Bob Ross's

The Joy of Painting

S10E06 - Autumn Woods

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Glad you could join me today.

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You ready to do a

fantastic little painting?

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We're good.

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Tell you what let's have them graphically

run all the colors across the screen

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that you need to do this painting along

with me and they'll come across in the

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same order as I have them on my palette,

starting with the flight and working

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around the campus has already covered with

a nice day and even coded liquid white.

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It's all wet and slick

and it's ready to go.

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So let's get ready to go and do it today.

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Let's start out.

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Let's start out with a little

touch effort, fellow blue, and

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just work a little bit into

that two inch brush to that.

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I'm going to add a little bit of black.

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So I have the little blue and

midnight black, black, and blue.

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I can do.

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Let's go right up here.

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Let's put a, let's put a

happy little sky in here.

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I'm just going to start at the top.

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Making little Chris cross

strokes work all the way across.

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Like that we just put up, let's

just do a tastic little painting.

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Maybe we will a little mountain there.

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What the heck?

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You know me, I lived in Alaska

for about a dozen years or so, and

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I'm just crazy about mountains.

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And by starting at the top and

working downward, the pain is going

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to mix with the liquid white and

automatically it gets lighter in value.

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As it works down toward the horizon.

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C you don't have to worry about it.

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Does it automatically, there we go.

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So while we have this old, dirty

brush, let's go right back into the

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blue and black or black to blue,

whichever way you prefer Janice.

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Like, so now I want to have.

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You know me again.

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I like water.

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So let's put a little bit of

water down here, right down here.

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Just a little touch, same color.

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So maybe pull from this side.

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I'm gonna leave a little

area open right here.

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So it looked like a little sheen of light

coming across the water on her finished.

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There we are.

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See how easy that is.

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If you're doing that painting along with

me already, you're a fantastic artist.

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Okay.

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Let me wash the brush.

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We've gotten a little scream down here in

the bucket that I scrubbed the scripted

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brush against shake off the fender.

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And that's the fun part.

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You'll enjoy that.

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Yeah.

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Clean, dry brush.

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I'm going to start here in the light

area and work toward the dark areas.

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Just blending all this together.

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I'm just want to bring it

all together and sorta.

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It's sort of soften it.

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Get rid of any harsh areas.

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I'm just going to have

a nice blue sky today.

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Sometime you see skies that are

just, just almost pure blue.

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Beautiful, beautiful.

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There we go.

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And take out the brush strokes.

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So at, down here in the water, very

lightly, just go all the way across

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all the way across to that light

area at light area stays in there.

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You don't, you don't lose it when you

do this, unless you really get tough.

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If you just have a gentle stroke going

across there, you'll preserve that.

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That's your friend.

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That's your pal.

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You need him.

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Barely go tell you what let's do

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today.

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Let's take the old one.

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Inspiration.

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Let's build a happy little cloud.

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I wouldn't take some bright

red, a little bit of bright red.

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Right into the black,

bright red and black.

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Just, just mix these on and them

and grab a little bit more red.

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There we go.

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Got it.

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Just tap the brush.

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Okay.

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And you have to make a big decision.

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Where does the little

cloud live in your world?

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And I'll put the shadows in first.

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Maybe there's a shadow lives

right there on this cloud.

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Who knows?

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So you're a cloud.

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So you put the shadow where you want it.

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Maybe, maybe this cloud has a little

friend, little friend, little friend,

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maybe this little friends named Clyde.

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He lives right up here.

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Floats around with him.

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Yeah.

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You can create as many or as few

clouds in your world as you want.

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Yeah.

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Yeah.

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Same old one inch brush I'm

and we were right on too.

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Some white, maybe the least little

touch of the bright red on there.

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Don't want to set this cloud on fire.

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Just want to give it a little bit of pink.

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Just make it pretty.

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Okay.

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Pull that one direction.

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Now let's put some highlights up here.

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Just touch little tiny

circles, tiny little circles.

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There you go.

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Just get happy saying alone.

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Have a good time.

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In love with nature

and love with painting.

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And it shows, it shows people know,

people know when you're happy.

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They can look at your paintings

and tell when you were happy,

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they reflect your moods.

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Paintings are a reflection

of your inner most feelings.

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There you go.

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Easy.

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We got a happy little cloud.

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Wash my brush.

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Okay.

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Clean, dry two inch brush, just

the top corner of the brush.

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And I'm just going to mix it up.

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Just mix it up, twist it a little bit.

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Tiny little circles, tiny little circles.

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Same thing, tiny little circles.

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There we go.

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Just just enough to mix it now, beat

the brush, just to remove any excess

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paint that I might've picked up.

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So usually in cleaning it.

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Okay.

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Now lift that up, just lift

it and do this in circles.

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Don't go straight up.

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If he goes straight up, it's going

to look like it's raining up or down.

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Not a body.

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Got it.

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And when you, when you pull this

up, you're going to pull up a

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little stringy thing sometime.

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Don't worry about it.

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Cause when you do this, they go away.

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They just go away and leave you just

like, so in that easy, you got a couple

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of happy little floaters up here.

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Okay.

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Wash the brush and one more time,

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knock it off.

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And we're ready.

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We are ready.

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Let's build us a little mountain.

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Let's take, let's take pressure

and blue Vandyke, Brown, little

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touch of a lizard Crimson.

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Just mix them together.

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Like, so pull it up flat, cut off

the lease little roll of paint

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right down on the edge of the knife.

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Okay.

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And maybe we'll have a big Ridge

of mountains that live here and all

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we're worried about at this point.

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Is it nice?

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Top shapes.

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We could tear this

what's happening in here.

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Don't worry about just the, just

the nice little tops up here.

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Well, are we going to

have one huge mountain?

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What the heck?

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We'll just let it go.

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We'll on up here.

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Who cares?

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Who cares?

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Because in your world you can create

any kind of illusion that you want.

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I like to tell people that.

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I spent half my life in the military

and there I had this, I had to live

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in somebody else's world all the time.

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It was painting, offered me freedom.

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I'd come home after all they were

playing soldier and I'd paint

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a picture and I could paint the

kind of world that I wanted.

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It was clean.

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It was sparkling, shiny, beautiful,

no pollution, nobody, nobody upset.

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Everybody was happy in this world.

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That may be how I made it

through 20 years of military.

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There we go, because I could

find freedom on this canvas.

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There we go.

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There is absolute freedom here, and I

think we're all looking for freedom.

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At least I am see how

you can pull that down.

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Just pull it right down.

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And because there's because there's

liquid white and here it mixes with it.

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The paint will move and automatically

it gets lighter and better look at that.

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You could do it there.

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Hmm.

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Alrighty.

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Just using brush strokes, you

can see all kinds of fantastic

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shapes in these mountains.

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And by using these brushstrokes, see how

you can pull out shapes and change them.

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Remove them.

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That easy.

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It's a super way to lay out

your entire range of mountains

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without being committed.

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You cannot make a mistake in here.

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Okay.

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I have, let me wash steel brush, so it's

nice and clean, fresh and ready shake.

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Here we go.

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Let's begin putting some highlights

and shadows and I'm going to take

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some titanium white and to that.

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I had some midnight black

just to touch, just to touch

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a little more white into that.

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There we go.

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This is just to make sort of a grayish

color, pull it out as flat as you can

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get it kind of cross hotel flat cross,

get that tiny little roll of paint.

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This knife has a straight edge on it,

so it's very easy to load it now, then.

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Thinking about where light, which strike

is just playing through here and touching

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and just seeing in right through here,

you use very little paint and you're just

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barely, barely, barely grazing the canvas.

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It's such a delicate touch.

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If you're not careful, your hand

will just absolutely float away.

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And I'm going to take some white with a

little bit of a little bit of blue in it.

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This is the little blue.

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And black.

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So we have white, black, blue.

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And for that, we're going

to make a shadow color.

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Same thing.

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We cut off at little roller paint,

and now we can come back in here.

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We begin to lay the indication of

some happy little shadows in here.

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This is a darker color because you

want the shadows to be recessed.

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They said we down in now, maybe

the lights is hanging through here.

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It hits right here wherever

you want it to hit.

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See, let me show you something.

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You can take the brush here,

tap this, watch you watch it.

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It's exciting.

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What you can do.

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Tap it, lift up and it

creates a soft Misty effect.

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Okay.

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Now then you can take this

one and bring it right down.

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Look at there.

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See you bring it right down in front.

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Unbelievable.

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The amount of power you have here and

just sort of work it back and forth.

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Here's a nice looking

Nicole's shadow area.

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He lives right there.

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Kind nice down, down, down.

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See, maybe there's a little thing.

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There it is.

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There, it is just sorta just

sort of see these things in

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your mind and lay them in there.

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Let them happen.

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Don't fight it.

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Don't fight it.

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Maybe right here on this edge,

a little bit of lights there.

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It is.

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See that make a fantastic,

fantastic cliffs.

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I tell you what he meant.

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Mountain.

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Go to have a devil of a time

living there he'd fall off and

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ended up down here in the Lake.

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He'd be a water goat there.

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So a little bit, a little bit of shadow.

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Just let that blend right

into nothing, nothing.

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Okay.

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And you can put all kinds of little

individual things happening in here.

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Maybe this one right

here, wherever you want.

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These little highlights and

shadows can live anywhere.

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And where do you want to in

your world, you put them where

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you think they were to live.

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Just let these blend together.

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Let them blend together.

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Okay.

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Clean, dry brush.

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And we just want to tap

this following the angles.

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Always follow the angles in your mountain.

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If you come right across banging like

that, it's going to cut this off.

262

00:13:15,495 --> 00:13:17,625

And you will not be pleasing to you.

263

00:13:17,625 --> 00:13:20,835

You'll be upset with

me follow those angles.

264

00:13:22,485 --> 00:13:25,845

This is how you create a

beautiful, soft Misty effect.

265

00:13:26,175 --> 00:13:32,265

The base of the mountains lifted,

lifted, lifted chatter, just graze.

266

00:13:32,265 --> 00:13:34,545

The canvas is two hairs and some air.

267

00:13:35,700 --> 00:13:36,870

Normally we use three.

268

00:13:37,260 --> 00:13:38,130

This is so delicate.

269

00:13:38,130 --> 00:13:41,760

It's only too easy.

270

00:13:41,940 --> 00:13:44,550

You can get a fantastic

range of mountains back here.

271

00:13:46,380 --> 00:13:46,860

Okay.

272

00:13:47,730 --> 00:13:49,380

Oh, we did.

273

00:13:49,380 --> 00:13:49,890

All right.

274

00:13:52,280 --> 00:13:52,700

Tandy.

275

00:13:52,710 --> 00:13:52,940

What?

276

00:13:53,240 --> 00:13:54,350

We got this dark color.

277

00:13:55,190 --> 00:13:57,050

This was precious blue.

278

00:13:57,825 --> 00:13:59,085

We'll put some black in there.

279

00:13:59,085 --> 00:14:00,255

Some van Dyke Brown, what?

280

00:14:00,405 --> 00:14:04,285

The devil, some lizard Crimson

and a little bit of SAP green.

281

00:14:04,305 --> 00:14:05,535

Then what too much samp green.

282

00:14:07,815 --> 00:14:08,565

Just mix it up.

283

00:14:08,565 --> 00:14:10,545

Like, so let me clean off the old knife.

284

00:14:13,185 --> 00:14:14,475

Grab us a fan brush here.

285

00:14:15,915 --> 00:14:17,415

I have several fan brushes going.

286

00:14:18,675 --> 00:14:19,005

Okay.

287

00:14:19,905 --> 00:14:21,345

Load that brush full of paint.

288

00:14:21,585 --> 00:14:22,305

Very dark.

289

00:14:22,905 --> 00:14:23,895

Just to really fill it up.

290

00:14:25,484 --> 00:14:28,964

Now that maybe there's some beautiful

evergreens that live right there.

291

00:14:29,895 --> 00:14:31,935

Watch here just the corner of the brush.

292

00:14:33,285 --> 00:14:36,194

Just work it back and

forth, back and forth.

293

00:14:36,405 --> 00:14:40,125

See there, these little son of

a guns live right in your brush.

294

00:14:40,365 --> 00:14:41,145

Just push them out.

295

00:14:43,155 --> 00:14:43,785

Push them out.

296

00:14:44,444 --> 00:14:46,094

Happy little evergreen right there.

297

00:14:47,265 --> 00:14:48,194

Let's give him a friend.

298

00:14:50,844 --> 00:14:52,214

Let's give him a little friend.

299

00:14:59,055 --> 00:15:02,864

No, I've met so many, so many

beautiful people because of painting.

300

00:15:03,614 --> 00:15:07,785

As we travel around the country and do

demonstrations, I get the opportunity

301

00:15:07,785 --> 00:15:12,734

to talk and paint some time with some

most fantastic people in the country.

302

00:15:13,844 --> 00:15:17,444

We go all over the country doing,

doing shows and demonstrations for PBS

303

00:15:17,444 --> 00:15:19,454

stations and, and other charity groups.

304

00:15:21,689 --> 00:15:23,970

Tell you, what, if you, if you would

like to know who we're going to be

305

00:15:23,970 --> 00:15:27,089

in your area, drop me a postcard

with your name and address, and

306

00:15:27,750 --> 00:15:28,890

we'll put you on our mailing list.

307

00:15:28,890 --> 00:15:32,130

We have a little mailing

list and we notify everybody.

308

00:15:32,490 --> 00:15:33,720

When we're going to be in your area.

309

00:15:34,770 --> 00:15:36,980

Maybe I'll get the opportunity

to meet you and talk with you.

310

00:15:36,980 --> 00:15:40,589

And you can show me some of the

fantastic paintings that you're doing.

311

00:15:42,990 --> 00:15:44,490

I covered up all my beautiful mountain.

312

00:15:44,500 --> 00:15:48,720

I got talking and carry it on and just,

we turned, we turned us into a forest.

313

00:15:49,829 --> 00:15:52,500

Tell you what, since we're going

so crazy, let's have another one.

314

00:15:54,420 --> 00:15:55,439

I like his little trees.

315

00:15:55,439 --> 00:15:56,310

They're fun to make.

316

00:15:57,240 --> 00:16:01,110

And the more of them that you do, the

better you're going to be painting them.

317

00:16:01,829 --> 00:16:03,000

So you push that brush down.

318

00:16:03,000 --> 00:16:05,280

So it bends and makes all those

little hangie downs under the

319

00:16:05,280 --> 00:16:08,610

limps, all kinds of little things.

320

00:16:10,560 --> 00:16:11,459

I hadn't stopped yet.

321

00:16:13,829 --> 00:16:14,910

Come do another one right there.

322

00:16:17,655 --> 00:16:18,195

There we go.

323

00:16:18,945 --> 00:16:20,145

We've got our message trees.

324

00:16:21,675 --> 00:16:24,405

And in your world, you put as

many, or as few as you want.

325

00:16:25,815 --> 00:16:32,655

Let's take a little dark Sienna, a little

white, and let's just make the indication

326

00:16:32,655 --> 00:16:35,085

of just a happy little tree trunk here.

327

00:16:35,085 --> 00:16:39,345

And they're just here and

there, there they come.

328

00:16:43,635 --> 00:16:49,805

There is one right there and you're

not going to see the entire tree trunk.

329

00:16:49,805 --> 00:16:50,704

So don't worry about it.

330

00:16:50,704 --> 00:16:51,965

Just, just here and there.

331

00:16:51,965 --> 00:16:53,345

And let's give these trees over here.

332

00:16:54,395 --> 00:17:01,204

Little trunk, just indications, and

you don't know really how many trees

333

00:17:01,204 --> 00:17:03,605

are in that group, right there.

334

00:17:05,014 --> 00:17:06,694

Just however many you want.

335

00:17:08,755 --> 00:17:09,495

Tell you what let's do.

336

00:17:09,495 --> 00:17:11,175

Let's take our little oval brush.

337

00:17:11,175 --> 00:17:15,165

And when you use some yellow and

reach up here and pick up some of the

338

00:17:15,165 --> 00:17:19,515

midnight black, I'll make a dark green

load, a lot of pain into the brush.

339

00:17:20,265 --> 00:17:22,845

A lot of paint, a lot of paint.

340

00:17:23,325 --> 00:17:24,465

I want this quite dark.

341

00:17:25,515 --> 00:17:25,815

Okay.

342

00:17:25,875 --> 00:17:26,925

This is the oval brush.

343

00:17:27,675 --> 00:17:32,165

Now put some highlights

right on these evergreens.

344

00:17:32,435 --> 00:17:33,875

Keep these quite dark.

345

00:17:34,410 --> 00:17:39,960

For contrast evergreens normally

are darker than other trees.

346

00:17:41,550 --> 00:17:42,180

There we go.

347

00:17:42,960 --> 00:17:49,610

And it really helps to have that

contrast midnight black CAD yellow

348

00:17:49,700 --> 00:17:51,350

makes a beautiful, beautiful green.

349

00:17:51,950 --> 00:17:53,270

It's not too bright and shiny.

350

00:17:54,530 --> 00:17:55,700

I see this little oval brush.

351

00:17:55,700 --> 00:17:58,100

All I'm doing is touching and

letting it been sort of downward.

352

00:17:58,100 --> 00:18:00,435

And it makes it look like thousands

of little leaves out there.

353

00:18:01,304 --> 00:18:03,615

Makes all those little

beautiful little round things.

354

00:18:04,304 --> 00:18:04,965

You'll like it.

355

00:18:05,175 --> 00:18:05,625

It's fun.

356

00:18:06,815 --> 00:18:07,835

It's a fun little brush.

357

00:18:09,935 --> 00:18:10,534

There we go.

358

00:18:13,534 --> 00:18:15,245

Kenny, don't want this

one to be left down.

359

00:18:18,065 --> 00:18:19,655

We'll put some happy little things on him.

360

00:18:20,945 --> 00:18:23,945

If you out here, there, look at that.

361

00:18:24,065 --> 00:18:24,455

Look at that.

362

00:18:25,254 --> 00:18:26,014

That easy.

363

00:18:27,365 --> 00:18:29,615

Well, we just got, Oh,

Cairns a little trees.

364

00:18:30,780 --> 00:18:31,740

Happy little things.

365

00:18:32,639 --> 00:18:37,530

I'm just going to take the old two inch

brush and here I'm using the Browns

366

00:18:37,530 --> 00:18:39,360

and just the dark color had leftover.

367

00:18:39,360 --> 00:18:40,710

I've added some dark Sienna to it.

368

00:18:40,740 --> 00:18:44,580

Pull the brush in one direction,

one direction, loaded, full of

369

00:18:44,580 --> 00:18:46,110

paint, the criteria in the end.

370

00:18:46,890 --> 00:18:48,420

Or there is a mess of pain on there.

371

00:18:48,450 --> 00:18:48,660

Okay.

372

00:18:48,660 --> 00:18:50,400

Let's go up here now.

373

00:18:50,400 --> 00:18:53,040

Then let's begin putting in

some happy little Bush shapes.

374

00:18:53,070 --> 00:18:55,770

Maybe there's a Bush

that lives right there.

375

00:18:57,390 --> 00:18:59,220

It comes right down in front of the trees.

376

00:19:00,660 --> 00:19:03,480

We just going to push all those

past evergreens right on back.

377

00:19:04,350 --> 00:19:07,590

Now, if you happen to get some

of it down in here, who cares?

378

00:19:08,055 --> 00:19:10,965

We will end up turning

that into reflections.

379

00:19:11,625 --> 00:19:12,735

We don't make mistakes.

380

00:19:13,305 --> 00:19:16,875

We have happy accidents chest.

381

00:19:17,115 --> 00:19:17,895

Don't worry about it.

382

00:19:17,895 --> 00:19:19,514

Learn how to use what happens.

383

00:19:20,774 --> 00:19:21,135

Shoot.

384

00:19:21,135 --> 00:19:22,125

Maybe not even be pretty.

385

00:19:22,125 --> 00:19:23,745

Let's just, let's just do that.

386

00:19:25,305 --> 00:19:25,784

Look at that.

387

00:19:26,415 --> 00:19:28,965

Think that all those things come

down right now, it looks like a mess.

388

00:19:30,389 --> 00:19:33,450

It looks like a mess, but when

we turn that into reflections,

389

00:19:35,070 --> 00:19:39,720

then it's going to be spectacular

because you can do anything.

390

00:19:41,580 --> 00:19:48,840

There we go see there and where you have

a lot of trees, put some reflections here.

391

00:19:48,840 --> 00:19:51,210

You've got a big tree,

like a big old reflection.

392

00:19:51,210 --> 00:19:51,689

What the heck?

393

00:19:51,960 --> 00:19:56,730

What that clean, dry brush I

had to make a big decision.

394

00:19:57,120 --> 00:19:59,460

You have to decide where

water and land come together.

395

00:20:00,285 --> 00:20:05,855

Make that decision, grab it and pull

straight down, straight down C okay.

396

00:20:05,915 --> 00:20:06,905

Not too much pressure.

397

00:20:06,935 --> 00:20:09,005

Just enough to, to distort it.

398

00:20:09,155 --> 00:20:09,755

Look how pretty.

399

00:20:09,755 --> 00:20:12,455

That is instant reflections.

400

00:20:12,485 --> 00:20:15,845

Wasn't as traditional painter, I

used to labor over reflections.

401

00:20:15,845 --> 00:20:21,005

I'd paint a picture, then take it, turn it

upside down and repaint it and try to make

402

00:20:21,005 --> 00:20:24,125

it look like roughly was his easy here.

403

00:20:25,745 --> 00:20:26,195

See there.

404

00:20:26,835 --> 00:20:26,985

Okay.

405

00:20:27,075 --> 00:20:29,445

All those beautiful, a little reflections.

406

00:20:30,585 --> 00:20:31,065

Okay.

407

00:20:32,175 --> 00:20:35,835

I'm going to dip my brush into

some thinner paint thinner.

408

00:20:35,835 --> 00:20:38,325

I'm going to go into

yellow ochre, yellow ochre.

409

00:20:38,835 --> 00:20:40,155

Pick up some dark Sienna.

410

00:20:40,695 --> 00:20:45,285

I'll make this a fall picture,

dark Sienna and bright red.

411

00:20:45,285 --> 00:20:51,705

So I have yellow ochre, dark Sienna,

and bright red just mixed together.

412

00:20:52,335 --> 00:20:53,715

Okay, let's go right up

here and take a look.

413

00:20:54,765 --> 00:20:57,165

Now start picking out

little individual bushes.

414

00:20:58,365 --> 00:20:59,265

Oh, look at that.

415

00:21:00,065 --> 00:21:00,605

Look at that.

416

00:21:01,815 --> 00:21:03,165

Isn't that a beautiful color

417

00:21:07,685 --> 00:21:09,135

painted thousands of pictures.

418

00:21:09,135 --> 00:21:11,175

And I still get excited

when I see this work.

419

00:21:13,565 --> 00:21:14,405

Fantastic.

420

00:21:15,155 --> 00:21:16,385

Keep your paint quite thin.

421

00:21:17,135 --> 00:21:20,165

I had a little paint thinner to it,

or liquid clear, something like that.

422

00:21:22,995 --> 00:21:24,105

Here is a nice one.

423

00:21:26,495 --> 00:21:29,405

Well, Jack Frost has come along

here and touch these already.

424

00:21:32,795 --> 00:21:33,635

There we go.

425

00:21:34,325 --> 00:21:38,645

Maybe there's, we'll put

players of these, just drop in

426

00:21:38,645 --> 00:21:39,935

another happy one right there.

427

00:21:40,505 --> 00:21:42,695

And you can turn that brush

over and reflect some of

428

00:21:42,695 --> 00:21:43,775

these right into the water.

429

00:21:45,305 --> 00:21:45,725

Look at there.

430

00:21:46,055 --> 00:21:48,245

Just make all kinds of

happy, little reflections.

431

00:21:50,895 --> 00:21:52,365

Like that right down into the water.

432

00:21:53,835 --> 00:21:59,625

That's bright red, dark Sienna

and yellow ochre, yellow ochre.

433

00:22:01,725 --> 00:22:03,615

That color even has a nice name to it.

434

00:22:06,915 --> 00:22:07,455

All right.

435

00:22:08,945 --> 00:22:13,395

Little bit right into

here and there we go.

436

00:22:13,605 --> 00:22:15,705

Now we can just pop some of

these right into the water.

437

00:22:19,215 --> 00:22:25,395

Then clean, dry brush, delicate

touch, barely touch, barely touch,

438

00:22:25,905 --> 00:22:32,745

hold up, down, down, and then

go very lightly across like, so.

439

00:22:37,190 --> 00:22:37,430

Here.

440

00:22:37,430 --> 00:22:38,660

We're going to take a little Brown.

441

00:22:38,900 --> 00:22:42,230

You will put some little rocks

and some dirt areas right over in

442

00:22:42,230 --> 00:22:48,290

here, wherever where ever I can

443

00:22:51,790 --> 00:22:52,100

touch it.

444

00:22:52,100 --> 00:22:52,790

Brown and white.

445

00:22:53,480 --> 00:22:55,780

We'd lay the indication of a few

little highlights here and have

446

00:22:55,780 --> 00:22:58,550

no one to just here and there.

447

00:23:03,300 --> 00:23:03,450

Yeah.

448

00:23:03,450 --> 00:23:08,370

I'm to take a fan brush,

some of that same color.

449

00:23:09,210 --> 00:23:12,090

It just puts a little things here to

break up some of these little, these

450

00:23:12,090 --> 00:23:13,379

little doers right along in here,

451

00:23:17,100 --> 00:23:20,550

like, so, all right.

452

00:23:21,030 --> 00:23:24,690

A little touch of liquid

white on the knife.

453

00:23:26,550 --> 00:23:28,889

Cut in just a happy little

water line here and there.

454

00:23:30,510 --> 00:23:31,350

Just hearing there

455

00:23:35,340 --> 00:23:36,270

a little bit over in there.

456

00:23:37,649 --> 00:23:38,040

All right.

457

00:23:40,770 --> 00:23:41,429

Let's have some fun.

458

00:23:41,699 --> 00:23:42,419

Let's get crazy.

459

00:23:43,820 --> 00:23:46,409

We'll have a big tree

that lives right there.

460

00:23:48,090 --> 00:23:49,230

Oh, there goes my cloud.

461

00:23:50,100 --> 00:23:51,330

There goes as McLeod.

462

00:23:51,990 --> 00:23:53,379

I let a little bit of him show through.

463

00:23:56,070 --> 00:23:57,360

So now we're gonna have a big tree.

464

00:24:00,030 --> 00:24:02,490

So now you can see that

cloud right through it.

465

00:24:07,230 --> 00:24:08,160

Just like, yeah.

466

00:24:10,500 --> 00:24:11,250

Maybe this counts.

467

00:24:11,340 --> 00:24:11,760

Look at there.

468

00:24:11,850 --> 00:24:12,240

Look at that.

469

00:24:12,270 --> 00:24:16,380

Just make a decision to drop

it in capsule, right down.

470

00:24:16,440 --> 00:24:20,700

See how you can close all that in

when you're painting with a big two

471

00:24:20,700 --> 00:24:24,720

inch brush and take just a minute

before you can just go crazy for all

472

00:24:24,720 --> 00:24:28,620

kinds of happy little things in there.

473

00:24:31,200 --> 00:24:32,520

We need a tree trunks here.

474

00:24:33,990 --> 00:24:36,810

Let's go into Vandyke Brown, dark Sienna.

475

00:24:38,189 --> 00:24:39,239

Here's our tree trunk.

476

00:24:39,840 --> 00:24:42,419

He lives right there.

477

00:24:43,409 --> 00:24:46,469

Got to have a big, strong tree

trunk to hold up all that mess.

478

00:24:47,489 --> 00:24:48,330

That's a big tree.

479

00:24:49,770 --> 00:24:52,260

Give him a little arm here and there tree.

480

00:24:52,260 --> 00:24:55,679

It needs to need to have arm

just to hold up all the little,

481

00:24:56,520 --> 00:25:01,949

little doers, touch, just a touch.

482

00:25:02,655 --> 00:25:02,835

Here.

483

00:25:02,835 --> 00:25:04,305

I've used a little bit of bright red.

484

00:25:06,135 --> 00:25:07,395

I want to add a little

bit of white to that.

485

00:25:07,395 --> 00:25:10,275

So it stands out and you see

a little bit, Oh, that's nice.

486

00:25:11,504 --> 00:25:14,805

I want to just put the indication of

a little highlight here and there.

487

00:25:15,165 --> 00:25:16,155

Just let it work right here.

488

00:25:16,875 --> 00:25:17,955

Mixed with that dark color.

489

00:25:19,635 --> 00:25:22,754

See that easy, that easy.

490

00:25:22,875 --> 00:25:24,675

You get your little tree, all highlighted

491

00:25:27,675 --> 00:25:27,985

to you.

492

00:25:27,985 --> 00:25:29,775

Wanna let's go into her.

493

00:25:31,545 --> 00:25:38,565

Red, dark Sianna, yellow ochre,

the ochre little Indian, yellow.

494

00:25:38,595 --> 00:25:40,815

We'll mix a little Indian in there to her.

495

00:25:40,905 --> 00:25:41,115

Yes.

496

00:25:41,175 --> 00:25:41,745

Ooh, nice.

497

00:25:41,745 --> 00:25:42,105

Nice.

498

00:25:42,735 --> 00:25:43,575

Let's go right up here.

499

00:25:44,145 --> 00:25:44,445

Now.

500

00:25:44,655 --> 00:25:48,225

I just want to put the indication of

some happy little leaves here and there.

501

00:25:48,675 --> 00:25:50,625

I don't want to kill

all this nice dark area.

502

00:25:51,795 --> 00:25:55,965

If you have trouble making it stick at

the least little touch of paint thinner,

503

00:25:57,285 --> 00:25:59,445

and then you should just have to barely.

504

00:25:59,865 --> 00:26:02,745

Touch the canvas here, work with patterns.

505

00:26:03,945 --> 00:26:04,425

See there.

506

00:26:05,775 --> 00:26:06,795

Don't overdo here.

507

00:26:08,865 --> 00:26:09,735

Don't overdue.

508

00:26:10,625 --> 00:26:15,165

All kinds of happy, little

things, little things.

509

00:26:16,665 --> 00:26:18,285

There's a nice dark one back in there.

510

00:26:20,355 --> 00:26:24,705

Nice one where it's pretty one.

511

00:26:24,765 --> 00:26:26,145

It just stands out here in spark.

512

00:26:26,145 --> 00:26:26,445

Awesome.

513

00:26:36,525 --> 00:26:38,685

And watch here.

514

00:26:39,795 --> 00:26:44,595

The old clock on the wall tells me I have

to go, but you can put just the indication

515

00:26:44,595 --> 00:26:46,605

of some of the land areas right down here.

516

00:26:48,225 --> 00:26:48,615

So.

517

00:26:49,530 --> 00:26:51,690

We'll put a few little

grassy things on this side.

518

00:26:52,690 --> 00:26:54,060

I think we'll call this one finished.

519

00:26:54,540 --> 00:26:54,780

Thank you.

520

00:26:54,790 --> 00:26:59,010

This is a pretty painting, which give you

a lot of ideas and I hope you enjoy it.

521

00:27:00,780 --> 00:27:02,250

There we go from all of us here.

522

00:27:02,310 --> 00:27:03,060

Happy painting.

523

00:27:03,420 --> 00:27:03,960

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S10E06 - Autumn Woods

Bob Ross's

The Joy of Painting

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