Bob Ross's

The Joy of Painting

S09E10 - Country Charm

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Welcome back.

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Glad to see you this time, tell you what

let's start out and have them graphically

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run all the colors across the screen

that you need to do this painting.

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And we'll go on up here and get started.

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I have my standard old 18 by 24

inch canvas up here, and it's all

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covered with a liquid white and

slick, and it's all ready to go.

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So let's do the same thing today.

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Today.

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I think I start out with a

little touch of fellow blue.

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And we'll just work it

into a two inch brush.

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And to that, I'm going to

add some midnight black.

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So we have the little blue and the

midnight black, tap it into the bristles.

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You're looking for a nice even

distribution of color there.

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You can see it all the way

through the bristles by tapping.

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That'll help assure that happens.

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Let's go right up here.

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Let's have some big fluffy clouds in

this painting and I like to make clouds.

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So that's a lot of fun.

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Go.

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Right up here and begin making

little crisscross strokes, just

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sort of bounce them around.

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I don't play chess, like so little Xs,

little access, maybe right in here.

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I'm just going to sort

of leave some areas open.

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And in those open areas, we'll go back and

we'll just sort of slip in some clouds.

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So just sort of think about maybe

who you want for you once you clouds

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to be and leave that area open.

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Maybe they'll have another little cloud

that lives right in there somewhere.

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All right.

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Just some happy little things like it.

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and I want this guy maybe to be a

touch darker than normal, because I

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want the clouds in this particular

painting to be very bright.

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Really stand out.

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So the way to do that is to make

your sky a little darker than normal

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little touch darker, and we don't

want to turn it into midnight darker.

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Okay.

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Now there are several ways

to make happy little clouds.

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Now we could just go back in

here with, with white paint.

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And drawing some beautiful,

fluffy little clouds, but maybe

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today I'll play a little bit.

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I'll go into some of the midnight

black and I'm going to reach right

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down here, get some bright red

and go into the black with it.

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So I have bright red and midnight black.

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Just mix them right on the brush.

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Just, just tap it.

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Can you just go right up here

now, then this is where you have

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to start making some decisions.

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Where does your little

clouds live or big clouds?

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We're going to have.

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He was just a corner of the brush

and tight little circular patterns,

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little circular strokes, and just

lay in where you think, where

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you think the shadows will be.

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And by putting these dark shadows in

here, it'll once again, make your light

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colors, just really jump out and sparkle.

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You need dark in order to show

light, painting is nothing but

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games of dark against life, light

against dark, back and forth.

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We'll put a few little things

right in here, just like, so, okay.

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Let me wash the brush.

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Hey, once again, we use odorless thinner

to wash your brushes, shake that off

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and just take out all your frustration.

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It's like, yeah, you can just

beat the devil out of it.

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Added on use a one inch

brush and go right in.

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Two titanium white.

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I'm going to reach down here and grab

a little touch of the bright red mix

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it right in Paul was pressuring one

direction, load, a lot of pain into it.

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A lot of paint cask right up here.

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Now, then now they're

using little circles.

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Again, again, laying in some basic

cloud shakes that you really need

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to sort of look at your shapes here.

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Don't just throw a bunch of

white paint on the canvas.

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And hit it with a brush and

expect clouds to appear.

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Yeah.

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You have to sort of plan these clouds,

sorta look at, look at what you have and

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think about the shapes that you want.

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And remember the clouds, maybe, maybe

you're one of the freest things in nature.

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They just float around the

sky and have a good day.

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Sarah, just in tight little

circles, lay in the basic shapes.

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Very very basic.

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There we go.

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And if you pick up too much of the other

color, clean your brush, there's no rule

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that says you can't clean your breasts.

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Several times.

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The only rule that we have

is that there is no rules.

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You do whatever, whatever works for you.

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We just want to show you how to

make some of these effects work.

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The way you make them work is up to you.

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If you've watched some of the other

shows, we've shown you some, some

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of the fantastic paintings of people

all over the country, you do it.

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And they take the basic idea and adapt

it to their situation for their area.

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And, Oh, it's unreal.

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It's unreal.

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Some of the beautiful, beautiful

paintings people are doing, and we get

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letters all the time from people that say

never painted before in my entire life.

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Till I started watching your show and

you made it easy and that it makes all

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this worthwhile because it does work.

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I have one friend who is 90 something

years old and she just started

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painting and she, she tells me

she started a whole new career.

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She just had her first one,

man art show or one lady art

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show, I guess you'd call it.

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But yeah, I think she's 94 now.

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And that beautiful age

to start a second career.

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Now I'm beating the brush on

the, on the ladder here just

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to take out the excess paint.

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So I don't have to go

through and rewash the brush.

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We're making some big,

fantastic clouds today.

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Can you add in with a clean, dry brush?

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We want to fluff these clouds.

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So grab them and just lift up.

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And big circular strokes.

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Don't lift straight up or to look

just like a term, like is raining up.

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That'll sort of bother

you in the paintings done.

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There we go.

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Fluffy clouds point there maybe

there's a storm on the way then with

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a clean dry brush, very gently, very

gently just blamed the entire sky.

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All you're doing here

is caressing the canvas.

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Just, just graze it just enough

to take out the brush strokes.

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Hey,

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we can have some fun.

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Let me wash off this brush.

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Give it a good shake.

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I just liked to beat the

brush has a lot of fun.

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And when you're doing this at

home, I really recommend you.

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You don't do this in your living room.

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You start beating that brush.

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You're going to redecorate

your whole house.

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And just a matter of a minute or

two, probably one of the best little

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things going as what what's made to

go in a garbage can is called a brush.

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Beader record, pick you up.

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One of those.

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Put it in the bottom of a garbage can and

it will not only save you save your house.

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It'll probably save your marriage.

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There we go.

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I'm mixing up a little bit of the

midnight black with yellow ochre,

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midnight black, and the yellow ochre.

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Maybe we'll add a little

bit more blue to that.

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I want a little blue issue in there.

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There we go.

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A little darker than I want.

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So I'll put some white with it.

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Okay.

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We're getting a nice little color there.

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All right, let's go right up in here.

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Let's put some happy little, some

happy little Hills back here.

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And all I'm gonna do is take the

fan brush and just tap just halfway

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there and use the roundness of

the fan brush to your advantage.

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And it makes those nice

little nice little Hill tops.

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I'm tapping and sort of pulling

downward just a little bit.

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Let's see all those nice

little nice little Hills.

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There we go,

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let them float on off

maybe to about there.

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And then we can begin putting

some shape in this way.

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This is a super way to make the

beautiful, beautiful Hills that you have.

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Oh, like in the Carolinas

and all down that area.

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Got it.

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She has a pretty country in there.

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Beautiful cadre did some classes in

there and spend some time in that only

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there's some of the most fantastic

people in the country in that area, but

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the scenery Oh, scenery is on a real,

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spent about a week.

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And for, was it Asheville somewhere

around Asheville, some of the

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most beautiful country and.

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Beautiful people now, then you can lift

gently upward here and there and it'll,

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it'll make it look like little trees.

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We, we back in the distance, tiny

little strokes, tiniest little strokes,

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barely, barely caressing the canvas.

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Now then I want to create the illusion

of miss down here at the base of

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this off of my two inch brush.

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I'm striking quite hard with

a tough part of the brush.

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Really get in there and take out all

your frustrations, but just the beast.

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I just want to cause a Misty.

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Are you here?

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I don't want to ruin these.

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Let it fade right into the

liquid white right into nothing.

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So then it just literally just disappears

and then very lightly, very lightly.

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Give it little upward

lifts here and there.

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Okay.

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Maybe I'll tell you what let's do.

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Let's put another layer

of footie Hills in there.

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I had a little more of the yellow ochre.

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Did that and load that fan brush full.

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Just loaded for, okay,

let's go right back up here.

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Maybe this little Foothill.

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Maybe he starts right here.

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Incomes for right now, you could do

this with a one or two inch brush today.

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I just felt like doing it

with, with a fan brush.

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The principles are exactly the same,

no matter what brush you use, they're

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all those happy little things.

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Now, once again, I'm just gonna.

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Very gently lifted up for it a little bit.

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Create that little fuzzy

look like a little trees.

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We back in the distance.

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Okay.

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I'm back to my two inch brush.

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It's clean and dry.

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And once again, I want

that Misty effect in there.

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That's very, very important

that we have that missed

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only thing that you have to separate

all these different layers of foothills.

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And avoid coming straight

across banging like it.

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When you're, when you're causing

this mess, it'll cut it off

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very straight and bother you.

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You want it to be soft, but you don't

want to see a distinct line there.

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Just like, so now once again, short, tiny

little strokes lift up and you can just

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make a layer after layer after layer.

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Beautiful little foothills.

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Shoot.

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Let's do another one.

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That's a lot of fun.

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I'm going to take a little bit of the

dark Sienna and makes it right in there.

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It's dark CNAs.

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It's a very nice color.

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Very nice color.

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It's a little bit darker

than and burnt Sienna.

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Quite unique.

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Say

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let's go right up here.

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Tell you what?

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Let's have a, we'll have another

little range, a little footy

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Hill and they live right in here.

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Just make a decision, drop them in.

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Now, if you want to show things

that are a little more distinct,

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you can begin turning the brush

sidewards and tapping in some things.

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If, when you're done, we'll look like

more like little individual trees here.

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Yeah.

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Start to let your imagination go

crazy and do whatever makes you happy.

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But each layer as you come forward.

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Should get darker, darker, darker,

darker, darker, that helps create

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that, that all-important illusion

of distance in your painting.

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Okay, then once again, tomorrow

and we'll just begin capping.

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Alrighty.

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Three, very distinct layers and all those

big strong clouds sitting back there.

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Big thunderstorm, maybe it's

coming now, fill up all the little

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streams and make them bubble.

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As they come down the Hills.

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I love to hear a little streams bubbling.

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Okay, take one.

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I'm gonna do, I'm gonna add the least,

the least little touch of thinner

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to my brush, and I'm gonna go right

into some of this dark Sienna, but

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the least little touch of dinner.

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And let's just play a little bit.

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Maybe we'll just put a

little color in here.

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Just put the thinner in.

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So it'll slide on much easier.

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Most of this has got to be covered up.

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I'm just looking, we'll

add some Vandyke Brown.

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I'm just looking for some dark colors.

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So my light covers was show

up and I put them on here,

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van Dyke, Brown, dark Sienna,

and don't worry about it.

247

00:14:41,640 --> 00:14:45,780

Just, just, just sorta throw it in act.

248

00:14:45,800 --> 00:14:49,319

It looks a little better if

it's sort of rough and I'm still

249

00:14:49,319 --> 00:14:50,700

using these little X patterns.

250

00:14:50,700 --> 00:14:51,330

Look criss-cross.

251

00:14:53,160 --> 00:14:56,310

And that quickly got her,

got her foreground laid in

252

00:14:59,370 --> 00:15:00,750

some happy little things in there.

253

00:15:03,210 --> 00:15:05,130

I like the Brown tones, the earth tones.

254

00:15:05,130 --> 00:15:09,840

They're so pretty and warm.

255

00:15:11,340 --> 00:15:13,680

These Browns and greens

are very worn colors.

256

00:15:13,680 --> 00:15:15,300

They will warm up an old dead room.

257

00:15:16,350 --> 00:15:19,500

And they make people happy when they

look at them and, and that's important

258

00:15:19,500 --> 00:15:22,470

in a painting, it should, it should give

people a nice feeling when they look

259

00:15:22,470 --> 00:15:24,689

at it, paintings should make you happy.

260

00:15:25,350 --> 00:15:29,910

Whether you, whether you paint or you buy

a paintings or you just look at paintings,

261

00:15:30,510 --> 00:15:31,680

they should really make you happy.

262

00:15:31,710 --> 00:15:35,580

I'm going into yellow ochre,

the least little touch of SAP

263

00:15:35,610 --> 00:15:37,380

green, some Indian, yellow.

264

00:15:38,685 --> 00:15:39,975

All of those nice colors.

265

00:15:39,975 --> 00:15:41,655

I'm going to add some dark Sienna to that.

266

00:15:41,805 --> 00:15:42,405

Oh yes.

267

00:15:42,475 --> 00:15:42,945

Here we go.

268

00:15:43,065 --> 00:15:43,995

That's what I'm looking for.

269

00:15:44,985 --> 00:15:46,845

Maybe a little more

yellow to bright there.

270

00:15:46,935 --> 00:15:48,735

It's dark Sienna mixed in there.

271

00:15:49,215 --> 00:15:49,425

Okay.

272

00:15:49,455 --> 00:15:51,825

Let's go right up here,

maybe right in here.

273

00:15:51,825 --> 00:15:56,325

There's some happy, happy

little, little grassy areas.

274

00:15:57,780 --> 00:15:59,730

They come right down by cat,

275

00:16:04,300 --> 00:16:05,460

just tap on them.

276

00:16:11,939 --> 00:16:16,800

Look at all the different planes that

just like stairsteps, but that helps

277

00:16:16,800 --> 00:16:20,910

create once again, that tremendous

illusion of distance in your painting.

278

00:16:21,420 --> 00:16:21,750

And.

279

00:16:22,230 --> 00:16:24,660

Of course when I had interest that

happy book, but if you should be

280

00:16:24,960 --> 00:16:29,400

that's what sells the painting and

puts a happy book in your pocket now

281

00:16:29,400 --> 00:16:31,350

then maybe let's do some nice trees.

282

00:16:32,190 --> 00:16:33,660

I think today I'll use

the old round brush.

283

00:16:33,690 --> 00:16:40,250

I'm going to go right into the

midnight black and SAP green.

284

00:16:41,120 --> 00:16:42,650

And we'll throw some Browns in there too.

285

00:16:43,310 --> 00:16:47,360

Both Browns, Sam green,

midnight black, just.

286

00:16:47,775 --> 00:16:49,635

Tap firmly with this round brush.

287

00:16:49,665 --> 00:16:50,415

Tap it for me.

288

00:16:51,195 --> 00:16:51,975

Let's go right up here.

289

00:16:52,485 --> 00:16:53,895

Maybe there's a nice little tree.

290

00:16:55,080 --> 00:16:56,670

And he lives right here.

291

00:16:58,040 --> 00:16:58,640

Right here.

292

00:17:02,700 --> 00:17:03,630

Here we go.

293

00:17:05,610 --> 00:17:06,390

There we go.

294

00:17:07,100 --> 00:17:11,000

Once again, all we're looking for

here is just a nice dark color.

295

00:17:11,240 --> 00:17:12,800

So our light colors will show up.

296

00:17:15,890 --> 00:17:17,180

I'm making this tree big.

297

00:17:17,315 --> 00:17:18,995

It pushes all that back.

298

00:17:19,535 --> 00:17:21,485

Push that brush down, just tap it.

299

00:17:24,125 --> 00:17:25,355

Or we got this whole brush going.

300

00:17:26,975 --> 00:17:27,485

We got to go.

301

00:17:27,485 --> 00:17:29,045

And same old colors, maybe.

302

00:17:30,750 --> 00:17:32,610

Oh, let's put one right here, but the heck

303

00:17:36,300 --> 00:17:41,460

that dark color against that white cloud

is going to really stand out beautifully

304

00:17:44,730 --> 00:17:45,690

light against dark.

305

00:17:46,015 --> 00:17:47,005

Dark against the light.

306

00:17:48,085 --> 00:17:50,155

That's what gives you painting feeling?

307

00:17:50,485 --> 00:17:51,345

It makes it stand out.

308

00:17:51,365 --> 00:17:52,135

Contrast.

309

00:17:54,625 --> 00:17:55,765

It makes it so pretty.

310

00:17:59,605 --> 00:18:00,314

Okay.

311

00:18:00,495 --> 00:18:03,225

I still get excited about this painting.

312

00:18:03,254 --> 00:18:06,495

So many paintings still

get excited about it.

313

00:18:09,345 --> 00:18:14,024

Probably one of the most ask questions

that I get over and over is what in

314

00:18:14,024 --> 00:18:17,835

the world I do with all these paintings

that we do on, on the television shows.

315

00:18:18,975 --> 00:18:19,574

Most of them.

316

00:18:20,775 --> 00:18:26,445

We, we donate to charity organizations and

PBS stations all over the country and they

317

00:18:26,445 --> 00:18:30,795

in turn, auction them off and they make

a happy buck for the stations and stuff.

318

00:18:30,795 --> 00:18:31,455

And that's nice.

319

00:18:32,445 --> 00:18:33,405

Help them out a little bit.

320

00:18:34,995 --> 00:18:37,305

I'm going to go right

into some of the yellows.

321

00:18:39,165 --> 00:18:41,925

And I'm using the round brush yellow.

322

00:18:41,985 --> 00:18:44,805

Let me grab some green up here

and I just want to tap it.

323

00:18:44,805 --> 00:18:44,895

Now.

324

00:18:44,895 --> 00:18:47,565

This yellow is a little

thinner than my other colors.

325

00:18:47,865 --> 00:18:51,165

I like a thin yellow, so

I don't have to dilute it.

326

00:18:52,155 --> 00:18:55,875

And yellows normally always

highlight load the brush full let's.

327

00:18:55,875 --> 00:19:00,975

Go right up here, come right in

here and go right above the dark

328

00:19:01,905 --> 00:19:06,915

and just begin tapping in all these

beautiful little highlights there.

329

00:19:08,100 --> 00:19:13,740

Look at there and work on form

and shape inside of your trees.

330

00:19:13,830 --> 00:19:15,180

Don't just throw it on at random.

331

00:19:15,690 --> 00:19:19,860

Think about, think about there's limbs

inside of this tree and they project

332

00:19:19,860 --> 00:19:23,460

out toward you and the light strikes

them and makes all these things happen.

333

00:19:23,760 --> 00:19:24,930

Beautiful little things.

334

00:19:26,370 --> 00:19:28,650

Work on one tree, one Bush at a time.

335

00:19:32,175 --> 00:19:32,834

Okay.

336

00:19:33,344 --> 00:19:34,784

Another one that was right there.

337

00:19:35,745 --> 00:19:37,965

And you can just put as

many or as few as you want.

338

00:19:38,115 --> 00:19:40,334

Big thing is don't kill all

these dark areas in here.

339

00:19:40,334 --> 00:19:41,294

See those dark areas.

340

00:19:41,804 --> 00:19:45,284

Maybe, maybe they're more

important than the light areas.

341

00:19:46,645 --> 00:19:47,745

Must have some fun today.

342

00:19:48,165 --> 00:19:48,584

I'm going to go.

343

00:19:48,885 --> 00:19:49,754

I got to do this.

344

00:19:49,814 --> 00:19:50,205

I get it.

345

00:19:50,205 --> 00:19:50,745

It's fun.

346

00:19:51,074 --> 00:19:53,655

I like to make little cabins

and little shacks in the woods.

347

00:19:53,814 --> 00:19:54,405

Let's do one.

348

00:19:55,185 --> 00:19:56,475

Pull the peanut very flat.

349

00:19:56,625 --> 00:19:58,514

This has Vandyke Brown cut across.

350

00:19:59,205 --> 00:20:00,435

Get our little roll of paint.

351

00:20:00,975 --> 00:20:01,245

Okay.

352

00:20:01,935 --> 00:20:03,524

Now then make the big decision.

353

00:20:03,554 --> 00:20:04,905

Where does your little house live?

354

00:20:05,804 --> 00:20:12,135

I think he lives right there, there,

and here's the other side of the roof.

355

00:20:13,905 --> 00:20:14,445

There we go.

356

00:20:14,834 --> 00:20:15,044

Now.

357

00:20:15,555 --> 00:20:19,725

These are very simple little, little

houses and little cabins, but if you

358

00:20:19,725 --> 00:20:26,205

learn to do them in big, big buildings or

just little buildings that had a shot of

359

00:20:26,205 --> 00:20:29,985

vitamins, the principles are all the same.

360

00:20:30,195 --> 00:20:34,965

No matter what size your building is

say, and it didn't matter right here.

361

00:20:34,965 --> 00:20:36,855

All you're doing is blocking in color.

362

00:20:38,505 --> 00:20:40,215

We don't make mistakes.

363

00:20:40,455 --> 00:20:44,475

We have happy accidents, learn

to work with whatever happens.

364

00:20:45,680 --> 00:20:46,620

Whatever happens.

365

00:20:48,030 --> 00:20:48,419

Okay.

366

00:20:48,570 --> 00:20:50,520

I, that it gives us a

basic shape to work with.

367

00:20:51,930 --> 00:20:55,139

Now we can add some white

to some dark Sienna.

368

00:20:56,340 --> 00:20:57,389

Hold that very flat.

369

00:20:57,840 --> 00:21:00,060

Once again, get that small

roll of paint on the knife.

370

00:21:02,190 --> 00:21:05,700

Just go right in here and just

barely touch and pull it down.

371

00:21:07,290 --> 00:21:12,330

Like, so now the other

side here we'll make it.

372

00:21:13,035 --> 00:21:18,885

By just pulling down like them

now, some dark color come across.

373

00:21:19,185 --> 00:21:20,055

It gives us a door.

374

00:21:20,565 --> 00:21:21,945

I need a door for a little house.

375

00:21:22,245 --> 00:21:22,815

There we go.

376

00:21:23,805 --> 00:21:27,675

Got to have a way to get in and out

a little bit of light color around

377

00:21:27,675 --> 00:21:30,885

the edges and that fixes him up.

378

00:21:30,885 --> 00:21:32,745

Now we can take the

clean point of the knife.

379

00:21:33,105 --> 00:21:36,825

Just go down, make it look like

little, little boards in the shack.

380

00:21:39,990 --> 00:21:41,610

Tell you how it would

take a little bit of that.

381

00:21:41,760 --> 00:21:44,879

The blue color, just make the

indication of a little window

382

00:21:44,879 --> 00:21:46,830

there and how would the knife?

383

00:21:47,189 --> 00:21:55,530

You can cut this off, just cut it

off and create all kinds of shape.

384

00:21:56,189 --> 00:21:58,110

And then let's come right

in here, just using a little

385

00:21:58,110 --> 00:21:59,219

bit more of the dark Sienna.

386

00:22:00,480 --> 00:22:03,360

And I'll just pop in the indication

of some little things happening

387

00:22:03,360 --> 00:22:05,639

up here on the roof that easy.

388

00:22:07,200 --> 00:22:07,620

And he's.

389

00:22:07,630 --> 00:22:09,030

I want to keep this roof quite dark.

390

00:22:09,080 --> 00:22:09,290

Okay.

391

00:22:13,370 --> 00:22:15,320

Maybe this will help, help it stand out.

392

00:22:15,320 --> 00:22:20,090

We just take some, a little bit of

light color and come right along here.

393

00:22:20,780 --> 00:22:23,840

Just highlight the edge a little,

see if it makes it jumped right

394

00:22:23,840 --> 00:22:26,270

out at you, right about it.

395

00:22:26,300 --> 00:22:26,810

Now, though.

396

00:22:28,530 --> 00:22:29,730

Go back into our yellow.

397

00:22:29,730 --> 00:22:31,590

So we'll pick up a little

bit of this bright red, too.

398

00:22:31,830 --> 00:22:32,370

What the heck?

399

00:22:32,370 --> 00:22:34,800

Tap it and get a lot of pain in the brush.

400

00:22:35,820 --> 00:22:36,180

Okay.

401

00:22:37,200 --> 00:22:40,830

And then continue on with our

little, our little grassy areas here,

402

00:22:44,460 --> 00:22:49,020

wherever you want him to go

pick up some other greens and

403

00:22:49,500 --> 00:22:51,510

Browns and all kinds of colors.

404

00:22:56,325 --> 00:22:59,535

It's a nice, simple little painting,

but I think you're really, really

405

00:22:59,535 --> 00:23:02,625

enjoyed doing it works well.

406

00:23:02,925 --> 00:23:04,185

And it's pretty when it's done.

407

00:23:05,645 --> 00:23:06,305

There we go.

408

00:23:08,005 --> 00:23:08,735

Here we go.

409

00:23:08,825 --> 00:23:14,885

All kinds of little things and

then let's use a small knife today.

410

00:23:15,995 --> 00:23:20,225

I go right in here and just

with some Browns lay in.

411

00:23:21,540 --> 00:23:25,649

Touch of color and it'll end

up looking like a little path.

412

00:23:25,680 --> 00:23:27,360

You got to have a way to

get to the door there.

413

00:23:28,470 --> 00:23:29,010

Okay.

414

00:23:30,120 --> 00:23:32,760

Take my one inch brush and go

through some of the yellows

415

00:23:32,760 --> 00:23:35,399

and all those pretty colors.

416

00:23:35,730 --> 00:23:36,510

One direction.

417

00:23:36,659 --> 00:23:40,770

Let's go back up here and we'll

put in some little bushes.

418

00:23:41,129 --> 00:23:42,800

Some don't shine right up here.

419

00:23:43,669 --> 00:23:44,120

Here they are.

420

00:23:45,350 --> 00:23:47,360

This is a kind of place my

mother would like to live.

421

00:23:49,260 --> 00:23:52,800

She lives in Florida where it's nice and

warm and don't have any big mountains.

422

00:23:54,330 --> 00:23:57,180

She would like to like to

have a little house out here.

423

00:23:58,710 --> 00:23:59,010

Yeah.

424

00:23:59,030 --> 00:24:04,200

I'll take the fan brush and go into

some of the Browns and I'm just gonna

425

00:24:04,620 --> 00:24:09,810

sort of bounce it around and make it

look like dirt and stuff out here.

426

00:24:10,830 --> 00:24:12,300

And you can bring it up

wherever you want it.

427

00:24:15,105 --> 00:24:15,524

Go right.

428

00:24:15,524 --> 00:24:18,014

I don't often to nowhere, we

don't know where that goes.

429

00:24:21,695 --> 00:24:22,385

What a knife.

430

00:24:23,555 --> 00:24:26,735

It's just scraped in a few

little sticks and twigs gives

431

00:24:26,735 --> 00:24:28,445

you some finishing touches.

432

00:24:28,685 --> 00:24:32,195

Just go over to the other side

here, play a little bit with it.

433

00:24:33,845 --> 00:24:37,774

I'll take my round brush and go

right into my yellows and my greens.

434

00:24:39,274 --> 00:24:41,345

And let's highlight the tree on this side.

435

00:24:42,135 --> 00:24:48,185

And just tapping once again,

put in some basic shapes.

436

00:24:48,185 --> 00:24:49,295

Don't just hand it random.

437

00:24:50,045 --> 00:24:53,765

I know you get tired of hearing me

say that, but it's very important.

438

00:24:54,215 --> 00:24:54,965

Very important.

439

00:24:54,995 --> 00:24:58,355

Create, create the illusion

of shape in the trees.

440

00:24:58,355 --> 00:25:03,125

Don't just throw a man, go out

and spend some time talking to

441

00:25:03,125 --> 00:25:04,625

a tree, make friends with it.

442

00:25:04,655 --> 00:25:05,285

Study it.

443

00:25:06,495 --> 00:25:07,545

That's how you learn.

444

00:25:07,545 --> 00:25:13,545

What makes a tree look like a tree

in a Bush look like a Bush and trees.

445

00:25:14,355 --> 00:25:17,415

Trees are nice people

and you get to know him.

446

00:25:17,475 --> 00:25:18,075

You'll like him.

447

00:25:18,615 --> 00:25:19,335

You'll like him.

448

00:25:20,790 --> 00:25:21,360

There we go.

449

00:25:21,390 --> 00:25:27,240

Let's see, just layer after layer,

after layer many or as few as you want.

450

00:25:28,050 --> 00:25:28,950

There's one right there.

451

00:25:28,980 --> 00:25:29,340

Ooh.

452

00:25:29,340 --> 00:25:30,720

Some pretty colors happen there.

453

00:25:32,550 --> 00:25:33,060

All right.

454

00:25:35,040 --> 00:25:41,670

Then the knife, once again, just

taking scraping all these little

455

00:25:41,670 --> 00:25:46,200

sticks and twigs, they really helped

create the illusion of distance

456

00:25:46,200 --> 00:25:47,940

because they showed different planes.

457

00:25:48,740 --> 00:25:53,300

It really, really helps

tell you what let's do here.

458

00:25:53,920 --> 00:25:56,320

Let's take, we'll use the

old Filbert brush today.

459

00:25:56,320 --> 00:26:00,010

We used it mainly in our seascapes,

but we can use it here and

460

00:26:00,010 --> 00:26:02,920

let's make a happy little tree.

461

00:26:04,000 --> 00:26:05,740

I like his brush for making little trees.

462

00:26:05,740 --> 00:26:13,270

Like, yes, give him some arms,

however many you want and not a

463

00:26:13,270 --> 00:26:14,590

super way to make the little tree.

464

00:26:16,215 --> 00:26:19,695

And you can take your liner brush and put

all kinds of little tiny Liam's on there.

465

00:26:19,695 --> 00:26:21,435

Just as many or as few as you want.

466

00:26:22,935 --> 00:26:29,175

Now, then with her Brown brush, we'll

tap into some, some happy little leaves

467

00:26:32,285 --> 00:26:32,975

and that easy.

468

00:26:33,455 --> 00:26:35,254

We got a fantastic tree there.

469

00:26:37,774 --> 00:26:42,425

So put a few little highlights on there.

470

00:26:44,429 --> 00:26:45,399

Okay, thank you.

471

00:26:45,399 --> 00:26:46,770

That gives us a nice little painting.

472

00:26:46,980 --> 00:26:49,520

Give you some ideas to work

with and we'll call this one.

473

00:26:49,540 --> 00:26:51,600

Finished tell from all of us here.

474

00:26:51,840 --> 00:26:52,560

Happy painting.

475

00:26:52,980 --> 00:26:53,520

Got placed.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S09E10 - Country Charm

Bob Ross's

The Joy of Painting

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