Bob Ross's

The Joy of Painting

S12E05 - Black Seascape

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Well, I'm certainly glad

you could join me today.

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Let's do a fantastic painting together.

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Death up today.

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We'd do a happy little seascape and

I've got a black canvas up here, as

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you can see, and we make these black

canvases by covering them completely

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with black Jesso and allowing that to.

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To dry.

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And then on top of that, I have added

on the top portion here, I've added

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a mixture of midnight black and a

little bit of they blue mixed with it.

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And same thing down here, except for one

little strip, I've added a little bit.

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If they look green.

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So we've got midnight,

black, they little blue.

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A little midnight, black and

fatal green right in here.

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I'm going to have a big wave.

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I think in here, right across

here, slightly above center.

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I have a piece of masking tape, so

that'll give us a nice straight horizon.

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Let's start out and have him run

all the colors across the screen

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that you need to paint this picture.

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And we'll go on up here

and get started today.

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Let's start out with

the old two inch brush.

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Show you a very simple little sky.

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Let's go right into titanium white.

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Now, once you put these colors on the,

on the black canvas is covered with

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a black Jesso, don't allow the, not

allow these colors to dry this, this

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blue and black that we have appeared.

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Don't allow that to dry before you start.

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Okay.

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We've got a little bit of time,

Tandy and white on the brush.

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So let's go up here and maybe,

maybe there's a big look here.

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We'll just come right along in

here and do something like that.

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We're going to check

you out for bravery day.

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Just bring it right in here.

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I see it's going to pick up the color

that's on the canvas and all kinds of

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fantastic little things will happen.

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What's that a little

brighter right in there.

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Now I'm just going to start using

little X's little Xs and blend it.

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Yeah.

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This continually will mix with a color

this on the canvas and things will happen.

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Beautiful little things will happen when

to pull it straight down right here.

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Like there's a little light coming

out from under this big cloud there.

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See, just pull it down.

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Like, so

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this is a nice, easy way to

make a very effective sky.

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And you can also use this for landscapes.

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It's not only for seascapes

it'll work for them.

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Of your landscapes that you're

doing to use using little

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crisscross strokes and blend it

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can, I don't want this to be

a little brighter in here.

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This is going to be my light source.

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So I want this to be a little

bit brighter, right through here.

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sync and that easy.

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Okay.

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Now I've been here.

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I've been here.

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This is going to be a big old cloud.

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So it's going to be, the brightest

is going to be right here.

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Hit the lights behind this big cloud.

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So we'll start here with our lightest

color and just let it blend outward.

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But I want to retain this dark edge,

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or this is going to be a

mean looking or seascape.

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The storm is coming you to get out.

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You're wading boots.

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If you live close to the ocean,

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good dark sky means guy.

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And when you're painting, make up

little stories, think about it.

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Think about little things that

are happening in, in your mind.

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Just.

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Just visualize little things

and it'll help you create the

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mood that you're looking for.

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There we go.

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Maybe let me grab an old fan brush here.

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Still using just titanium white, just load

a little color on here, back and forth.

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Maybe there's a happy little cloud

that lives right up in here and

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just use the corner of the brush.

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Just the corner of the brush.

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And you can put a little cloud in there.

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We just put a couple of ends

so you can see how to do them.

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And when you do your seascape, you

put as many or there's few enters.

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You want maybe there's

one that's right there.

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He lives right there.

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And he's got a little friend in George.

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He floats right around out here.

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There we go.

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Okay.

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Now we can take the large brush.

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Can I just want to blend

the base of this cloud.

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I've touching the top yet at all.

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See just the base and give

it a little upward, flip and

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lightly blended and that easy.

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You've got a super little cloud.

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It's a little bit here.

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Little bit there.

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Give it a little fluff blend.

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There's a couple of more clouds.

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And that easy.

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You have a fantastic little sky.

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Thank you.

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Like this one.

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It's a lot of fun.

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That's helps you like cleaning the brush.

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That's the most fun in

this whole technique.

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Now then, as I said, we had a

piece of masking tape across here.

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And then when we pull this

off, that'll assure us that we

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have a nice straight horizon.

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It's one of the easiest ways I've

ever found of being sure that

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your horizon is nice and straight.

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Okay, now that we can take a little,

the black and a little bit of the blue

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and just rub a little color right here.

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What's all covered.

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There we are.

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We're ready

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to wash the brush.

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One more time.

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Let's take a, let's take an old.

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Number six Filbert brush.

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One of the easiest ways I've found of

making seascapes is to just take and

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put in a very loose, basic sketch of

where you want your major wave to be.

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So come right down here and let's,

let's make a big decision maybe

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right in here, we'll touch and

let's just put in a big old wave.

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It lives right along there.

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He comes up here and maybe he

will crash over right there.

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But that out, like, so, and

that's really all you need.

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That'll give you, give you

sort of a guy to work around

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Washington, a little Filbert.

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Okay.

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Let's take a fan brush.

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We'll put a little white on it and

we make some of these little waves

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of the way back in the distance here.

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This is your light area right in here.

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So I started here just begin

rubbing a little bit of color.

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This is just straight titanium

white, but it's picking up the

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color of this on the canvas.

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So all these little things will just

automatically happen and just, just

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let your hands sort of rock here.

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So you get little openings in there.

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There we go.

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And a few of them over here

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just work.

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Right.

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I don't know if this is our light area,

start here and work toward the side,

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allowing it to get darker and darker as

you work away from under that light area.

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Yeah, there we go.

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See how easy that is.

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If it makes a beautiful little, looks

like a little ocean back in there.

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There we are just right on cue now

that we need some big, strong waves in

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there, a little more white on the brush,

figure out where they're going to be.

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It will come right up in here and

go, bloop got to make those little

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noises and maybe it comes right on

back here, somewhere back in there.

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What the devil, we don't care.

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Maybe we'll have one more right here

wherever you think we should live.

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Excellent.

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Can you wipe off the paint?

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Like the paint off my fan brush

and very, very lightly here.

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I just want to grab this

and begin blending it back.

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Just begin, blending it back.

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Thanks.

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So, but the angle here

is very, very important.

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Very important.

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And say that little dark edge right there.

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See that's what makes it settle out.

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Okay.

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Now we do that right here.

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Have never super neat little way

to make some happy little waves.

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And it's very easy, very easy.

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Let's put a little more paint right

in here, like, so, and then we can

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do the same thing here on this one.

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Just blame it back.

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There we go.

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See seascapes don't have

to be all that hard.

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Okay.

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Same thing here.

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Put a little paint.

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I like his part.

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That's that's the part that

really crashes in there.

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Blended back also.

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That'll be it right there.

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And you can see how that's beginning

to, to make all your little, little wave

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affects and we'll come back and we'll

highlight that really bring some of them,

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son of a guns out a little later on.

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But right now we're just looking for

background material or your fan brush.

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Can I have some paper towels over

here that I drive the brush against?

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Just wash them and paint with

energy, dry them on a paper towel.

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Let's take.

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We don't take some white and the

least, at least little touch of yellow.

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I'm using the Filbert brush here, but

white and the least touch of CAD yellow

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still should almost look quite, but

there is a little bit of yellow in there.

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Okay.

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Let's make the fun part.

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Let's make the, the eye of the

wave here, the transparency,

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whatever you want to call it.

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Okay.

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Just scrubbing a little bit of color.

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And then that it was started working

back, back, back, back, darker,

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darker, darker as it gets away from it.

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Darker, darker, darker.

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You may want to do this step several times

to achieve a desired lightness and you

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can do it over and over and over til it

gets as light or as bright as you want it.

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Okay, let's go back.

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So I want a little more

color each time you do it.

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It's going to get a little brighter,

a little bit brighter, but each time

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clean your brush before you take it

back into that, the transparency,

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otherwise it'll, it'll drag that

old, dirty color right back in there,

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and you'll be unhappy one more time.

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Hmm.

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Sort of against I'm a shy now.

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That's what we're looking for.

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Okay.

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Of course she would come, uh, an expert

brush washer by the time this one's over.

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Good dry two inch brush.

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Now I want to go in here and here.

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All we're doing is just barely grazing.

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It just barely, barely caressing it.

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We want to soften that.

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Very gentle.

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And as we come out here, we can begin

working on the shape of this wave.

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See, I can see it here and

grab it and begin again.

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Forming the son of a gun.

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Isn't that easy.

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I know you can do it.

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It's one of the nicest little ways to

make seascapes I've ever seen there.

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All I'm doing is knocking the

loose paint off the brush.

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There we are.

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Okay.

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Let me grab my little fan brush.

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Let's go into some of that Hawaiian with

a little touch of yellow and I mean just

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the smallest, smallest amount possible.

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Smallest amount of yellow and let's

go right up in here and let's make

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this whole wave crashing over.

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Think how the water would turn

over here and spilled out.

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Okay, here it comes again.

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If you don't make as little

sounds and that won't work,

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God, make those little sounds.

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There it goes again.

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Okay.

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And right here without a

water just pouring over here.

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I like the water.

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I was born and raised in Florida,

but then I moved off to Alaska.

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What a change it's been about 12

years of my life in Alaska, lived

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in Fairbanks for many, many years.

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Beautiful country, beautiful country.

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Now then let's put some foam out here.

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I like to do the foam.

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That's a lot of fun.

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So for that, we get the old Filbert brush.

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I will take a little bit of, a little

bit of blue, a little bit of blue and

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a little touch of bright red, blue,

little touch of bright red, like, so

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we'll make sort of a lavender color.

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Okay.

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Maybe a little bit of white.

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Oh, that's nice.

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That's nice.

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There we go.

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All right.

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Let's start right up in here and

just sort of scrubbed that in.

255

00:14:35,855 --> 00:14:42,725

Just give it a little push push once

again, make those little noises.

256

00:14:43,834 --> 00:14:44,885

This is just the shadow.

257

00:14:44,885 --> 00:14:48,935

We'll come back and put the nice

parts on here in just a second.

258

00:14:48,935 --> 00:14:50,735

All we're doing now is

just laying in a shadow.

259

00:14:51,405 --> 00:14:54,584

And this is going to come up here

and it's going to crash and splash

260

00:14:54,584 --> 00:14:59,175

and we'll put a big stone in there,

but right now it's just habit.

261

00:15:01,094 --> 00:15:01,935

Just really reason.

262

00:15:01,935 --> 00:15:02,354

The devil,

263

00:15:10,005 --> 00:15:15,795

we put the, put the frosting on

this cake, take a little bit of the.

264

00:15:17,490 --> 00:15:22,170

White with at least little touch of CAD

yellow into at least little touch, this

265

00:15:22,200 --> 00:15:27,750

little bit brush for both sides can scope

here and then start right out in here.

266

00:15:28,770 --> 00:15:33,390

And all you're doing is just pushing,

push on that upstroke is when that

267

00:15:33,390 --> 00:15:36,750

splash comes off the turn, the brush

over, you use both sides of it.

268

00:15:38,790 --> 00:15:39,150

Okay.

269

00:15:39,450 --> 00:15:42,000

And then sometimes you have

to wipe it off and reload it.

270

00:15:43,020 --> 00:15:45,750

But always wipe it when

you reload it, wipe it off.

271

00:15:45,750 --> 00:15:50,939

So it's nice and clean and you

come back in here splash more,

272

00:15:53,969 --> 00:15:57,000

just all kinds of big

splashes happening in here.

273

00:15:58,410 --> 00:15:58,770

Okay.

274

00:16:03,630 --> 00:16:04,109

There we go.

275

00:16:04,109 --> 00:16:10,229

Here was just flying all up an air bike.

276

00:16:10,229 --> 00:16:10,469

So.

277

00:16:19,530 --> 00:16:23,859

Okay, now then back to our

big old two inch brush, we'll

278

00:16:23,859 --> 00:16:25,199

go use just the corner of it.

279

00:16:25,290 --> 00:16:31,859

Just the corner in a very lightly making

tiny, tiniest, little circular strokes,

280

00:16:32,849 --> 00:16:34,290

tired, and this little circuit of strokes.

281

00:16:34,290 --> 00:16:37,349

We want to blend that

together for lightly.

282

00:16:39,360 --> 00:16:39,630

Thank you.

283

00:16:39,630 --> 00:16:40,380

Very soft.

284

00:16:41,670 --> 00:16:48,320

Just there we go there and

you can blend this so much.

285

00:16:48,320 --> 00:16:49,070

It'll go away and leave.

286

00:16:49,070 --> 00:16:53,780

You just want to blend it till it gets

nice and soft and it looks like it's

287

00:16:53,780 --> 00:16:55,460

really churning and carry it on there.

288

00:16:58,680 --> 00:16:59,250

Okay.

289

00:17:01,745 --> 00:17:04,755

Okay, now then let's go back into

some white here and let's have

290

00:17:04,755 --> 00:17:08,625

some fun maybe down in here, right?

291

00:17:09,615 --> 00:17:10,005

Yep.

292

00:17:10,275 --> 00:17:10,755

Right here.

293

00:17:10,785 --> 00:17:15,525

Maybe there's a, not a little wave.

294

00:17:15,525 --> 00:17:16,425

It lives right in there.

295

00:17:17,204 --> 00:17:18,825

Just be brave through that son of a gun.

296

00:17:18,825 --> 00:17:18,944

Yeah.

297

00:17:19,710 --> 00:17:24,750

And then I want to blend that back and

you notice a period at fatal green.

298

00:17:24,750 --> 00:17:29,760

We put in really shines, but down here

where it's in the shadow areas, this

299

00:17:29,760 --> 00:17:36,540

is more in the shadows, the blue and

black, really with nice sort of, sort

300

00:17:36,540 --> 00:17:39,750

of having your mind what you're going to

do when thinking about where you lay in

301

00:17:39,750 --> 00:17:41,070

the colors, when you lay them on there.

302

00:17:46,635 --> 00:17:48,465

Now we can begin blending this together.

303

00:17:56,525 --> 00:18:00,035

Super nice, easy, little way

to make a, like a happy little

304

00:18:00,965 --> 00:18:02,075

happy little wave right there.

305

00:18:02,075 --> 00:18:03,485

Maybe this wave comes up here.

306

00:18:05,040 --> 00:18:06,000

Splashes right over here.

307

00:18:06,000 --> 00:18:07,800

Maybe there's a big rock

right underneath here.

308

00:18:08,700 --> 00:18:09,210

Who knows,

309

00:18:13,230 --> 00:18:17,430

who knows, and your world, you

can do anything you want to do.

310

00:18:19,560 --> 00:18:23,850

Maybe this comes down and

splashes right up through here.

311

00:18:27,945 --> 00:18:29,705

I don't know, just wherever you want.

312

00:18:29,705 --> 00:18:30,995

If I just let the water go.

313

00:18:32,135 --> 00:18:34,564

And all we're using here

is just titanium white.

314

00:18:36,514 --> 00:18:37,534

That's all we're using.

315

00:18:42,365 --> 00:18:45,814

Uh, tap water, run up through

there and blended back very soft.

316

00:18:51,605 --> 00:18:52,175

You can do it.

317

00:18:56,735 --> 00:18:57,725

Maybe it comes here.

318

00:18:57,725 --> 00:18:59,705

Maybe we said there was a big stone there,

319

00:19:02,915 --> 00:19:03,565

there,

320

00:19:07,095 --> 00:19:08,165

just wherever you want it

321

00:19:11,235 --> 00:19:11,765

there.

322

00:19:11,775 --> 00:19:11,825

323

00:19:15,995 --> 00:19:17,105

can almost see through that.

324

00:19:18,435 --> 00:19:18,675

Hmm.

325

00:19:22,475 --> 00:19:24,575

Oh, kinds of things

happening under this water.

326

00:19:24,575 --> 00:19:25,835

We don't know what's happening here.

327

00:19:33,004 --> 00:19:36,125

now we can begin creating some

little foamy things that are

328

00:19:36,305 --> 00:19:37,985

just coming right on down here.

329

00:19:37,985 --> 00:19:40,235

This helps form and shape your waves.

330

00:19:42,465 --> 00:19:43,595

Need some shape in here.

331

00:19:58,710 --> 00:20:04,500

clam right up the way you think they

should go up, sort of follow the angles.

332

00:20:14,035 --> 00:20:17,955

You can just lay in

bright little highlights.

333

00:20:24,275 --> 00:20:24,655

okay.

334

00:20:25,925 --> 00:20:30,035

You want to take my liner brush down

and go right into titanium white with

335

00:20:30,035 --> 00:20:32,495

a little paint thinner on the brush, a

little paint thinner just to thin the

336

00:20:32,495 --> 00:20:35,105

paint and let's go right up in here.

337

00:20:35,375 --> 00:20:37,745

I must begin adding some of

these nice little things.

338

00:20:37,835 --> 00:20:40,715

This is paint thinner with titanium

white, and we can put a little

339

00:20:40,745 --> 00:20:42,125

edge right out here on this wave.

340

00:20:43,590 --> 00:20:44,940

Just a happy little edge.

341

00:20:44,970 --> 00:20:47,070

Maybe there's all kinds of little things.

342

00:20:47,070 --> 00:20:51,540

Just splashing right on down here.

343

00:20:56,180 --> 00:20:57,860

Paint needs to be very, very thin.

344

00:20:58,460 --> 00:21:00,020

The consistency of ink.

345

00:21:03,320 --> 00:21:07,970

You can just put all these little

Rascals wherever you want, but

346

00:21:07,970 --> 00:21:10,550

follow out of the basic shape here.

347

00:21:18,150 --> 00:21:19,230

Even back in here,

348

00:21:22,230 --> 00:21:23,280

little things happening.

349

00:21:27,800 --> 00:21:31,040

And if you get one that's a little bit

bright, all you have to do is just paint

350

00:21:31,040 --> 00:21:33,860

over it a couple of times and it'll pick

up the dark color it's underneath and

351

00:21:34,280 --> 00:21:37,250

it'll blend right out to any degree of

lightness or darkness that you want.

352

00:21:42,455 --> 00:21:44,585

put in little light

areas just by doing that.

353

00:21:48,785 --> 00:21:51,185

maybe write down Chris to this here.

354

00:21:53,254 --> 00:21:54,395

Little things are happening.

355

00:22:01,504 --> 00:22:02,135

there.

356

00:22:08,340 --> 00:22:09,780

Oh, kinds of little gooders.

357

00:22:12,420 --> 00:22:12,780

Okay.

358

00:22:14,130 --> 00:22:16,020

But once again, I know

you tired of hearing it.

359

00:22:16,050 --> 00:22:17,860

Follow the basic angle in this way.

360

00:22:17,910 --> 00:22:23,190

Don't just throw these on a random must

go up in here, put on a few little gooders

361

00:22:26,310 --> 00:22:26,520

and.

362

00:22:27,270 --> 00:22:29,280

Put some little lines in here at home.

363

00:22:29,280 --> 00:22:31,830

You have a lot of time and you can put

all these little sound Oregon's and

364

00:22:31,830 --> 00:22:35,070

that you want just one after the other.

365

00:22:36,540 --> 00:22:40,350

And you can make one fantastic

little seascape and it's

366

00:22:40,350 --> 00:22:41,699

quite easy doing it this way.

367

00:22:43,199 --> 00:22:43,980

Quite easy.

368

00:22:44,220 --> 00:22:45,629

You'd be surprised what you can do.

369

00:22:55,545 --> 00:22:55,845

Kane.

370

00:22:55,875 --> 00:22:56,955

I ran into this light area.

371

00:22:57,225 --> 00:22:59,625

You want your brightest, and as

you worked out, add more blue,

372

00:22:59,985 --> 00:23:01,125

the more that they look blue.

373

00:23:01,725 --> 00:23:03,855

So these out here aren't as bright.

374

00:23:18,635 --> 00:23:19,565

just wherever you want to.

375

00:23:23,375 --> 00:23:24,245

Man, can you hunt?

376

00:23:24,245 --> 00:23:25,955

Let's do, let me find, let me find it.

377

00:23:26,435 --> 00:23:27,665

There it is old fan brush.

378

00:23:28,175 --> 00:23:30,605

I'll go right into some Vandyke

Brown, a little dark Sienna.

379

00:23:30,605 --> 00:23:32,195

Just mix them together on the brush here.

380

00:23:32,945 --> 00:23:34,805

We said was going to have

a big old stone right here.

381

00:23:34,805 --> 00:23:38,465

So let's come right along in here, maybe.

382

00:23:38,495 --> 00:23:38,705

Yep.

383

00:23:38,765 --> 00:23:39,335

There it is.

384

00:23:42,275 --> 00:23:43,775

Right down into the crasher.

385

00:23:45,095 --> 00:23:47,075

We have us a big old

stone lives right there.

386

00:23:51,240 --> 00:23:51,930

Big old stone.

387

00:23:53,180 --> 00:23:58,580

He stood here for thousand years or so

in the waves of beat on him concern.

388

00:23:58,580 --> 00:24:01,220

I feel like I've been standing around

for a thousand years and getting

389

00:24:01,220 --> 00:24:05,000

beat on, you know, that feeling.

390

00:24:06,649 --> 00:24:06,889

Okay.

391

00:24:06,889 --> 00:24:09,830

And I want to take him these little touch.

392

00:24:10,040 --> 00:24:10,670

That's not true.

393

00:24:11,570 --> 00:24:14,330

At least little touch of bright red.

394

00:24:17,265 --> 00:24:21,135

Just, just put the indication

here and there a little bit of

395

00:24:21,135 --> 00:24:22,575

highlight sparkling on this.

396

00:24:22,635 --> 00:24:27,555

I don't want to overdue if this is

the way you can form all your rocks

397

00:24:28,215 --> 00:24:33,755

fairly easily, just to say where

you think he are, drop them in.

398

00:24:33,765 --> 00:24:38,835

See there, create all kinds of

little, little protrusions, little

399

00:24:38,835 --> 00:24:40,725

things had to go right there.

400

00:24:43,815 --> 00:24:44,835

Here's another one.

401

00:24:46,439 --> 00:24:49,949

Just whatever, put everything,

then we can take the brush

402

00:24:50,909 --> 00:24:55,350

that has, has the white on it.

403

00:24:55,709 --> 00:24:56,550

And we can come in here.

404

00:24:56,739 --> 00:25:01,800

We can just sort of lift up and make

an indication like is water spilling

405

00:25:01,800 --> 00:25:08,370

down over through here, maybe back in

here, there's little things happening.

406

00:25:17,955 --> 00:25:20,405

now you can just begin adding some

little details here and there.

407

00:25:21,215 --> 00:25:25,285

Tell you what let's put

another rock over in this side.

408

00:25:25,295 --> 00:25:25,535

Shoot.

409

00:25:25,595 --> 00:25:26,495

We don't want it left out.

410

00:25:26,555 --> 00:25:29,075

Maybe, maybe there lives a rock here.

411

00:25:31,445 --> 00:25:31,805

Same

412

00:25:36,005 --> 00:25:37,985

just throw in van Dyke Brown, dark Sienna.

413

00:25:39,035 --> 00:25:40,325

It would take a little bright red.

414

00:25:41,610 --> 00:25:42,780

We'll come right back in here.

415

00:25:45,969 --> 00:25:47,040

This is our light source.

416

00:25:47,040 --> 00:25:49,379

It would be highlighted

on the opposite side.

417

00:25:49,439 --> 00:25:57,689

I can't put in a few little

gutters back to our fan brush

418

00:25:57,689 --> 00:26:00,090

here that has the white on it.

419

00:26:06,439 --> 00:26:09,139

I could tell that water

just spilling all off here.

420

00:26:15,155 --> 00:26:16,865

Oh, Kevin's a little things happen.

421

00:26:19,895 --> 00:26:23,465

Take the liner brush and really

put some nice little water lines

422

00:26:23,465 --> 00:26:25,205

on where it's all coming off.

423

00:26:26,764 --> 00:26:29,014

Put all kinds of happy

little details in here.

424

00:26:31,024 --> 00:26:34,415

So say in home you have all kinds of

time and you can just, you can just

425

00:26:34,415 --> 00:26:35,975

work with this and put all these little.

426

00:26:36,510 --> 00:26:38,340

Little areas and little highlight spots.

427

00:26:39,450 --> 00:26:43,860

It'll really make a beautiful

painting, beautiful painting.

428

00:26:44,850 --> 00:26:48,270

It can even take a little

color and punch in some holes.

429

00:26:48,270 --> 00:26:54,100

Like it looks like there's holes

in the foam that easy, man.

430

00:26:54,100 --> 00:26:55,139

I think we've got a painting here.

431

00:26:55,139 --> 00:26:56,340

That's ready for signature.

432

00:26:57,030 --> 00:26:58,560

Take a little bright red on the liner.

433

00:26:58,560 --> 00:27:02,160

Brush, thin it down with paint

thinner and I'll sign this one.

434

00:27:02,220 --> 00:27:04,260

I certainly hope you've

enjoyed this little seascape.

435

00:27:04,905 --> 00:27:06,045

It'll teach you a great deal.

436

00:27:06,255 --> 00:27:07,995

Give you hours and hours of pleasure.

437

00:27:08,685 --> 00:27:13,095

And from all of us here, I'd like to

wish you happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S12E05 - Black Seascape

Bob Ross's

The Joy of Painting

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