Bob Ross's

The Joy of Painting

S13E02 - Frozen Solitude

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Hi, welcome back.

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Certainly glad you could join me today.

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You ready to do a fantastic

little painting with me?

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Good.

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Tell you what.

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Let's start out and have him run all

the colors across the screen that

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you need to paint along with me.

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And while they're doing

that, let's go on up here.

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Hey, my standard old

pre-stretch canvas up here.

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It's been covered with liquid

white and it's ready to go.

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So let's get started.

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I thought today let's do a little

winter scene, maybe one that's, maybe

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one that's a really cold and you'll

have to put on your coat for this.

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One's over.

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So let's start out with a little

touch of oppression, blue on the two

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inch brush and just a small amount.

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And we'll reach up here and grab a

little bit of midnight black too.

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And the very little color both of

these colors are extremely, extremely

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strong, but be careful with them.

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Be careful, they lead up your

whole world and just art beat.

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Okay.

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Now we have those sorts of

just mixed on the brush.

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I want to just sort of dance and

just all kinds of little things.

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Just take the brushing and do little

circles, just little happy circles

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that span all kinds of directions,

just back and forth and one way then

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the other, and just let it play that

all these little strokes happen.

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Don't stay in one place.

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And keep mixing, look like, look

like a big gob in this calf.

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Just keep the brush moving and let

it bounce and play and have fun.

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Just let it go.

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Maybe love darkness.

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If it's darker out here and gets

lighter toward the center, then it'll

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automatically, automatically will bring

your eye down to this lighter area.

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See, there we go.

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Just sort of let this

bounce in play and have fun.

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And you know, me, shoot.

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I love water.

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I am just a water fanatic.

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So let's put a little bit

of water in this painting.

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I'll use exactly the same colors,

the blue and the black or black

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and blue, whichever, whichever.

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And let's just drop in a little bit of

water, pull from the outside and bird.

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Yeah.

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That's like, so

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we'll go over to the other side.

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And I had a little more

paint to the brush.

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I do the same thing.

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I don't know exactly where we'll

have water, but wherever I want

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to leave a little area open here

where it isn't there's no, no color,

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nothing there, but the liquified and

I'll show you why in just a second.

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There we go.

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But pull it from the outside.

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And if you start here and pull across,

you're going to get great big marks that

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are very, very difficult to get rid of.

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Wash the old brush.

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Well, I still brush brochures

a screen in the bottom of this

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can, that has scrubbed the brush.

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Your games screen allows there

that allows the solid materials

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to settle to the bottom.

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And it keeps you thinner.

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Relatively clean.

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Now with a clean dry brush.

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I'm just going to grab this.

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And go all the way across in that

light area where we remained there

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and it looked like a sheen of

light coming across your water.

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We're done sort of sneaky here.

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We look for easy ways to do things,

but it makes the style of painting.

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So fantastic.

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Even if you've never painted.

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This'll work for you.

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There we go.

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I appeared in the sky.

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I'm just going to take and just

sort of wind this up a little bit.

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Just mix it and stirred all kinds of

directions, but I'm using basically

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just the corner of the brush and

I'm just sort of stirring it up.

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Just blending and mixing discipline,

Nebraska sort of slapped around there.

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I don't want to kill all these

shapes that I've made, but I want

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to diffuse them, make them softer.

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They're okay.

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You can stop right there and have one

very nice stormy looking sky and for

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a lot of paintings, that would be just

right in make you a beautiful sky,

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but let's play a little bit today.

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Tell you what take you a one inch brush.

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I'm going to go right into titanium white.

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I'm going to load the

bristles full of paint.

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A lot of paint, a lot of paint.

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That's correct.

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A pier.

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And maybe we're going to have a

bright area right in here, and we'll

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put some clouds in, but you can

get tough here and just take the

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brush and socket, just a socket, and

then begin just blending outward.

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Just let all these little things

just sort of happen in play.

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See sort of look at your light

areas and these shapes will just

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sort of happen automatically.

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Just sort of let them play and have fun in

there wherever you think they should be.

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That's exactly, exactly

where they heard of B.

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This is a fantastic way of making some

beautiful, beautiful sky effects, just

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like, so let them blamed and playing.

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But don't stay in one place

and just keep working.

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If you do, it'll end up looking like

a big old cotton ball in the sky.

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We want life in these

clouds action movement.

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Just keep them going, keep them going.

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Look at all kinds of fantastic

little things happening that easy.

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yeah.

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Then I have several brushes going, so

I don't have to wash them continually.

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Now then with a large brush, I won't

take just the top corner of the brush.

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Very top.

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I just begin blending the base of each

one of these little individual shapes

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we've made just blended using tight

little circular strokes, like, so.

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Very gentle.

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Very, just absolutely just

barely, barely caressing.

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The canvas.

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Make love to the canvas.

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Gentle very soft.

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There we go.

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Just whisper light.

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And in your world, you decide how

many clouds you want and drop them in.

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Now beating the brush just

to remove excess paint.

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That's the Fest way to do it.

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All you have to do is just

beat the devil out of it.

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And it'll take that excess paint

out and you don't have to go through

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the entire brush cleaning procedure.

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Now, then we want to fluff these clouds.

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This is two hairs and some air,

I mean just, Oh, he just barely

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touching left about buffered.

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Like, so just give him a

little circular, upward stroke.

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There let's see, just like, so

just lift them up, remove the

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excess paint and very lightly, very

lightly just blend the entire sky.

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Isn't that?

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Something that easily

you have instant clouds.

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All right.

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Tell you what today.

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Today that's build some

almighty mountains.

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I like big old mountains, lived in

Alaska for over a dozen years, and

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Alaska has some of the most beautiful

mountain ranges in the world.

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So we'll take some pressure and blues

and midnight black, little Vandyke

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prints, and we just mix it together.

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Pull the paint out as flat as you can.

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Get it, get tough with it,

pull it out, cut across.

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We have a small rule of paint.

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There it is right out on

the edge of the knife.

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Okay.

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And maybe they're libs

in our world right here.

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A little Cola, a little, little

mountain lives up here in the clouds.

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And do you just sort of decide where you

want it to be and firmly, very firmly

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push that mountain right into the sky.

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If it gets tough when it gets

tough there, the only thing you're

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worried about is a nice top edge.

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You could care less what's happening

anywhere else in this mountain.

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Now we're going to take a large brush and

we'll grab that paint, pull it downward.

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If you can see the entire mountain,

it's always more distinct at

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the top and it is the bottom.

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So by pulling his paint down, like it

automatically mixes with a liquid white

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and it gets lighter and lighter in value

toward the base of the mountain there.

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Yeah.

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Let's just take some street street,

all titanium white, same way, pull

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it out flat and cut across and

get our small roller paint again.

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Just like, so, and then with

that, take the point of the knife,

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put it right up here at the top.

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No pressure, no pressure at all.

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Just touch the mountain and

let it flow right on there.

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That simple, no pressure zone.

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Probably the biggest single mistake

made is applying too much pressure.

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Maybe there's a little bit

on that peak right there.

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We'll take a little pressure and blue

and white, just mix that together.

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And we'll use that for our shadow color.

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You need a shadow color and a highlight

color, and same way we pulled it

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out and got our little roller paint.

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Now let's go right up in here and in

the opposite direction, let's just put

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some happy little shadows, like, so.

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No pressure.

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I can't say that enough times.

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Absolutely no pressure.

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And you can continually

change this mountain.

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Maybe.

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Now there's a seat that was a big,

old thing that lives right out here.

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Big peak at your mountain.

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So you can do anything that

you want to do with it.

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Rages here and there.

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And that's all there

is to clean dry brush.

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We'll tap that very lightly.

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Following the ankles and lift upward.

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That creates more Invista

at the base over here.

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Same way.

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Always follow those

ankles in your mountain.

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Tell you what today?

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Let's have some fun.

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We'll use that same color that was

black impression, blue and fender.

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Pull it out flat and get

our little roll of paint.

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Again, always that little roller paint,

and maybe over here today on this

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side, we'll put a monster mountain.

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This will really give you

some practice using a knife.

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And if you can make mountains with

this knife, then you can make roads

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and houses, stones, or anything.

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Some of the earlier series, we painted

entire paintings using nothing, but

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the knife and mountains we'll teach

you how to make friends with it.

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And that's what you need.

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You have to make friends

with the equipment there.

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Once again, all you worried about

set, nice top shape, take our large

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brush, grab this paint and pull it.

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Just pull it.

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It'll move because of the

liquid whites on there.

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It'll move and it'll mix.

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If you were trying to do this on a dry

canvas, Ooh, you'd be upset with me.

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And I don't want you to be upset.

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I want this to work for you because

it's a tremendous amount of pleasure

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in creating a painting that you see

in your mind and with your own hands.

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If you put on canvas, this

was very, very satisfying.

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Psychologist would probably tell

us that fill some inner need.

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I don't know about that.

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It's just fun and enjoyable.

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Okay.

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Let, go back to her.

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Hawaii is plain old titanium

white, and let's put some

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highlights right on this mountain.

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Follow those angles.

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Just let that float right

down the side of the mountain.

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No pressure.

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No pressure.

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I think I've mentioned another series

and I was teaching my son, Steve, to

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pay days to tell him just to pretend

that he wasn't careful, his hand would

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float right off the canvas and go away

that he was a whisper floating through

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the mountain and little sound of a gun

can paint some mountains now there,

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whereas he spends all of his time trying

to find his hand and floated away.

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There

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we'll come right in here and

drop into Smith, little shadows.

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This is just blue and white, right.

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But you see just from this

exercise, what fantastic mountains

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can be made quite simply mixing

up a little more shadow color.

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He ran out fresh and blue and white.

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There

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once again, though, you can go right

back in here and maybe in your world, you

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want to have a little peek right there.

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See, all you have to do is drop

it in, make a decision, put a

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shadow behind it and that easy.

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It becomes a separate incomplete

entity are clean, dry brush.

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Oh, shoot.

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Got ahead of myself.

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I didn't put any shadows right there.

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There, if you don't put a

shadow behind each peak.

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Doesn't look right.

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It won't come out and play with you.

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It'll go off and go off and leave you.

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Okay.

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Let's just tap right here.

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Still following those angles.

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Most important.

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Follow those angles.

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And lift up very gently, very gently.

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Oh, he's following those angles over here.

251

00:14:15,025 --> 00:14:15,955

It's going this direction.

252

00:14:17,574 --> 00:14:17,875

Let's see.

253

00:14:17,875 --> 00:14:21,865

In just a couple of minutes, you've

made two planes, two different areas.

254

00:14:21,895 --> 00:14:23,905

It's a fantastic mountains.

255

00:14:27,235 --> 00:14:28,074

Traditional painter.

256

00:14:28,074 --> 00:14:30,805

I might've spent a week

just, just to do that.

257

00:14:32,005 --> 00:14:32,665

There we go.

258

00:14:35,370 --> 00:14:36,900

Beat off the excess and we're ready.

259

00:14:37,210 --> 00:14:39,270

Tell you what we just take it.

260

00:14:40,450 --> 00:14:48,180

Same old mountain color that

we had that was passion blue,

261

00:14:48,430 --> 00:14:50,130

midnight, black van Dyke Brown.

262

00:14:50,130 --> 00:14:52,740

I'm just going to mix it back

together here with a little

263

00:14:52,740 --> 00:14:54,660

white, just to lighten it up.

264

00:14:55,745 --> 00:15:01,474

So it looks about like, so let me, let

me wipe the knife off and we'll find,

265

00:15:01,505 --> 00:15:03,545

we'll find we get on a one inch brush.

266

00:15:03,574 --> 00:15:04,025

That's good.

267

00:15:04,895 --> 00:15:07,505

Now I'm just going to tap the old one

inch, brush it right into this color.

268

00:15:08,675 --> 00:15:09,334

Just tap it.

269

00:15:09,814 --> 00:15:10,564

That's all there is.

270

00:15:11,584 --> 00:15:11,675

Okay.

271

00:15:11,820 --> 00:15:15,300

Very easy and then let's have some

little foothills and all you have

272

00:15:15,300 --> 00:15:17,610

to do is just tap on some color.

273

00:15:17,760 --> 00:15:18,030

I see.

274

00:15:18,210 --> 00:15:21,000

All you're doing is tapping once

again, the only thing you're

275

00:15:21,000 --> 00:15:22,620

worried about setting nice top edge.

276

00:15:23,520 --> 00:15:24,330

Just relax.

277

00:15:25,410 --> 00:15:27,210

Let it go and enjoy it.

278

00:15:28,470 --> 00:15:29,910

That's the only prerequisite.

279

00:15:29,910 --> 00:15:33,720

So painting should make you happy.

280

00:15:36,000 --> 00:15:37,380

Should always make you happy.

281

00:15:37,830 --> 00:15:38,910

If it doesn't make you happy.

282

00:15:39,545 --> 00:15:42,425

You're doing the wrong thing there.

283

00:15:45,125 --> 00:15:45,575

Okay.

284

00:15:47,105 --> 00:15:49,385

And I'm sort of working in layers

and leaving some little light

285

00:15:49,385 --> 00:15:54,965

areas in there, and those will

show up just to work on new layers.

286

00:15:54,965 --> 00:15:57,155

And you don't care if you

get some down here, shoot.

287

00:15:58,680 --> 00:16:00,120

We'll turn that into reflections.

288

00:16:00,360 --> 00:16:01,290

So don't worry about it.

289

00:16:02,700 --> 00:16:07,980

It'll be one of those happy accidents

that turned out so beautiful learning

290

00:16:07,980 --> 00:16:09,630

to work with anything that happens.

291

00:16:10,560 --> 00:16:11,040

Anything.

292

00:16:11,040 --> 00:16:17,070

It happens because God made trees and

all shapes and mountains and all shapes.

293

00:16:18,660 --> 00:16:21,120

Anything that you do is right.

294

00:16:22,550 --> 00:16:24,680

Don't let it fluster you as

they say it in the South.

295

00:16:26,390 --> 00:16:26,720

Okay.

296

00:16:26,780 --> 00:16:29,750

Now, while I have that color on the

brush, I'm just going to grab this

297

00:16:29,990 --> 00:16:31,220

and pull a little bit of it down.

298

00:16:31,220 --> 00:16:32,420

This will be our reflections.

299

00:16:35,070 --> 00:16:38,750

So just pull it straight down,

even though this is curved, pull

300

00:16:38,750 --> 00:16:40,010

the reflection straight down.

301

00:16:41,150 --> 00:16:41,810

If you knew that.

302

00:16:44,265 --> 00:16:45,885

There we go on the street.

303

00:16:45,944 --> 00:16:46,155

Yeah,

304

00:16:49,845 --> 00:16:50,865

we are reflections

305

00:16:58,035 --> 00:17:03,135

and we'll take a clean one inch brush

and very gently, very, very gently.

306

00:17:04,065 --> 00:17:06,045

You want to grab this

in short little strokes?

307

00:17:06,310 --> 00:17:09,609

Quarter inch high type and begin

lifting upward in layers, starting

308

00:17:09,609 --> 00:17:14,379

at the top and working down, just

lift straight up, straight up.

309

00:17:14,410 --> 00:17:17,649

If you let them go to the angle,

it'll look like little distant trees.

310

00:17:17,649 --> 00:17:20,290

And if they're at an angle, it

looked like the wind's blowing

311

00:17:20,290 --> 00:17:23,170

about a hundred miles an hour and

all your trees are gonna fall over.

312

00:17:23,889 --> 00:17:27,609

So even though it comes down the

side of a Hill or whatever trees

313

00:17:27,609 --> 00:17:30,879

still grow, basically the majority

of them will grow straight up.

314

00:17:32,460 --> 00:17:36,390

They'll go up here and looking for the sun

and the light and all those good things.

315

00:17:37,440 --> 00:17:43,770

This is one of the most fantastic ways

there is of creating the illusion of

316

00:17:43,770 --> 00:17:46,800

a lot of little trees that are far,

far away, just little foothills.

317

00:17:48,210 --> 00:17:53,600

See, and you can do it so

quickly, then we'll take a

318

00:17:53,600 --> 00:17:55,560

little bit of liquid white on it.

319

00:17:55,640 --> 00:17:56,030

Nice.

320

00:18:00,200 --> 00:18:02,870

I'm going to pull it out flat and

I'm just going to cut like that

321

00:18:02,900 --> 00:18:05,630

and get a tiny little bit on that

around the bottom of the knife.

322

00:18:06,800 --> 00:18:10,630

And let's go in here and

maybe there's a little.

323

00:18:11,685 --> 00:18:13,815

Little areas of snow

that live up in there.

324

00:18:14,745 --> 00:18:15,015

Yeah.

325

00:18:15,465 --> 00:18:18,435

Sometimes the liquid white is real thin.

326

00:18:18,735 --> 00:18:23,715

You might want to add a little bit

of titanium white to it, just to make

327

00:18:23,715 --> 00:18:24,855

it go up in there a little better.

328

00:18:25,455 --> 00:18:29,415

You sorta sorta have to

test yours and see there.

329

00:18:29,945 --> 00:18:30,125

Okay.

330

00:18:33,545 --> 00:18:35,285

But this is loaded on

the bottom of the knife.

331

00:18:35,315 --> 00:18:37,985

Normally when we're making water

lines, we loaded on a top of the knife.

332

00:18:38,045 --> 00:18:38,975

This is on the bottom.

333

00:18:40,800 --> 00:18:41,220

Okay.

334

00:18:41,370 --> 00:18:47,040

And we can take our large brush,

pull this straight down, straight

335

00:18:47,040 --> 00:18:51,510

down, straight down and go across.

336

00:18:52,770 --> 00:18:54,420

I gives us a minster of reflections,

337

00:18:59,340 --> 00:19:01,920

Kevin here and here.

338

00:19:02,240 --> 00:19:03,690

We can straighten all this up.

339

00:19:06,090 --> 00:19:09,300

Clean up the bottom edge is bring

it all together and have some little

340

00:19:09,300 --> 00:19:11,040

lines of protrude out past this.

341

00:19:13,020 --> 00:19:18,389

There, keep these lines basically

straight, even though they're coming

342

00:19:18,389 --> 00:19:21,210

downhill, keep them straight or

to look like your water's going

343

00:19:21,210 --> 00:19:22,230

to run right out of your painting.

344

00:19:23,580 --> 00:19:26,580

I'll give you a little ripple here

and there, and you don't want this

345

00:19:26,580 --> 00:19:29,520

water to run out on the, running out

on the floor and get your floor wet.

346

00:19:30,030 --> 00:19:32,610

So be all these lines, basically straight.

347

00:19:35,415 --> 00:19:35,925

Excellent.

348

00:19:36,915 --> 00:19:41,774

Now we can take her little one inch

brush and just grab this and lift

349

00:19:41,774 --> 00:19:45,825

a little bit of this white up also,

and that that'll set it in there.

350

00:19:45,915 --> 00:19:47,085

Bring everything together.

351

00:19:48,554 --> 00:19:56,345

It looks like little snowy areas

laying in between the trees there told

352

00:19:56,345 --> 00:19:57,425

you this was going to be a cold one.

353

00:19:59,135 --> 00:19:59,524

Now, then.

354

00:20:00,405 --> 00:20:02,535

Over here on the other side,

tell you what let's do.

355

00:20:04,965 --> 00:20:06,165

Clean office space here.

356

00:20:06,735 --> 00:20:08,265

Put that up here and save it for later.

357

00:20:10,475 --> 00:20:12,875

Let's take a big gob of black and blue.

358

00:20:13,055 --> 00:20:14,195

Put some Brown in there.

359

00:20:15,725 --> 00:20:16,835

Makes up a pile of paint.

360

00:20:16,865 --> 00:20:17,675

Let me clean off my nose.

361

00:20:20,615 --> 00:20:23,165

Hey man, let's use the

old fan brush today.

362

00:20:23,585 --> 00:20:25,865

Take the fan brush and go

right into that pile of paint.

363

00:20:25,865 --> 00:20:28,565

Load, both sides full of

paint, a lot of paint.

364

00:20:29,345 --> 00:20:29,435

Okay.

365

00:20:30,945 --> 00:20:32,745

Tremendous amount of color on the brush.

366

00:20:33,945 --> 00:20:36,794

Now, then maybe there's some

big evergreens that live.

367

00:20:37,215 --> 00:20:37,965

Yep right there.

368

00:20:38,565 --> 00:20:41,085

Let's start off by just touching to

give you a center line and sort of a

369

00:20:41,085 --> 00:20:43,365

guide, then use the corner of the brush.

370

00:20:44,535 --> 00:20:47,115

And as you work down, the tree

apply more and more pressure.

371

00:20:47,115 --> 00:20:51,855

I'm still using the same corner, but as

you work down, just apply more pressure

372

00:20:53,685 --> 00:20:55,125

and little son of a guns live right there.

373

00:20:55,575 --> 00:20:55,875

Right?

374

00:20:55,980 --> 00:20:56,640

During your brush.

375

00:20:56,640 --> 00:20:57,900

All you got to do is scare them out.

376

00:20:59,520 --> 00:21:02,190

Just start at the top and work down down.

377

00:21:04,830 --> 00:21:05,520

There we go.

378

00:21:07,620 --> 00:21:11,760

And you put as many or as few trees

in your world, as you want, just sort

379

00:21:11,760 --> 00:21:13,890

of look at it and make a decision.

380

00:21:15,405 --> 00:21:18,405

And sometimes you can put

the layers of trees by that.

381

00:21:18,405 --> 00:21:21,254

I mean, maybe there's some trees

that are, that are far away.

382

00:21:22,455 --> 00:21:27,784

So if you wanted to have some trees

that were farther away, maybe right

383

00:21:27,845 --> 00:21:29,885

here, for example, there we go.

384

00:21:31,075 --> 00:21:33,514

You want to make them smaller

and a little bit lighter in

385

00:21:33,514 --> 00:21:37,355

color to show distance as one.

386

00:21:37,845 --> 00:21:43,785

Skimmed my basket and my friend, everybody

has to have a friend need a friend.

387

00:21:45,435 --> 00:21:46,275

There is another one

388

00:21:49,815 --> 00:21:53,505

and maybe even a third month wherever.

389

00:21:54,375 --> 00:21:57,765

And we can just say, I'm sure you

had to make a little peninsula

390

00:21:57,765 --> 00:22:01,635

out here and underneath there

we'll drop in a little color.

391

00:22:03,345 --> 00:22:09,675

Take our big brush, pull it

down, go across that easy.

392

00:22:09,675 --> 00:22:11,175

We have Instacart collections.

393

00:22:12,225 --> 00:22:12,615

Okay.

394

00:22:13,035 --> 00:22:18,675

I will take, let's take a little

pressure and blue and don't touch your

395

00:22:18,685 --> 00:22:20,565

white making a dark blue color here.

396

00:22:20,760 --> 00:22:25,440

Just on the one inch brush and let's

put in two, that's pretty good.

397

00:22:27,030 --> 00:22:30,660

Some basic shapes or some nice

little bushes that live here.

398

00:22:31,290 --> 00:22:33,570

We don't make some little

snow covered bushes today.

399

00:22:35,580 --> 00:22:36,600

You can just have those camera.

400

00:22:36,600 --> 00:22:41,670

I don't have wherever you want them,

where everyone, you need to start

401

00:22:41,670 --> 00:22:44,040

covering here in order to show light.

402

00:22:44,370 --> 00:22:48,090

So all we're doing right now, it's

just June is putting in some shadows.

403

00:22:49,935 --> 00:22:55,085

And we'll come back and put in

all the nice highlights there.

404

00:22:59,135 --> 00:23:00,275

Back to my fan brush.

405

00:23:00,275 --> 00:23:04,835

It has white, white, and a

little pressure and blue on it.

406

00:23:05,015 --> 00:23:06,365

White oppression, blue.

407

00:23:07,625 --> 00:23:10,145

Let's go up here and just put the

indication here and there of a little

408

00:23:10,145 --> 00:23:11,585

bit of highlight on these trees.

409

00:23:11,975 --> 00:23:12,785

Don't want much.

410

00:23:13,965 --> 00:23:16,875

If you put too much, you're going

to lose this beautiful contrast

411

00:23:17,445 --> 00:23:18,885

just on these very dark trees.

412

00:23:20,715 --> 00:23:25,095

And while we have that, we can go in

here, but a few highlights in these

413

00:23:25,095 --> 00:23:33,185

little grassy areas, just a feeling and

with a knife, but a water line here.

414

00:23:33,185 --> 00:23:36,965

This is just liquid wide, this

little water line right in there.

415

00:23:37,325 --> 00:23:39,514

That'll push all that back.

416

00:23:41,129 --> 00:23:41,730

Okay.

417

00:23:42,629 --> 00:23:46,169

And we take a one inch brush and I'm going

to dip it right into the liquid white.

418

00:23:47,159 --> 00:23:50,189

And remember our golden rule, a thin

paint will stick to a thick paint.

419

00:23:50,189 --> 00:23:53,429

So the liquid white first and

then into titanium white, pulling

420

00:23:53,429 --> 00:23:54,570

the brush in one direction.

421

00:23:54,990 --> 00:24:00,300

Okay, Adam, let's just go up

here and begin creating all these

422

00:24:00,300 --> 00:24:03,149

little snow covered bushes wherever

you think they should live.

423

00:24:03,899 --> 00:24:05,010

And that's where they ought to be.

424

00:24:06,915 --> 00:24:07,335

Okay.

425

00:24:08,025 --> 00:24:09,165

Do one Bush at a time.

426

00:24:10,995 --> 00:24:13,695

One at a time I'll get into bigger.

427

00:24:13,695 --> 00:24:14,025

Hurry.

428

00:24:15,585 --> 00:24:18,855

Just drop them in there.

429

00:24:19,545 --> 00:24:22,425

But now, because that darks

back here, these will stand out.

430

00:24:22,785 --> 00:24:27,135

Otherwise, otherwise they just sort

of feed right into the background.

431

00:24:29,895 --> 00:24:30,405

Tell you what?

432

00:24:30,645 --> 00:24:30,855

Right.

433

00:24:30,855 --> 00:24:32,445

Here's a nice place for a little cabin.

434

00:24:33,075 --> 00:24:34,215

We'll do a quick little cabin.

435

00:24:35,205 --> 00:24:37,004

Just scrape out a basic

shape of the knife.

436

00:24:39,315 --> 00:24:40,125

It's all you have to do.

437

00:24:41,405 --> 00:24:43,845

Take some Bandag Brown, little

dark Sienna mixed in it.

438

00:24:46,365 --> 00:24:51,165

C make the far side of the roof

and we'll come right down here.

439

00:24:52,365 --> 00:24:55,365

Put in this side of the roof here.

440

00:24:55,365 --> 00:24:56,745

We'll put it in the front.

441

00:24:59,160 --> 00:25:05,910

Yeah, the other side of the front end,

we need a little side here and that easy.

442

00:25:06,000 --> 00:25:07,350

You got your Kevin's locked in.

443

00:25:07,350 --> 00:25:12,540

We take some Brown and white

and just barely touch it.

444

00:25:12,720 --> 00:25:13,410

Whisper light.

445

00:25:14,790 --> 00:25:15,900

Just let this float right down.

446

00:25:15,900 --> 00:25:18,960

This is an old Kevin more

it's seen as better day.

447

00:25:21,390 --> 00:25:24,390

Okay, then we can do a cabin ectomy,

cut it off wherever we want it.

448

00:25:26,310 --> 00:25:28,650

Take a little Brown kids door.

449

00:25:30,930 --> 00:25:34,650

Just sort of highlight that

cutting through and make the

450

00:25:34,650 --> 00:25:35,910

indication of little boards.

451

00:25:37,620 --> 00:25:40,500

This old cabin has been deserted

out here by the trapper for many

452

00:25:40,500 --> 00:25:46,890

years, but maybe there's still a

little path here comes right out.

453

00:25:46,890 --> 00:25:47,460

Like, yes.

454

00:25:49,620 --> 00:25:50,969

Same system.

455

00:25:51,600 --> 00:25:55,949

It'll touch your wine and back to

our liquid wine and titanium white.

456

00:25:57,330 --> 00:26:01,800

And we can come back in here, look

at that whole bushes growing right

457

00:26:01,800 --> 00:26:03,209

over the side of that cabin nearly.

458

00:26:04,560 --> 00:26:09,270

And you can put bushes all up and

down where the old path used to be.

459

00:26:09,780 --> 00:26:11,399

He cut his yard about like I do.

460

00:26:13,800 --> 00:26:14,550

There we go.

461

00:26:16,620 --> 00:26:20,010

And you can take the knife, scraping

the little stick of a twig here.

462

00:26:22,830 --> 00:26:26,580

And with that, I think we've

got a pretty good winter scene.

463

00:26:27,720 --> 00:26:28,290

Try this.

464

00:26:28,650 --> 00:26:29,430

You'll like it.

465

00:26:29,580 --> 00:26:32,250

And from all of us here, I'd

like to wish you happy painting.

466

00:26:32,580 --> 00:26:33,150

God bless.

467

00:26:33,150 --> 00:26:34,260

And I'll see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S13E02 - Frozen Solitude

Bob Ross's

The Joy of Painting

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