Bob Ross's

The Joy of Painting

S10E08 - Golden Sunset

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Hello.

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I'm glad to see you today.

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I'm certainly glad you could join me.

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I thought today would do a

fantastic little painting that

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I really believe you'll enjoy.

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So let's start out and have him run

all the colors across the screen that

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you need to do this painting with me

and they'll come across as usual in the

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same order as I have them on the pallet,

starting with a white and working around.

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Let's go on up here and let

me tell you what I've done.

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I have a, a canvas here, this painted

black, as you can see now we use a black

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Jesso to paint this black on top of that.

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I've allowed, uh, the black to drive, of

course, on top of the black, then I've put

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some Indian, yellow here, a little bit of

a lizard and Crimson, and then some fellow

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blue and down here, I've just put a little

bit of Vandyke Brown around the edges.

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I thought we'd do a

pretty little scene today.

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I really believe you'll enjoy.

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So let's start out.

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I won't take the old two inch brush

and go right into a little bit of

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titanium white, just plain old titanium,

white, just put some in the bristles.

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So.

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Kim let's go right up here.

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Not today, right off.

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You have to make a big decision.

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Basically.

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Where's is the horizon going to

be that's the first decision?

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So let's, let's say it's

going to be right in here.

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So let's just start making little

crisscross strokes in there.

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Look at what's happening.

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See it picks up all of those

beautiful yellow colors underneath.

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And as it works up, we're going

to get into the, going to get

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into the alizarin Crimson.

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Hmm.

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I love his black canvases, so fantastic.

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Okay.

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We'll just keep working right on that.

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Okay.

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Yeah.

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As you, as you run out of white paint on

your brush, clean your brush, you just

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scrub it off in the old bucket here.

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Give it a good shake and

beat the devil out of it.

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Now I'm going right back in here.

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And put a little bit more

of the titanium point.

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I want to brighten this up something.

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So always start with a clean brush and the

light area work upward, upward, upward.

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Okay.

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Now I'm just adding a little more

white allowing some of this blue to

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be picked up and the crimsons and

all the beautiful little colors.

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It's a fantastic way to

make a happy little sky.

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There we go.

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And when you're preparing your canvas,

as I mentioned earlier, it's covered with

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black GSO and you can use a black latex,

but latex is not designed to hold paint.

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So be careful with that.

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It'll work in a pinch, but if you have

an option, use a product that's designed

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specifically for making canvas as black.

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Now then with our nice clean

brush, we can just go back.

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And blend all this together.

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Hope you get your sunglasses on the day.

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That's one loss guy.

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I just want to keep blending till

you can't tell her one color stops

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and the next one starts this time.

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Bring it together.

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Very smooth.

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About like, so in very lightly, go

over to take out all the brush strokes.

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And you've got a happy little

sky that quick, quick, okay.

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Let's have some fun today.

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We'll use the old, the around brush.

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I'm gonna go right into some

Vandyke Brown and dark Sienna.

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And just tap the brush just firmly

tap it, just like, so here we go.

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Okay.

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Let's go right up here now,

then I want to have some.

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So little trees and stuff

in the background here.

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So take the round brush and just tap in

some basic shapes, just very basic shape.

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You're not really worried

about much at this point.

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So round Bryce desk, some super thanks.

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There we go.

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Just all kinds of happy little trees.

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Hmm, a little more pain on the brush.

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They're kind of swine,

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maybe, maybe right here.

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Let's have a big, strong tree.

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He lives right here.

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You can just absolutely go crazy

with this all kinds of trees.

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You got to have a place

for the birds to set.

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I introduced you to my, a little

bird earlier in this series.

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Okay.

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Gives us.

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So basic shapes for all of our

little shrubbery and bushes and

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trees, all those little good things.

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Now, then tell you what let's use

the script liner brush, and I'll dip

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it right into some paint thinner,

and we'll go into some of the Brown.

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Now you want this paint to be as

thin as water, ink, consistency,

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and turn the brush that loads

it, turn it and pull it out.

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See how sharp it is.

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Turn it, pull it out.

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A liner brush has a very long bristle.

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That'll come to a fantastic point.

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Let's go right up here.

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Yeah.

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Let's just put the indication of some

happy little tree trunks in here.

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Just hearing there, got to

have something to hold up.

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All this, all these trees

and shrubbery there.

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Maybe, maybe, maybe there's

maybe there's one that comes we

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on that, like, yes, wherever.

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You make the decision.

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Here's the one over here.

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This one looks like he sort of bent to me.

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I like old trees that are leaning

over to have some character.

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There we go.

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You can put as many or as few

branches as you want in your tree.

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Just lay them on.

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Now, if you have trouble making the

paint, making the paint, come off the

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brush, add a little more paint thinner.

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Remember our golden rule, then paint.

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We'll stick to a thick paint.

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Okay.

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Over in here, we don't want

this tree to be left out.

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Let's give, let's give him a

happy little trunk there is,

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but you see how easy it is to

make a fantastic sky already.

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And once you, once you put these little

trees and then it pushes everything back

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and it just, Oh, it makes it come alive.

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Now then let's take the

same all round brush.

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I haven't cleaned it still dirty

and we'll go into some of the

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yellows and I'm just going to tap

into yellow, little yellow ochre.

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Just tap it and get quite a

bit of paint on the brush.

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See how I'm tapping, do it slow so you

can see there, but a lot of paint cans

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go up here now then with just the top

corner of the brush, let's go in here

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and begin adding all kinds of little.

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A little bright, shiny leaves on here.

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All I'm doing is just touching,

but worry about shape.

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I had a little, little

to bright red to that.

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Let's make one, right?

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Ooh, look, there doesn't

that one stand out nice.

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But all you're doing is just

tapping with the top corner.

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And then as you go down,

down, down, let it get darker,

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darker, darker, darker, darker.

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Okay.

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Okay, let's go right up here.

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We'll go to this old big tree.

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Give him, give him some

little happy things going on.

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Don't want any to be left out.

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Look at that.

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Fantastic.

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I know you could do it.

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There we go.

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So, you know, when you, when you're

doing these trees, don't, don't

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kill all the little dark areas.

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Leave.

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Some of these dark areas.

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See in here, I'll use that as a pointer.

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The dark areas are as

important as the light areas.

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Don't kill them all.

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That's what gives you tree character.

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And then we work forward working

layers, completing the most distant

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thing first, and then coming forward.

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See, not that one will push

everything else back speaky.

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Huh?

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And that's the way you build

depth in your painting and don't

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make them all the same shape.

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Some are tall, some are short,

some are skinny, some are fair.

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They just liked people.

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Each one has their own

individual personality.

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There we go.

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Okay.

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Let's go over here on the other side,

dropping out a few on this little tree.

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We don't want him left out either.

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Claire, when you're painting trees

devote some time to studying what a

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tree looks like, go out and go out

and talk to a tree, make friends with

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it, spend some time looking at trees.

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See what makes them see

what makes them work.

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Why do they look the way they look

that you got a tree in your front yard?

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Probably that you've, you've

looked at for a hundred years and

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never paid any attention to it.

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Get you a big glass of ice tea and

go out one day and sat in a yard and

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just look at how beautiful it is.

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Nature is so fantastic.

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If you just, just devote a little

bit of time to studying it, looking

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at it, make friends with it.

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There we go.

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Let's go right up in here.

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I'll put some, this tree.

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All we're touching is a top corner of

the brush just to the very top corner.

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So you get all those beautiful

little individual things.

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Be careful that you don't

let the breast slide.

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If it slides and you're going to be

unhappy with me, I want you to be unhappy.

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You're just, just tapping, but no sliding.

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That's very important.

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Let's come right down here.

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There's another little rascal.

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He's just singing in the sun out here.

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He can just cover up your

whole canvas with layer after

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layer bushes, if you want.

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And that's okay.

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That's a super, super way to practice,

but let's have some fun in here.

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Maybe, maybe we will take just some

plain old titanium white here on

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the fan brush loaded, quite full.

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Grateful can just go right

up in here now, then maybe

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there's snow on the ground here.

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And with all these little bushes, I

want to do that because it looks pretty

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just begin forming the lay of the land.

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See very gently and allow it to

pick up that color it's underneath.

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So it reflects right out of

the sky and you can just.

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Make all kinds of little

Hills and valleys in here

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very lightly.

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Just blend it all together

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and you can push everything back

in layer after layer after layer,

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just, just by blending it a little.

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There we go.

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Maybe over here.

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Comes right down, just

wherever you want it.

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It's up to you.

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Not a super easy way to make

some happy little ground areas.

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Okay.

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Maybe it will bring it here.

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We'll just bring us right on back.

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What the heck?

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We don't have to make

any big decisions yet.

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Something like, so I tell you what if

you painted with me before, you know,

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me and, and water, I'm a water fanatic.

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So I take a little bit of white on the

two inch brush, and let's say there's

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a little bit of water right here.

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So I'm going to touch and just pull

straight down, straight down here.

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I'm using a very.

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Very firm pressure.

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Get tough with it.

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Pull them down

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so easy.

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It is to make water.

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Be sure these lines come straight down.

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I had a little bit of color.

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I want this to be bright.

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All right.

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Now then gently, gently go

across just enough to give it

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sort of a sheen, like, so, okay.

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Now that that's come back with

the old fan brush and we can begin

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doing little individual things here.

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Watch right here.

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Just that easy.

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Just bring it right over the

little, little, do her right there.

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And maybe there's one that lives

here and this one comes red on that.

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Just like, so see just as

many or as few as you want.

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And we can begin putting all kinds

of little things that live out here.

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Okay, there we go.

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Let's go over here and you build

layer after layer, after layer.

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And that once again, I know you

get tired of hearing me say it, but

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that helps create the illusion of

depth distance in your painting.

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Here we are.

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Man then you want to take a

little touch of the liquid

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white, pull it out very flat.

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Let me clean the knife.

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They wouldn't get a close up here and

you can see how to load this knife.

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Pull it out as flat as you can

get it and then cut across C Oh,

252

00:14:59,880 --> 00:15:01,800

without flat and then cut across.

253

00:15:01,890 --> 00:15:02,579

It's that easy.

254

00:15:03,260 --> 00:15:03,980

Let's go right up here.

255

00:15:04,520 --> 00:15:04,850

Now.

256

00:15:05,780 --> 00:15:10,040

All you do is go right in here and just,

we'll just cut in a little water line.

257

00:15:29,040 --> 00:15:30,300

maybe a little bit right in there.

258

00:15:40,245 --> 00:15:41,595

I have to make some big decisions.

259

00:15:43,095 --> 00:15:43,875

Tell you what let's do.

260

00:15:43,935 --> 00:15:52,385

Let's have this coming right down over

there and we can just fill all this up

261

00:15:56,255 --> 00:15:58,565

and a touch of they

little blue right there.

262

00:15:58,595 --> 00:15:59,945

I'm going to put some shadows in there.

263

00:16:03,695 --> 00:16:05,585

Just a little tiny bit.

264

00:16:06,900 --> 00:16:15,860

And then we take, put the white right

over my, so maybe we let him even add

265

00:16:15,860 --> 00:16:17,470

a little touch of a lizard Crimson.

266

00:16:17,760 --> 00:16:20,240

I want some of that sky color

to reflect through that.

267

00:16:24,800 --> 00:16:25,640

Oh, we're doing right now.

268

00:16:25,640 --> 00:16:31,280

It's just laying in some base

color that we'll come back and very

269

00:16:31,280 --> 00:16:34,550

gently, very gently again, laying.

270

00:16:35,175 --> 00:16:40,485

Quite right on top of that, this is

just straight to titanium white, plain.

271

00:16:43,035 --> 00:16:43,695

All right,

272

00:16:48,615 --> 00:16:49,275

there we go.

273

00:16:49,335 --> 00:16:52,425

And have a super wait just to

drop in a happy little snowbank.

274

00:16:53,475 --> 00:16:54,225

You can do it.

275

00:16:56,325 --> 00:16:57,015

You can do

276

00:17:00,075 --> 00:17:00,495

it right here.

277

00:17:00,765 --> 00:17:03,645

Did you ever think you'd get a painting

this bright off a black canvas?

278

00:17:04,260 --> 00:17:11,599

You can you really, can we

go straighten up the edges?

279

00:17:15,800 --> 00:17:16,430

All right.

280

00:17:18,099 --> 00:17:22,970

Smoothest out of hair, a

little, a little bit of that.

281

00:17:23,300 --> 00:17:24,380

They little blue up here too.

282

00:17:24,440 --> 00:17:25,849

I want to create a little shadow in there.

283

00:17:26,599 --> 00:17:27,980

It's a little bit darker over in here

284

00:17:31,580 --> 00:17:32,180

that are white.

285

00:17:34,514 --> 00:17:37,455

Say there, you can just

keep changing your mind.

286

00:17:37,485 --> 00:17:39,764

Anytime that you want to

here, we don't make mistakes.

287

00:17:40,905 --> 00:17:42,435

We have happy accidents.

288

00:17:43,455 --> 00:17:45,675

You learn to work with

anything that happens.

289

00:17:52,085 --> 00:17:53,135

that's coming right along.

290

00:17:54,425 --> 00:17:56,405

I tell you what telling you what.

291

00:17:57,210 --> 00:17:59,670

Let's have some fun this whole

round brush it so much fun.

292

00:17:59,670 --> 00:18:00,480

Let's just play with it.

293

00:18:01,320 --> 00:18:03,180

I'll go right into the Browns again.

294

00:18:03,210 --> 00:18:06,420

Just tap, just tap it.

295

00:18:06,720 --> 00:18:09,540

Maybe, maybe over here in this corner.

296

00:18:10,439 --> 00:18:10,649

Yep.

297

00:18:11,399 --> 00:18:13,770

I see, I agree.

298

00:18:13,830 --> 00:18:14,370

Big tree.

299

00:18:16,700 --> 00:18:17,250

He's a fake.

300

00:18:17,250 --> 00:18:19,679

When he goes clean off the canvas up here.

301

00:18:24,450 --> 00:18:24,870

There you go.

302

00:18:25,129 --> 00:18:28,580

Just sort of visualize these things in

your mind and drop them on the canvas.

303

00:18:29,010 --> 00:18:30,420

It's your, your creation.

304

00:18:30,600 --> 00:18:32,670

You can do anything that

you want to do here.

305

00:18:34,500 --> 00:18:36,780

And Nathan will just

come right on down here.

306

00:18:38,760 --> 00:18:46,320

Like, so now then we'll take, take

the fan brush and loaded full of

307

00:18:46,320 --> 00:18:48,870

the Vandyke Brown and dark Sienna.

308

00:18:48,900 --> 00:18:50,880

We just mix them together

right on the brush.

309

00:18:51,900 --> 00:18:55,710

Say, load the brush full

of color, both sides.

310

00:18:57,524 --> 00:19:02,024

Candice go right up here and then let's

put a happy little tree trunk in there.

311

00:19:02,024 --> 00:19:02,355

Just

312

00:19:06,395 --> 00:19:07,264

as you pull down.

313

00:19:08,165 --> 00:19:08,254

Okay.

314

00:19:08,555 --> 00:19:09,754

Apply more pressure.

315

00:19:10,955 --> 00:19:15,605

So it gets larger and larger, larger

and larger toward the bottom tank.

316

00:19:15,815 --> 00:19:18,425

Maybe, maybe, maybe, maybe you're right.

317

00:19:18,545 --> 00:19:18,725

Yep.

318

00:19:19,145 --> 00:19:19,565

Right there.

319

00:19:20,524 --> 00:19:20,885

All right.

320

00:19:21,185 --> 00:19:22,205

We'll put another one.

321

00:19:22,415 --> 00:19:22,774

Shoot.

322

00:19:22,774 --> 00:19:24,785

We just cut all kinds

of happy little trees.

323

00:19:26,250 --> 00:19:30,149

And take the knife, some white

and some of that same Brown color.

324

00:19:31,199 --> 00:19:33,990

I want to add at least little

touch of the bright red to it.

325

00:19:34,770 --> 00:19:41,820

Just to give it some spark lit up

about like it cut off a little roll

326

00:19:41,820 --> 00:19:43,709

of paint, just a very small role.

327

00:19:43,740 --> 00:19:48,060

Let's go up here now, then right along

the edges here, I just want to put

328

00:19:48,060 --> 00:19:50,580

the indication of a few highlights.

329

00:19:52,575 --> 00:19:57,764

Just make that little tree stand right

out, then we'll get this one set.

330

00:19:57,764 --> 00:20:00,014

I don't want him left out there.

331

00:20:00,014 --> 00:20:05,945

He is areas that easy and all I'm doing

is just touching the canvas, the canvas,

332

00:20:06,065 --> 00:20:07,895

pull off what it wants and give you back.

333

00:20:07,895 --> 00:20:12,455

What's left just like a

tax man does every year.

334

00:20:14,165 --> 00:20:14,764

There we go.

335

00:20:19,950 --> 00:20:21,419

Just right on up the tree.

336

00:20:26,159 --> 00:20:26,669

Okay.

337

00:20:28,860 --> 00:20:33,560

Let's take her a liner

brush, paint thinner.

338

00:20:33,919 --> 00:20:36,020

And you want this paint

to be very, very thin.

339

00:20:36,020 --> 00:20:36,919

I can't say that enough.

340

00:20:37,310 --> 00:20:43,070

It won't flow unless it's almost

the consistency of ink, right.

341

00:20:43,995 --> 00:20:45,345

Let's just go right in here.

342

00:20:45,975 --> 00:20:50,055

Just drop in the indication of a

few happy little tree branches here

343

00:20:50,055 --> 00:20:56,285

and there, just here and there,

wherever you think they should be.

344

00:20:57,004 --> 00:21:04,355

That's exactly where they should be

when you do this, just to relax, kick

345

00:21:04,355 --> 00:21:06,935

back, enjoy should make you happy.

346

00:21:08,295 --> 00:21:12,004

Should make you very happy when you

paint paintings on those good things.

347

00:21:14,250 --> 00:21:14,760

There.

348

00:21:17,690 --> 00:21:21,590

And if painting teaches you,

nothing else, nothing else at

349

00:21:21,590 --> 00:21:22,940

all, it will teach you to see.

350

00:21:24,560 --> 00:21:28,040

It will teach you to see things in nature

that you never knew existed before you

351

00:21:28,370 --> 00:21:30,590

you'll become aware of shape of color.

352

00:21:31,370 --> 00:21:32,060

Oh my gosh.

353

00:21:32,090 --> 00:21:33,409

It opens a whole new world.

354

00:21:33,560 --> 00:21:33,800

Yeah.

355

00:21:35,570 --> 00:21:36,530

A whole new world.

356

00:21:39,409 --> 00:21:41,060

And when you drive down

the streets, you'll see.

357

00:21:41,625 --> 00:21:46,165

You'll see color and trees and,

and form, uh, be careful you

358

00:21:46,275 --> 00:21:47,655

wreck the car sometime looking.

359

00:21:47,655 --> 00:21:48,885

I get, I get so crazy.

360

00:21:48,885 --> 00:21:51,405

I just don't pay any

attention to where I'm going.

361

00:21:52,635 --> 00:21:59,535

And on that travel, I carry a camera with

me and with a camera, then you can take

362

00:21:59,535 --> 00:22:03,345

pictures of things and save it for later

times when you want to paint and you can

363

00:22:03,345 --> 00:22:07,245

come back and take ideas off that painting

that you did or picture that you did.

364

00:22:08,564 --> 00:22:09,945

And do a beautiful painting.

365

00:22:10,034 --> 00:22:14,715

I'm just taking a little bit of a Brown

here and tapping into some, just a little

366

00:22:14,715 --> 00:22:16,574

indications of some happy little leaves.

367

00:22:17,834 --> 00:22:18,794

This is just the dark.

368

00:22:19,064 --> 00:22:23,594

So we put some light on

it'll show, some dark color.

369

00:22:27,544 --> 00:22:27,905

Okay.

370

00:22:29,014 --> 00:22:32,885

I have two round brushes going

here, so I don't have to go back

371

00:22:32,885 --> 00:22:35,975

and forth and wash him so much.

372

00:22:36,585 --> 00:22:36,845

Okay.

373

00:22:36,885 --> 00:22:37,935

Now we'll go back in here.

374

00:22:38,505 --> 00:22:42,165

We're just, just with a little

bit of yellow, tap on some

375

00:22:42,165 --> 00:22:44,835

indications of some happy little

leaves that are living up here.

376

00:22:46,215 --> 00:22:47,775

This round brush is fantastic.

377

00:22:47,775 --> 00:22:49,155

You can do entire paintings with it.

378

00:22:49,185 --> 00:22:49,245

Yeah.

379

00:22:52,205 --> 00:22:53,075

Do entire paint.

380

00:22:53,105 --> 00:22:54,485

Makes beautiful clouds.

381

00:22:55,385 --> 00:22:56,345

Super bushes.

382

00:22:58,175 --> 00:22:58,775

There we go.

383

00:22:59,555 --> 00:22:59,645

Okay.

384

00:22:59,825 --> 00:23:00,785

Don't overdo here.

385

00:23:00,815 --> 00:23:02,015

I want to keep this quite dark.

386

00:23:02,015 --> 00:23:03,425

This is more in the shadow areas.

387

00:23:05,655 --> 00:23:06,165

Like so,

388

00:23:10,125 --> 00:23:10,485

okay.

389

00:23:11,655 --> 00:23:15,574

Now then where their fan brush that

has the white on it, we can go back

390

00:23:15,574 --> 00:23:20,165

in here and let's just clean up the

flips down here and allow a little,

391

00:23:20,165 --> 00:23:21,995

that Brown color to be picked up.

392

00:23:25,564 --> 00:23:26,225

There we go.

393

00:23:28,020 --> 00:23:29,280

I know let's have some fun.

394

00:23:29,310 --> 00:23:33,330

We'll take out the fan brush with some

Brown on it, and we'll just pop in a few,

395

00:23:33,330 --> 00:23:38,850

little, little grassy things that are

live in down here, wherever you want them.

396

00:23:39,480 --> 00:23:40,980

Maybe there's one that lives here

397

00:23:49,010 --> 00:23:52,820

wherever sort of breaks

up that expanse of white.

398

00:23:57,405 --> 00:23:59,925

Then weather first, it

has the white on it.

399

00:24:00,105 --> 00:24:04,814

We can smooth up the edges and

sort of bring us all together

400

00:24:10,804 --> 00:24:11,764

wherever you want it to go.

401

00:24:16,594 --> 00:24:17,405

I tell you what.

402

00:24:18,344 --> 00:24:20,955

You know me, I got a couple

of minutes left here, so

403

00:24:20,955 --> 00:24:23,804

let's have some fun, I think.

404

00:24:24,135 --> 00:24:24,405

Yep.

405

00:24:24,735 --> 00:24:26,145

I think it's a big tree.

406

00:24:26,955 --> 00:24:32,084

He comes a week here and lives

down here about putting this

407

00:24:32,084 --> 00:24:35,115

tree and does two things.

408

00:24:37,635 --> 00:24:39,044

It drives my director crazy.

409

00:24:39,105 --> 00:24:42,915

That's the first, but the second

thing is it pushes everything back.

410

00:24:43,004 --> 00:24:46,365

It gives much more

perspective to the painting.

411

00:24:46,425 --> 00:24:46,965

There we go.

412

00:24:50,990 --> 00:24:54,560

All right back to her paint

thinner on the liner brush.

413

00:24:55,580 --> 00:24:58,850

And let's put in just indication

of a little tree trunk, or

414

00:24:58,850 --> 00:25:02,150

two here, just here in there.

415

00:25:03,140 --> 00:25:03,620

Alexa,

416

00:25:06,650 --> 00:25:07,280

Harrison,

417

00:25:11,840 --> 00:25:15,440

once again, this paint

should be as thin as ink.

418

00:25:17,564 --> 00:25:18,344

Then it's ink.

419

00:25:18,465 --> 00:25:22,485

If it won't flow and add a little

bit more of the paint tenor to it,

420

00:25:29,044 --> 00:25:32,705

whether a knife, this little tree

needs to touch a highlight on it,

421

00:25:34,235 --> 00:25:40,145

just a little, just enough to make

him stand out just by tapping.

422

00:25:40,145 --> 00:25:42,185

You can feed it right

on back into nothing.

423

00:25:44,550 --> 00:25:45,990

Well, I have that then paint on here.

424

00:25:45,990 --> 00:25:48,930

I'm going to just drop in a few little

sticks and twigs here and there.

425

00:25:50,880 --> 00:25:54,600

Just a couple to break it up and

bring it, bring it all together.

426

00:25:57,080 --> 00:25:57,440

Okay.

427

00:26:01,220 --> 00:26:03,820

Let's put the indication of a happy

little leaf or two on this tree.

428

00:26:03,860 --> 00:26:10,810

Don't want him to be left

out, like, so just a couple.

429

00:26:14,310 --> 00:26:21,300

A little bit of yellow and we can

highlight him not a fantastic way

430

00:26:21,300 --> 00:26:22,770

though, to make a super little painting.

431

00:26:23,070 --> 00:26:24,659

I really hope you've enjoyed this one.

432

00:26:26,450 --> 00:26:30,360

Give you a lot of experience

with a round brush, a lot of fun.

433

00:26:34,070 --> 00:26:35,620

certainly, certainly hope you try.

434

00:26:36,510 --> 00:26:37,310

We'll sign that one.

435

00:26:37,639 --> 00:26:38,600

Take a little bit of red.

436

00:26:40,575 --> 00:26:41,565

Sign it right here.

437

00:26:42,705 --> 00:26:46,125

And with that, we'll call this

painting finished once again.

438

00:26:46,545 --> 00:26:47,774

Certainly hope you've enjoyed it.

439

00:26:48,135 --> 00:26:51,165

I look forward to seeing you next

time until then happy painting.

440

00:26:51,645 --> 00:26:52,185

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S10E08 - Golden Sunset

Bob Ross's

The Joy of Painting

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