Bob Ross's

The Joy of Painting

S10E11 - Triple View

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:00,030 --> 00:00:02,040

Hi, I'm certainly glad

you could join me today.

00:00:02,070 --> 00:00:03,630

You ready to do a fantastic painting?

00:00:03,960 --> 00:00:04,380

We're good.

00:00:04,620 --> 00:00:07,620

Let's start out and have him run all

the colors across the screen that you

00:00:07,620 --> 00:00:10,620

need to paint this project with me

and they'll come across in the same

00:00:10,620 --> 00:00:11,820

order as I have them on the pallet.

00:00:11,820 --> 00:00:14,940

Like always let's go on up here

because I've got crazy today.

00:00:14,940 --> 00:00:16,560

This is, this is crazy day.

00:00:17,580 --> 00:00:20,220

I found some tape laying

around here in the studio and

00:00:20,220 --> 00:00:21,300

I just thought I'd show you.

00:00:21,885 --> 00:00:24,855

With a little imagination and pick up

a few things that are laying around,

00:00:24,855 --> 00:00:26,925

you can do some fantastic things.

00:00:27,675 --> 00:00:28,515

I've taken all.

00:00:28,515 --> 00:00:31,814

This is about two inch wide tape and

went all the way around the borders here.

00:00:32,415 --> 00:00:33,525

Then they had some masking tape.

00:00:33,555 --> 00:00:35,685

So I just, I just put

that in here like that.

00:00:36,225 --> 00:00:38,685

Then I've covered the entire

thing with liquid white.

00:00:38,715 --> 00:00:40,275

So it's all slick and ready to go.

00:00:40,965 --> 00:00:42,165

So let's see what we can do.

00:00:43,035 --> 00:00:49,005

I'm going to start off today with a

touch of a lizard, Crimson, just a touch.

00:00:49,545 --> 00:00:50,655

Tap it into the brush.

00:00:51,045 --> 00:00:51,725

Just to touch.

00:00:51,745 --> 00:00:53,295

Don't want to set this guy on fire.

00:00:53,865 --> 00:00:55,035

We just want to warm it up.

00:00:55,875 --> 00:00:56,625

Let's go right up here.

00:00:57,585 --> 00:01:02,355

And maybe right in here, there's a

little bit of a lizard and Crimson.

00:01:04,485 --> 00:01:06,165

Very, very small amount.

00:01:08,625 --> 00:01:10,785

Once again, you don't

want to set it on fire.

00:01:13,950 --> 00:01:17,280

Just just a little and use little

crisscross strokes, both sides of the

00:01:17,280 --> 00:01:20,790

brush and it mixes with the liquid white.

00:01:20,790 --> 00:01:23,130

It makes a beautiful,

beautiful pinkish glow.

00:01:25,020 --> 00:01:27,510

Just like it just paint

right over the tape.

00:01:27,540 --> 00:01:28,170

Don't worry about it.

00:01:28,560 --> 00:01:29,400

Don't worry about it.

00:01:30,170 --> 00:01:34,970

Now then, without even cleaning the

brush, I'm going right into right into

00:01:34,970 --> 00:01:38,540

some midnight black and the least.

00:01:39,240 --> 00:01:44,880

Least little touch of day, low blue,

very little paint on the brush, but the

00:01:44,880 --> 00:01:48,840

black and the blue are so strong, but

you don't have to claim the pink off.

00:01:49,530 --> 00:01:53,340

All right, let's go back up here now,

then I'm going to start right up here

00:01:53,340 --> 00:01:58,580

at the top and begin just blending

this right down to the pink area.

00:01:59,450 --> 00:02:04,220

I think today let's do a very

soft, gentle little painting.

00:02:05,000 --> 00:02:05,900

Just very quiet.

00:02:07,470 --> 00:02:08,070

There we go.

00:02:10,160 --> 00:02:13,430

Can you touch more on the black

and the blue, black, and blue.

00:02:14,510 --> 00:02:17,480

That's what I get when I get in

trouble at home black, black, and blue.

00:02:18,859 --> 00:02:19,340

Here we go.

00:02:21,079 --> 00:02:22,190

And I stay in trouble.

00:02:24,500 --> 00:02:24,890

Right?

00:02:25,970 --> 00:02:26,780

Blended rate down.

00:02:26,780 --> 00:02:29,600

I be careful be careful here because.

00:02:30,075 --> 00:02:35,205

This dark color will absolutely

consume your pink in just a

00:02:35,205 --> 00:02:36,675

heartbeat, a lead it all up.

00:02:37,395 --> 00:02:37,695

Shoot.

00:02:37,695 --> 00:02:39,585

While I get that going,

let's let's have some fun.

00:02:39,585 --> 00:02:40,785

This is mostly black.

00:02:41,265 --> 00:02:42,465

There's virtually no blue in here.

00:02:42,465 --> 00:02:43,245

So be careful.

00:02:43,875 --> 00:02:46,755

And I'll just, let's just

put a little color down here.

00:02:48,645 --> 00:02:49,275

What the heck?

00:02:52,515 --> 00:02:54,885

All right, man.

00:02:54,905 --> 00:02:56,205

Then we're cleaning the brush.

00:02:57,885 --> 00:03:00,015

Scrub it on the there's a

screen in the bottom of this

00:03:00,015 --> 00:03:01,304

can just scrub it real hard.

00:03:01,845 --> 00:03:04,035

The screens about, uh,

Oh, about an inch high.

00:03:08,144 --> 00:03:08,894

That's the fun part.

00:03:09,644 --> 00:03:12,674

Anyway, the screen is about an inch

high and that allows you to scrub

00:03:12,674 --> 00:03:15,464

the brush and then all the solid

material falls to the bottom and keeps

00:03:15,464 --> 00:03:17,265

your faith in her relatively clean.

00:03:18,614 --> 00:03:18,945

Okay.

00:03:18,945 --> 00:03:20,595

Now then clean dry brush.

00:03:21,315 --> 00:03:22,995

And I want to just

bring this guy together.

00:03:24,420 --> 00:03:29,040

Gently gently, gently bring it

together, still using a little

00:03:29,040 --> 00:03:34,359

crisscross strokes here and there.

00:03:36,149 --> 00:03:42,090

They're easy to yesterday and then very

likely, very likely to go across the whole

00:03:42,090 --> 00:03:44,700

sky to soften it and bring it together.

00:03:46,590 --> 00:03:47,220

Now, maybe.

00:03:47,610 --> 00:03:48,660

I'll tell you what, what the heck?

00:03:48,690 --> 00:03:49,470

This is crazy day.

00:03:49,480 --> 00:03:50,220

We're just playing.

00:03:51,180 --> 00:03:54,420

Let's just take the corner of the two

inch brush and go through it a little

00:03:54,420 --> 00:04:00,390

touch of white little touch, and maybe

there's just an indication up here.

00:04:01,290 --> 00:04:01,860

Very light.

00:04:01,860 --> 00:04:03,840

I don't, I don't want very

distinct clouds today.

00:04:04,770 --> 00:04:08,730

Maybe there's just a little

floater that lives up here and

00:04:08,730 --> 00:04:10,200

he just floats around this guy.

00:04:11,520 --> 00:04:15,000

I've just used the corner of the

brush and we'll blend that out.

00:04:15,885 --> 00:04:19,005

Just to, just to give

you the hint of a cloud.

00:04:21,495 --> 00:04:21,855

Yes.

00:04:21,855 --> 00:04:25,965

The hand don't want anything

too bright, too sharp back here.

00:04:26,685 --> 00:04:29,295

I want this guy to be very passive.

00:04:30,915 --> 00:04:31,115

Hmm.

00:04:31,115 --> 00:04:31,635

Okay.

00:04:31,664 --> 00:04:34,995

Maybe, or maybe there's even a little

floater coming right down through here.

00:04:36,255 --> 00:04:39,935

If it gets too bright, just take

him and just work with a little bit.

00:04:41,520 --> 00:04:43,200

Just to work with it'll

blend into the color.

00:04:43,200 --> 00:04:45,030

It's already on the

canvas and just go away.

00:04:49,020 --> 00:04:49,590

Here we go.

00:04:50,430 --> 00:04:53,430

Now then I'm just gonna fluff these

little clouds up with a dry brush.

00:04:55,169 --> 00:04:59,549

Just fluff them up and

very lightly, very lightly.

100

00:05:00,960 --> 00:05:02,010

Just blend it a little bit.

101

00:05:04,544 --> 00:05:05,414

A little bright right there.

102

00:05:05,414 --> 00:05:08,924

I want these to be very soft clouds, so

we'll just blend it and go back over it.

103

00:05:09,914 --> 00:05:14,085

And that easily, it goes away easy.

104

00:05:16,364 --> 00:05:16,935

Okay.

105

00:05:19,455 --> 00:05:19,785

Nothing.

106

00:05:19,845 --> 00:05:22,305

Let's be honest, a happy

little mountain for that.

107

00:05:23,355 --> 00:05:26,985

I'm going to take a little bit of

Prussian blue, a little black little

108

00:05:26,985 --> 00:05:32,895

Brown shoot with her, some Crimson in

there to lizard Crimson, pull it out.

109

00:05:32,895 --> 00:05:34,635

Very flat, cut across.

110

00:05:35,055 --> 00:05:36,405

Do we have a little roll of paint?

111

00:05:36,885 --> 00:05:37,365

There we are.

112

00:05:38,205 --> 00:05:40,425

Now then maybe there's a happy mountain.

113

00:05:41,535 --> 00:05:44,385

He lives right about there.

114

00:05:45,585 --> 00:05:46,115

So just.

115

00:05:46,530 --> 00:05:48,330

Push that paint right into the fabric.

116

00:05:49,289 --> 00:05:52,469

And all we're looking for here

is just a very basic shape.

117

00:05:52,469 --> 00:05:55,979

You're only interested in the top,

just right up here on the top.

118

00:05:56,130 --> 00:05:58,080

You could care less

what's happening in here.

119

00:05:59,219 --> 00:06:04,980

So no concern right now later

on, it will be right now.

120

00:06:05,250 --> 00:06:05,940

No concern.

121

00:06:07,860 --> 00:06:10,320

Now show you a little trick here.

122

00:06:10,860 --> 00:06:11,280

Watch here.

123

00:06:11,310 --> 00:06:12,930

We'll take this and pull it down.

124

00:06:14,265 --> 00:06:16,365

Now with that, I get a

little paint on the brush.

125

00:06:17,115 --> 00:06:22,365

Let's take that paint and go

right up here and that easy.

126

00:06:22,935 --> 00:06:26,625

We can make the indication of a

little mountain that lives a week.

127

00:06:26,625 --> 00:06:30,975

We back in the distance, he's

very soft and very far away.

128

00:06:32,445 --> 00:06:34,515

See, by pulling this pain

up here and doing it, then

129

00:06:34,515 --> 00:06:36,105

it's exactly the same color.

130

00:06:36,735 --> 00:06:37,725

Just a different value.

131

00:06:39,525 --> 00:06:40,005

There we go.

132

00:06:40,215 --> 00:06:42,075

Now pull this one

distinctly in front of it.

133

00:06:43,455 --> 00:06:44,055

It's sneaky.

134

00:06:45,435 --> 00:06:46,515

I thought you'd like that.

135

00:06:48,885 --> 00:06:49,485

Okay.

136

00:06:49,515 --> 00:06:54,135

By pulling it out, we remove the excess

paint and blended right down to nothing.

137

00:06:57,405 --> 00:06:58,605

Don't worry about the tape.

138

00:06:58,635 --> 00:07:00,075

Just pretend it's not even here.

139

00:07:05,565 --> 00:07:06,675

Keep her wash her brush.

140

00:07:10,395 --> 00:07:16,715

Give her a good rap and off we go,

you know, a couple of series back.

141

00:07:16,715 --> 00:07:20,734

We, we introduced this idea of

using contact paper and making

142

00:07:20,734 --> 00:07:22,205

ovals and all kinds of shapes.

143

00:07:22,685 --> 00:07:26,344

Since then I've got letters

from all over the country.

144

00:07:26,940 --> 00:07:30,570

Showing me what people have done taking

this basic idea of using contact paper.

145

00:07:30,990 --> 00:07:33,300

My friend, Nat, who lives in

Canada, he sent me some pictures the

146

00:07:33,300 --> 00:07:35,640

other day and he's taken and used.

147

00:07:35,790 --> 00:07:38,100

Okta comes in all

different kinds of shapes.

148

00:07:38,430 --> 00:07:39,870

Cut out of contact paper.

149

00:07:40,200 --> 00:07:43,560

And it's the same basic idea of try

all different kinds of things at home.

150

00:07:43,890 --> 00:07:45,750

You'll be amazed at what you can do.

151

00:07:46,970 --> 00:07:47,360

All right.

152

00:07:47,390 --> 00:07:50,600

Let's take some, let's take some

titanium white and pull it out

153

00:07:50,600 --> 00:07:55,670

and very flat, really pull it

out flat and then cut across.

154

00:07:56,370 --> 00:08:01,080

Like that little roll of paint and

we'll go right up here and we'll put

155

00:08:01,080 --> 00:08:02,280

some highlights on this mountain.

156

00:08:02,280 --> 00:08:02,850

Just touch it.

157

00:08:03,510 --> 00:08:06,720

And we're going to apply

no pressure whatsoever.

158

00:08:07,890 --> 00:08:11,940

You just let the knife literally

float across the canvas.

159

00:08:13,080 --> 00:08:13,800

Just float.

160

00:08:17,030 --> 00:08:17,690

Here we go.

161

00:08:17,930 --> 00:08:20,540

And put all kinds of

little things in here.

162

00:08:24,330 --> 00:08:28,110

Let's go right up here there.

163

00:08:31,070 --> 00:08:31,550

Okay.

164

00:08:31,670 --> 00:08:34,850

And just decide where you think

light would strike your mountain

165

00:08:36,500 --> 00:08:37,970

and just let it fall on there.

166

00:08:39,470 --> 00:08:40,940

And you want the paint to break?

167

00:08:41,300 --> 00:08:41,539

Yeah.

168

00:08:41,840 --> 00:08:44,750

When I say break, I mean

leave all these holes in it.

169

00:08:45,920 --> 00:08:49,040

And for that, you must

have a firm's paint.

170

00:08:49,770 --> 00:08:54,900

If you have a thin soupy, oily paint,

uh, you're going to be in agony city.

171

00:08:55,290 --> 00:08:58,620

You're going to, you're going

to be a mud mixer, and then

172

00:08:58,620 --> 00:08:59,580

you're going to holler at me.

173

00:09:00,540 --> 00:09:02,340

So be sure you use a paint.

174

00:09:02,640 --> 00:09:04,440

It's very firm that's so important.

175

00:09:05,430 --> 00:09:06,990

So important a little bit right there.

176

00:09:09,750 --> 00:09:10,250

Can't see it.

177

00:09:10,250 --> 00:09:12,900

And you can just keep honing

on making big decisions.

178

00:09:13,020 --> 00:09:13,980

Where do you want this to be?

179

00:09:16,305 --> 00:09:16,755

There.

180

00:09:17,734 --> 00:09:17,944

Okay.

181

00:09:17,944 --> 00:09:22,535

Now then let's make a shadow color, gotta

have a shadow on that mountain for that.

182

00:09:22,564 --> 00:09:27,785

We'll take some white, some white,

tiny bit of pressure and blue

183

00:09:27,964 --> 00:09:29,584

pressure and blue is very strong.

184

00:09:29,614 --> 00:09:33,005

Be careful, be careful,

and then a little black.

185

00:09:33,454 --> 00:09:36,574

So we have black, blue and white.

186

00:09:37,530 --> 00:09:40,050

There and just leave it

sorta marble like that.

187

00:09:40,050 --> 00:09:43,710

Don't overmix it cut across and

we have our little roll of paint.

188

00:09:43,710 --> 00:09:46,350

Again, always using that

little roll of paintings.

189

00:09:46,350 --> 00:09:50,610

Go up here now, then decide

where your shadows are.

190

00:09:51,060 --> 00:09:56,190

And once again, using no pressure,

just drop into some happy

191

00:09:56,190 --> 00:10:00,870

little shadows, either just make

decisions where these shadows live.

192

00:10:02,970 --> 00:10:04,590

Make a decision and do it.

193

00:10:04,800 --> 00:10:06,090

This is your mountain.

194

00:10:06,120 --> 00:10:08,430

So you can do anything

here that you want to do.

195

00:10:10,560 --> 00:10:11,220

There we go.

196

00:10:11,580 --> 00:10:13,170

Now watch, let's do this one right here.

197

00:10:13,230 --> 00:10:14,280

Show you a little trick here.

198

00:10:15,120 --> 00:10:17,850

And if you've painted it even before

you've seen this, so, you know,

199

00:10:17,850 --> 00:10:20,970

we want to push this peak right

here, back, watch here, watch here,

200

00:10:21,810 --> 00:10:25,380

come right down, right down, right

down and go distinctly through it.

201

00:10:26,070 --> 00:10:26,670

And look at that.

202

00:10:26,970 --> 00:10:29,910

See, did you know you had that much power?

203

00:10:30,510 --> 00:10:34,530

You can move mountains can move mountains.

204

00:10:35,589 --> 00:10:37,770

When I go home, I can't move

nothing but the garbage, but

205

00:10:37,770 --> 00:10:40,680

here, here I can move anything.

206

00:10:43,020 --> 00:10:43,740

There we go.

207

00:10:46,500 --> 00:10:47,339

Okay.

208

00:10:48,209 --> 00:10:49,589

Now then we'll come back and listen.

209

00:10:50,355 --> 00:10:51,405

Oh, I get that.

210

00:10:51,795 --> 00:10:52,245

I get that.

211

00:10:53,855 --> 00:10:56,045

Just put all the little

peaks and stuff maybe.

212

00:10:56,195 --> 00:10:57,125

Yes, yes.

213

00:10:57,125 --> 00:10:57,305

There.

214

00:10:57,315 --> 00:10:58,175

Yes, you're right.

215

00:10:58,295 --> 00:10:59,825

There's one that lives right there.

216

00:11:00,755 --> 00:11:07,715

You knew that didn't there, there,

like y'all you can just keep on and on

217

00:11:07,835 --> 00:11:12,755

to you've covered your entire canvas

with mountains and that's fun too.

218

00:11:13,055 --> 00:11:13,895

Nothing wrong with that.

219

00:11:14,285 --> 00:11:14,645

Go back.

220

00:11:14,895 --> 00:11:16,715

Drop us in a happy little

shadow here and there.

221

00:11:17,790 --> 00:11:19,530

Let's say they're blamed right out.

222

00:11:21,680 --> 00:11:21,890

Okay.

223

00:11:21,949 --> 00:11:23,000

Let's go right in here.

224

00:11:23,960 --> 00:11:26,780

Every, every highlight needs a shadow.

225

00:11:28,130 --> 00:11:31,069

If he doesn't have a shadow,

he just he'll just lay there.

226

00:11:31,069 --> 00:11:32,240

He won't come out and play with you.

227

00:11:33,560 --> 00:11:34,250

All right.

228

00:11:35,750 --> 00:11:36,500

All right.

229

00:11:38,840 --> 00:11:40,730

Let's create some myths

down here at the base.

230

00:11:41,444 --> 00:11:43,725

And for that, I'll take a two

inch brush and I'm going to

231

00:11:43,725 --> 00:11:47,655

tap, just tap all these angles.

232

00:11:47,655 --> 00:11:52,245

If they come down this way and

calf down that way, there we go.

233

00:11:52,485 --> 00:11:53,685

Always follow those angles.

234

00:11:53,685 --> 00:11:55,574

So it's very, very important.

235

00:11:57,074 --> 00:12:00,615

And if everything works just right,

you'll have a nice Misty base that

236

00:12:00,615 --> 00:12:04,334

you can literally see detailed in,

but yet see-through it over here?

237

00:12:04,545 --> 00:12:05,515

Follow these angles.

238

00:12:05,564 --> 00:12:05,655

Yeah.

239

00:12:07,615 --> 00:12:08,125

Matt easy.

240

00:12:09,145 --> 00:12:10,135

You're fantastic.

241

00:12:11,015 --> 00:12:13,405

I know that I'll beat

the brush a little bit.

242

00:12:13,645 --> 00:12:18,325

That'll take the excess paint off, then

lifted upward, just lift it up, lift up.

243

00:12:19,225 --> 00:12:19,735

Look at that.

244

00:12:20,095 --> 00:12:20,965

Look at that.

245

00:12:22,615 --> 00:12:27,265

I probably painted 20,000 pendings

and I still get excited when I see

246

00:12:27,265 --> 00:12:31,735

the beautiful, beautiful effect you

can make so easy because for years

247

00:12:31,735 --> 00:12:33,055

I was traditional painter, an act.

248

00:12:33,660 --> 00:12:39,060

Oh, my gosh, I agonized over paintings

and how then they're not just doing

249

00:12:43,320 --> 00:12:44,940

painting should not be agonizing.

250

00:12:44,940 --> 00:12:45,660

It should be fun.

251

00:12:45,720 --> 00:12:47,040

You should enjoy what you're doing.

252

00:12:49,320 --> 00:12:49,830

Okay.

253

00:12:50,970 --> 00:12:53,130

Let's come along here

and let's have some fun.

254

00:12:53,790 --> 00:12:54,180

I'm going to.

255

00:12:54,585 --> 00:12:57,465

I'll tell you what, let's just go

right into a little bit of yellow.

256

00:12:57,735 --> 00:13:02,085

Reach up here, get some,

get some SAP green.

257

00:13:02,115 --> 00:13:05,805

And I'm going to pull a little bit of

black into that, just to dull it down.

258

00:13:08,435 --> 00:13:08,795

Okay.

259

00:13:09,085 --> 00:13:09,635

There we go.

260

00:13:10,445 --> 00:13:11,255

Tap the brush.

261

00:13:11,465 --> 00:13:11,885

Tapping.

262

00:13:12,215 --> 00:13:13,085

Let's go back up here.

263

00:13:13,925 --> 00:13:16,475

Maybe there's a little

Foothill, just a little Hill.

264

00:13:16,475 --> 00:13:17,285

It lives right here.

265

00:13:17,765 --> 00:13:19,835

All you have to do is just tap.

266

00:13:20,475 --> 00:13:23,235

I want this to be a nice,

bright one back in the distance.

267

00:13:24,345 --> 00:13:24,814

Tap.

268

00:13:25,875 --> 00:13:27,255

Now allow it to pick up that color.

269

00:13:27,255 --> 00:13:34,275

We laid on the canvas, see you there

and get it just disappear right down.

270

00:13:34,275 --> 00:13:36,285

So it gets softer, softer, softer, softer.

271

00:13:37,785 --> 00:13:43,665

See that look at that softer, softer,

almost down to nothing down here.

272

00:13:43,964 --> 00:13:44,324

Good.

273

00:13:47,265 --> 00:13:47,715

Okay.

274

00:13:47,715 --> 00:13:54,075

Let's, let's take some black

oppression and blue Brown.

275

00:13:54,945 --> 00:13:56,025

There's some saffron green.

276

00:13:56,025 --> 00:13:56,985

We'll throw it in there.

277

00:13:57,765 --> 00:13:58,935

You can throw in some Crimson.

278

00:13:59,415 --> 00:14:00,165

It doesn't matter.

279

00:14:00,225 --> 00:14:03,105

It really, what you're

looking for is a color.

280

00:14:03,585 --> 00:14:04,755

That's very dark.

281

00:14:05,235 --> 00:14:12,765

Let me wipe my knife off here and I'll

grab the old fan brush and let's make

282

00:14:12,765 --> 00:14:14,475

a, let's make a couple of happy trees.

283

00:14:15,300 --> 00:14:18,000

Load a lot of pain into the

brush, really fill it up.

284

00:14:20,610 --> 00:14:20,970

Okay.

285

00:14:21,240 --> 00:14:21,579

Let's go.

286

00:14:22,430 --> 00:14:25,760

Let's decide where a little

tree lives he lives right there.

287

00:14:26,420 --> 00:14:30,350

Touch that sort of gives you a guide

to the top of the tree and then just,

288

00:14:30,829 --> 00:14:34,310

just use the corner, just the corner.

289

00:14:35,000 --> 00:14:37,130

And as you work down,

push harder and harder.

290

00:14:37,220 --> 00:14:39,050

It's like pushes the bristles downward.

291

00:14:40,310 --> 00:14:42,260

Let's let's make several trees in here.

292

00:14:43,845 --> 00:14:51,375

And in your world, in your creation,

do you decide you want 10 trees, 10, 10

293

00:14:51,375 --> 00:14:55,875

trees is what we're looking for there.

294

00:14:57,195 --> 00:14:59,415

Let's make several, that'll

give you a chance to practice.

295

00:15:01,125 --> 00:15:01,695

See right there.

296

00:15:01,695 --> 00:15:04,005

I want to have a little tiny

bit of green to show through.

297

00:15:04,965 --> 00:15:08,055

Cause that'll that'll show that there's

something happened behind there.

298

00:15:09,795 --> 00:15:10,125

Okay.

299

00:15:10,905 --> 00:15:12,525

The trees don't all agree with the same.

300

00:15:13,665 --> 00:15:18,135

Some are skinny, some are

a little heavier shoot.

301

00:15:18,585 --> 00:15:20,595

Some are just they're like me.

302

00:15:20,595 --> 00:15:21,405

They're just tired.

303

00:15:22,115 --> 00:15:27,245

So however, don't think your

tree has to be a certain way.

304

00:15:28,775 --> 00:15:29,525

Trees just grow.

305

00:15:29,525 --> 00:15:30,605

However, it makes them happy.

306

00:15:31,895 --> 00:15:34,925

And sometimes when they're

little, maybe, maybe a big old

307

00:15:34,925 --> 00:15:36,365

bear walks by and steps on them.

308

00:15:37,380 --> 00:15:38,160

It gives them a hurt.

309

00:15:38,280 --> 00:15:38,520

Ooh.

310

00:15:40,020 --> 00:15:45,060

And they get little crooks and bands

and just make up little stories.

311

00:15:45,060 --> 00:15:48,790

Think what happened that all these

little trees see now here's one

312

00:15:48,800 --> 00:15:50,670

that maybe this one kicked him.

313

00:15:51,000 --> 00:15:52,080

So he's leaning over.

314

00:15:54,780 --> 00:15:59,040

Just pushed him right out of

the way you get mean trees too.

315

00:16:01,020 --> 00:16:01,470

Okay.

316

00:16:01,770 --> 00:16:03,060

Should we put a couple more over here?

317

00:16:05,660 --> 00:16:06,750

Trees are fun to make.

318

00:16:08,130 --> 00:16:09,390

And maybe we'll back in here.

319

00:16:09,390 --> 00:16:11,550

There's just a little

indication of some trees.

320

00:16:12,360 --> 00:16:14,250

Just take, maybe you can see that.

321

00:16:14,250 --> 00:16:20,160

Just take the brush and tap it down,

or just make the indication some trees

322

00:16:20,160 --> 00:16:23,490

that are far, far away that easy.

323

00:16:25,410 --> 00:16:26,850

Maybe there's one right there.

324

00:16:29,175 --> 00:16:31,035

I'm just going to cover the

whole canvas with trees here.

325

00:16:31,035 --> 00:16:31,905

Maybe I should stop.

326

00:16:32,685 --> 00:16:33,375

I get carried away.

327

00:16:33,375 --> 00:16:33,735

Sometimes.

328

00:16:33,765 --> 00:16:38,145

I like to make his little Rascals there.

329

00:16:38,145 --> 00:16:44,385

We can pop in some dark color now,

then I'm just going to take a clean

330

00:16:44,385 --> 00:16:47,595

knife, nothing on it, and just sort

of scratch through here and there.

331

00:16:47,655 --> 00:16:50,175

It'll make it look like

some little tree trunks.

332

00:16:51,855 --> 00:16:53,835

You could put color on

it, but you don't have to.

333

00:16:57,045 --> 00:17:03,735

There look at all the little things,

all kinds of little details that easy

334

00:17:05,825 --> 00:17:09,155

that cleaning the brush because it

has black and blue on, and I'll go

335

00:17:09,635 --> 00:17:14,615

right into the yellow and that'll make

a beautiful, beautiful, rich green.

336

00:17:15,635 --> 00:17:16,475

Let's go back up here.

337

00:17:18,365 --> 00:17:23,010

And with that, I just want to place

the indication of a few highlights.

338

00:17:23,070 --> 00:17:26,820

I want to keep these trees quite

dark for the contrast, but a

339

00:17:26,820 --> 00:17:27,900

few little highlights here.

340

00:17:29,600 --> 00:17:38,180

There are some sparkly, happy little

things right up to here that we go pretty.

341

00:17:39,890 --> 00:17:40,790

These are the kinds of scenes.

342

00:17:40,790 --> 00:17:43,340

My mother likes she's happy.

343

00:17:44,000 --> 00:17:45,080

Fantastic lady.

344

00:17:45,350 --> 00:17:48,050

She lives in Florida and she's

enjoying the sunshine now.

345

00:17:51,600 --> 00:17:55,050

She'd have to be a fantastic lady to

put up with me while you got to be

346

00:17:55,050 --> 00:17:56,610

something to do with a crazy painter.

347

00:17:58,500 --> 00:17:59,219

There we go.

348

00:18:01,889 --> 00:18:05,340

Her and I go fishing together,

but we're not very good fishermen.

349

00:18:05,399 --> 00:18:10,830

We catch, we catch a fish and we put a

bandaid only put him back in the water

350

00:18:10,830 --> 00:18:13,110

and wishing will Cindy him on his way.

351

00:18:15,600 --> 00:18:16,020

Okay.

352

00:18:16,199 --> 00:18:16,679

Back to the.

353

00:18:17,205 --> 00:18:23,685

Back to the old brush here, and I'm just

using a little bit of green and I'm going

354

00:18:23,685 --> 00:18:29,774

to pick up this dark color and begin

creating the general lay of the land.

355

00:18:30,945 --> 00:18:35,355

Just tap continually

tapping, tap downward.

356

00:18:36,675 --> 00:18:37,185

Look at that.

357

00:18:42,645 --> 00:18:47,085

Just allow the breath to touch

that dark that you made your trees

358

00:18:47,085 --> 00:18:52,935

out of and just begin creating

all kinds of little effects.

359

00:18:55,784 --> 00:19:01,305

And I'll add a little touch of yellow

ochre, little Indian, yellow herring

360

00:19:01,305 --> 00:19:06,075

there at least a little bit of the

bright red you can make this look just

361

00:19:06,075 --> 00:19:07,575

like a happy little metal out here.

362

00:19:07,575 --> 00:19:13,274

And the more you tap, the softer it

gets, it gets very gentle and very soft

363

00:19:16,274 --> 00:19:16,784

there.

364

00:19:18,435 --> 00:19:22,635

Just sort of work these colors

back and forth, half them together.

365

00:19:27,254 --> 00:19:33,044

So wherever in your world, you make

the decision where we're all these

366

00:19:33,044 --> 00:19:34,754

little things are and you put them in.

367

00:19:36,044 --> 00:19:36,705

There we go.

368

00:19:37,845 --> 00:19:40,995

And you can, you can

change the lay of the land.

369

00:19:41,215 --> 00:19:41,534

Watch.

370

00:19:41,605 --> 00:19:42,405

Watch right here.

371

00:19:42,899 --> 00:19:43,230

Shoot.

372

00:19:43,260 --> 00:19:47,460

Look at this, look here by

changing this angle, you can

373

00:19:47,460 --> 00:19:48,960

make the land come this way.

374

00:19:52,439 --> 00:19:53,310

There is no into it.

375

00:19:53,399 --> 00:19:57,570

I can just go on and on and on there.

376

00:20:01,050 --> 00:20:01,950

Maybe you can look at there.

377

00:20:05,610 --> 00:20:07,679

Isn't that neat that

you can do all of that.

378

00:20:10,440 --> 00:20:12,420

Hearing her drop dropping

a little darker colors.

379

00:20:16,560 --> 00:20:16,920

Okay.

380

00:20:16,980 --> 00:20:17,910

Maybe right out here.

381

00:20:17,910 --> 00:20:19,230

Maybe the sun is going to hit this.

382

00:20:19,230 --> 00:20:22,140

So you can go back and add

little highlights where you want

383

00:20:22,140 --> 00:20:26,880

it to really stand out where

you want it to really shine.

384

00:20:28,830 --> 00:20:29,520

There we go.

385

00:20:30,720 --> 00:20:32,370

I'll tell you what do you know me?

386

00:20:33,390 --> 00:20:33,930

Shoot out.

387

00:20:34,665 --> 00:20:35,985

I want a little cabin out here.

388

00:20:36,105 --> 00:20:38,025

That's such a pretty, pretty area.

389

00:20:38,235 --> 00:20:39,825

And there's several ways

to make little cabins.

390

00:20:39,825 --> 00:20:43,665

One of the easiest ways is to take your

knife and scrape out a basic shape.

391

00:20:44,295 --> 00:20:47,085

If you just take it, it does two things.

392

00:20:47,715 --> 00:20:50,745

It allows you to lay out your, the

little cabin without being committed,

393

00:20:51,525 --> 00:20:53,295

but probably more important than that.

394

00:20:53,925 --> 00:20:55,935

It removes excess paint.

395

00:20:56,535 --> 00:21:00,195

So your next layer of paint

will stick much better.

396

00:21:01,005 --> 00:21:01,455

Let's see there.

397

00:21:03,210 --> 00:21:05,250

That quick, you can just

scrape out a cabin shape.

398

00:21:05,280 --> 00:21:10,500

Now let's take some Vandyke

Brown and we'll put in an

399

00:21:10,530 --> 00:21:12,660

Eve or an overhang, whatever.

400

00:21:14,540 --> 00:21:17,480

Dan put some, Oh, we're doing right now.

401

00:21:17,480 --> 00:21:18,710

It's just blocking in color.

402

00:21:20,480 --> 00:21:24,050

Just blocking in color during not

too worried yet about details.

403

00:21:26,120 --> 00:21:28,670

Look at there that easy.

404

00:21:29,900 --> 00:21:31,100

Let's put some dark right there.

405

00:21:31,815 --> 00:21:33,764

This is just straight Vandyke Brown.

406

00:21:35,355 --> 00:21:38,264

It's all it is straight or Vandyke Brown.

407

00:21:42,575 --> 00:21:42,725

Okay.

408

00:21:43,504 --> 00:21:47,825

Maybe up here on the roof, let's

use some red, a little bit of

409

00:21:47,825 --> 00:21:52,925

dark sand that mixed together a

little bit more than bright red.

410

00:21:53,585 --> 00:21:54,335

Ooh, here we go.

411

00:21:54,514 --> 00:21:56,554

Cut us off a little

roll of paint as usual.

412

00:21:57,875 --> 00:21:59,645

Now then just take.

413

00:22:00,180 --> 00:22:05,790

And just let it sort of bounce

right along to just let it touch.

414

00:22:05,820 --> 00:22:06,990

Bounce, have fun.

415

00:22:07,170 --> 00:22:07,500

See it.

416

00:22:08,970 --> 00:22:09,420

Look at there.

417

00:22:11,340 --> 00:22:11,460

Okay.

418

00:22:11,460 --> 00:22:15,540

Now then I'm going to take quite

a little bit of black Twitter,

419

00:22:15,570 --> 00:22:18,210

like gray, white, and black.

420

00:22:18,660 --> 00:22:19,860

Pull us off a little bit of paint.

421

00:22:20,760 --> 00:22:23,130

And we'll go right up

here soon, pull it down.

422

00:22:23,340 --> 00:22:28,770

It's either straight down now for

the other side, I want it darker.

423

00:22:29,550 --> 00:22:30,150

I was not as much.

424

00:22:30,180 --> 00:22:31,320

Light's going to hit that side.

425

00:22:31,500 --> 00:22:35,100

My mountain tells me my light

is coming from the right.

426

00:22:35,100 --> 00:22:36,180

So I'm going to get the small knife.

427

00:22:36,180 --> 00:22:37,680

It gets in those little areas better.

428

00:22:38,550 --> 00:22:39,840

And I'm going to reach right up in here.

429

00:22:40,020 --> 00:22:44,070

See that's much darker and this

little knife, boy, it's great for

430

00:22:44,070 --> 00:22:45,300

these little things like, yes.

431

00:22:47,220 --> 00:22:48,930

And I'm going to have the little knife.

432

00:22:49,260 --> 00:22:51,030

Let's put us a door right there.

433

00:22:52,170 --> 00:22:52,860

Shoot.

434

00:22:52,980 --> 00:23:01,290

Now we can chop this off, like, so we

might even want to a little window.

435

00:23:03,300 --> 00:23:04,890

Anything you want in your cabin?

436

00:23:04,980 --> 00:23:07,200

You can do it, man.

437

00:23:08,100 --> 00:23:09,060

Let's go right here.

438

00:23:09,330 --> 00:23:14,220

Put some grass right around

the foot's around there.

439

00:23:15,930 --> 00:23:16,530

Okay.

440

00:23:18,750 --> 00:23:20,040

I'm gonna put two.

441

00:23:20,050 --> 00:23:24,000

So this stands out to at least

little touch of white or light

442

00:23:24,000 --> 00:23:25,320

color, right along this edge.

443

00:23:25,350 --> 00:23:27,030

So you can Oh, nice.

444

00:23:28,050 --> 00:23:28,980

Nice little Kevin.

445

00:23:29,459 --> 00:23:30,870

Let me grab the old fan brush.

446

00:23:31,889 --> 00:23:35,699

Let's take some straight Vandyke

Brown, little dark Sienna mixed in it.

447

00:23:36,540 --> 00:23:38,010

Got to have a happy little path.

448

00:23:39,600 --> 00:23:40,439

Maybe it comes down.

449

00:23:40,740 --> 00:23:41,909

Maybe it goes right on out of sight.

450

00:23:41,909 --> 00:23:44,909

Behind that Hill comes out here.

451

00:23:46,530 --> 00:23:50,220

Wherever you want your

path to go look at that.

452

00:23:50,460 --> 00:23:51,090

Look at that.

453

00:23:52,500 --> 00:23:54,570

See there, there we go.

454

00:23:55,700 --> 00:23:58,940

Retried appear and grab a little

white and it'll mix with the Brown.

455

00:23:58,940 --> 00:24:02,420

That'll give us a little highlight

to sort of let that skip across here.

456

00:24:02,930 --> 00:24:04,780

Just blip it.

457

00:24:04,850 --> 00:24:05,540

Nice and quick.

458

00:24:05,570 --> 00:24:06,110

Just let it slide

459

00:24:10,910 --> 00:24:11,300

and.

460

00:24:11,715 --> 00:24:14,745

Cleaned it up with a little bit, a

little bit of the grassy areas, right

461

00:24:14,745 --> 00:24:20,385

along like there, and that pushes

your path right into your painting.

462

00:24:21,955 --> 00:24:22,935

Let's get crazy.

463

00:24:23,895 --> 00:24:27,645

Tell you what, let's go into a

big bunch of Brown, dark Sienna

464

00:24:27,645 --> 00:24:32,535

with a fan brush and right, right,

right, right, right, right there.

465

00:24:33,495 --> 00:24:35,235

Right there lives a happy tree.

466

00:24:36,375 --> 00:24:36,435

Yeah.

467

00:24:36,605 --> 00:24:40,115

Big happy tree that lives right there.

468

00:24:41,909 --> 00:24:43,169

And let's give him an arm.

469

00:24:43,889 --> 00:24:45,659

He's got an arm that was there.

470

00:24:47,580 --> 00:24:48,210

There we go.

471

00:24:48,919 --> 00:24:49,439

Okay.

472

00:24:49,590 --> 00:24:50,460

Pull that right down.

473

00:24:50,909 --> 00:24:51,649

Give him a little foot.

474

00:24:53,210 --> 00:24:53,689

Okay.

475

00:24:55,250 --> 00:24:57,679

I'm going to go into paint

thinner with a liner brush.

476

00:24:58,470 --> 00:24:59,389

Lot of thinner.

477

00:24:59,419 --> 00:25:06,199

I want this to be just like ink

or water, and that will put the

478

00:25:06,199 --> 00:25:09,560

indication of a happy little,

little branch here and there.

479

00:25:12,345 --> 00:25:12,885

There.

480

00:25:15,765 --> 00:25:16,185

Okay.

481

00:25:18,585 --> 00:25:19,455

There we go.

482

00:25:21,825 --> 00:25:25,695

And just as many or as few of these

little lambs as you want in your world,

483

00:25:27,375 --> 00:25:33,285

that's when hair maybe comes clean over

here, look at that all kinds of them.

484

00:25:34,995 --> 00:25:38,775

And we can take a go right

into a little bit of white.

485

00:25:39,105 --> 00:25:43,395

And let's just look at there at the

indication of a little highlighter

486

00:25:43,635 --> 00:25:46,035

right on that, just tearing there.

487

00:25:46,035 --> 00:25:51,195

So a little tree trunk stands out,

has a personality, all of its own

488

00:25:55,065 --> 00:25:56,435

little sticker to down here.

489

00:25:58,625 --> 00:25:59,045

I can't,

490

00:26:02,705 --> 00:26:04,235

and let's just clean up his little foot.

491

00:26:08,265 --> 00:26:08,985

Fix her path.

492

00:26:10,065 --> 00:26:13,515

I think we've got, I don't have a

finished penny now then comes the fun.

493

00:26:13,995 --> 00:26:16,275

Let me show you, bring

the camera right up here.

494

00:26:16,275 --> 00:26:16,755

Close.

495

00:26:17,565 --> 00:26:18,555

I'm going to grab this.

496

00:26:25,025 --> 00:26:25,835

isn't that neat.

497

00:26:26,495 --> 00:26:30,065

Now, if you, when you're doing this

at home, if you painted this Brown

498

00:26:30,065 --> 00:26:33,095

in here, for example, it looks just

like you're looking out of a window.

499

00:26:33,365 --> 00:26:34,325

It's a super idea.

500

00:26:34,920 --> 00:26:38,670

Give it a try, use the contact

paper tapes, all kinds of different

501

00:26:38,670 --> 00:26:43,620

things that you too can make some

fantastic effects from all of us here.

502

00:26:43,710 --> 00:26:44,460

Happy painting.

503

00:26:44,820 --> 00:26:45,360

God bless.

504

00:26:45,370 --> 00:26:46,320

And we'll see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S10E11 - Triple View

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse