Bob Ross's

The Joy of Painting

S13E12 - Oval Essence

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:00,570 --> 00:00:03,540

Hi, I'm Bob Ross, and I'm

glad you're with me today.

00:00:04,050 --> 00:00:06,570

So today let's do a

fantastic little seascape.

00:00:07,080 --> 00:00:10,980

Tell you what let's start out and have run

all the colors across the screen that you

00:00:10,980 --> 00:00:12,750

need to paint this little picture at home.

00:00:12,780 --> 00:00:14,790

And while they're doing that,

tell you what come on up here.

00:00:14,790 --> 00:00:15,900

Let me tell you what I've already done.

00:00:16,500 --> 00:00:20,580

I've got my standard old canvas up here

and I've painted the entire canvas with

00:00:20,610 --> 00:00:23,100

black Jesso at allowed that to dry.

00:00:23,490 --> 00:00:24,450

And then I've came up here.

00:00:24,790 --> 00:00:26,439

And I've sort of added some colors.

00:00:26,439 --> 00:00:30,880

I've put a little bit of a lizard and

Crimson mixed with black and a touch

00:00:30,880 --> 00:00:32,980

that Tayloe blew up in the sky area.

00:00:33,670 --> 00:00:37,960

And down here in the bottom, I put some

fatal green Taylor, blue and black,

00:00:38,050 --> 00:00:42,970

and just covered the whole canvas with

a nice thin even coat of those colors.

00:00:43,510 --> 00:00:44,980

Those colors are transparent.

00:00:45,070 --> 00:00:48,730

So when you put them against a black

background, it still looks black.

00:00:49,360 --> 00:00:50,980

And onto that, we're going to add.

00:00:51,270 --> 00:00:53,880

Different colors and

fantastic things will happen.

00:00:53,910 --> 00:00:54,360

Thank you, Lynn.

00:00:54,360 --> 00:00:54,750

Enjoy it.

00:00:55,560 --> 00:00:57,600

So I tell you what let's

get started and do it.

00:00:58,530 --> 00:01:02,910

Let's start off today with a small

amount of titanium white and I'm using

00:01:02,970 --> 00:01:08,340

the little one inch brush and tell

you what, let's make a happy little.

00:01:08,760 --> 00:01:10,410

Let's make a happy little sky up here.

00:01:11,470 --> 00:01:12,580

And let's just take the brush.

00:01:13,060 --> 00:01:16,990

And since there's color already on the

canvas here, all you have to do is just

00:01:16,990 --> 00:01:22,390

sort of touch upon them doing it's just

sort of touching and putting in all kinds

00:01:22,390 --> 00:01:27,070

of just happy little shapes, just like,

so we just let that go right on off.

00:01:28,660 --> 00:01:29,380

There we go.

00:01:29,770 --> 00:01:30,280

Let's see there.

00:01:30,640 --> 00:01:33,820

All you have to do is tap very, very easy.

00:01:34,660 --> 00:01:37,030

And once again, because

there's color underneath.

00:01:37,765 --> 00:01:40,705

You'll pick up that color and

just fantastic things will happen.

00:01:40,735 --> 00:01:46,075

Or you can just rub it a little,

just like, so just scrub a little

00:01:46,195 --> 00:01:50,815

of the white on there, then all

these things began happening there.

00:01:54,355 --> 00:01:55,495

Just whatever you want.

00:01:56,005 --> 00:01:57,955

Maybe over here, let's

do another one of those.

00:01:59,290 --> 00:02:01,570

These are going to turn out

to be big fluffy clouds.

00:02:02,770 --> 00:02:07,570

All we're doing right now is just

tapping in a very loose base shape.

00:02:08,770 --> 00:02:11,530

Just a base shape, basic shape,

whatever you want to call it.

00:02:12,220 --> 00:02:13,510

We're not looking for detail.

00:02:13,510 --> 00:02:17,250

At this point, we're going to come

back and begin worrying about detail.

00:02:17,280 --> 00:02:17,790

Right now.

00:02:18,120 --> 00:02:20,370

All we're doing is adding

some color onto the canvas.

00:02:21,835 --> 00:02:22,185

Okay, now

00:02:25,245 --> 00:02:27,495

let's take a good dry two inch brush.

00:02:27,495 --> 00:02:29,954

Be sure it's dry and very lightly.

00:02:31,755 --> 00:02:35,355

We've just begin brushing

here, Jess brush.

00:02:36,765 --> 00:02:39,105

And I'm going to brush the

base of this out, but I'm not

00:02:39,105 --> 00:02:40,185

going to touch the top yet.

00:02:41,055 --> 00:02:41,144

Okay.

00:02:41,380 --> 00:02:44,049

Janice blended out that had

been right into that color.

00:02:44,350 --> 00:02:45,250

That's on the canvas.

00:02:49,049 --> 00:02:49,769

Fantastic.

00:02:52,049 --> 00:02:55,470

There, these black canvases are

one of my absolute favorites.

00:02:55,859 --> 00:03:00,630

Now, lately just lift

that lifted and blended.

00:03:02,880 --> 00:03:03,420

There we go.

00:03:03,869 --> 00:03:07,230

Just bring it all together,

lift it and sorta.

00:03:07,605 --> 00:03:08,505

Pull it up that way.

00:03:08,595 --> 00:03:11,745

I'm doing it real slow

so you can see pull it.

00:03:12,735 --> 00:03:17,775

And it makes one of the most fantastic

little skies and it's so very easy.

00:03:19,365 --> 00:03:19,965

There we go.

00:03:23,895 --> 00:03:26,205

Just like, so I read

across the center here.

00:03:26,235 --> 00:03:27,555

I have a piece of masking tape.

00:03:27,555 --> 00:03:31,635

I just want to keep the horizon lines

nice and straight on the seascape.

00:03:31,965 --> 00:03:32,955

So I just plain old.

00:03:33,360 --> 00:03:35,280

Just plain old masking

tape put across there.

00:03:36,090 --> 00:03:38,160

Let me take a fan brush with

a little bit of white on it.

00:03:38,580 --> 00:03:42,750

And maybe you want to go back

here and just add in some little,

00:03:43,260 --> 00:03:44,550

some little things here and there.

00:03:45,120 --> 00:03:49,590

All you do is just laying some

basic shapes wherever you want

00:03:49,590 --> 00:03:52,050

them, where ever you want them.

00:03:53,880 --> 00:03:58,920

And go back to your large brush and

blend them and you can blend them

00:03:59,880 --> 00:04:01,470

any degree of darkness that you want.

00:04:01,470 --> 00:04:03,960

The more you blend this, the darker

it's going to become, because

00:04:03,960 --> 00:04:05,130

it's going to pick up the color.

00:04:05,280 --> 00:04:09,750

It's following the canvas, the base color

underneath, and you can just keep on.

00:04:09,750 --> 00:04:10,650

Do you blend it all the way?

00:04:10,650 --> 00:04:14,300

If you want to, hopefully we

won't go that far with it.

00:04:15,230 --> 00:04:15,560

How then?

00:04:16,215 --> 00:04:20,055

That's pulled a masking tape off and

we will have a Nash street horizon

00:04:24,615 --> 00:04:26,625

masking tape really does keep it.

00:04:27,015 --> 00:04:28,924

Yeah, horizon just as

straight as it can be.

00:04:28,935 --> 00:04:29,744

I hope you can see that.

00:04:29,744 --> 00:04:33,164

I know it's difficult on a black

canvas with a black background

00:04:34,515 --> 00:04:35,594

now, then where the tape was.

00:04:35,594 --> 00:04:40,335

I'm going to add a little bit

of black and fellow blue, just

00:04:40,335 --> 00:04:41,414

right in there where the tape was.

00:04:43,455 --> 00:04:47,234

Cause there was no color there

being careful to keep that

00:04:47,234 --> 00:04:48,734

horizon line nice and straight.

00:04:49,995 --> 00:04:50,684

Nice and straight.

00:04:52,995 --> 00:04:53,354

Okay.

00:04:55,419 --> 00:04:58,900

Now then time to make some big decisions.

00:04:59,560 --> 00:05:02,469

One of the things that I like

to do when doing seascapes is

00:05:02,469 --> 00:05:06,609

determine right from the beginning

where my major waves going to be.

00:05:06,909 --> 00:05:09,280

And then it seems to work easier

if you know where that wave is

00:05:09,289 --> 00:05:10,599

going to be and you work around it.

00:05:11,229 --> 00:05:14,770

So I just use the little Filbert

brush here, put a little white on it.

00:05:16,365 --> 00:05:17,745

And let's make a big decision.

100

00:05:17,745 --> 00:05:22,125

Maybe our major wave will be

right about here and it'll

101

00:05:22,125 --> 00:05:23,535

come right about here and go.

102

00:05:24,825 --> 00:05:25,245

Out.

103

00:05:26,325 --> 00:05:29,385

And it's going to come up a

little bit and then sort of

104

00:05:29,385 --> 00:05:31,275

break over right in this area.

105

00:05:32,325 --> 00:05:36,675

And maybe there will be the big break and

that's really all you need that tells you

106

00:05:36,675 --> 00:05:40,635

where you can work and where you can't

more important is where you can work.

107

00:05:41,985 --> 00:05:43,125

Good, man.

108

00:05:43,135 --> 00:05:47,475

I didn't to dry off our little

Filbert and we can have some fun.

109

00:05:49,600 --> 00:05:55,060

Let me get a fan brush here, maybe back

here in the, in the distance let's mix up.

110

00:05:55,180 --> 00:06:00,040

We'll use some black, a little

touch, a blue little touch of Taylor

111

00:06:00,040 --> 00:06:03,820

green, throw some fantastic Brown

in there too, just to dull it down

112

00:06:05,380 --> 00:06:06,580

and just mix them on the brush.

113

00:06:06,700 --> 00:06:07,330

No big deal.

114

00:06:08,950 --> 00:06:11,320

Maybe back in here, far, far away.

115

00:06:12,705 --> 00:06:15,975

There's some distant little trees left,

so I'm just going to take the brush

116

00:06:15,975 --> 00:06:17,415

and I'm barely touching the canvas.

117

00:06:17,415 --> 00:06:21,495

I want these to be quite light in value.

118

00:06:21,765 --> 00:06:22,635

These are far away.

119

00:06:22,635 --> 00:06:26,205

I don't want them to, to distinct while

I'm just to be back here in the mist.

120

00:06:28,784 --> 00:06:33,044

They're just hiding back here in

the background somewhere there.

121

00:06:34,065 --> 00:06:36,585

You can see them, but

they're not real distinct.

122

00:06:37,034 --> 00:06:43,905

Now, closer up on this hand, there'll be

a few trees that are much more distinct.

123

00:06:44,085 --> 00:06:45,974

I have a few little

evergreen sitting out here.

124

00:06:48,915 --> 00:06:49,575

There we go.

125

00:06:50,915 --> 00:06:53,495

There are the little Rascals heart,

and you just put as many as you want

126

00:06:53,495 --> 00:06:56,525

in your seascape, his view, maybe

you don't want evergreens in yours.

127

00:06:56,545 --> 00:06:59,495

Maybe you want to have some,

some old trees that hang over

128

00:06:59,495 --> 00:07:01,505

and lean and that's all right.

129

00:07:02,165 --> 00:07:03,515

Anything that you want.

130

00:07:03,875 --> 00:07:07,895

I just want to show you how to do this,

and then you decide how you want to do it.

131

00:07:12,015 --> 00:07:12,284

Okay.

132

00:07:12,344 --> 00:07:18,525

I use that same color and let's put

in maybe a little foot land back here.

133

00:07:19,515 --> 00:07:24,794

Just a little rock, that Rocky area,

that projects out into the water.

134

00:07:26,565 --> 00:07:27,344

There we go.

135

00:07:28,590 --> 00:07:31,110

All we're using here is just

that same old dark color

136

00:07:35,430 --> 00:07:36,960

there at brush strokes.

137

00:07:36,990 --> 00:07:38,969

At this point become very important.

138

00:07:39,570 --> 00:07:43,020

You can lay this completely out

using nothing but brush strokes.

139

00:07:43,740 --> 00:07:43,830

Okay.

140

00:07:44,460 --> 00:07:49,350

Normally I put no color there, just

a dark, but no highlights on it.

141

00:07:50,460 --> 00:07:52,980

Just the dark color and

let the brush strokes.

142

00:07:53,550 --> 00:07:57,540

But the indication of all kinds of

little things in there, you can even

143

00:07:57,540 --> 00:08:01,800

lift up that even if this doesn't show

on your TV, when you do your painting,

144

00:08:02,070 --> 00:08:05,580

it will certainly show, you can see

all kinds of rocks and stones and.

145

00:08:06,960 --> 00:08:07,560

It's unreal.

146

00:08:07,560 --> 00:08:13,440

What can go on back in here now,

if you want, you can add the least

147

00:08:13,440 --> 00:08:15,630

little touch of white tea brush.

148

00:08:15,960 --> 00:08:17,100

Maybe that'll there.

149

00:08:17,100 --> 00:08:18,090

You can see that better.

150

00:08:19,200 --> 00:08:20,580

As I say, I normally wouldn't do this.

151

00:08:20,580 --> 00:08:24,960

I just want you to be able to see it,

but just with brush strokes, you can

152

00:08:24,960 --> 00:08:30,120

create all kinds of happy, little things

back here, wherever you want them.

153

00:08:32,250 --> 00:08:32,880

There we go.

154

00:08:36,010 --> 00:08:36,699

Okay.

155

00:08:38,880 --> 00:08:39,270

All right.

156

00:08:39,439 --> 00:08:40,849

We can come in here and start playing.

157

00:08:40,849 --> 00:08:42,079

Let me find another fan brush.

158

00:08:42,109 --> 00:08:44,599

I have several fan brushes

going, so I don't have to spend

159

00:08:44,599 --> 00:08:46,069

all my time cleaning brushes.

160

00:08:47,119 --> 00:08:51,709

We'll take just straight

titanium, white, straight, or

161

00:08:51,709 --> 00:08:55,400

white bode to brush both sides.

162

00:08:56,239 --> 00:08:59,839

And let's go up here and

let's make a decision here.

163

00:09:00,510 --> 00:09:01,500

Here's our horizon.

164

00:09:02,969 --> 00:09:06,750

So let's just start putting

little and I'm gonna exaggerate.

165

00:09:06,750 --> 00:09:09,270

I'm going, Oop, boop, boop, boop.

166

00:09:09,300 --> 00:09:09,719

Okay.

167

00:09:09,959 --> 00:09:14,240

Gotta make that noise too,

but just small back in there.

168

00:09:14,250 --> 00:09:17,730

Just think a little waves,

little waves splash.

169

00:09:17,730 --> 00:09:20,850

And we back in there and

leave some dark areas.

170

00:09:20,850 --> 00:09:22,469

Don't don't cover up all these.

171

00:09:22,829 --> 00:09:24,959

Sometimes it gets to be

fun and you can't stop.

172

00:09:29,395 --> 00:09:34,885

Just work it out and already that

begins giving the indication of

173

00:09:34,885 --> 00:09:38,365

water and just picking up that color.

174

00:09:38,365 --> 00:09:42,715

That's on the canvas and all these little

things just, just happen automatically.

175

00:09:43,105 --> 00:09:47,155

You don't even have to worry about them

and maybe let's come right in here.

176

00:09:48,115 --> 00:09:49,375

And here's a big, major way.

177

00:09:49,525 --> 00:09:51,325

It comes right along in there and lives.

178

00:09:52,795 --> 00:09:54,055

And it goes right on through.

179

00:09:56,625 --> 00:09:59,145

And this wave, we said

came right along here.

180

00:10:00,675 --> 00:10:05,475

I get, and then it's going to

come right over to once again,

181

00:10:05,475 --> 00:10:07,095

helps to make those little noises.

182

00:10:08,145 --> 00:10:11,145

Of course, people look at you a little

funny, but that's all right there.

183

00:10:12,765 --> 00:10:17,715

Now then my wife, my fan brush

off, just remove excess paint.

184

00:10:19,185 --> 00:10:20,295

And now then all I want to do.

185

00:10:21,420 --> 00:10:21,810

Go watch.

186

00:10:21,830 --> 00:10:24,840

It's easier to show you here

where you put this paint begin,

187

00:10:24,840 --> 00:10:29,160

blending it back, but you're still

making a little stroke like that.

188

00:10:29,910 --> 00:10:30,210

Okay.

189

00:10:31,420 --> 00:10:35,550

Hope all that makes sense there.

190

00:10:36,600 --> 00:10:40,710

See, what's important is not this line

that you made here, but in between.

191

00:10:41,745 --> 00:10:47,445

That becomes the troth or the area

between the waves and just by pulling

192

00:10:47,485 --> 00:10:51,495

a little bit of paint and back, and

that stroke automatically, you can

193

00:10:51,495 --> 00:10:55,365

create that illusion automatically.

194

00:10:57,135 --> 00:10:57,765

There we go.

195

00:10:58,335 --> 00:11:00,555

It's very gently Africa.

196

00:11:00,585 --> 00:11:01,785

It begins getting too bright.

197

00:11:01,875 --> 00:11:03,045

Just clean your brush off.

198

00:11:03,855 --> 00:11:04,875

Just wipe your brush off.

199

00:11:04,905 --> 00:11:05,115

Good.

200

00:11:05,954 --> 00:11:11,505

And then a little bit here takes very

little paint on his black canvases.

201

00:11:13,305 --> 00:11:16,454

I think they're one of the

most fantastic things there.

202

00:11:16,665 --> 00:11:18,104

I love these black canvases.

203

00:11:18,104 --> 00:11:22,535

Some of the effects are unreal there.

204

00:11:23,915 --> 00:11:24,275

Madden.

205

00:11:24,720 --> 00:11:30,390

You make a decision here where this

little foot land sticks out in here and

206

00:11:30,390 --> 00:11:32,160

just take your paint and cut it off.

207

00:11:33,540 --> 00:11:34,260

There we go.

208

00:11:36,420 --> 00:11:38,010

Yeah, I know that.

209

00:11:38,430 --> 00:11:38,850

Shoot.

210

00:11:38,850 --> 00:11:41,160

We better get that rascal looking good.

211

00:11:42,150 --> 00:11:45,600

But you see how easy it is to make

this whole background with just a fan

212

00:11:45,600 --> 00:11:47,780

brush and a few happy little strokes.

213

00:11:48,680 --> 00:11:49,220

Okay.

214

00:11:50,150 --> 00:11:51,080

Let's get on down here.

215

00:11:51,410 --> 00:11:52,100

Let's start playing.

216

00:11:52,100 --> 00:11:58,340

I'm going to take some titanium white and

the least little touch of CAD yellow, at

217

00:11:58,340 --> 00:11:59,750

least a little touch of cadmium yellow.

218

00:11:59,750 --> 00:12:01,070

This may still look quite on you.

219

00:12:01,755 --> 00:12:03,405

Oh, and you set, but there's

a little yellow in here.

220

00:12:03,464 --> 00:12:04,275

Don't get too much.

221

00:12:04,995 --> 00:12:05,444

All right.

222

00:12:05,865 --> 00:12:10,365

Now, then right in here, but I have

the wave or the transparency take a

223

00:12:10,365 --> 00:12:14,595

Filbert and scrub it firmly, firmly.

224

00:12:15,045 --> 00:12:17,714

Just scrub it in there you go.

225

00:12:18,885 --> 00:12:21,645

Now begin thinking about

the shape of this wave.

226

00:12:22,334 --> 00:12:24,964

And we worked back getting

darker, darker, darker, darker,

227

00:12:24,964 --> 00:12:26,954

darker, darker, darker to me.

228

00:12:26,954 --> 00:12:27,795

Just disappears.

229

00:12:29,715 --> 00:12:29,925

Okay.

230

00:12:29,925 --> 00:12:35,925

Now you can do this as many times as you

want to achieve any degree of lightness

231

00:12:35,925 --> 00:12:37,965

in this eye of the wave that you want.

232

00:12:38,714 --> 00:12:40,334

Some people call it an eye of the wave.

233

00:12:40,334 --> 00:12:43,245

Some people call it a

transparency, whichever.

234

00:12:44,984 --> 00:12:48,224

So if you want to do it again, the big

thing is to start with a clean brush.

235

00:12:48,464 --> 00:12:49,814

Be sure your brush is clean.

236

00:12:49,814 --> 00:12:52,214

You always want that fresh,

clean paint right there.

237

00:12:52,214 --> 00:12:58,364

And the transparency of the brush

full go back and start a gift.

238

00:12:58,395 --> 00:13:00,944

Always start in the light

area and work outward.

239

00:13:02,564 --> 00:13:04,755

I see there and think about shape.

240

00:13:05,130 --> 00:13:09,540

Again, thinking about the shape, see this

waves coming up in curling over here.

241

00:13:10,200 --> 00:13:11,670

So there's shapes like, yes.

242

00:13:11,760 --> 00:13:16,770

Let me just do it in the scene scene there

darker, darker, darker, darker, darker,

243

00:13:16,770 --> 00:13:19,080

darker, darker to have it just disappears.

244

00:13:19,140 --> 00:13:19,950

I don't know how to nothing.

245

00:13:22,245 --> 00:13:22,755

There.

246

00:13:24,255 --> 00:13:27,255

And sometimes when I'm doing these,

maybe I'll do that three, four

247

00:13:27,255 --> 00:13:32,055

times, whatever it takes to get it

as bright and as light as I want it.

248

00:13:32,865 --> 00:13:36,345

And when you're doing yours,

just take a look at it, make

249

00:13:36,345 --> 00:13:38,834

a big decision and do it now.

250

00:13:40,035 --> 00:13:45,285

Use a two inch brush and very

delicate, gentle, gentle touch.

251

00:13:46,155 --> 00:13:49,635

I hope you can see that just sorta

using just the top corner of the brush.

252

00:13:50,175 --> 00:13:53,235

All you're doing is just mixing it up.

253

00:13:53,475 --> 00:13:54,735

Don't make big old strokes.

254

00:13:55,245 --> 00:13:57,045

The brushes hardly, hardly moving.

255

00:13:57,194 --> 00:14:02,444

You're just barely caressing the canvas

just enough to blend this together and

256

00:14:02,444 --> 00:14:06,525

you can make it as smooth as silk just.

257

00:14:07,170 --> 00:14:10,020

Just very gently and let

it blend right on out.

258

00:14:15,980 --> 00:14:16,070

Okay.

259

00:14:16,340 --> 00:14:19,070

I used to go crazy trying to do seascapes.

260

00:14:19,490 --> 00:14:22,370

This is such a super

nice, easy way to do it.

261

00:14:22,370 --> 00:14:22,700

Look at that

262

00:14:28,820 --> 00:14:29,930

and just blend it as you go.

263

00:14:31,140 --> 00:14:36,180

And you can grab it and begin pulling

it to begin thinking of the shape of the

264

00:14:36,720 --> 00:14:39,090

other wave, hears it moves and turns.

265

00:14:39,090 --> 00:14:40,890

And there.

266

00:14:45,780 --> 00:14:47,970

And I beat the breasts just

to remove excess paint.

267

00:14:49,110 --> 00:14:51,600

Now then let me find a fan brush.

268

00:14:51,600 --> 00:14:52,080

It's clean.

269

00:14:53,430 --> 00:14:56,070

Let's start making the

crasher here for that.

270

00:14:56,790 --> 00:15:01,200

I'll go right into titanium

white, plain, old titanium Hori.

271

00:15:02,550 --> 00:15:05,550

Because once again, when we get up

here and begin working, it's going

272

00:15:05,550 --> 00:15:06,900

to pick up the color it's underneath.

273

00:15:07,680 --> 00:15:09,210

Now, maybe this wave comes over.

274

00:15:09,470 --> 00:15:14,030

It says, have to make a little sounds.

275

00:15:14,030 --> 00:15:14,990

Think about the water.

276

00:15:16,070 --> 00:15:17,120

Think about the water.

277

00:15:17,640 --> 00:15:19,460

Water is moving.

278

00:15:20,840 --> 00:15:25,370

It's having a good time out here I go.

279

00:15:25,460 --> 00:15:27,740

And it's just splashing and churning.

280

00:15:28,910 --> 00:15:29,240

Ugh.

281

00:15:30,300 --> 00:15:33,390

There anything it's crashing over here.

282

00:15:36,390 --> 00:15:37,079

Okay.

283

00:15:38,369 --> 00:15:39,000

We don't wash that.

284

00:15:43,260 --> 00:15:44,940

And we just wipe it on a paper towel.

285

00:15:47,550 --> 00:15:47,760

Okay.

286

00:15:47,760 --> 00:15:50,010

Now, then now comes the fun part.

287

00:15:50,850 --> 00:15:52,040

I grabbed the old Filbert brush.

288

00:15:52,890 --> 00:15:57,120

I like to put the foam on there for

that, but we'll take a little weight

289

00:15:57,540 --> 00:15:59,970

and a little bit of this color we used.

290

00:16:00,975 --> 00:16:03,945

This is blue with a least

little touch of cramps.

291

00:16:03,945 --> 00:16:05,685

And then, so I started a lavender color.

292

00:16:06,175 --> 00:16:06,645

Here we go.

293

00:16:06,795 --> 00:16:11,025

Just load the brush full, and we're going

to put the shadow in the foam first and

294

00:16:11,025 --> 00:16:12,925

we'll come back and put the highlights on.

295

00:16:13,305 --> 00:16:18,645

So start right up here and just sorta

keep the brush a little, little wiggle.

296

00:16:20,055 --> 00:16:21,165

Little tiny circles.

297

00:16:22,545 --> 00:16:24,285

And sometimes there's no foam right here.

298

00:16:24,465 --> 00:16:25,155

That's up to you.

299

00:16:26,265 --> 00:16:29,595

I like to put some foam there

because it just looks good to me.

300

00:16:30,555 --> 00:16:32,925

Tiny little circles, and we're

just scrubbing at the end.

301

00:16:32,925 --> 00:16:37,635

I think about, I think about, or this

churn and hit and splash and come back

302

00:16:37,635 --> 00:16:41,025

up over itself and just throw it all in

303

00:16:47,055 --> 00:16:47,475

there.

304

00:16:48,590 --> 00:16:49,380

Fantastic.

305

00:16:51,050 --> 00:16:54,780

Easy jar brush.

306

00:16:54,930 --> 00:16:55,980

Be sure it's good and dry.

307

00:16:57,270 --> 00:16:57,590

Not good.

308

00:16:57,590 --> 00:17:03,230

And drag is going to thin your paint

and cause you angry and agony hurts.

309

00:17:03,980 --> 00:17:04,700

There we go.

310

00:17:05,360 --> 00:17:05,450

Okay.

311

00:17:05,839 --> 00:17:10,579

I load this up with white loaded,

full of color, lots of color.

312

00:17:11,270 --> 00:17:13,069

See both sides of the brush are very full.

313

00:17:14,089 --> 00:17:14,329

Okay.

314

00:17:14,810 --> 00:17:17,000

Now then hold the breath shorter.

315

00:17:17,849 --> 00:17:23,339

Like this sort of side birds in

touch and just give it a little

316

00:17:23,429 --> 00:17:25,589

upward push right on top of that.

317

00:17:26,520 --> 00:17:29,790

See it's on top of that shadow push you.

318

00:17:31,560 --> 00:17:32,550

It's hard to do it slow.

319

00:17:34,439 --> 00:17:36,990

So all you're doing is just

giving them little upward push.

320

00:17:40,200 --> 00:17:44,550

See that, that way, that fried parts

right out on the itch and wipe your

321

00:17:44,550 --> 00:17:49,830

brush continually, look at this big

splash up here where it's hitting

322

00:17:52,350 --> 00:17:53,700

and I don't kill all your shadow.

323

00:17:53,730 --> 00:17:54,690

It's very easy.

324

00:17:55,290 --> 00:17:58,740

You get carried away sometime and

you can kill all that shadow and

325

00:17:58,740 --> 00:18:03,860

you need that dark part underneath

there, or just won't look right, man.

326

00:18:03,860 --> 00:18:06,810

And I wiped off the

brush and I'm just Crow.

327

00:18:06,870 --> 00:18:08,190

I sorta blend that together.

328

00:18:09,435 --> 00:18:11,715

So there's no harsh lines

where these two come together

329

00:18:11,745 --> 00:18:12,945

just sort of blended together.

330

00:18:16,215 --> 00:18:16,635

there you go.

331

00:18:17,955 --> 00:18:18,525

There you go.

332

00:18:19,005 --> 00:18:22,845

No, you could do it with a

clean, dry two inch brush.

333

00:18:22,845 --> 00:18:26,445

And all we're using is just

that very top corner as the top

334

00:18:26,445 --> 00:18:29,085

corner, just the top corner.

335

00:18:30,135 --> 00:18:32,325

And we want to stir this up a little bit.

336

00:18:34,155 --> 00:18:35,555

See, we're not making big strokes.

337

00:18:35,645 --> 00:18:36,795

Brush hardly moves.

338

00:18:38,235 --> 00:18:45,314

You can blend this until it's just,

Oh, I just move this glass and you may

339

00:18:45,314 --> 00:18:48,495

have to do it once or twice to get the

feel of it, but it'll work for you.

340

00:18:51,270 --> 00:18:54,840

People will never believe you used

the two hand to Bryce to make such

341

00:18:54,870 --> 00:18:56,670

delicate, beautiful little foam.

342

00:18:57,180 --> 00:19:01,220

And you can take a look and put on

the outside, just touch out here.

343

00:19:01,220 --> 00:19:06,110

So it looks like little things

sparkling in the air, little millions,

344

00:19:06,110 --> 00:19:07,760

a little water droplets going all up.

345

00:19:12,080 --> 00:19:12,440

Okay.

346

00:19:14,600 --> 00:19:15,260

Now, one thing.

347

00:19:16,395 --> 00:19:17,985

That'll help separate this wave.

348

00:19:19,335 --> 00:19:20,685

We'll take a little bit of paint thinner.

349

00:19:20,685 --> 00:19:25,185

I'm a liner brush and just go into

some dark color, just a little

350

00:19:25,185 --> 00:19:26,385

bit of paint on the liner brush.

351

00:19:27,014 --> 00:19:29,145

Now we need something

here to separate them.

352

00:19:30,524 --> 00:19:34,965

So just take the liner brush and

just come right around and it'll

353

00:19:35,385 --> 00:19:36,945

cause these two areas to separate.

354

00:19:38,760 --> 00:19:42,629

Really make it sort of, again, stand

up there and you can take a dry

355

00:19:42,629 --> 00:19:43,950

brush and just plan that out to you.

356

00:19:43,950 --> 00:19:44,730

Can't even see it.

357

00:19:45,210 --> 00:19:45,690

There you go.

358

00:19:47,460 --> 00:19:50,160

Now then we can start having some fun.

359

00:19:52,139 --> 00:19:56,310

Now we need some foam in here for

that, and I'll just use a fan brush.

360

00:19:56,310 --> 00:20:00,210

You can use the Filbert or the fan or the

liner, whatever we happen to have handy.

361

00:20:00,210 --> 00:20:01,379

This has already got white on it.

362

00:20:02,250 --> 00:20:02,580

So.

363

00:20:03,149 --> 00:20:08,040

Again, thinking about the way the wave

is coming up and turning over back here.

364

00:20:08,070 --> 00:20:11,280

It's still quite flat, but in here

it has turned all the way over.

365

00:20:11,939 --> 00:20:17,250

So just use the brush and

begin creating that illusion.

366

00:20:18,899 --> 00:20:21,060

This is where you should

form and shape your wave.

367

00:20:21,449 --> 00:20:26,820

Just with this foam here, begin

making all these little things

368

00:20:26,820 --> 00:20:29,340

that just play red along here.

369

00:20:32,130 --> 00:20:35,420

There we'll come back and put detailing.

370

00:20:35,420 --> 00:20:38,870

All we're doing now is just putting

in some basic, basic shapes.

371

00:20:40,970 --> 00:20:41,660

There we go.

372

00:20:42,020 --> 00:20:46,310

Wherever you want them to go,

where ever you want them to go,

373

00:20:53,750 --> 00:20:55,100

but don't kill all your dark areas.

374

00:20:56,070 --> 00:20:58,740

As I see this begins

working in is so much fun.

375

00:20:59,250 --> 00:21:02,370

Next thing you know, you've killed

every bit of dark area that you had.

376

00:21:03,090 --> 00:21:04,230

I do that all the time.

377

00:21:05,130 --> 00:21:07,470

So if it happens to you,

you're certainly not alone.

378

00:21:08,010 --> 00:21:09,030

You've got a lot of companies.

379

00:21:11,060 --> 00:21:11,690

There we go.

380

00:21:15,800 --> 00:21:17,930

Now you can sort of blend

that up a little, if you want.

381

00:21:23,909 --> 00:21:25,110

Find my liner brush.

382

00:21:26,820 --> 00:21:29,939

Let's begin putting some mass

highlights in there for that.

383

00:21:30,540 --> 00:21:34,679

I'm going to just use paint thinner and

a little bit of titanium white with a

384

00:21:34,679 --> 00:21:42,270

least little bit of Tayloe blue in it,

Adam, just to come in here and you can

385

00:21:42,270 --> 00:21:44,429

begin adding all kinds of little delicate.

386

00:21:45,389 --> 00:21:45,690

Things.

387

00:21:45,690 --> 00:21:48,240

These are the things here that

really make your painting stand

388

00:21:48,240 --> 00:21:49,650

down, all these little details.

389

00:21:50,370 --> 00:21:53,250

And once you get a little dark on

there, didn't get enough dark yet.

390

00:21:53,550 --> 00:21:54,570

Let me get some here in a second.

391

00:21:55,730 --> 00:22:00,170

There, there we go.

392

00:22:00,470 --> 00:22:02,080

Think about where light

shining through here

393

00:22:05,570 --> 00:22:07,430

and spend some time really.

394

00:22:08,150 --> 00:22:12,830

You want to use the sparkle and if

these are going to be in the bright

395

00:22:12,830 --> 00:22:17,235

light, You can take a little pure white,

even maybe with a little touchy yellow

396

00:22:17,235 --> 00:22:21,495

in it, and just begin working these

right where you want the light area

397

00:22:21,495 --> 00:22:22,905

to be though views too much of this.

398

00:22:22,935 --> 00:22:25,935

It won't be effective just where

you want the brightest areas.

399

00:22:27,405 --> 00:22:29,505

So this sort of leads

you right up into that.

400

00:22:32,155 --> 00:22:37,545

Maybe right along in here, I

can putting in all kinds of

401

00:22:37,545 --> 00:22:40,755

little things back in here.

402

00:22:43,110 --> 00:22:44,250

All these little details.

403

00:22:44,760 --> 00:22:48,330

That's what makes your painting

really stand out and makes it special.

404

00:22:49,410 --> 00:22:51,720

See, you can come from back here

and put all kinds of little light.

405

00:22:51,720 --> 00:22:53,400

Let them follow the basic shapes though.

406

00:22:55,730 --> 00:22:56,389

There we go.

407

00:22:58,490 --> 00:22:59,000

Look at that.

408

00:22:59,600 --> 00:23:00,650

Did you ever think you could do that?

409

00:23:00,650 --> 00:23:07,250

Kevin seascape that quick

you can, it really can see

410

00:23:07,879 --> 00:23:09,320

little things as playing down.

411

00:23:10,485 --> 00:23:17,805

Oh these little buy-ins it just play

in the waves and have fun in the more

412

00:23:17,805 --> 00:23:20,895

of those you put in the more detail

you have, the better your painting.

413

00:23:23,524 --> 00:23:24,125

There we go.

414

00:23:26,795 --> 00:23:29,135

That's something I thought

you'd like, guess what?

415

00:23:29,135 --> 00:23:29,435

Today?

416

00:23:30,965 --> 00:23:34,774

And back in here, there we go.

417

00:23:34,985 --> 00:23:37,145

So you can see little

things back in the wave.

418

00:23:38,790 --> 00:23:41,520

And sometimes these are on the other

side the way even you can just see

419

00:23:41,520 --> 00:23:47,430

them through the wave, but there's

absolutely no limit to what you can do.

420

00:23:48,060 --> 00:23:52,680

You're limited only by

your imagination there.

421

00:23:53,370 --> 00:23:57,420

And imagination is like everything else,

like every other muscle in your body, the

422

00:23:57,420 --> 00:24:04,290

more you use it, the stronger kids begin

practicing composing scenes in your mind.

423

00:24:06,345 --> 00:24:09,435

And very soon, you'll be able

to, just to, to make up thousands

424

00:24:09,435 --> 00:24:10,665

of little scenes in your mind.

425

00:24:12,405 --> 00:24:13,965

That's when it really gets to be fun.

426

00:24:15,225 --> 00:24:15,795

Hey, let's go.

427

00:24:15,795 --> 00:24:19,545

We up in here and we'll put all

kinds of little things back in here.

428

00:24:21,495 --> 00:24:22,215

There we go.

429

00:24:25,065 --> 00:24:25,455

Okay.

430

00:24:27,285 --> 00:24:31,515

See all those little Rascals

and they all add detail and

431

00:24:31,515 --> 00:24:32,865

make your painting so special.

432

00:24:34,815 --> 00:24:35,145

There.

433

00:24:38,085 --> 00:24:38,445

Okay.

434

00:24:38,794 --> 00:24:40,145

I have a few back in here.

435

00:24:41,254 --> 00:24:42,845

If you ever get one,

that's a little too bright.

436

00:24:42,995 --> 00:24:43,774

Just work with it.

437

00:24:43,955 --> 00:24:44,555

It'll go away.

438

00:24:46,024 --> 00:24:48,305

Tell you what, let's have a

little stone in front of you.

439

00:24:48,305 --> 00:24:48,754

You know me?

440

00:24:48,754 --> 00:24:50,195

I always like to have little stones.

441

00:24:51,185 --> 00:24:57,034

I'll use the small knife, Vandyke Brown,

little dark Sienna in it, and let's go.

442

00:24:57,095 --> 00:24:58,385

Maybe our little stone lives.

443

00:24:58,595 --> 00:24:58,865

Sure.

444

00:24:58,865 --> 00:24:59,435

It does now.

445

00:24:59,524 --> 00:24:59,975

Right there.

446

00:25:01,710 --> 00:25:06,060

There's just a happy little stone Chang.

447

00:25:06,060 --> 00:25:09,330

We'll take a little dark Sienna, at

least little touch of white in it.

448

00:25:09,450 --> 00:25:10,950

I want this to be quite dark.

449

00:25:10,950 --> 00:25:13,470

I don't want it to be too distracting

right up here in the front.

450

00:25:13,919 --> 00:25:17,730

Quite dark, a little roll of paint,

right on the edge of the knife.

451

00:25:18,389 --> 00:25:18,690

Okay.

452

00:25:19,830 --> 00:25:20,760

And all we're doing here.

453

00:25:21,675 --> 00:25:25,995

It's just bumping, just barely touching

this one, a little bit of light on that

454

00:25:25,995 --> 00:25:34,635

stone and we can take our liner brush

and just very gently bring a little bit

455

00:25:34,635 --> 00:25:36,165

of water at a perimeter edge is here.

456

00:25:37,635 --> 00:25:42,915

Like, so see you there and let that

little rascal just fit right in there.

457

00:25:43,955 --> 00:25:47,285

Now let's have some fun.

458

00:25:50,129 --> 00:25:51,450

I didn't tell you quite everything.

459

00:25:51,840 --> 00:25:56,550

There is a piece of contact paper

on here, and I want to pull that off

460

00:25:56,550 --> 00:25:57,990

and let you see what's underneath.

461

00:25:59,040 --> 00:26:00,710

All I did was put the contact paper.

462

00:26:01,710 --> 00:26:03,120

Then I painted the canvas black.

463

00:26:04,560 --> 00:26:05,790

Now we take that off.

464

00:26:07,440 --> 00:26:11,159

Look at what you have it hidden had

one of the most fantastic little

465

00:26:11,159 --> 00:26:12,510

seascapes that you've ever seen.

466

00:26:14,159 --> 00:26:15,419

I thought you'd like that.

467

00:26:17,085 --> 00:26:18,225

That is so super.

468

00:26:18,314 --> 00:26:22,605

And then we can just spend our remaining

time today just putting in some details

469

00:26:22,605 --> 00:26:25,064

like so, and signing the painting.

470

00:26:25,995 --> 00:26:27,465

I really hope you've enjoyed this one.

471

00:26:27,804 --> 00:26:33,125

Also hope you'll give it a try because

you'll find it unbelievably rewarding.

472

00:26:33,575 --> 00:26:37,294

And one of the most fantastic ways

to do a seascape that I've ever seen.

473

00:26:38,345 --> 00:26:41,675

And with that, we'll call that

one finished from all of us here.

474

00:26:42,034 --> 00:26:44,135

Happy painting, and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S13E12 - Oval Essence

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse