Bob Ross's

The Joy of Painting

S11E10 - Sunset Over The Waves

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Hi, welcome back.

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Certainly glad you could join me today.

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And today I thought we'd do something

a little different, and I really

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think you're going to enjoy this one.

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Let me tell you what I've

already done up here.

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I've got a blank canvas, as you

can see, and I've created this

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black canvas by painting it with

a nice even coat of black Jesso.

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And I just paint the whole canvas

and then let it dry onto that.

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Then we've added layers of.

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Color, and it's still wet.

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And I'm like, right in here, I

have Indian, yellow, and Indian

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yellow is a transparent yellow.

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It may look a little green on your

screen because black and yellow, as,

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you know, make green, then we have a

lizard Crimson on the rest of the canvas.

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And I've just put a little piece of

masking tape across here to sort of

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separate the horizon thought today.

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We do a happy little seascape.

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And the big thing that I want

to show you this as how to do a

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fantastic sunset sky, very easy.

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I've had so many letters come in

and say, how do I do a sunset sky?

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And I want to show you one of the easiest,

nicest ways to do a very effective sunset.

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So I take what let's have him run

all the colors across the screen

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that you need to do this painting.

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And while they're doing, let's

go on up here and get started.

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Let's say there's yellow right here.

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So I'm going to dip my

two inch brush right in.

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To some of the liquid white,

I have a little liquid white

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on the brush, decide where the

lightest area of your sky will be.

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That's where we want to start and

just begin making little crisscross

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strokes and see how all of a sudden

that yellow just appears and begin

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blending outward, just outward start

in the light area and blend outward.

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I love these black canvases

because color is so exciting on it.

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Just sparkles.

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Okay.

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Just right on help.

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I don't know.

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Look at that.

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So you have color just

absolutely comes alive.

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If you were working on a white

canvas, you'd work yourself half to

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death to get this kind of effect.

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If you were doing a landscape

with this guy, you would not

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need this piece of tape there.

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The tape is only to keep

her straight horizon.

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Since I'm doing a seascape today,

I would like for the horizon

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to be straight information

seascape, a little more pleasing.

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Okay.

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Then we'll blend the top

part of it and appear.

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There we go.

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Just making little crisscross

strokes, just back and forth.

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Little exes, little exes.

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I think I mentioned one of the earlier

shows that's so, Hey, the teacher used to

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grade my paper in school once he just went

across it, little Xs everywhere there now.

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Very lightly.

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We can just blend it

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all.

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Ready.

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You have one fantastic sky.

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You could actually make a sunset of

out of the sky, just the way it is now.

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I'm gonna wash the brush, give it a good

shake and just beat the devil out of it.

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Now that let's go into some titanium,

white, straight titanium, white with

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a two inch brush and just load quite

a bit of paint on the brush, and

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let's go back up here and now you

have to make your first big decision.

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Where is your light area?

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You're going to be in here.

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Decide where you want the lightest part of

your scare to be in and maybe right here.

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And then I'm going to

take this straight white.

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This is titanium white and begin

blending outward, never going back to

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the center as I want that center to

be the lightest part of this painting

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outward, outward, outward, outward.

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There we go

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straight titanium white.

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You can do this as many times

as you want to achieve a desired

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lightness as many times as you want.

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The only thing that I'd really suggest

to you is that each time you do it,

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cleaning brush, be sure as are very dry.

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You don't want to take paint

thinner up into your sky.

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It'll thin your paint and absolutely

destroy everything you've done.

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See now, if you wanted to go back

with a little bit more of the titanium

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white, just load the brush up.

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Good dry brush and go right back

into your light area and work outward

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and that easy you can make one.

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Super little sunset.

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Kay.

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Adam, clean the brush.

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One more time.

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I like to bank this painting because

it gives me an opportunity to.

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Queen depression,

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splatter all the cameraman.

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Okay.

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Now then with a clean brush, very gently.

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You can just blend this out

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and then you have a nice light area,

right in the middle of your sky.

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Got to put your sunglasses

on for this one.

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It is going to be a bright man.

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Alrighty.

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As I say, you could, you could leave

this pretty much the way you have

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it and have a pretty nice little

sunset, but we're gonna, we're

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gonna play a little more here.

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I'm gonna take some Crimson lizard,

Crimson and midnight black, mix

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it together and put the least

little touch of blue into it.

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Just the least little touch.

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Yeah.

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Then I'm gonna put a little bit

down here and take some white

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and mix your what color a half.

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That's pretty nice.

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I'm looking for a very

dark lavender type color.

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Okay.

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That works out pretty good, right there.

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Not bad.

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And then we'll take a fan brush and I load

a little paint into the fan brush just

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back and forth like so, and let's put a

happy little cloud or two in this guy.

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And you sort of make a determination here.

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Who does a cloud live, maybe one

lives right in here, just wherever

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you want them, wherever you want them.

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Just drop them in.

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Here we go.

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Lose a little circular strokes.

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So you can just come back

and forth a little bit.

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Like, so just like, so.

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And maybe it comes right

across this light area.

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That'll give you the impression that

there's a sun back here somewhere,

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but maybe it's behind the cloud.

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Okay.

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Maybe he's a little Dewar out here.

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Just make a decision and drop it.

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And I use lavender because lavender

is sort of a neutral color.

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You can put that in, on top of the yellow

without, without big disasters happening.

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Here we go, maybe down in

here, there's at the horizon.

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There's a few big clouds

that are playing around.

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Like, so wherever you want

them, this is your sky.

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So you, you make the determination

where you want little clouds

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or big clouds to lift.

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There is one.

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Wherever.

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Okay.

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Single dark color, same

old lavender color.

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Let's go up here to sky.

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Maybe there's some big rolling clouds up

in here that just sort of roll around and

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I don't want to completely cover that.

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I want some of it to show

through just, I'm just turning

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a little circles with a brush.

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Jessica really grinded at pain in

there, and there's not a great deal

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of pain on the brush at this point.

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Okay, little more of that.

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I haven't, or maybe there's a, maybe

there's a little clouded hangs down

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here, whatever, just whatever you want.

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It's really freedom here.

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Just make a big decision and throw it in.

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There we go.

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Wash the old brush

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and with the nice clean, dry

brush, I want to very gently.

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Just blend this entire canvas.

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This will remove any excess paint,

just very lightly, very lightly.

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Okay.

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Now take my fan brush again.

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I'm gonna to take some titanium

white and a touch of the kid yellow.

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Just to touch load the brush.

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Pretty full of paint.

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Let's go up here maybe.

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We want to highlight a few of these.

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You can just tap in a little bit of color

where you think light would strike here,

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just wherever, wherever, and you can have

as many or as few of these as you want.

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Okay.

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Maybe, maybe up here now, here, if that's

a sun that's going to strike underneath.

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So don't forget that that'll

sort of, that's a, got you.

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Maybe, Hey, maybe right in here, up

in here, we're just going to have

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a few places at flight's going to

strike some of these little clouds.

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This is a bottom of little clouds,

just little things that are happening

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wherever you think they should be.

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Wake it up, but don't put

too much, very quickly.

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You can.

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You can eat up your whole world here

with these little Rascals, just a few

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and back to her good clean dry brush.

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And now just gently, gently

blend all this together.

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Just blend it all together.

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It'll make all kinds of little

highlights in the clouds.

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See there.

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And as I say, and you're, you're

painting, you put as many or

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as few of these as you want.

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And you can keep working these and

they'll get darker, darker, darker,

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or you can leave them quite bright.

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It's really an individual thing.

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Painting as an individual thing.

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Everybody sees nature through

different eyes and the way you see

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it is the way he should paint it.

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It should just make you happy.

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There we go.

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Okay.

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Isn't that?

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A wild, beautiful little sky.

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Now then now that I'm going to reach

over here and I'm just going to pull

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this masking tape off and see that

leaves me a nice straight horizon.

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All right.

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I need to take a little Crimson on my

brush and fill in this area here, because

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there was no pain under that tape.

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Just bring it right up to the horizon,

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Microsoft.

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Yeah, then I think let's do a seascape

today with a big crashing wave and

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I get so many, so many requests for

the big strong waves crashing waves.

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So we'll do a lot of those.

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Okay.

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One of the easiest ways I have found.

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To paint little seascapes is just

take a little Filbert brush and

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we'll put a little, just a little

paint, a little white in it.

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Now you have to make a big decision

where is going to be the major

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wave, where, where does he live?

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And in my world, I want it

to sort of be under here.

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So we'll have him coming down like,

so now you don't have to do this.

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What you'll find that it helps you a

great deal in laying out your seascape.

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That's all you need.

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And then.

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Here comes the wave over that way.

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Then that'll sort of give

you something a guide.

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It'll keep you out of a lot of trouble.

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Okay.

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That'd be great.

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A mold fan brush and getting washed here.

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I have several fans versus going, so

I don't have to wash them continually.

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Yeah.

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Go right into titanium point.

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Very thick.

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Lot of paint on the brush.

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Okay.

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Say there both sides are

loaded right up here.

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Now then let's make a decision where the

waves behind here will be in my world.

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I think there's going to be one

right here, like, so that easy.

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And maybe there's

another one and he lives.

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Yep.

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It does now.

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Right about there wherever you want them.

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Wherever you want.

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This is really an individual thing.

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You decide where your little wave

should be and you put them right there.

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Now, when you're doing this, the only

thing that you're concerned about

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is the dark area in here, back here.

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Watch, watch, watch.

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This is so exciting

because it works so easy.

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Just taking the brush and make little,

little strokes like this clean brush,

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and just allow that to blend back.

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And it makes the little

trough in between the waves.

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Yeah.

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See that easy, easy, but you want

to save this little dark hair edge.

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That's very important that

we do this one back here.

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Just like so like, so

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now all of a sudden

it'll begin making sense.

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Wash the brush man, long

hair do the same thing.

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We'll add some white paint and bring it

right along this major wave and the paint,

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and then very lightly can blend it back.

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Just blend it back.

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So you, once again, what you're

worried about is this dark kid.

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00:13:47,615 --> 00:13:50,885

You're not, you're not concerned with this

when you paint it on, it looks like you.

252

00:13:51,660 --> 00:13:54,540

You're all worried about this, but

this is the part that's important.

253

00:13:56,130 --> 00:13:59,130

This is the easiest way I

have ever found a painting.

254

00:13:59,130 --> 00:14:02,100

Some very, very effective

and nice little seascapes.

255

00:14:02,790 --> 00:14:03,930

And in here, same thing.

256

00:14:03,960 --> 00:14:04,890

We just want to blend that.

257

00:14:06,420 --> 00:14:07,030

Just blend it.

258

00:14:09,210 --> 00:14:12,510

And if you build up a lot of paint on

your brush, stop and clean your brush.

259

00:14:15,180 --> 00:14:15,630

Okay.

260

00:14:21,255 --> 00:14:25,245

A little bit more of the white

and back here, right along where

261

00:14:25,245 --> 00:14:26,355

you have to make a big decision.

262

00:14:26,355 --> 00:14:27,704

Now where's your horizon going to be?

263

00:14:29,204 --> 00:14:34,905

And then you can just start making

little doors like we back in the

264

00:14:34,905 --> 00:14:40,844

distance far, far away and start

in the light area and work out.

265

00:14:40,844 --> 00:14:43,785

So you pick up the colors on the

canvas and it automatically gets

266

00:14:43,785 --> 00:14:45,225

darker, darker, darker, darker.

267

00:14:46,305 --> 00:14:51,194

Dark dark, the dark

that's the canvas work.

268

00:14:51,194 --> 00:14:52,635

That's the impression of paint work.

269

00:14:53,385 --> 00:14:53,985

Shoot.

270

00:14:54,704 --> 00:14:55,635

I'm a lazy painter.

271

00:14:55,694 --> 00:14:58,905

I look for easy ways

to make super effects.

272

00:14:59,594 --> 00:15:03,135

Start in the light area and

blend out our towered outlets.

273

00:15:05,084 --> 00:15:06,675

And then we can take some more white.

274

00:15:08,765 --> 00:15:09,735

Let's do the fun part.

275

00:15:10,064 --> 00:15:11,954

Probably got this white

guy in here this way.

276

00:15:11,954 --> 00:15:14,055

He was going to come here

and it's going to crash over.

277

00:15:14,115 --> 00:15:19,035

See, don't make those little noises

that won't work, kind of make us have

278

00:15:19,035 --> 00:15:22,574

noises and here it comes here, it counts.

279

00:15:22,604 --> 00:15:23,564

This is the fun part.

280

00:15:24,915 --> 00:15:28,574

Grab it and pull that stroke there.

281

00:15:28,574 --> 00:15:30,344

The angle is very, very important.

282

00:15:30,675 --> 00:15:31,454

Very important.

283

00:15:34,094 --> 00:15:35,685

Can you clean my brush again?

284

00:15:37,920 --> 00:15:43,470

Now the thing that most people

really enjoy doing is this eye

285

00:15:43,500 --> 00:15:45,750

right here with the transparency,

whatever you want to call it.

286

00:15:45,750 --> 00:15:49,740

So we'll just take quiet on the

Filbert brush and go up in here with

287

00:15:49,740 --> 00:15:51,270

a Filbert and just scrub it down.

288

00:15:51,630 --> 00:15:59,570

Just really scrub a damn scrub it in,

scrub it in, and then work out where to.

289

00:15:59,620 --> 00:16:02,850

So once again, it gets darker,

darker, darker, darker, darker,

290

00:16:02,850 --> 00:16:05,040

darker, cause you're picking

up more and more of that color.

291

00:16:05,040 --> 00:16:05,640

It's underneath.

292

00:16:06,885 --> 00:16:11,805

Just wherever you want it to go

and we can wipe that off, clean it.

293

00:16:13,155 --> 00:16:14,655

Be sure your brush is good and dry.

294

00:16:15,255 --> 00:16:17,535

Cause you want to keep this

paint as firm as possible.

295

00:16:18,645 --> 00:16:23,565

Uh, you can do this step as many times

as you desire once again, to achieve

296

00:16:23,565 --> 00:16:28,155

a desired lightness that he can begin

worrying about some of the shape here.

297

00:16:30,135 --> 00:16:32,535

Just something like so.

298

00:16:35,445 --> 00:16:43,335

Man be sure you have a super dry brush

and we can go right up in here and just

299

00:16:43,335 --> 00:16:49,275

use the top corner of the brush and Landon

this, you can make it so soft and so nice.

300

00:16:50,535 --> 00:16:51,345

Just blend it.

301

00:16:51,495 --> 00:16:52,425

Think about the shape.

302

00:16:52,455 --> 00:16:54,705

Now, angles become very important.

303

00:16:55,335 --> 00:16:57,435

This water's coming up and curling over.

304

00:16:58,455 --> 00:17:01,155

So we want to begin thinking about that.

305

00:17:01,815 --> 00:17:03,105

Now it becomes important.

306

00:17:04,065 --> 00:17:10,155

So you can pull that right out and already

you're beginning to get that feeling

307

00:17:10,155 --> 00:17:17,685

that it's coming around in there and

it's just jazz, gently, gently blending

308

00:17:17,685 --> 00:17:24,255

it out there and goes, there we go.

309

00:17:24,464 --> 00:17:25,845

And then right on back.

310

00:17:30,165 --> 00:17:31,365

See how easy this can be.

311

00:17:31,995 --> 00:17:34,785

These big crashing waves do

not have to be complicated.

312

00:17:35,835 --> 00:17:37,605

You can make them complicated if you want.

313

00:17:37,695 --> 00:17:38,715

And that's a lot of fun too,

314

00:17:41,715 --> 00:17:46,725

but this is a very nice way of doing

seascapes that are quite effective.

315

00:17:47,775 --> 00:17:50,565

And if you're after that happy book,

well, you can sell these Rascals.

316

00:17:51,335 --> 00:17:51,515

Hmm.

317

00:17:55,595 --> 00:17:57,575

And we can just keep on going here.

318

00:17:58,685 --> 00:17:59,585

I'll tell you what let's do.

319

00:17:59,975 --> 00:18:04,025

Let's do the, the, really the

fun part back to my Filbert.

320

00:18:04,955 --> 00:18:06,725

We've take some more titanium white on it.

321

00:18:07,295 --> 00:18:09,875

Everybody can't wait to get

into this big crashing foam

322

00:18:10,175 --> 00:18:12,245

load, your brush full of paint.

323

00:18:12,395 --> 00:18:16,504

It was a lot of painter and he got

up here and you just sorta push it.

324

00:18:18,345 --> 00:18:25,365

So that on the end of that stroke, it

makes all those little foamy things just

325

00:18:25,365 --> 00:18:27,015

think where it's splashing out here.

326

00:18:27,735 --> 00:18:28,755

We'll have a big stone there.

327

00:18:28,755 --> 00:18:34,185

It's nice to have big stones for it to

crash on and just sort of come ride on

328

00:18:34,185 --> 00:18:42,705

a round ride on a ramp, maybe breaks

right up above there, right on around.

329

00:18:45,975 --> 00:18:48,435

There you go add some

fresh color on there.

330

00:18:48,755 --> 00:18:50,025

Spark all those edges.

331

00:18:50,565 --> 00:18:54,435

They're going to be up here in

the light on a sparkle limp,

332

00:18:57,165 --> 00:19:00,825

right on around just like so

333

00:19:04,395 --> 00:19:07,935

nice clean brush or at least

I wiped off the excess paint.

334

00:19:07,935 --> 00:19:08,955

I cleaned it.

335

00:19:10,260 --> 00:19:14,160

Then we can blend this and allow it

to pick up that dark color, very dark

336

00:19:14,160 --> 00:19:18,030

color it's underneath and that'll

create all these nice effects.

337

00:19:21,590 --> 00:19:28,460

Okay, then we'll take nice soft two

inch brush and just the top corner and

338

00:19:28,490 --> 00:19:36,350

very gently two hairs in some hair,

two hairs in some air, just blam that.

339

00:19:39,254 --> 00:19:42,465

Oh, you can do doing, it's

just lending that very lightly.

340

00:19:42,465 --> 00:19:45,315

You don't want to blend all of it

out, but you can make it to any

341

00:19:45,315 --> 00:19:46,965

degree of smoothness that you want.

342

00:19:47,415 --> 00:19:49,155

Very, very simply.

343

00:19:52,335 --> 00:19:52,845

Okay.

344

00:19:54,375 --> 00:19:57,225

Now let's make, let's make

some big decisions here.

345

00:19:57,345 --> 00:19:57,855

Tell you one.

346

00:19:58,125 --> 00:19:58,845

Let's get crazy.

347

00:19:59,175 --> 00:19:59,985

Let's have a good time.

348

00:20:00,735 --> 00:20:05,985

Maybe, maybe there's another little

crasher and he lives right here.

349

00:20:08,415 --> 00:20:10,155

So you can put as many

of these as you want.

350

00:20:10,905 --> 00:20:12,345

And then just sort of let this flow back.

351

00:20:12,345 --> 00:20:12,915

This water.

352

00:20:14,475 --> 00:20:16,125

It's just sort of coming in right here.

353

00:20:16,225 --> 00:20:16,835

I like that.

354

00:20:21,195 --> 00:20:23,985

I got this old brush and we can

begin showing some of the foam.

355

00:20:24,554 --> 00:20:25,905

That's climbing up the wave here.

356

00:20:25,965 --> 00:20:28,094

You can do this with your Filbert

or your fan brush with it.

357

00:20:29,885 --> 00:20:32,074

This is where you begin bringing

all this together, though.

358

00:20:32,615 --> 00:20:34,564

And it creates the angles and your wave.

359

00:20:35,550 --> 00:20:37,950

It's like, this is what

begins giving form and shape

360

00:20:44,970 --> 00:20:46,920

over here, darker, darker targeter.

361

00:20:51,300 --> 00:20:51,660

362

00:20:52,740 --> 00:20:55,420

And we said we was going to have a big

stone here for it to crash against.

363

00:20:55,420 --> 00:20:58,320

So I'll just take the knife

and we use Vandyke Brown,

364

00:20:58,620 --> 00:21:00,240

just plain old Vandyke Brown.

365

00:21:00,990 --> 00:21:02,190

Cut off a little roll of paint.

366

00:21:02,280 --> 00:21:03,300

Let's go right up in here.

367

00:21:04,169 --> 00:21:08,220

And let's make a happy

stone lives right here.

368

00:21:08,220 --> 00:21:09,810

I don't know if you'd

be a happy stone or not.

369

00:21:09,810 --> 00:21:13,110

If I had big waves beating on me all day,

I don't know if I'd be all that happy,

370

00:21:16,830 --> 00:21:18,149

but anyway, he lives right here.

371

00:21:19,709 --> 00:21:20,399

Right here.

372

00:21:22,605 --> 00:21:28,305

So again, you can push that

wave right back, just like, so

373

00:21:35,415 --> 00:21:37,275

let me find a clean fan brush here.

374

00:21:37,725 --> 00:21:38,835

I'm going to dip it into.

375

00:21:39,465 --> 00:21:42,255

Paint thinner and go

right into my bright red.

376

00:21:42,255 --> 00:21:45,465

I want this paint to be

very thin, very thin.

377

00:21:45,735 --> 00:21:47,295

It's almost, you know, it'll run there.

378

00:21:47,325 --> 00:21:50,265

It's very thin can.

379

00:21:50,265 --> 00:21:53,505

Now that we just use a bright red

today, I didn't go right up here and

380

00:21:53,535 --> 00:21:58,065

barely touching it can begin shaping,

forming all of these little rocks.

381

00:22:02,075 --> 00:22:05,285

See they're all kinds of little things.

382

00:22:10,810 --> 00:22:15,790

Maybe it is one over here and you can

also do this with your liner brush.

383

00:22:16,270 --> 00:22:16,960

Take your time.

384

00:22:21,820 --> 00:22:23,470

Don't know if that's showing up too well.

385

00:22:29,865 --> 00:22:31,725

They're their eggs.

386

00:22:31,725 --> 00:22:31,875

Yeah.

387

00:22:32,504 --> 00:22:40,995

But you can create all kinds of shapes

that easy and easy, then we will take her.

388

00:22:42,855 --> 00:22:46,815

Little Filbert brush and this water is

going to be hitting here and splashing,

389

00:22:46,815 --> 00:22:49,395

and those Cherney things are happening.

390

00:22:51,845 --> 00:22:53,345

Dark, dark, it hurt back in there.

391

00:22:58,065 --> 00:23:02,775

And where we can to get all kinds

of foam laying back in here,

392

00:23:04,485 --> 00:23:05,805

just make up little stories.

393

00:23:06,195 --> 00:23:07,785

This is your, this is your world.

394

00:23:07,785 --> 00:23:12,375

So however you want it, all these

little things are happened, but

395

00:23:12,375 --> 00:23:13,665

remember this needs to come up.

396

00:23:13,665 --> 00:23:16,695

If you're going to make it look like a

little happy little wave right there.

397

00:23:18,274 --> 00:23:22,024

Then maybe just take some Brown shoes.

398

00:23:22,054 --> 00:23:25,774

Let's put another little stone

right there, so you can have that

399

00:23:25,834 --> 00:23:27,425

order turning in through there.

400

00:23:27,635 --> 00:23:31,705

You could have a little stone over

here, just wherever you want them.

401

00:23:33,175 --> 00:23:34,225

Wherever you are.

402

00:23:35,125 --> 00:23:40,794

Take a little bit of the bright red and

just let that fall right over there.

403

00:23:43,044 --> 00:23:45,205

It's a super, super nice, easy way.

404

00:23:46,165 --> 00:23:49,315

To make very effective,

little, little seascapes.

405

00:23:51,305 --> 00:23:51,545

Nice.

406

00:23:51,555 --> 00:23:54,525

A little bit of foam right there.

407

00:23:59,895 --> 00:24:03,405

We could even have a little, a little

bit of foam around the base of this.

408

00:24:03,585 --> 00:24:04,575

It's just sort of up to you.

409

00:24:04,995 --> 00:24:07,635

If you feel there should be

some there, then drop it down.

410

00:24:11,285 --> 00:24:11,705

Yeah.

411

00:24:14,085 --> 00:24:18,015

I'll take the liner brush

with paint thinner on it.

412

00:24:19,290 --> 00:24:20,879

I want the paint to be very thin.

413

00:24:21,629 --> 00:24:26,430

This was a mixture of little caddy,

yellow, little cat, yellow with white.

414

00:24:26,430 --> 00:24:28,830

And then you can go back in here

and you can begin adding in all the

415

00:24:28,830 --> 00:24:31,680

little sparkles, see right into here.

416

00:24:31,680 --> 00:24:32,550

It's going to be bright.

417

00:24:33,210 --> 00:24:36,389

So begin highlighting all these

and the more of these you put

418

00:24:36,389 --> 00:24:40,650

in the more interesting Warren's

life, your painting will have.

419

00:24:41,480 --> 00:24:45,140

But save these bright, bright ones

for right over into the light.

420

00:24:46,010 --> 00:24:49,340

And then as you work away, a

darker ones mix up some red

421

00:24:49,340 --> 00:24:53,080

and white and go from there.

422

00:25:02,890 --> 00:25:04,840

He said the pretty little

things that chill, like.

423

00:25:13,485 --> 00:25:20,435

Nana more thinner and I'll just take

white and at least little touch.

424

00:25:20,435 --> 00:25:23,885

We use some bright red there,

so making it a pinkish color.

425

00:25:26,075 --> 00:25:30,274

And by then, let me get over in here

a little bit saying you can make all

426

00:25:30,274 --> 00:25:32,284

the little doers for over in here.

427

00:25:36,510 --> 00:25:38,399

And just continue that right on out.

428

00:25:40,320 --> 00:25:47,730

Come right along here, right up over the

top of this wave, like, so, and bring

429

00:25:47,730 --> 00:25:49,949

a few of them down in through here.

430

00:25:51,870 --> 00:25:54,720

See, this is the little details

that really make you a painting.

431

00:25:55,590 --> 00:25:56,760

Very interesting.

432

00:25:59,040 --> 00:25:59,520

Okay.

433

00:26:01,215 --> 00:26:04,805

And we take a little bit of a darker

color and he, a little dark kids and the

434

00:26:04,815 --> 00:26:06,015

hair and just she, a little lavender.

435

00:26:06,855 --> 00:26:10,265

So you need that little dark kids

to separate that I transparency

436

00:26:11,045 --> 00:26:12,185

then blended in a little bit.

437

00:26:12,605 --> 00:26:14,075

That really makes it stand out.

438

00:26:15,905 --> 00:26:17,075

Yeah, it makes it stand out.

439

00:26:17,465 --> 00:26:20,495

And then you put all these little

foam things in here wherever you

440

00:26:20,495 --> 00:26:23,195

want them wherever you want them.

441

00:26:25,770 --> 00:26:26,250

No hopeless.

442

00:26:26,250 --> 00:26:29,580

He showed you how to make a fantastic

seascape in just a couple of minutes.

443

00:26:29,580 --> 00:26:31,290

The big thing here is the sky.

444

00:26:31,650 --> 00:26:32,940

This is a super sky.

445

00:26:33,210 --> 00:26:36,120

Try it with landscapes, seascapes.

446

00:26:36,435 --> 00:26:37,575

Just experiment with it.

447

00:26:37,725 --> 00:26:39,075

You're really going to enjoy it.

448

00:26:39,284 --> 00:26:41,774

And from all of us here, I'd

like to wish you happy painting.

449

00:26:42,105 --> 00:26:42,735

God bless.

450

00:26:42,825 --> 00:26:43,304

And I'll see you.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S11E10 - Sunset Over The Waves

Bob Ross's

The Joy of Painting

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