Bob Ross's

The Joy of Painting

S14E08 - On a Clear Day

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Okay, welcome back.

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I'm glad to see you today.

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It's a fantastic day here and I

hope it is wherever you're at.

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I tell you what let's do.

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Just a beautiful little

colorful painting today.

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One that it should make you happy.

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Let's start out and have him run

all the colors across the screen

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that you need to paint along

with me while they're doing that.

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Let me tell you what I've done already.

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I have my standard 18 by 24 inch

canvas here, and I've covered it with

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a thin even coat of the liquid white.

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So it's all slick and it's ready to go.

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So let's get started today.

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I'm going to start out.

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You use the one inch brush, a little

bit of just plain old titanium white.

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And then we'll be right back, be

right back, reach up here and get a

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little touch of the Elysium Crimson.

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So titanium white and live.

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These are in Crimson.

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Let's go right up here.

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I thought today would have a

little sun at pear in the sky.

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So we started out with just a

little spot of color, maybe.

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So it'll show up a little bit better.

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I'll put a little more

of the Crimson in there.

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There we go.

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Just a little touch of color.

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That's all there is to it.

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That's simple.

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That's simple.

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And I'm going to clean the brush.

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Shake it off.

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Just beat the devil out of it.

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Now, then I'm going to take titanium

white once again, get a touch at the CAD

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yellow, cadmium yellow, just a little bit.

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Just a little bit, make

a nice bright color here.

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Same one inch brush.

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And I'm going to go right around the

outside of this, just to red on, around

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suggest the cadmium yellow and white.

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Like, so there we go.

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It looks like an egg.

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I cooked this morning there, sir.

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We don't want to eat any of my cookie.

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Maybe we'll have a little water down

here and we'll put a little touch of that

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yellow and white mixture down in here.

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Now, then I'm going to go right into

a little touch of the yellow ochre.

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I haven't cleaned the brush.

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Still has the yellow and white

right into a little yellow ochre

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and we'll blend a little touch

of that right around the edge.

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There we go.

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This is just plain yellow ochre.

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There we are.

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I want to add a little touch

of Indian y'all to that too.

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Oh yeah.

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That's nice.

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It brightens it up even better.

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We'll put a little bit of that down

here and you can just put this out in

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your way that makes you happy there.

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Just throw it all.

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We're looking for as a little color,

we'll come back and straighten it

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all up and have fun with it later.

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Right there.

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All we're doing is just

putting in some base colors.

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All right.

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Now they're going to take a touch of

the bright red right into the yellow

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ochre, bright red and yellow ochre.

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We'll go back up here and I'm going

to add that right around here, like,

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so they're sort of an orangy color.

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I say, this is just going to be a very

bright, happy little painting there.

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And when you're putting these

layers of color on here, use little

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crisscross strokes, because that

way you have feathered edges.

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If you just make a circle around

here, it's a son of a gun to

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blend it out, and we're going to

try to blend all this color out.

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So really, really suggest that you

use a little crisscross strokes.

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It makes it so much easier.

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I want to take a little

bit of Brown, little Brown,

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little Brown reach over here.

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Get a little touch, be right back there.

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It is little touch to the blue

and put it right in the Brown.

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So I have pressure and blue and

Vandyke Brown, same old dirty brush.

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And I'm going to start it up in here.

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I want a darker color

on the outside edges.

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So start out here and

that it worked forward.

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That way it'll get lighter, lighter,

lighter as it mixes with the liquid white.

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Okay.

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Add a little touch, more

that color to my brush.

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And we'll put a little touch over here.

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Okay.

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Don't need too much on this

side and hand hand, we can even

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put a little bit down in here,

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there already.

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This is just a fun painting.

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Just to fun paint a little

bit on the other side.

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All right.

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So you can wash your brush off real good.

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Give them a shake and just

beat the devil out of him and

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have him get a very dry brush.

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Be sure your brush is dry.

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If it's wet and you hit all this,

you're going to end up in agony city

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and you're going to be upset with me.

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Be sure it's good right there.

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They're just begin blending, still

making the little crisscross strokes,

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little crisscross strokes, blend them,

and you can spend a lot of time on this

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blending if you want and you can make it.

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Oh, it's just so unbelievable

how smooth you can make it.

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You won't be able to tell where one

color stops and the next color starts,

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but always works in the light area.

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I helped don't bring your dirty

brush back into the center.

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Key that got dirty brush

on the outside there.

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If you wanted to go back and

do it again, why she brush?

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Why she brush.

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Here we go, give it a good

shake and just beat it.

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That really is the fun part of this there.

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And then we'll just blend this more.

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Now, when you're doing this

at home, pay you some time

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to step back and take a look.

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See it's hard to see right up close.

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Exactly what you have, but

if you stand back and look at

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it, then you'll see it there.

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Okay.

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And very lightly, very lightly.

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Let's go over the entire thing

to take out the brush strokes.

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Okay.

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And then I want to put a sun up in

here, so I'll just use my finger

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and that's cool right up in here and

just using the finger, we can just.

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Put in a little circle, C

that's all there is to it.

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Now, if you tried to blend that,

the way it is, chances are, it would

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probably smears a lot of paint.

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So you can take your knife and come

right back up here and let's look at it.

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So you take your knife and just go back.

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Yeah.

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The value remains in the canvas.

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Stay there.

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And you can do this couple of three times.

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If you want to get a desired

lightness, Kenny, and then down here,

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we can just bring all this together.

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Just like, so the air, this

painting makes you feel warm.

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And that's good as that say,

we're having a fantastic day here.

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So I just felt like doing

something that was nice and

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bright and sharing it with you.

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Just, just good to be alive.

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Sometimes there wash off her brush.

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And here we are now that if

you want it, you could put some

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little clouds out here in the sky.

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Shoot.

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I'll just do a quickie here.

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Just show you how we take a little

blue, a little bit of Crimson, a

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little touch, your white, a little

more cramps than, than that.

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Ooh, that's nice.

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That's nice.

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That was a little, little fellow blue

and cramps and a little bit of white.

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Now then get us a fan brush would

just load a little color on it.

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And maybe there's just a little

floater, just sort of floats around

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here in the sky and has flied all

day becomes riding on the cross.

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We don't know wherever

you want to see there.

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And you put as many or as few

as you want in your world.

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Just want to show you how to do it.

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Look at that, just a little

floaters down in here.

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Okay.

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And we take our big brush once again.

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Be sure it's good and dry.

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Blended a tiny, tiny bit fuck off the

excess paint and very lightly, very light.

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Look at that.

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See here just blamed in them.

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Happy little clouds that don't use

blue in these clouds because there's

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yellow hair in the sky is blue in there.

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You're going to have bright green

clouds unless you want green clouds.

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If you want green clouds, then

you should have green clouds.

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All right.

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Tell you what today?

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Let's build a little mountain.

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That's be a little mountain.

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I'm gonna take some pressure and blue

and lizard Crimson, proportionately,

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much more Crimson than blue, much more

the blues, many, many times stronger.

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And if you want to see what color you

got, put a little white out there.

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See that's very, very blue.

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Okay, I'm going to, I'm going to add a

little bit more Crimson to that there.

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I want it more into the

lavender, the reddish lavender.

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All right.

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That looks better already.

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Okay.

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Let me know from a knife, that's

built us a little mountain,

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little pain on the knife.

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Just come right up in here and you

have to make a decision where in

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your world is your mountain live?

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There he is.

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There he is.

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Maybe there's a bump here.

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See, I just let him go.

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Just look around and see what kind

of mountains are in your area.

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And if you live in an area where

there's no mountains, you certainly

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certainly can leave the mountains out.

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You're still have a beautiful painting.

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I get letters from people sometime and

they say, uh, you do too many mountains.

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The next, let her open sea.

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You don't do enough mountains.

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I really try to please the majority of

people, but if you don't want a mountain

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in your world, then leave it out.

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The painting is still

complete without a mountain.

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I have her every day.

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I get letters from her fantastic

people all over the country are doing

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some of the most beautiful paintings.

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And I love to see them every once

in a while we put them on the

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board and we show them on TV.

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So if you have time, take a, take a

photograph of the painting you're doing.

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Send it.

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Then let me, let me take a look.

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See if the kind of work that you're

doing from watching the show.

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To see what you're doing.

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That really makes a lot

of hard work worthwhile.

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It's great.

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Yeah, it is fantastic.

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There.

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I'm gonna take titanium white and

put the least little touch of the

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bright red, at least little touch.

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Just want to give it a touch

of a pinkish glow, pull it

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out as flat as you can get it.

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Go straight down, cut across and

get that little roll of paint.

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Okay, now then.

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Let's take and just sparkle, some

color right over this little mountain.

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Like that.

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Look at that.

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Let it go there.

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See, by not over mixing your

paint, you get those spots

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that are a little bit Pinker.

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Some are a little whiter people.

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Think you worked forever

trying to get that.

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And it's one of those happy accidents

you don't really have to do with things.

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So let it go there.

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Maybe back here.

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Yep.

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You can do, there was a

little, little touch there.

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Take some white little, take a

little blue, mix it together.

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Okay.

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All right.

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Now that we'll use that

for a shadow color.

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Once again, pull it out.

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Very flat, kind of cross and

get our little roll of paint.

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Okay, but this shadow him.

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So there's no pressure,

no pressure lock it there.

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Just let it slide right down the mountain.

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No pressure.

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Barely caressing the canvas.

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We'll put some of the shadows in,

then we'll come back, pick up some

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more of the highlight color, and

now we can begin putting it all

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kinds of little bumps and crevices,

and he know all those little things

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that make your mountain interesting.

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And wherever you want them, like a

dad, you can put them wherever Claire.

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If you, if you learn to do mountains,

it'll teach you to use this knife.

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I don't know any single

thing that you can do.

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It will do more to teach

you control of the knife.

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Then making mountains there.

252

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I'm using the little knife here, cause

it sort of sneaks into those small

253

00:13:36,045 --> 00:13:38,705

areas much better, but in a few shadows.

254

00:13:39,944 --> 00:13:43,775

Now, some people like to put the shadows

in first and then the highlights, some

255

00:13:43,775 --> 00:13:46,714

don't whichever way works for you.

256

00:13:48,435 --> 00:13:49,245

That's the right way.

257

00:13:50,715 --> 00:13:55,155

And that's all the counts

needs a little shadow here too.

258

00:13:56,595 --> 00:13:56,925

You would go.

259

00:13:56,935 --> 00:13:59,775

Let me just sneak them by, without putting

one into there that had been in trouble.

260

00:14:01,545 --> 00:14:02,625

Didn't get a laugh at me.

261

00:14:04,185 --> 00:14:04,814

There we go.

262

00:14:09,165 --> 00:14:10,095

And all we're doing here.

263

00:14:10,680 --> 00:14:16,620

It's just tapping to create the illusion

of mist, Janice, tap, follow the angles.

264

00:14:16,770 --> 00:14:19,500

I know you hear me say that over

and over, but it's so important.

265

00:14:21,319 --> 00:14:25,579

So very important there, like a, that yes.

266

00:14:25,579 --> 00:14:27,589

Down at the base of that

mountain, sign up again.

267

00:14:27,589 --> 00:14:29,030

It just floats there in the sky.

268

00:14:31,995 --> 00:14:33,135

Yeah, let me show you here.

269

00:14:34,115 --> 00:14:36,245

I think I've showed you this

before, but it's worth repeating.

270

00:14:36,635 --> 00:14:39,665

Maybe sometimes you'd like

to create the illusion of

271

00:14:39,665 --> 00:14:40,925

another plane in your mountain.

272

00:14:40,955 --> 00:14:43,535

All you have to do is take

a little, the shadow color.

273

00:14:44,280 --> 00:14:46,230

Look at that, see there.

274

00:14:47,910 --> 00:14:53,670

So you had, that brings a whole nother

projection out on your mountain, there.

275

00:14:54,300 --> 00:14:57,270

Little tricks like that will

make your paintings stand out

276

00:14:57,270 --> 00:14:58,380

from the average painting.

277

00:15:00,750 --> 00:15:02,580

That's what makes your painting special?

278

00:15:04,710 --> 00:15:07,530

There we go here and there, wherever.

279

00:15:07,860 --> 00:15:08,250

Okay.

280

00:15:08,340 --> 00:15:09,150

Wash the brush.

281

00:15:11,235 --> 00:15:14,535

Give him a good shake now.

282

00:15:15,510 --> 00:15:23,640

Good clean dry brush, gently, gently,

gently bring all that together there

283

00:15:23,640 --> 00:15:27,450

we are seeing, and it creates a

whole nother plane on your mountain.

284

00:15:30,150 --> 00:15:33,690

Okay, let's take, we got

some lavender color here.

285

00:15:33,690 --> 00:15:34,380

We'll just use that.

286

00:15:34,770 --> 00:15:40,830

Put a little quiet with

it are about that shade.

287

00:15:40,860 --> 00:15:41,400

That's good.

288

00:15:42,210 --> 00:15:43,440

And we cleaned the knife here.

289

00:15:46,545 --> 00:15:47,025

Oh, great.

290

00:15:47,055 --> 00:15:48,104

I'll use a one inch brush.

291

00:15:48,145 --> 00:15:48,675

What the heck?

292

00:15:49,125 --> 00:15:50,235

You can use any old thing here.

293

00:15:50,235 --> 00:15:51,435

Two inch brush would work fine.

294

00:15:51,435 --> 00:15:55,275

Or fan brush still using

a lavender color though.

295

00:15:55,785 --> 00:15:57,214

I want to put the indication back here.

296

00:15:57,224 --> 00:15:58,724

So happy little foothills.

297

00:15:59,954 --> 00:16:00,615

There they go.

298

00:16:02,615 --> 00:16:02,865

There.

299

00:16:02,895 --> 00:16:06,795

You can turn the bright to sidewards

and pull down to make a mind cap.

300

00:16:07,035 --> 00:16:11,115

Or if you want more individualized

tops, you can turn it vertically.

301

00:16:12,540 --> 00:16:13,079

Either way.

302

00:16:14,520 --> 00:16:19,859

See, just try it and see which kind

of affects that you like there.

303

00:16:21,270 --> 00:16:25,229

I don't ever want to tell you there's

one set rule to do anything because

304

00:16:25,229 --> 00:16:27,300

if it works for you, that's the roof.

305

00:16:27,870 --> 00:16:28,469

It works.

306

00:16:28,650 --> 00:16:29,099

It's good.

307

00:16:32,189 --> 00:16:32,520

There.

308

00:16:32,530 --> 00:16:36,540

I went to school for so many years with

art instructors that would tell me now it

309

00:16:36,540 --> 00:16:38,790

has to be done this way or it's not right.

310

00:16:40,739 --> 00:16:41,400

Shoot.

311

00:16:43,455 --> 00:16:49,815

Any way you can get the effect

that you want is right there.

312

00:16:50,385 --> 00:16:54,495

Pull straight down, straight

down, and then lightly go across

313

00:16:56,745 --> 00:16:58,305

and you have instant reflections.

314

00:16:59,415 --> 00:17:00,165

Now then we'll take it.

315

00:17:00,510 --> 00:17:05,310

Some liquid white, I'm going to put

the least little touch of a lizard.

316

00:17:05,310 --> 00:17:10,650

Crimson that, just to give

it a touch of pink there.

317

00:17:10,740 --> 00:17:11,100

Okay.

318

00:17:11,160 --> 00:17:11,790

Cut across it.

319

00:17:11,790 --> 00:17:12,300

And let's go ahead.

320

00:17:12,300 --> 00:17:15,930

Up here now then let's put in a

happy little waterline back here.

321

00:17:17,040 --> 00:17:19,950

Just act like you're trying to literally

cut a hole right through the canvas.

322

00:17:30,300 --> 00:17:34,980

Say their little fitter touch a pink,

just adds a little warmth to it.

323

00:17:36,210 --> 00:17:37,620

Just a little warm to it.

324

00:17:38,610 --> 00:17:42,380

If you want a little

ripple go right out here.

325

00:17:47,490 --> 00:17:48,450

If you want a little ripple.

326

00:17:49,260 --> 00:17:51,390

And I was in the military, I had

a friend who had a lot of riffle.

327

00:17:52,190 --> 00:17:52,800

There we go.

328

00:17:55,340 --> 00:17:56,610

We won't, we won't talk about that.

329

00:17:58,500 --> 00:17:59,190

All right.

330

00:18:01,920 --> 00:18:05,820

Let's have some fun shoot to

see who would take some blue and

331

00:18:05,820 --> 00:18:11,610

some Crimson gonna make a, a dark

lavender color clean off the moon.

332

00:18:15,230 --> 00:18:16,790

We'll use the same old dirty fan brush.

333

00:18:16,790 --> 00:18:17,450

It doesn't matter.

334

00:18:19,190 --> 00:18:19,820

Doesn't matter.

335

00:18:20,600 --> 00:18:24,560

Alright, love the fan brush full

let's have us a happy little evergreen

336

00:18:24,560 --> 00:18:27,440

tree and he lives right there.

337

00:18:27,470 --> 00:18:28,010

It does now.

338

00:18:29,250 --> 00:18:31,439

That's now, this is

just the lavender color.

339

00:18:33,780 --> 00:18:36,600

See this sort of back and

forth, back and forth.

340

00:18:37,320 --> 00:18:40,409

Pushing downward there.

341

00:18:40,980 --> 00:18:41,429

Say that.

342

00:18:43,080 --> 00:18:44,490

Let's give him a little friend down here.

343

00:18:44,669 --> 00:18:45,419

This little guy.

344

00:18:46,860 --> 00:18:47,970

This is George out here.

345

00:18:54,000 --> 00:18:54,870

And he's his friend.

346

00:18:56,790 --> 00:18:58,770

They live out here and they

watch this big mountain.

347

00:19:01,090 --> 00:19:01,889

They have a good time.

348

00:19:02,820 --> 00:19:03,990

Life's good to him out here.

349

00:19:06,389 --> 00:19:09,180

Maybe there's some reflection

down here in the water.

350

00:19:10,050 --> 00:19:10,680

There we go.

351

00:19:17,520 --> 00:19:17,909

Okay.

352

00:19:17,970 --> 00:19:20,510

Now we take our big

brush and we grab that.

353

00:19:20,560 --> 00:19:21,540

Now the canvas is wet.

354

00:19:21,899 --> 00:19:22,860

So this will move.

355

00:19:23,540 --> 00:19:23,960

Look at that.

356

00:19:25,790 --> 00:19:30,080

Can you imagine trying to do that on

a dry canvas where you'd be an agony

357

00:19:30,080 --> 00:19:33,200

city and you'd be mad at me about now.

358

00:19:34,070 --> 00:19:34,159

Okay.

359

00:19:34,700 --> 00:19:38,510

Touch a little bit of a

liquid white titanium height.

360

00:19:39,080 --> 00:19:39,980

Be right back.

361

00:19:39,980 --> 00:19:41,389

Get a little Crimson put in there.

362

00:19:42,050 --> 00:19:44,419

I want a tiny bit of pink in it.

363

00:19:45,375 --> 00:19:49,635

Let's go right up into here and I'm just

going to push in some highlights, right?

364

00:19:49,635 --> 00:19:51,044

On some of these little grassy areas.

365

00:19:51,104 --> 00:19:51,584

There we go.

366

00:19:53,114 --> 00:19:55,004

Just a few little things right there.

367

00:19:57,044 --> 00:20:02,475

Back to my liquid white, put a little bit

of a waterline, like a little snow Lana

368

00:20:02,475 --> 00:20:03,705

here in the, well, maybe this is winter.

369

00:20:05,834 --> 00:20:07,425

Make a nice warm winter scene.

370

00:20:09,960 --> 00:20:12,000

Take a little white,

I'll go right into that.

371

00:20:13,050 --> 00:20:15,720

Let's see, we had some fellow

blue and white lane here.

372

00:20:15,720 --> 00:20:16,410

I'll use that.

373

00:20:16,860 --> 00:20:17,310

That's good.

374

00:20:17,820 --> 00:20:19,140

It's a nice, cool color.

375

00:20:19,980 --> 00:20:21,360

We've got so many warm colors here.

376

00:20:21,360 --> 00:20:25,400

Let's use a nice, cool with that.

377

00:20:25,460 --> 00:20:30,530

We'll add some nice highlights

to these little trees.

378

00:20:32,540 --> 00:20:33,140

That's nice.

379

00:20:34,470 --> 00:20:35,370

That's nice.

380

00:20:35,700 --> 00:20:36,120

Now then

381

00:20:39,350 --> 00:20:41,090

now I'm going to take some midnight black.

382

00:20:41,090 --> 00:20:43,760

I need a dark color lizard,

Crimson mixed with it.

383

00:20:44,780 --> 00:20:45,080

Shoot.

384

00:20:45,080 --> 00:20:49,460

We'll throw in a little, they look

blue, mostly black and Crimson though.

385

00:20:50,270 --> 00:20:50,510

Okay.

386

00:20:50,510 --> 00:20:51,530

Let me clean off the knife.

387

00:20:51,620 --> 00:20:51,770

Okay.

388

00:20:54,860 --> 00:20:56,150

Or have the old fan brush again?

389

00:20:56,240 --> 00:20:58,610

I just use the same old

brush loaded, full of color.

390

00:20:58,970 --> 00:21:00,320

A lot of paint, both sides.

391

00:21:01,670 --> 00:21:02,510

Let's go back up here.

392

00:21:04,110 --> 00:21:07,620

I think in my world, I'm going to have

a big evergreen lives right there.

393

00:21:08,340 --> 00:21:08,939

Take the brush.

394

00:21:08,939 --> 00:21:09,960

He was just the corner.

395

00:21:10,300 --> 00:21:11,760

And I began working at back and forth.

396

00:21:12,540 --> 00:21:17,159

I look at dark shows up against that

light background and that's spectacular.

397

00:21:18,389 --> 00:21:19,530

That is spectacular.

398

00:21:20,520 --> 00:21:23,830

And if you're out selling your

paintings, that son of a gun boy, that

399

00:21:23,939 --> 00:21:29,850

brings that happy buck home, people

like that, it really looks good.

400

00:21:30,795 --> 00:21:32,685

Dark against light, light against dark

401

00:21:36,435 --> 00:21:36,705

hair.

402

00:21:37,004 --> 00:21:38,145

I get carried away sometimes.

403

00:21:39,764 --> 00:21:40,695

Please put up with me.

404

00:21:41,415 --> 00:21:41,955

There I go.

405

00:21:44,715 --> 00:21:50,625

A little more paint and we'll

just keep right on going there.

406

00:21:50,625 --> 00:21:51,345

There is enough.

407

00:21:52,065 --> 00:21:54,435

Now you can make these with a one

or the two inch brush, whatever.

408

00:21:55,395 --> 00:21:56,895

I just happen to have a dirty fan brush.

409

00:21:56,955 --> 00:21:57,735

I thought I'd use it.

410

00:21:59,415 --> 00:22:02,865

Man let's get crazy over here.

411

00:22:03,645 --> 00:22:04,545

Well, we got crazy.

412

00:22:07,155 --> 00:22:11,175

There's a giant evergreen big rascal.

413

00:22:15,885 --> 00:22:16,545

There we go.

414

00:22:17,025 --> 00:22:20,985

And all you're doing is pushing down

with a fan brush, just pushing down,

415

00:22:24,585 --> 00:22:25,845

let it go and go and go.

416

00:22:27,375 --> 00:22:28,785

Maybe he lives right on down.

417

00:22:29,805 --> 00:22:34,185

We don't care that there,

maybe there's another one here.

418

00:22:34,905 --> 00:22:38,355

And in your painting, you put as many,

or as few as you want, sort of look

419

00:22:38,355 --> 00:22:44,685

at it and decide every single painting

is a different, we really are not

420

00:22:44,685 --> 00:22:48,585

trying to teach you to copy or to draw

lines and fill in the lines, which

421

00:22:49,005 --> 00:22:51,315

we're trying to teach you creativity.

422

00:22:52,665 --> 00:22:55,005

I'm trying to teach you

how to create as you paint.

423

00:22:57,195 --> 00:22:58,155

There's freedom there.

424

00:23:01,575 --> 00:23:02,685

Scary what you can do.

425

00:23:03,595 --> 00:23:04,485

I'm going to take the big brush.

426

00:23:04,485 --> 00:23:05,625

Caretta but it, same color.

427

00:23:06,225 --> 00:23:07,125

Let's go back up here.

428

00:23:08,534 --> 00:23:11,024

Maybe there's some little

bushes that live, right?

429

00:23:11,024 --> 00:23:11,235

Yeah.

430

00:23:11,355 --> 00:23:11,524

Ooh.

431

00:23:11,534 --> 00:23:14,355

It killed my nice reflection,

but we know it's there.

432

00:23:14,595 --> 00:23:15,135

So it's all right.

433

00:23:16,985 --> 00:23:17,325

Let's see.

434

00:23:17,415 --> 00:23:18,735

I'm going to put a

little reflection there.

435

00:23:18,735 --> 00:23:23,325

Then I'll get straight down,

straight down and go lightly across.

436

00:23:24,855 --> 00:23:26,565

But another little Bush lives there.

437

00:23:28,410 --> 00:23:32,790

So you can just put plane after plane,

after plane, and that creates the illusion

438

00:23:33,060 --> 00:23:34,530

of distance and depth in your painting.

439

00:23:35,960 --> 00:23:36,500

There we go.

440

00:23:38,360 --> 00:23:39,200

Let's go on this side.

441

00:23:39,380 --> 00:23:40,070

Do some of that.

442

00:23:41,150 --> 00:23:42,500

Maybe these almost come together.

443

00:23:47,210 --> 00:23:47,420

Okay.

444

00:23:49,545 --> 00:23:50,025

A little more.

445

00:23:51,795 --> 00:23:52,155

Okay.

446

00:23:52,635 --> 00:23:57,375

Make a little reflection and do this one

straight down and then lightly across

447

00:24:00,405 --> 00:24:02,025

maybe this chemist right on down here.

448

00:24:02,685 --> 00:24:04,065

Who knows, who knows

449

00:24:07,225 --> 00:24:08,325

long as it makes you happy.

450

00:24:10,005 --> 00:24:10,215

Hmm.

451

00:24:11,415 --> 00:24:15,655

Tell your heart, let's take some

dark Sienna, little white in it.

452

00:24:17,025 --> 00:24:19,785

Let's go mix it a little, cut

off our little roll of paint.

453

00:24:20,565 --> 00:24:23,325

And I'm going right up

here and into these trees.

454

00:24:23,325 --> 00:24:27,045

I want to put the indication

here and there of a little trunk

455

00:24:32,265 --> 00:24:35,865

just here and there because

you don't see the entire trunk.

456

00:24:37,020 --> 00:24:41,150

You have leaves and sticks and twigs that

are in the foreground, the coverup trunk.

457

00:24:42,470 --> 00:24:43,100

There we go.

458

00:24:44,420 --> 00:24:44,510

Okay.

459

00:24:44,780 --> 00:24:45,920

Give it a little sad words.

460

00:24:45,950 --> 00:24:47,330

Pull, make it look around.

461

00:24:48,860 --> 00:24:49,070

Okay.

462

00:24:49,070 --> 00:24:54,650

Now then let me get some blue and

white and we'll just add a few

463

00:24:54,650 --> 00:24:56,090

highlights on these trees too.

464

00:24:57,620 --> 00:24:58,220

There we go.

465

00:24:58,580 --> 00:24:59,300

Just like, so.

466

00:25:02,205 --> 00:25:04,965

See, they're just a few, I don't

want to lose that darkness.

467

00:25:05,565 --> 00:25:10,125

That severe contrast is what really makes

these little Rascals stand out over here.

468

00:25:10,785 --> 00:25:15,165

They'll want him left out, but

some on this side, there we go.

469

00:25:16,335 --> 00:25:19,665

That'll be more right in there.

470

00:25:21,245 --> 00:25:26,495

All right, now then I'm gonna take a one

inch brush, dip it in the liquid white.

471

00:25:27,570 --> 00:25:30,690

Get a little touch of the Crimson

go right into titanium, white

472

00:25:30,690 --> 00:25:32,490

little lot of color into the brush.

473

00:25:33,270 --> 00:25:37,950

That's cool up in here and let's

just put the indication of some

474

00:25:37,950 --> 00:25:39,419

happy little bushes here and there.

475

00:25:41,300 --> 00:25:41,960

There we are.

476

00:25:42,080 --> 00:25:42,560

Look at them.

477

00:25:42,560 --> 00:25:43,100

Sparkle,

478

00:25:46,429 --> 00:25:47,330

work in layers.

479

00:25:49,320 --> 00:25:50,580

Always work in layers.

480

00:25:50,580 --> 00:25:59,699

So maybe down here, I can tell us,

can't go touch more of the liquid white.

481

00:26:01,730 --> 00:26:04,280

If you have trouble making the paint

stick, add a little more liquid white,

482

00:26:04,280 --> 00:26:06,379

it thins it and allows it to come off.

483

00:26:06,379 --> 00:26:09,080

Your brush is a very gentle pressure here.

484

00:26:10,520 --> 00:26:11,270

Very gentle.

485

00:26:11,959 --> 00:26:12,260

Okay.

486

00:26:14,355 --> 00:26:18,495

It's hard to believe, you know, where

the completion of this series is?

487

00:26:18,915 --> 00:26:22,725

Oh my gosh, we're getting

160, 70, 80 shows now.

488

00:26:24,165 --> 00:26:27,135

And if you haven't had the opportunity

to see them all, and you'd like to

489

00:26:27,885 --> 00:26:30,525

give you a local station to call,

I don't know what you'd like to see

490

00:26:31,215 --> 00:26:32,295

because they're available to them.

491

00:26:32,295 --> 00:26:36,345

If they want them, we'll

certainly get them to there.

492

00:26:37,695 --> 00:26:40,185

And there are some beautiful paintings

that maybe you haven't seen yet.

493

00:26:41,985 --> 00:26:45,675

Take her just scraping a few

sticks and twigs here and there.

494

00:26:45,705 --> 00:26:46,935

Mostly in the dark areas.

495

00:26:48,975 --> 00:26:49,575

There are.

496

00:26:51,105 --> 00:26:51,555

Okay.

497

00:26:52,965 --> 00:26:53,625

That'll touch it.

498

00:26:55,575 --> 00:26:56,745

Waterline red along here.

499

00:26:58,815 --> 00:27:00,795

Look at that and we have

a finished painting.

500

00:27:01,065 --> 00:27:01,945

So all there is to it.

501

00:27:02,445 --> 00:27:03,555

Hope you've enjoyed this one.

502

00:27:04,155 --> 00:27:05,235

It's bright and shiny.

503

00:27:05,295 --> 00:27:06,885

It'll make you happy from all of us here.

504

00:27:07,155 --> 00:27:07,875

Happy painting.

505

00:27:08,175 --> 00:27:09,075

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S14E08 - On a Clear Day

Bob Ross's

The Joy of Painting

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