Bob Ross's

The Joy of Painting

S13E10 - Mountain Summit

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Hi, welcome back.

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Certainly glad you decided to

spend a half hour with us today.

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I think you'll enjoy the little

painting we're going to do, and I

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hope you take the time to paint along,

or you pull up your easy chair and

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just relax with this thought today.

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We'd just do a fun painting one day.

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It's a lot of, Oh, it's you'd

have a good time with it.

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Let's just do it.

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Let's start out in having run all

the colors across the screen that

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you need to paint along with me

and they'll come across as usual.

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In the same order as I have them on

the pallet, or they're doing that.

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Shoot, let's go on up

here and get started.

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We have our canvas up

the liquid whites on it.

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It's ready.

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So I'm going to start off today with

a little bit of the little blue.

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We use the old two inch brush.

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Grab a touch of the midnight black, also

paint, little blue and midnight black.

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Just sort of mix them

together on the brush.

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And let's go up here and just using

our little crisscross strokes.

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Let's just drop in a happy little sky.

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Just start at the top and

work all the way across.

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Just making little exes and then

begin working downward and your color.

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It's mixing with the liquid white

continually and automatically,

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automatically your sky will get

lighter and lighter toward the horizon.

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And that's one of those little

tricks that helped create the

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illusion of deaf Tinder painting.

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As things get further away

from you, the landscape, they

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should get lighter in value.

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Let the liquid white work and

it'll happen automatically here

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and just sort of blend it all together.

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Very lightly.

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Just put across it takes out

the brush strokes and that easy.

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You've got a fantastic little sky,

probably have that color on the brush.

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I'll add just a little

more blue and black.

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Let's have a little touch of

water in this painting today.

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So now once again, we want it to

be lighter toward the horizon.

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So start at the bottom and work

upward and your darker colored.

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Then we'll be down here on the base

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and then just work up for,

and automatically once again,

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you'll get a lighter value.

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Is it four, except for toward the horizon,

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then we'll need some order.

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On the other side, I

don't want it left out.

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I don't know exactly where land's is

going to be and water's going to be,

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so we just covered all with water.

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And if we want to treat a

live here or here, we'll just,

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we'll just drop it in there

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now.

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Very lightly, just gently go

across and bring it all together.

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Now then we can wash your brush and

we wash your brushes odorless dinner.

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I never used it.

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I'd never use turpentine when I'm

washing brushes, it leaves up, it

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leaves a residue on your brushes,

which is very difficult to get out.

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Plus it smells bad.

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Oh, it smells terrible.

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One drop of turpentine your house

and you'll be working by yourself.

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I'll pay because he'll run

everybody in the house out.

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Okay.

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Titanium white.

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We'll just use the old two inch pressure.

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What the heck?

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Let's build just a happy little cloud.

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And one of the easiest ways to make

little clouds, it just take the

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corner of the brush and just half the

canvas with it, just half the canvas.

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We just want a little floater libs up

here, and this guy just has a good time

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just tap and you can make your mistake,

reduce the energy you want him, whatever.

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We'll give him a little friend there.

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All you have to do is just tap.

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And if you want your clouds to

look more distinct and brighter,

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make you sky a little darker.

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And when you're using only white paint and

that sounded, we got to jump out at you.

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If you have, if you have a sky that's not

very dark and you put white paint against

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it, then you don't have much contrast.

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So it won't look too bright there.

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I'm just going to stir these up a

little, choose to mix them a little bit.

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Give them a little, this is, this is to

me is the way I fluffed the cloud up.

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Just sort of fluff it up, let a

little wind run through it there.

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And then it's very lightly, just

barely grazing the canvas caressed.

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The canvas just blended together

and that's one of the nicest,

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easiest, little ways to make a cloud.

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Okay, tell you what let's build

us a little mountain today.

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No, it's funny.

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I get a lot of letters from people

and sometimes I say, Bob, I'm tired

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of mountains, do something different.

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And then I get probably as many

letters as I do more mountains.

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So.

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If you don't want a mountain

in your painting, just leave

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that little rascal out.

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But if you want a

mountain, then you have it.

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Okay.

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Kim, we'll take some black

suppression, blue alizarin Crimson

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and mix it together, pull it out.

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Very flat, kind of cross.

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We have our little roll of paint

out here on the edge of the knife.

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There it is.

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And just decide where your mountain

lives in your world and push very firmly.

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Just drop that little rascal in.

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And the only thing you worried

about is a nice outside.

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H you don't, you don't care what's

happening on the inside right now,

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we will later, but right now we're

just looking for a nice outside age.

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And say use a lot of pressure here.

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Push that paint right into the fabric,

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scrape off all the excess paint, just

get in there and really scrape it off.

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You're not going to hurt the canvas.

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There we go.

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With a large brush.

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We'll just pull that.

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And then it'll mix with the liquid

white this on the canvas and

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automatically they'll get a lighter.

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I had a lighter down toward the

base, just softer and softer.

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There we go.

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And that son of a gun, she

looked like he was just sort of

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floating right up here in the sky.

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That gives you a nice base now to,

to begin putting highlights on.

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Let me clean the little breasts.

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I like to wash his brushes, shake it off.

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There we go.

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Now then today, I'm just

going to use, let's just take

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titanium white, pull it out.

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Hurry.

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Flatten.

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It's just plain old Hawaii.

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And this is one of those times

you really need a firm paint.

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This paint should be very firm.

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You know, people say, how firm is it?

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Look at that the knife literally

sticks right on the palette.

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It's very firm cut off

a little roll of paint.

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Like, so now then no

pressure, no pressure.

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There, see there, just touch and

just let it flow right down the side

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of the mountain, but no pressure.

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You want it to break like this and have

all those little holes and bumps in it.

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There we go.

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I ended up here.

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See it there.

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It's so easy at times.

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It's hard.

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There we go.

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No pressure though.

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Can't say that enough times

probably the most common mistake

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made is applying too much pressure.

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And this is one of the best ways that

there is to learn, to use a knife.

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And if you could make, if you can make

snow break on these mountains, Then you

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can just make a multitude of other things.

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It's unbelievable what you can do just

by learning to let this snow break

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here, that delicate touch, light touch.

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I think I've mentioned

over and over again.

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And I was teaching Steve, my son.

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The only way I can get it across to

him was to tell him that I want him

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to pretend that he was a whisper that

just floated across the mountain and.

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And then he understood he had worked

for him and he makes some of the

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most beautiful mountains today.

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You ever see, he was a little blue and

Hyatt here in our little roll of paint.

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And I want to put a shadow behind there.

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No pressure.

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Just let it float here.

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Just let that float right in there.

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And each highlight each

little peak in here.

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If you want it to be an

individual needs a shadow.

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There right there.

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I'll give him a little shadow and you can,

you can change this mouse and continually,

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maybe you want to put a bump over here.

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Another piece, Sam, you can do that.

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And your world, you can create

any illusion that you want.

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I think that's what attracted

me to painting so much.

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If I could create any kind of world

that I want, nothing hurts here.

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No pain.

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Nobody's unhappy.

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It's a pleasant place.

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Everything's nice here.

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Okay.

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Now then with the large brush, I want

to create the illusion of a mess.

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So I'm going to do here.

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It's just tap, just tap the base, just

tap, following the angles in the mountain,

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always falling those angles and then

lift up, see, and all that little Misty

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things just sort of happen over here.

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Follow these angles.

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Sometimes I'll take a little,

let blue in the brush.

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Maybe you want to bring

this right on around.

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I'll take a little that shadow color

and we can just make it sort of look

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like it wraps around and sneaky.

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It adds a little more interest

to your mountain, add easy

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and just sort of tap it out.

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Bring it together.

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Okay.

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And that's how it is to it.

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Let's have some fun.

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I'm going to mix up black pressured

and blue shoot with throw some

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van dykes and Crimson in there.

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Little SAP, green.

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I mean, whatever you got just

mainly dark colors there.

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Let me clean the knife off and let's use.

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Not use our old fan brush today.

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Let's go in here and load some

color right onto the brush.

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Just load both sides of the brush up.

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Have it, let's have some fun.

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Let's just push in.

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Maybe there's a little

background, things that live.

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We back in the distance

back here, far away.

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I'm just pushing and making the

wrestles, bend the upper town.

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Dude, just be happy.

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Enjoy, have fun there.

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And I want some reflections under this,

so I just grabbed the bottom of it.

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No, pull it straight down.

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See there because the canvas is wet.

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You can do this and get away with it.

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If you had a dry canvas, you'd be an agony

city, then go gently across just like,

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so say instant reflections that easy.

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Maybe, maybe in our world back here.

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Maybe there's a happy little

tree that lives right here.

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A little evergreen tree.

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See, just touch and then use just

the corner of the brush and work

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back and forth, back and forth.

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And we got a little tree.

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Maybe he's got a friend here

it's a little bigger there.

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He needs a friend to areas.

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I see.

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I'm sort of weird.

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I didn't name all these little trees

and talk to him, but that's okay.

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That's okay.

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Artists are supposed to be a little,

little different there so we can

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get away with things like that.

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Maybe out here there's a little baby tree.

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Maybe they ran him off, made him go live

out here by himself, all kinds of things.

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Get another fan brush.

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I have several of them going, so I don't

have to, can you, the cleaner, we will

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take a little, that same color we made the

tree out of and go into some CAD yellow.

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Okay.

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And that'll turn a beautiful green

color because there's blue in there.

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There.

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Okay.

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Let's go up here now.

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Then I just want to put the indication

here and there of some little grassy areas

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at a far, far away back here, just a few

it's too far away to see a lot of detail.

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You can grab that and left upward,

make it look like little distant trees.

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See that paint moves on there.

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There we go.

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All kinds of little things, a

little yellow ochre in there, too.

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What the heck?

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Maybe we'll have some nice fall looking

covers in this painting with all the

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shiny colors and the liquid white, pull

it out flat and then just cut across.

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Okay.

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Now then with that, we can

just come right up in here.

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Maybe would just cut him a

happy little water act like you

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just trying to cut a hole right

through the canvas back and forth.

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This canvas is tough.

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Chances are you couldn't hurt it.

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If you wanted to.

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Maybe there's a little ripple

lives out here and one out

249

00:14:04,260 --> 00:14:05,070

here wherever you want them.

250

00:14:07,439 --> 00:14:11,270

Okay, now that tell your wife,

I liked doing those trees.

251

00:14:11,270 --> 00:14:15,650

Let's do another one back into my

dark color with a fan brush load.

252

00:14:15,650 --> 00:14:16,430

A lot of color.

253

00:14:17,000 --> 00:14:20,600

Let's go up here, maybe

their lives and our world.

254

00:14:21,270 --> 00:14:24,969

Bigger evergreen here, big, strong side.

255

00:14:25,920 --> 00:14:29,160

He was a corner of the brush and just

make the bristles bend downwards.

256

00:14:30,120 --> 00:14:32,910

And I'm using the same corner of the

brush all the way through the tree

257

00:14:33,569 --> 00:14:34,979

and just pushing harder and harder.

258

00:14:35,579 --> 00:14:39,180

So it uses more and

more of the brush there.

259

00:14:40,500 --> 00:14:41,339

Thanks on a rascal.

260

00:14:41,339 --> 00:14:41,910

Stay right there.

261

00:14:41,910 --> 00:14:45,030

And your fan brush where you can do

them with a one or two inch brush.

262

00:14:47,069 --> 00:14:47,579

Tell you what.

263

00:14:48,194 --> 00:14:52,035

Just have a third tree, bring,

have as many trees as we want.

264

00:14:52,115 --> 00:14:52,334

Here.

265

00:14:54,735 --> 00:14:55,485

There we go.

266

00:15:00,584 --> 00:15:03,525

Now I'm going to get over here

and find me a one inch brush.

267

00:15:04,635 --> 00:15:05,895

Go right through that same color.

268

00:15:06,915 --> 00:15:11,505

And let's put a, let's put a

happy little Bush right here.

269

00:15:12,885 --> 00:15:15,315

Sorta have to begin making

some decisions here.

270

00:15:16,575 --> 00:15:18,495

Or do you want all these

little things to live?

271

00:15:20,235 --> 00:15:20,775

There we go.

272

00:15:24,915 --> 00:15:25,515

That's super.

273

00:15:26,495 --> 00:15:30,255

You could do it now, then underneath here.

274

00:15:31,200 --> 00:15:32,400

You're going to want some reflection.

275

00:15:32,400 --> 00:15:35,730

So just reverse the brush or

I've been pushing upward and

276

00:15:35,730 --> 00:15:36,690

then we'll push down right?

277

00:15:37,630 --> 00:15:39,540

Where you have tall items up on top.

278

00:15:40,680 --> 00:15:44,910

You want items that are long below it,

where they're short, then make these nuts.

279

00:15:50,030 --> 00:15:50,750

Okay.

280

00:15:52,700 --> 00:15:53,630

And that was what turned in.

281

00:15:53,660 --> 00:15:54,170

Hopefully.

282

00:15:55,005 --> 00:16:00,045

There's some very nice little

reflections, just a nice clean, dry brush.

283

00:16:00,225 --> 00:16:05,205

I just like to beat on the brush

and pull straight down very lightly.

284

00:16:05,325 --> 00:16:07,575

So I had to do just

touch, pull down, right.

285

00:16:08,325 --> 00:16:09,255

And then go across.

286

00:16:11,585 --> 00:16:11,825

Okay.

287

00:16:13,115 --> 00:16:17,675

Now then, well, take my knife a

little bit of dark CNO, a little

288

00:16:17,675 --> 00:16:22,115

white into it and get us very small.

289

00:16:22,115 --> 00:16:23,045

Roll of paint on the knife.

290

00:16:24,270 --> 00:16:25,890

Okay, now then let's go up here.

291

00:16:27,120 --> 00:16:32,010

Just put the indication here and there

of a few little trunks and these trees

292

00:16:32,460 --> 00:16:35,370

give him, give him some nice trunk.

293

00:16:35,370 --> 00:16:37,290

So they stand up strong and tall.

294

00:16:38,970 --> 00:16:39,780

There we go.

295

00:16:40,230 --> 00:16:41,460

And we go back to our fan brush.

296

00:16:41,460 --> 00:16:42,450

It has the green on it.

297

00:16:44,220 --> 00:16:44,670

There.

298

00:16:45,120 --> 00:16:48,090

And I just want to put the indication of

a few little highlights on these trees.

299

00:16:49,250 --> 00:16:52,610

Don't kill all the dark go dark contrast.

300

00:16:53,990 --> 00:16:54,710

Well, we get finished.

301

00:16:54,740 --> 00:16:56,630

That's what makes us sort

of, again, stand out.

302

00:16:58,229 --> 00:17:02,990

They're just a little evergreens are

normally darker than other trees.

303

00:17:03,530 --> 00:17:05,329

So leave them that way.

304

00:17:05,839 --> 00:17:09,829

And we'll dip the brush into a small

amount of the liquid white and begin

305

00:17:09,829 --> 00:17:11,359

applying some color to these things.

306

00:17:12,109 --> 00:17:13,609

Pull the brush in one direction.

307

00:17:14,659 --> 00:17:15,230

Be right back.

308

00:17:15,230 --> 00:17:16,310

Get some SAP green here.

309

00:17:18,050 --> 00:17:18,710

Okay, here we go.

310

00:17:19,520 --> 00:17:22,579

Sam green, Chad yellow, one direction.

311

00:17:22,964 --> 00:17:24,855

Load the bristles full of color.

312

00:17:24,885 --> 00:17:25,454

Let's go up here.

313

00:17:27,555 --> 00:17:31,595

Now you have to make some decisions or

did your little bushes lift, just touch

314

00:17:31,784 --> 00:17:35,805

and give a little, little push just

enough to bend the bristles a tiny bit.

315

00:17:36,885 --> 00:17:37,635

We'll alternate.

316

00:17:37,635 --> 00:17:38,504

Some of the colors here.

317

00:17:38,504 --> 00:17:43,754

I went into a little yellow ochre,

and now we can reverse the brush and

318

00:17:43,754 --> 00:17:44,895

drop a little bit right in there.

319

00:17:44,895 --> 00:17:47,475

If you want to right in there.

320

00:17:49,125 --> 00:17:53,415

Maybe up in here, there's a

darker green living there.

321

00:17:53,415 --> 00:17:54,485

Yes, there is.

322

00:17:54,725 --> 00:17:54,915

Yes.

323

00:17:57,525 --> 00:18:00,045

There is a big strong Bush over here.

324

00:18:00,525 --> 00:18:04,035

He's my friend there

325

00:18:07,115 --> 00:18:09,935

kind of another one, but notice

how these are going in into layer.

326

00:18:09,945 --> 00:18:10,775

So those layers.

327

00:18:11,439 --> 00:18:14,580

Those layers, little Indian,

yellow, too, are what create the

328

00:18:14,580 --> 00:18:16,560

illusion of depth in your bushes.

329

00:18:16,830 --> 00:18:22,139

The person drop in a few, say there just

to reverse your brush and they don't

330

00:18:22,139 --> 00:18:28,379

have to be exact, just a general shape,

a little bright red once in a while too.

331

00:18:28,860 --> 00:18:32,760

Oh, that's a pretty one sitting

over here in the corner and we

332

00:18:32,760 --> 00:18:34,229

reverse here right into the water.

333

00:18:36,169 --> 00:18:40,370

Now then with our clean

dry two inch brush.

334

00:18:41,700 --> 00:18:44,070

Just barely touch the top, just graze.

335

00:18:44,070 --> 00:18:48,750

It just barely, barely

touch and then go across.

336

00:18:49,590 --> 00:18:51,930

And that makes those

beautiful mirror reflections.

337

00:18:52,500 --> 00:18:53,040

That easy

338

00:18:56,140 --> 00:18:56,370

thought.

339

00:18:56,370 --> 00:18:57,000

You'd like it.

340

00:18:58,290 --> 00:18:59,100

It's always fun.

341

00:18:59,600 --> 00:19:01,020

I'm gonna go into some Vandyke Brown.

342

00:19:02,340 --> 00:19:03,690

Let's put some land under here.

343

00:19:03,720 --> 00:19:04,380

Shoot.

344

00:19:04,380 --> 00:19:08,310

We need something for all these

little bushes and trees to stand up.

345

00:19:09,465 --> 00:19:11,895

Don't want him to fall over here

in the water and make a big splash.

346

00:19:12,555 --> 00:19:15,585

There we go, man.

347

00:19:15,585 --> 00:19:19,875

We took a same old Brown, add a

little white to it and then come back.

348

00:19:22,215 --> 00:19:24,555

Just add the indication

of a few highlights here.

349

00:19:25,695 --> 00:19:26,504

She has tiered in there.

350

00:19:26,535 --> 00:19:29,085

Just barely crazy, just crazy.

351

00:19:30,645 --> 00:19:32,355

And then with our little

fan brush that had the.

352

00:19:32,790 --> 00:19:34,050

Greens and yellows on it.

353

00:19:35,070 --> 00:19:38,370

I can come back and break

up that straight line.

354

00:19:38,640 --> 00:19:39,660

Just lets a little grassy.

355

00:19:39,660 --> 00:19:46,260

Hurry is right down on the land, little

liquid white on the knife and we can

356

00:19:46,260 --> 00:19:54,390

cut in a waterline jazz, drop it in,

keep these lines basically straight,

357

00:19:54,390 --> 00:19:56,280

even though they follow the land.

358

00:19:56,280 --> 00:19:57,270

Do you want them to be straight?

359

00:19:57,885 --> 00:20:00,825

Or your water will look like it's cold

and run right out of the painting.

360

00:20:03,135 --> 00:20:03,765

There we go.

361

00:20:04,005 --> 00:20:04,515

Okay.

362

00:20:06,885 --> 00:20:08,235

Some let's have some fun.

363

00:20:09,330 --> 00:20:10,950

I got this whole other

side to do over here.

364

00:20:11,370 --> 00:20:12,510

Take the two inch brush.

365

00:20:13,170 --> 00:20:14,520

Go right into my dark color.

366

00:20:15,300 --> 00:20:16,830

A lot of pain on the bristles.

367

00:20:17,940 --> 00:20:18,750

Kim, let's go up here.

368

00:20:19,649 --> 00:20:21,210

Maybe on this side, let's get brave.

369

00:20:21,510 --> 00:20:22,770

This is your brave retest today.

370

00:20:22,800 --> 00:20:26,520

I'd like to give those over here lives.

371

00:20:27,580 --> 00:20:28,050

Big.

372

00:20:28,810 --> 00:20:29,200

Tree.

373

00:20:31,270 --> 00:20:32,650

I don't think I have to say that again.

374

00:20:32,650 --> 00:20:34,270

That's boy, that's pretty evident.

375

00:20:34,270 --> 00:20:35,680

That's a big tree.

376

00:20:42,280 --> 00:20:43,960

That's where really check your bravery out

377

00:20:49,150 --> 00:20:49,660

there.

378

00:20:49,660 --> 00:20:49,870

Yeah.

379

00:20:52,555 --> 00:20:56,504

This by virtue of it being so

big, it just indicates that

380

00:20:56,504 --> 00:20:58,004

this tree is much closer to you.

381

00:20:58,845 --> 00:21:00,705

And that helps create

the illusion of depth.

382

00:21:01,035 --> 00:21:04,365

Maybe the little tree we back here

somewhere it's just as big, but it's

383

00:21:04,365 --> 00:21:07,754

far, far away about being far away.

384

00:21:08,385 --> 00:21:09,795

As you know, it looks smaller.

385

00:21:11,355 --> 00:21:11,985

There we go.

386

00:21:14,845 --> 00:21:16,305

We can just fill that all up.

387

00:21:19,725 --> 00:21:21,915

This, you could put it on with

a paint for over 10 matter.

388

00:21:23,055 --> 00:21:25,065

That's a good place to

practice your strokes,

389

00:21:28,625 --> 00:21:29,165

telling you why.

390

00:21:30,215 --> 00:21:34,085

Sometimes we avoid this whole

big brush and it's a super brush.

391

00:21:34,115 --> 00:21:35,825

It'll do fantastic things for you.

392

00:21:36,575 --> 00:21:39,935

Let's load it to a chisel

edge, both sides full of paint.

393

00:21:41,025 --> 00:21:44,115

Same whole dark color, but a

lot of pain in the bristles.

394

00:21:44,115 --> 00:21:47,185

It takes a lot of paint to stick

all these bristles together,

395

00:21:47,185 --> 00:21:48,315

to see a sharp at center.

396

00:21:48,315 --> 00:21:54,855

Again, is there now then with that brush,

maybe there's a large evergreen shoe.

397

00:21:54,945 --> 00:21:56,415

There is now there's right there.

398

00:21:57,165 --> 00:21:58,875

Just the corner of the brush.

399

00:22:00,285 --> 00:22:05,745

I began working back and forth,

back and forth, like, so.

400

00:22:07,740 --> 00:22:10,260

But that's makeup, big evergreen

tree that lives right here

401

00:22:10,260 --> 00:22:11,070

in front of your mountain.

402

00:22:12,840 --> 00:22:14,310

Maybe he's got a little crooked

403

00:22:18,240 --> 00:22:19,649

trees that are sort of crooked

404

00:22:23,879 --> 00:22:24,210

there.

405

00:22:27,300 --> 00:22:27,870

Okay.

406

00:22:28,020 --> 00:22:30,240

Let's put a tree trunk in there for that.

407

00:22:30,240 --> 00:22:35,040

We'll just use dark San and white,

same thing we used on the other side.

408

00:22:37,409 --> 00:22:37,740

There.

409

00:22:39,209 --> 00:22:43,800

And since the fan brush already has

all that green on it, we can use it

410

00:22:45,750 --> 00:22:52,169

to just put in an indication of some

highlights about too many, too many.

411

00:22:54,810 --> 00:22:55,469

There we go.

412

00:22:55,889 --> 00:22:59,159

So you don't have to paint the whole truck

because you won't see the whole truck.

413

00:23:00,689 --> 00:23:01,230

All right.

414

00:23:01,830 --> 00:23:05,550

Now, Let me find another fan brush here.

415

00:23:06,180 --> 00:23:06,660

Excellent.

416

00:23:07,230 --> 00:23:10,830

I'm gonna take some Vandyke Brown

and let's build an indication of

417

00:23:10,830 --> 00:23:13,800

just a tree trunk in here soon.

418

00:23:15,150 --> 00:23:20,700

Like, so we can just make out a tree,

trunk or two in there, and we're going

419

00:23:20,700 --> 00:23:26,880

to my liquid white and into some yellow

and some SAP green pull that brace

420

00:23:26,890 --> 00:23:32,070

through loaded, a lot of color, a lot

of color, get a little more green on it.

421

00:23:32,070 --> 00:23:32,610

There we go.

422

00:23:33,975 --> 00:23:37,935

A lot of paint now, then let's

go up here and barely touching

423

00:23:38,565 --> 00:23:40,335

begin laying in this large tree.

424

00:23:41,385 --> 00:23:46,245

Don't let the brush slide, just push

at the bristles, bend a little and just

425

00:23:46,605 --> 00:23:48,915

begin forming your individual shapes here.

426

00:23:50,804 --> 00:23:52,365

Don't just hit these at random.

427

00:23:52,605 --> 00:23:56,145

Think about, think about all those

little happy lambs that live in here.

428

00:23:57,495 --> 00:23:58,065

There we go.

429

00:23:59,925 --> 00:24:01,425

See, all these things are there.

430

00:24:01,545 --> 00:24:03,945

All you have to do is just

push them out of your brush.

431

00:24:06,575 --> 00:24:07,085

Super.

432

00:24:08,765 --> 00:24:08,915

Okay.

433

00:24:08,935 --> 00:24:11,765

Maybe over here, add

a little yellow ochre.

434

00:24:11,825 --> 00:24:14,005

Maybe there's that voice

it lives right here.

435

00:24:14,055 --> 00:24:15,455

Just sorta pick them out.

436

00:24:16,655 --> 00:24:16,955

Yeah.

437

00:24:21,275 --> 00:24:21,695

Okay.

438

00:24:23,075 --> 00:24:26,765

Pick up a little more

green, a little more green.

439

00:24:27,600 --> 00:24:33,540

And right here, this one's more in

shadow, so it's a darker, there we go.

440

00:24:34,800 --> 00:24:36,450

See, he just hides right in there.

441

00:24:38,669 --> 00:24:44,520

Layer after layer, there are more

color on the brush and reload.

442

00:24:44,520 --> 00:24:45,720

The brush is necessary.

443

00:24:46,230 --> 00:24:47,429

Is it use up the paint in it?

444

00:24:48,000 --> 00:24:53,939

Add some more can tell you what,

maybe there's a big path in there.

445

00:24:55,020 --> 00:24:56,280

Take some van Dyke Brown.

446

00:24:57,135 --> 00:24:58,665

And you have to make a big decision here.

447

00:24:58,695 --> 00:24:59,625

Where's your path live?

448

00:25:00,675 --> 00:25:03,135

Maybe your path lives right there.

449

00:25:03,795 --> 00:25:06,465

So we'd lay out a basic

shape just using the Brown.

450

00:25:07,035 --> 00:25:08,355

And we don't know where this path goes.

451

00:25:08,355 --> 00:25:13,335

He goes up here and hides behind the

bushes somewhere just basic shape.

452

00:25:13,365 --> 00:25:18,345

And then we'll take some whites, a little

dark Sienna, and that's come back in here.

453

00:25:19,645 --> 00:25:22,125

Just let this barely, barely graze.

454

00:25:24,315 --> 00:25:24,795

Okay.

455

00:25:25,635 --> 00:25:27,254

I just like putting snow on the mountain.

456

00:25:27,645 --> 00:25:30,764

It's the same, same exact technique,

a little more of the liquid white

457

00:25:31,845 --> 00:25:33,615

back into my yellows and greens.

458

00:25:34,605 --> 00:25:36,555

Add in, you have to

start making decisions.

459

00:25:37,635 --> 00:25:40,065

Are these bushes in front of

you evergreen or behind them?

460

00:25:40,545 --> 00:25:41,475

I think they're in front.

461

00:25:42,885 --> 00:25:45,675

So let them come right over,

right over in front of it.

462

00:25:47,504 --> 00:25:49,605

They're very, your colors.

463

00:25:50,715 --> 00:25:52,395

Drop them in a while.

464

00:25:52,405 --> 00:25:57,165

Drop in a little yellow ochre,

Indian, yellow, a little bright red.

465

00:25:58,125 --> 00:26:00,435

There is a sparkler right there.

466

00:26:01,514 --> 00:26:05,685

Beautiful little Bush, the green wind.

467

00:26:05,955 --> 00:26:07,935

And as many as you want,

but work in layers.

468

00:26:07,995 --> 00:26:13,035

Remember that these bushes are

individuals do one at a time.

469

00:26:15,510 --> 00:26:16,050

There we go.

470

00:26:17,670 --> 00:26:19,860

Let some of these things

come up over the path.

471

00:26:19,860 --> 00:26:21,810

That'll push the path

down into your painting.

472

00:26:23,610 --> 00:26:27,990

Don't want that path just

to float around here.

473

00:26:28,660 --> 00:26:32,820

Then we can take the knife and

just it in a few little sticks

474

00:26:32,820 --> 00:26:33,660

and twigs here and there.

475

00:26:35,970 --> 00:26:37,920

And shoot, you've got a finished painting.

476

00:26:39,180 --> 00:26:40,500

I hope you've enjoyed this one.

477

00:26:40,860 --> 00:26:43,650

It will certainly teach you how

to use all the equipment and

478

00:26:43,650 --> 00:26:45,480

have a lot of fun from all of us.

479

00:26:45,480 --> 00:26:46,200

Happy painting.

480

00:26:46,710 --> 00:26:47,430

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S13E10 - Mountain Summit

Bob Ross's

The Joy of Painting

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