Bob Ross's

The Joy of Painting

S15E02 - Colors Of Nature

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Hi, welcome back.

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I'm glad you could join me today.

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It's a fantastic day here now.

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I hope it is where you're at.

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So I'm glad you're here and I hope

you do a little painting with us

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and enjoy it as much as we do.

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Let's start out today and have him

run all the colors across the screen

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that you need to paint along with me.

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And as usual they'll come across in

the same order as I have them on the

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pallet, starting with a white and working

around, and I have my standard old canvas

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up here and I've already covered it.

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With a nice day and even

coat of a liquid white.

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So it's ready to go.

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So let's go, let's just do a

happy little painting today.

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It's such a, it's such a beautiful day.

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We'll start with a little touch

of the fellow blue and we just

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use the old two inch brush.

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Tap a little color into it.

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Just pull a little color out

and tap the brush into it.

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That that makes sure you got a

nice even distribution of color.

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See all the way through the bristles.

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Okay.

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Now then.

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Let's go right up in here and we'll just

use the little, just happy little strokes,

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just little Xs, little crisscross strokes.

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And let's just drop in some beautiful

little, little sky shapes here.

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Just sort of let it, let it happen there.

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See how easy it is to put in the sky.

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It doesn't take just a second.

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When you using the big old brush.

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There we go missed today.

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Let's have a little water in the painting.

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I am an absolute fanatic for water.

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Love it.

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There probably had this.

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Color on the brush.

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And I add just a tiny bit

more, same color and the side.

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Well, we know water's going to be

on the bottom down here, but other

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than that, we don't care right now.

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We'll just put a little bit of the

little blue right in there, right in

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there then from here and notice that

we're pulling from the outside and

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that leaves a little light area here.

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If everything works out just right.

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That'll look just like what a sheen

of light coming across your payment.

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It makes it sort of

pretty, very, very lightly.

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We'll just go over the entire

canvas, smooth everything

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out, but a little lighter.

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Yeah.

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It stays in there.

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The same thing in the sky here.

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We'll just sort of blend it

together a little bit, but I've

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left some holes in the sky.

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Some light areas thought today we put

in, put in some happy little clouds.

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Okay.

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I'll wash this.

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So brush, and that's the fun part of this?

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This is, this is where you take out all

of your frustrations and hostilities.

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Give it a good shake and just

beat the devil out of it.

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Now, when you're doing that at home,

you might want to invest a couple bucks

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in a, in a brush beat rack, because you

will absolutely change the appearance

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of your whole house and about one beat.

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And then you're going to be upset with me.

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Let's take, let's take some black.

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Oh, and there it is a little

bit of blue, black and blue.

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Black and blue put a little bit of white

in there so we can see what we got.

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I'm looking for a nice bluish

gray color, maybe a little

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more of the white that's nice.

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Nice.

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And we're going to use that to put a,

put a few shadows in our cloud today.

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I'm just going to use the

old round brush to date.

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You can use the whole round

burst and do all kinds of things.

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Just pull it through there

and get a little color on it.

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Maybe just the corner of the brush

chest, put the indication, or it

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looks like a big old store in there.

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They're just scrubbing the indication

of some shadows beside where your

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big clouds are going to live and

what just throw in a few shadows.

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They were going to come back

and put some highlights.

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We'll turn these big, violent looking

clouds into happy little clouds.

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But just sort of little circular

patterns when I'm working with

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clouds, I always try to use circular

patterns for everything I do.

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Like it was a little down here

wherever, and I have a couple

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of these old round brushes.

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We'll take another one and pull

it right through titanium, Hawaii.

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Be right back right back.

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We'll get the least little

touch alizarin Crimson.

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Don't put a little warmth into that.

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Katie.

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Let's go back up here now then with the

white, let's put some highlights on these.

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I'm just taking a corner of the brush

and just sorta snapping touching

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it as I come around there and begin

working, hang on some basic cloud

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shapes, some basic cloud shapes.

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You need to work on the shapes.

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Maybe this old cloud just

floats right around, up here,

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wherever you want it to go.

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Wherever their clouds are very, very free.

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So you put them where you

want them in your world.

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Maybe there's another one right there.

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Maybe it comes right

on down through there.

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It doesn't matter.

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Doesn't matter.

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They're over here.

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A big sign of a gun lives right out here.

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He comes right up through there.

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You know,

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this is a good exercise to teach you

how to make some beautiful clouds.

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Very easy.

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Okay.

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Let me find a good dry two inch brush.

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And I'm going to just sort of mix

this up, blend it together, where

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these two colors come together.

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Very lightly.

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And I'll continue to beat the brush that

removes excess paint from the bristles.

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Cause you're going to pick up a little

paint here, just blended together

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just very lightly, very lightly.

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I can bring all these together

to make some of the most

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beautiful little effects there.

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Even if you've never painted a cloud

before this one will work for you.

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A lot of times, people like to put

all kinds of colors in here, you know,

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there's according to where you live.

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Sometimes there's beautiful,

beautiful colors in the clouds.

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I lived in Alaska for over a dozen years

and we have skies there that are, if I

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painted them, you'd think I was nuts.

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I've seen skies in Fairbanks

that are brilliant ribbon looks

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like the whole sky is on fire.

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And then at night, of course you have

the Northern lights that dance in place.

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There's just, there's just

no limit to what you can do.

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There we go very lightly because we're

using a very firm dry paint here.

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You can go over this, you can

blend it to bring it all together.

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And all I'm doing is beating

the brush once again, to remove

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any paint that I've picked up.

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See how you can flip that and you

can make one son of a gun of a sky.

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Okay.

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All right.

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Great.

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Now then let's have some fun.

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There it is.

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I'm gonna go right back to my round brush.

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We'll use it for a little bit.

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I'm gonna take some lizard,

Crimson, Crimson, a little bit.

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They look blue.

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We just mix them on the brush here.

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Pick up that little bit of white,

this land they're looking for

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sort of a bluish lavender color.

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Louis lavender color.

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And you just sort of make

some back and forth to get

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them, like you want them okay.

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Load the brush up.

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And maybe back here in the distance

lives some little foothills, or you

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got to do take them tap downward.

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So it's almost maybe a little Foothill.

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We don't know where it

goes wherever you want it.

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There's some happy little things

that live far off in the distance.

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You don't see a lot of

detail too far away,

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wherever where you can put a whole

row of them in just a second.

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Clean dry brush.

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I want to create the illusion of a miss

down here at the base of these, with

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the top corner of the brush firmly,

firmly to get in there and just tap

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that sound, just really raise Kate,

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then lightly lift that burden

and that easy, that easy it'll

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create the illusion of you best.

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Okay.

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Anyway, let's go back and get my same

old brush from Crimson and some blue.

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There we are proportionately.

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I'm using much more Crimson than blue.

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Can you, maybe there's some little

grassy areas underneath here.

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You can just tap in some dark color.

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We just happened some dark.

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So are like, what's your,

that's all we're doing.

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Maybe two back there.

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Okay.

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Maybe I use a two inch brush.

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You could continue to use a round brush,

but both of them that I have a dirty,

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let me put some highlights on there.

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So I'm going to go right into the yellow.

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Let me grab a little bit of that.

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Lavender blue bluish lavender color.

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When you touch the yellow, then you're

going to get a beautiful, beautiful

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green load, some pain into this and

push, give it a little push like that.

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Can you go up here now, then?

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Maybe back in here.

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There's some nice highlights on this.

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I want this to be very soft, very

gentle look like velvet laying

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back here, pick up little yellow

ochre and Lindy and yellow here.

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And they're very the colors,

a little bit very soft.

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Quiet little area.

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This is when they married is

you'd like to go and just relax

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and sort of take life easy.

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There we go.

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Let's come forward.

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We'll take some black, black, some

pressure, the blue lizard Crimson.

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I want a dark color here and

we'd just load that around.

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Brush up with a lot of color.

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Maybe, yeah, right here, just some happy

little dishes that live right here.

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This dark area will help push that

back and pushing it back then that

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will reinforce her illusion of

distance and depth in the painting.

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You've painted with me before,

you know, I'm sort of a nut for

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paintings, really listened to deep.

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We can begin getting,

getting serious here.

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Tell you what maybe you're right.

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Start getting a little dark Sienna

in there to maybe look at there

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right out of that brush grows

a big tree right over my cloud.

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That's all right.

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You learn how to make a cloud,

then your time's not wasted.

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Anytime that you learn you gain.

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They're beautiful, old tree.

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And all we're looking for here

is some basic basic tree shapes.

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There we go.

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So, let me just let the camera on over.

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So you just sort of look at your

painting and visualize making

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decisions to sorta let it go.

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Maybe we'll put another little

tree that lives right there.

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And in your painting, you put as

many or as few trees as you want.

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You can do just about this entire painting

using nothing but the round brush at son

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of a gun, we'll do unbelievable things.

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I think you could do this entire

painting using round brush.

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There we go.

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Over on that side.

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Maybe we'll put a tree over here too.

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Just like, so.

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Man, here we go.

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You have to take big decisions.

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Paul is that tree.

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Maybe he lives right across from there.

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It's up to you whenever you want

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in here, we're just blocking in color.

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So it doesn't matter how we do it now.

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We said we was going to

have some water in here.

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So let's start worrying about reflections.

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This is wet, has the liquid white on it,

so you can grab it and pull, see there.

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If you try to do this on a dry

canvas, you're going to be an

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agony city because it's wet.

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You can move the paint.

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Look at that instant

reflections and stuff.

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Reflections used to drive me crazy

when I was traditional painter.

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And now it's so easy.

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Let me find, I use a liner brush.

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I'll go into some Vandyke Brown,

get a lot of paint, thinner, lot of

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paint thinner, go right into that.

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Brown.

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I want this to be very, very thin

and let's put, let's put indication,

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adjust some tree trunks here and there

wherever you think they should be.

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Drop them in John I'll put me on.

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There.

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And if you have trouble making your

paint flow, add some paint thinner,

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because if your is good and thin,

then it'll flow right across her.

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There is one don't want

this little tree left out.

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Give me my little trunk in there.

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Got to have something to hold up.

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00:14:55,594 --> 00:14:56,464

All this foliage.

251

00:14:58,814 --> 00:15:02,564

And there's little sticks and twigs and

happy little things that grow back here.

252

00:15:03,225 --> 00:15:05,235

All the little birds had

to have a place to set.

253

00:15:05,235 --> 00:15:06,915

So they need a little

sticks and stuff too.

254

00:15:08,855 --> 00:15:09,605

They're with you.

255

00:15:11,725 --> 00:15:15,964

You have to choose that we

usually a one inch brush.

256

00:15:17,040 --> 00:15:18,990

I'm going to go right into some

of this dark color, just to

257

00:15:18,990 --> 00:15:20,100

get a little on the bristles.

258

00:15:20,250 --> 00:15:21,510

This is the black and the blue.

259

00:15:21,930 --> 00:15:28,860

Then I'm going to drop down here to the

green actually it's yellow, but because of

260

00:15:28,860 --> 00:15:32,730

what I have on the brush, when I touch it

automatically, it's going to turn green.

261

00:15:33,150 --> 00:15:37,350

If you have the least, least little amount

of blue on your brush, when you touched

262

00:15:37,350 --> 00:15:38,940

down here, you've got instant green.

263

00:15:39,620 --> 00:15:39,950

Okay.

264

00:15:40,460 --> 00:15:42,770

And let's put some photos with you

on this whole big tree up here.

265

00:15:44,000 --> 00:15:44,390

There.

266

00:15:47,685 --> 00:15:47,775

Okay.

267

00:15:48,155 --> 00:15:52,925

Just all kinds of happy little

things, as you've heard me say over

268

00:15:52,925 --> 00:15:55,355

and over worry about shape and form.

269

00:15:56,375 --> 00:15:57,515

Think about your tree.

270

00:15:58,655 --> 00:16:00,125

Think about the limbs inside.

271

00:16:08,075 --> 00:16:10,925

So you can just create the

illusion of all kinds of little

272

00:16:10,925 --> 00:16:12,215

things that are happening in here.

273

00:16:16,155 --> 00:16:16,814

They're

274

00:16:21,285 --> 00:16:25,605

not super and it works so well.

275

00:16:28,145 --> 00:16:29,825

So there's no big secrets to painting.

276

00:16:29,825 --> 00:16:33,545

Anybody can paint all your needs,

a few tools, little instruction,

277

00:16:34,625 --> 00:16:35,945

and division in your mind.

278

00:16:36,905 --> 00:16:41,075

Chances are you already have the

vision and we're showing you how to.

279

00:16:42,240 --> 00:16:47,670

Take a few very simple little tools and

create all kinds of beautiful things.

280

00:16:48,959 --> 00:16:52,050

I'm going to little Andy and yellow,

a little yellow ochre wheel sparkle.

281

00:16:52,050 --> 00:16:52,890

This one up a little.

282

00:16:57,110 --> 00:16:57,230

Yeah.

283

00:16:57,230 --> 00:16:59,209

The round brush works

very well for this too.

284

00:17:04,490 --> 00:17:05,119

There we go.

285

00:17:07,730 --> 00:17:08,869

Then a bit here and there.

286

00:17:10,470 --> 00:17:16,020

Add a little green to my brush down

in here where it's a little bit lower

287

00:17:16,020 --> 00:17:19,950

and shadows are a little stronger

things down here to be a little darker.

288

00:17:21,780 --> 00:17:26,149

Ooh, this is where all

am creatures live there.

289

00:17:28,669 --> 00:17:34,639

Little squirrels play down in here and

come down and dig hole corns for winter.

290

00:17:36,165 --> 00:17:37,274

I still got a little squirrel.

291

00:17:37,305 --> 00:17:38,745

Like I mentioned, some

of the other series.

292

00:17:38,745 --> 00:17:41,835

I still have a little

squirrel that lives with me.

293

00:17:41,835 --> 00:17:43,965

I've raised him ever since

he was just a tiny baby.

294

00:17:47,085 --> 00:17:47,415

Okay.

295

00:17:49,145 --> 00:17:50,315

He's a son of a gun too.

296

00:17:50,435 --> 00:17:52,325

Well, he eats better than

those people do every day.

297

00:17:52,774 --> 00:17:57,425

Fixing up this big gourmet meal, he

lives in a great big, tall KJ built.

298

00:17:57,425 --> 00:17:59,675

We call it, we call the

cage squirrel Hilton.

299

00:18:02,100 --> 00:18:05,460

I sort of spoiled my creature

side, but that's okay.

300

00:18:06,750 --> 00:18:09,780

Pretty soon here, he's going to be

turned loose and go back to nature.

301

00:18:12,629 --> 00:18:16,860

And he'll say, boy, he really had it

made, he lived like a King for a while.

302

00:18:18,600 --> 00:18:19,050

Okay.

303

00:18:20,340 --> 00:18:21,899

I can get off on some crazy subjects here.

304

00:18:21,899 --> 00:18:22,590

I talked too much.

305

00:18:22,760 --> 00:18:23,669

Let's go back to work.

306

00:18:24,750 --> 00:18:29,159

We'll take some black, some

Crimson, a little precious blue.

307

00:18:31,185 --> 00:18:36,495

I'm just getting into a bigger brush

drop-ins and little colors here.

308

00:18:38,295 --> 00:18:41,015

Maybe there's a, maybe there's a

little peninsula that comes out there.

309

00:18:41,025 --> 00:18:42,195

See, it just sort of happens.

310

00:18:45,915 --> 00:18:46,995

We don't make mistakes.

311

00:18:47,429 --> 00:18:51,030

We just have happy accidents

and things like this happen.

312

00:18:51,370 --> 00:18:53,310

You should pay your friend.

313

00:18:53,399 --> 00:18:54,060

Don't fight him.

314

00:18:55,679 --> 00:18:56,370

Don't fight him.

315

00:18:56,370 --> 00:18:58,379

That's what I liked so much

about painting this way.

316

00:18:59,820 --> 00:19:03,810

You don't have any, they don't have any

tracings on here that you have to follow

317

00:19:03,810 --> 00:19:05,520

any lines you have to stay inside of.

318

00:19:06,540 --> 00:19:08,639

You're only limited here

by your imagination.

319

00:19:10,169 --> 00:19:12,419

And it just like any other muscle.

320

00:19:13,515 --> 00:19:16,485

And you bought it, your imagination

increases proportionately

321

00:19:16,485 --> 00:19:17,445

to the amount of practice.

322

00:19:17,495 --> 00:19:22,775

Did she give it so practice

see things in your mind, maybe

323

00:19:22,775 --> 00:19:25,035

over here, watch here on here.

324

00:19:25,655 --> 00:19:27,035

Maybe there's one right there.

325

00:19:28,745 --> 00:19:34,425

Practice, practice, or standing secret.

326

00:19:34,805 --> 00:19:38,645

Any style of painting or in my mind

to anything that you're ever good at.

327

00:19:39,155 --> 00:19:40,925

If there's any secret to

it, it's just practice.

328

00:19:42,150 --> 00:19:42,870

That's off.

329

00:19:44,010 --> 00:19:46,650

I'll take a little bit of

Vandyke Brown, pull it out.

330

00:19:46,650 --> 00:19:47,220

Very flat.

331

00:19:47,610 --> 00:19:48,330

Get tough with it.

332

00:19:48,720 --> 00:19:52,910

Cut off a little roll of paints, right on

the edge of the night, maybe right up in

333

00:19:52,910 --> 00:19:56,720

here and lives a little bit of land safe.

334

00:19:56,730 --> 00:19:58,520

Again, thinking about

your little pond here.

335

00:19:58,520 --> 00:20:03,670

If this was a little pond or Lake,

or you want it to be pick a little

336

00:20:04,310 --> 00:20:09,110

dark CN and white, get that little

roll of pain and we'll put the least

337

00:20:09,110 --> 00:20:10,370

little indication here and there.

338

00:20:10,805 --> 00:20:16,784

Some highlights that live on there

don't want a great deal of liquid white.

339

00:20:18,405 --> 00:20:22,365

Let's put a little water line right here.

340

00:20:22,425 --> 00:20:24,975

Just does just a happy little light area.

341

00:20:27,825 --> 00:20:29,504

Start to separate some breaks it all up.

342

00:20:30,615 --> 00:20:34,665

Light against dark, dark

against Mike continually.

343

00:20:36,735 --> 00:20:38,385

That's what makes your painting stand out?

344

00:20:41,655 --> 00:20:44,745

Let's say we bring up a little

Bush down here and here and there.

345

00:20:47,175 --> 00:20:49,695

That's a little touch of her

little touch of the touch.

346

00:20:50,445 --> 00:20:51,555

A bit of bright red.

347

00:20:53,945 --> 00:20:58,475

There just is put a little

sparkler here and there.

348

00:21:02,315 --> 00:21:03,185

Skip the big brush.

349

00:21:03,185 --> 00:21:04,295

Shoot that one's too slow.

350

00:21:05,315 --> 00:21:06,875

Tap a little more of the yellow into it.

351

00:21:08,130 --> 00:21:10,320

And just sort of give

it a little pushy push.

352

00:21:11,190 --> 00:21:12,780

So there's paint right on the tip.

353

00:21:13,920 --> 00:21:19,080

And all you have to do is just

touch and lay in all kinds of

354

00:21:19,080 --> 00:21:20,940

beautiful, soft little grassy areas.

355

00:21:22,950 --> 00:21:23,370

There

356

00:21:27,240 --> 00:21:30,179

and sort of have these flowing

downward it'll, it'll give

357

00:21:30,179 --> 00:21:32,850

the impression that there's a

recessed area here for your water.

358

00:21:32,850 --> 00:21:34,050

Decided water's like me.

359

00:21:34,050 --> 00:21:36,080

It's lazy, boy.

360

00:21:36,080 --> 00:21:41,310

It always looks for the easiest way to

do things and he won't climb a, it won't

361

00:21:41,310 --> 00:21:42,870

climb a Hill just to be pretty for you.

362

00:21:43,679 --> 00:21:45,929

It's going to look for that low area

and it's going to go in there and

363

00:21:45,929 --> 00:21:48,870

hide, just lay there and be quiet.

364

00:21:51,000 --> 00:21:58,100

So obviously remember that water still

water specially is in a recessed area.

365

00:22:00,560 --> 00:22:01,130

There we go.

366

00:22:02,120 --> 00:22:06,890

Just varying back and forth between

the yellow, yellow ochre and in

367

00:22:06,890 --> 00:22:10,760

yellow, a little bit of bright red

and I, and then just a sparkling.

368

00:22:12,735 --> 00:22:16,425

And the more you tap this, the

softer you'll get, it gets so soft.

369

00:22:19,004 --> 00:22:24,314

Just like it's just like green velvet

laying out there years ago, I used

370

00:22:24,314 --> 00:22:25,965

to do a lot of velvet team paintings.

371

00:22:27,165 --> 00:22:28,304

It's a nice way to paint.

372

00:22:28,304 --> 00:22:32,794

A nice way to paint like watercolors.

373

00:22:32,804 --> 00:22:34,324

You, you only get one chance.

374

00:22:34,354 --> 00:22:38,344

If you make a mistake on velvet,

you get a new piece of velvet

375

00:22:38,375 --> 00:22:39,395

and you start over again.

376

00:22:41,220 --> 00:22:45,510

On this, you scrape it off, do

whatever you want to do, paint over it.

377

00:22:47,850 --> 00:22:52,890

That's one of the reasons I like oils

so much because there, it has to be the

378

00:22:52,890 --> 00:22:58,260

most forgiving, medium of all, a little

paint thinner, and I'm a liner brush.

379

00:22:58,260 --> 00:23:03,450

It just wouldn't put the indication

that there's a tree trunk in here.

380

00:23:03,660 --> 00:23:04,050

You know what?

381

00:23:04,050 --> 00:23:08,450

This one left out there, standing

up everybody's stuff there.

382

00:23:08,630 --> 00:23:08,990

Are you there?

383

00:23:10,130 --> 00:23:10,400

Okay.

384

00:23:13,185 --> 00:23:16,094

Man there it is.

385

00:23:19,935 --> 00:23:22,844

Pick a little bit of that yellow.

386

00:23:23,354 --> 00:23:25,365

You get a little touch of the

bright red right there and just

387

00:23:25,365 --> 00:23:26,504

tap a little color into it.

388

00:23:27,665 --> 00:23:29,764

Should I go right up in here?

389

00:23:30,995 --> 00:23:34,534

Let's just put the indication of sort of

nice foliage out here on this little tree.

390

00:23:34,804 --> 00:23:35,615

Don't want to forget him.

391

00:23:37,804 --> 00:23:38,284

There we are.

392

00:23:44,655 --> 00:23:46,365

Nice little things are happening out here.

393

00:23:46,935 --> 00:23:47,685

Very nice.

394

00:23:53,285 --> 00:23:54,485

And it really pays.

395

00:23:54,485 --> 00:23:58,715

If you leave a little dark area

between the last bit of bright

396

00:23:58,715 --> 00:24:02,495

foliage and the bottom, it creates

that illusion of shadow underneath.

397

00:24:03,425 --> 00:24:07,535

Maybe, maybe there's a nice

Bush that lives right here.

398

00:24:09,705 --> 00:24:15,645

Put in some basic little color and we'll

take a brighter color and sparkling.

399

00:24:16,425 --> 00:24:19,875

So you, a little bit of yellow,

make him just stand right out

400

00:24:19,875 --> 00:24:21,075

from the ones in the background.

401

00:24:24,045 --> 00:24:24,975

There he comes

402

00:24:28,605 --> 00:24:29,145

that evening.

403

00:24:35,190 --> 00:24:36,360

Back to the old big brush.

404

00:24:43,980 --> 00:24:45,510

I cannot call her a little bit brighter.

405

00:24:46,260 --> 00:24:47,220

It stands out.

406

00:24:47,770 --> 00:24:48,930

Looks like there's light zinging.

407

00:24:48,930 --> 00:24:49,410

Through there.

408

00:24:50,280 --> 00:24:52,350

You can go into a little

bit of titanium white.

409

00:24:52,350 --> 00:24:53,280

For example, look at there.

410

00:24:53,310 --> 00:24:53,850

Look right here.

411

00:24:54,420 --> 00:24:57,120

See it gives the impression there's light.

412

00:24:57,120 --> 00:24:58,320

Just zipping through the Raton.

413

00:24:58,400 --> 00:24:59,610

Don't go too wild with this.

414

00:25:00,690 --> 00:25:02,310

It'll lose its effectiveness.

415

00:25:02,310 --> 00:25:03,960

If you put too much on there.

416

00:25:05,639 --> 00:25:06,960

They're a little touch right in there.

417

00:25:08,850 --> 00:25:12,870

Add it back to my Vandyke Brown.

418

00:25:12,960 --> 00:25:17,580

And in here, let's just put us in the

indication of a little bit of land down in

419

00:25:17,580 --> 00:25:23,730

here, wherever, just sort of scrub it in.

420

00:25:24,150 --> 00:25:25,050

Maybe over here.

421

00:25:33,014 --> 00:25:35,115

And in fact, her highlight

color that was dark.

422

00:25:35,115 --> 00:25:41,445

Santa touch, your white, and just

had a grace, just barely touching the

423

00:25:41,445 --> 00:25:45,435

high spots, gentle touch to Caressa.

424

00:25:46,185 --> 00:25:52,725

That's all there is to

it like that man liquid.

425

00:25:54,334 --> 00:25:58,715

And we can go back in here and just

cut into indication, little waterline.

426

00:26:01,274 --> 00:26:05,955

Just that little light area

in between really helps.

427

00:26:05,955 --> 00:26:06,495

Bring it out

428

00:26:11,024 --> 00:26:11,804

a little bit over here.

429

00:26:11,834 --> 00:26:13,034

Don't want this side left down.

430

00:26:17,685 --> 00:26:20,565

Take a knife scrape right

through the paint here and there.

431

00:26:21,975 --> 00:26:26,205

Put the indication of some sticks and

twigs that live in your sticks bushes

432

00:26:27,755 --> 00:26:32,445

there that also helps create the illusion

of depth and distance in your painting.

433

00:26:33,855 --> 00:26:34,395

Okay.

434

00:26:34,725 --> 00:26:36,795

Thank we have one that's

about ready for a signature.

435

00:26:37,725 --> 00:26:42,135

I take some red liner brush and

my paint down with paint thinner.

436

00:26:42,915 --> 00:26:44,565

I'll sign this and right

over here in the corner.

437

00:26:46,169 --> 00:26:47,820

I really hope you've

enjoyed this painting.

438

00:26:48,810 --> 00:26:52,199

It will certainly give you a lot

of experience that you use the

439

00:26:52,199 --> 00:26:55,110

tools and I think you enjoy it.

440

00:26:57,449 --> 00:27:00,419

So as you can see, we worked

with several different planes.

441

00:27:00,810 --> 00:27:01,409

Also.

442

00:27:01,770 --> 00:27:03,449

I showed you how that

round brush would work.

443

00:27:03,510 --> 00:27:06,659

Once again, you could paint this entire

painting using only the round brush.

444

00:27:07,199 --> 00:27:08,729

So I think we'll call this one finished.

445

00:27:09,209 --> 00:27:13,260

And from all of us here, I'd like to

wish you happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S15E02 - Colors Of Nature

Bob Ross's

The Joy of Painting

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