Bob Ross's

The Joy of Painting

S15E09 - Spring Time Mountain Lake

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Hi, I'm glad you could join me today.

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It's a fantastic day

only because you're here.

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So I tell you what, let's start out

today, have them run all the colors

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across the screen that you need to paint

along with me while they're doing that.

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Let me show you what I've done.

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I've got my standard total

18 by 24 inch canvas, but you

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pay me whatever size you want.

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I just use that because it's nice

for the TV cameras and I've covered

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the entire canvas with a thin

even coat of the liquid white.

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So it's all wet and it's ready to go.

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So let's go.

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I'm going to start out

today with a smallest little

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amount of alizarin Crimson.

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This is the last show.

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Of the 15th series.

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It's a lot of shows.

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Each series has 13 shows.

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Times 15 comes out to a group.

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But since this is the last year,

though, we just do a fantastic little

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happy painting, little traditional

painting that just, just should make

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you feel good when you're doing it.

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Let's start with a little

bit of this Crimson.

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Let's just put in a happy little sky here.

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What the heck?

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What the heck?

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Just use little crisscross strokes.

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Just started dancing.

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Maybe it feels on over.

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I'll get a little more color

right on over wherever we wanted.

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Wherever you want it now, then I'm

gonna, I'm going to add a little more

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of the Elysium Crimson and reach over

here and get the Lee's little touch.

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If they love blue proportionately,

much more Crimson than blue.

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The blues a hundred times stronger.

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I want to make a nest little

lavender color here and there.

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I want to put a little bit

of lavender during this guy.

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Like a dad, wherever.

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Just want to really make

it, make it sparkle.

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Happy little sky.

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Just a happy little sky.

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They're

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still using the little crisscross strokes,

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like, so it's all there is to it.

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Okay.

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A little bit more of the blue.

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I ended up in here, a little more blue.

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There now we're going to

have a little touch of water.

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I think in this painting, I like water.

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Hope you to go back into my Crimson.

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Just get a little bit on the brush

and we reflect just a little bit down.

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We're going to have some

water there a little bit.

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Go right into the little blue.

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Let's just put it over the

radio, just a little blue.

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See how that blends right into

there, right into the Crimson

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that we have a little more blue.

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We'll put a little bit on the side.

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All we're doing is putting a little

color on the canvas at this point.

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Really doesn't matter.

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Doesn't matter right now.

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We're just having a good

time enjoying there.

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Let's wash your brush.

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You'll scrub it as a screen in the

bottom of my can that I scrubbed

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it against shake off the excess,

just beat the devil out of it.

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And they haven't been.

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With a clean dry brush, still

using little crisscross strokes.

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We want to blend the scar together.

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Very gently, very gently.

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This doesn't take much pressure.

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All we're doing is just

blending it together.

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You don't want to be able to

tell her one color stops and

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the next color starts there.

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Okay.

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And when you're doing this

at home, I recommend that you

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step back from your painting.

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It's very difficult to see right?

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Close up.

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It's really hard to see step back

costs six, eight feet, and take a look.

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See, and then you can tell

exactly what you have.

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Okay.

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Wash the brush one more time.

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I just liked to wash the

brushes, shake it off.

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There we are.

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Okay.

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Okay.

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Okay.

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Let's see.

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Let's use, we use a one inch brush.

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I'm going to some titanium white.

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Load some color into the bristles.

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Let's just make some very

simple little clouds today.

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And they live in our world.

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They live right up here and all I'm

doing is just happy, just happy.

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That's all there is to it.

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Just have to sort of let that little

cloud just float ride on off the

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brush wherever you want it to go.

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There we go.

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There, it goes, just

make up little stories.

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The little cloud that floated

around had a good time.

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Just sort of see him in your

mind and drop him right up here.

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Anything that the mind can conceive.

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You can paint that you can paint there.

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There's a little cloud.

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Maybe he's got a little friend lives

right there as many, or as few as you want

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in your world, just drop them in there.

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He goes right on off the canvas.

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That might be the simplest easiest

way I've ever found of making

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some very gentle little clouds.

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And I just come down here and

just sort of blend out the base a

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little bit, just a tiny bit there.

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Knock off the excess paint and very

lightly, very lightly just blend it.

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So you don't over blender.

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Your cloud will go away and leave.

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You.

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He'll leave.

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You stranded all by yourself.

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That's all you need.

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Okay.

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Today that's build us

a nice mountain shoot.

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Let's take, we used some black.

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What type of little touch of

oppression, blue Vandyke Brown,

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put some Crimson in there to shoot.

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That's a nice car.

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There.

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We are pull it that very flat,

go straight down, cut across.

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So you have that literal of paint

lips ride out there on the end of

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the knife, you go right up in here.

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Watch right here.

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Takes a knife.

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Very firmly.

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Push in.

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Just basic shapes, push it very firmly.

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You want to try to push that

paint route right into the fabric.

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Maybe over here lives,

a little peak comes out.

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This is your mountain.

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So you make it however you want it.

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There we go.

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Maybe it comes out through here.

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There's another little bump.

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You're limited only by your

imagination only by your imagination.

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We have no boundaries here, total freedom.

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Now I'm going to take the large

brush and I'm going to grab

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that because the canvas is wet.

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You can move the color, that's move it

there, grab it, pull firmly that way

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automatically it becomes a lighter.

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Toward the base, the bottom of the

mountain should be lighter than the top

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that we had comes out, looking like all

the beautiful mist that lives down there.

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And just let that go right

on, off into the distance.

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We don't know where that goes.

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I don't care, but already see

that mountain looks like it's

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just sort of floating there.

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That's what we're looking for.

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Clean my brush.

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There we are.

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Okay.

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Today let's use the little small knife.

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Don't take some white, white, white,

white, some dark Sienna, and we're

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just going to mix those two together

and we'll mix several different areas.

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So I have the Kirsi right

there is quite light over here.

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It's dark.

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So that way I'll be able to take

from each side and have a difference.

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Okay.

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Cut off our little roll of paint.

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Got a small roll of paper.

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Now, then let's go up in here.

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I liked the small knife for

getting in here and doing

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these little delicate things.

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Let's just begin putting all

kinds of little things out here.

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There, there they are.

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Okay.

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Maybe right in here, there

comes one wherever you are

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wherever you think it should be.

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That's where it should be.

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Right on down.

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Let's begin working

with some shadows here.

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I'll take some white oppression blue.

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So van Vandyke Brown, I'm looking

for a bluish bluish gray color.

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Put some black in there too.

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What the heck there?

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That's nice.

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That's nice.

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Okay.

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Once again, we cut off

our little roll of paint.

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Yeah, that let's go right in here and

let's begin putting in the indication.

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That's a little shadows,

little shadows that live.

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We back here.

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I want these to be quite subdued

and there they just live right

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in there and have a good time.

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Maybe over here.

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Yeah, you're right.

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There lives some nice

little shacks there, right?

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Yeah.

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You can just make all kinds of

son of a guns in there just by,

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just by pulling down over that.

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I like this little knife for this.

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It really, really works quite well.

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And you can go back to some of

your dark and maybe here and there.

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Just want to put the indication

of something nice, deep shadows.

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So you can just play light against

dark, dark against light, go back

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and forth, forwards and backwards.

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Okay, now then we'll come

right down here and maybe, yep.

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Look at that.

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See, there's just all kinds

of things happening in here.

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Just sorta let them have, maybe

this comes right on down soon.

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Maybe they come together there.

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We don't know.

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However you want to.

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How ever you want, that's the way they

can be in here and there, we have some

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dark areas get carried away here and

just keep going and going till you hunt.

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Maybe over here, you see that

comes right down in the front,

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right down in the front.

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Maybe we'll even have these come together.

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You can bring them right

together, just like that.

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It was a bit of a dark color.

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We'll put a deep shadow in there.

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Look at that, that him sign up against

just sort of work right in there.

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We can just work it back and

forth and forth and back.

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Pick a little touch.

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If they look blue and white, just want to

put a little indication maybe of a little

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something that lives right in there.

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That's nice.

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Yeah.

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It's nice.

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Right.

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Just intermingled some

shadows here and there.

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I want some shadow over

here too for, I forget it.

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Let it go.

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No pressure on the night though.

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Absolutely.

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No pressure.

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The most gentle touch imaginable.

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But you can make some fantastic mountains.

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Easy.

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Kay.

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Let's take, let's take our

big brush very lightly.

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I just want to begin tapping this.

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Just want to tap the base of it.

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I want to create the illusion

of mist farriers lightly

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in here.

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Maybe it would just give it a little pool.

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That'll soften it and

bring it all together.

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It looks like a nice little Rocky place.

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Now that's maybe where the

mountain goats sleeps here.

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All of these angles, maybe this

works its way right on over.

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Wherever you want it, pick up a

little, touch it color right there.

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You can bring that

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now, then let's have some fun.

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I'm going to go, right, right

into a little bit of a yellow,

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the yellow reach up here.

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Get a little touch in the green.

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Just bring them together.

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Maybe even a little yellow ochre in there.

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Like that.

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That's pretty, pretty, pretty.

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Okay.

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Now then that's to say maybe back

here, there's some little Hills,

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some little grassy Hills to climb

right up the side of this mountain.

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Same, same.

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They live right there.

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You knew that,

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but just follow the angles in your mouth.

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And you can recreate all kinds

of beautiful little things.

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And we had a little dark Sienna

here and there too to that yellow

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00:14:25,194 --> 00:14:29,574

ochre and CAD yellow dark in

that color just a little bit.

263

00:14:29,845 --> 00:14:30,985

So it shows up better.

264

00:14:31,465 --> 00:14:31,944

There we go.

265

00:14:32,765 --> 00:14:32,975

Okay.

266

00:14:33,724 --> 00:14:41,314

Climb that mountain, sometimes a

little bit of dark color dropped.

267

00:14:41,314 --> 00:14:47,435

You just sort of played back and

forth between darks and lights and

268

00:14:47,435 --> 00:14:52,535

look at the look at the basic shapes

in here and here we said this was

269

00:14:52,535 --> 00:14:53,765

sort of working around like that.

270

00:14:54,094 --> 00:14:56,704

So that's the way this should

work a little bit climbing

271

00:14:56,704 --> 00:14:57,454

right up through there.

272

00:14:59,235 --> 00:15:06,705

Just just bend those trees right around

my cat comes right on down, but you can

273

00:15:06,705 --> 00:15:09,075

create all kinds of beautiful effects.

274

00:15:10,365 --> 00:15:11,444

So easy.

275

00:15:12,600 --> 00:15:21,210

Over here out of these angles,

most important, be a little

276

00:15:21,210 --> 00:15:22,290

bit of dark here in there.

277

00:15:24,660 --> 00:15:26,130

This is our shadow side of the mountain.

278

00:15:26,140 --> 00:15:27,960

So we want it to be a

little darker overall,

279

00:15:31,110 --> 00:15:32,340

just layer after layer.

280

00:15:32,430 --> 00:15:33,569

Oh, kinds of things.

281

00:15:37,920 --> 00:15:44,040

Oh, you need two inch brush and

you're in business that mountain

282

00:15:44,040 --> 00:15:47,130

already is sitting right out there

and all those little green Hills.

283

00:15:52,395 --> 00:15:56,175

Now that we can take a clean brush if you

want to create even more mystical right

284

00:15:56,175 --> 00:16:01,545

down here at the base with a clean brush

and just tap it just half the edges.

285

00:16:02,985 --> 00:16:07,935

And that will create even more

mist, always falling the angles.

286

00:16:08,324 --> 00:16:13,665

And very lightly, very lightly, just

barely, barely, barely touching the

287

00:16:13,665 --> 00:16:16,755

canvas can blend all that together.

288

00:16:18,425 --> 00:16:20,255

And maybe how this hang

on that same brush.

289

00:16:20,255 --> 00:16:21,935

We go into a little bit

of this same dark color.

290

00:16:21,935 --> 00:16:26,855

We made the mountain out of what the

heck, just as long as it's a good

291

00:16:26,855 --> 00:16:30,095

dark color, maybe there's a little.

292

00:16:30,645 --> 00:16:33,435

Foothill right there.

293

00:16:34,965 --> 00:16:35,895

You want this darker.

294

00:16:35,895 --> 00:16:39,555

As things get closer to getting the

landscape, they should get darker and

295

00:16:39,555 --> 00:16:42,465

darker, darker, darker, and darker

296

00:16:45,825 --> 00:16:47,265

this round right on, off here somewhere.

297

00:16:47,265 --> 00:16:48,165

We don't know where it goes.

298

00:16:49,135 --> 00:16:51,105

That puts another plane into the painting.

299

00:16:51,665 --> 00:16:52,845

Adds more dimension.

300

00:16:53,760 --> 00:16:57,570

Makes your painting look deeper there.

301

00:16:57,990 --> 00:17:01,080

Now you can grab it and

gently lift up a little bit.

302

00:17:01,740 --> 00:17:05,849

It'll make it look like a little distant

trees that are far, far away, far away.

303

00:17:06,089 --> 00:17:06,329

Ooh.

304

00:17:09,030 --> 00:17:12,389

There look at all that little rascal.

305

00:17:12,389 --> 00:17:18,240

So while we have that color,

let's take a little that color

306

00:17:18,720 --> 00:17:20,159

and pull straight down underneath.

307

00:17:20,520 --> 00:17:23,579

If we don't have water, then we

need a little reflection back here.

308

00:17:24,810 --> 00:17:26,399

Need us a little reflection.

309

00:17:28,770 --> 00:17:30,630

There just pull it down straight down.

310

00:17:33,000 --> 00:17:33,420

Okay.

311

00:17:36,120 --> 00:17:39,690

Very lightly come across soon,

got to make all those little

312

00:17:39,690 --> 00:17:40,920

noises to where it didn't work.

313

00:17:42,660 --> 00:17:43,140

There we are.

314

00:17:44,610 --> 00:17:46,020

And we have instant reflections.

315

00:17:46,020 --> 00:17:50,160

Now we can take our knife a little

bit of little bit of liquid white.

316

00:17:52,065 --> 00:17:53,865

Okay, pull it out very flat.

317

00:17:54,615 --> 00:17:57,015

I think we just sort of do like

yet get a little bit on the

318

00:17:57,015 --> 00:17:58,095

bottom of the knife this time.

319

00:17:58,755 --> 00:18:01,305

Sometimes we let it on the top

sometimes on the bottom, depending

320

00:18:01,305 --> 00:18:02,505

on the effect we're looking for.

321

00:18:04,215 --> 00:18:07,995

I want to push them very firmly

and Ben the knife, I want to make

322

00:18:08,445 --> 00:18:13,155

like a little bit of a bit of land

and not the sandbar or something

323

00:18:13,155 --> 00:18:16,095

is projecting out here as far away.

324

00:18:16,095 --> 00:18:17,655

So it's very hard to see detail.

325

00:18:19,034 --> 00:18:19,784

Very very hard.

326

00:18:21,615 --> 00:18:22,064

Okay.

327

00:18:22,784 --> 00:18:23,895

Clean off my own knife.

328

00:18:25,574 --> 00:18:30,524

Let's have some fun shoot just

makes up a big pile of color here.

329

00:18:30,524 --> 00:18:35,564

We're going to have black oppression,

blue, Brown, Crimson, little set,

330

00:18:35,625 --> 00:18:41,084

green, whatever you got long as

it's good and dark might as well.

331

00:18:41,084 --> 00:18:41,375

Mix up.

332

00:18:41,455 --> 00:18:42,104

Pretty good pile.

333

00:18:42,104 --> 00:18:44,834

We're going to, we're going to use a lot.

334

00:18:45,915 --> 00:18:46,905

Find a fan brush.

335

00:18:46,905 --> 00:18:47,385

There's one.

336

00:18:48,435 --> 00:18:49,495

Let's go right into that pile.

337

00:18:49,534 --> 00:18:52,995

Dark color, loaded, full of paint.

338

00:18:53,175 --> 00:18:53,985

Lots of paint.

339

00:18:55,125 --> 00:19:01,544

Maybe over here, we have the indication of

some little evergreens that live up here.

340

00:19:03,075 --> 00:19:03,675

There they are.

341

00:19:04,274 --> 00:19:06,165

And all I'm doing is

tapping straight down.

342

00:19:06,284 --> 00:19:07,695

See there.

343

00:19:07,695 --> 00:19:11,805

You can see super it's all we're doing.

344

00:19:11,835 --> 00:19:12,645

Just tapping down.

345

00:19:12,645 --> 00:19:12,764

Right.

346

00:19:13,275 --> 00:19:13,515

Down.

347

00:19:13,515 --> 00:19:14,505

We're down, we're down, we're down.

348

00:19:14,505 --> 00:19:15,645

We're down with tower dance hall.

349

00:19:15,855 --> 00:19:16,935

There it goes.

350

00:19:17,825 --> 00:19:20,835

We'll let it get smaller,

smaller as it goes out here.

351

00:19:21,435 --> 00:19:23,835

We'll have a little peninsula of

land that lives right out here.

352

00:19:25,125 --> 00:19:26,565

There, there we go.

353

00:19:27,705 --> 00:19:29,565

We just fill all that in

with some nice dark color.

354

00:19:33,975 --> 00:19:37,095

I think I've made a

mess, made a mess here.

355

00:19:41,850 --> 00:19:45,410

Okay, pay your heart, maybe

a couple of these trees.

356

00:19:45,720 --> 00:19:49,940

Maybe they had a little more sunlight,

a little more water, whatever they

357

00:19:49,940 --> 00:19:56,690

got strong, big, they stand out

or maybe they just old, bigger.

358

00:19:58,140 --> 00:20:02,570

There is, there is maybe

that one right there.

359

00:20:03,080 --> 00:20:08,210

Just pick them out, happy to

evergreen lives right there.

360

00:20:12,200 --> 00:20:14,330

And we can paint another one

in the water upside down.

361

00:20:14,480 --> 00:20:14,840

Look at that.

362

00:20:15,480 --> 00:20:15,870

Sneaky.

363

00:20:15,870 --> 00:20:16,020

Huh?

364

00:20:18,090 --> 00:20:18,720

Drop another one.

365

00:20:18,720 --> 00:20:18,870

Yeah.

366

00:20:20,700 --> 00:20:23,280

Now then find a big brush.

367

00:20:24,680 --> 00:20:25,520

Be sure it's dry.

368

00:20:26,330 --> 00:20:29,690

Decide where you want reflections

because the canvas is wet.

369

00:20:30,560 --> 00:20:32,420

You can grab that paint and just move it.

370

00:20:32,450 --> 00:20:32,750

Look at that.

371

00:20:35,390 --> 00:20:39,680

Now then very lightly come

across and keep these brush

372

00:20:40,190 --> 00:20:41,690

strokes as straight as possible.

373

00:20:43,800 --> 00:20:44,820

They just won't look right.

374

00:20:44,820 --> 00:20:49,140

If they're crooked, the water looks

like it's going to run sort of Yamaha.

375

00:20:49,800 --> 00:20:53,850

That's a new word I made up and we'll

take some yellow, yellow, yellow,

376

00:20:53,850 --> 00:21:00,150

yellow, reach up here, get some SAP

green, some of that dark color here.

377

00:21:00,210 --> 00:21:04,990

When a dark color load, the brush full,

get a little yellow ochre in there.

378

00:21:05,070 --> 00:21:05,970

Little Indian, yellow, too.

379

00:21:05,970 --> 00:21:06,540

What the heck?

380

00:21:07,170 --> 00:21:07,980

A lot of color.

381

00:21:08,835 --> 00:21:11,985

Now then back in here, I want to

put the indication, just push up

382

00:21:11,985 --> 00:21:15,915

with the brush indication of some

happy little grassy things that

383

00:21:15,915 --> 00:21:17,415

live back here on this peninsula.

384

00:21:19,845 --> 00:21:26,985

There seen there, they come,

they come just push it upward.

385

00:21:26,985 --> 00:21:29,235

And it makes all those little

grassy things just happen.

386

00:21:30,105 --> 00:21:33,495

Looks like a lot of little bushes

and things that are far away.

387

00:21:34,185 --> 00:21:35,265

Far far away.

388

00:21:36,525 --> 00:21:37,005

Yeah.

389

00:21:37,005 --> 00:21:39,645

I'll take her knife a little

bit of Bandag Brown will pull

390

00:21:39,645 --> 00:21:40,875

it, paint out and very flat.

391

00:21:41,835 --> 00:21:45,295

And once again, cut across to get

our little roll of paint right

392

00:21:45,295 --> 00:21:46,185

out on the edge of the knife.

393

00:21:47,055 --> 00:21:53,295

We can come in here and

put us on some land areas.

394

00:21:53,895 --> 00:21:54,195

There.

395

00:21:55,815 --> 00:21:57,195

Take a little bit of our Brown and white.

396

00:21:58,500 --> 00:22:00,060

This is what was left

over from the mountain.

397

00:22:00,090 --> 00:22:01,080

What the heck with the shoes?

398

00:22:03,280 --> 00:22:04,710

Put a few highlights here and there.

399

00:22:07,000 --> 00:22:13,940

There touch of our liquid white, put

us a little water line into here that

400

00:22:13,940 --> 00:22:19,040

cleans up the bottom X to separate there.

401

00:22:20,930 --> 00:22:22,760

Just what it makes it

a little more pleasant.

402

00:22:24,170 --> 00:22:24,770

There we go.

403

00:22:25,070 --> 00:22:27,020

Maybe a little ripple

in the water, whatever

404

00:22:30,770 --> 00:22:32,270

we don't want this side

over here left out.

405

00:22:32,300 --> 00:22:32,960

So let's put some.

406

00:22:33,450 --> 00:22:36,090

Well, let's put some trees there,

back with the fan brush, a lot of

407

00:22:36,090 --> 00:22:37,710

color in the brush, a lot of color.

408

00:22:38,670 --> 00:22:40,350

Maybe there's a big tree who lives.

409

00:22:40,620 --> 00:22:41,490

Boom, right there.

410

00:22:42,360 --> 00:22:43,770

Now just the corner of the brush.

411

00:22:43,800 --> 00:22:44,580

You can see this one.

412

00:22:44,580 --> 00:22:44,970

Good.

413

00:22:46,020 --> 00:22:48,720

Just the corner of the brush

work is back and forth.

414

00:22:48,810 --> 00:22:49,770

Think about a tree.

415

00:22:50,940 --> 00:22:55,470

Think about a tree, just like so, so to

think about what it is, you're trying

416

00:22:55,470 --> 00:22:59,520

to do, try to imagine that your tree,

how would you want to look out here?

417

00:23:01,080 --> 00:23:02,520

I remember when I was a kid I wanted to.

418

00:23:03,629 --> 00:23:04,679

I wanted to catch a rabbit.

419

00:23:04,709 --> 00:23:08,699

One time, my uncle told me the way

to catch a rabbit was hide behind the

420

00:23:08,699 --> 00:23:10,800

henhouse, make a noise, like a character.

421

00:23:11,129 --> 00:23:12,179

When he came around and grabbed it.

422

00:23:14,909 --> 00:23:16,679

I hadn't quite figured that out yet.

423

00:23:18,285 --> 00:23:18,675

Okay.

424

00:23:18,765 --> 00:23:19,365

Here's another one

425

00:23:24,375 --> 00:23:24,735

there.

426

00:23:27,555 --> 00:23:28,125

Okay.

427

00:23:33,645 --> 00:23:37,635

I just have another tree there just makes

funny little noises with the fan brush.

428

00:23:37,725 --> 00:23:40,515

It was petty Pat petty pad, maybe.

429

00:23:40,925 --> 00:23:42,695

I have another one here into your world.

430

00:23:42,695 --> 00:23:46,775

Do you decide how many or how few

trees you want and drop them in?

431

00:23:49,025 --> 00:23:50,645

I like leaving areas like this open.

432

00:23:50,855 --> 00:23:53,195

See, you can see back behind that tree.

433

00:23:53,195 --> 00:23:55,685

Now I would treasure that little spot.

434

00:23:56,495 --> 00:23:57,305

Don't lose him.

435

00:23:58,475 --> 00:23:59,105

Don't lose him.

436

00:23:59,105 --> 00:24:00,575

Let's give him a baby tree right here.

437

00:24:01,745 --> 00:24:02,735

Little tiny tree.

438

00:24:02,975 --> 00:24:04,025

You grew up on data.

439

00:24:05,825 --> 00:24:08,825

You grow up and I'll put

one more right there.

440

00:24:08,825 --> 00:24:10,025

Just to fill up this spot.

441

00:24:12,510 --> 00:24:12,990

There you go.

442

00:24:12,990 --> 00:24:13,169

443

00:24:16,830 --> 00:24:18,389

can I just put a lot of color it in there?

444

00:24:20,159 --> 00:24:21,689

Let's put some trunks in our trees.

445

00:24:21,689 --> 00:24:25,590

We'll use white and dark

sand pulled out flat.

446

00:24:25,949 --> 00:24:30,600

Try to cross our little rolled up

paint again, and just here and there.

447

00:24:30,600 --> 00:24:31,350

We'll just touch.

448

00:24:31,500 --> 00:24:35,159

Give it a little pull

as it gets bigger there.

449

00:24:35,399 --> 00:24:38,129

See just the indication.

450

00:24:39,210 --> 00:24:40,710

We're not looking for a lot of detail.

451

00:24:41,400 --> 00:24:45,330

You wouldn't see the entire trunk

because there's going to be, it's

452

00:24:45,330 --> 00:24:47,730

going to be leaves on the front.

453

00:24:48,330 --> 00:24:48,540

Here

454

00:24:51,770 --> 00:24:52,370

I, here we go.

455

00:24:53,430 --> 00:24:53,840

Over here.

456

00:24:53,840 --> 00:24:59,840

We'll even put the indication a

little dude right there having

457

00:24:59,840 --> 00:25:00,910

backed her little fan brush.

458

00:25:00,950 --> 00:25:02,000

It has the green on it.

459

00:25:03,345 --> 00:25:05,415

I want this to be very

dark, a lot of color.

460

00:25:05,625 --> 00:25:05,955

Okay.

461

00:25:06,825 --> 00:25:12,855

Now then let's go in here and we'll just

put some nice green highlights on these

462

00:25:12,855 --> 00:25:19,005

trees, just wherever, where ever you want.

463

00:25:19,485 --> 00:25:19,845

There they are.

464

00:25:20,985 --> 00:25:23,805

I like to keep these dark though,

because I love the contrast that

465

00:25:23,805 --> 00:25:25,155

evergreens give your paintings.

466

00:25:27,135 --> 00:25:27,735

All right.

467

00:25:27,795 --> 00:25:29,085

But that's a personal choice.

468

00:25:30,855 --> 00:25:32,895

I think all of painting

is a personal choice.

469

00:25:35,115 --> 00:25:35,685

There we go.

470

00:25:37,185 --> 00:25:40,965

You, as this series draws to

a close I'd like to thank you.

471

00:25:41,595 --> 00:25:42,945

You're very special friends.

472

00:25:43,830 --> 00:25:44,190

It is.

473

00:25:45,300 --> 00:25:47,820

It's a wonderful that you're allowing

me to come into your homes and

474

00:25:48,270 --> 00:25:50,430

paint with you and to sit with you.

475

00:25:51,060 --> 00:25:53,730

We talk together, we know each other.

476

00:25:55,920 --> 00:25:58,680

It's very, very special, very special.

477

00:26:00,120 --> 00:26:01,889

And I thank you from

the bottom of my heart.

478

00:26:03,240 --> 00:26:03,990

Let's go right in here.

479

00:26:04,110 --> 00:26:07,620

We'll just drop in this way today.

480

00:26:07,740 --> 00:26:09,180

What the heck can we

turn right on out here?

481

00:26:11,010 --> 00:26:12,090

We're going to just fill this out.

482

00:26:12,660 --> 00:26:20,520

You could do this with a paint roller,

just put in some color, take my

483

00:26:20,520 --> 00:26:22,950

large brush, tap in a little green.

484

00:26:25,290 --> 00:26:25,680

See you there.

485

00:26:27,449 --> 00:26:28,139

That easy.

486

00:26:29,669 --> 00:26:33,239

We'll just put some nice little soft

grass areas down at the bottom of

487

00:26:33,239 --> 00:26:41,639

this tree there, but that easy you

can create a very nice painting.

488

00:26:43,979 --> 00:26:46,949

And the old clock on the wall tells

me it's about time to go for the day.

489

00:26:48,090 --> 00:26:50,790

And once again, I want to thank you.

490

00:26:52,455 --> 00:26:55,725

Very much for allowing me

to share my world with you.

491

00:26:56,205 --> 00:26:58,965

I look forward to the next series,

which is already under production

492

00:26:59,325 --> 00:27:01,335

and until then keep painting.

493

00:27:01,754 --> 00:27:03,825

And from all of us here, happy painting.

494

00:27:04,365 --> 00:27:05,445

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S15E09 - Spring Time Mountain Lake

Bob Ross's

The Joy of Painting

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