Bob Ross's

The Joy of Painting

S14E11 - Shadow Pond

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Hi, welcome back.

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Certainly glad you could join me today.

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Today.

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I thought we'd do a fantastic

little painting together.

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So I'll tell you what, let's start out

and have him run all the colors across

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the screen that you need to paint

along with me while they're doing that.

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Let me tell you what I've

already done up here today.

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I have a, I have a, sort of a weird

canvas, as you can see, I've taken

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some blood Jessica on the standard old

18 to 24 inch canvas here and painted

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these dark areas with black Jesso.

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Then I've allowed the black Jesso to dry.

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Completely now in the light area,

I've just put a little bit of liquid

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white and just blended it out.

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And the dark area you caught me

putting on a little bit of a, this

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is a mixture of the little blue

SAP, green and van Dyke Brown.

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I want a dull, dirty green color, and

you can sort of test it before you start.

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And all we're doing here is just

covering all the dark areas.

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This, this color is very

transparent, so it still looks black.

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And with that, I want to show

you how to do a scene that looks

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like you're deep in the woods.

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You know, you ever walked in the deep

woods and the trees are all hanging

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over in it's it's quiet and the little

squirrels are playing and everything.

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That's what we're going to do today.

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So let me just get all this covered.

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All we're looking for is just a nice

coat of the dark mixture that we've made.

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Now, while we have that on the brush,

let's begin thinking about some general

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basic tree shapes that live up in here.

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Just take the corner of the brush

and bin begin bringing them right

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on out and to the liquid white.

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All we're looking for here

is just very basic shapes.

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Think about the big tree that's

hanging over here, and you can

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pick up a little bit of color.

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They're

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just bring those shapes out.

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We'll come back and we'll put a lot of

highlights and stuff in there right now.

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All we're looking for are

very basic little shapes.

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They're just as many or as

few as you want in your world.

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Okay.

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Maybe there's a Bush

that lives right here.

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See that easy we can put up.

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Just a happy little tree there.

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Maybe he's got a little friend here

who knows wherever you want them.

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Okay.

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Now over here, here's another big tree

limit seems to be protruding over.

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And what are you putting this black Jessa?

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Just sort of in your mind, have an idea

of how you want these trees hanging

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there and whatever happens we use.

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There we go in my mind, I'm beginning

to see huge trees that are hanging

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over here, and maybe there's a

little light coming through, could

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be a super place to go and hide.

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All right.

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A few more bushes and trees down in here

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already.

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You've got the basic shapes

here that you were looking for.

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See now maybe I tell you what let's do.

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Let's get crazy.

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I want to figure tree right here in the

center and did your world, if you want

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to treat a grill, Oh, you have to do.

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Just make it grow a little bit.

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Maybe there's some little shapes

you can see we back here that

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are little trees in between.

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There.

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We're not looking for a lot of

detail in there, but already that's

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beginning to give you the appearance

of a lot of mystery things happening.

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Okay.

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Maybe up in here, we back

in the distance somewhere.

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There's a little something wherever,

and you can just hear in there, but

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all kinds of little soft things.

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There we go.

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Now then let's have some fun,

let's take the script liner brush.

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We dip it into some paint thinner and

I'll go back into some Vandyke Brown

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and that same color that we just had.

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We just made the little trees out of,

you want this paint to be thin, like ink,

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turn the brush that loads the bristles and

brings the bristles to a nice sharp point.

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Okay.

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And maybe back in here, there's just the

indication here and there of some little

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tree trunks and limbs and sticks and twigs

and all kinds of little things happening.

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They're just sort of make a

decision where you think they

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should live and drop them in.

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So there is to it.

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There we go.

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See back in here, very light.

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We don't want a lot of

detail back in here.

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It's too far away.

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We can't see a lot of detail.

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There's one.

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Is another one, just

however many that you want.

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Yeah.

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So you can create all

kinds of illusions here.

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And if you have trouble making this paint

flow, add a little bit more paint thinner.

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If it doesn't flow, chances are, you

don't have quite enough paint thinner

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on your brush because at the end,

paint will slide right over here.

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Okay.

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Okay.

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It looks like we've painted a whole forest

already and we've done very little work

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now, then I'll just take a little bit more

of the paint thinner go right into a touch

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of that titanium white and same thing.

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Bring it brush to a nice sharp point.

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And then we can put just the

indication here and there.

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Of some little tree trunks that

are a little bit lighter there

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that's super.

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All right, man, let's

start having some fun.

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We'll take a one inch brush today

and you could do this with your

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two inch brush or a fan brush.

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I sort of liked to use though, the

old one inch brush, I'm going to dip

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it into the least little touch of

liquid white, just to thin the paint, a

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little, pull it right through the color.

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Be right back.

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I'm gonna grab a little left,

dark color we have on the canvas.

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So it turns into a beautiful green.

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There now load a lot of paint

into the bristles and tap it.

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Tap downward downward.

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Like that loads the bristles

let's go up here now.

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Maybe, maybe, maybe right in here.

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Say there's leaves on this tree.

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Just happy little leaves.

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And we're looking for shape here.

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Inform don't just throw

these in at random.

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Think about, think about the

little limbs that live in there.

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There we go fork on one

tree or Bush at a time.

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You can pick up a lot yellow

ochre here and there, and little

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Indian, yellow, maybe right there.

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Just sort of look around

and see what it looks like.

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It ought to be a little bushes

and trees just begin building all

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kinds of little things in here.

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Maybe over here.

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But we don't want to paint all of them.

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Leave some of them dark.

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There we go.

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Maybe back in here, just here and there.

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The indication of a few things don't want

to let a detail here, but we see these

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little stems and branches and stuff.

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So we want a few little

things that are happening in

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there, but not many, not many.

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I don't want to lose that illusion of

distance and softness back in here.

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There we go already.

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That should begin.

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If you're painting along with me at

home, you should begin having the, the

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appearance that you're deep in the woods.

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And it's just a quiet little place.

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As I say, this is where all the little

rabbits hide and squirrels play.

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I still have a little pet

squirrel that lives with me.

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There

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we built him a Greek McCade.

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We call it squirrel Hilton, sort of a, has

got two stories in it, little cap house.

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And he, he lives quite well.

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He's almost ready to go back to nature.

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Can you even just all kinds of little

happy things back in here, but work in

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layers here, do one bridge at a time,

always working forward, forward forward,

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and that helps create the illusion of

depth and distance in your painting.

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That looks like some

places I've been in Oregon.

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We out West there where they have all

these big ferns and stuff that grow out in

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the woods, see how the layers are creating

the depth that's what's important.

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It makes your painting

really stand out there

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sometimes.

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We want to make the indication

that maybe a little light

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shining through these trees.

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So I'll show you how to do that.

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We'll just take the fan brush a

little, a little bit of the CAD yellow.

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There we are little yellow, little

green, and let's go up in here

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and just sort of random think

we're light would shine through.

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Just start to hit it, spin it

a little bit here and there

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don't want too much of this.

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Just bend the brush.

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You can even pick up a little

touch of the white, if you want to

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brighten it even more, just hit in

span, grind that brush in there.

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You're not going to hurt it.

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There we go.

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Then with a clean, dry two

inch freshen, very lightly.

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You can just blend this out.

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Let's go back over here.

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Sort of blend that out a little bit

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and, or we put some, put some

leaves and stuff on these big trees.

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That'll help give us the impression

that there's there's little bits

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of light shining through there.

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Okay.

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Let's go back into her yellows and

greens with a one inch brush must

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begin working forward on some of

these big trees, tap some color into

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the brush and how they just touch.

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And tap that's all you're doing is just

tapping, using the corner of the brush.

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Tapping, tapping once again.

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Think about individual Liam's here.

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Don't just throw this in at random.

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There we go.

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Yellow ochre once in a while

just to change it, brighten

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it up, make it stand out.

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Great.

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Big tree back in here.

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And we're putting some limbs

that are going to be in the back.

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Then.

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We're going to put some trunks on, put

a few more highlights in the foreground.

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Barely go.

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Just drop these in.

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Hmm.

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I like doing these little paintings.

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This black Jessel is one of

the most fantastic things.

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It opens whole new worlds to you.

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I love the black canvases.

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They're so fantastic.

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Probably some of the most striking

effects in this technique are

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accomplished on a black canvas.

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Can think while we're doing that,

let's go over to the other side.

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On this whole tree here

with drop in a few things,

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but look, how color

stands out on this one?

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You would never get this kind

of effect on a white canvas.

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Okay, maybe right here,

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just sorta think about Liam's

that live inside this tree.

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Think about shape and form.

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I know you get tired of hearing me

say that, but it's so important there.

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Just one layer after another,

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you can almost hear the birds in here.

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Did you get to see the little blue Jay

I had on a couple of the shows in this

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series, we had little silent against him.

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The nails.

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I borrowed him from the bird lady haired.

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Must-see he's a loner bird.

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Just borrow him for a

day or two at a time.

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There we go now then maybe just

begin thinking about what's going

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on in here and what's happening

and let's, let's take some black.

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I see, I see you right over in here.

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Maybe let's have, let's

go right up in here.

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Maybe there's some tree trunks

come right down through here.

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There they are.

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Okay.

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And however many trees you want

in your world, just put them in.

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This is just straight midnight,

black, just straight or black.

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That's all there is to it.

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There's a couple, let's

put a third one in there.

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Maybe there's a little one

that lives in here, right

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there among those two big ones.

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And we can take it.

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Liner, brush paint, thinner on it.

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A little bit of the black.

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I want this color once again, to be thin,

like ink sort of flow on the canvas, we

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can come right back in here and let's

begin just putting the indication here.

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And there are some happy little tree

limbs that live out in the woods.

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There, as I mentioned earlier,

if you had trouble making your

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paint flow, add a little bit more

paint than, or to it, there we go.

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There's one that comes

right over in there.

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However, whatever painting is.

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So individual, you sort of

look at your painting and you

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make it the way you want it.

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We each see nature through different eyes.

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Okay.

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Wash the old brush.

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Now then let's put some

highlights on top of that.

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I'm going back into the same color.

248

00:14:11,125 --> 00:14:12,385

Same old one inch brush.

249

00:14:13,075 --> 00:14:15,715

And I'm just going to add

a little brighter yellow.

250

00:14:15,925 --> 00:14:19,575

I want this to stand out a little better

because it's going to be in front here.

251

00:14:21,045 --> 00:14:21,765

There we go.

252

00:14:23,815 --> 00:14:25,515

We can put some happy

little things on there.

253

00:14:26,155 --> 00:14:26,785

Even this.

254

00:14:26,935 --> 00:14:30,385

Now our yellows are made to a thinner

consistency than the other colors,

255

00:14:31,344 --> 00:14:34,885

but if you have trouble making it

stick, then add a little touch of

256

00:14:34,885 --> 00:14:37,944

the paint, thinner to the yellow, and

then it'll come right off your brush.

257

00:14:39,625 --> 00:14:40,285

There we are.

258

00:14:43,795 --> 00:14:44,545

Fantastic.

259

00:14:46,150 --> 00:14:47,110

And you can do this.

260

00:14:47,380 --> 00:14:48,640

There's no big secret to it.

261

00:14:49,330 --> 00:14:51,490

We give you all the secrets

right here on the show.

262

00:14:52,780 --> 00:14:56,770

All you need is the desire, a little

imagination, and some practice.

263

00:14:58,240 --> 00:14:59,590

Just practice a little.

264

00:15:01,140 --> 00:15:01,800

There we are.

265

00:15:04,840 --> 00:15:07,689

Seeing that pushes those tree

trunks right back into that

266

00:15:07,689 --> 00:15:09,220

massive trees are that easy.

267

00:15:10,750 --> 00:15:11,319

Okay.

268

00:15:13,120 --> 00:15:15,069

Let me find the big two inch brush.

269

00:15:15,490 --> 00:15:17,770

That's cool, right into a

little bit more of this yellow.

270

00:15:17,770 --> 00:15:19,000

Maybe there's some land here.

271

00:15:19,970 --> 00:15:24,290

I'm going to take the two inch brush and

just tap, pick up a little dark color.

272

00:15:24,290 --> 00:15:25,550

So my green will get darker.

273

00:15:25,550 --> 00:15:26,210

There we go.

274

00:15:27,410 --> 00:15:27,860

Tap it.

275

00:15:28,220 --> 00:15:29,990

Give it a little push push.

276

00:15:32,690 --> 00:15:34,070

Maybe there's some land here.

277

00:15:35,210 --> 00:15:38,960

Some soft little grassy areas,

just take the two inch brush and

278

00:15:38,960 --> 00:15:40,820

all you have to do is just tap.

279

00:15:41,960 --> 00:15:44,840

Just tap, just like, so let's see.

280

00:15:44,840 --> 00:15:46,580

There we are.

281

00:15:47,450 --> 00:15:49,070

We can begin creating the illusion.

282

00:15:49,864 --> 00:15:54,244

Um, just little Hills back here,

start the fathers to way and

283

00:15:54,244 --> 00:15:55,714

work forward forward forward.

284

00:15:57,785 --> 00:15:58,415

There we go.

285

00:15:59,314 --> 00:16:05,064

Layer after layer to layer, and this can

be a soft Isabel, but has he asked you

286

00:16:05,064 --> 00:16:08,255

to put it in first before I put these

trees, but just put it right over him and

287

00:16:08,265 --> 00:16:09,535

then we'll pull the trees back through.

288

00:16:11,155 --> 00:16:15,295

They're a little bit more red in there.

289

00:16:20,355 --> 00:16:20,965

There we go.

290

00:16:21,905 --> 00:16:23,395

Little Indian, yellow, little touch it.

291

00:16:23,395 --> 00:16:24,595

The bright red here and there.

292

00:16:25,585 --> 00:16:26,185

That's nice.

293

00:16:27,265 --> 00:16:28,855

Cause it's sort of an orangy flavor.

294

00:16:35,015 --> 00:16:39,095

and maybe over here, this one

here will come right down and

295

00:16:39,275 --> 00:16:42,694

right in the foreground comes

right in the front of that one.

296

00:16:44,165 --> 00:16:45,365

You have that much power though.

297

00:16:45,365 --> 00:16:48,365

You can make the land go anywhere

that you want it to go in your world

298

00:16:48,785 --> 00:16:50,225

and anywhere that you want it to go.

299

00:16:58,589 --> 00:16:59,609

This is where I want to live.

300

00:17:00,449 --> 00:17:01,260

I can tell already.

301

00:17:03,689 --> 00:17:04,050

Okay.

302

00:17:04,530 --> 00:17:08,250

Maybe up in here, let's put a little

bullshit lives right here in the corner.

303

00:17:09,280 --> 00:17:10,750

Just sort of to bring all that together.

304

00:17:12,250 --> 00:17:18,780

Steely, just using the corner of the one

inch brush and a little bit of black.

305

00:17:18,990 --> 00:17:21,089

I want to bring these trees back

down into the painting here.

306

00:17:21,089 --> 00:17:23,940

I cut them off of the grass, but

I want them to live right there.

307

00:17:25,254 --> 00:17:30,175

So we can pull them right back in

the foreground that easy you can

308

00:17:30,175 --> 00:17:34,254

move mountains, you can change trees,

anything that you want to do here and

309

00:17:34,254 --> 00:17:37,495

anything that you want to do that easy.

310

00:17:40,375 --> 00:17:41,034

All right.

311

00:17:44,185 --> 00:17:46,284

I'll tell you what, let's have fun.

312

00:17:47,245 --> 00:17:48,024

I love water.

313

00:17:48,980 --> 00:17:51,800

I love what I would put it in just

about everything that I've paint.

314

00:17:51,810 --> 00:17:56,449

Let's take just a little

plain titanium white and let's

315

00:17:56,449 --> 00:17:57,679

have us a little pond here.

316

00:17:58,010 --> 00:18:00,110

Just take the white

and pull straight down.

317

00:18:00,649 --> 00:18:01,909

It's going to pick up that color.

318

00:18:01,970 --> 00:18:06,409

It's already on the canvas and

automatically, automatically, we're going

319

00:18:06,409 --> 00:18:09,439

to have a nice, happy little ponder.

320

00:18:09,835 --> 00:18:10,675

Whatever you want here.

321

00:18:11,575 --> 00:18:15,025

A little bit of water there.

322

00:18:16,975 --> 00:18:21,265

All I'm using, it's just straight titanium

white, but it's important that you pull

323

00:18:21,265 --> 00:18:26,725

straight down when you do this, even if

you put your breasts crooked post straight

324

00:18:26,725 --> 00:18:29,635

down, otherwise it just won't look right.

325

00:18:31,675 --> 00:18:34,075

Just one buck right now

after you get this sand.

326

00:18:34,604 --> 00:18:39,554

Very gently, very gently come

across and these lines should

327

00:18:39,554 --> 00:18:43,544

be straight across there.

328

00:18:45,885 --> 00:18:48,405

And that fantastic that you

can create water that easy.

329

00:18:52,000 --> 00:18:57,160

You can you, can I tell people all

the time on this piece of canvas, you

330

00:18:57,160 --> 00:18:58,960

can do anything that you want to do.

331

00:18:58,960 --> 00:18:59,800

And you really can't.

332

00:19:00,850 --> 00:19:02,200

This is total freedom here.

333

00:19:02,950 --> 00:19:05,710

I'm using a little dark sand, a

little white, a little Vandyke Brown.

334

00:19:06,425 --> 00:19:07,205

Put it on the knife.

335

00:19:07,275 --> 00:19:08,105

Let's go right up here.

336

00:19:09,725 --> 00:19:12,935

And let's just put the indication

in here with touch of land.

337

00:19:13,955 --> 00:19:16,895

And all I'm doing is

just rubbing very hard.

338

00:19:17,525 --> 00:19:21,475

I was pushing that color right

into the camera to look like, like

339

00:19:21,475 --> 00:19:24,805

little sandbars of dirt sitting

out here, this water in my mind.

340

00:19:25,000 --> 00:19:25,870

It's not very deep.

341

00:19:27,400 --> 00:19:28,390

It's not very deep.

342

00:19:28,390 --> 00:19:29,410

It's out here in the woods.

343

00:19:29,410 --> 00:19:33,610

It's just maybe a, maybe a little

puddle from a big rain or something.

344

00:19:35,950 --> 00:19:37,270

I don't want it to be real deep.

345

00:19:39,640 --> 00:19:41,710

Take a little titanium quite.

346

00:19:42,490 --> 00:19:45,250

And to that, I'm going to add the least

little touch of dark sea, and I want it to

347

00:19:45,250 --> 00:19:50,110

be light, but I don't want it pure white.

348

00:19:50,530 --> 00:19:53,199

And I'm just going to cut off a

teeniest, tiniest little roll of paint.

349

00:19:53,580 --> 00:19:53,850

Okay.

350

00:19:54,570 --> 00:19:58,949

Now that all you have to do, just

want to put the indication here

351

00:19:58,949 --> 00:20:00,439

and thereby a little water line.

352

00:20:01,295 --> 00:20:04,265

Actually all I'm looking for here is a

little light color between these darks.

353

00:20:05,345 --> 00:20:09,395

Just enough to set it apart there.

354

00:20:12,715 --> 00:20:14,045

See how that makes it stand out.

355

00:20:14,825 --> 00:20:15,635

Fantastic.

356

00:20:15,665 --> 00:20:16,325

If you ever get one.

357

00:20:16,525 --> 00:20:17,515

I'm gonna say one here.

358

00:20:17,755 --> 00:20:18,325

That's too bright.

359

00:20:18,325 --> 00:20:19,435

All you have to do is rub it.

360

00:20:20,005 --> 00:20:21,865

It'll pick up that dark

color this underneath.

361

00:20:21,895 --> 00:20:21,985

Okay.

362

00:20:22,185 --> 00:20:23,655

Automatically it'll go away.

363

00:20:25,395 --> 00:20:29,955

And maybe I tell you what, let's

go back to our two inch brush.

364

00:20:31,275 --> 00:20:32,475

Tap in a little more color.

365

00:20:33,825 --> 00:20:38,625

Maybe, maybe, maybe in our world,

maybe our land comes right down here.

366

00:20:41,265 --> 00:20:43,545

Like, so let's get crazy.

367

00:20:44,565 --> 00:20:45,915

Let's bring it right on down.

368

00:20:46,515 --> 00:20:47,865

Just let your imagination go.

369

00:20:48,015 --> 00:20:48,525

Where do you want it?

370

00:20:53,165 --> 00:20:56,945

Look how soft that is and a super

place to just take your shoes

371

00:20:56,945 --> 00:20:58,205

off and sort of run barefooted.

372

00:21:01,805 --> 00:21:02,375

There we go.

373

00:21:06,175 --> 00:21:08,285

Indian yellow, the yellow

ochre here in there.

374

00:21:09,420 --> 00:21:10,650

Just to change the flavor.

375

00:21:10,650 --> 00:21:17,190

So heroin, once in a while, the least

little touch of the bright red, at least

376

00:21:17,190 --> 00:21:22,140

little touch don't want it to get bright

red, but when you mix that with the

377

00:21:22,140 --> 00:21:25,860

ochres and the yellows and the greens,

it makes up a very nice little color.

378

00:21:33,740 --> 00:21:34,400

Okay,

379

00:21:38,680 --> 00:21:39,130

shoot.

380

00:21:39,130 --> 00:21:40,570

We better get this rascal fixed.

381

00:21:40,570 --> 00:21:41,160

So I'm cleaned that.

382

00:21:41,260 --> 00:21:41,320

Yeah.

383

00:21:46,030 --> 00:21:50,710

Now that you know me, shoot, I like

big tree, so let's, let's get crazy.

384

00:21:50,740 --> 00:21:52,060

Then we'll take the small knife.

385

00:21:52,355 --> 00:21:56,315

Let's go right up here and I'm gonna

get a big roll of Vandyke Brown, a

386

00:21:56,315 --> 00:21:57,875

lot of Vandyke Brown on the knife.

387

00:21:58,895 --> 00:22:03,995

And let's decide maybe, maybe,

maybe, I mean, maybe it does now.

388

00:22:04,955 --> 00:22:13,145

We have a big tree, a big strong tree

and he lives right there, right there.

389

00:22:13,145 --> 00:22:16,805

Now, if you're in your painting, if you

don't want a big tree, just leave him out.

390

00:22:17,465 --> 00:22:19,955

I like it because it pushes

everything in the painting back.

391

00:22:22,050 --> 00:22:27,170

Look at that though, that easy and

easy, you can make a big old tree.

392

00:22:28,400 --> 00:22:30,110

Let's give him a big,

strong foot down here.

393

00:22:34,129 --> 00:22:36,110

Gotta to have something to stand

on with don't even fall over in

394

00:22:36,110 --> 00:22:37,460

the Lake and make a big splash.

395

00:22:39,410 --> 00:22:40,100

There we go.

396

00:22:42,740 --> 00:22:43,190

Okay.

397

00:22:44,660 --> 00:22:45,170

Now then.

398

00:22:46,300 --> 00:22:47,470

Let's put some highlight on that.

399

00:22:47,470 --> 00:22:50,500

We use some white, a bright red in it,

400

00:22:53,950 --> 00:22:56,500

like, so, okay.

401

00:22:56,560 --> 00:22:59,410

Cut off at small roll of paint as

a ride down the edge of the knife

402

00:23:01,030 --> 00:23:02,230

and here all I'm going to do.

403

00:23:02,545 --> 00:23:03,715

It's just touched the canvas.

404

00:23:04,285 --> 00:23:05,245

All you have to do is touch.

405

00:23:05,275 --> 00:23:07,375

It'll pull off what it

wants to keep you back.

406

00:23:07,375 --> 00:23:07,975

What's left.

407

00:23:08,815 --> 00:23:14,325

Just want to put the indication here and

there's some highlight on this trunk, huh?

408

00:23:16,425 --> 00:23:19,305

But all you're doing is

just touching the canvas.

409

00:23:20,145 --> 00:23:21,645

Do you need to load the knife correctly?

410

00:23:21,675 --> 00:23:26,355

That little roll of paint is so

important to make everything work nice.

411

00:23:28,195 --> 00:23:32,985

There and just let it play in

backwards, getting darker and darker

412

00:23:32,985 --> 00:23:35,925

and darker as it comes back around

this side, darker, darker, darker.

413

00:23:37,935 --> 00:23:40,875

So you can make the indication of

a little hole in the tree down here

414

00:23:41,595 --> 00:23:43,215

just by leaving that very dark.

415

00:23:44,585 --> 00:23:45,515

And working around it.

416

00:23:46,625 --> 00:23:49,415

Now, the other side, you can take a

little height, at least little touch

417

00:23:49,415 --> 00:23:53,315

of Prussian blue, and just put the

indication here and there of a little

418

00:23:53,315 --> 00:24:00,395

bit of reflected light, not too much,

just a little wipe off the knife.

419

00:24:01,784 --> 00:24:06,445

You can take just to touch her Vandyke

Brown, sort of put in the center

420

00:24:06,445 --> 00:24:07,584

here and bring it all together.

421

00:24:09,834 --> 00:24:13,155

That'll just bring those two colors

together and it really makes it look

422

00:24:13,155 --> 00:24:15,705

like it looks like a real tree trunk.

423

00:24:15,735 --> 00:24:17,054

It looks like real bark on there.

424

00:24:17,054 --> 00:24:18,435

You could feel it when it gets dry.

425

00:24:19,514 --> 00:24:22,695

Now then I'm going to take

paint, thinner paint thinner,

426

00:24:23,385 --> 00:24:24,705

go right into my Vandyke Brown.

427

00:24:24,705 --> 00:24:26,985

I want this thin like ink again.

428

00:24:27,570 --> 00:24:30,780

No, you get tired of hearing that

too, but it's important if you want

429

00:24:30,780 --> 00:24:36,800

this to flow, maybe right here, who

areas big old tires, he lives in him.

430

00:24:37,550 --> 00:24:39,260

He just sort of hangs out around here.

431

00:24:41,120 --> 00:24:43,580

This is where if you have a little

nervous Twitch in your hand, it

432

00:24:43,580 --> 00:24:46,580

really pays dividends because

he's old tree limbs look better.

433

00:24:46,580 --> 00:24:48,770

If they're I sorta crookedy.

434

00:24:50,630 --> 00:24:51,290

There we go.

435

00:24:53,560 --> 00:24:58,240

A little bit more paint that in

however many dams you want put them on.

436

00:25:00,610 --> 00:25:01,570

Maybe there's another one.

437

00:25:01,840 --> 00:25:02,050

Yup.

438

00:25:02,169 --> 00:25:05,379

You're right, Liz right

there, right there.

439

00:25:08,139 --> 00:25:09,250

Let's see how easy that is.

440

00:25:09,879 --> 00:25:10,540

You can do it.

441

00:25:12,310 --> 00:25:13,120

You can do it.

442

00:25:16,889 --> 00:25:18,240

I get so many letters from people.

443

00:25:18,240 --> 00:25:21,090

We like, sometimes we put some of

these letters in our newsletter.

444

00:25:21,475 --> 00:25:23,215

And send them out and

let you read those too.

445

00:25:23,695 --> 00:25:28,395

But in these letters, people are

talking about how they never dreamed,

446

00:25:28,935 --> 00:25:33,375

never dreamed that they could paint

and they watched the show, look

447

00:25:33,385 --> 00:25:36,615

through the books and et cetera, and

they're producing fantastic paintings.

448

00:25:38,445 --> 00:25:38,794

A little more.

449

00:25:38,835 --> 00:25:39,435

The cutter on here.

450

00:25:39,435 --> 00:25:40,695

Let's put some leaves on this tree.

451

00:25:41,565 --> 00:25:42,465

All we're going to do here.

452

00:25:43,205 --> 00:25:43,885

Just tap.

453

00:25:44,945 --> 00:25:49,805

Think about some general shapes and

just drop in some happy little things

454

00:25:49,805 --> 00:25:51,365

here and there, wherever you want them.

455

00:25:53,195 --> 00:25:53,435

There.

456

00:25:53,435 --> 00:25:58,175

We are just drop a few little things.

457

00:25:58,175 --> 00:25:58,355

Yeah.

458

00:26:00,665 --> 00:26:01,805

But isn't that fantastic.

459

00:26:02,525 --> 00:26:06,575

That easy, you can complete a

scene and a half an hour or so,

460

00:26:06,575 --> 00:26:10,325

or however long it takes, it looks

like you're deep, deep in the woods.

461

00:26:11,230 --> 00:26:15,190

And you're in there with all of God's

little creatures and it's a super

462

00:26:15,190 --> 00:26:17,800

day and have enjoyed being with you.

463

00:26:18,790 --> 00:26:21,700

And from all of us here, I'd

like to wish you happy painting.

464

00:26:22,300 --> 00:26:22,960

God blessed.

465

00:26:23,140 --> 00:26:24,460

I look forward to seeing you again.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S14E11 - Shadow Pond

Bob Ross's

The Joy of Painting

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