Bob Ross's

The Joy of Painting

S11E04 - Hidden Stream

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Hi, welcome back.

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Certainly glad you could join me today.

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You ready to do another

fantastic painting with me?

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Drag out your paints

and let's get started.

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We've already got the canvas up here

and we've got it covered with a nasty

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and even coated the liquid white and

it's all wet and it's ready to go.

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So let's have them graphically run

all the colors across the screen that

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you need to do this painting with me.

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And while they're doing that, let's

go on up here and get started.

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Tell you what?

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Let's make a pretty little sky today.

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I'm going to start with a little

touch of Prussian blue oppression,

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blue, black, and the least little

touch of yellow ochre, black blue,

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and a little touch of yellow ochre.

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Let's add a little white to

that so we can see what we got.

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Maybe just a little bit

more of the yellow ochre.

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Like that makes a beautiful little color.

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Don't go crazy with a yellow ochre or

you'll end up with a bright green color.

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Okay.

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Wipe off the knife, grab

a two inch brush here.

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And I'm just going to tap the two

inch brush right into that color.

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Just tap it right in there.

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Like, so, okay.

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Let's go right up here.

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That's just taken, just sorta

twist in a little sky here.

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I'm just using little circular strokes.

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Just sort of letting us bounce

around and play wherever.

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Wherever, just leave little places open,

but just very quickly just using little

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twirling motions, Jen sort of drop in

a happy little thing here and there.

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Maybe a little bit down here.

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See how quick it goes,

wherever you want it.

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Just make a decision and drop it in

airway are, and we just sort of mix it up.

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Just blend it all together.

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And have fun with it while I

have that color on the old brush,

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let's have a little water in this

painting, so I'll go right back

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into the same quarter, same color,

same color tongue got over my teeth.

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And I couldn't see what I was saying.

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There we go.

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Now let's just pull this right

across, straight across, like, so.

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And then maybe like here, I don't know

exactly where it will have water in

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this one, but somewhere, somewhere.

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I love water.

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I would put water in just

about everything that I do.

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Let's wash the brush, wash

your old brushing odorless.

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Stanner shake it off and have a

box down here that shake the brush

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to just beat the devil out of it.

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Now with a nice clean brush, I'm gonna

go back up in here just very quickly.

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Just sort of wind this

up and blend it together.

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You still have light and dark areas in

the sky, and that's what I'm looking for.

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I don't want a sky.

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That's just one flat old, dead

color here all the way across.

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Very lightly.

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Pull all that together.

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See, now I just use the same old brush.

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I go right into titanium white.

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I'm going to really pull

the verse through the paint.

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Just get a lot of paint on the brush.

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Let's go right up here and decide

maybe there's some happy little

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clouds that live in this guy.

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See, I don't want to real distinct clouds.

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I just want some indication.

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So I'm just going to just push

a little color right in there.

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Maybe.

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Yeah, maybe right here.

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There's a nice cloud.

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It just, he floats around

and has fun all day.

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To me, clouds clouds could very

well be the freest thing in nature.

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And when you're painting them, paint

them that way, just let them go.

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Let them have fun.

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Adam have fun.

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Then I washed the brush.

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I just like to voice

the brush, shake it off.

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And I just, I just

covered the studio again.

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Now that just very lightly, all I'm

going to do is just sort of blend these.

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I don't want to, I don't want

to blend these all the way.

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I just want to sort of blend

them, lift them here and there

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lightly, lightly, lightly.

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Don't want to lose all these

little actions that we created.

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Isn't that a fantastic way to make

a super little sky, just a second.

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Okay, did they?

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Let's try.

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Let's try a little round brush.

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And I'm going to go right into

the same color, same color

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that we made this guy with.

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Just tap the brush Tampa.

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Maybe I'll add a touch more of the black.

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Okay.

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Just tap.

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All right, let's go right up here.

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I want to make some little background

trees that are far, far away.

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So start right in here and just begin

tapping in some very basic shapes.

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All we're looking for

is just general shapes.

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I'm looking for detail.

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All we want is just

very, very basic shapes.

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And you put as many, or as few as you

want in yours, just sort of drop them in.

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And with that same color

I'm pushing down right now.

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I want to drop some of that

color right into the water.

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Look at that.

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That'll end up being our, our happy little

reflections without cleaning the brush.

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I'm going to have to touch a yellow

ochre and just come right around.

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And I'm just want to put a tiniest

little bit of highlight here.

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I don't know if we do

this is too far away.

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Literally Indian, yellow, too far away.

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Don't want much, did you ask

to create the illusion of

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individual bushes here and there?

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You could even add the least little

touch of the bright red, much, very

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little, very little, just, just

enough to sort of make them stand out.

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This little round brush makes some of

the most super delicate little leaves and

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you're just using the top of the brush.

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Just the top bristles.

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Over here, maybe a few little

happy things and they are okay.

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See you there, but not easy.

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Now let's make some reflections here.

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Let's grab right here

and pull straight down.

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It's important that you pull straight

down, straight down and look at that.

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Look at that instant, instant

reflections while I used to go

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crazy trying to do reflections.

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When I was traditional famous, I've

turned the canvas upside down, just

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worked myself to death and now.

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You just give it a little

downward, pull off you go going

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back into that same old color.

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And to that, I want to add a little bit of

Vandyke Brown, same color, same color, a

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little bit of Vandyke Brown added to it.

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And let's go right in

here and just tap it.

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Just a happy little thing.

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Like these little things, just

create planes, different layers

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of depth in the painting.

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And they just really make

your painting exciting.

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When people look at it, if they just won't

believe the number, different planes that

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you have in it, pull straight down once

again, see that creates a reflection,

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go lightly across and look at that.

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Yeah.

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With a knife right into a,

touch it, a liquid quiet just

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to touch, pull it out very flat.

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And cut across all of that.

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Let's do that again, pull

it out and cut across.

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So there's just a little bit on the

knife, flat cross Canus Caretta pill.

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Now that I want to put some water lines

back in here, this does two things.

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It's a little light area between the

darks and it cleans up the bottoms at

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the same time and you can sort of bring

everything together, just like so, and

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you can make them some big, some little.

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Just rub them very firmly, very firmly.

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See how it's already creating

different levels, different layers.

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Maybe there's one right here.

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Look at it.

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Look at the distance you can create

just for these little water lines.

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They're sneaky.

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A lot of fun to use.

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There we go.

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I can take just a clean

point of the life in here.

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And they're just scraping the

indication of a little, little trunk

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with a stick twig here and there.

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Just however you want it.

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Okay.

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Good.

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Around brushes so much fun.

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Let's go back to it.

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I'll take, let's go into

Vandyke Brown reach over here.

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We pick up some black.

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A little touch of blue, not much blue.

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Let's go right back up here.

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Now maybe we begin.

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We can begin building.

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Thanks for it.

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I want to, yeah, right here, just a

happy little tree that lives here,

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but maybe this tree, maybe this tree

is closer to us, so he's bigger.

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He's a bigger tree.

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He's stronger.

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He may be no bigger than

these, but he's closer to us.

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So that, that makes him look bigger

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and they list to say, we want

a reflection in the water.

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Let's just do that.

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Or we have the color on here.

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And at this point you don't

have to make any big decisions.

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On where got a hair there on where the

reflection and the real thing meet.

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We do that later right now.

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All we're doing is adding in color.

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All right.

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Put a touch of Crimson into that

Crimson and black little touch of blue

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and this tap, tap that brush firmly.

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Okay.

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Maybe over on the other side here, she'd

probably get this old brush going strong.

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Notice.

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I started to bottom and work up that

way, the tree or the Bush, whatever

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you're making here is darker at

the bottom than it is on the top.

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And that's the way it would be.

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If you went out and looked at the

tree, the cost more, light's going

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to come through here, down here.

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There's all kinds of undergrowth.

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There's a lot of things that

would stop the light and create D

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dark shadows, real dark shadows.

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And so you start here and it's

your breast runs out of paint.

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You just go up, up, up, and all we're

looking for here is just the basic shape.

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We're not worried about

detail at this point.

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We'll worry about that in a minute.

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Some crims and some black

and a little touch blue.

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Maybe right in here, I'm going

to mess around and cover this

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whole thing, but that's okay.

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As long as you, as long as you have fun

and you learn from it, nothing is wasted.

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Anytime that you

practice, it's not wasted.

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You're going to be good at anything.

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You have to practice.

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That's the price you have to pay.

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Here we go.

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Hey, let me find my liner brush.

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We'll use the old liner brush today.

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Go into some center and

right into my Vandyke Brown.

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Now I want to make this paint very thin.

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The consistency of ink.

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Turn the brush that brings

it to a nice sharp point.

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Turn it can screw up here.

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That's half happy tree truck right

in there, like, so, and you can put

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as many or as few limbs as you want.

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We're going to put leaves on this.

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So a lot of it's going to get

covered up so you don't have

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to worry too much about it.

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We'll go right onto the other side here.

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Let me get a little more thinner.

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Gotta keep this paint very thin.

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So it literally flows off your brush

can add some dark Sienna to that, but

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a more thinner, little more thinner.

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There we go.

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Paint is literally like water.

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Maybe, maybe, maybe, maybe let's

put wine goes right up there.

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And one of the questions that

I'm asking over and over is do

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you start at the bottom and work

up or the top and work down?

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Doesn't matter.

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You do it whichever way

works the best for you.

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Try both ways.

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And for some people you'll

find one way works good.

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Some people will find the other way.

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So you can start out here on the small

part and bring it in toward the trunk.

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Or you can start at the trunk and

work out just however you do it,

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the way it works, the best for you.

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They're really no set rules.

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Find what works for you and

that's the way it's right.

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That's the way that's right.

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It makes you happy.

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And it's good if it

doesn't make you happy.

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Ooh, bad news.

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Okay.

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Maybe there.

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And you can put as many or as

few little diesel lambs and

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branches out here as you want.

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But the big thing is,

keep your paint very thin.

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Very thin.

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If it's thick, it won't flow.

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And you'll work yourself to death,

trying to get it off at brush.

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Keep it Sam, add a little more

thinner there and we'll have another

250

00:13:27,870 --> 00:13:29,790

little stick it lives right here.

251

00:13:31,260 --> 00:13:37,560

See, you can just put as many in

there as you want and just wherever.

252

00:13:38,760 --> 00:13:42,060

And a lot of these little sticks

help create interesting things

253

00:13:42,060 --> 00:13:43,170

that are happening in the painting.

254

00:13:43,350 --> 00:13:44,220

They're very nice.

255

00:13:45,120 --> 00:13:46,020

Very nice.

256

00:13:47,564 --> 00:13:49,395

I tell you what, let's take

your two inch brush thing.

257

00:13:49,845 --> 00:13:53,055

So often we avoid this big brush

and we'll add a little Brown to it.

258

00:13:53,265 --> 00:13:56,564

Dark Sienna, just, I want to put a

little color in the bristles, then

259

00:13:56,564 --> 00:13:57,765

I'm going to go right down here.

260

00:13:58,564 --> 00:13:58,925

Ooh.

261

00:13:58,954 --> 00:13:59,555

To the yellow.

262

00:14:00,785 --> 00:14:00,875

Okay.

263

00:14:00,935 --> 00:14:01,645

Right to the yellow.

264

00:14:01,645 --> 00:14:04,915

The only reason I put that around in there

is just to keep this yellow dull down.

265

00:14:04,925 --> 00:14:06,305

Some tap.

266

00:14:06,574 --> 00:14:09,785

I'm tapping very firmly, very firmly.

267

00:14:10,115 --> 00:14:12,755

I'm going to reach over here and grab

a little SAP green throw in there too.

268

00:14:12,845 --> 00:14:13,324

What the heck?

269

00:14:13,785 --> 00:14:15,975

Sam green, the yellow, yellow ochre.

270

00:14:16,425 --> 00:14:17,564

Grab some Indian yellow.

271

00:14:19,095 --> 00:14:20,235

Okay, let's go right up here.

272

00:14:21,064 --> 00:14:23,645

Now that I want to begin putting

leaves out here on this beautiful

273

00:14:23,645 --> 00:14:29,645

little tree and take the corner of

the brush and just tap, just tap now,

274

00:14:30,035 --> 00:14:31,625

work with patterns and shapes here.

275

00:14:31,625 --> 00:14:33,095

Just don't throw these on at random.

276

00:14:33,125 --> 00:14:35,944

Think about there's a lamb

in there that holds them up.

277

00:14:36,155 --> 00:14:38,615

Put your darker color on just like so.

278

00:14:41,189 --> 00:14:42,660

Just sort of working a

little patterns here.

279

00:14:42,660 --> 00:14:44,610

Don't don't just throw them in at random.

280

00:14:44,610 --> 00:14:48,300

I know sometimes it looks like there's

no thought that goes into this yet.

281

00:14:49,380 --> 00:14:50,189

They're just dropped off.

282

00:14:51,180 --> 00:14:54,120

But each, each little Bush in

each tree is an individual.

283

00:14:54,810 --> 00:14:56,250

He has his own personality.

284

00:14:56,819 --> 00:14:59,910

They like people they're different.

285

00:15:00,689 --> 00:15:01,439

They're unique.

286

00:15:02,310 --> 00:15:03,449

You have some that are big.

287

00:15:03,449 --> 00:15:05,729

Some that are small, tall

and skinny ones, fat ones.

288

00:15:06,930 --> 00:15:08,040

They're just like people.

289

00:15:11,025 --> 00:15:15,854

They're just layer after layer,

after layer and the more layers

290

00:15:15,854 --> 00:15:19,185

you have once again, no, you

get tired of hearing me say it.

291

00:15:19,995 --> 00:15:21,555

The more depth you'll

have in your painting.

292

00:15:23,114 --> 00:15:25,604

And to me, depth is very, very important.

293

00:15:25,604 --> 00:15:28,724

And we'll put a touch, just a

touch of the bright red, but that

294

00:15:31,964 --> 00:15:35,084

just to add something right in

there, it's just a happy little Bush.

295

00:15:37,845 --> 00:15:38,955

Now I'm going to grab another brush.

296

00:15:38,995 --> 00:15:42,405

I have several of each brush go, so I

don't have to spend all my time washing

297

00:15:42,405 --> 00:15:44,655

brushes and we'll pull straight down here.

298

00:15:44,655 --> 00:15:44,955

Hold on.

299

00:15:45,944 --> 00:15:49,305

This is where you have to make the

big decision post straight down and

300

00:15:49,305 --> 00:15:55,685

then go across hitting that fantastic

instant reflections that easy, easy.

301

00:15:58,715 --> 00:15:59,405

Okay.

302

00:16:01,685 --> 00:16:02,074

Damn.

303

00:16:02,135 --> 00:16:04,655

Back into the CAD yellow.

304

00:16:05,925 --> 00:16:07,545

Using the same old dirty brush.

305

00:16:08,385 --> 00:16:11,235

Now, then I'm going to go over

on this side and begin just

306

00:16:11,685 --> 00:16:13,155

dropping in the indication here.

307

00:16:13,155 --> 00:16:19,065

And there have all kinds of a little

green things, little bushes, little trees.

308

00:16:20,055 --> 00:16:22,275

We don't have to define

exactly what all of them are.

309

00:16:23,385 --> 00:16:28,995

They're just pretty all kinds

of little bushes, but just the

310

00:16:28,995 --> 00:16:30,185

corner of the two inch brush.

311

00:16:30,195 --> 00:16:30,975

That's all you're using.

312

00:16:33,420 --> 00:16:38,330

All the yellows little touch of

red, all kinds of little things.

313

00:16:38,390 --> 00:16:39,200

Just let them happen.

314

00:16:40,130 --> 00:16:40,610

Land help.

315

00:16:40,630 --> 00:16:43,040

I'm gonna grab some alizarin

Crimson on that same brush.

316

00:16:43,370 --> 00:16:43,700

Shoot.

317

00:16:44,990 --> 00:16:48,650

Let's go right up in here and

we'll put a few little things

318

00:16:49,070 --> 00:16:51,920

right in here, right in here.

319

00:16:54,320 --> 00:16:54,770

Touch it.

320

00:16:56,600 --> 00:16:58,070

See just all different colors.

321

00:16:58,070 --> 00:16:59,630

Just let them vary back and forth.

322

00:17:01,755 --> 00:17:06,754

Chewing hit some greens and there, okay.

323

00:17:06,935 --> 00:17:08,435

Jack Frost has touched some of these.

324

00:17:08,435 --> 00:17:12,155

It looks like you're getting all of

these beautiful little colors and shapes.

325

00:17:12,155 --> 00:17:14,944

Sometimes on one tree, you

can have a multitude of

326

00:17:14,944 --> 00:17:20,045

colors, Justin unreal, unreal.

327

00:17:23,295 --> 00:17:26,464

There's a few little things

just lives right out there.

328

00:17:27,905 --> 00:17:28,385

I can.

329

00:17:31,050 --> 00:17:31,320

Okay.

330

00:17:32,360 --> 00:17:34,850

I gave you an idea of how you can

make some super little things.

331

00:17:35,450 --> 00:17:35,540

Okay.

332

00:17:35,870 --> 00:17:38,420

Let's take, let's take

some van Dyke Brown here.

333

00:17:38,660 --> 00:17:41,300

Pull that paint out very flat, flat.

334

00:17:41,300 --> 00:17:45,560

As you can get it cut across small roller

paint, right on the edge of the knife.

335

00:17:45,590 --> 00:17:49,820

Let's go up here now, then maybe

there's some land that lives here.

336

00:17:50,990 --> 00:17:54,560

Just let that knife sort of bounce

so long and touch and play, and

337

00:17:54,560 --> 00:17:55,970

you can make this quite thick.

338

00:17:56,970 --> 00:18:05,480

Quite like, so see, they're

hitting that super man.

339

00:18:05,629 --> 00:18:10,970

We take some dark Sienna, little

vendetta, Brown and white, and then

340

00:18:10,970 --> 00:18:15,649

just let that sort of bounce along

here and that'll come right along

341

00:18:16,580 --> 00:18:18,260

and just put, highlights all over.

342

00:18:18,260 --> 00:18:24,680

It makes it look like little stones and

dirt and all kinds of little spikes.

343

00:18:25,615 --> 00:18:30,425

Now with a fan brush, we can come right

back, bring some grassy things down here.

344

00:18:30,425 --> 00:18:33,544

So I'll just take a fan brush and load

it full of the various colors, the

345

00:18:33,544 --> 00:18:38,284

yellows, the greens, and all of those

colors loaded, quite full of them paint.

346

00:18:38,885 --> 00:18:43,594

Okay, let's go up here now, take

the corner and just push upward.

347

00:18:45,034 --> 00:18:45,764

Just push up.

348

00:18:47,615 --> 00:18:50,615

It looked like little grassy areas

that are just flowing right down them

349

00:18:50,615 --> 00:18:52,014

and a little more SIM green to that.

350

00:18:53,685 --> 00:18:59,295

And if you have trouble making it stick

and a little tiny, tiny bit of paint,

351

00:18:59,325 --> 00:19:05,355

thinner to your brush, see all the

little things and that it kills those

352

00:19:05,355 --> 00:19:07,455

harsh edges brings everything together.

353

00:19:09,225 --> 00:19:15,945

Now, then back to our liquid white

on the knife and go right in here.

354

00:19:18,330 --> 00:19:21,389

Sit there and put us in

some new little water lines.

355

00:19:21,389 --> 00:19:24,389

You just let them come right around here.

356

00:19:24,470 --> 00:19:25,320

This is once again.

357

00:19:25,320 --> 00:19:26,910

It's where you clean

up the bottom of that.

358

00:19:27,060 --> 00:19:27,990

Bring it all together.

359

00:19:30,740 --> 00:19:35,990

Maybe there's a couple of them out in here

by the point of the knife and go in here,

360

00:19:36,740 --> 00:19:39,050

drop down your little sticks and twigs.

361

00:19:40,155 --> 00:19:45,275

They used to help create different

planes and create the illusion distance.

362

00:19:46,805 --> 00:19:47,495

There we go.

363

00:19:48,215 --> 00:19:48,665

Good.

364

00:19:50,105 --> 00:19:51,005

That's coming right along.

365

00:19:52,115 --> 00:19:56,975

Let's go back into our Vandyke

Brown and let's have some fun today.

366

00:19:57,335 --> 00:19:58,955

Maybe let's do something there.

367

00:19:58,965 --> 00:20:00,815

Maybe there's a little

waterfall that comes down here.

368

00:20:01,175 --> 00:20:06,245

So if there is watch here, let's

put some Brown in here, got to have

369

00:20:06,245 --> 00:20:08,075

something to contain that water.

370

00:20:08,375 --> 00:20:09,305

It comes right out.

371

00:20:09,945 --> 00:20:10,125

Nope.

372

00:20:11,895 --> 00:20:13,245

It's Vandyke Brown.

373

00:20:13,245 --> 00:20:15,255

It looks, yeah, there's

a little dark CNA in it.

374

00:20:15,555 --> 00:20:16,755

Whatever happens, whatever.

375

00:20:18,015 --> 00:20:18,495

Look at that.

376

00:20:18,765 --> 00:20:20,925

Just right on down.

377

00:20:20,955 --> 00:20:27,375

Maybe there's some dirt out here wherever,

wherever, wherever you can do anything

378

00:20:27,375 --> 00:20:33,915

on this canvas, anything K paint is quite

thick and it's quite rough at this point.

379

00:20:34,695 --> 00:20:34,965

Shoot.

380

00:20:34,995 --> 00:20:35,745

Let's just keep going.

381

00:20:35,775 --> 00:20:36,165

That's fine.

382

00:20:37,110 --> 00:20:39,330

Maybe waterfall, we'll

put it right in there.

383

00:20:39,330 --> 00:20:44,340

So we'll bring this down right over.

384

00:20:45,090 --> 00:20:47,370

So just nice.

385

00:20:49,170 --> 00:20:51,570

And this, this, you can

put on with a paint roller.

386

00:20:51,570 --> 00:20:52,230

It's no big deal.

387

00:20:52,230 --> 00:20:53,670

I'm just putting a lot of color in here.

388

00:20:55,500 --> 00:21:03,570

Just like, so just like so

thick paint, very thick.

389

00:21:05,159 --> 00:21:05,879

Very thick.

390

00:21:08,490 --> 00:21:08,790

Yeah.

391

00:21:08,790 --> 00:21:15,990

That we have, I have white titanium,

white, a little touch of the

392

00:21:15,990 --> 00:21:19,409

blue, some of the dark Sienna,

a little touch of the van, Dyke

393

00:21:19,500 --> 00:21:21,750

Brown, but none of it's over mixed.

394

00:21:22,919 --> 00:21:24,689

Let's leave it very rough.

395

00:21:24,990 --> 00:21:27,000

And I want to just

sorta bounce this along.

396

00:21:27,149 --> 00:21:30,389

Just let it bounce that

bounce don't drag it straight.

397

00:21:30,540 --> 00:21:31,260

Let it bounce.

398

00:21:32,010 --> 00:21:32,730

Get rough.

399

00:21:34,835 --> 00:21:38,385

I get nervous if you get, if you got

a little Twitch you're ahead of the

400

00:21:38,385 --> 00:21:43,155

game right here, I've had people in

class tell me that their handshakes

401

00:21:43,155 --> 00:21:44,385

and they can, they can't do this.

402

00:21:45,014 --> 00:21:47,715

Shoot you, you you've got an advantage.

403

00:21:47,775 --> 00:21:49,365

Use it, use it.

404

00:21:50,685 --> 00:21:53,535

You know, speaking of classes, I

get hundreds of letters wanting

405

00:21:53,535 --> 00:21:57,764

to know if we teach classes I'm I

don't do too much teaching anymore.

406

00:21:57,764 --> 00:22:00,165

We have teachers that we

send all over the country.

407

00:22:01,140 --> 00:22:04,080

And they'll come here and teach my son.

408

00:22:04,080 --> 00:22:07,770

Steve is one of those domain gets lazy.

409

00:22:07,800 --> 00:22:09,210

He sends him out and I stay at home.

410

00:22:10,350 --> 00:22:14,220

Now that we were going to have a

little waterfall in there, a little

411

00:22:14,220 --> 00:22:16,770

bit of the liquid white titanium point.

412

00:22:18,120 --> 00:22:19,830

Gonna reach up here and

grab a little bit of a blue.

413

00:22:20,100 --> 00:22:21,270

Just mix it all together.

414

00:22:22,050 --> 00:22:22,800

Let's go right up here.

415

00:22:24,060 --> 00:22:27,360

Maybe this water just comes

right down through here.

416

00:22:28,845 --> 00:22:30,315

Just let it bounce right over.

417

00:22:33,395 --> 00:22:34,504

All right.

418

00:22:34,625 --> 00:22:36,274

Cause right down.

419

00:22:36,845 --> 00:22:48,185

And then to see just a little waterfall,

like, so I'd let that fall over there.

420

00:22:49,774 --> 00:22:50,975

Now I take the little knife.

421

00:22:52,595 --> 00:22:54,754

We'll take just a little touch

of the white paint and just

422

00:22:54,754 --> 00:22:56,044

sort of let it skip along here.

423

00:22:56,655 --> 00:22:58,245

See their hat makes it look like water.

424

00:22:59,685 --> 00:23:04,125

Just barely, apparently

burning, zipping her head over

425

00:23:07,575 --> 00:23:11,535

the fan brush and go right out here

and just sort of clean up the bottom.

426

00:23:11,535 --> 00:23:16,065

And I let it pick up some of that

color and work right on out here.

427

00:23:20,835 --> 00:23:25,755

See a few little splashes

here and there, right on out.

428

00:23:27,240 --> 00:23:28,020

Let's have some fun.

429

00:23:28,050 --> 00:23:28,889

Let's get crazy.

430

00:23:29,669 --> 00:23:33,270

Take a big bunch of the Vandyke

Brown, the knife, big bunch.

431

00:23:34,740 --> 00:23:37,320

And my mind, I want a tree

432

00:23:40,659 --> 00:23:41,100

right there.

433

00:23:41,580 --> 00:23:46,230

Big tree for he is a big tree mango tree.

434

00:23:48,840 --> 00:23:50,370

Let's give him an arm right here.

435

00:23:50,520 --> 00:23:51,210

He's got an arm.

436

00:23:51,210 --> 00:23:53,159

It lives right there.

437

00:23:55,120 --> 00:23:59,430

I'll take some of the highlight color

and just let it flow right down.

438

00:24:01,500 --> 00:24:01,680

Okay.

439

00:24:01,680 --> 00:24:02,840

There you, there.

440

00:24:07,800 --> 00:24:12,660

We'll take a little touch of green

and we just put a little bit of grassy

441

00:24:12,660 --> 00:24:19,020

areas all down here by his little foot,

like, so here and there, that sort of

442

00:24:19,020 --> 00:24:20,520

pushes that waterfall back in there.

443

00:24:24,449 --> 00:24:25,199

With a little brand.

444

00:24:26,850 --> 00:24:32,370

Maybe there's a nice tree that lives

right here and drop a few little

445

00:24:32,370 --> 00:24:37,320

highlights on there that easy, this

little round brush is something else.

446

00:24:38,260 --> 00:24:42,210

Just a few little highlights here

and there to help us push that

447

00:24:42,210 --> 00:24:45,240

waterfall back here, pull this down.

448

00:24:45,240 --> 00:24:48,840

And then there C makes

it look like rock, sir.

449

00:24:51,735 --> 00:24:52,185

Okay.

450

00:24:52,574 --> 00:24:56,175

Now it's time to get

crazy time to get crazy.

451

00:24:56,564 --> 00:25:00,485

Maybe there's some light to streams

through here and back in here,

452

00:25:00,905 --> 00:25:03,334

we have some nice bright leaves.

453

00:25:04,084 --> 00:25:05,254

Add a little white to that.

454

00:25:06,784 --> 00:25:08,824

Nike's just sparkle back here.

455

00:25:10,115 --> 00:25:11,975

They're hanging down on

the other side of the tree.

456

00:25:13,024 --> 00:25:14,185

I should have done that first.

457

00:25:14,385 --> 00:25:16,865

I got to go there.

458

00:25:16,985 --> 00:25:18,395

That'll push them onto the other side.

459

00:25:21,090 --> 00:25:26,280

Let's take some SAP green and a little

Brown loaded onto the big brush.

460

00:25:26,939 --> 00:25:32,220

And let's put the indication

of all kinds of nice leaves

461

00:25:32,220 --> 00:25:33,659

and stuff that hang we over.

462

00:25:33,659 --> 00:25:36,720

Like, yes, there they come.

463

00:25:37,500 --> 00:25:42,870

Just as many or as few as you want

wherever you think they should live.

464

00:25:43,590 --> 00:25:44,610

That's exactly.

465

00:25:45,330 --> 00:25:46,080

Where they belong.

466

00:25:48,660 --> 00:25:49,140

Okay.

467

00:25:49,830 --> 00:25:50,370

There they go.

468

00:25:52,530 --> 00:25:53,610

Great, big old tree.

469

00:25:55,590 --> 00:25:59,360

And you're saying after you did all that

work, did he go in there and mess it up?

470

00:25:59,810 --> 00:26:00,560

I think you'll like it.

471

00:26:00,560 --> 00:26:02,270

I'm going to add a little

paint thinner to my brush.

472

00:26:03,920 --> 00:26:08,240

We'll go right into some green

and some yellow ochre load, a

473

00:26:08,240 --> 00:26:09,500

lot of pain into the bristles.

474

00:26:11,210 --> 00:26:13,640

Let's go up here and then we can begin.

475

00:26:14,595 --> 00:26:16,784

Just tapping in some highlights.

476

00:26:16,815 --> 00:26:17,504

Don't overdue.

477

00:26:17,655 --> 00:26:18,735

Keep this quite dark.

478

00:26:18,735 --> 00:26:19,245

It makes it real.

479

00:26:19,295 --> 00:26:19,895

Very nice.

480

00:26:21,274 --> 00:26:30,185

See you there all kinds of little

things, just like, so you'd go in

481

00:26:30,185 --> 00:26:32,885

here and drop in a few little lambs

and stuff and really make this look

482

00:26:32,885 --> 00:26:34,895

like a beautiful, beautiful tree.

483

00:26:36,125 --> 00:26:39,545

The old clock on the wall is telling me

it's time to leave you for this week.

484

00:26:40,695 --> 00:26:43,455

So I'm going to call this

painting finished and from all

485

00:26:43,455 --> 00:26:44,925

of us here, happy painting.

486

00:26:45,405 --> 00:26:45,885

God blessed.

487

00:26:53,445 --> 00:26:53,655

Yeah.

488

00:27:14,005 --> 00:27:14,605

Uh,

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S11E04 - Hidden Stream

Bob Ross's

The Joy of Painting

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