Bob Ross's

The Joy of Painting

S13E03 - Meadow Brook

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Hi, welcome back.

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I'm certainly glad you joined me today.

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Today.

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Let's do one of the most

popular things that we've ever

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came up with in this series.

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And that is the little oval painting.

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Now this little oval is just cut out a

contact paper that you can buy at your

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local supermarket or hardware store,

whatever, just normal contact paper.

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I've cut an oval out,

stuck it on the canvas.

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And then I've covered the canvas.

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That's exposed here with a thin

even coat of the liquid white.

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So it's all wet.

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And then it's ready to go.

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So let's start out and have him

run all the colors across the

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screen that you need to paint along

with me while they're doing that.

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Let's go on up here and get started today.

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Let's have a, let's have a happy little

painting, just beautiful little sky,

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and we get a little crazy with color.

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I'm gonna start with a little

touch of a little touch.

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If they look blue on the two

inch brush must be to hang a

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little fellow green, add to it.

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What the heck?

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He was very little Othello green though.

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It's so, so strong.

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So strong, eat up your

whole world in a heartbeat.

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Can you just come right up here?

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Let's just have a little scattered.

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It just dances around and has fun.

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Like self, just, just, just dance.

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Like it skews a little

Chrissy cross folks.

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Let them go once again.

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Very very small amount of this green.

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You don't want to get

too crazy with the green

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there.

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I want to have that color on the brush,

the little blue, the little green.

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Maybe we'll have a touch

of water right here.

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Somewhere down here.

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I don't know exactly where it's

going to say wherever we feel like

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putting it, but right now we can

go ahead and add some color in here

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and it'll be there waiting on us.

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When we get down there.

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Before I clean the brush, I'm going to go

into a small amount of pressure and blue.

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Just tap the brush into a little

and I'm ready to be right back.

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Be right back.

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Get a little tiny amount

of Crimson person to do it.

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A little bit of Crimson.

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Then I'm going to go right down in

here and just put in a little darker

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color under the base of this that'll

touch a Crimson impression blue.

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I don't want to over blend

this because it's so strong to

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get a lead up is light blue.

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Like, so there, okay.

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Let me wash the old brush.

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Just grip it off.

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Shake off the excess

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and cover the cameraman.

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They hate me.

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All the cameramen around

here have freckles.

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You can tell which ones work on this show.

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Camera ladies too.

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I don't get in trouble here.

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There.

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Now what I'm doing is just blending

this together, blending it together,

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seeing already that makes a

dynamite sky, beautiful little sky.

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Okay.

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Now that.

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Let me find a one inch brush.

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I'm gonna go right into titanium white,

just load the brush full of titanium,

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white, quite a bit of paint on the brush.

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Just tap the brush right into the color.

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Can you let's go right up here in this,

build us a happy little cloud and we'll

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do that, but just taking the corner of

the brush and just tapping, just tapping.

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See, that's all you have to do

is just tap in a little cloud.

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What could be easier and more fun.

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You sort of have to make

some decisions here.

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Where did you, where did

your little clouds live?

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Maybe there's one.

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There he is.

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You knew there was one there.

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You just started decide where you

want it and put him in because

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on this piece of canvas, you can

do anything that you want to do.

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Absolutely anything

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at all we're doing once

again, it's just tapping.

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Just tap, tap there.

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There we go.

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Okay.

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Now then.

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Back to Emma.

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This is just the big old two inch

brush and very lightly just using

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a little Chrissie, cross strokes,

crisscross strokes, and just kind of

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blend this and then follow the angles.

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See they're blended a

little follow the angles.

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Don't overwork these clouds don't

overwork work, and they'll go away

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and leave you blend them a little

tiny bit and just do like that.

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All there is to it.

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So easy to overwork them.

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And then they're not happy anymore.

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Somebody sent me a letter here

a while back and I said, did

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I use the word happy too much?

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That everything was happy in my world.

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And that's true in my world,

which is right up here.

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Everything is happy.

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Okay.

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I'm going to take a

little bit of Tayloe blue.

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At least little touch of Crimson and

a little tiny, tiny amount of the

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little green and then a little white,

so we can find out what color we have.

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Let's mix a little figure pile.

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We're going to use it several times.

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Blue, a little touch of cramps and not

much it'll stay low green and a little

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white so we can tell what color we have.

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Ooh, that's nice.

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That's nice.

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Okay.

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Now I want to make several

different values of this or.

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Several different degrees of lightness.

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So I'll add, just see, I have

a light, a little darker and

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real dark all in the same pile.

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I have it.

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Tell you what today.

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Let's use the old oval brush and

I'm going to go into that lightest

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color light is color and just

add a little color to the brush.

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Just.

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Yes, sir, back and forth.

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Okay.

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And then maybe there's some

little Hills that we back here

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and I want these to be so light.

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They almost feed her out into the sky

because her far away, very, very light.

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I think it, those are

pretty little cloud with me.

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It's okay.

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As long as you learn how to make

one and your time's not wasted,

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this one is very light.

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It's almost the color of the sky.

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And very soft.

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Okay.

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With our big brush, tap the base of this,

just using the top of the big brush.

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And we're only tapping the base, just,

just to create the illusion of mist

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very lightly lift up or see how that

almost just fades right into nothing.

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Fantastic.

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Now let's go into our next darker color.

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It's the same color only with less

white load the brush the same way.

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Okay.

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Maybe there's another little Hill.

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And he lives right here.

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See this oval breast gives you that nice

around it effect, and you can turn the

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breast sidewards and make different,

different little effects if you want.

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It's up to you.

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See it makes nice little thing.

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So pull this straight down.

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Straight on down,

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back to my large brush, same

thing again, just tap the base

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of it and lift slightly up.

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You need that little bit of mist.

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That's the only thing you have is

separates all these, so that Misty area.

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Yes.

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Most, most important.

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It's your friend take

care of it, treat it good.

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Treated good.

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Okay.

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And then back to our same color,

this is the darkest color we had.

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All right.

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Now maybe you have to make a

decision maybe right in here.

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There's another little Foothill, but

look at all the different planes.

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See one, two, three, all

those different planes.

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Create the illusion of depth

and distance in your painting.

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That's what makes your painting stand out

from other paintings makes your painting

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special, devote a lot of time to looking

at paintings and the ones that you like.

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Usually they have a lot of

different planes in them.

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There we go.

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Now, once again, Old big brush

tap just the base just to

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create that illusion of a mist.

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Isn't that fantastic.

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I knew you could do it there

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in already.

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We have a one super little

painting, then tell you what,

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let's have another plane, maybe.

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It comes down this way.

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And for that, we'll get a little

darker is that same blue, but I'll

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also put in some black, uh, go

right into some midnight and black.

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So we have the same color he was using

for the background with black editors.

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This is getting closer.

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So it should be darker in value.

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Maybe let's just take the big brush.

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And let's just tap in

a general shape here.

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Maybe it comes.

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Why does now right down there,

it is like, so all we're doing

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here is just tapping down.

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Chin is tamping down and begin

thinking about the lay of the land.

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Maybe this is a nice Hill

and that rolls over here.

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Say they're just like, so maybe back

here on this Hill, maybe there's some

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happy little trees that live back

here, so you can just take the corner

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of the big brush and all we're looking

for right now is just some very.

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Basic little shapes.

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Very, very basic little shapes there.

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All we're doing is putting up some

little, some little arms up in the air.

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And if we want to, should

we just go ahead here?

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Add a little more color and we can just

fill in this whole area just by tapping.

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I don't know.

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We'll put something down here.

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We're worried about how we get there.

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I know you're saying Bob, you've

done it this time, where you

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already messed up a nice background.

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You may be ready

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to have some fun.

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Let me grab the old fan brush.

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I like to play with fan brushes.

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So I'll show you

something you can do here.

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Let's take, we'll use some CAD yellow.

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We'll be right back.

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I'll be right back.

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Get some SAP green, a little touch it.

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Yellow ochre, Linden.

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Yeah, just mix them all on the brush.

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Okay, let's go ahead.

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Up here now.

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Just I'm going to use here.

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It's just the corner of the

brush and just sort of wiggle it.

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Just pushing upward.

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And sort of wiggling it and a little

touch of bright red here and there.

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We will make us a nice fall picture.

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So you got all the orange and the reds and

all those beautiful little colors, just

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pushing upward with a corner of the brush.

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And you make the indication of

just, just hundreds and hundreds

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of little distant trees and bushes

that live back here in hand.

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Jack Frost has been by

hearing touchdown on there.

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Hey there, um, kinds of happy Lowe's

banks, wherever you want them.

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Are you going to get a certain

amount of certain amount of green?

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Of course, because you're

touching yellow to blue.

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Don't worry about it.

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Makes it pretty there.

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See that easy.

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You can make all kinds of

little indications without

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really working a great deal.

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This is a lazy man's way of painting.

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I think painting should be

fun and it should be easy.

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And then if you want to, if you

want to pursue art, you can get

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into those hard forms, but this

is a good way to start out.

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And just enjoy.

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Okay.

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I'm going to take the big brush.

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Shoot.

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Titled little fan brush is too slow.

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Let's go right back here and

tour yellows and Sapp greens.

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I'll be right back.

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Get a little more green here.

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Okay.

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Now then.

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Let's begin working on the

general lay of the land.

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And we said, this was going to

sort of go in this direction.

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All I'm going to do is begin

following a lay of the land.

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However you want the land to flow.

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And in my mind, this is a Hill here.

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A little Hill.

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It just flows right down the side here.

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Like, so

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you can add all the little fall

colors in there that you want.

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Okay.

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That's one of the simplest and nicest,

most effective ways of making little

257

00:13:27,855 --> 00:13:29,415

grassy areas that I've ever found

258

00:13:32,745 --> 00:13:33,135

there.

259

00:13:34,995 --> 00:13:38,715

Now, maybe to your one K a U

Y in this style of painting,

260

00:13:38,715 --> 00:13:39,885

you're always seeing things.

261

00:13:39,885 --> 00:13:40,695

So you want to change.

262

00:13:40,725 --> 00:13:40,995

Thanks.

263

00:13:41,985 --> 00:13:44,175

Maybe, maybe, maybe.

264

00:13:45,680 --> 00:13:49,910

Let's take some black, some

Brown since little South green

265

00:13:49,910 --> 00:13:52,730

Intuit, little lizard Crimson.

266

00:13:54,230 --> 00:13:54,470

Okay.

267

00:13:54,470 --> 00:14:00,020

Let me clean the knife off and let's take

our fan brush and a loaded, full of paint.

268

00:14:00,080 --> 00:14:00,830

Both sides.

269

00:14:00,890 --> 00:14:04,210

Just pull it right through the

color and maybe here and there,

270

00:14:04,270 --> 00:14:06,550

their lives and your world.

271

00:14:07,780 --> 00:14:10,330

Just a happy little evergreen

tree out here on this Hill.

272

00:14:13,325 --> 00:14:16,715

In your world, maybe there isn't

an evergreen, if not, don't put

273

00:14:16,715 --> 00:14:17,675

it in and don't worry about it.

274

00:14:18,875 --> 00:14:21,995

I just want to show you how, and

then you make the big decision.

275

00:14:24,125 --> 00:14:26,135

There's one that lives

down here on the Hill.

276

00:14:27,335 --> 00:14:32,735

Let's give him a couple of friends

over here and you just put as

277

00:14:32,735 --> 00:14:36,605

many or as few as you want there.

278

00:14:37,980 --> 00:14:42,600

This is good practice though, in

making these little Rascals, let's

279

00:14:42,600 --> 00:14:44,040

go back and keep it right there.

280

00:14:44,940 --> 00:14:45,780

Just however many,

281

00:14:49,650 --> 00:14:54,660

we have them sitting right out there on

the Hill and we can take our big brush.

282

00:14:55,185 --> 00:14:59,235

And just put a little bit of

grass down to a little foot

283

00:15:02,475 --> 00:15:07,095

there and see that brings them

right into the painting right into,

284

00:15:07,125 --> 00:15:08,355

they become part of the painting.

285

00:15:08,385 --> 00:15:09,315

Don't want them left out.

286

00:15:10,665 --> 00:15:12,405

Everybody wants to be part of the show.

287

00:15:14,694 --> 00:15:18,745

But to move Rascals in there now, shine,

you could even take and pick up a little

288

00:15:18,745 --> 00:15:20,694

bit of this dark color and pull it out.

289

00:15:20,694 --> 00:15:23,905

And it makes a nice shadow automatically.

290

00:15:24,765 --> 00:15:25,215

Look at that.

291

00:15:25,275 --> 00:15:25,995

Isn't that super.

292

00:15:27,194 --> 00:15:28,215

And you can do it.

293

00:15:29,385 --> 00:15:34,035

Nah, let me find, we'll take over one

inch brush and go right into some of this

294

00:15:34,035 --> 00:15:38,895

dark color, same, same color that we use

to make those little evergreen trees.

295

00:15:39,735 --> 00:15:40,665

They had some Brown to it.

296

00:15:41,520 --> 00:15:42,180

Vandyke Brown.

297

00:15:42,240 --> 00:15:42,690

What the heck?

298

00:15:43,530 --> 00:15:47,310

Dark Santa to go up here.

299

00:15:47,940 --> 00:15:50,250

Maybe there's some little trees that live.

300

00:15:51,270 --> 00:15:53,190

I think there's a whole line of,

let's put a whole line, a little

301

00:15:53,190 --> 00:15:54,240

trees that they're right here.

302

00:15:55,990 --> 00:15:57,240

You can just come right on down.

303

00:16:03,210 --> 00:16:04,650

See, all we're worried about is the top.

304

00:16:04,650 --> 00:16:06,270

So we don't care about their bottoms yet.

305

00:16:08,580 --> 00:16:09,390

There we go.

306

00:16:11,470 --> 00:16:13,720

Oh, we're looking for some

nice color underneath.

307

00:16:15,970 --> 00:16:16,480

Okay.

308

00:16:16,510 --> 00:16:17,830

Let's go back to that fan brush.

309

00:16:18,910 --> 00:16:21,430

We had so much fun making all those

little things with a fan brush.

310

00:16:21,430 --> 00:16:22,300

Let's do a couple more.

311

00:16:22,330 --> 00:16:25,210

We'll use some red, some Indian, yellow.

312

00:16:27,040 --> 00:16:30,730

Maybe these are some little trees

that when the, when the frost

313

00:16:30,730 --> 00:16:32,110

hits them, they really get bright.

314

00:16:32,800 --> 00:16:34,240

So let's just use a corner of the brush.

315

00:16:34,585 --> 00:16:38,875

Push upward and begin working on some

basic little, these are still far

316

00:16:38,875 --> 00:16:40,435

away, but we want some basic shapes.

317

00:16:40,435 --> 00:16:43,975

Don't, don't spend a lot of time

worrying about individual shapes here,

318

00:16:43,975 --> 00:16:47,065

but begin to think about individuals.

319

00:16:49,465 --> 00:16:53,905

Let them shine out here in

the sun, some yellow ochre.

320

00:16:54,750 --> 00:17:00,240

Cadmium yellow, all these bright

sparkly, little colors, just a

321

00:17:00,240 --> 00:17:01,800

whole line of happy little trees.

322

00:17:02,370 --> 00:17:05,940

And all I'm doing is using just the

corner of the fan brush, pushing upward

323

00:17:05,940 --> 00:17:11,610

so that the paint comes off in that

upward stroke and practices a little bit.

324

00:17:11,640 --> 00:17:16,020

You'll find you can do fantastic things

just by using the little fan brush.

325

00:17:18,045 --> 00:17:22,065

There we go, where you could do this

with a one inch brusher, two inch brush

326

00:17:29,105 --> 00:17:29,885

or wherever you thank you.

327

00:17:29,885 --> 00:17:32,075

So things should live and

it's where they were me.

328

00:17:34,835 --> 00:17:35,165

Okay.

329

00:17:38,395 --> 00:17:40,615

Yeah, then we can just

straighten that all up.

330

00:17:43,975 --> 00:17:44,485

331

00:17:48,955 --> 00:17:52,045

seeing that creates on another plane

and your pain, just to plane after

332

00:17:52,045 --> 00:17:58,925

plane, after plane, and I'll go right

into same old, dirty brush, anyone

333

00:17:58,925 --> 00:18:02,095

bother to clean it right into the

CAD yellow and the yellow ochre.

334

00:18:03,595 --> 00:18:03,865

Mike.

335

00:18:03,865 --> 00:18:06,115

So, and because he was blue

on that breakfast would

336

00:18:06,115 --> 00:18:07,405

turn a nice greenish color.

337

00:18:07,435 --> 00:18:08,335

Let's go back up here.

338

00:18:09,805 --> 00:18:12,835

Maybe there's a little grassy

area that lives right here.

339

00:18:14,754 --> 00:18:16,435

All you have to do is just tap.

340

00:18:19,705 --> 00:18:23,155

Tap is later starting a father's to way

in working forward, forward, forward.

341

00:18:25,615 --> 00:18:26,095

Like, so.

342

00:18:27,834 --> 00:18:28,465

There they are

343

00:18:32,034 --> 00:18:32,274

easy.

344

00:18:32,274 --> 00:18:32,665

That is.

345

00:18:38,639 --> 00:18:41,730

Let me take the knife and back

in here, maybe just cut just the

346

00:18:41,730 --> 00:18:43,470

indication of some little tree trunks,

347

00:18:48,300 --> 00:18:49,290

just a few here and there.

348

00:18:51,720 --> 00:18:53,430

Sort of give some detail to all of that.

349

00:18:53,700 --> 00:18:56,550

I'm going to take a little bit of Vandyke,

Brown, little dark Sienna mixed with it.

350

00:18:57,360 --> 00:18:59,670

And now we have to make

some big decisions here.

351

00:19:00,210 --> 00:19:02,639

Where's the bank.

352

00:19:03,389 --> 00:19:04,830

Maybe it comes right along in here.

353

00:19:05,950 --> 00:19:06,700

Wherever you want it,

354

00:19:09,970 --> 00:19:12,760

wherever it goes on up here,

we don't know where it goes.

355

00:19:14,865 --> 00:19:19,125

Okay, now then let's put a

couple of nice big trees in here.

356

00:19:19,125 --> 00:19:22,034

I'll use the same old dark

color with some Brown in it.

357

00:19:23,625 --> 00:19:26,355

Maybe their lives right here, right here.

358

00:19:27,825 --> 00:19:28,875

Just a happy tree.

359

00:19:29,004 --> 00:19:30,405

This is a pretty good size tree.

360

00:19:30,554 --> 00:19:31,875

And I'm just using a one inch brush.

361

00:19:32,925 --> 00:19:33,495

All right.

362

00:19:33,495 --> 00:19:36,915

Over my beautiful little foothills,

but we will stop a tree there,

363

00:19:36,915 --> 00:19:37,814

so it doesn't kill all of them.

364

00:19:41,024 --> 00:19:41,595

Like, so.

365

00:19:44,460 --> 00:19:45,900

Find another one inch brush.

366

00:19:48,100 --> 00:19:53,910

You want to take a little

Brown and little white lady.

367

00:19:53,910 --> 00:19:54,810

She was a small knife.

368

00:19:55,290 --> 00:19:58,830

I just want to put the indication of

a little tree trunk right in there.

369

00:19:59,670 --> 00:20:00,090

Brown.

370

00:20:00,930 --> 00:20:02,970

Then we just add a little

white to it to highlight it.

371

00:20:05,225 --> 00:20:06,005

So it'll show up.

372

00:20:08,165 --> 00:20:12,545

I'm going to go right into using a

one inch brush, CAD yellow, yellow

373

00:20:12,545 --> 00:20:17,945

ochre, all my yellows, a little touch

of the reds and stuff, tapping his

374

00:20:17,945 --> 00:20:23,315

brush and tapping it and sort of

sliding it at the same time there.

375

00:20:23,465 --> 00:20:23,765

Okay.

376

00:20:24,485 --> 00:20:26,045

Now that that's pudding.

377

00:20:27,030 --> 00:20:28,740

Some nice highlights on this little trick.

378

00:20:28,740 --> 00:20:32,909

And all I'm doing is using just the corner

of the brush and just barely tapping.

379

00:20:33,389 --> 00:20:36,840

Now form and shape are

most, most important.

380

00:20:38,100 --> 00:20:39,510

Don't just throw this on at random.

381

00:20:39,510 --> 00:20:42,060

Think about the individual little

limbs that live in his tree

382

00:20:43,350 --> 00:20:45,330

form and shape, form and shape.

383

00:20:45,870 --> 00:20:49,560

No matter how you put it on a

tree, it's most important that

384

00:20:49,560 --> 00:20:51,030

you think how that tree is made.

385

00:20:54,120 --> 00:20:56,340

There and what makes it look like a tree?

386

00:20:56,940 --> 00:20:58,170

What makes it an individual?

387

00:21:00,210 --> 00:21:01,410

That's what you're looking to do.

388

00:21:02,850 --> 00:21:04,500

And we can bring a little

bit of grass down there.

389

00:21:04,520 --> 00:21:11,150

We're just like so tapping.

390

00:21:14,150 --> 00:21:15,620

Can you let me grab another fan brush?

391

00:21:15,650 --> 00:21:19,670

I'm gonna dip it into a touch and the

liquid white go right into titanium white.

392

00:21:21,275 --> 00:21:23,855

And I put the liquid white in

there only to thin the paint.

393

00:21:23,915 --> 00:21:25,265

Then paint will stick to a thick paint.

394

00:21:26,075 --> 00:21:27,095

Now they're back in here.

395

00:21:29,225 --> 00:21:35,915

I'll put a little touch, little touch

of water movement, just a little water,

396

00:21:35,945 --> 00:21:38,945

maybe there's a little, Oh, let me

a little tiny waterfall right there.

397

00:21:39,665 --> 00:21:41,525

And it hits and splashes just to little.

398

00:21:41,585 --> 00:21:43,175

This is just a calm little waterfall.

399

00:21:43,895 --> 00:21:44,915

Not too much to it.

400

00:21:47,745 --> 00:21:48,435

There we go.

401

00:21:48,735 --> 00:21:51,345

And with that, we can clean up

all these little bottom edges,

402

00:21:52,095 --> 00:21:54,705

bring it all together there.

403

00:21:54,885 --> 00:21:59,265

See there's little stones and

rocks underneath there just

404

00:21:59,265 --> 00:22:02,865

barely can see, and they create

little disturbances in the water.

405

00:22:04,440 --> 00:22:05,460

You can make them that easy.

406

00:22:10,840 --> 00:22:11,420

Have some fun.

407

00:22:11,420 --> 00:22:14,240

Now tell you what let's bring the camera

up here so we can see the whole thing.

408

00:22:14,480 --> 00:22:15,980

And I'm going to pull this oval off.

409

00:22:17,030 --> 00:22:19,010

Yeah, watch what happens.

410

00:22:23,600 --> 00:22:24,800

Isn't that fantastic.

411

00:22:25,910 --> 00:22:29,360

Now that I like to break the borders

with these old Wilson, they are so

412

00:22:29,360 --> 00:22:33,710

super the way they are, but I get

crazy sometime and like to do wild.

413

00:22:33,740 --> 00:22:34,000

Thanks.

414

00:22:34,000 --> 00:22:36,800

So I tell you what, let me find

a big old two inch brush here.

415

00:22:37,250 --> 00:22:39,980

Let's put a big tree that

lives outside dealable.

416

00:22:41,265 --> 00:22:42,915

We'll use that same old dark color.

417

00:22:42,915 --> 00:22:44,595

We had some Vandag Brown.

418

00:22:45,765 --> 00:22:52,705

Now that let's say our tree,

our tree lives right about here.

419

00:22:57,795 --> 00:23:00,195

It's a big tree, strong, big, old tree.

420

00:23:02,310 --> 00:23:02,909

There we go.

421

00:23:05,070 --> 00:23:06,000

All right, look at this son.

422

00:23:06,020 --> 00:23:06,600

I got to go.

423

00:23:07,350 --> 00:23:13,240

And if you're not careful, this big tree

and you meet up your whole world, but

424

00:23:13,350 --> 00:23:15,060

I want him to go outside of the borders

425

00:23:18,750 --> 00:23:19,320

in your world.

426

00:23:19,320 --> 00:23:22,470

If you want this tree to stay

inside the oval, that's perfectly.

427

00:23:22,470 --> 00:23:22,830

All right.

428

00:23:23,639 --> 00:23:25,860

Anything that you want to

do that makes you happy.

429

00:23:26,614 --> 00:23:27,064

That's right.

430

00:23:30,485 --> 00:23:32,165

All I'm doing now is putting in some dark.

431

00:23:33,245 --> 00:23:37,625

So our light will show, maybe

that comes right on down here.

432

00:23:39,364 --> 00:23:39,844

We don't know.

433

00:23:39,875 --> 00:23:40,985

Let's say it come right on around.

434

00:23:51,870 --> 00:23:52,230

Okay.

435

00:23:54,120 --> 00:23:59,640

Now we can take a fan brush and put some

Brown on one side and white on the other.

436

00:24:00,780 --> 00:24:01,110

Whoops.

437

00:24:01,410 --> 00:24:01,830

Everywhere.

438

00:24:06,485 --> 00:24:08,735

I got white on one

side, dark on the other.

439

00:24:08,855 --> 00:24:13,534

Can you, let's go ahead up here

and just draw that room through

440

00:24:13,534 --> 00:24:18,534

the tree and we can put us tree

trunk right in there that easy.

441

00:24:19,764 --> 00:24:21,054

And however many you want.

442

00:24:22,550 --> 00:24:28,190

Just drop a pin and back to our one

inch brush that had the color on it.

443

00:24:30,800 --> 00:24:31,760

And we're just tapped in.

444

00:24:32,270 --> 00:24:36,650

See, all we're doing here is just

tapping, just tapping, like, so.

445

00:24:37,774 --> 00:24:38,975

Okay, let's go right up here

446

00:24:43,504 --> 00:24:49,445

and look in laying in some highlights on

this tree, just using the corner of the

447

00:24:49,445 --> 00:24:55,534

brush and worry about shape and form,

shape and form are extremely important.

448

00:24:56,254 --> 00:24:57,965

I know you get tired

of hearing me say that.

449

00:24:59,070 --> 00:25:01,650

But I want you to tree to look

the way you want it to look.

450

00:25:03,480 --> 00:25:08,580

So really practice that devote

a lot of practice, time to

451

00:25:08,580 --> 00:25:09,870

creating, shaping your tree.

452

00:25:09,870 --> 00:25:14,490

I know sometimes it looks like I just

hit it random, but I really don't.

453

00:25:16,000 --> 00:25:18,580

Think like a tree, go out,

go out in your front yard and

454

00:25:18,790 --> 00:25:20,110

spend some time with a tree.

455

00:25:20,140 --> 00:25:21,010

It makes friends with him.

456

00:25:21,790 --> 00:25:22,330

Talk to him.

457

00:25:22,390 --> 00:25:24,480

That's all right, neighbors.

458

00:25:24,560 --> 00:25:25,300

Thank you crazy.

459

00:25:25,510 --> 00:25:26,140

But who cares?

460

00:25:27,820 --> 00:25:34,090

Painters painters are expected to be

a little different, so enjoy life.

461

00:25:34,630 --> 00:25:35,590

And enjoy nature.

462

00:25:36,610 --> 00:25:37,840

It's so fantastic.

463

00:25:39,280 --> 00:25:43,390

Sometimes we, we spend half our life

overlooking some of the most beautiful

464

00:25:43,390 --> 00:25:45,600

things because you see them every day.

465

00:25:45,600 --> 00:25:47,080

You have a tendency to overlook them.

466

00:25:47,830 --> 00:25:53,830

I'm adding a little SAP green to

this color just to change its flavor.

467

00:25:55,780 --> 00:25:57,430

Maybe this is a different Bush down here.

468

00:26:00,895 --> 00:26:07,825

Just give him a whole cans, a little

arms, but that easy, you can creep some

469

00:26:07,825 --> 00:26:14,815

of the most fantastic little things and

something that comes right down in here.

470

00:26:15,985 --> 00:26:20,514

How do you want let's do, let's

take a little, little Brown,

471

00:26:20,514 --> 00:26:22,165

little white mixed together.

472

00:26:23,455 --> 00:26:26,155

Maybe there's a little touch of

land you can see right in here.

473

00:26:27,350 --> 00:26:32,000

See, that's that ran right on the

painting had a really make your painting

474

00:26:32,300 --> 00:26:35,690

so much more interesting like that.

475

00:26:37,100 --> 00:26:40,550

And you can clean that up a

little bit of grass right around

476

00:26:40,940 --> 00:26:42,170

since to bring it all together.

477

00:26:43,840 --> 00:26:44,150

My bed.

478

00:26:44,150 --> 00:26:46,040

I think you got one fantastic painting.

479

00:26:46,190 --> 00:26:48,860

I hope you've enjoyed this

one from all of us here.

480

00:26:49,130 --> 00:26:49,850

Happy painting.

481

00:26:50,390 --> 00:26:51,260

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S13E03 - Meadow Brook

Bob Ross's

The Joy of Painting

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