Bob Ross's

The Joy of Painting

S09E07 - Forest Hills

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Glad to see you again today,

today, I thought we'd paint a

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little animated opening that you

see at the beginning of each show.

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That's a fantastic little picture.

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Only takes a couple of minutes to

paint it, but it takes a lot of super

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people, a long time to animate it.

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So I hope you're enjoying it.

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So let's start off and have them

graphically run all the colors across

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the screen that you need to do this

painting with me while they're doing that.

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Let's go on up here and get started.

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Now I've already covered the canvas with a

nice dandy even coat of the liquid white.

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It's all wet and slick and ready

to have a painting put on it.

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So let's do that.

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Yeah.

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We're going to take off today.

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We use the old two inch

brush go right into.

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A little touch of yellow

ochre, just a small amount.

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Just tap it over right into the brush.

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Can you just go up here?

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Yeah.

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Right up in the sky here.

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We're just going to put the

smallest touch of yellow.

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Allow that to blend with the liquid white.

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So it's a very light in color.

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It'll look light against all

this white, but can we put the

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rest of this guy and everything?

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And then it'll look a lot brighter.

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Okay.

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Just something like, so maybe you can

throw a little bit down in here where

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we know that water is going to be okay.

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Let me clean the brush.

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And we clean our brush

with odorless dinner.

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Really recommend you use odorless thinner

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and just beat the devil out of it.

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Okay.

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Now then let's put some big

clouds appear in the sky.

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Go right into the midnight black, just

tap the brush right into the black.

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Okay, let's go up here now, then.

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We're just going to start laying in some

very basic little shapes, just work the

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brush back and forth that it started.

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Just play down in here.

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All these little things just happen.

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I sort of let it come together.

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Here we go.

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A bit more maybe right in here.

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And if you're not careful, you'll

lead up all your yellow ochre.

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It just a second.

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This black is many, many times stronger

than the yellow, so don't get too crazy.

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Just, just a little, maybe

a little right in here too.

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Okay.

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Now we need to clean the old brush again.

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Clean the old brush, shake it off,

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just beat the devil out of it.

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Okay.

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Now we're going to go right

back into this and blend.

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We want to blend this so you can't

tell her one color starts and the

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other color stops just very lightly.

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Blended together, you know, for cleaning

your brush at home, they make a little

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thing called a brush beater rack.

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You can, you can put in the bottom of

a wastepaper, Canon contain all this.

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I really don't recommend you start

beating on the legacy easel at home.

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Okay.

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Now then all we have.

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This brush, I'll go right back

into a touch of that black.

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Just tap it right onto

the brush, just to touch.

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Okay.

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Let's go back up here.

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And with that we can just lay and

what will eventually become our

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water bear pull from the outside.

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You don't want to kill

that little bit of yellow.

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You have there in the center.

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Pull from the outside.

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Yeah.

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Go to the other side

and do the same thing.

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Like so

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very lightly you can just

go all the way across.

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Very lightly here.

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You're just barely, barely

touching the cameras.

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Okay, man.

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Let's build us a fantastic little

mountain and we'll, we'll start

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right up in here with that.

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I'm going to go right into midnight flack.

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And to that, I'm going to add a

little bit of a little blue, midnight,

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black, a little blue, probably out

as flat as you can get it cut across

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and get that little roll of paint.

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Okay, let's go up here now.

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Then we have to start

making some decisions here.

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Hey, we're going to start laying

in some basic mountain shapes

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and you're really pushing it at

the paint right into the fabric.

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See, just lay it, all of us.

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Nice shapes.

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And the only thing that you're worried

about is this nice edge up here.

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You could care less.

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What's going on in here.

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No problem at all in there, we don't

have another little bump right there.

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Another one out here, just however

many you want is your mountain.

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So you created any way that you wanted.

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There we go.

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Now with the two inch

brush, we'll grab that.

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And just pull it out.

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As we've said before, if you can see the

entire mountain, it's always more distinct

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at the top than it is at the bottom.

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So by pulling it out like this,

it blends with the liquid white

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and automatically that occurs.

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You don't have to work.

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You don't have to worry about it.

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It just happens.

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Just happens.

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That's that's really what makes it fun.

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Okay.

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See already that gives you the impression.

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It was just sort of

floating around in the sky.

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Right.

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But clean this brush one

more time, shake off thinner

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and we're ready now then let's

take titanium white polos out.

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Very flat.

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Just flat as you can get it,

get, get strong with it, pull

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it out and cut across there.

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We have that little roll to paint again.

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Okay.

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Now that makes some decisions here,

whereas light striking your mountain.

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No pressure, no pressure.

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Okay.

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And we're going to do this mountain

and stages several different stages.

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So we'll start out by just doing

like, so I'm going to take some white.

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A little bit of black, little bit

of blue, we'll make a shadow color.

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So I want this to be quite dark.

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I mean, a little more black to it there.

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Nice.

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All right.

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Then once again, we cut off

that little roll of paint.

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Let's go right up in here.

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I began adding some happy little shadows.

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There they are that easy, that easy.

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You could do it, right?

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Yeah.

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Then let's say, we're going

to do this mountain in stages.

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So let's take this part is done here

and with the clean dry brush, gently

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tap it gently, tap it and then lift up.

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Right.

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C soften that one.

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Okay.

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Same basic thing again.

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We're going to take this one

and bring it distinctly over.

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Now, the reason I softened

that one is because I want this

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to look like it's in front.

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See, and now it'll set in front

and push everything back sneaky.

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Huh?

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It's one of those ways that you make

it, make it look like things are

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happening without actually doing

anything and painting you create

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illusions, just a little gins.

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Maybe that comes with a right on a room.

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This won't be an exact duplicate

of what you see at the beginning of

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each show, but it'll show you how

that particular painting was made.

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Can't ever do an exact duplicate.

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Okay.

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Now, once again, we'll take.

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And we'll put in some happy little

shadows here, drop them in like that.

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All kinds of little things happening here.

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There we go.

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You don't have so many fantastic friends

all over the country and they send me

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letters, which I really, really enjoy.

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And yeah.

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You know, we get, we get

paintings from people.

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We get pictures of

paintings that they've done.

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People just like you and I that watch

the shows and they pick up a brush

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and they make an almighty painting.

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Yeah.

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I thought, Oh, maybe today I

put a few of them on a board

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and that sort of left to share.

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Yeah.

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Those were the, and maybe we can get

them to just sort of run across and

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let you see some of the fantastic

things that people are doing.

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And if you've sent me a painting

and it's not up there, I apologize.

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We'll put it up there next time.

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Uh, send your paintings in.

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Let me see what you're doing.

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It's super, and we have to try

to put them on the show and,

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and share it with everybody.

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Isn't that beautiful.

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Can you believe it?

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People are watching TV and we can creating

beautiful, beautiful paintings like that.

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And you can too, you can grab

your brush and give it a try.

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I think you'll be absolutely

amazed at what happens.

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There.

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And I'm just putting another layer

of mountains in here and lifting up

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or seeing how this mountain looks

like it's in front of that one.

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And we can carry that to you.

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Ms.

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Stepfather, let's take this one here,

let it come down and let it come across.

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See, you can just make

a layer after layer.

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There's no end to this.

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Absolutely.

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No into it.

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Yeah,

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I really do love to hear from you.

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If you have time do drop me a line.

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I mentioned in one of the earlier shows,

we travel all over the country and we do

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demonstrations for, for PBS stations and

all kinds of charity groups all over.

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And if we're in your city, I'd love to

see you come out and support your local

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station and, and spend some time with us.

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Give me a chance to talk with you and

meet you and myself and my son, Steve,

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and some of our other certified teachers.

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We're always on the go.

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We're always doing demonstrations.

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And if you'd like to know who we're going

to be in your area, just drop me a card

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with your name and address, and we'll put

you on a mailing list and we'll let you

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know if we're going to be in New York.

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Yeah.

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And you can just send it in care.

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The address it's at

the end of the station.

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They'll send it on to me.

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I mean at the end of the show,

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here we go.

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All right, now we'll tap this one.

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The thing here is don't destroy

this nice top line at a period.

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You don't want to destroy that

little line, leave it there.

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Tap below soften,

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gently, gently, gently lift up.

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Right.

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Gently in that easy.

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You've got several different

ranges of mountains.

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That's super.

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Okay.

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Now then let's build us some

little foothills in here.

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And for that, I'm going to take

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midnight black and I'm going to

add some yellow ochre to it that

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makes a very, very dark green.

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Probably still looks black.

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When you said yellow ochre and midnight

black, very dark clean off my knife.

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There we go.

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I think we'll grab, let's grab a fan brush

and we'll go into this dark green color.

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Okay.

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Let's go right up here.

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Yeah.

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Then let's have a little rolling

Foothill here and all we're going

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to do, take the brush and tap.

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See use the roundness of the brush.

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There we go.

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Maybe we'll have one right there

and it goes right on out wherever

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you want it to wherever there.

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And all you're doing is

just tapping the canvas

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that easy.

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That makes them the nice

little, little footy Hill.

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There we are now, then I want

to create the illusion of a

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little bit of mist right here.

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So I'm just going to gently

tap just right on the base.

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Just tap it.

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I don't make it very soft.

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It was very Misty.

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Now.

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They wouldn't take the same whole brush.

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I go back into some yellow

ochre and then hit that black.

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Like, so say it makes a dark

green color, but it's a little

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lighter than what we put up there.

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Initially.

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Now we can go back and highlight

that just by barely touching.

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If you have trouble making this stick,

add a little bit of paint, thinner,

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little liquid clear either one.

259

00:13:48,110 --> 00:13:49,220

That'll make it stick

260

00:13:52,820 --> 00:13:54,140

a little bit over here on this way.

261

00:13:55,770 --> 00:13:59,010

I want it to be very dark still,

but have a green appearance.

262

00:14:00,690 --> 00:14:04,770

Now we might even want to

brighten that in a few places.

263

00:14:08,870 --> 00:14:09,050

Yeah.

264

00:14:09,050 --> 00:14:10,190

That's a little bit brighter.

265

00:14:10,700 --> 00:14:12,860

Maybe that'll show up a little

better in you sit there.

266

00:14:13,400 --> 00:14:13,820

Yeah.

267

00:14:15,770 --> 00:14:16,280

Okay.

268

00:14:16,850 --> 00:14:19,190

So you can just create all

kinds of little things.

269

00:14:19,190 --> 00:14:23,630

So, and you can sneak in there

and pick up a little bit of white.

270

00:14:24,210 --> 00:14:25,230

Just on the same brush.

271

00:14:25,230 --> 00:14:28,230

So it lightens, it it'll make it look

like it's a little bit of light just

272

00:14:28,230 --> 00:14:29,790

playing through there and having fun.

273

00:14:32,030 --> 00:14:32,750

There you go.

274

00:14:34,610 --> 00:14:35,660

Let me wash that old brush

275

00:14:40,610 --> 00:14:43,220

and brushes is not as much

fun to watch because you don't

276

00:14:43,220 --> 00:14:44,360

get to beat it and bang it.

277

00:14:45,080 --> 00:14:48,440

Now, then let's go back into our

black, with little yellow ochre in it.

278

00:14:49,960 --> 00:14:52,520

Very dark, this really low debt brush for.

279

00:14:53,865 --> 00:14:54,735

Loaded four.

280

00:14:55,515 --> 00:14:55,815

Okay.

281

00:14:56,295 --> 00:14:59,945

Now, then right down in here, we'll

put another layer of little, little

282

00:14:59,955 --> 00:15:06,165

footy Hills, and I know there's

going to be some reflections here, so

283

00:15:06,165 --> 00:15:10,125

I'll just pull a little bit of that

color right down that that's going

284

00:15:10,125 --> 00:15:12,825

to be my reflections later on now.

285

00:15:13,505 --> 00:15:16,845

See right in here, this

little Misty area that's left.

286

00:15:17,235 --> 00:15:19,695

That's the only thing you

have to separate these two.

287

00:15:20,175 --> 00:15:21,385

So don't kill that little Misty.

288

00:15:21,385 --> 00:15:23,594

Mistier it's very, very important.

289

00:15:24,165 --> 00:15:28,155

Can let's put another one maybe

right there and in your world,

290

00:15:28,665 --> 00:15:32,265

you're painting, you put as many,

or as few of these as you want.

291

00:15:32,714 --> 00:15:37,275

I just want to show you how, and

then you make the big decisions.

292

00:15:39,735 --> 00:15:40,844

There we go.

293

00:15:46,725 --> 00:15:54,795

We can go back into some yellow and some

black and make us a nice green color load.

294

00:15:54,795 --> 00:15:56,295

The van brush full of paint.

295

00:15:57,105 --> 00:15:59,655

See a lot of paint cans go back up here.

296

00:16:00,365 --> 00:16:00,545

Yeah.

297

00:16:00,545 --> 00:16:04,145

Then when I come in here and

just put a little highlight on

298

00:16:04,145 --> 00:16:06,665

here, don't kill all the dark.

299

00:16:07,865 --> 00:16:10,745

It's almost a natural

tendency to get carried away.

300

00:16:11,685 --> 00:16:14,175

And kill all the dark,

the darkest so important.

301

00:16:14,375 --> 00:16:16,895

It's what gives you, what

gives you a little foothills

302

00:16:16,895 --> 00:16:19,565

depth, distance dimension.

303

00:16:20,135 --> 00:16:26,165

Otherwise they're just flat pick

up a little bit of titanium point.

304

00:16:27,635 --> 00:16:28,505

Look at their, look at there.

305

00:16:29,315 --> 00:16:30,035

A little bit of light.

306

00:16:30,035 --> 00:16:34,625

Just, just play right across

there really makes that sparkle.

307

00:16:35,405 --> 00:16:38,945

So there's a little sunshine, just

bouncing all through that area.

308

00:16:40,395 --> 00:16:40,785

Okay.

309

00:16:41,115 --> 00:16:41,475

Good.

310

00:16:44,835 --> 00:16:45,345

I'd like that.

311

00:16:47,115 --> 00:16:48,314

Clean off the old brush.

312

00:16:51,455 --> 00:16:52,005

Okay.

313

00:16:52,095 --> 00:16:55,814

Now with a two inch brush,

let's create our reflections.

314

00:16:55,875 --> 00:16:57,585

Grab that and pull it straight down.

315

00:16:58,785 --> 00:17:00,525

It's supposed to important

that you pull straight down.

316

00:17:00,525 --> 00:17:05,534

If you pull it at an angle, it's not

going to look right to you, pull it

317

00:17:05,534 --> 00:17:12,454

straight down and then very lightly go

across and you have instant reflections.

318

00:17:13,295 --> 00:17:13,385

Okay.

319

00:17:13,625 --> 00:17:16,714

We'll take a little, the liquid white,

put it on here and pull it out very flat

320

00:17:17,045 --> 00:17:19,024

and just take your knife and cut across.

321

00:17:19,175 --> 00:17:19,984

So all you have to do.

322

00:17:20,075 --> 00:17:20,315

Okay.

323

00:17:21,345 --> 00:17:26,025

I want to go right up here and we'll

drop in some happy little water lines.

324

00:17:27,435 --> 00:17:29,985

I keep these lines basically

straight, even though you go,

325

00:17:30,555 --> 00:17:32,115

you can go up and down with them.

326

00:17:32,145 --> 00:17:34,754

Keep the lines themselves,

basically straight.

327

00:17:34,754 --> 00:17:37,815

This is what this was, why it keeps

your water contained in your painting.

328

00:17:41,145 --> 00:17:42,915

Put a happy little ripple here and there.

329

00:17:43,815 --> 00:17:45,645

Those two need to be.

330

00:17:46,170 --> 00:17:47,430

Basically straight.

331

00:17:48,750 --> 00:17:49,290

All right.

332

00:17:50,970 --> 00:17:55,010

I think we had some, so evergreens

that lived right in here.

333

00:17:56,090 --> 00:17:57,620

So let me mix up some color.

334

00:17:57,740 --> 00:18:01,910

We will take some of the black

and the yellow ochre Intuit

335

00:18:01,910 --> 00:18:03,980

again, black and yellow ochre.

336

00:18:04,460 --> 00:18:08,000

So it makes a super, super dark green.

337

00:18:09,830 --> 00:18:11,360

I'm gonna put a little

bit of it over here.

338

00:18:12,300 --> 00:18:13,470

And add a little white to it.

339

00:18:13,800 --> 00:18:17,280

So I have seen color,

but two different values.

340

00:18:19,139 --> 00:18:22,470

See it's the same color, but

one has a little white end.

341

00:18:22,590 --> 00:18:22,889

Okay.

342

00:18:24,899 --> 00:18:30,450

Now we'll start with the lightest one and

I'll load the fan brush full of color.

343

00:18:32,190 --> 00:18:33,330

Maybe a touch darker.

344

00:18:33,389 --> 00:18:33,930

There we go.

345

00:18:34,020 --> 00:18:36,750

I can go right up here now.

346

00:18:37,879 --> 00:18:39,210

Little evergreen lives right here.

347

00:18:39,210 --> 00:18:40,440

And now we're going to

use a corner of the brush.

348

00:18:40,935 --> 00:18:42,285

And give it an upward push.

349

00:18:43,365 --> 00:18:45,435

So the little lambs go upward.

350

00:18:46,725 --> 00:18:51,525

You can make them going upward

or downward, whichever chair.

351

00:18:51,705 --> 00:18:51,945

Okay.

352

00:18:51,945 --> 00:18:53,325

We'll put another one right there.

353

00:18:55,095 --> 00:18:55,965

Here they are.

354

00:18:56,925 --> 00:18:59,415

When you use all the paint out of one

corner of the brush, turn it over.

355

00:18:59,575 --> 00:19:00,375

Use the other corner.

356

00:19:01,545 --> 00:19:03,225

The reason they put

two sides on the brush.

357

00:19:08,835 --> 00:19:12,135

Okay, maybe tell you

what, yeah, right here.

358

00:19:13,095 --> 00:19:15,315

We're going to have a third little tree

359

00:19:20,985 --> 00:19:22,665

and a nice way to make little evergreens.

360

00:19:29,325 --> 00:19:30,645

Then I'm going into a touch.

361

00:19:31,170 --> 00:19:35,160

A green with the same old dirty brush,

and just put the indication of a

362

00:19:35,160 --> 00:19:36,300

few little highlights here in there.

363

00:19:36,450 --> 00:19:42,030

Don't overdue ton over to just a

little, these are too far away to have

364

00:19:42,030 --> 00:19:44,670

a lot of detail on them too far away.

365

00:19:46,500 --> 00:19:52,350

Clean the old brush, wipe off the,

the thinner, and let's go into

366

00:19:52,350 --> 00:19:56,550

this dark, dark color we made dark.

367

00:19:56,760 --> 00:19:57,540

It looks black.

368

00:19:58,030 --> 00:20:01,320

Very dark, but it's a very

dark green load at brush flow.

369

00:20:01,530 --> 00:20:02,370

Let's go back up here.

370

00:20:03,469 --> 00:20:06,709

That's a big tree that lives right there.

371

00:20:06,889 --> 00:20:14,750

Whew, man, there he cows, see, as you

go down, push harder and harder with a

372

00:20:14,750 --> 00:20:18,770

brush, use more of the brush when you

first start, you use only the corner,

373

00:20:19,820 --> 00:20:23,030

but as you work down the tree, then

you're using more and more of the brush.

374

00:20:24,255 --> 00:20:26,055

And there's nothing wrong

with reloading the brush.

375

00:20:26,055 --> 00:20:27,795

If you run out of paint, go get some more.

376

00:20:28,915 --> 00:20:29,805

You want this one dark.

377

00:20:29,805 --> 00:20:30,855

So it stands out.

378

00:20:32,775 --> 00:20:41,805

That's a big tree, strong old

tree there, it counts there.

379

00:20:45,495 --> 00:20:47,025

I like to do these big evergreens

380

00:20:50,325 --> 00:20:52,305

and maybe there's a little one.

381

00:20:52,605 --> 00:20:54,885

He's got a little friend

that was right there.

382

00:20:55,245 --> 00:20:55,725

There it is

383

00:20:58,725 --> 00:21:02,655

in a, your world, but as many

or as few trees as you want,

384

00:21:06,435 --> 00:21:12,825

we can take touch of the dark

Sienna, little bit of white.

385

00:21:13,935 --> 00:21:15,405

Cut us off a little roll of paint.

386

00:21:15,795 --> 00:21:16,245

It's great.

387

00:21:16,245 --> 00:21:16,665

Up here.

388

00:21:17,655 --> 00:21:19,725

And with that, Where did that?

389

00:21:19,754 --> 00:21:22,304

Well, just put the indication

of a happy little tree trunk.

390

00:21:23,175 --> 00:21:26,175

There's one, there's one right there.

391

00:21:30,014 --> 00:21:32,264

Go right into some of

this lighter green color.

392

00:21:32,594 --> 00:21:37,115

That's just yellow and the black,

but I want to keep it quite dark.

393

00:21:37,155 --> 00:21:38,475

Don't want this to get too bright.

394

00:21:39,794 --> 00:21:42,014

Can you just go up here and.

395

00:21:42,810 --> 00:21:46,530

We'll put some highlights on this whole

big tree that this tree is closer to you.

396

00:21:46,990 --> 00:21:48,450

You will see more highlights.

397

00:21:48,540 --> 00:21:54,780

So you can add a little bit more color

to this one a little bit more, and

398

00:21:54,899 --> 00:21:56,790

we'll put a little on this small tree.

399

00:21:57,840 --> 00:21:58,310

Here we go.

400

00:21:59,389 --> 00:21:59,929

Here we go.

401

00:22:01,010 --> 00:22:01,310

Now.

402

00:22:03,230 --> 00:22:03,950

Same.

403

00:22:04,245 --> 00:22:08,265

Same old dark color with disabilities,

and we'll put her, we'll put a happy

404

00:22:08,265 --> 00:22:14,685

little Bush in there and he comes right

out and we're going to have to test and

405

00:22:14,685 --> 00:22:21,345

reflection so we can just start throwing

in some color or some nice reflections

406

00:22:24,585 --> 00:22:26,145

Vandyke Brown on the knife.

407

00:22:26,555 --> 00:22:31,095

Let's build like a hair happy

little stone, got to have a

408

00:22:31,095 --> 00:22:32,415

place for all this to set.

409

00:22:35,880 --> 00:22:43,980

I said just FANUC Brown, decide where you

want this dirt area to be dropped the dam.

410

00:22:45,660 --> 00:22:50,550

We'll go back to some of her dark

Sienna and white and of that.

411

00:22:51,090 --> 00:22:54,030

That's laying in a few little highlights.

412

00:22:54,720 --> 00:22:56,820

So just let this sorta

bounce across there.

413

00:22:57,210 --> 00:22:59,040

Just like your Lane's

snow on the mountain.

414

00:23:00,135 --> 00:23:00,825

That easy.

415

00:23:01,485 --> 00:23:05,055

And you can take that little edge of the

knife and just pull some of this down,

416

00:23:06,915 --> 00:23:17,625

make it look like nice banks, grab it,

grab it, pull it down and go across it.

417

00:23:18,060 --> 00:23:19,200

Instant reflections.

418

00:23:21,300 --> 00:23:21,570

Yeah.

419

00:23:21,590 --> 00:23:23,130

Then I would take a one inch brush.

420

00:23:23,730 --> 00:23:28,620

Let's go through some CAD yellow and

some SAP green Cadieux on Sam green.

421

00:23:28,650 --> 00:23:31,110

Pretty pretty colors load.

422

00:23:31,110 --> 00:23:32,340

A lot of paint into the brush.

423

00:23:32,790 --> 00:23:33,330

Let's go home.

424

00:23:34,130 --> 00:23:41,490

Maybe right here is a

happy little tree areas.

425

00:23:45,050 --> 00:23:45,290

Hmm.

426

00:23:48,105 --> 00:23:48,555

Okay.

427

00:23:49,185 --> 00:23:56,475

Now that one right there and just put as

many or as few as you want these things

428

00:23:56,475 --> 00:23:57,945

just go wherever it makes them happy.

429

00:23:59,205 --> 00:23:59,835

All right.

430

00:24:02,264 --> 00:24:07,595

Bit of liquid and we'll kind kind sand

a little water line underneath this.

431

00:24:09,784 --> 00:24:11,435

This is how you started

cleaning up the bottom.

432

00:24:11,435 --> 00:24:16,024

Bring everything together, scratchy

and a few sticks and twigs.

433

00:24:18,645 --> 00:24:21,405

Now let's go over here on the other

side and just use the same old

434

00:24:22,035 --> 00:24:24,135

dark color we use around rush here.

435

00:24:24,705 --> 00:24:26,745

We'll put a big tree.

436

00:24:27,045 --> 00:24:34,125

He lives back in there somewhere

and without cleaning the brush,

437

00:24:35,565 --> 00:24:39,315

add a little bit of a lighter green

color, just to make the indication

438

00:24:39,315 --> 00:24:40,575

of a couple little highlights.

439

00:24:41,325 --> 00:24:44,145

So around Bryce does fantastic

little background trees.

440

00:24:46,140 --> 00:24:46,890

Okay.

441

00:24:48,260 --> 00:24:55,100

Yeah, we can take us a fan brush with

Vandyke Brown on it, and we'll put

442

00:24:55,100 --> 00:24:58,100

in a big tree that lives right there.

443

00:24:59,540 --> 00:25:00,350

Vandyke Brown.

444

00:25:00,500 --> 00:25:01,100

Give him a little further.

445

00:25:01,100 --> 00:25:01,280

Yeah.

446

00:25:06,250 --> 00:25:12,780

We need some nice little bushes around

his foot and bring all this together.

447

00:25:18,090 --> 00:25:18,420

448

00:25:23,280 --> 00:25:27,570

Brown and white color with a

knife, we'll put the indication

449

00:25:27,570 --> 00:25:29,010

of some highlights on this tree.

450

00:25:31,425 --> 00:25:33,045

Just some indications.

451

00:25:33,675 --> 00:25:34,245

All right.

452

00:25:38,895 --> 00:25:48,435

Let's take some liquid black, um, a

liner brush and put us the indication

453

00:25:48,435 --> 00:25:54,825

of some little lambs and however

many, this is just liquid black.

454

00:25:57,960 --> 00:25:59,780

There, yeah.

455

00:25:59,780 --> 00:26:03,710

Back to her one inch brush and some

of the dark color put some leaves.

456

00:26:03,710 --> 00:26:03,770

Yeah.

457

00:26:06,560 --> 00:26:08,930

Wherever, wherever there's more.

458

00:26:16,340 --> 00:26:18,290

And then we'll highlight these.

459

00:26:23,985 --> 00:26:28,125

This is just a yellow with a

little bit of SAP green in it.

460

00:26:30,645 --> 00:26:34,695

And just drop these in, put a little

bit on these, just to brighten them up.

461

00:26:34,755 --> 00:26:42,345

I think he had a little highlight on them

and down here we had a little, little

462

00:26:42,345 --> 00:26:44,625

bit of stone, a little bit of ground.

463

00:26:46,635 --> 00:26:47,325

There we go.

464

00:26:47,715 --> 00:26:48,705

Drop some highlight on it.

465

00:26:49,960 --> 00:26:50,610

Okay.

466

00:26:50,640 --> 00:26:53,220

I think that shows us how

that painting was done.

467

00:26:55,200 --> 00:26:58,170

And I think we're, we're about

at a closing point for this week.

468

00:26:58,570 --> 00:27:01,620

Look forward to seeing you

next time from all of us here.

469

00:27:01,680 --> 00:27:02,400

Happy painting.

470

00:27:02,820 --> 00:27:03,390

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S09E07 - Forest Hills

Bob Ross's

The Joy of Painting

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