Bob Ross's

The Joy of Painting

S12E09 - Tropical Seascape

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Welcome back.

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Certainly glad to see you today.

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You ready to do a fantastic

little painting with me?

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Good.

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Tell you what let's have him run

all the colors across the screen

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that you need to paint along

with me while they're doing that.

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Let me tell you what I've

already done up here.

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I have my good old 18

to 24 inch canvas here.

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The top of it I've covered with a

third even coat of liquid white.

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Then we have a piece of

masking tape right across here.

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Slightly above center.

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And then the bottom of his canvas

is covered with a liquid clear, very

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small amount of the clear down here.

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But today we do a little

tropical seascape.

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I've had so many cards and letters asking

for just a bright, shiny little seascape.

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That'll show you a very easy

and effective way of doing one.

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So let's go on up here and get started.

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Today, I'll start with

your two inch brush.

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Go right into small, small amount, very

small amount of the Indian, yellow.

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Just tap a little into the bristles.

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Come right up here and we'll just

do something and just let it go.

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Right.

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I don't know, without cleaning the brush.

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I'm going to add a small amount of

CAD yellow and just run it on out.

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Okay.

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I have to clean the, brush it off.

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And once again, without cleaning the

brush, I'm going to add yellow ochre and

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we'll take that all the way up to the top.

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Just like, so here we go.

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Still without cleaning the

brush, I'm going to add just a

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touch touch of the bright red.

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And Kevin right along the top, I'm

making little crisscross strokes

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all the way across the top here.

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And then just very lightly

blend that into the ochre.

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Like, so in here and there, maybe you

can tap in a little bit to make a little

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streak in the sky wherever you want it.

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Maybe maybe, maybe, yeah, right here.

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We're putting another wherever.

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Just sort of look at it and

make a big decision to put it.

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There, there wasn't a bright, shiny

little guy, easy to do, easy to do and

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clean the brush, scrub it off, shake

it and just beat the devil out of it.

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Now they must have some fun.

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That's ask them if I take a lizard

Crimson loaded right onto the two

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inch brush, be right back right back.

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Don't leave me.

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And I want to get a little

bit of the little blue.

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Just makes it right on the brush.

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Let's go right up here, underneath

here, going to add a little bit of

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that lavender color, right there.

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Just a little touch, little touch and

this lavender, you can mix with the yellow

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without a difference without attorney

in green, even though you haven't blue

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in it, as long as it's predominantly

Crimson, you can mix it right up

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against there and get away with it now.

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Without cleaning the brush again,

I'm going to have more of the fatal

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blue, but just a small amount.

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Didn't take much dirt, take too

much and we'll come right down.

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Thanks down to the horizon here,

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fellow blue.

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It's a very pretty blue.

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I like blue.

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Very nice flute spelled funny,

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very lightly, very lightly.

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This blend the entire sky out

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here.

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We can wash your brush one more time.

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It's the fun part of this whole technique.

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The camera people don't

think is so much fun.

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Okay, now then let's use the knife today.

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What the heck?

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I'm going to take some titanium white

and pull it out as flat as I can get it.

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Just really get strong.

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Pull it out.

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Very flat.

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Go straight down.

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There you go.

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And cut across.

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So you have it.

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Little rule of Pete.

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Okay.

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Let's go up here.

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Let's make some little clouds.

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It just.

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Just hanging around here and have fun

pushing very hard, very hard, very hard.

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Just, just lay in some

basic little cloud shapes.

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I don't want these to be bright

clouds, just little floaters, just

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little floaters, little fun clouds.

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Good time clouds.

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Maybe it comes right down to here,

say there, and did your painting.

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You put them where ever you want them.

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Maybe there's shoot.

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Who knows?

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Maybe there's one that floats right

around here and has fun all day.

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Maybe when he goes, I don't know

if the edge of the canvas, just

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wherever, wherever, maybe they'd

go right down to the horizon

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there.

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Nah, then clean dry brush and it's

time for your brave retest come right

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up here and very lightly, very lightly

two hairs and some air just blend those

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little clouds, barely touching them.

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Barely touching me.

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You take the brush and hit another

way of making clouds for this type.

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Just tap a little bite into it

and go up here and just literally

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just tap it right onto the canvas.

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Like, so just tap, tap, tap, tap,

tap, and maybe right over here.

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There's another one.

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Just, all you have to do is just

sort of tap them on and then very

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lightly, very lightly just blend them.

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And that's a super easy way of

making some cute little clouds.

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Okay, one more time now then let's

take the tape off and you'll see you

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have a perfectly straight horizon.

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That's one of the nicest, easiest, little

ways of getting a straight horizon I've

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ever seen when you're doing a seascape.

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Now then I'm going to mix up.

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Let's take some, they love

blue and alizarin Crimson.

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Mix it together.

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That's very difficult.

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Very difficult to tell

what color that he has.

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It just looks black.

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If you want to find out, reach

over here and get a little white.

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And mix it in there and see what you have.

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If it's a color you like super.

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If it's not, this is a time to change it.

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This is the time.

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Now, one of the things, when you're

doing a seascape, if you'll sorta

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figure out basically where you

want the major wave to be in here,

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it'll save you a lot of problems.

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So let's say our major wave,

it's going to live right there.

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And just sort of take the Filbert brush

and just sketch out a basic shape of

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where you want that rascal to live.

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Like.

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So this is going to curl over like that.

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Once you have that in, then

you can lay it all out.

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Let's just use the old

two inch brush shoot.

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That's going to tap a little, this

dark lavender color in here and let's

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go right up here and then let's just

begin putting in some color by itself.

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Excellent.

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Just let it come right along that horizon

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there.

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Just right along there.

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Okay.

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And you come right down to

this major way and it really

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doesn't matter if you get it.

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It's just a guide.

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It's only a guy and I

think you'll find it.

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It really helps you to put that in though.

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Now I'm going to add a little

touch, the little blue to that same

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color, and I just I'll just use the

brush to sort of mix them together.

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So I'll put a little more blue into it.

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And with that, we'll go

out to the edges here.

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Want the edges to be a little bit,

a little bit more to the blue tone.

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And just fill this in

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same thing over here on the other

side, just fill it up to that

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quick.

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You have the whole back you seascape done.

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Same old brush still hadn't cleaned it.

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I want to use some of the

black, I don't touch it.

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They look blue once again.

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Just mix them on the brush and.

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Let's go right up in here and do that.

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Put a little color in, see, because

the liquid clear is on the canvas.

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The color stays true.

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If you have liquid white on the canvas

and you did this, it would dilute

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the color with the liquid clear.

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You don't have that problem.

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There we go.

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That I can't tell you enough to

use just a small, small amount.

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If it goes a long way.

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One container of clear

shit last year for you.

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There we go.

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The other side, back over here.

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Shoot.

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You get your seascape

half painted already.

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That easy.

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Why don't we have that old brush going?

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We might as well, this way, he

was going to be curling over

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so we can add some dark color.

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Now, if you're uncomfortable

using a brush this big to do these

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things, use your smaller brush.

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Either one will work.

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There we go.

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Can we just put that in?

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Right.

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I have several brushes going

here, so let me grab another one.

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I'm gonna take a little dark Sienna.

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We'll just put it out here.

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Little dark Sianna.

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I'm going to grab some yellow

ochre, yellow ochre, reach

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a pier, get some white.

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So I got dark Sianna,

yellow ochre and white.

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They're just tap it into the

bristles must go right in here.

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Maybe there'll be a little beach.

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It lives right here.

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And just let that blend right up

into the, to the water color here.

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There we go.

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Just let it flame together.

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we have the entire canvas blocked him now.

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Now we can begin getting serious about it.

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Okay.

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Well, let's start with, uh, with a knife,

take a little bit of the titanium height,

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pull it out very flat, just as flat as

you can get it and take the knife and cut

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across and get that little roll of paint.

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Always loading an app for

that little roll of paint.

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And let's begin making some

little waves that are far far

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back here in the distance.

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Barely, barely can see them.

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They're just little teeny ones.

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So use a firm pressure and push,

just push from pressure though.

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Really the knife is literally

bending, literally bending.

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Just put some little sparklers here

and there, just here and there.

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And when you push that harder, the

knife is a little ridges of paint

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here and a little ridges of paint.

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We'll use those later on, but

we'll place our highlights

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on all the little sparklers.

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But I'm putting a tremendous

amount of pressure here.

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Really getting strong, take out all yet.

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All your frustrations this way,

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head on over

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maybe a couple of little doors

right in here, wherever you want.

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This is just sort of an individual thing.

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Now we can even take a little bit

white and push it right on top of that.

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Right up here on top.

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I can

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now then I'll use a little touch.

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We'll just use that same color that

we used to make sand to that all.

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Add a little bit more yellow

ochre, make it a little brighter.

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And white.

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So it's quite bright.

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Pull it out, cut across.

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I get the teeniest little roll of

paint, tiny little bit of paint.

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And this let's go up here and

just very gently just letting

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graze those higher points.

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Just let it grease.

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Don't want a great deal of paint.

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Just barely, barely grazing.

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Just caress it.

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Just caress it.

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Just touch.

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Barely, barely touch chain.

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I'm going to take titanium white and the

least little bit of yellow and the CAD

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yellow titanium white and a little tiny

medicad yellow, tiniest a little bit.

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And once again, pull it out flat cut

across, and we have a tiniest little

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roller paint out on the edge of the knife.

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Okay.

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Now then with this.

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We can rarely sparkle decide where

the light's striking the water.

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And that's where you

put your bright spots.

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Barely touching, barely touching.

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Okay.

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And however many you want, or a few

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the airway go.

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Okay, I'm going to have that cut on there.

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I want to add a little

bit right there that easy.

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Maybe even back in here, just

put a little bit right in there.

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can even handle, let me

find a fan brush here.

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00:14:52,460 --> 00:14:55,760

Take a little titanium white on

my fan brush and let's put up.

256

00:14:56,460 --> 00:14:58,440

Another wave too.

257

00:14:58,470 --> 00:14:59,340

He lives right here.

258

00:15:00,840 --> 00:15:08,280

Comes right down, got to make those little

wave noises, a better white right there.

259

00:15:08,640 --> 00:15:10,440

And maybe this one just progresses on out.

260

00:15:10,440 --> 00:15:13,680

We don't know where it goes now then.

261

00:15:14,250 --> 00:15:20,370

Very gently grab that and just sort

of blended back, blended back, and it

262

00:15:20,370 --> 00:15:22,500

makes the trough in between the waves.

263

00:15:23,910 --> 00:15:29,550

Just gently blend it back now, can you

hold on, I'll show you something here.

264

00:15:30,630 --> 00:15:31,680

Get a little bit of that to yellow.

265

00:15:32,070 --> 00:15:36,570

I want to put a little like bright

yellow right here and maybe right

266

00:15:36,570 --> 00:15:38,520

here, just maybe a little bit on.

267

00:15:40,050 --> 00:15:44,850

That'll get on and we'll take that

fan, brush my, both the paint and

268

00:15:44,850 --> 00:15:46,890

grab that yellow and blend it back.

269

00:15:47,819 --> 00:15:50,699

So it looks like he was

sunlight, just laying in between

270

00:15:50,699 --> 00:15:52,829

there playing, having fun

271

00:15:55,920 --> 00:15:56,339

there.

272

00:15:57,120 --> 00:16:01,290

And they have then this

back bright, shiny.

273

00:16:01,290 --> 00:16:03,449

That is where the lights

really striking right on there.

274

00:16:04,469 --> 00:16:06,660

And it gets darker, darker,

darker as it works away.

275

00:16:10,035 --> 00:16:10,225

Okay.

276

00:16:10,225 --> 00:16:11,235

Anything right above this way.

277

00:16:11,235 --> 00:16:11,564

You hear it?

278

00:16:11,564 --> 00:16:15,765

Just blend that light in there.

279

00:16:19,665 --> 00:16:21,944

It's pretty just a bright little rascal.

280

00:16:23,645 --> 00:16:23,885

Okay.

281

00:16:23,885 --> 00:16:26,944

I'll take a little white

least, least little touch.

282

00:16:26,944 --> 00:16:30,305

If they low blue on the fan,

brush white, a little touch it.

283

00:16:30,305 --> 00:16:33,395

They look blue and let's

go right up in here.

284

00:16:33,905 --> 00:16:36,935

And you could just come back in

here and add in a little touches of

285

00:16:36,935 --> 00:16:39,515

color, just tearing they're white.

286

00:16:39,724 --> 00:16:40,805

They live, live, hope.

287

00:16:40,805 --> 00:16:44,515

It shows up enough seeing see it there,

288

00:16:51,444 --> 00:16:52,165

there we go.

289

00:16:53,665 --> 00:16:55,365

Just to drop those in wherever you want,

290

00:17:00,444 --> 00:17:02,035

Kenny right over.

291

00:17:02,985 --> 00:17:04,635

Here and here and everywhere

292

00:17:08,935 --> 00:17:11,204

that you're always using

this little rocking motion.

293

00:17:14,055 --> 00:17:17,014

Just little, I guess

that's a good word for it.

294

00:17:17,024 --> 00:17:18,045

A little rocking motion

295

00:17:22,484 --> 00:17:26,805

helps create the illusion of all kinds

of little waves and stuff happening

296

00:17:28,185 --> 00:17:29,655

without actually doing a whole bunch.

297

00:17:32,190 --> 00:17:36,450

There over here that flew just shining

right through that bright spot there.

298

00:17:38,130 --> 00:17:38,610

Okay.

299

00:17:39,600 --> 00:17:40,530

Time to have some fun.

300

00:17:41,850 --> 00:17:43,020

Let's do the eye of the wave.

301

00:17:43,050 --> 00:17:45,210

That's always what everybody

wants to wants to do.

302

00:17:45,210 --> 00:17:46,050

That's the fun part.

303

00:17:46,050 --> 00:17:48,030

Tick the Filbert brush.

304

00:17:48,555 --> 00:17:53,865

A little touch of the kid, yellow and

white load, a lot of pain on aggression.

305

00:17:54,585 --> 00:17:56,385

And let's go up here

and get tough with it.

306

00:17:56,415 --> 00:17:58,275

Just get in here and scrub it hard.

307

00:17:58,305 --> 00:18:04,365

Just really scrub it, scrub

it, and then begin working out.

308

00:18:04,665 --> 00:18:07,245

So that's another reason we do this sketch

because you don't want to paint in here.

309

00:18:07,245 --> 00:18:08,535

You want to keep that pure.

310

00:18:10,335 --> 00:18:14,055

Now that we can working outward,

outward, outward, outward, and

311

00:18:14,055 --> 00:18:16,305

automatically it'll get darker and darker.

312

00:18:16,305 --> 00:18:20,715

As you run out of paint there,

begin shaping and forming the

313

00:18:20,715 --> 00:18:23,445

wave, darker, darker, darker.

314

00:18:24,615 --> 00:18:25,545

I don't know how to nothing.

315

00:18:26,955 --> 00:18:31,635

Now that clean, dry be sure it's dry.

316

00:18:32,640 --> 00:18:34,680

Two inch brush and you just the corner.

317

00:18:35,070 --> 00:18:37,290

And all we're going to do

here is just stirred up.

318

00:18:37,320 --> 00:18:41,070

It makes the Devon tiniest little

circles, tiny little circles.

319

00:18:42,210 --> 00:18:43,080

You can blame this too.

320

00:18:43,080 --> 00:18:44,310

It's as smooth as glass.

321

00:18:45,810 --> 00:18:52,970

Now let's begin shaping our way, grab

it and pull, grab it and pull it.

322

00:18:52,970 --> 00:18:53,150

Matt.

323

00:18:53,150 --> 00:18:59,660

Neat that easy you can create the

shape of this wave and it easy.

324

00:19:00,240 --> 00:19:00,750

I had it easy.

325

00:19:00,900 --> 00:19:01,440

There it is.

326

00:19:04,830 --> 00:19:05,460

Okay.

327

00:19:06,570 --> 00:19:07,500

Let me find a fan brush.

328

00:19:07,530 --> 00:19:12,000

I have several fan brushes going also,

I'll take a little that Hawaii has a

329

00:19:12,010 --> 00:19:13,380

least little touch of yellow in it.

330

00:19:14,310 --> 00:19:17,220

Now then let's do this

big crashing wave here.

331

00:19:17,730 --> 00:19:21,300

Grab it and pull like the little noises.

332

00:19:23,895 --> 00:19:27,315

And it'll pay you to wipe your brush

between each stroke and reload it.

333

00:19:27,315 --> 00:19:29,655

So you've got nice clean color there.

334

00:19:31,665 --> 00:19:35,445

This is the, this is the part of the

painting that everybody wants to see.

335

00:19:36,255 --> 00:19:40,035

And if you're out, if you're out

selling paintings, of course, none

336

00:19:40,035 --> 00:19:43,005

of us interested in that happy, but,

but if you're out selling paintings,

337

00:19:43,605 --> 00:19:44,925

this is the part that sells.

338

00:19:47,115 --> 00:19:47,505

Okay.

339

00:19:47,625 --> 00:19:53,435

Here's the old Filbert brush here and I'm

going to load a touch, just a touch of

340

00:19:53,435 --> 00:19:55,355

this lavender color we had on the brush.

341

00:19:55,505 --> 00:19:56,345

Can you ask him up in here?

342

00:19:57,155 --> 00:19:58,445

And then let's put some foam.

343

00:19:58,895 --> 00:20:04,085

We'll put the shadow in first,

but to shadow him, there we go.

344

00:20:05,795 --> 00:20:06,305

Oh, we're doing it.

345

00:20:06,305 --> 00:20:09,095

Just scrubbing it in, put

the shadow in, but the shadow

346

00:20:09,095 --> 00:20:10,985

man, I had just come around.

347

00:20:10,985 --> 00:20:13,655

This is where you begin

shaping your wave right there.

348

00:20:14,615 --> 00:20:14,705

Okay.

349

00:20:15,135 --> 00:20:20,175

There is this shadow just

wherever you want it here.

350

00:20:20,175 --> 00:20:24,225

It comes big splashing thing,

351

00:20:28,814 --> 00:20:30,074

but the shadow first though.

352

00:20:30,794 --> 00:20:31,125

Okay.

353

00:20:31,274 --> 00:20:31,935

Wash your brush

354

00:20:34,965 --> 00:20:36,104

and wipe it on a paper towel.

355

00:20:36,104 --> 00:20:38,024

Be sure it's as dry as you can get it.

356

00:20:40,485 --> 00:20:41,084

Okay.

357

00:20:41,804 --> 00:20:43,364

Now let's go right back into her.

358

00:20:43,455 --> 00:20:43,905

This is her.

359

00:20:44,564 --> 00:20:47,745

Mixture of titanium white or the

least little touch of yellow in it.

360

00:20:49,004 --> 00:20:52,635

Load a lot of color into

the bristles right now.

361

00:20:52,635 --> 00:20:58,215

They're just sorta give it an upward push

and put the highlight right up on top.

362

00:20:58,425 --> 00:21:00,675

Right up on top of all

that turn the brush.

363

00:21:00,675 --> 00:21:01,605

Use both sides.

364

00:21:02,685 --> 00:21:04,514

Now when it runs out

of paint, wipe it off.

365

00:21:04,544 --> 00:21:07,845

Good yet all that blue and

lavender color off of it.

366

00:21:08,445 --> 00:21:09,855

Come back with a nice color.

367

00:21:11,505 --> 00:21:14,025

See make those little noises.

368

00:21:14,115 --> 00:21:15,585

It really helps to get you in the mood.

369

00:21:17,235 --> 00:21:22,095

And I just started bringing

it all together there.

370

00:21:23,475 --> 00:21:23,835

Okay.

371

00:21:24,615 --> 00:21:29,235

Now there are clean, dry two inch brush.

372

00:21:29,895 --> 00:21:32,985

Once again, I just, I'm just

grabbing this and going to stirred

373

00:21:32,985 --> 00:21:35,865

up tiniest little circular strokes.

374

00:21:36,540 --> 00:21:39,210

Blended right into the

shadow, except the very edge.

375

00:21:39,210 --> 00:21:40,110

You don't want to blame that edge.

376

00:21:40,110 --> 00:21:44,180

You want to see your bit

just landed, landed blended.

377

00:21:44,180 --> 00:21:46,580

Now you could use the one inch brush

for this, but the two inch brush

378

00:21:46,730 --> 00:21:51,530

I like to use, because it seems to

have more, there seems to work a

379

00:21:51,530 --> 00:21:54,290

lot nicer, a little touch of that.

380

00:21:54,950 --> 00:21:59,660

Highlight color over here on the

other side of that wave, pull it down.

381

00:21:59,690 --> 00:22:01,160

So it looks like it continues.

382

00:22:02,480 --> 00:22:02,960

Okay.

383

00:22:04,065 --> 00:22:08,625

Let me find my little liner

brush, take the liner brush.

384

00:22:08,625 --> 00:22:14,835

I'm gonna go into some titanium, white,

least little touch of the low blue in it.

385

00:22:16,035 --> 00:22:20,025

Now let's just take this and come

right along here and begin adding

386

00:22:20,625 --> 00:22:21,855

some highlights here and there.

387

00:22:23,055 --> 00:22:27,645

Just like, so now at home you

have unlimited time and you can

388

00:22:27,645 --> 00:22:33,135

just put all kinds of beautiful

little things like this here.

389

00:22:33,195 --> 00:22:34,935

You know, they had no sense of humor.

390

00:22:34,935 --> 00:22:35,205

Shoot.

391

00:22:35,205 --> 00:22:38,024

If I go over 30 minutes, they

get upset and start yelling.

392

00:22:40,655 --> 00:22:41,345

There we go.

393

00:22:42,095 --> 00:22:47,105

But these little things, things, little

things help shape and form your waves.

394

00:22:50,100 --> 00:22:52,620

All kinds of little, little bitters here.

395

00:22:54,209 --> 00:22:56,010

Band brush also works very nice.

396

00:22:57,300 --> 00:22:57,629

Thank you.

397

00:22:57,629 --> 00:23:01,290

Fan gross, little touch it.

398

00:23:01,290 --> 00:23:01,770

The little blue.

399

00:23:01,790 --> 00:23:07,110

And I begin putting in just all

kinds of little, little foam

400

00:23:07,139 --> 00:23:08,979

patterns that are moving and play in.

401

00:23:08,979 --> 00:23:14,520

And this is where you, once again,

where you create the shape of

402

00:23:14,520 --> 00:23:18,240

your wave, as it goes out, it's

getting flatter and flatter.

403

00:23:20,970 --> 00:23:26,190

There maybe right out here.

404

00:23:28,260 --> 00:23:29,160

Oops, there we go.

405

00:23:30,330 --> 00:23:35,670

And we can begin just

lay in a bit of foam.

406

00:23:35,670 --> 00:23:36,600

That's laying down here.

407

00:23:38,534 --> 00:23:40,995

This is just titanium white, but

it's picking up all those little

408

00:23:40,995 --> 00:23:42,135

colors that are underneath.

409

00:23:42,735 --> 00:23:47,294

Leave some openings, leave some

holes in it, so you can see the

410

00:23:47,415 --> 00:23:48,975

sand and the water all through it.

411

00:23:51,635 --> 00:23:52,254

Cool.

412

00:23:52,294 --> 00:23:52,745

Like, yeah.

413

00:23:53,264 --> 00:23:56,735

Still making those little

rocking type strokes travels.

414

00:23:56,735 --> 00:23:59,825

But I don't know if the wave that

right underneath this wave here, it's

415

00:23:59,825 --> 00:24:02,735

going to be a little darker because

there's a shadow created by that wave.

416

00:24:03,725 --> 00:24:05,465

So brighter out here in lighter there.

417

00:24:07,305 --> 00:24:13,175

Okay, now then that's a good plan or brush

it a little bit of lavender and we need to

418

00:24:13,175 --> 00:24:19,745

have a little dark line that leaves right

into the SL pop that right up right up.

419

00:24:20,435 --> 00:24:23,165

And you can come back in here,

but just all kinds of little

420

00:24:23,165 --> 00:24:24,155

things, wherever you want.

421

00:24:26,405 --> 00:24:29,555

Tell you what this is going

to be a tropical scene.

422

00:24:30,585 --> 00:24:32,235

We need a happy little Palm tree in there.

423

00:24:32,475 --> 00:24:35,085

Cheap, easy way of making no

indication of a Palm tree.

424

00:24:35,115 --> 00:24:40,325

We'll just use Vandyke Brown on the

fan brush, loaded, full of color.

425

00:24:40,445 --> 00:24:41,285

Let's come right up here.

426

00:24:42,514 --> 00:24:44,315

Decide where you Palm tree lives.

427

00:24:44,585 --> 00:24:47,945

Maybe this Palm tree

maybe lives right here.

428

00:24:48,965 --> 00:24:49,925

It goes right off the canvas.

429

00:24:49,925 --> 00:24:51,004

We don't know exactly where it goes.

430

00:24:51,065 --> 00:24:51,335

Awesome.

431

00:24:53,014 --> 00:24:53,825

Let's give him a friend.

432

00:24:53,825 --> 00:24:57,754

We didn't want him to get lonely

right through the crasher.

433

00:24:57,905 --> 00:24:58,115

Hm.

434

00:25:00,300 --> 00:25:00,600

There.

435

00:25:00,690 --> 00:25:04,020

And we get to Palm trees pretty soon.

436

00:25:04,770 --> 00:25:06,870

You know how Palm trees are

pretty soon to be three.

437

00:25:08,490 --> 00:25:11,820

Now, then they didn't take

a little black and white.

438

00:25:12,240 --> 00:25:13,860

I'm like sort of a grayish color here.

439

00:25:15,690 --> 00:25:22,860

And with that, let's just, just put a

little light on this, just a little light.

440

00:25:23,370 --> 00:25:25,920

See, like, so.

441

00:25:28,155 --> 00:25:33,784

Right after the old tree

do, do, do do there.

442

00:25:35,764 --> 00:25:36,094

Okay.

443

00:25:36,094 --> 00:25:41,074

You can take, you can take the liner brush

with a little dark color on it and really

444

00:25:41,074 --> 00:25:45,245

work it, make it a little that'll do ours,

like hit going all the way up a tree.

445

00:25:48,585 --> 00:25:49,004

Okay.

446

00:25:50,085 --> 00:25:50,715

Fan brush.

447

00:25:51,165 --> 00:25:52,635

Let's make some big leaves up there.

448

00:25:53,085 --> 00:25:56,254

Dip the fan brush into her paint center.

449

00:25:57,335 --> 00:26:02,945

I'm going to take black mover and

I get it thin then like water,

450

00:26:03,875 --> 00:26:06,215

like ink, lot of thinner in there.

451

00:26:07,475 --> 00:26:08,345

It's very thin.

452

00:26:08,975 --> 00:26:09,754

It'll run on you.

453

00:26:10,235 --> 00:26:10,534

Okay.

454

00:26:11,075 --> 00:26:12,335

And then this come right up in here.

455

00:26:12,750 --> 00:26:16,680

Decide where your big Palm leaves,

maybe this one comes right around June.

456

00:26:17,400 --> 00:26:19,800

And because this is so wet

and thin, you can grab it.

457

00:26:20,220 --> 00:26:24,510

Look at that, see there and

that easy you can make all

458

00:26:24,510 --> 00:26:25,680

those beautiful little shapes.

459

00:26:26,610 --> 00:26:29,070

Now then just wherever you

want them, think about how

460

00:26:29,070 --> 00:26:30,210

your Palm tree going to look.

461

00:26:30,210 --> 00:26:31,560

Sometimes you can see both sides.

462

00:26:31,560 --> 00:26:35,490

Sometimes one side there is minor.

463

00:26:37,800 --> 00:26:41,280

This is one of the easiest ways

I've ever seen to make a striking

464

00:26:41,280 --> 00:26:45,990

little Palm tree and this black

color against that bright background.

465

00:26:46,379 --> 00:26:48,840

Oh, really, really stands out.

466

00:26:49,919 --> 00:26:51,949

You're like them don't want to.

467

00:26:52,000 --> 00:26:53,189

I started wanting to get left out.

468

00:26:54,090 --> 00:27:01,100

We have to give him a nationalism, grab

it, pop it to here comes another one.

469

00:27:01,370 --> 00:27:02,570

It goes right out through there.

470

00:27:02,840 --> 00:27:03,229

Grab it.

471

00:27:04,710 --> 00:27:05,460

Keep it cool.

472

00:27:07,020 --> 00:27:07,200

Okay.

473

00:27:09,810 --> 00:27:13,950

And maybe one right here, just

however many and a little one.

474

00:27:15,960 --> 00:27:16,380

See there.

475

00:27:17,400 --> 00:27:20,490

That's one of the nicest ways there

is to make a little Palm tree.

476

00:27:20,880 --> 00:27:24,450

I hope you've enjoyed this little

tropical sunset type scene, and I look

477

00:27:24,450 --> 00:27:28,260

forward to painting with you again

until then happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S12E09 - Tropical Seascape

Bob Ross's

The Joy of Painting

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