta working, man.

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This is just straight

titanium, white little circles.

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See you there and we'll have another

little cloud lives right here.

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Clouds just sort of float

around and have fun.

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So they're free.

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They're really free.

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They were

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that quick, that quick, we have

a happy little cloud in the sky

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now have clean brush and I have

several of each brush go inside.

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I'll have to spend a lot of

time washing all of them.

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Just blended out a little,

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little circles, give it a fluff.

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And if you remember that little painting

at the beginning of each show, there's

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not a whole bunch of Scott's going

to be left short, so we don't have

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to worry a great deal about it today.

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Knock off the.

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Excess paint there blended out

and we're ready to go that quick.

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We have a happy little sky now then

make some little background trees for

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that, or we'll take a little touch of

pressure and blue midnight black shoot

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with her, a little Brown in there too.

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A little touch of the yellow ochre,

just a small amount of the ochre.

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It'll turn green on you.

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And let's pull a little bit out into that.

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I'm going to add titanium white.

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There we go.

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Maybe a little more white,

just like so that's good color.

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Okay.

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Clean off my knife here today.

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Let's use the old fan brush.

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We're loaded, full of paint.

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A lot of paint, both sides.

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Yes, correct pier.

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And we had some little background

evergreens, just start off, take

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the brush and just sort of work

back and forth, back and forth back.

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But in the centers you can put

in as many or as few as you want.

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And then come back, add easy and

turn all those little, little

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sticks into happy little evergreen.

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So these are far away.

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So you're not looking for

a lot of detail back here.

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No looking for a great deal there.

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And, Oh, there's another one.

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There is another one.

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And you could make these with a

one inch brush works very well.

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Two inch brush there, same, same way.

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Just load the brush to a

chisel edge and take off.

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There we go.

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Let's have one more right there.

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What the heck?

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There's so much fun.

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You start to get carried away

with them that easy, that easy.

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You can make a whole little forest.

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Now we can tap that.

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Just tap it,

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give it a little upward lift.

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It'll create the illusion of mist and fog.

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All kinds of pretty little things.

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Take the same color.

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I'm going to add a little touch

of the little touch of the van.

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Dyke Brown to it, tiniest little

mountain, tap the brush into it.

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Just go right up here there, and we'll

make a little, a little bit of land

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comes right down through there, and

this helps sorta push everything back.

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It creates another plane in your painting.

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Creates that illusion of depth

that we talk about all the time.

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That's very important in painting.

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Now we have this on the brush,

grab it, just pop it straight down.

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Just give it a snap.

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See there some over here then very

lightly, very lightly go across.

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Hmm.

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And we have instant reflections that easy.

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Okay.

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Adam, let me take a little liquid

height, pull that out, cut across it.

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And let's go right up here

and we'll just cut a sand.

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You I'm using a very firm pressure here.

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We'll just cut in some happy

little water lines that easy.

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There we go.

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Another one right in here, wherever you

want them to go and maybe see, look here.

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We know there's going to be a tree there.

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So you can put one there and it'll look

like, or something happened there, but

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you don't have to waste a lot of time.

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You'll understand a little

better when we go further.

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It'll make sense.

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I'm not, I'm not totally crazy.

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Sometimes I doubt it.

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There we go.

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Now there, we can begin

building on to this.

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So let's take.

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Take a two-inch brush.

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I'm gonna go right into some

Vandyke Brown, little dark Sienna.

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Just sort of work them together.

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Maybe pick up a little black.

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What the heck, whatever makes you happy.

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We're looking just

basically for a dark color.

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Okay.

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I ran up in here.

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We had a Bush tree starts out as

a Bush, and if it gets big enough,

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then we'd call it tree and trees

will cover up a multitude of sins.

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There.

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Your friends

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brings that whole corner

together that easy.

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A little more of the color.

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See, now that projects out and

it makes it look like it goes

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back around that easy sneaky.

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Huh?

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While we have this on the brush, once

again, let's just tap it downward and

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we can create, we can create a happy

little reflection that easy, that easy.

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I used to be a traditional painter.

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I would work.

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It's hard making these

reflections, as you can believe.

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I had worked myself to death.

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Try to make them shoot reflections

are one of the nicest things

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that happens now, going back into

that good old dark color, ms.

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Come right in here.

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Let's have a little name comes out.

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See it right there.

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Right there.

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Just drop it right here.

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She would probably have an old Briscoe.

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I miss just keep going here.

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Just keep it going.

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There was a big, strong tree.

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It lives here.

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Sometimes you can get carried away

and just cover up the whole canvas.

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And that's all right.

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As long as you practice, because

if there's a secret to painting,

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it certainly is practiced.

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That's the only secret there.

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Yes, because we show you everything

you need to know here to do.

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Fantastic paintings.

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All you need to do is take what we

give you practice a little bit and

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just do all kinds of unbelievable

things straight down, across, and that

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quick we have happy little reflection.

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Nah, I don't want to take

here's my other brush.

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This was the Sable color we

made these trees out of it.

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Let's just come back in here, behind

here in case some of this shows

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through would make the indication

that distant, distant trees.

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These are far, far away.

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A couple of those may show

through a couple of them.

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May not.

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We may just cover them up.

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Who knows?

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We'll take some Brown.

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Yeah, it's come right in here and

we can just shoot, we can just paint

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this on this, like, was painting barn

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painted off?

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This is going to be our path.

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Remember it was a little

path in there just like, so.

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We had all kinds of happy little

things growing along the way.

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Yeah.

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It's and all we're doing here

is just blocking in color.

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We're just blocking it and we'll

come back and put all the little,

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the little highlights and the

little, little sparklers in there.

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Now the little tree lives right there.

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See you there.

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That quick, you can block

in an entire painting.

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And all we're doing is just putting

in the dark, gotta have the dark.

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So the light will show,

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right.

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Maybe maybe, maybe,

maybe right down in here.

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I want that to be good and dark.

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There's a lot of shadows under there.

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Lot of shadows.

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Okay.

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We're moving right along here.

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This was a fun little painting.

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I liked this painting.

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Take the liner brush with center on it.

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Go right into her Vandyke Brown.

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You want this paint to be thin

then like ink, pull it out, turning

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it and bring it to a nice point.

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Okay.

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Now then let's go right in here and

just put the indication here and

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there of a happy little tree truck

and a lamb or two here and there.

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Like, so there we go.

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There one there.

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Wherever, wherever, wherever, tell you

what maybe I think there was, yeah, there

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was a big tree they had right there and

we just pull that right straight down.

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Then let's put a few little limbs on it.

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Like that fair there.

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Say he's those little limbs are, and

you put as many, or as few as you

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want in there, this is your tree.

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So you have to make the big decision.

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Are there a few limbs, a lot of

limbs, no limbs, whatever, any

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way you want it, you can do it.

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You can do it just like so, and you

could even, even in here, I see most

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of these will be covered up, but

maybe a couple of more show through.

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And it looked like you have all kinds

of little details in your painting.

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And when I'm doing these,

sometimes I pull down.

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Sometimes I pull upward just

whichever way feels right.

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Whichever way works for you.

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That's the way it's doing.

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That's the way there is one.

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See, I'll get a little stiff X and nails,

but let them get smaller as they go back.

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And it creates already you're beginning

to see distance in this painting,

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all ready just by putting those few

little sticks and twigs, you look

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like you could go back in there.

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And we've only peddled around

here for just a second.

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Jamie wash the old liner brush

off and let's begin playing here.

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Okay.

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Grab the two inch brush.

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Let's go into some yellow and

some yellow Volker reach over

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here and grab it, touch it.

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Touch of the brain rant and

load the brush full of painter.

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Just tap it, tap a tap and

let's go right back up here.

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Let's begin putting some beautiful

fall colors on some of these trees.

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See all you do.

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Just use the corner of the brush

and make little clumps little.

254

00:13:43,585 --> 00:13:44,475

Little patterns here.

255

00:13:44,475 --> 00:13:50,445

Don't just hit it random and sort of think

about what you're doing and look at it.

256

00:13:50,445 --> 00:13:51,345

See the little clumps.

257

00:13:51,705 --> 00:13:53,225

That's what separates the two tree.

258

00:13:53,825 --> 00:13:58,325

It gives it individuality, practice

that a little bit because that's what

259

00:13:58,325 --> 00:14:02,945

will make your tree stand out and

really make it spectacular down here.

260

00:14:03,125 --> 00:14:08,375

We have all kinds of little

bushes, just all kinds of shoes.

261

00:14:08,405 --> 00:14:09,125

Here's a nice one.

262

00:14:10,050 --> 00:14:13,260

And you do layer after layer,

after layer do one Bush at a time.

263

00:14:13,260 --> 00:14:16,380

Don't get in a big hurry and

try to do them all at once.

264

00:14:17,910 --> 00:14:18,630

There you go.

265

00:14:18,900 --> 00:14:19,240

I didn't do.

266

00:14:19,260 --> 00:14:19,890

You could do it.

267

00:14:21,480 --> 00:14:22,350

No, you could do it

268

00:14:27,390 --> 00:14:31,680

now once in a while, dip your brush

into a little bit of paint thinner.

269

00:14:31,770 --> 00:14:34,860

That'll thin your paint down

and make it stick easier.

270

00:14:34,860 --> 00:14:37,740

If you want to break, like here,

put some very bright highlights.

271

00:14:38,280 --> 00:14:41,430

Like that little boy stand out,

just dip in a little thinner.

272

00:14:41,430 --> 00:14:42,780

So it sticks nice and easy.

273

00:14:46,170 --> 00:14:52,770

And wherever you have to make those big

decisions ended, maybe over here, there's

274

00:14:52,770 --> 00:14:56,520

some more, see all those little things

275

00:14:59,880 --> 00:15:00,569

I have to go away.

276

00:15:00,569 --> 00:15:00,930

There you go.

277

00:15:04,020 --> 00:15:06,540

Maybe back in here now I want

these to be very loose because

278

00:15:06,540 --> 00:15:07,620

I don't want to lose all those.

279

00:15:08,400 --> 00:15:10,170

See all those little

sticks, create distance.

280

00:15:10,200 --> 00:15:11,069

I don't want to lose those.

281

00:15:11,069 --> 00:15:12,510

These are very loose.

282

00:15:14,189 --> 00:15:15,180

They're just little things.

283

00:15:15,180 --> 00:15:16,560

Just sort of floating around back here.

284

00:15:16,560 --> 00:15:20,569

We don't even see exactly what

they're connected to, right.

285

00:15:20,580 --> 00:15:26,880

Those pretty, and you can do all of

this with just a big old two inch brush.

286

00:15:28,590 --> 00:15:31,140

You can also do it with a one

inch brush or the round brush.

287

00:15:33,150 --> 00:15:35,910

Just wanted to show you the, what

you could do with a big brush.

288

00:15:36,090 --> 00:15:37,410

Ooh, there's a nice sparkler.

289

00:15:37,500 --> 00:15:38,850

That's pretty son of a gun.

290

00:15:40,350 --> 00:15:40,800

Look at that.

291

00:15:41,370 --> 00:15:44,010

Let's see it work forward, forward,

forward, forward, always coming

292

00:15:44,010 --> 00:15:50,490

forward, always working forward

layer after layer Bush after Bush.

293

00:15:52,440 --> 00:15:54,660

And that's how you create the

distance in your painting.

294

00:15:55,290 --> 00:16:00,270

I know you're tired of hearing

me say that, but that's okay.

295

00:16:00,569 --> 00:16:04,199

To me is what, what makes good paintings,

paintings that have distance and depth.

296

00:16:04,199 --> 00:16:07,319

And I look for that in paintings.

297

00:16:10,020 --> 00:16:13,949

There we go there.

298

00:16:14,640 --> 00:16:18,000

See that look how much distance

is showing there, just because we

299

00:16:18,000 --> 00:16:19,979

layered it and went back, back, back.

300

00:16:21,569 --> 00:16:21,810

Okay.

301

00:16:21,870 --> 00:16:22,829

Let's put some dirt in there.

302

00:16:22,859 --> 00:16:24,380

We need something for all that to sit on.

303

00:16:24,839 --> 00:16:28,949

Don't want to fall in the water and

make a big splash just plain or.

304

00:16:29,460 --> 00:16:30,480

Van Dyke Brown here.

305

00:16:31,830 --> 00:16:32,250

Look at that.

306

00:16:32,310 --> 00:16:36,090

Just start to bounce it along at

the canvas, pull off what it wants.

307

00:16:36,090 --> 00:16:36,780

It'll give you back.

308

00:16:36,780 --> 00:16:40,680

What's left wherever you want it to be.

309

00:16:42,290 --> 00:16:48,030

You can do it and we'll take some white,

a little dark Sienna, a little touch

310

00:16:48,030 --> 00:16:51,569

of blue and just mix it a little bit.

311

00:16:51,600 --> 00:16:53,370

Don't overmix it just, just enough.

312

00:16:53,580 --> 00:16:56,280

So that sort of marbly, and then

you can go up here and just sort of

313

00:16:56,280 --> 00:16:58,530

let this bounce along and play in.

314

00:16:59,955 --> 00:17:05,655

Create all kinds of little things, looks

like little stones and Hills and bumps.

315

00:17:10,714 --> 00:17:10,895

Okay.

316

00:17:11,464 --> 00:17:15,964

Just wherever, wherever, and maybe

where you live, maybe stones and

317

00:17:16,025 --> 00:17:18,095

rocks and dirt is a different color.

318

00:17:18,395 --> 00:17:20,555

So you change the colors

to match what you want.

319

00:17:21,425 --> 00:17:24,425

All we want to do here is show

you how, what you do is up to you.

320

00:17:26,815 --> 00:17:27,425

Painting is.

321

00:17:27,839 --> 00:17:31,650

Oh, it's not, it's an individual

thing and it should make you

322

00:17:31,650 --> 00:17:35,370

happy, should set you free.

323

00:17:37,980 --> 00:17:41,100

And I think if you're like me,

we're all looking for freedom.

324

00:17:42,750 --> 00:17:46,170

We're looking for an escape

someplace, someplace.

325

00:17:46,170 --> 00:17:46,830

It's nice.

326

00:17:47,250 --> 00:17:48,180

There's no pollution.

327

00:17:48,570 --> 00:17:49,380

Nobody's mad.

328

00:17:50,640 --> 00:17:51,570

It's a happy place.

329

00:17:52,680 --> 00:17:53,790

It's a happy place.

330

00:17:55,470 --> 00:17:56,460

And that's what you create.

331

00:17:56,805 --> 00:17:58,905

On your canvas is a happy place.

332

00:18:00,375 --> 00:18:05,415

Talk too much and brush a little

SAP green and throw in there.

333

00:18:07,005 --> 00:18:07,725

Yeah, yellows.

334

00:18:07,965 --> 00:18:10,935

Just whatever happened down

here, low loaded brush photos.

335

00:18:10,935 --> 00:18:15,525

Go up here now then let's

follow right down there.

336

00:18:16,275 --> 00:18:17,235

Just push upward.

337

00:18:17,955 --> 00:18:18,225

I see.

338

00:18:18,495 --> 00:18:19,485

Use the corner of the brush.

339

00:18:19,545 --> 00:18:20,415

You use the whole brush.

340

00:18:21,075 --> 00:18:22,395

You're going to get smiley faces.

341

00:18:24,105 --> 00:18:25,395

You start getting smiley faces.

342

00:18:25,425 --> 00:18:27,125

Turn your brush more to the corner.

343

00:18:29,705 --> 00:18:34,355

One more to the corner, Kenny, over

here, putting in a few little things.

344

00:18:34,715 --> 00:18:35,795

It let's put some dirt over here.

345

00:18:35,855 --> 00:18:37,115

This side's getting left out

346

00:18:40,685 --> 00:18:41,075

there.

347

00:18:41,075 --> 00:18:43,685

It goes see you there.

348

00:18:46,445 --> 00:18:48,755

And maybe some of it snakes

right on, back up in there.

349

00:18:51,000 --> 00:18:56,639

Some highlights, dark Sienna, white,

little touch and blue here and there.

350

00:18:56,909 --> 00:18:57,800

Very little blue though.

351

00:18:58,469 --> 00:19:00,000

Just want a gray at the blues.

352

00:19:00,000 --> 00:19:07,560

Just, just a great, just a great

little liquid white come right in here.

353

00:19:08,639 --> 00:19:12,030

See there, put a little

water line under their shoe.

354

00:19:12,629 --> 00:19:15,389

You can do that quick.

355

00:19:16,469 --> 00:19:17,250

And we come right in.

356

00:19:17,805 --> 00:19:23,015

Or their fan brush and bring

all this together and then Nate.

357

00:19:25,325 --> 00:19:25,865

Okay.

358

00:19:29,225 --> 00:19:29,945

All right.

359

00:19:29,945 --> 00:19:31,415

I feel a little bushy is hanging over.

360

00:19:34,205 --> 00:19:36,935

I mean, there's a couple of the

little things that live right here

361

00:19:37,655 --> 00:19:44,735

and just sort of hang over wherever

you want, wherever you want.

362

00:19:49,365 --> 00:19:50,865

Okay, tell you what let's do.

363

00:19:52,034 --> 00:19:55,185

Let's play with a path now.

364

00:19:55,935 --> 00:19:57,764

I want to make it look like

there's a little bit of light.

365

00:19:57,764 --> 00:20:00,585

It's just zinging through here

and hitting right back here.

366

00:20:00,615 --> 00:20:03,225

So I'm going to use almost pure

white cause it'll mix with the Brown.

367

00:20:05,024 --> 00:20:08,534

You don't mix with the Brown and

then I'll get darker, darker, darker.

368

00:20:08,534 --> 00:20:09,314

As it comes around.

369

00:20:09,945 --> 00:20:12,495

I want to add a little touch

of dark Sienna in there.

370

00:20:12,825 --> 00:20:14,264

Start blending that all together.

371

00:20:16,125 --> 00:20:17,595

Maybe a little light

zinging through there.

372

00:20:18,195 --> 00:20:19,545

That's one of them happy accidents

373

00:20:22,695 --> 00:20:22,995

there.

374

00:20:25,185 --> 00:20:29,085

See, just bring it right out like that.

375

00:20:29,925 --> 00:20:37,515

Now that now then let me take him, wash my

fan brush, dry it off on the paper towel.

376

00:20:38,235 --> 00:20:39,165

Now very lightly.

377

00:20:39,225 --> 00:20:40,785

Just want to barely touch it.

378

00:20:41,145 --> 00:20:42,375

Just caress the canvas.

379

00:20:42,794 --> 00:20:44,225

I want to just bring all this together.

380

00:20:44,254 --> 00:20:46,575

This is a thick paint, so you

can do this and get away with it.

381

00:20:47,865 --> 00:20:50,745

See, see how smooth it brings it all in.

382

00:20:53,315 --> 00:20:55,415

Without destroying you,

don't lose all these things.

383

00:20:55,625 --> 00:20:56,995

You just blend them in and soften.

384

00:21:00,725 --> 00:21:01,054

Okay.

385

00:21:01,115 --> 00:21:02,135

Now then we can go back.

386

00:21:03,695 --> 00:21:03,784

Okay.

387

00:21:03,905 --> 00:21:07,054

Let's bring all kinds of little

happy bushes at hang right over

388

00:21:07,054 --> 00:21:10,264

the path and that'll push the

path right down into the painting.

389

00:21:10,835 --> 00:21:11,554

So it fits.

390

00:21:14,040 --> 00:21:14,399

Stay there.

391

00:21:16,260 --> 00:21:18,629

And now, now you feel

like it belongs there.

392

00:21:20,610 --> 00:21:21,389

There we go.

393

00:21:24,020 --> 00:21:28,969

And you can put as many or

as few or whatever shoe on.

394

00:21:28,969 --> 00:21:31,790

I got this breast quite on my head,

a little, little red, so I don't

395

00:21:31,790 --> 00:21:34,490

make an orange color back up in here.

396

00:21:34,850 --> 00:21:39,530

Just barely touching that's one to put

the indication of all kinds of little.

397

00:21:40,469 --> 00:21:42,719

Little things happening

back up in this big tree.

398

00:21:43,379 --> 00:21:44,129

There they go.

399

00:21:45,330 --> 00:21:45,689

See him.

400

00:21:47,510 --> 00:21:48,409

Just little indications.

401

00:21:48,409 --> 00:21:49,969

We're not looking for

a lot of detail here.

402

00:21:51,020 --> 00:21:53,629

Most of this also be covered up

because they're going to put some

403

00:21:53,750 --> 00:21:55,610

big, fantastic trees in there.

404

00:21:56,929 --> 00:21:57,649

Big old trees.

405

00:21:59,870 --> 00:22:02,090

I'm going back into some dark paint.

406

00:22:02,419 --> 00:22:08,330

This is the blue and black little tiny

bit of SAP green on the fan brush.

407

00:22:09,450 --> 00:22:10,200

And the opening.

408

00:22:10,230 --> 00:22:14,160

We had a little evergreen that lived right

here, I believe right about in there.

409

00:22:15,570 --> 00:22:17,010

So we just dropped him right here.

410

00:22:17,490 --> 00:22:20,490

He lives right in front

of that tree like that.

411

00:22:23,220 --> 00:22:28,530

And a little tree trunk only.

412

00:22:32,550 --> 00:22:34,620

We can put a few little

grassy things in front of him.

413

00:22:34,620 --> 00:22:36,060

That'll push it back into the painting.

414

00:22:38,340 --> 00:22:38,939

Okay.

415

00:22:40,620 --> 00:22:45,479

Let's do some, let's do some big trees

to that time to really get crazy in here.

416

00:22:47,010 --> 00:22:48,929

Vandyke Brown on the fan brush.

417

00:22:48,989 --> 00:22:49,860

A lot of paint.

418

00:22:51,030 --> 00:22:51,810

Let's go right up here.

419

00:22:53,189 --> 00:22:53,639

Okay.

420

00:22:56,979 --> 00:22:58,699

If you don't make it noise, it won't work.

421

00:22:58,879 --> 00:23:05,060

There's a one tree there or one

tree and you can put as many or

422

00:23:05,060 --> 00:23:05,989

as few as you want here, though.

423

00:23:06,660 --> 00:23:11,580

Big sign of a guy, big

old tree, big old tree.

424

00:23:12,899 --> 00:23:13,830

And we'll give him a friend.

425

00:23:17,270 --> 00:23:21,740

Great big tree right over here.

426

00:23:22,399 --> 00:23:23,120

One more tree.

427

00:23:24,080 --> 00:23:24,230

Okay.

428

00:23:27,560 --> 00:23:33,470

Let's take some titanium white and

just crab this, pull it right around.

429

00:23:35,370 --> 00:23:35,850

See here.

430

00:23:38,640 --> 00:23:39,420

There we go.

431

00:23:41,320 --> 00:23:45,480

Let's put some bark on

that tree to bark on it.

432

00:23:45,930 --> 00:23:50,610

Some adults have sparked some on that one.

433

00:23:54,430 --> 00:23:57,990

Give it a poll here,

some on this tree here.

434

00:23:59,985 --> 00:24:03,345

Up, we go some on the other side

435

00:24:06,435 --> 00:24:12,765

like that, and you can just

work it together there.

436

00:24:14,375 --> 00:24:19,445

Now back to our liner, brush

back to our liner brush.

437

00:24:19,505 --> 00:24:21,995

We'll go right into van Dyke

breath, and let's put a few

438

00:24:21,995 --> 00:24:23,255

little lambs on these trees.

439

00:24:23,255 --> 00:24:23,825

Here we go.

440

00:24:24,995 --> 00:24:27,425

You want this paint to be very, very thin.

441

00:24:28,740 --> 00:24:29,880

Almost like water.

442

00:24:31,560 --> 00:24:37,080

You want it so thin that it just

flows and drop in however many

443

00:24:37,080 --> 00:24:40,830

limbs you want just drop them in.

444

00:24:42,510 --> 00:24:47,910

You know, I'd like to thank all the

people who have wrote sent us cards and

445

00:24:47,910 --> 00:24:52,800

letters and we get, we get hundreds of

ideas from people all over the country.

446

00:24:52,800 --> 00:24:54,870

They send us photographs or.

447

00:24:55,350 --> 00:24:57,930

Or postcards or stuff

they'd like to see painted.

448

00:24:58,290 --> 00:25:00,660

And that's where a lot of the

ideas for these paintings come

449

00:25:00,660 --> 00:25:03,060

from is from people all over.

450

00:25:05,160 --> 00:25:06,390

And I use those ideas.

451

00:25:06,510 --> 00:25:09,150

I'd like to hear what it

is that you want painted.

452

00:25:09,660 --> 00:25:13,830

Let us know if you don't

tell us, we have to guess.

453

00:25:16,220 --> 00:25:16,510

Yeah.

454

00:25:18,210 --> 00:25:20,090

See you there on the paint stand.

455

00:25:20,090 --> 00:25:23,930

You can just put as many of these

energy on just drop them in.

456

00:25:27,030 --> 00:25:27,390

There.

457

00:25:28,790 --> 00:25:30,890

And we don't want this

little tree to be left out.

458

00:25:32,450 --> 00:25:34,580

Give him a few little limbs out here.

459

00:25:36,230 --> 00:25:38,750

Now these sort of looked like Birch trees.

460

00:25:39,860 --> 00:25:43,370

And if in your painting, you

want them to be Oaks or whatever.

461

00:25:43,670 --> 00:25:45,440

Maybe you wanted Maples in your tree.

462

00:25:45,470 --> 00:25:46,490

So it looks like urea.

463

00:25:47,330 --> 00:25:50,990

Do that, put them in your world

and you really can do anything.

464

00:25:52,635 --> 00:25:57,015

I'm gonna take a little white and put in

a few little, don't do words right here.

465

00:25:58,695 --> 00:26:00,225

Look like little sticks and twigs.

466

00:26:01,605 --> 00:26:09,195

Janice has put them in the sea that

easy you can put in all kinds of Nana,

467

00:26:11,675 --> 00:26:13,215

a little bit, paint off my big brush.

468

00:26:14,535 --> 00:26:15,315

I'm going to go right in.

469

00:26:15,315 --> 00:26:15,845

Let me get a little.

470

00:26:16,274 --> 00:26:17,715

Little paint then on my breast.

471

00:26:17,715 --> 00:26:24,435

So to paint STEM, kid yellow, just tap

my big brush and let's go in here and

472

00:26:24,555 --> 00:26:29,915

drop in some beautiful, beautiful little

leaves that are just on these trees here

473

00:26:30,245 --> 00:26:32,315

and just use the very corner of the brush.

474

00:26:34,055 --> 00:26:35,375

Put in as many as you want.

475

00:26:36,335 --> 00:26:41,825

Here's some over here that float around

wherever you think they should be.

476

00:26:43,264 --> 00:26:44,915

And the old clock on

the wall is telling me.

477

00:26:45,660 --> 00:26:46,770

I better stop for today.

478

00:26:49,200 --> 00:26:50,940

So I just dropped in a few more leaves.

479

00:26:53,820 --> 00:26:56,010

Tell you how much I enjoyed

painting this for you today.

480

00:26:57,570 --> 00:27:00,480

And I look forward to seeing you

again and from all of us here.

481

00:27:00,960 --> 00:27:01,680

Happy painting.

482

00:27:01,860 --> 00:27:02,430

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S11E07 - Lakeside Path

Bob Ross's

The Joy of Painting

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