Bob Ross's

The Joy of Painting

S09E11 - Nature's Paradise

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Come back.

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Glad you could join me today.

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They, I thought we do a

fantastic little painting and

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I think you'll really enjoy it.

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It'll make you happy.

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So let's have them graphically run all

the colors across the screen that you

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need to do this painting at home with

me and they'll come across as usual

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in the same order as I have them on

the pallet, starting with a white in

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working around and let's go it up here.

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Now I've already covered the canvas with

the liquid white and it's ready to go.

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So let's take, let's take our

old two inch brush and we'll go

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right into a touch of the blue.

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And I'm going to reach right over

here and grab some alizarin Crimson.

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So we have the yellow, blue and

the lizard Crimson proportionately.

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We use much, much more Crimson than blue.

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The blue is many times stronger.

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Now this will look black

to you go up to the canvas.

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So let's go up here now, up here.

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Sorry.

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Sort of give it a little test

and see if it's what you want.

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If it's not what you

want, stop and change it.

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Right.

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Then don't keep going.

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Cause it's not going to get any better

now using little crisscross strokes, I'm

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just going to fill in the basic area.

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I think.

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Well, I think we'll do some big

fluffy, beautiful clouds today.

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I like clouds.

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I like clouds a lot of fun to do.

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Yeah.

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I sort of let this play around.

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Have fun.

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There we go.

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And as you work down the canvas, your

brush is picking up the liquid white

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and automatically, automatically it gets

lighter in value and in a landscape.

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Your sky should get lighter and lighter

as it works toward the horizon and my, the

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liquid white that happens automatically.

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You don't have to worry about it.

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You don't have to plan it.

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It happens right when you get a

big old wall sky there already.

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Now, when I have that color on the

brush, I'm on my hands a little

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more and go right back in here.

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And let's put some water in this painting.

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So let's start here and pull

from the outside in and we'll

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have some water in here.

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There we go.

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Or you want your water to be

darker down here than up here.

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And once again, that will help create

the illusion of depth in your painting.

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All right, here you come

from this side over.

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We really don't care right now.

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We're just trying to get

in some basic basic colors.

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There we go.

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Okay.

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I'll wash the brush.

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Wash steel brush.

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Shake it off.

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Give it a good wrap and we're ready to go.

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Now, then I want to work

on this sky a little bit.

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So starting the light.

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Are you, when you have a clean brush and

blend upward, do you have a dirty brush?

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Start at the top and work

downward clean brush.

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We started in the light area

and workup very lightly.

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Can you even down here all the

way across that light area where

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we've made it, if you're very

gentle don't, don't get too strong.

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Take a weak pill there.

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Hey nah, nah.

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Then we can play a little bit.

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I think let's use the old

one inch brush today and.

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Okay, we'll go right into a

little bit of titanium white.

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Then I'm going to reach over here.

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Pick up some yellow ochre.

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We'll just put it right in here.

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At least little touch to the

bright, red, least little touch.

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Mostly ochre.

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Let's go in here.

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I want some color in these clouds today.

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So just sort of figure out where

you want the shadows or the dark

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parts to be, and just lay the scent.

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In essence, we have a lavender sky.

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We can put yellows at it.

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If we had a bright blue sky and you put

this yellow in there, chances are, you'd

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get a brilliant green sky census lavender,

you mix yellow and lavender together or

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purple, whatever you want to call it.

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And it will make a beautiful Brown color.

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We don't care about that.

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That's fine.

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It gives us a little color to

be in the shadow part of the

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cloud, clean the whole brush.

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Give him a little rap and off we go, man.

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And then I'll go right into titanium,

white, same a one inch brush.

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And I'm loading a lot of

paint into the bristles.

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A lot of paint.

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Look at there.

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Go ahead.

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Let's go up here now.

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Then we have to make some big decisions.

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Where, where does these clouds live?

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I can watch him watch

him tiny little circles.

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Keep that brush moving at all times.

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Maybe the schools are

right on off the edge here.

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You don't care that these clouds

just float around and off the

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top there, wherever, wherever.

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Look at that big fluffy son of

a guns play in the sky there.

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And they just float around,

float around heaven all day.

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Wouldn't that be a nice lifestyle?

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That's what they do.

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What to do?

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No worries.

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No cares.

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Just float around, wait for the

wind to blow them here and there.

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All right.

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Keep talking like that.

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And I want to be a cloud in my next

life there now with a two inch brush

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using just the top corner of the brush.

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I just want to begin blending

this out, blending it out.

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Barely touching and don't, overmix

probably one of the biggest mistakes

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made in clouds is overworking.

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Now pretend the clouds are lazy.

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They don't want to be overworked

just, just enough to stir them up

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and mixes and then leave them alone.

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Now we'll fluff them.

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Just grab it.

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Lifted big circular strokes.

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Big circular strokes, as we've said

before, don't grab them and go straight up

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because it'll look like it's raining up.

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That'll really disturb you.

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And as you turned the painting

upside down, turned it upside down

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minister, going to be raining.

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Their ex.

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Sometimes when you're painting, you

might want to put rain off in the

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distance and that's the way to do it

is pull those strokes down like that.

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And it'll create that illusion of rain.

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That's far, far away by her.

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Okay.

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Let's do, let's do some

happy little mountains today.

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Maybe I'll do them with a fan brush.

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Let's go into alizarin,

Crimson, they little blue.

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Just mix them on a brush and

I'm going to reach over here

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and get a little bit of white.

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So we have blue Crimson and a little

titanium, white load, a lot of pain

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into the, to the old fan brush.

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Let's go right up here.

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Maybe there's a little mountain

that he lives right back here.

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Don't overmix the color on your brush?

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And that way you'll get all types

of little variations happening in

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your mountain without even trying.

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There we go.

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Now we'll take the large brush.

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Grab that very lightly.

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Very lightly.

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Just pull it out and let

it just float right back.

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You're in the clouds.

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Just sort of floats around.

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See, I want this one to be far away,

so you can just blend right over that.

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You need a firm paint

when you're doing this.

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If you use it, then paint, you're

going to instantly become, become a mud

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mixer, and you're going to yell at me.

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I don't want that to happen.

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Use the firmest paint.

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You're confined.

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No same colors, same colors, but

I'm going to leave the white out.

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I want this to be darker.

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So we have blue and Crimson.

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Tell you what, let's put some

midnight black in there too.

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Blue, Brown, I mean, blue Crimson

and a little bit of midnight black.

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Okay.

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Let's go back up here.

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Maybe there's a happy mountain.

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Uh, K.

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Okay.

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He lives.

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Yeah, he does right there.

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Look at her.

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So you just shape these, however you want

them, how ever you want them, your world.

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And you can create any kind of

mountain that you want in there.

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Maybe he's got a little

arm pokes up right there.

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We don't know.

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Don't care.

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Just let him go.

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Let him go.

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This one's a little darker

than the one in the back.

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So it helps once again to create

that illusion of distance.

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Now, then with our two inch

brush, we'll grab that color.

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And pull it out, pull it out.

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These could be nice desert type mountains

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with all the shapes they have.

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And we'll let that mountain just

sorta, just sort of float back there.

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I have, I have several fan verses going.

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So, let me go to another fan

brush, go into let's use them.

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Let's use some dark

Sienna, some Vandyke Brown,

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I think.

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So I will grab some white

and put it in there.

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There.

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Very good.

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Okay.

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Load a lot of pain into the brush

and now begin deciding where you want

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highlights to be on this mountain.

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Now, if you live in an area that has

mountains, look around at the colors,

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change the colors of your painting.

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So they match what's in your area.

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If you're doing paintings in that

area, any color will work here.

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All I want to do is show you how.

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To make it work.

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And what colors you use are up to you?

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The fan brush makes a very

nice little mountains.

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Very nice.

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It's just very the Browns

and the whites all back.

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So you get all kinds of little happy

things that are happening in there.

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These fan brushes are unbelievable.

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Nice brushes to play with.

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There's a little thing right in there.

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Maybe one here at that come right

on now, wherever you want it to go.

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Now, then I'm going to use that lavender

color with a little more blue into it.

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And with that, we'll come back up

here and we can begin laying the

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indication of a few highlights here

and there just to like, so see.

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The principles are the same as if you were

making these mountains with your knife

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and you can make them with the knife.

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I just want to show you

some different type things.

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Okay.

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Just to get an indication

of a shadow or two in here.

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Like, so there we go.

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Wherever you think the shadow should

be, that's where it should be.

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And a few over here.

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I will probably cover those up.

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So I'm not too worried about it.

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You know, me always got to have a bunch

of trees and all kinds of things in there.

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And then maybe a little

highlight, just take some white.

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There we go.

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And maybe here and there, it's

just, this is sort of a gray color.

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What was in the brush?

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Mixed with white.

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It makes a nice gray color and you can

all kinds of different things happening,

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but the principles are exactly the same

as if you're doing them with a knife,

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a light will strike in the same areas.

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There we go.

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And you can.

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You can slip back, pick up a few

dark colors, if you want to make

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some very, the shadows in there.

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The deep shadows, not too many.

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Just a few, just a few.

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Okay.

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Now, clean.

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Dry two inch brush.

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I want to tap this soften.

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It can create the illusion of mist,

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very soft and then very gently,

but then that and blended blended,

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and you can bring it all together.

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Be sure your brush stays clean.

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You can just beat the brush

rather than going through

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the whole cleaning procedure.

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That'll take off that excess paint.

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Just use the same old dirty brush.

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And I'll go into a little bit of

SAP green, a little bit of Brown.

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Maybe there's some happy little things

that go right up the side of this.

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Follow the angles just here and there.

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There's a couple little, little

happy, little happy doers there.

257

00:13:47,145 --> 00:13:47,595

Okay.

258

00:13:49,125 --> 00:13:49,605

Once again.

259

00:13:49,635 --> 00:13:51,765

Good clean, dry brush, tap it.

260

00:13:52,715 --> 00:13:54,795

So it creates that illusion of mist.

261

00:13:54,885 --> 00:13:56,385

I'll give it a little upper lift

262

00:14:03,855 --> 00:14:06,225

now, then let's play some more.

263

00:14:06,225 --> 00:14:10,755

We'll take some green, some green and.

264

00:14:11,835 --> 00:14:15,045

We'd go back into that lavender

color we use and just mix

265

00:14:15,045 --> 00:14:16,125

them all up together here.

266

00:14:16,395 --> 00:14:16,665

Okay.

267

00:14:16,725 --> 00:14:17,505

Let's go up in here.

268

00:14:18,255 --> 00:14:21,285

Maybe there's a little footy

Hill lives right in there.

269

00:14:22,335 --> 00:14:23,595

This is SAP green.

270

00:14:24,135 --> 00:14:27,975

I think he was a little bit of a lizard

Crimson in there and some of the lavender

271

00:14:27,975 --> 00:14:31,815

color we used just all those pretty cars.

272

00:14:33,075 --> 00:14:34,395

We'll put a little footy Hill in there.

273

00:14:40,770 --> 00:14:46,260

Clean brush, tap that just to

create that illusion of mist.

274

00:14:49,579 --> 00:14:52,640

I left too.

275

00:14:54,199 --> 00:14:57,140

So anything that happens in here and you

can just flamed it out, it goes away.

276

00:14:58,640 --> 00:14:59,540

No big deal.

277

00:15:00,960 --> 00:15:02,310

Now then let's start playing.

278

00:15:02,310 --> 00:15:07,740

I'll take a little bit of yellow, some

SAP green, and just tap them together

279

00:15:08,160 --> 00:15:11,550

that if you greens too bright, as crazy

as this sounds, reach over here and take

280

00:15:11,550 --> 00:15:17,430

a little bright red and put in because

green and red make Brown and that'll

281

00:15:17,430 --> 00:15:19,500

adult that bright, bright green down.

282

00:15:19,735 --> 00:15:23,905

If it's too bright for, you can just go

up here and maybe back in here, we're

283

00:15:23,905 --> 00:15:27,705

going to begin having some little,

little land areas that are happening.

284

00:15:30,015 --> 00:15:30,735

There we go.

285

00:15:32,475 --> 00:15:36,195

Very soft, little, little happy

meadow things back in here.

286

00:15:37,635 --> 00:15:39,735

And just sort of bury your

color so that it looked like

287

00:15:39,735 --> 00:15:43,725

little shadows and highlights

all playing and just having fun.

288

00:15:45,584 --> 00:15:48,375

There we go more and more and more.

289

00:15:49,694 --> 00:15:56,415

Take one, get a one inch brush and

I'll go into some green and some black.

290

00:15:57,360 --> 00:15:59,790

We'll pull it a lot of pain in the brush.

291

00:16:00,360 --> 00:16:00,600

Okay.

292

00:16:00,630 --> 00:16:01,140

Let's go up here.

293

00:16:01,980 --> 00:16:05,250

And maybe there's some happy little

trees that live back in here.

294

00:16:06,180 --> 00:16:09,930

Just just little trees,

follow the lay of the land.

295

00:16:09,930 --> 00:16:12,240

This is where you begin

creating that illusion.

296

00:16:13,230 --> 00:16:15,090

And you can put as many

or as few of these.

297

00:16:15,090 --> 00:16:21,030

And as you want already, that's

beginning to help create the illusion

298

00:16:21,030 --> 00:16:25,770

of depth distance right in there.

299

00:16:27,105 --> 00:16:28,605

Let's go back on this

other side over here.

300

00:16:28,605 --> 00:16:31,365

Maybe there's a bigger one

that, yeah, you're right.

301

00:16:32,265 --> 00:16:33,195

You were right.

302

00:16:33,195 --> 00:16:34,005

He does right there.

303

00:16:35,085 --> 00:16:38,565

And all we're doing right now is

just laying in some dark color.

304

00:16:38,685 --> 00:16:43,695

So when we put our light color on

there, it'll show up because it's,

305

00:16:43,695 --> 00:16:49,725

you know, have to have dark in order

to have light just like in life.

306

00:16:51,015 --> 00:16:52,395

And you have to have a few dark days.

307

00:16:52,395 --> 00:16:54,555

So, you know, when those nice days come.

308

00:16:56,835 --> 00:17:02,655

I'm using SAP, green, yellow,

yellow, ochre, Indian, yellow,

309

00:17:03,705 --> 00:17:04,785

pull it in one direction.

310

00:17:05,474 --> 00:17:06,224

A lot of paint.

311

00:17:06,704 --> 00:17:08,625

Can you just go up here now?

312

00:17:08,635 --> 00:17:13,065

Then we can begin, but in some

highlights, be careful that

313

00:17:13,065 --> 00:17:14,444

you don't kill all the dark.

314

00:17:15,615 --> 00:17:16,935

This starts working so nice.

315

00:17:16,935 --> 00:17:20,055

It's almost, it's almost

hard sometime to stop.

316

00:17:20,490 --> 00:17:23,700

But you got to stop C leave

those dark areas in there.

317

00:17:23,940 --> 00:17:29,370

That's what, that's what

gives depth to them dimension.

318

00:17:33,270 --> 00:17:34,020

There we go.

319

00:17:36,210 --> 00:17:36,960

There we go.

320

00:17:38,310 --> 00:17:39,900

Look at all those little happy bushes.

321

00:17:40,200 --> 00:17:41,310

They just live right in there.

322

00:17:44,250 --> 00:17:46,050

Layer after layer, after layer.

323

00:17:48,615 --> 00:17:49,305

Over here.

324

00:17:49,815 --> 00:17:50,835

There is another one.

325

00:17:53,055 --> 00:17:56,355

See if you can do it

326

00:17:59,625 --> 00:18:00,315

the first step.

327

00:18:00,315 --> 00:18:04,695

And first step in being able to

do anything is believe that you

328

00:18:04,695 --> 00:18:06,075

can do it because you can do it.

329

00:18:06,870 --> 00:18:11,429

You can, you know, that believe that

you can do it, see it in your mind,

330

00:18:12,449 --> 00:18:14,909

see it finished before you ever start.

331

00:18:16,949 --> 00:18:18,209

Think about what you're going to do.

332

00:18:19,530 --> 00:18:25,409

And as I am sort of a fanatic,

but I believe that you can

333

00:18:25,409 --> 00:18:28,739

accomplish anything that you want

to accomplish, but you start out.

334

00:18:29,639 --> 00:18:32,159

By believing here that

it's already happened.

335

00:18:33,090 --> 00:18:38,669

And you see what it's gonna look

like when it's done, you build

336

00:18:38,669 --> 00:18:39,990

a little dream in your mind.

337

00:18:43,990 --> 00:18:47,280

You can do that, practice it, practicing.

338

00:18:47,340 --> 00:18:50,760

It's like, you know, athletes

when they go to that big event.

339

00:18:51,340 --> 00:18:56,949

Boy, if they're going to go make a big

jump, they think about that in their mind.

340

00:18:56,980 --> 00:19:01,120

They see themselves going over that

big hurdle over and over and over.

341

00:19:01,419 --> 00:19:06,429

And then when it comes time so easy and

do the same thing in painting, I'm just

342

00:19:06,429 --> 00:19:07,629

taking a little bit of the dark color.

343

00:19:07,629 --> 00:19:09,100

It was on this first and pulling down.

344

00:19:09,790 --> 00:19:13,780

This will be a little reflection

sometime I get on my soap

345

00:19:13,780 --> 00:19:14,889

box and not talk too much.

346

00:19:18,120 --> 00:19:19,140

Right over in here.

347

00:19:20,970 --> 00:19:21,650

There we go.

348

00:19:21,690 --> 00:19:23,820

Pull it straight down,

straight down, straight down.

349

00:19:24,450 --> 00:19:25,200

Very lightly.

350

00:19:25,379 --> 00:19:26,060

Go across.

351

00:19:27,300 --> 00:19:31,770

Just want to create the

illusion of water there.

352

00:19:34,590 --> 00:19:34,850

Yeah.

353

00:19:34,890 --> 00:19:36,450

Then clean off at knife.

354

00:19:37,010 --> 00:19:38,300

Let's go right up in here.

355

00:19:38,750 --> 00:19:40,910

We'll take a little

bit of this dark color.

356

00:19:41,180 --> 00:19:44,060

This is just the Browns

and let's put a little.

357

00:19:44,550 --> 00:19:45,990

Bank in here, little shoreline.

358

00:19:45,990 --> 00:19:47,610

I just have a little roll

of paint on the knife.

359

00:19:48,300 --> 00:19:54,899

Just allow the knife to barely touch and

to graze the canvas, to slide over the

360

00:19:54,899 --> 00:19:56,429

canvas and leave a little bit of paint.

361

00:19:57,750 --> 00:20:02,790

That'll look like land areas and all kinds

of little, little happy things going on a

362

00:20:02,790 --> 00:20:07,770

little touch of Brown and white hair and

their light color that'll spark with up.

363

00:20:09,449 --> 00:20:10,590

Let the sun play through.

364

00:20:11,700 --> 00:20:18,650

There then let's take an old big brush and

we will right through some Vandyke Brown.

365

00:20:18,650 --> 00:20:25,820

We'll pick up some blacks, some Crimson,

Sam green, whatever, go right up in here.

366

00:20:26,690 --> 00:20:32,060

And then we'll begin touching, pushing,

bending that brush upward ended upward.

367

00:20:32,780 --> 00:20:33,710

Don't let it slide.

368

00:20:34,820 --> 00:20:37,130

If the brush slides

you're going to get that.

369

00:20:37,774 --> 00:20:38,645

You don't want that.

370

00:20:39,485 --> 00:20:42,825

You want it to look like hundreds

and thousands of little leaves

371

00:20:42,825 --> 00:20:43,905

that are playing all through here.

372

00:20:45,495 --> 00:20:46,125

There we go.

373

00:20:48,705 --> 00:20:50,175

Maybe tell you what let's do.

374

00:20:50,205 --> 00:20:51,675

Let's just, let's have some fun.

375

00:20:51,735 --> 00:20:57,705

We'll just let this come right

on out, like right out my cat.

376

00:21:00,060 --> 00:21:05,460

And it fantastic that you can just

change your mind and create all

377

00:21:05,460 --> 00:21:09,090

kinds of happy things in a heartbeat.

378

00:21:09,450 --> 00:21:11,520

In one second, you can change your mind.

379

00:21:11,550 --> 00:21:12,629

You can change your painting.

380

00:21:14,280 --> 00:21:18,720

What started out as a metal can

end up being a like, or vice versa.

381

00:21:21,420 --> 00:21:24,690

That's the kind of power

that you have on canvas.

382

00:21:27,060 --> 00:21:29,430

And I have decided is going to

be another little peninsula here.

383

00:21:29,850 --> 00:21:31,020

So we need some shadows.

384

00:21:31,200 --> 00:21:38,130

Pull them straight down, straight

down, go lightly across, not easy.

385

00:21:38,130 --> 00:21:38,850

We have water.

386

00:21:40,560 --> 00:21:41,490

Let's take our knife.

387

00:21:41,730 --> 00:21:44,610

We'll put a tree trunk here in

there and just use some dark Sienna.

388

00:21:45,300 --> 00:21:46,950

Maybe there's a happy little tree trunk.

389

00:21:47,460 --> 00:21:52,650

That lives right in his tree,

just like Kat pointed the knife,

390

00:21:53,879 --> 00:21:57,240

scraping a few little sticks and

twig indication of the school and

391

00:21:57,240 --> 00:21:58,770

the other side do the same thing.

392

00:22:00,390 --> 00:22:04,379

Just scrape them and let

the canvas shine through.

393

00:22:08,460 --> 00:22:10,470

Now I go back to her one inch brush.

394

00:22:10,470 --> 00:22:14,970

I want to dip it into a little

other liquid white, try some yellow.

395

00:22:15,389 --> 00:22:18,090

Some SAP green, some SAP green.

396

00:22:19,160 --> 00:22:19,460

Okay.

397

00:22:19,639 --> 00:22:25,490

Micah, let's make a happy leaf on this

tree touch push and the brush a little

398

00:22:25,490 --> 00:22:28,010

bit go slightly, slightly above the dark.

399

00:22:28,129 --> 00:22:29,990

You don't want shadows to be on the top.

400

00:22:32,300 --> 00:22:33,290

Use another brush here.

401

00:22:33,290 --> 00:22:34,070

Let me clean one up.

402

00:22:34,070 --> 00:22:35,510

I'm about to run out of brushes

403

00:22:39,320 --> 00:22:43,460

a little bit of the liquid white, some

yellow, and I'm going to pick up a touch.

404

00:22:44,025 --> 00:22:50,085

Just a touch of the bright

red we'll make a sparkler in

405

00:22:50,085 --> 00:22:53,505

here and he lives right there.

406

00:22:53,925 --> 00:22:54,315

Right there.

407

00:22:54,315 --> 00:22:54,765

Look at that.

408

00:22:56,505 --> 00:22:57,255

That was so pretty.

409

00:22:57,255 --> 00:22:58,065

It almost hurts.

410

00:22:59,115 --> 00:22:59,865

What's a beauty.

411

00:23:01,065 --> 00:23:02,145

That is a beauty.

412

00:23:03,885 --> 00:23:05,065

See there in there.

413

00:23:06,315 --> 00:23:07,215

You can do it.

414

00:23:09,480 --> 00:23:11,639

Some yellow ochre in some of the greens.

415

00:23:12,360 --> 00:23:16,500

And I'm just going to begin

creating a layer after layer of

416

00:23:16,500 --> 00:23:19,410

all kinds of little bushes, leaving

some dark in between each one.

417

00:23:20,340 --> 00:23:25,080

If you kill that dark, then they're

going to just all blend together.

418

00:23:25,139 --> 00:23:25,950

And we don't want that.

419

00:23:26,250 --> 00:23:28,350

We want to see individuals up close.

420

00:23:29,100 --> 00:23:31,260

The foreground is the

hardest part of the painting.

421

00:23:33,510 --> 00:23:34,860

Ooh, there's a beauty.

422

00:23:39,810 --> 00:23:41,280

See, we don't make mistakes.

423

00:23:41,550 --> 00:23:46,470

We have happy accidents and learn

to live with those accidents.

424

00:23:46,470 --> 00:23:49,620

When they happen, recognize

them, recognize them.

425

00:23:49,620 --> 00:23:50,340

Stop right there.

426

00:23:50,340 --> 00:23:51,480

Don't don't keep going.

427

00:23:51,750 --> 00:23:52,590

Don't just kill them.

428

00:23:53,370 --> 00:23:54,300

They're beautiful.

429

00:23:55,980 --> 00:23:56,639

Beautiful.

430

00:23:57,090 --> 00:23:57,720

Work with them.

431

00:23:58,170 --> 00:23:59,130

Let's go back over here.

432

00:24:00,030 --> 00:24:01,140

Here's a nice tree.

433

00:24:01,410 --> 00:24:02,550

Put some leaves on him.

434

00:24:04,080 --> 00:24:04,740

There we go.

435

00:24:05,700 --> 00:24:09,390

Make work in layers, create

patterns in your tree.

436

00:24:11,760 --> 00:24:13,110

Let's create these patterns.

437

00:24:14,280 --> 00:24:15,330

So your tree stands out.

438

00:24:15,330 --> 00:24:17,100

Don't just bang, bang,

bang, and hit it random.

439

00:24:17,760 --> 00:24:18,990

That's what your tree will look like.

440

00:24:21,540 --> 00:24:22,290

There we go.

441

00:24:23,040 --> 00:24:26,700

If you have trouble making your paint

stick and the least little touch of

442

00:24:27,090 --> 00:24:32,909

liquid white or paint thinner, either

one, the liquid white will make you.

443

00:24:34,605 --> 00:24:38,355

Color a little brighter, which

a lot of times it's very good.

444

00:24:38,355 --> 00:24:41,835

But if you don't want that, then

add a little thinner or you can

445

00:24:41,835 --> 00:24:43,065

add a little bit of liquid clear.

446

00:24:44,435 --> 00:24:44,975

There we go.

447

00:24:45,815 --> 00:24:47,345

Tap some of that right down in there.

448

00:24:50,375 --> 00:24:54,105

That'll end up being happy, a

little reflections, stay there.

449

00:24:55,525 --> 00:24:56,435

There we go.

450

00:24:56,885 --> 00:24:57,635

Right across.

451

00:24:58,955 --> 00:24:59,525

Okay.

452

00:25:01,145 --> 00:25:02,075

We'll take some Brown.

453

00:25:02,534 --> 00:25:05,475

And once again, we'll create a

little bit of dirt right there.

454

00:25:06,615 --> 00:25:14,115

Dupe soup soup, but a light color,

barely touch, barely touch it across.

455

00:25:15,375 --> 00:25:15,554

Yeah.

456

00:25:15,585 --> 00:25:20,794

Then some liquid white on my knife, pull

it out, very flat and cut across and

457

00:25:20,794 --> 00:25:25,215

let's go right in here and we need some

happy little water lines here and there.

458

00:25:25,995 --> 00:25:28,905

Look at that, cleans it all up.

459

00:25:28,965 --> 00:25:29,804

Brings it together.

460

00:25:33,915 --> 00:25:34,515

Okay.

461

00:25:36,075 --> 00:25:36,345

Yeah.

462

00:25:36,375 --> 00:25:41,385

Tell you want us to tell you

what, let me find, we will use

463

00:25:41,505 --> 00:25:42,825

let's use the Filbert brush down.

464

00:25:42,825 --> 00:25:47,055

Like yeah, we'll start with

some Brown, just load a lot of

465

00:25:47,055 --> 00:25:48,285

Brown right into your breasts.

466

00:25:48,315 --> 00:25:48,945

Go right up here.

467

00:25:49,865 --> 00:25:57,055

Maybe there's a tree that

lives right there, right there.

468

00:25:57,095 --> 00:25:59,015

Now I'm just going to show you

how to make a quick little tree.

469

00:26:01,050 --> 00:26:06,439

Like, so, yeah, and you put as many, or

as few little Liam's on there as you want,

470

00:26:07,490 --> 00:26:11,389

you can take your liquid black and put a

whole bunch of nice leave limbs on there.

471

00:26:12,860 --> 00:26:15,949

There we'll take some yellow and a

touch of the red and tap it into the

472

00:26:15,949 --> 00:26:20,090

brush and just put the indication as

some happy little leaves up there.

473

00:26:20,149 --> 00:26:21,169

Why a sparkler.

474

00:26:22,280 --> 00:26:26,600

And with that, I think it gives

us a nice, completed painting.

475

00:26:27,050 --> 00:26:28,219

Give you a lot of ideas.

476

00:26:28,530 --> 00:26:30,240

So you can do your own masterpiece.

477

00:26:30,720 --> 00:26:31,710

Send me some pictures.

478

00:26:31,889 --> 00:26:32,850

Let me see what you're doing.

479

00:26:34,260 --> 00:26:35,790

Like we'll call this painting finished.

480

00:26:36,300 --> 00:26:39,389

And from all of us here, I'd

like to wish you happy painting.

481

00:26:39,930 --> 00:26:40,470

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S09E11 - Nature's Paradise

Bob Ross's

The Joy of Painting

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