Bob Ross's

The Joy of Painting

S14E09 - Riverside Escape Oval

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Welcome back.

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I'm certainly glad you

joined me again today.

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Today, let's do a fantastic little

painting and I tell you what, let's start

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out, having run all the colors across

the screen that you need to paint a long.

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Are they doing that?

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Take a look up here at what

I've done already today.

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I've got an oval cut out of contact

paper and stuck on my canvas.

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We've got so many letters saying how.

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How much people like this.

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I thought I'd do another one today.

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Now, if at home, if you're doing this

and you don't want the oval on your

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painting, just leave it off easy.

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Then I've covered the inside of the

canvas here inside of this oval with

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a thing to even go to the liquid

white and it's all ready to go.

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So let's go, let's do a happy little

painting today, such a fantastic day.

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I'm going to start with

a small amount of that.

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They low blue, just a

small amount, small amount.

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Reach up here and grab a

touch of Prussian blue.

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Just going to mix them

together on the same brush.

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Okay, let's go right up here.

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And it just using our.

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Standard little crisscross strokes.

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Let's just begin dancing

in a happy little sky.

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Just let the brush play in here.

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Fun.

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Just bounce around there.

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We are.

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You really don't have to plan this.

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Just sort of let it happen and look

at what happens in, use it, learn

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to use whatever happens now then.

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Without cleaning the brush.

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I'm going to add the least little

touch, at least little touch.

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Doesn't take much of the low green.

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Okay.

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I just want to add a little

touch to the green here.

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Just sparkling bright in the sky.

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Just to give him some nice colors.

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They're just befuddled,

brushed and play in the bounce.

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Barely go mad at all.

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We have the old brush dirty.

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Let's take some, Oh, we'll take some

pressure and blue, they go blue.

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They go green, just all 11,

same colors we used in the sky.

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Invest, put in the indication of a

little touch of water down here, there.

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Just pull it from the outside in

like, so I don't know exactly how

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much water we're going to have,

or even where it's going to be.

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So we just covered all up

and whatever we don't want.

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We'll put something else over it.

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Cause we can do anything and to

our world, we can do anything.

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Okay.

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Let's wash her brush, scrub it off there.

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We are going to shake off the excess

and cover the whole studio again.

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How did you ever see my camera man there

and camera ladies, they are just, they got

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funny freckles all over your face there.

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Now the clean, dry brush, clean dry brush.

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I'm just going to blame the sky.

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You can blend it to any degree

of softness that you want.

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I like to leave some of these little

patchy areas in the sky, but if you

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don't want them in yours, but let

them out, the more you blend it,

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the smoother and softer it'll be.

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Come down here.

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Just gently go across fat, easy.

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Hey, we can wash her old brush.

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One more time.

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Shake it off.

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Okay.

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Tell you what today.

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Let's use the old fan brush.

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Go right into some

titanium white loaded LA.

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A lot of pain into the bristles,

a lot of paint out of pain.

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Let's build a happy

little cloud in this guy.

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Maybe their lives, a cloud right

there, wherever you want it, wherever,

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just drop him in it's your sky.

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So you make the decision

or do your clouds lift.

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There maybe.

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Yeah.

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There's a little friend that lives

right there, right there, right there.

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Maybe another one right over in here.

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You can just get crazy and fill the

whole sky up for the clouds and that's.

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All right.

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All right.

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With a good dry brush.

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He was just the top corner of the two

inch brush to very lightly blend and

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see all your blending is the base.

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Then you lift it, fluff it to use

it and very lightly see there.

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Beautiful little cloud that

easy, same thing, fluff it up.

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Give it a little blending

there, fluff it and blend it.

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Okay, maybe in your world,

maybe there's another, that

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lives in the front of this one.

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You can put him in.

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I said yes though.

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If you're going to put layers of cloud

on clouds on top of one another, that

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you do the one that's farthest away

first to get it totally finished.

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And then come back and put the

other one over the top of it.

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She certainly certainly

makes it easier there.

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Okay.

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If you do that many clouds in

your painting Edelen, that'll

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give you some good practice.

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Doing clouds should never

have problems with them again.

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Slap it very lightly,

two hairs and some air.

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There we go.

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Blended.

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We can just gently blend

the entire sky in already.

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You've got a world full of clouds.

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All right.

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They were clean off a fan brush and brush

on a, on a paper towel to dry it or a

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soft rag, whatever you have to have.

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Okay.

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Let's take Jude.

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Let's get this big brush out here

and take some black, some blue.

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We'll just mix them on the brush.

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It doesn't matter.

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Vandyke Brown be right

back lizard Crimson.

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We'll throw some of that in there.

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Shoot little SAP green to what the heck.

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Whereas I'll use all these nice dark cars

to have some color into the bristles.

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Let's go right up here and you

have to make some big decisions.

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Maybe there's some happy little

trees that live back here.

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Just take the corner of the brush and

begin tapping start at the base because

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that's your darkest area and work upward,

upward, upward, upper didn't begin.

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Begin creating some shape

and form in your tree.

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There we go.

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See, think about individual little trees.

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So where do they live?

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Give them names if necessary.

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That's all right.

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There is the one that Katie.

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Okay.

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There he is here.

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Okay.

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Maybe we'll just let that

work its way right on down.

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Here's a shoot.

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There's another one.

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Maybe that's a nice one.

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He comes, we at black

cat, you know, trees grow.

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However, make them happy.

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Just, just put them in your world.

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There we go.

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Let's just keep going to testify.

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Maybe over in here,

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maybe over here, more trees here we are.

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Maybe this one comes, we have like

that, make a decision, drop it in.

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And if where you want him to

be, that's where you'll be

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there at that quick.

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You blocked him a whole forest back

here nearly now that we have that color

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on the brush, we can decide back here

where our reflections are going to live.

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Grab pull straight down, straight down.

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You can drop them in and pull them.

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See they're that easy.

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Tried to kill that little

bright spot right there.

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That's a pretty, there you go.

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Look at that now.

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Very lightly.

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Just go across, just gives it a watery

appearance and you can push these wiggling

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fantastic women as traditional painter

reflections used to drive me crazy.

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And that's one of the easiest

things that you can do so simple.

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Let's put some little

tree trucks in there.

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I'll take paint center.

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Let me get some more thinner here.

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Thinner on my liner.

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Brush.

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Don't want to mix this too.

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It's thin like ink screw right up here.

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And now here and there.

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Just put the indication of a happy little.

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Tree trunk and some blooms and

sticks or some it grow in here.

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Some people will find it easier to

start, start at the top and pull down.

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Some people find it easier to

start at the bottom and lift up.

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Doesn't matter.

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Doesn't matter.

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There is no rule.

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If it works, then that's the right way.

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Okay.

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Maybe there's one sorta Yamaha.

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He over here.

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That means bam there.

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Okay.

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Over this side, we need some indications

and each one doesn't have to have one

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just wherever you think they should be.

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They're just all kinds of

little things growing in there.

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And you can take a little bit of

titanium, point them down and put

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a few of them in here and there.

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That are light color and they

really stand out against that dark.

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See, they kiss your painting character.

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Hmm.

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People thank you, Ruth really worked

for a long time to put all them

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a rascal in newness, but someone

that has sat there looking good.

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I know they were that good.

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I had to put a bunch in there to start way

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back at that point.

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I'm going to, devil's just jump right

out at you now, then clean my brush.

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I'm going to get it up

one inch brace today.

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What the heck?

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Let's go.

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You get through some of the dark color

first just to get some paint on it.

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Some Browns and greens and all

that they don't want to go into.

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The CAD yellow, we'll be right

back at a little SAP green on it.

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Load a lot of color into the

brush, tap it so you can see push

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their, tap it to load it down.

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Okay.

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Now then let's go up here and

begin putting in some highlights

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on some of these little devils,

think about form and shape.

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Don't just throw them in at random.

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They won't look right?

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No matter how you paint,

highlights on bushes and trees.

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I think about them as individuals.

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I think about them.

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It's easy just to throw them in at

random, but that's not the way little

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trees grow in new yard and look at them.

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There's a plan there.

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Nature doesn't make any mistakes

happens for a reason there's limbs and.

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Things in there that project

out there think about them.

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Create all these little shapes.

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Pam had a little yellow

ochre here and there.

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Little Indian, yellow, Sam green,

CAD yellow, just whatever, even touch

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a little bright red here and there.

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Let's make some pretty little

things over here on this one.

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Let's give him some, I don't

want him left out over here.

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Think about form and shape though.

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I know you get tired of hearing

that, but to me, that's so important.

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Anybody can just hit it random.

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But your paintings are special.

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They're special set you apart from

everybody else because you pay attention

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to little details that makes you special.

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And if you're selling your paintings,

that'll cause your paintings to sell

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somebody else's are sitting there.

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Going nowhere.

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There we go.

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Years and years, I traveled with

art shows all over the country

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demonstrating and selling my works.

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Oh.

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When some, sometimes other painters

would get so angry with me because.

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I'd be selling paintings just

passed as I could turn them out.

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And they would sit there all day

brooding over these little paintings.

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And if only they had just taken the

time to figure out why they were

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selling rather than being angry.

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You don't have to get angry.

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If somebody is doing better

than you are study them.

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They've got a secret.

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Find out what it is.

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Okay.

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Shoot.

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I don't get angry.

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You get angry.

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It just wasted a lot of energy.

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Tell you what you want.

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Let's get crazy.

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Did the heroin we'll take.

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Take a little white or

read to be right back.

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Get a little touch of the yellow blue.

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Since this is my world, I can

do anything I want to do here.

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I'm going to go up here and maybe

back in here, there's a little

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Bush to sort of a blue issue.

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I just liked the looks of that.

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See there, if you don't want a

Bush that colored your world.

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Don't buddy man.

256

00:13:52,445 --> 00:13:54,215

But today I just.

257

00:13:54,704 --> 00:13:58,824

So super, I want to put some

bright, shiny little colors here

258

00:13:58,824 --> 00:14:02,935

and then add a little lizard

Crimson to that little Crimson make.

259

00:14:03,005 --> 00:14:06,235

Ooh, there's a beautiful

color, beautiful color.

260

00:14:06,655 --> 00:14:06,925

Okay.

261

00:14:07,615 --> 00:14:12,380

And that maybe like a dad just

makes you happy when you see that.

262

00:14:12,410 --> 00:14:12,620

Right.

263

00:14:12,620 --> 00:14:15,680

Little colors like that,

you just can't help it.

264

00:14:18,320 --> 00:14:22,330

I wake up and painting.

265

00:14:22,810 --> 00:14:24,189

It does nothing else for you.

266

00:14:24,340 --> 00:14:25,390

It shouldn't make you happy.

267

00:14:27,070 --> 00:14:29,830

She brings something into your life

that you didn't have there before.

268

00:14:30,850 --> 00:14:32,080

And it's worthwhile then.

269

00:14:32,080 --> 00:14:32,500

It's good.

270

00:14:34,090 --> 00:14:34,810

It's good.

271

00:14:36,700 --> 00:14:37,930

Anything that makes you happy?

272

00:14:37,930 --> 00:14:39,010

It doesn't hurt anybody else.

273

00:14:39,495 --> 00:14:40,245

It's got to be good.

274

00:14:41,355 --> 00:14:41,625

Okay.

275

00:14:41,655 --> 00:14:42,465

Let's go right up here.

276

00:14:43,905 --> 00:14:48,585

Going to add a little dirt bank back

here using straight Bandag Brown,

277

00:14:50,505 --> 00:14:54,645

straight on Brown, right along here.

278

00:14:55,125 --> 00:14:57,135

See wherever you want him to go.

279

00:14:58,875 --> 00:15:00,074

Take a little Brown in the middle.

280

00:15:00,074 --> 00:15:01,875

Quite mix it together.

281

00:15:04,545 --> 00:15:08,385

Come right back in here and

touch your highlight right here.

282

00:15:08,385 --> 00:15:11,055

There, there we go.

283

00:15:12,055 --> 00:15:16,714

Just not to get it, to stand out,

little touch of liquid points and

284

00:15:16,714 --> 00:15:20,135

put a little bit of that lavender

color and that to now make it pretty.

285

00:15:21,334 --> 00:15:22,354

So you pull it out flat.

286

00:15:22,685 --> 00:15:23,675

And then cut across.

287

00:15:23,825 --> 00:15:25,115

Just get a little bit on your knife.

288

00:15:26,315 --> 00:15:29,015

Go right up here, cut a

hole right through the cams.

289

00:15:29,015 --> 00:15:30,305

Just get up there and saw it.

290

00:15:32,375 --> 00:15:35,735

Just really work there.

291

00:15:37,355 --> 00:15:40,595

And that's a light area between the darks

that makes it stand out a little bit.

292

00:15:42,005 --> 00:15:42,305

Shoot.

293

00:15:42,305 --> 00:15:42,845

We might even.

294

00:15:43,180 --> 00:15:45,010

We might even get in here and get crazy.

295

00:15:45,939 --> 00:15:47,319

Cause we didn't do anything in our world.

296

00:15:47,860 --> 00:15:49,750

Maybe there's some more

bushes and trees here.

297

00:15:50,860 --> 00:15:53,890

See, maybe there's a little

projection that comes out here.

298

00:15:54,550 --> 00:15:57,760

If you want one, put him

in, you don't leave him out.

299

00:15:58,540 --> 00:16:02,010

I can do anything there st.

300

00:16:02,010 --> 00:16:08,660

There he is put a little reflection

straight down for cross and

301

00:16:08,660 --> 00:16:09,910

back with our one inch brush.

302

00:16:11,345 --> 00:16:12,425

Get a little color on him.

303

00:16:12,665 --> 00:16:14,015

Just tap a little color into it.

304

00:16:14,725 --> 00:16:15,565

Let's go back up there.

305

00:16:16,375 --> 00:16:20,845

They have that a few highlights on this,

a little bushy tree, whatever he is here.

306

00:16:25,015 --> 00:16:25,405

See that.

307

00:16:26,255 --> 00:16:26,505

Yes.

308

00:16:27,145 --> 00:16:28,585

At least dark hair is in there.

309

00:16:28,645 --> 00:16:30,325

Sometimes it gets working so well.

310

00:16:31,495 --> 00:16:34,795

It's almost a natural tendency

this time to cover up everything.

311

00:16:35,545 --> 00:16:40,645

And if you do that, if you lose those

dark areas, And your little bushes are not

312

00:16:40,645 --> 00:16:44,455

going to be individuals and they're going

to be very flat look like he cut them out.

313

00:16:44,455 --> 00:16:48,615

A newspaper, just glued them up

there and we want, what action,

314

00:16:48,695 --> 00:16:51,805

the life who this is too nice.

315

00:16:53,355 --> 00:16:55,495

See there, but layer

after layer after layer.

316

00:16:57,005 --> 00:16:58,295

Then we need a little dirt into there.

317

00:16:59,235 --> 00:17:00,455

Got to have something for him to sit on

318

00:17:05,355 --> 00:17:09,965

little white, little Brown, put in a

little touch, a highlight right in there.

319

00:17:10,235 --> 00:17:10,715

I can't.

320

00:17:13,085 --> 00:17:15,575

And we can take, uh, a little

fan brush with some of that same

321

00:17:15,575 --> 00:17:19,325

color on it and just push up to

that'll bring it all together.

322

00:17:20,600 --> 00:17:21,650

Cover up those ages

323

00:17:26,210 --> 00:17:32,750

there, come back with our liquid

white, got us in a little water line

324

00:17:38,330 --> 00:17:41,510

and with a clean knife, I'm just

scraping the indication here and there.

325

00:17:42,110 --> 00:17:45,380

I have a few little sticks and

twigs just mainly in the dark areas.

326

00:17:47,340 --> 00:17:47,820

There

327

00:17:51,720 --> 00:17:53,940

looks like a lot of little

detail that people are really.

328

00:17:53,940 --> 00:17:54,300

Thank you.

329

00:17:54,300 --> 00:17:56,580

Worked hard to put all that in there.

330

00:17:56,610 --> 00:17:56,909

Thank you.

331

00:17:56,909 --> 00:17:59,670

Use that little one haired brush

and did them one at a time.

332

00:18:00,000 --> 00:18:02,460

Don't you telling me a

different that's our secret.

333

00:18:02,879 --> 00:18:03,930

That's our secret.

334

00:18:04,629 --> 00:18:05,080

Okay.

335

00:18:05,469 --> 00:18:05,949

Tell you what?

336

00:18:06,790 --> 00:18:11,469

Get some more blue and some black

and some Vandag Brown, whatever

337

00:18:11,469 --> 00:18:13,300

the color SAP green lizard Crimson.

338

00:18:13,300 --> 00:18:14,310

We just mix them all in here.

339

00:18:15,600 --> 00:18:15,989

Okay.

340

00:18:16,439 --> 00:18:20,580

And how that maybe this comes right down.

341

00:18:21,260 --> 00:18:24,740

I can't say there, just use the corner of

the brush and tapping whatever you want.

342

00:18:26,720 --> 00:18:29,930

If that comes out here, obviously

it's going to be a reflection.

343

00:18:29,970 --> 00:18:33,620

You knew that go across.

344

00:18:35,210 --> 00:18:36,530

You need to put that reflection in.

345

00:18:36,750 --> 00:18:39,270

I'm going to bring this down, put

it down before you come around.

346

00:18:39,360 --> 00:18:40,740

It's hard to sneak it back in there.

347

00:18:42,060 --> 00:18:43,380

You have to make some decisions.

348

00:18:45,000 --> 00:18:46,410

Maybe that's going to come right out.

349

00:18:46,410 --> 00:18:49,620

Like, yeah, it'd be hard to

sneak back in there and stick out

350

00:18:49,620 --> 00:18:51,390

reflection in, but you got it already.

351

00:18:52,470 --> 00:18:53,340

You got it.

352

00:18:53,640 --> 00:18:54,180

You got it.

353

00:18:56,150 --> 00:18:56,570

There

354

00:19:02,840 --> 00:19:03,920

we can come right back.

355

00:19:04,310 --> 00:19:05,570

Brian, my brush, there it is.

356

00:19:06,620 --> 00:19:09,050

Let's go back into our highlight

colors, the yellows, all

357

00:19:09,050 --> 00:19:10,130

the different yellows and.

358

00:19:10,345 --> 00:19:17,155

A little bit of SAP green and

we can go right back in here.

359

00:19:18,135 --> 00:19:22,995

Just begin adding all kinds of

little, little bright things up here.

360

00:19:23,295 --> 00:19:26,835

One Bush at a time don't

get in too big of hurry.

361

00:19:27,044 --> 00:19:28,125

We got all day.

362

00:19:29,594 --> 00:19:30,375

We're not in a hurry.

363

00:19:30,915 --> 00:19:31,544

Take your time.

364

00:19:32,925 --> 00:19:34,514

Speed will come automatically.

365

00:19:34,604 --> 00:19:37,695

The more you practice, the faster you'll

become without even thinking about it.

366

00:19:37,695 --> 00:19:38,534

Don't worry about speed.

367

00:19:38,534 --> 00:19:39,044

At first.

368

00:19:40,395 --> 00:19:44,564

If you're painting along with me,

if you have a video record the shows

369

00:19:44,564 --> 00:19:47,415

and playing back at your own speed,

so you can stop them and start them.

370

00:19:48,645 --> 00:19:48,735

Okay.

371

00:19:50,050 --> 00:19:54,220

As you know, here, I have a very

limited amount of time to work.

372

00:19:55,480 --> 00:19:56,800

So I have to do them sort of quick.

373

00:19:57,220 --> 00:19:58,240

I'm over 30 minutes.

374

00:19:58,240 --> 00:19:59,830

They, they have no sense of humor.

375

00:20:02,200 --> 00:20:04,480

We got one camera man here

at weighs about two 50.

376

00:20:04,480 --> 00:20:06,190

He comes out and drags me off the set.

377

00:20:08,260 --> 00:20:10,600

But at home you can do

anything that you want to do.

378

00:20:12,220 --> 00:20:15,010

See work in layers layer

after layer, after layer.

379

00:20:17,375 --> 00:20:18,155

I know what we need.

380

00:20:19,055 --> 00:20:20,915

Let's take, let me find

a fan, brush you down.

381

00:20:21,755 --> 00:20:23,855

That's just, that's just a perfect place.

382

00:20:24,845 --> 00:20:27,725

Perfect place to have a little path,

cause you'd want to get back in there

383

00:20:27,965 --> 00:20:30,845

and the little path there it comes.

384

00:20:32,195 --> 00:20:34,085

And if it goes right over

your bushes, that's all right.

385

00:20:35,430 --> 00:20:36,870

There it comes right out through there.

386

00:20:36,870 --> 00:20:38,190

See it sorta goes back.

387

00:20:39,150 --> 00:20:40,020

Take that same brush.

388

00:20:40,050 --> 00:20:41,310

We'll pick up a little white on it.

389

00:20:46,850 --> 00:20:49,250

So you just let it graze

over the top of that dark.

390

00:20:51,530 --> 00:20:52,250

There you go.

391

00:20:54,135 --> 00:20:57,805

A little way to get back in

there can have way to catch it.

392

00:20:57,825 --> 00:20:59,645

Big trout that lives

back here in the water.

393

00:21:01,504 --> 00:21:01,805

There,

394

00:21:05,075 --> 00:21:06,004

not a very good fisherman.

395

00:21:06,004 --> 00:21:08,645

I love to fish, but I catch a fish.

396

00:21:08,675 --> 00:21:09,655

Now put a bandaid.

397

00:21:09,655 --> 00:21:15,115

Don't even put it back in the water and

wishing well, And hope I can keep, have

398

00:21:15,115 --> 00:21:16,315

the opportunity to catch him again.

399

00:21:16,315 --> 00:21:17,065

Next time I come

400

00:21:20,275 --> 00:21:24,895

there, just like, so maybe a

few little things right in here,

401

00:21:29,245 --> 00:21:32,425

and we can take our liner brush and

we'll put a little thinner on it.

402

00:21:33,475 --> 00:21:36,505

And let's just put the indication

here and there a few little sticks and

403

00:21:36,505 --> 00:21:38,035

twigs that are growing out of this.

404

00:21:39,355 --> 00:21:40,735

Just a few things here and there.

405

00:21:42,770 --> 00:21:43,250

Okay.

406

00:21:45,430 --> 00:21:49,000

I backed her Brown, had a little dirt

under this side, or with him left

407

00:21:49,000 --> 00:21:52,899

out a Brown and white for highlight

408

00:21:56,830 --> 00:22:00,490

and then a little water line underneath

that cleans up the bottom and puts

409

00:22:00,490 --> 00:22:01,629

a little light area between them.

410

00:22:01,660 --> 00:22:02,050

I love it.

411

00:22:03,940 --> 00:22:04,300

There.

412

00:22:04,360 --> 00:22:04,750

Look at that.

413

00:22:07,125 --> 00:22:11,475

You take a clean, I'm just scraping

a few mistakes here and there.

414

00:22:14,985 --> 00:22:19,215

And these things show different

planes and they create the illusion of

415

00:22:19,215 --> 00:22:20,655

depth and distance in your painting.

416

00:22:22,295 --> 00:22:23,285

And I'm a nut for that.

417

00:22:23,345 --> 00:22:25,145

I think the depth of the painting.

418

00:22:25,490 --> 00:22:26,540

It's so important.

419

00:22:27,080 --> 00:22:28,790

Tell you what, let's bring

the camera right up here.

420

00:22:28,790 --> 00:22:29,180

Close.

421

00:22:29,210 --> 00:22:31,550

I'm going to take the contact paper

off and let's see what we have.

422

00:22:32,270 --> 00:22:34,450

He grabbed this and here's

the moment of truth.

423

00:22:38,380 --> 00:22:40,810

And again, I'm always fascinated with us.

424

00:22:41,290 --> 00:22:42,160

There's so nice.

425

00:22:42,550 --> 00:22:48,340

So, Hey, we got up a minute or

two left here, so let's get crazy.

426

00:22:48,639 --> 00:22:49,840

Maybe this comes right on out.

427

00:22:49,840 --> 00:22:53,950

I like to bring them right out of

the ride out of the oval sometime.

428

00:22:55,300 --> 00:23:01,899

So here we just bring a little bit

of the color red on out, like, so

429

00:23:04,270 --> 00:23:05,830

this is scary too, when you do this.

430

00:23:06,935 --> 00:23:10,504

This is your brave retest,

and this we'll check you out.

431

00:23:17,495 --> 00:23:17,915

Okay.

432

00:23:18,395 --> 00:23:18,784

I have it.

433

00:23:20,045 --> 00:23:22,115

Take our fan Bush, put some Brown on it.

434

00:23:23,045 --> 00:23:26,045

And the first thing let's do,

let's just extend our path.

435

00:23:26,735 --> 00:23:29,105

Our path comes right on out like that.

436

00:23:31,055 --> 00:23:33,425

Take a little bit of white,

put a highlight on it.

437

00:23:33,485 --> 00:23:34,565

Just barely grazing.

438

00:23:36,105 --> 00:23:37,125

Barely Grazie.

439

00:23:43,055 --> 00:23:46,475

Here's a few little bushes and

they come over the path by allowing

440

00:23:46,475 --> 00:23:49,715

some of those bushes to come

literally over the top of the path.

441

00:23:49,835 --> 00:23:51,995

It pushes a path down into the painting.

442

00:23:52,955 --> 00:23:54,455

It makes it look like he fits in there.

443

00:23:56,315 --> 00:23:56,945

There we go.

444

00:23:57,485 --> 00:24:00,095

Just sort of let those

just better ride on off.

445

00:24:00,095 --> 00:24:00,665

It did nothing.

446

00:24:02,764 --> 00:24:05,845

There here comes one.

447

00:24:06,024 --> 00:24:06,475

There he is.

448

00:24:06,564 --> 00:24:11,935

There he is unbelievable that just

using the corner of a one inch

449

00:24:11,935 --> 00:24:14,095

brush, you can do all that you can.

450

00:24:15,804 --> 00:24:21,985

That's the easiest way I have ever found

to make little bushes, grass areas.

451

00:24:22,495 --> 00:24:23,245

Let's get crazy.

452

00:24:23,455 --> 00:24:27,375

We got, we got to get

crazy and we'll take.

453

00:24:28,544 --> 00:24:30,254

Bandag Brown on the fan brush load.

454

00:24:30,254 --> 00:24:32,735

A lot of color, a lot of cover.

455

00:24:33,004 --> 00:24:36,544

Now that maybe right here, you know

me, I like these old big trees and

456

00:24:36,544 --> 00:24:42,064

I'm going to let this tree project

right out of the painting soon.

457

00:24:42,334 --> 00:24:48,034

And he lives right there and he's

got a friend he's got a friend.

458

00:24:49,020 --> 00:24:49,889

And he lives there.

459

00:24:50,699 --> 00:24:55,320

See, and that would take

a little touch white.

460

00:24:55,709 --> 00:24:58,590

And let's just say maybe

these are Birch trees.

461

00:24:58,620 --> 00:24:59,040

Touch him.

462

00:24:59,280 --> 00:25:01,409

Give him a little, little round red pool.

463

00:25:04,669 --> 00:25:05,179

There you go.

464

00:25:06,800 --> 00:25:08,480

Just give them a little, little pool.

465

00:25:10,879 --> 00:25:11,659

Don't get too big.

466

00:25:15,700 --> 00:25:16,150

Okay.

467

00:25:17,220 --> 00:25:17,490

Yeah.

468

00:25:17,500 --> 00:25:19,950

Then a little pink

there on my liner brush.

469

00:25:21,510 --> 00:25:24,000

We'll make some more of that

paint, this thin, like ink.

470

00:25:24,420 --> 00:25:24,570

Okay.

471

00:25:24,580 --> 00:25:25,350

Let's go up in here.

472

00:25:25,950 --> 00:25:30,150

And now then let's just put

a tree limb here and there.

473

00:25:32,700 --> 00:25:37,440

And then your tree, you put as

many, or as few as you want, just

474

00:25:37,440 --> 00:25:42,630

let them go wherever you think they

should live back of your pants.

475

00:25:42,930 --> 00:25:43,770

Does not flow.

476

00:25:44,880 --> 00:25:50,160

Add some more thinner to it because at the

end, paint will slide right over all this.

477

00:25:51,450 --> 00:25:52,680

Maybe that one goes right on off.

478

00:25:52,740 --> 00:25:53,280

We don't know

479

00:25:56,730 --> 00:25:57,180

there.

480

00:25:58,620 --> 00:26:01,710

Say there, I'm going to

put some leaves on there.

481

00:26:01,710 --> 00:26:01,950

So.

482

00:26:02,205 --> 00:26:05,985

Do you don't have to be too careful

unless maybe you want to treat

483

00:26:05,985 --> 00:26:08,835

it and your painting to be an old

dead tree, then you, I think that'd

484

00:26:08,835 --> 00:26:10,005

be a little bit more careful.

485

00:26:15,065 --> 00:26:15,425

Okay.

486

00:26:15,515 --> 00:26:17,765

Maybe there's one right

there, wherever, wherever.

487

00:26:18,385 --> 00:26:18,504

Okay.

488

00:26:21,405 --> 00:26:22,245

He was the old big brush.

489

00:26:22,245 --> 00:26:24,735

What the heck pairing there?

490

00:26:25,215 --> 00:26:30,405

I just want to put the indication

of a little leaf or two Janice

491

00:26:30,405 --> 00:26:31,635

to indication here and there.

492

00:26:32,235 --> 00:26:33,705

I'm not looking for a lot of shape yet.

493

00:26:35,534 --> 00:26:37,274

We'll come back and

highlight them in a second.

494

00:26:39,320 --> 00:26:45,110

There need that dark in order

for your light to show, man,

495

00:26:45,110 --> 00:26:46,280

I will take some light color.

496

00:26:46,310 --> 00:26:49,820

I'm going to dip the brush into the least

little amount of paint, thinner that then

497

00:26:49,820 --> 00:26:56,360

the paint come right along in here, like

a death, like had them shine in the sun.

498

00:26:58,145 --> 00:26:58,865

There they go.

499

00:27:01,825 --> 00:27:05,965

I love these paintings where

they extend outside of the oval.

500

00:27:06,475 --> 00:27:08,845

I hope you travel and

you're not limited to ovals.

501

00:27:08,845 --> 00:27:12,565

You can do any shape that you

want to do and the shape that

502

00:27:12,565 --> 00:27:13,945

you want to do, just enjoy.

503

00:27:15,175 --> 00:27:17,784

And I think with that, we're

going to call that a completed

504

00:27:17,784 --> 00:27:19,195

painting from all of us here.

505

00:27:19,254 --> 00:27:21,175

Happy painting, and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S14E09 - Riverside Escape Oval

Bob Ross's

The Joy of Painting

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