Bob Ross's

The Joy of Painting

S13E06 - Hidden Creek

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Hello.

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I'm truly glad you joined me today

because today we're going to do something

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a little bit different and I believe

you're going to really enjoy this one.

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Let me tell you what I've done up here.

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I've taken just a plain old canvas

stretch canvas, and I've covered

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this whole area here with black.

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Jesso, as you can see, and I've

allowed that to dry completely.

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And then all this area I have

covered with a mixture of blue, SAP,

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green, and a little touch of Vandyke

Brown and it just to dull it down.

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So, and then we've just taken the two

inch freshen and put this all over.

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I'm going to do a nice

dark, dark painting today.

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So in paintings like this, all

this big dark area here, you

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can use the black Jesso and.

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It's already done for you.

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Let's start off and have him run all

the colors across the screen that

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you need to paint along with me.

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And while they're doing that, let's

go on up here and get finished.

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I'm just using the two inch brush

to apply this base color on here.

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And maybe I'll have some big Liam's

hanging out here so we can begin

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working on some basic shapes.

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This is just liquid white up in, in this

portion, plain canvas, nothing on it.

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And.

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See, maybe up in here, maybe we're

going to have a big tree, so we can

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just take the color that's left on the

brush and just have a basic shape of a

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cafee tree that lives right up in here.

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And all we're doing is using the corner

of the brush and tapping it down.

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All we're looking for once again

is very, very basic shapes.

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We're not looking for detail

at this point later on.

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We'll worry about that.

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And a little bit more of

that color shoot, who knows?

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Maybe there'll be, we can have one

over here too, wherever you want.

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I want this to look like

it's deep in the woods.

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Beautiful little place

to, just to play in.

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Hey.

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Okay.

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Let's have some fun.

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Take a fan brush today.

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We'll go into a least little touch of the

cadmium yellow, get a little yellow ochre.

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Also we're using together

yellow ochre and kit yellow.

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Let's go back up here.

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I want to, I want to have some

spots back here where it looks

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like the light shining through.

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So take the brush and get mean with

a disco in here and hit and turn it.

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That is green on the canvas, so, and blue.

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So you're going to get that.

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You're going to get all of these pretty

little colors that just show through

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and here and there, pick up a little

white, see how that lightens it up.

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It makes all kinds of effects.

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So you have white caddy, yellow,

yellow ochre just hit here and they're

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just too random and spin the brush.

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Keep it moving.

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Don't let that settle.

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We're going to go to sleep on you.

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Keep it moving.

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Then we'll take a clean, dry to

inspiration and very lightly.

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I'm just going to lift that up and

down just to see easy as it can be.

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And hopefully if everything works

right, that'll look like as a

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little bit of light shining through

a lot of trees and we're done.

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So let's get another fan brush.

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I have several of them going here and

we'll go into street midnight, black.

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Load a lot of pain into

the bristles, both sides.

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Can you add back in here?

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All we do is just tap downward and begin

putting the indication of little trees

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that live far, far away, back here.

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These are far back in the

distance, so we're not looking

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for a lot of detail there.

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Hmm.

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And then sneaky,

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just sort of staggering the trees

around, you know, trees grow and grow.

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However, it makes them happy.

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Just wherever you think

you should be a tree.

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That's where he should be.

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We can take our script liner

brush with paint, thinner on it

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and go right into some black.

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And we want to thin this paint.

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Tell us literally like ink and wear that.

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Just here and there put the

indication of a little limbs that

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are growing out of these trees.

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Looking for a lot of detail.

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Once again, I think I probably put

some big trees in front of this and

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we'll cover it up a lot of this.

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They're

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just let that paint flow on there.

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So while I have that old brush going,

I'm going to add a little Brown to it.

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So I have Vandyke Brown

and midnight black.

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Okay.

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And a little more paint thinner.

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Okay.

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Maybe right here in this big

old tree, it needs a trunk.

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So we'll just pull that red on up to her.

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You can go from the large part

up or from the small part down,

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whichever way works best for you.

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Try it both ways.

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Some people find one way works better.

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Some find the other way it works.

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For each different and just test

it, see how it works for you.

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Just the indication here and there

in a few little limbs and sticks.

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Shoot.

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Maybe back over here, you can make out

some little things that are happening.

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I don't want these two distinct, these

are just little indications back in there.

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All kinds of pretty

little things happening.

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We back in the distance, maybe

there's even one that goes back there.

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Wherever you think they

should be in your world.

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That's exactly where they should be.

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Okay, now then I'll tell you what,

we'll just use a one inch brush that

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you could do it with any brush, but we

use the one inch and we'll go into it.

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Takes them that dark color.

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We'll go into some yellow.

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We use all the different yellows,

Indian, yellow, yellow ochre, CAD yellow.

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It would just tap it

a little bit of color.

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Just tap the brush though, like that.

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Okay.

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Maybe be there's a few little highlights

on these trees that are way back in here.

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Once again, I don't want

too much detail back here.

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It'll destroy that illusion of distance.

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Just a little, since we're a little

lights shining through there and playing

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in the little leaves are sparked.

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That's all we're looking for

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there.

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Okay.

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It's black Jesso is fantastic for,

as I mentioned earlier, for areas

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that in that you have a lot of dark

and paintings save you a lot of time.

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There.

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And it's designed specifically

for this type of painting.

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So it works good.

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There may be over here on this tree.

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There's a few little things

just wherever you want them.

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Hope you like this little painting.

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I continually try to bring

you new and different things.

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So you don't get bored with it.

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Not only in painting, do I try to

bring in new things, but also in

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equipment and continually designing

new and different pieces of equipment

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that help make painting easier.

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So you get the best results and I

hope you, I hope you enjoy them.

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Fair.

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I'm just going to start with some

individual little bushes and begin

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dropping in some highlights, but

work with farm over and over.

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I say that worked with form and shape.

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There we go.

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Lights coming through here.

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And just as the singing down, have fun

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there.

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Let's see how easily do

this is just tapping.

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That's all you have to do is just tap.

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Maybe this one here.

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Oh, you just barely can make

out a little bit on here.

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I designed this tapping because people

were having so much trouble trying to push

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upward with a brush and making it work.

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So this is a lot easier.

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You'll find it.

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Anybody can do this

with almost no practice.

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The thing to spend time with is

worrying about shape and form.

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That's where it happens.

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Okay.

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Well, I got some dark green on here.

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Let's begin putting in some

of the dark areas on these big

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lambs that are back in here.

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This is a very dark, very dark green.

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And this is where we start laying

out some of our basic form and shape.

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And we're just using the corner of

the brush, just tapping down, right.

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That easy there.

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Okay, maybe there it is.

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There it is.

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You knew it was there.

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This one, there we'll come back later.

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Maybe we'll brighten those highlights

up so you could make them as

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bright or as dark as you want them.

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Maybe over in here, there's some

basic little shapes that live in there

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and play way back here in the dark.

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Just think about limbs that are

projecting it all kind of directions.

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In a beautiful way though, to

make deep in the woods effect.

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And you can do this with any color

on the black canvas that works

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super, any transparent color.

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And the way to tell if a color is

transparent enough to do this way,

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to just rub a little bit on your

black canvas, if it still looks

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black, then your color is transparent

enough for what we're doing here.

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And as soon as you rubbed

someone, a black canvas you'll

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understand exactly what I'm saying.

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If it doesn't make any sense now.

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Okay.

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Now that maybe you don't me, I love water.

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So maybe we'll have a

little bit of water in here.

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So I'm going to start it off.

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And have a little land back here first,

and we'll use this old dirty brush.

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So two inch impression, I'll just

tap right into some of my CAD

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yellow and SAP, green and yellow

ochre and all those colors, all

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the ELLs and decide where you land.

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Area's going to be look at there.

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See, look at that.

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Isn't that fantastic, beautiful

little soft grassy area just by

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tapping with a big old brush.

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Let's begin forming the lay of the

land of the way the land flows.

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There.

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Okay.

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Then maybe, maybe up in here, maybe

in your world, there's a little

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bit of light Shannon through there.

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The sun beams, just as hanging through

there and it's having a good time go

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right into titanium, white, just a

little touch of titanium way and then

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come back and just park all that.

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Or you want the sun to really

zing through and shine.

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Just sparkle effort to be effective.

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Don't overdue.

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It's easy because it

starts looking so nice.

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It's easy to do too much.

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Don't overdue just a little

bit here and there is extremely

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effective, too much will bother you.

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Okay.

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And just all kinds of little shapes.

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See the little dark areas in between

these that's what separates them.

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That's your friend.

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Take care of it, treat it nice.

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Don't hurt that.

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Let it get darker, darker, darker

back here in these trees in the woods

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and stuff, darker, darker, darker.

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So it looks like it's big shadows.

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Okay,

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there we go.

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Just bring it right on

out wherever you want it.

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And this is just done by tapping.

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That's all there is

to, are you doing this?

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Just tap, tap, tap.

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Just like the old tap dancers did.

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That's all you have to do.

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Tap out a happy little tune here.

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Let it go.

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Okay.

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We said we was going to have some water.

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Let me get another brush.

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And let's have some water right into here.

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So I'm going to go right into, we were

running into some titanium, white,

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just pull a little bit onto the brush.

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Okay.

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Now we have color on the canvas.

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So decide, decide where your water lives,

touch the canvas and post straight down.

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Just sort of give it a little snap, pull

downward, and because it's wet underneath.

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It'll mix for that color and you

automatically get all these effects.

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You don't have to worry about them.

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They just happened.

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There we go.

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In the more of the titanium white

paint, you put on your canvas, the

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brighter, this will be, so you have

to make some big decisions here.

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How bright do you want it?

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I would suggest that since

this is your brightest area.

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On the land.

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It also be the brightest area in water.

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very lightly come across just

enough to give it a water effect.

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Don't want to destroy

and you can push this.

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You can push it and pull it, give it the

impression that the water is shimmery.

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There we go.

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Yeah, we'll take some

more of a dark color here.

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00:13:36,724 --> 00:13:39,395

I'll just use this little brush

and maybe there's another little

252

00:13:39,395 --> 00:13:41,435

peninsula of land over here.

253

00:13:41,645 --> 00:13:45,515

Cause we want that maybe to go around

and sort of hide back here somewhere.

254

00:13:46,324 --> 00:13:50,375

All I'm doing is tapping on

some dark color into that.

255

00:13:50,375 --> 00:13:50,974

We'll add some.

256

00:13:51,325 --> 00:13:51,895

Highlights.

257

00:13:54,295 --> 00:13:54,925

There we go.

258

00:13:57,225 --> 00:13:57,645

Okay.

259

00:13:58,035 --> 00:14:01,275

I'm going back to my little highlight

brush and you can do it once again

260

00:14:01,275 --> 00:14:02,415

with a one or two inch brush.

261

00:14:02,415 --> 00:14:03,165

Whatever is handy.

262

00:14:10,125 --> 00:14:11,385

We put our little highlights on.

263

00:14:13,815 --> 00:14:16,675

See in my world, if a light Shannon

through there, this is going to be quite

264

00:14:16,705 --> 00:14:20,415

bright in here, but then it's very quickly

over the other side of this Hill here,

265

00:14:20,415 --> 00:14:21,945

it's going to get darker, darker, darker.

266

00:14:21,945 --> 00:14:24,125

So you use less than this pressure here.

267

00:14:24,155 --> 00:14:25,725

You just barely touching the canvas.

268

00:14:26,985 --> 00:14:34,185

Just you just caress it, barely

touching, very gentle, very, very gentle.

269

00:14:38,295 --> 00:14:39,075

And then if we want to.

270

00:14:40,650 --> 00:14:41,820

Have a little reflection there.

271

00:14:41,820 --> 00:14:44,670

We'll take a little of our

titanium honey and pull it down.

272

00:14:46,890 --> 00:14:48,240

She just helped sparkly it up.

273

00:14:48,240 --> 00:14:51,480

So I'll look straight down and go across.

274

00:14:53,280 --> 00:14:56,160

And once again, you can wiggle parts of

it here and there, wherever you want it.

275

00:14:57,570 --> 00:14:58,230

And that easy.

276

00:15:00,479 --> 00:15:01,199

There we go.

277

00:15:03,270 --> 00:15:06,719

Okay, now then let's start putting

us some landmasses in there.

278

00:15:06,780 --> 00:15:12,959

We'll just take some Vandyke Brown van

brands, dark Sienna, titanium white.

279

00:15:12,990 --> 00:15:17,880

We just mix that together about Lexa

don't overmix it just about like, so

280

00:15:17,910 --> 00:15:19,469

just pull it through and leave it.

281

00:15:19,560 --> 00:15:20,910

Cut off a little roll of paint.

282

00:15:21,290 --> 00:15:25,910

Just a small amount of paint and let's

go right up in here and wherever we

283

00:15:25,910 --> 00:15:30,080

think land should be, that's just

put in a little touch of land there.

284

00:15:31,820 --> 00:15:33,170

Just really scrub it down.

285

00:15:35,030 --> 00:15:36,170

Maybe it comes out around there.

286

00:15:36,170 --> 00:15:37,880

And there's some more

287

00:15:41,720 --> 00:15:42,740

little roll of paint though.

288

00:15:46,760 --> 00:15:47,060

Okay.

289

00:15:47,060 --> 00:15:50,540

Maybe here, maybe this begins coming.

290

00:15:50,985 --> 00:15:57,495

Like a bear, maybe it comes right on

around my kiss wherever you want it.

291

00:15:58,935 --> 00:15:59,355

See you there.

292

00:16:03,635 --> 00:16:04,685

change your mind, right?

293

00:16:04,685 --> 00:16:05,435

In midstream.

294

00:16:05,885 --> 00:16:09,935

There's no commitments in this,

anything that you want, you can do.

295

00:16:11,405 --> 00:16:18,065

Maybe we'll just, maybe this is an old,

old dried up area here just to the bank.

296

00:16:20,195 --> 00:16:22,325

And all I'm doing is just rubbing

a little bit of color on it.

297

00:16:22,955 --> 00:16:23,045

Okay.

298

00:16:25,890 --> 00:16:26,340

I get that.

299

00:16:26,840 --> 00:16:27,770

That's fantastic.

300

00:16:28,520 --> 00:16:31,160

That's some of that dark color show

through some of that black show

301

00:16:31,160 --> 00:16:35,150

through wherever you want it to go.

302

00:16:37,310 --> 00:16:39,770

Maybe just sort of fades off

back here into the shadows.

303

00:16:45,020 --> 00:16:47,240

Darker darker, darker as it

goes back in the shadows.

304

00:16:47,690 --> 00:16:51,200

And the more you rubbed this, the darker

it's going to become because it's picking

305

00:16:51,200 --> 00:16:55,030

up the color it's underneath that easy.

306

00:16:56,440 --> 00:16:57,010

There we go.

307

00:17:01,630 --> 00:17:03,940

I like to do these where you

use the knife, a great deal.

308

00:17:05,229 --> 00:17:09,429

And some of the earlier series

we've showed entire paintings done

309

00:17:09,429 --> 00:17:13,869

with nothing but the knife and you

can do, it's a super way to make

310

00:17:13,869 --> 00:17:17,969

friends with them super weight.

311

00:17:19,770 --> 00:17:22,589

He may be on the other

side here, over here.

312

00:17:22,679 --> 00:17:23,250

I'll tell you what.

313

00:17:23,250 --> 00:17:26,339

Let's have a little dirt over here too.

314

00:17:28,469 --> 00:17:29,760

Don't want this ad left out.

315

00:17:33,845 --> 00:17:35,074

comes right on around.

316

00:17:36,814 --> 00:17:37,235

I can't

317

00:17:41,524 --> 00:17:42,574

brighten that up a little bit.

318

00:17:42,574 --> 00:17:47,165

So it shows up, say this related

sneak right at home, up here into

319

00:17:47,165 --> 00:17:49,895

the, all the little grassy areas.

320

00:17:52,115 --> 00:17:56,345

We'll take a fan brush, put a

little bit of titanium white on it.

321

00:17:56,885 --> 00:17:58,324

And maybe back in here.

322

00:17:58,990 --> 00:18:00,960

Maybe there's some little ripples happen.

323

00:18:00,990 --> 00:18:02,010

This is quite small.

324

00:18:03,600 --> 00:18:04,740

Let me get a little more paint.

325

00:18:04,830 --> 00:18:06,150

Maybe it comes right on down here.

326

00:18:06,510 --> 00:18:08,850

Maybe there's a tiny

little blip up there here.

327

00:18:08,870 --> 00:18:09,360

Right?

328

00:18:09,480 --> 00:18:11,070

A little waterfall is right there.

329

00:18:11,100 --> 00:18:15,300

Just a tiny one, just coming

over that little protrusion.

330

00:18:17,130 --> 00:18:22,920

And then he comes right on out here into

the wider part, goes on about his way.

331

00:18:26,100 --> 00:18:32,310

So all there is to it and he just goes on

around and we don't know where he goes.

332

00:18:33,780 --> 00:18:35,010

Came back to my fan brush.

333

00:18:35,010 --> 00:18:35,939

It had the dark color.

334

00:18:36,060 --> 00:18:37,230

Let's get crazy over here.

335

00:18:38,040 --> 00:18:38,280

Shoot.

336

00:18:38,280 --> 00:18:43,290

We're having so much fun and doing so

well back to the midnight black, lot

337

00:18:43,290 --> 00:18:47,070

of, lot of pain into the bristles,

a lot of color, a lot of color.

338

00:18:47,760 --> 00:18:48,030

Okay.

339

00:18:48,270 --> 00:18:49,860

Maybe there's some big trees that live.

340

00:18:51,315 --> 00:18:54,675

Just sort of decide and make a

decision and, yep, you're right.

341

00:18:56,145 --> 00:18:56,805

There's a tree.

342

00:18:59,855 --> 00:19:01,565

These trees are closer to you.

343

00:19:01,565 --> 00:19:02,285

So they're bigger.

344

00:19:02,285 --> 00:19:03,095

They're stronger.

345

00:19:03,095 --> 00:19:04,235

There's more detail in them.

346

00:19:04,985 --> 00:19:05,375

Take heart.

347

00:19:05,405 --> 00:19:05,795

Let's have it.

348

00:19:06,005 --> 00:19:11,045

Let's have another one right there

and we could get really crazy.

349

00:19:11,615 --> 00:19:14,315

And maybe we over here

is even a bigger one,

350

00:19:17,615 --> 00:19:19,295

but doesn't that make a beautiful effect?

351

00:19:20,850 --> 00:19:26,699

Very simply you can make the dark

woods without working hardly at all.

352

00:19:27,689 --> 00:19:30,510

Go back to my liner,

brush, painting her on it.

353

00:19:31,469 --> 00:19:33,929

And you really want this

paint to be as thin as ink.

354

00:19:33,990 --> 00:19:34,740

So it flows.

355

00:19:34,770 --> 00:19:39,540

Turn the brush, turn the bristles in

there and pull it out to a sharp point.

356

00:19:39,719 --> 00:19:41,899

That's what we're looking for now.

357

00:19:42,330 --> 00:19:44,219

Let's just put the

indication here and there.

358

00:19:45,419 --> 00:19:51,330

That's some tree trunks just here and

there, or I'm sorry, not tree trunks.

359

00:19:51,360 --> 00:19:55,730

We got those, some tree looms there.

360

00:19:56,240 --> 00:19:58,230

Sometimes your tongue gets OVI teeth.

361

00:19:58,230 --> 00:20:01,730

You can't see what you see in there.

362

00:20:03,540 --> 00:20:03,930

Okay.

363

00:20:03,990 --> 00:20:05,340

Let's let some of those run through.

364

00:20:09,200 --> 00:20:11,720

There are some coming out,

going in front of the tree.

365

00:20:11,720 --> 00:20:15,230

They are all which way here, wherever

366

00:20:18,350 --> 00:20:18,620

fair.

367

00:20:22,940 --> 00:20:26,570

And you can strengthen up this

trunk a little weak right there.

368

00:20:26,570 --> 00:20:27,050

So you can just.

369

00:20:27,445 --> 00:20:31,065

Use a liner brush and add a

little more so to stand up.

370

00:20:31,095 --> 00:20:31,865

Good, strong.

371

00:20:34,295 --> 00:20:37,774

And if you get to where you're

a paint does not going to flow.

372

00:20:37,865 --> 00:20:41,585

As I mentioned earlier, add

some paint thinner, normally

373

00:20:41,585 --> 00:20:42,514

that'll cure your problem.

374

00:20:45,185 --> 00:20:45,905

There we go.

375

00:20:48,245 --> 00:20:50,975

You know, one of the reasons I like

to design so many things when I was in

376

00:20:50,975 --> 00:20:56,284

school and I was in college, my major

was engineering until I changed to art.

377

00:20:57,255 --> 00:21:00,105

So for several years,

I studied engineering.

378

00:21:00,105 --> 00:21:04,935

So there's all kinds of crazy things

I've designed and developed and

379

00:21:04,935 --> 00:21:08,355

they're all over the country and

they're being used by people all over.

380

00:21:09,975 --> 00:21:13,025

I guess that's a compliment there.

381

00:21:16,955 --> 00:21:18,305

Some more little lambs here and there.

382

00:21:22,205 --> 00:21:25,655

I decided in school that I liked to

paint more than I like to design.

383

00:21:26,490 --> 00:21:29,880

Bridges and buildings and

all those kinds of things.

384

00:21:33,170 --> 00:21:33,260

Okay.

385

00:21:34,340 --> 00:21:37,790

Seemed to me like it was a

headquarter fun, heck of a lot

386

00:21:37,790 --> 00:21:44,690

more fun now than here and there

just had little sticks and twigs,

387

00:21:46,880 --> 00:21:48,170

wherever you think they should live.

388

00:21:51,300 --> 00:21:56,250

Just wherever and these little sticks and

twigs help add detail to your painting.

389

00:21:59,540 --> 00:22:01,610

And these details are that's.

390

00:22:01,610 --> 00:22:03,169

What makes your painting stand out?

391

00:22:04,310 --> 00:22:10,460

So Adam man, the more the merrier really

like them, they pay great dividends.

392

00:22:13,610 --> 00:22:13,850

Okay.

393

00:22:13,970 --> 00:22:16,940

Maybe tell your heart, let me get

a little more thinner on my let's

394

00:22:16,940 --> 00:22:18,110

go on the other side over here.

395

00:22:19,140 --> 00:22:20,430

Maybe over here lives.

396

00:22:21,420 --> 00:22:28,680

Yeah, some big, big, big, old,

big, old tree, 11 grows right out

397

00:22:32,030 --> 00:22:32,810

deep in the woods.

398

00:22:32,810 --> 00:22:36,010

You have all kinds of beautiful,

beautiful tree levels that happens.

399

00:22:36,010 --> 00:22:38,150

So don't be afraid to paint them in there.

400

00:22:40,620 --> 00:22:44,810

Let him go wherever you want them.

401

00:22:45,110 --> 00:22:50,750

Maybe he's got an arm at hangs

out over here, maybe down in here.

402

00:22:50,750 --> 00:22:54,590

There's all kinds of

little sticks and twigs.

403

00:22:54,590 --> 00:22:56,929

And these are going to

be big trees one day.

404

00:22:56,929 --> 00:23:00,290

If you take care of them there.

405

00:23:01,100 --> 00:23:01,189

Okay.

406

00:23:01,399 --> 00:23:03,500

Sit back in the here's where all

the little creatures hide, the

407

00:23:03,500 --> 00:23:05,060

little bunny, rabbits and squirrels.

408

00:23:05,699 --> 00:23:09,510

I think I mentioned on one of the

earlier shows I'm I have two little

409

00:23:09,510 --> 00:23:11,070

babies curls I'm raising now.

410

00:23:11,100 --> 00:23:14,520

He was tearing down an old

house and we threw out a box

411

00:23:14,520 --> 00:23:15,480

and said, I don't have a gun.

412

00:23:15,510 --> 00:23:16,830

Two little squirrels rolled out.

413

00:23:16,830 --> 00:23:23,850

So you know me, I had to take them home

and I probably spent a fortune on not say

414

00:23:23,850 --> 00:23:25,649

the best fed squirrels in the country.

415

00:23:25,649 --> 00:23:28,290

They don't eat nothing

but walnuts and almonds.

416

00:23:28,740 --> 00:23:30,250

They'll never going to

make it on the outside.

417

00:23:30,250 --> 00:23:33,240

They're going to be out there

looking for those Walnut trees.

418

00:23:35,305 --> 00:23:36,975

There's not many of

those growing in Florida.

419

00:23:37,095 --> 00:23:42,195

And that's where I found them

right there while they're in there.

420

00:23:45,135 --> 00:23:45,555

Okay.

421

00:23:49,175 --> 00:23:51,695

I tell you what sometimes

it just get brave.

422

00:23:51,725 --> 00:23:56,255

Maybe, maybe there's an old

tree that a little more thinner.

423

00:23:56,855 --> 00:24:00,755

See if it don't, if it doesn't

flow, right, add more thinner.

424

00:24:02,585 --> 00:24:03,245

There we go.

425

00:24:03,335 --> 00:24:06,815

Maybe this whole tree just

grows right up through there.

426

00:24:09,235 --> 00:24:09,745

Hi, Kat,

427

00:24:13,965 --> 00:24:18,195

and you can put a little arms on

him and they just reach out here.

428

00:24:18,345 --> 00:24:20,235

Maybe this one, maybe this one's dead.

429

00:24:22,035 --> 00:24:24,825

Sometimes people write me letters and

they, they don't like the fact that

430

00:24:24,825 --> 00:24:26,325

I put dead trees in the painting.

431

00:24:27,285 --> 00:24:29,415

But when I go to the

woods, I say dead trees.

432

00:24:30,225 --> 00:24:31,515

And I think it's part of nature.

433

00:24:34,065 --> 00:24:37,395

But if you don't want to have trees

in your painting, then leave them out.

434

00:24:37,455 --> 00:24:39,765

All I want to do is show you how

to make these, what you put in

435

00:24:39,765 --> 00:24:42,015

them is completely up to you.

436

00:24:43,215 --> 00:24:46,065

But if you have time, take a picture

of your paintings and send to me,

437

00:24:46,095 --> 00:24:47,445

I love to see what you're doing.

438

00:24:48,565 --> 00:24:52,075

It really, it makes a lot of hard

work about a lot of people worthwhile.

439

00:24:53,665 --> 00:24:56,215

And every once in a while, we put them

together on a board and tried to show

440

00:24:56,215 --> 00:25:01,495

them, show what everybody's doing and

maybe you'll see your painting on here.

441

00:25:01,855 --> 00:25:05,515

So if you have time, just take a

little photograph and send them in.

442

00:25:06,125 --> 00:25:07,115

We'd really like to see them.

443

00:25:09,485 --> 00:25:10,025

Okay.

444

00:25:11,015 --> 00:25:13,655

Now then I go back to my

little one inch brush.

445

00:25:13,685 --> 00:25:18,185

I'm going to go into CAD yellow and

just tap in a little bit of color here.

446

00:25:20,345 --> 00:25:21,545

Just a little color.

447

00:25:22,535 --> 00:25:24,095

And I want to sort of

separate these leaves.

448

00:25:24,105 --> 00:25:26,345

We said, we'd come back and

brighten those a little.

449

00:25:26,375 --> 00:25:27,155

So let's do that.

450

00:25:31,320 --> 00:25:34,050

Just out here where you think the

sun would strike and they really

451

00:25:34,050 --> 00:25:37,700

shine jazzed here and there.

452

00:25:39,350 --> 00:25:39,920

Like, so.

453

00:25:43,260 --> 00:25:43,620

There.

454

00:25:46,830 --> 00:25:47,910

And that's all there is to it.

455

00:25:49,080 --> 00:25:52,770

And in your world, you sorta look

and, and design your own planning.

456

00:25:52,770 --> 00:25:57,420

And as I've mentioned before, we all

see nature through different eyes.

457

00:25:57,690 --> 00:26:03,540

So look around where you're at and do a

fantastic painting with this black Jesso.

458

00:26:03,550 --> 00:26:04,350

You were really loving.

459

00:26:04,470 --> 00:26:06,510

I'm going to sign this when

you would take a little red.

460

00:26:07,620 --> 00:26:08,730

Let's just sign it right here.

461

00:26:09,810 --> 00:26:12,030

Then the paint with paint thinner.

462

00:26:12,780 --> 00:26:18,840

Plus absolutely like ink and then it'll

flow and you can just sign your name

463

00:26:21,449 --> 00:26:25,590

and you signed it in whatever color that

you want, whatever color makes you happy

464

00:26:26,399 --> 00:26:27,990

and that easy we have assigned painting.

465

00:26:29,010 --> 00:26:30,750

I certainly hope you've

enjoyed this painting.

466

00:26:31,169 --> 00:26:33,419

It'll it'll teach you some new things.

467

00:26:33,510 --> 00:26:37,260

They'll get you started down a world

that maybe you haven't tried before.

468

00:26:37,995 --> 00:26:39,075

So give it a shot.

469

00:26:39,615 --> 00:26:41,445

And from all of us here, happy painting.

470

00:26:42,075 --> 00:26:42,885

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S13E06 - Hidden Creek

Bob Ross's

The Joy of Painting

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