Bob Ross's

The Joy of Painting

S13E05 - Mountain View

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Hmm.

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Hello.

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I'm truly glad you could join me today.

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You ready to do a

fantastic little painting?

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Good.

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Tell you what show you

what I've done up here.

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I've got my standard old 18 by 24

inch canvas, but you use any size

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canvas you want for your painting,

and I've covered it with a thin

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even coat of the liquid white.

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So it's already to go tell you what

let's have him run all the colors

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across the screen that you need to paint

along with me and they'll come across

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right as usual in the same order as

I have more, my pallet starting with

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a titanium white and working around.

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And while they're doing that, shoot,

let's go on up here and get started.

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Then we'll start with just a small amount.

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And I tell you what, let's start with a

little tiny, tiny touch of the bright red,

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and you need very little of this color.

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It's quite strong.

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There we go.

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Just tap a little into the bristles.

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Now then I thought today we'd do a,

uh, just a warm, happy little painting.

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It's such a super day.

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So let's just take and make

little crisscross strokes

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and just lay in where we go.

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Just a little bit of pink in

the sky daily touch of pink.

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That'd be very careful.

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This red is so strong.

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It'll look like there's a fire in the sky.

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So use a very small

amount, very small amount.

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You can always add more, but it's

a sun began to try to take it out.

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It can, if you have to,

but it's hard to do.

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There we go.

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And this is continually blending

with the liquid white and it gets

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lighter and lighter allow that allow

the liquid white to work for you.

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And as I say, you can make it any degree

of brightness that you want now, without

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even cleaning the brush, I'm going to

right into a small amount of the fellow

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blue and just tap a little bit of that

into the bristles, just a small amount.

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Once again, these colors are very strong.

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It takes very little paint.

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Okay.

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Now that is still using a

little crisscross strokes.

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Let's just begin laying in some

light blue areas around this pink.

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Just sort of let your imagination go here

and you decide where you want it to be.

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Just like, so this let it blend

together, but don't cover up the pink.

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The blue is many, many times stronger

than the pink, so you'll just eat

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it up maybe with a totally blue sky.

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Maybe over in here, we want a little bit,

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let's see how you can take

this with, do it right here.

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You can take this blue and go right

over the pink and the way it goes,

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it'll just go in and leave you there.

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Can maybe you want to put the indication

here and there of just a happy

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little cloud that floats out here.

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All you have to do is take some of this

and just tap it and you can bring all

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kinds of little projections out into your

sky, wherever you want them, wherever.

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They aren't maybe over in

here, shoot, must have some

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bigger, bigger ones over here.

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Just sort of let them, I don't know.

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We just work off the brush.

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Just have fun with it.

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Enjoy I say over and over again,

and I'm very sincere about it.

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Painting should make you happy.

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Just make your heart full of joy.

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So very lightly, very lightly here.

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All we have to do is just blend all this

and you can bring all this together.

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Yeah, then all we have that blue

on the brush, you know, me and

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my water had crazy about water.

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So let's take a little of the

blue, just tap a little on there.

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Okay.

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And let's go right down here.

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I don't know exactly where

we're going to have water yet,

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but first just lay some off.

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Anything that we, we don't want

to just cover up because this is

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our world here, and we can create

any kind of illusion that we want.

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Don't worry about it.

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Don't worry about it.

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We don't, we don't make mistakes.

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We have happy accidents

and it's a very good.

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To keep that in mind.

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It'll it'll, it'll get you over worrying

about, maybe I've done something wrong

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or just, just enjoy it and wash her

brush with odors thinner, shake off the

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excess and just beat the devil out of it.

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I'm going back into a little touch.

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Of the bright red and maybe right in

here, and this area left flight up

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for a little tiny amount of the wrist

takes very little color and we'll

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let a little, that sky color just

reflect right down here and here.

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And then very lightly

three hairs in some air.

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We can blend all this together.

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And then the sky, you can blend this

or the blue and the pink come together.

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Just blend it until you can't tell where

one color stops and the next color starts

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just using little crisscross strokes.

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Just very soft.

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And when you're doing this at

home, stand back and take a look.

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See sometimes when you're right

up close it's it's hard to tell

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exactly what something looks like.

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Stand back and look at it.

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Move back, maybe five, six feet.

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There we go.

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Okay.

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Can that quick?

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Okay.

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We have a nice little sky.

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It's a very simple sky and you can

do it with absolutely no problem.

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Let's make a little mountain today and

today let's make a mountain that looks

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like it's far, far off in the distance.

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And one of the ways

you do that is by size.

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So I'm going to take some black

midnight black lines and van Dyke.

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Brian.

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Hey, we'll put a little lizard

Crimson into a time black,

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Brown, and a little Crimson.

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Pull that out as flat as you can get

it, really get strong with it, then

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take your knife and just cut across.

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It's all there is to it.

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And you get that little roll of paint

right out of the edge of the knife.

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Now that you have to make your

first major decision, where did,

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where does your mountain live?

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Once again, we want to keep

these mountains quite small,

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so let's go right up in here.

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And say maybe there's a little peak.

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It lives there comes right on up.

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I see wherever you want it here.

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And you're using a lot of pressure.

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It tough with it.

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This is where you take out all your

frustrations and your hostilities there.

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Just to really push this

right into the fabric.

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There we go scrape off all the

excess paint, the value or the color

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is going to be in the material.

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You can't get it off now, if you

want it off, it's a sudden we're

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going to try to get that off.

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Okay.

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Now with our big brush, grab

it and just firmly pull it out.

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Just pull it because it's wet

underneath the paint will move in.

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See there.

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This is also a good way to

lay out your highlights and

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shadows without being committed.

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You can sort of see here

where your brushstrokes go.

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It gives you an idea of how your

Mountain's going to look, and then

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we'll just blame the base of it out

to just floats there in the sky.

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You want to just look like it's

just hanging up here in the

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Midwest and now we can come back.

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And begin putting in all of our

little highlights and stuff.

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And today much shoes, we use a

small knife, some dark Sienna, dark

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Sienna, I'm to be right back and

we'll get a little bright written.

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Okay.

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And put in there, maybe at

least a little touch of yellow

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ochre and pull it out very flat.

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Don't overmix it.

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And leave it sort of marbled, maybe

a little white here and there.

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See?

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So that way you have all these colors

happening, then cut across and you

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get that little roll of paint, but

all of those various color mixtures

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are also in that little roll of paint.

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No, no pressure, no pressure.

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Just let the knife float

right down the mountain.

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No pressure at all.

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Absolutely no pressure.

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And we can take and just grab a

little bit, and all we're doing

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here is using a clean knife.

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Sort of rubbing that a little.

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I want to pull a little, let color down.

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We may add a little touch

and blue hair in there.

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Give it a little shadow effect.

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And stayed at drift right now.

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They're the large brush.

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I'm going to tap that.

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I want to create miss.

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Cause I want to push that

part of the mountain back.

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You can play little games when you

do it in mountains, you can, you can

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push parts of it way back into the

distance, but the way you do that is

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with these Misty areas down here base.

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And then when we bring another layer over

the top here, Let's start right here.

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Just like that slide right on down.

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When you bring this one down

directly in front, it'll it'll

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look like it's in the foreground.

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So you get all these different colors,

just sort of happening, just sorta

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happening here and he'll find them there.

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We picked up quite a bit of white.

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Just sort of let these things happen.

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There.

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And then once again, I

want to miss this area.

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Just create that little soft Misty area.

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And with some of our dark color,

we can go back in here and create

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some heavy, dark shadows in there.

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We want to.

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See there.

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Isn't that fantastic.

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So super easy, nice way to make some

very effective little mountains.

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I'll tell you what let's do.

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Let's get crazy.

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Maybe there's a little peak.

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It lives for right there.

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Yeah,

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maybe there.

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And we just sort of let it

come right in front, but see

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how it pushes all that back.

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And you can do this and just create

layer after layer, after layer.

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So I was going to have a small

mountain here and it just keeps

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growing, but that's all right.

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That's, that's the way to learn, make a

lot of mountains practice over and over.

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If there's a secret to this technique

or to any technique of painting, it's

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practice devote some time to practice.

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I'd sincerely believe you can have

anything in this world that you want.

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If you're willing to pay the price

and the price for this is practice.

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That's all.

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Anybody can do it.

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If you're willing, just to spend a little

time of practicing and you'll be amazed

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at how quick it works for you there.

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Now then maybe today on this little

mountain that you went, maybe

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there's some little grassy things

that grew up around, just use this.

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So two inch brush, take a little

SAP, green, little yellow, and just

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tap it, just tap like, so, okay.

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And maybe.

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Maybe there's some nice little

grassy areas that grew right up

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beside of this mountain, like it

there, but follow the angles in that

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mountain that's most, most important.

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There we go to the yellow ochre and

Indian yellow added here and there.

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This one here.

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We'll just let it drift.

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Right.

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I don't know.

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And you're picking up the mountain

colorless mixing with that.

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So it all looks like it flows together.

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It's all natural.

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It looks right.

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Okay.

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And we can just let that grow and grow.

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And every once in a while, pick up a

little dark color, work that in too.

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So there's differences,

there's light and there's dark.

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And you can always go

back and add more little.

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Bumps rocks and stones.

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See they're that easy?

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You could just continually add

all these little things, a little

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touch, a highlight here and there.

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So it stands out.

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Yeah.

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With the same colors, we can

grab that, just the base of it

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and begin blending that out.

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And from the other side, there it goes.

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And all of a sudden that

little, that little projection

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he fits in there, he belongs.

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Everybody needs to belong somewhere.

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Make up a little darker green here,

same colors, but a little darker green.

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And we'll sort of attack

you up the backside here,

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but you can just set up beautiful

mountain right out here in this little

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grassy areas without very much problem.

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I think so.

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And the more you tap this, the

softer it will get, you can make

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it think I've mentioned before you

could make it to where it looks.

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Absolutely like velvet, just a

nice place to sit and look at

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some of nature's masterpieces.

250

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I get carried away here sometime.

251

00:14:52,485 --> 00:14:52,635

Yeah.

252

00:14:52,635 --> 00:14:55,365

I'll tell you what, let's put

some reflections under that.

253

00:14:56,355 --> 00:15:02,925

I go right into Italy's a little

black, little blue, just a couple

254

00:15:02,925 --> 00:15:03,975

of colors here on the brush.

255

00:15:03,975 --> 00:15:08,925

Just tapping now, then decide where

you want your reflections to be

256

00:15:09,765 --> 00:15:11,775

and grab and pull straight down.

257

00:15:11,775 --> 00:15:13,875

It's important that

you pull straight down.

258

00:15:15,870 --> 00:15:16,860

Let's give it a little pull

259

00:15:21,020 --> 00:15:22,670

reflections used to drive me crazy.

260

00:15:22,670 --> 00:15:24,740

And now they're one of the

easiest things that we do.

261

00:15:26,540 --> 00:15:30,730

There we go, because on his

wet canvas, the paint will move

262

00:15:38,060 --> 00:15:41,840

and you can make it as dark or

alive as you want are very lightly.

263

00:15:42,689 --> 00:15:43,680

Fiscal go across.

264

00:15:44,910 --> 00:15:46,860

This will give it the shimmer.

265

00:15:46,860 --> 00:15:49,740

The glitter looks like

water and that easy.

266

00:15:49,830 --> 00:15:51,270

You have instant reflections.

267

00:15:53,939 --> 00:15:54,569

There we go.

268

00:15:57,910 --> 00:15:58,650

Fantastic.

269

00:16:00,780 --> 00:16:01,860

We'll take a little touch.

270

00:16:04,050 --> 00:16:07,770

Brown, little tiny bit of dark CNN.

271

00:16:07,920 --> 00:16:08,040

It.

272

00:16:09,750 --> 00:16:11,490

Okay, cut off our little roll of pain.

273

00:16:11,490 --> 00:16:13,560

Again, that literal with

pain is so important.

274

00:16:14,280 --> 00:16:17,520

It really will pay you a great

dividends if you practice and learn

275

00:16:17,520 --> 00:16:21,600

to load the knife correctly and just,

just get in the habit of uploading

276

00:16:21,600 --> 00:16:26,680

it that same way each time and

that easily you can just scrub in.

277

00:16:28,485 --> 00:16:29,745

A little bit of land out here,

278

00:16:33,225 --> 00:16:33,845

call I'm doing it.

279

00:16:33,885 --> 00:16:37,485

Just sort of scrubbing there.

280

00:16:40,905 --> 00:16:43,485

I think I'll put a big tree over there,

so I don't have to worry about that.

281

00:16:44,625 --> 00:16:47,265

And a little bit of liquid lines.

282

00:16:47,805 --> 00:16:49,125

Do you know me and my big trees?

283

00:16:49,125 --> 00:16:50,175

I like big trees.

284

00:16:51,345 --> 00:16:56,625

I'm going to take a liquid white

and just lay in the amputation.

285

00:16:57,180 --> 00:17:02,490

I have a little water line

under this land area bike.

286

00:17:02,510 --> 00:17:02,820

287

00:17:06,810 --> 00:17:08,849

act like you're trying to

cut a hole in the canvas

288

00:17:13,920 --> 00:17:14,660

there.

289

00:17:19,145 --> 00:17:22,895

and sometimes maybe you'd like to have a

little indication of a little ripple here.

290

00:17:22,895 --> 00:17:23,074

Now.

291

00:17:23,104 --> 00:17:25,954

All you do is just, just cut

some across, but all of them

292

00:17:25,954 --> 00:17:27,784

should remain basically straight.

293

00:17:27,814 --> 00:17:30,274

If they're not straight, then

they're going to look like they're

294

00:17:30,274 --> 00:17:32,465

going to run right out of here,

right out of your painting.

295

00:17:32,554 --> 00:17:36,935

So tell you what, let's go into

some of this dark color we had left.

296

00:17:38,605 --> 00:17:40,285

Pick up some Vandyke Brown.

297

00:17:42,505 --> 00:17:43,855

We'll get a little sappy green here, too.

298

00:17:43,855 --> 00:17:44,335

What the heck?

299

00:17:45,025 --> 00:17:45,955

Mainly dark colors.

300

00:17:45,955 --> 00:17:47,035

So that's what you're looking for.

301

00:17:48,325 --> 00:17:50,605

And it's time to make some

big decisions in your world.

302

00:17:51,355 --> 00:17:56,695

I tell you, I tell you what,

maybe right here, it's a landmass.

303

00:17:59,095 --> 00:18:00,565

So we'll start off.

304

00:18:01,660 --> 00:18:04,570

And there's some, there's some trees

and shrubs and stuff that live.

305

00:18:04,750 --> 00:18:05,290

There we go.

306

00:18:06,130 --> 00:18:06,700

There we go.

307

00:18:07,150 --> 00:18:09,840

See you there just hard to

let these things happen.

308

00:18:09,990 --> 00:18:12,270

So look at your painting and

decide who you want to treat.

309

00:18:13,650 --> 00:18:17,490

I think maybe a tree would be very

happy if he lived right out here.

310

00:18:20,435 --> 00:18:21,605

That's a good place to put him.

311

00:18:23,885 --> 00:18:26,385

Just sort of look around in your

world and decide where you think

312

00:18:27,545 --> 00:18:34,805

you'd be happy or Bush or house

just, let's just sort of look around.

313

00:18:38,085 --> 00:18:39,235

I have another tree right here.

314

00:18:39,264 --> 00:18:40,435

We need to cover up that area.

315

00:18:41,605 --> 00:18:44,485

It's important to me to leave a

little bit of this showing through.

316

00:18:44,605 --> 00:18:49,375

So I want to leave that choice through

where you can see distance behind this.

317

00:18:51,115 --> 00:18:53,635

Maybe this tree, just, maybe

he just comes to right there

318

00:18:57,895 --> 00:19:03,715

and underneath here this'll be

reflections and we're not committed yet.

319

00:19:05,175 --> 00:19:06,905

We can make these

reflections anywhere we want.

320

00:19:06,915 --> 00:19:10,544

I'm just take a clean two inch

brush and fall straight down,

321

00:19:10,905 --> 00:19:16,574

wherever you decide reflection

should be and go across that easy.

322

00:19:16,935 --> 00:19:17,175

Okay.

323

00:19:17,355 --> 00:19:18,465

Instant reflections.

324

00:19:20,855 --> 00:19:23,405

Now then we can take her with us.

325

00:19:23,405 --> 00:19:26,615

Use the fan, burst out, take a

little dark Sienna and a little

326

00:19:26,615 --> 00:19:29,675

white just mixed together.

327

00:19:30,854 --> 00:19:32,324

And let's just draw this through the tree.

328

00:19:35,135 --> 00:19:37,364

We'd make a, make a little tree trunk.

329

00:19:37,395 --> 00:19:38,955

Maybe we can only see a

little bit of that one.

330

00:19:39,165 --> 00:19:40,455

He goes on off the canvas.

331

00:19:41,235 --> 00:19:42,555

Maybe this one has two in it.

332

00:19:42,555 --> 00:19:49,095

Who knows you put as many or as few as

you want, how we need some, we need some

333

00:19:49,095 --> 00:19:50,775

nice leaves on there to brighten it up.

334

00:19:50,775 --> 00:19:52,305

So I'll take the one inch brush Dade.

335

00:19:52,305 --> 00:19:57,795

You could do this with a two inch

brusher fan brush, tap it into some

336

00:19:57,795 --> 00:20:03,975

color, like, so just tapping and

sort of giving a little push C tap.

337

00:20:04,095 --> 00:20:04,995

We'll give it a little push.

338

00:20:05,655 --> 00:20:05,955

Okay.

339

00:20:06,735 --> 00:20:07,065

Add it.

340

00:20:08,075 --> 00:20:14,405

Let's go up here and use just the

corner of the brush and just begin

341

00:20:14,675 --> 00:20:18,815

laying in some beautiful, literally

worry about shape and form here.

342

00:20:19,925 --> 00:20:25,325

I know you've heard me say it over and

over, but it's important shape and form.

343

00:20:25,345 --> 00:20:26,764

Don't just throw these on at random.

344

00:20:29,345 --> 00:20:29,855

There.

345

00:20:30,665 --> 00:20:32,345

And a yellow ochre Indian gal.

346

00:20:32,465 --> 00:20:34,504

Caviol Safran green.

347

00:20:35,554 --> 00:20:38,705

I'd like to just vary these

colors over and over 7 million

348

00:20:38,705 --> 00:20:39,995

different colors you can make.

349

00:20:42,995 --> 00:20:43,325

Okay.

350

00:20:43,385 --> 00:20:45,745

And a little, maybe a little

touch of the break we had.

351

00:20:45,745 --> 00:20:48,415

Did that, get it to sparkle a little.

352

00:20:51,520 --> 00:20:54,399

Little few little highlights from

this little Southern gun over here.

353

00:20:54,399 --> 00:20:55,240

Don't want even left out

354

00:21:00,129 --> 00:21:04,750

and a little more of the green and

maybe down here on these bushes,

355

00:21:05,320 --> 00:21:08,320

you can use this brush or whatever,

356

00:21:12,610 --> 00:21:14,020

put all kinds of little things in.

357

00:21:19,465 --> 00:21:20,785

And just vary the colors

358

00:21:27,675 --> 00:21:29,625

and you can reflect a

little, listen to the water

359

00:21:36,435 --> 00:21:40,125

and take your large brush and

very lightly just graze it.

360

00:21:40,545 --> 00:21:41,775

Give it a little downward pole.

361

00:21:42,899 --> 00:21:45,750

And go across and it gives the

indication of some reflections in

362

00:21:45,750 --> 00:21:48,270

there just enough to make it nice.

363

00:21:48,870 --> 00:21:53,879

We can go back to her Vandyke Brown, dark

Sienna mixture, and let's put in a happy,

364

00:21:54,300 --> 00:21:56,010

happy little land area underneath here.

365

00:21:56,100 --> 00:22:01,649

And same way as we did appear,

we described this just act like

366

00:22:01,649 --> 00:22:05,580

you're trying to rub it right

through wherever you want it.

367

00:22:07,875 --> 00:22:13,595

A little bit of the liquid wine,

anywhere that we can put in a, just

368

00:22:13,595 --> 00:22:14,925

a little water line underneath.

369

00:22:17,155 --> 00:22:17,865

There we go.

370

00:22:20,685 --> 00:22:23,745

Take a clean knife and he'd go back

in here, normally in the dark areas

371

00:22:23,745 --> 00:22:27,345

and between these bushes and just

put in the indication a little,

372

00:22:28,274 --> 00:22:31,845

little sticks, and twigs helps

create the illusion of depth in your

373

00:22:31,845 --> 00:22:34,155

painting distance between each Bush.

374

00:22:34,514 --> 00:22:35,475

We need something over here.

375

00:22:35,804 --> 00:22:36,584

Let's get crazy.

376

00:22:37,814 --> 00:22:38,475

I'm gonna use him.

377

00:22:38,475 --> 00:22:39,405

Same old colors.

378

00:22:39,405 --> 00:22:45,435

We had some SAP green, some

black Vandyke Brown doesn't

379

00:22:45,435 --> 00:22:46,814

even Crimson, whatever you got.

380

00:22:47,564 --> 00:22:47,864

Okay.

381

00:22:48,524 --> 00:22:49,485

Let's go right up in here.

382

00:22:49,784 --> 00:22:50,715

Make a big decision.

383

00:22:50,715 --> 00:22:51,014

Maybe.

384

00:22:51,899 --> 00:22:56,820

There it is where you're going to have

a big something sensor right here.

385

00:22:59,840 --> 00:23:04,070

And all you have to do is just

start out, tapped in a basic shape.

386

00:23:06,935 --> 00:23:07,155

Girl.

387

00:23:07,155 --> 00:23:11,655

I know me there and that's

really the way to learn.

388

00:23:13,185 --> 00:23:13,995

Just throw them in.

389

00:23:13,995 --> 00:23:16,695

Don't worry about it and then

make a painting out of it.

390

00:23:18,534 --> 00:23:22,545

Used to, when I was teaching, I would

have students just taking, sort of turn

391

00:23:22,545 --> 00:23:27,045

their head away from the way from the

canvas and hit it with a big gob of color.

392

00:23:29,115 --> 00:23:31,635

Their project for the day was

to make a beautiful painting.

393

00:23:32,764 --> 00:23:38,615

That's one of the most fantastic

ways I've ever found to learn just

394

00:23:38,764 --> 00:23:42,485

how to compose paintings into, to

work with anything that happens.

395

00:23:44,855 --> 00:23:45,335

Try that.

396

00:23:45,335 --> 00:23:47,014

Sometimes they have an old canvas at home.

397

00:23:47,615 --> 00:23:50,495

Just talk some color on it

and go from that and turn it

398

00:23:50,495 --> 00:23:51,485

into a beautiful painting.

399

00:23:52,565 --> 00:23:53,735

You'll love what happens.

400

00:23:56,165 --> 00:23:56,825

Okay.

401

00:23:58,050 --> 00:23:59,129

Go back to my fan brush.

402

00:23:59,129 --> 00:24:02,250

We use to make the trunk and

let's tell you why it must

403

00:24:02,250 --> 00:24:04,770

have a trunk lives to loop.

404

00:24:04,860 --> 00:24:05,159

Right?

405

00:24:05,159 --> 00:24:08,820

There has to make those little

noises or it don't work.

406

00:24:09,060 --> 00:24:12,000

Maybe this one is he's got a crook in him.

407

00:24:14,010 --> 00:24:15,169

Get tired of seeing all of them.

408

00:24:15,179 --> 00:24:16,409

Just be perfectly straight.

409

00:24:16,409 --> 00:24:20,699

We can take paint, thinner, a little

Bandag Brown in here and there.

410

00:24:21,929 --> 00:24:25,230

And the indication of a few

little limbs that are living here.

411

00:24:26,595 --> 00:24:30,315

Say wherever you want

them or as many or as few.

412

00:24:32,355 --> 00:24:39,544

There say there, if you have trouble

making your paint flow, then it means your

413

00:24:39,544 --> 00:24:41,885

paint is just, it's not quite then enough.

414

00:24:42,215 --> 00:24:46,115

Remember golden rule and paint will

stick to a thick paint and back to my

415

00:24:46,115 --> 00:24:51,335

one inch brush here, I'm just going to

tap some color into it by so a little

416

00:24:51,784 --> 00:24:56,105

bright red, little yellow ochre, CAD

yellow, and let's go right up in here.

417

00:24:58,330 --> 00:25:03,129

And put some national things

that live out here in this tree.

418

00:25:04,810 --> 00:25:07,300

Once again, work with form and shape.

419

00:25:07,600 --> 00:25:08,709

Oh, I know you're tired of that,

420

00:25:11,889 --> 00:25:15,219

but if you out here selling

paintings, that's what, that's

421

00:25:15,219 --> 00:25:16,540

what brings that happy book home.

422

00:25:17,995 --> 00:25:19,705

Individual shapes and forms.

423

00:25:21,145 --> 00:25:24,175

They're up here on this one.

424

00:25:26,445 --> 00:25:26,685

Thanks.

425

00:25:26,695 --> 00:25:27,645

Don't want him left out?

426

00:25:28,155 --> 00:25:32,415

Shoot the sign or guns or get mad

if you don't treat them all the

427

00:25:32,415 --> 00:25:37,004

same, they all want some beautiful

little leaves, bright sparkles on it.

428

00:25:39,105 --> 00:25:39,735

There we go.

429

00:25:42,485 --> 00:25:46,835

The other thing that will help in your

painting leave some dark areas underneath.

430

00:25:46,895 --> 00:25:52,025

There's usually a pic shadow because all

this stuff down here stops the light.

431

00:25:52,025 --> 00:25:55,205

So at least some shadows or

some darker areas underneath.

432

00:25:55,925 --> 00:26:01,175

It'll help create that illusion of

the dark areas now that we can begin.

433

00:26:02,284 --> 00:26:04,475

Oh, maybe there's some happy

little bushes that live right

434

00:26:04,475 --> 00:26:05,465

in here wherever you want them.

435

00:26:07,834 --> 00:26:09,185

And you can just sort of drop these in.

436

00:26:10,364 --> 00:26:11,074

There's a nice one.

437

00:26:12,544 --> 00:26:13,534

There's a nice one.

438

00:26:15,180 --> 00:26:15,570

Okay.

439

00:26:16,410 --> 00:26:24,360

Like, so just wherever, wherever, and

layer, but the ones whose father passed

440

00:26:24,360 --> 00:26:30,540

away and worked forward that creates

the illusion of distance in here.

441

00:26:30,540 --> 00:26:33,750

Now you can take a little Brown

and just pay a dancy, make it

442

00:26:33,750 --> 00:26:35,100

look like his little dirt show in.

443

00:26:37,440 --> 00:26:40,470

And then put some, some happy

little bushes all around that.

444

00:26:42,570 --> 00:26:47,190

Then that's something the old

clock on the wall is telling me.

445

00:26:47,190 --> 00:26:51,150

It's about time to go for today, but I

really hope you enjoyed this painting.

446

00:26:51,180 --> 00:26:52,650

It'll teach you a great deal.

447

00:26:54,639 --> 00:26:59,490

Make you become very comfortable

with the equipment and allow you to

448

00:26:59,969 --> 00:27:04,229

experience the joy of painting and

from all of us here, happy painting.

449

00:27:04,620 --> 00:27:05,550

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S13E05 - Mountain View

Bob Ross's

The Joy of Painting

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