Bob Ross's

The Joy of Painting

S09E03 - Red Sunset

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Hi, welcome back.

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Certainly glad you could join me today.

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Today.

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I thought we'd do a

fantastic little painting.

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That's very warm and very

bright is such a good day.

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Let's do a good painting.

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So let's go up here at the canvas.

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Let me tell you what I've already done.

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Now.

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This is probably going to look

sort of green to you right in here.

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And the reason for that is, is it

because I've covered this black canvas

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with Indian yellow right here, which

is a very transparent yellow, but black

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and yellow, as, you know, make green.

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When we start putting color on here,

that'll go away right above that.

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Is a strip of alizarin Crimson, and

then above that is a little bit of

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halo blue, same thing on the bottom.

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And I've just blended the entire canvas

with a big brush and it's all ready.

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So let's have him run all the

colors across the screen that you

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need to do this painting with me.

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And we going to appear and

get started and have some fun.

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Now, first thing let's talk about for a

second is how do you get the canvas black?

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The best way that I've

found is get some black.

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Jessel how black Jesso is made to

have paint, adhere to it a little

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better than just black house paint.

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So I think you'll, you'll need

some of that cover the canvas

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and let the black dry completely.

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You want that to be totally dry.

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And then you put these transparent

colors over the black Jesso.

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And go from there.

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Don't let the, don't let the

transparent colors dry on you though.

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We want to keep those nice and wet.

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So we put, I'm going to

put white in here, I think.

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And let's just see what happens.

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Let's start off with

the old fan brush today.

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I'm going to go right in two

titanium, white and load, a lot

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of paint into the brush today.

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We're going to teach you how to be

a brush washer going to get to wash

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the brush a whole bunch of times.

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All right, let's go

right up to the canvas.

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You have to make a big

decision right off here.

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Where's your horizon.

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And where's the brightest

spot going to be.

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This is going to be like a sunset.

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So maybe right in here, right in this

area here, we'll have a nice bright area.

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So you take your fan brush

fully loaded with paint and do.

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Get mean with it.

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This is where you take out all

your frustrations and hostilities.

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This is better than going home

and kicking the dog around.

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Look at that.

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What's happening now.

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See, as you work up, are you picking up

all that color underneath all kinds of

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beautiful colors in here, the Crimson.

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And now you're going to get up in here

where there's some blue and Crimson,

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which will make a nice lavender color.

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Okay.

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Now then.

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Wash your brush.

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Every time you wash your brush,

dry it off, back into the

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white, back into the white.

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And when you're doing this at home, try

it with numerous transparent colors.

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And I know the first question

is how do I tell if a color

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is transparent, the best way.

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If you have a black canvas is

just take a little bit of the

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color and put it on the canvas.

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If it still looks black, then

it's transparent enough to

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do what we're doing here.

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Okay, let's go right back up here,

back to the light spot, bang that right

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in there and just begin creating some

beautiful little, little cloud formation.

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Let that brush dance, let it play.

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All kinds of little things are going on.

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This is where you just sort of

let your imagination go crazy.

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All these little things just happen.

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And if you wanted to show a little more

blue up here, you could certainly do that.

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Sometimes it's pretty to have

a nice stable blue up there.

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I've mixed blue and Crimson together

to make it more of a lavender color.

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But in your world, you

put whatever you want.

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Low this brush up again, back

in here, always back to that,

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the light area and work outward.

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And let's just dance that brush

by dancing it, turn it, spin it.

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That all those little things just happen.

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Ooh, isn't it.

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Pretty right there.

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Okay.

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We'll wash the brush.

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Have you told you you're going to

be an expert and brush washer by the

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time this one's over, but you never,

never, never want to take this dirty

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brush back into the light area.

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It takes a little time to do all this

brush washing, but it'll pay your

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dividends back into the light area.

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Dan South, some of this color maybe just

goes right on off the canvas and sort

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of wanders back right there, whatever.

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Just let your imagination go

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a little more of the white

at some places in here.

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I want to show a little

more distinct clouds.

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So I'm just going to add a little

bit of white right in here.

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So it'll be a little bit brighter.

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A little bit brighter in places,

light striking and carrying on.

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I know by now you saying boy, that

Bob's really messed up this time.

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You may be right.

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There we go.

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Just let all these little things happen.

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Have fun with it.

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Now then if you was to take and try

to blend all that in, then chances

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are, if you blended that with a big

brush, it would just make a happy mess.

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Let me show you one other thing

here before we get too far along,

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I want to make this even brighter.

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I'm going to add some more

pure white right in here.

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Look at that.

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Very bright.

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Okay, Matt, as I was saying, if you

tried to blend all this chances are it

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would smear and you'd be a mud mixer,

and we don't want any button mixing.

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So take your knife and very

gently, just barely touch it.

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Scrape off that excess paint, wipe

your knife each time you scrape.

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Otherwise, when you go back

here, you'll put a big line of

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color each time, wipe it off.

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Very careful because you

don't want to smear this color

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all over the black canvas.

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We really have got a mess now.

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Yeah, we'll take a clean dry.

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Let me repeat, try to inspiration.

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Go right up in here.

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Be sure this brush is dry and very gently.

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Very gently.

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Just start blending this,

wearing your sunglasses today.

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This is a bright one.

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This is such a fantastic day and it's

such a super nice little happy mood.

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I thought we'd do a bright painting.

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Right paintings.

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They make you feel good.

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Look at that.

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Look at that.

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All these colors just come alive and

you'll notice on a black canvas that

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color sometimes look so much stronger

than it does on a white canvas.

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And then very lightly just

take out the breast strokes.

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Okay.

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Now, when I wash my brush, I'm going

to go right back into white here.

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If once again now, maybe in here we all

make a little cloud is just a little bit

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more distinct, a little bit brighter.

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So just take a little that white

and bounce it around in there.

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Maybe, maybe right here, wherever

you think you ought to be

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saying that helps create the illusion

of distance in your sky perspective.

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There we go, man.

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Good, dry brush.

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And then blend, blend, barely,

barely touching the canvas.

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Mix it up a little bit, then blended it.

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Just barely touching.

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There we go.

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Very soft.

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And we get the rest of the painting

and here, this guy won't look

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near as bright as it does now.

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Right now.

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That's a firecracker.

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Isn't it.

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There we go.

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Let's see, this is Indian, yellow,

before it looks sort of green against

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the black, but once you put the

white with it, it's opaque and that

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yellow just jumps right out at you.

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Okay.

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Yeah, we'll just use the

same old, dirty brush.

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I'm going to go right into some

midnight black and reach over here.

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Grab a little bit of a lizard Crimson

to just mix these on the brush.

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No big deal.

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Just pull the brush

right through that color.

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Just pull it can just go up here

and maybe there's some happy

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little foothills that live.

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We back here.

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Take the brush, touch,

just use the corner.

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Crimson and black.

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See, this is where you have to

make this big decision right here.

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Little more of the Crimson and the black

strap, the sand, wherever you think your

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little Foothill lives, it's where he goes.

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Pretty scene that sets that sky off.

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A lot of times, if you're out

selling paintings, a lot of

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times people buy paintings for

color as much as for content.

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And if you have an old doll room around

your house, you put this one in there.

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You have to wear sunglasses.

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When you go in, this will

brighten up a doll room.

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That's wash the brush.

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It's a lot more fun to watch these

big versus it is a little videos.

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Now I want to reflect some

of that into the water.

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Just going to take this brush and

tap it right into some titanium.

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White, just tap a little bit of color.

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Let's go up here.

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A decide where water

and land meet back here.

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All you do is touch and pull

straight down, touch and pull down.

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So you start in the lightest area.

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And work outward that way automatically.

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It gets darker, darker, darker.

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See there.

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Okay.

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Now back over here,

touch and work outward.

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All we're doing here is just laying

some color on the canvas, but this

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too is picking up all those beautiful,

transparent colors that are underneath,

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and this all happens automatically.

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Now, wash the brush one more time.

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Do you have a scrubbing off

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and beat the devil out.

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Now this time, we're going

to use a firm pressure.

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Bend that brush, snap it, pull

it, just pull it right down.

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Look at their beautiful colors.

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Now.

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Very lightly, very lightly.

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Go across it.

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And you can, you can push this,

look, see, push it that way, that

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way, wherever you want to go.

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And it creates the illusion

of water that simple.

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All right, let's take the knife.

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We're we'll take a little bit of height.

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Touch it that bright red.

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And I'm going to take

some dark CNNs to that.

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Make a color about my cat.

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Cut across it.

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Little tiny roller of paint.

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Let's go up here now.

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I want to put an indication of a,

just a happy little water line here.

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So we just let that

play out of it in here.

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Stay there.

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Okay.

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Just drop that here.

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And maybe there's a few little

sparklers out here on the

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water wherever you want them.

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Now, the ones that are directly directly

under this bright area, I'm going to

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add a little touch of yellow to them,

make them really, really stand out.

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Cause they're going to be a little

brighter, few little things like that.

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All right.

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Yeah, we can come into the

foreground and play a little bit.

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And I think it is foreground here.

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We'll have some nice big trees and

bushes, and we'll just see what happens.

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We'll take some midnight black

let's mix up a bunch of paint.

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There's black and Crimson.

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Shoot.

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Let's take some Vandyke Browns and

dark sand with throw it all in there.

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Very dark.

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It should look black.

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Very dark.

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I put the color in there.

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So when we add highlight, you'll get

little sparkles and you don't have

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to overmix this about like, yeah.

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Can we clean the knife off?

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yeah, one thing of interest I'd like to

pass on, we get a lot of cards saying,

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how do I get all the paint out of a tube?

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Because when you're using a very firm

paint, sometimes it's a son of a gun to

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get all the paint out and you wasted it.

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I want to show you this.

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This is one of the neatest little devices.

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This is called a two bringer

and this little two bringer.

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All you do is just you stick you too

bright in there and crank his handle.

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That son of a gun.

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We'll take out every little bit of pain.

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Well, that's a, that's a lifesaver there.

251

00:13:12,569 --> 00:13:13,530

You already have one of those.

252

00:13:14,849 --> 00:13:15,270

Okay.

253

00:13:16,170 --> 00:13:16,979

Not talking here.

254

00:13:17,189 --> 00:13:18,150

Let's load a brush.

255

00:13:18,359 --> 00:13:18,870

We'll use it.

256

00:13:19,349 --> 00:13:20,250

We'll use this brush.

257

00:13:21,270 --> 00:13:21,359

Okay.

258

00:13:21,944 --> 00:13:24,405

And this whole two inch brush and

I'm going right into this paint.

259

00:13:24,855 --> 00:13:28,665

Pull it, give it a wiggle, just wiggle it.

260

00:13:29,925 --> 00:13:32,595

That pulls the paint down

to the end of the bristles.

261

00:13:32,985 --> 00:13:38,385

Pull it, give it a wiggle and then sharpen

it just like you would find a knife.

262

00:13:38,985 --> 00:13:43,155

Now this brush, let me turn it

seeing, see, look at how sharp it is.

263

00:13:45,045 --> 00:13:46,035

Very sharp.

264

00:13:46,365 --> 00:13:47,265

Okay, let's go right up here.

265

00:13:48,525 --> 00:13:50,055

Now you got to make some big decisions.

266

00:13:50,715 --> 00:13:52,845

In your world, where does the tree live?

267

00:13:52,845 --> 00:13:57,885

I think right there, all you

do is touch the canvas and take

268

00:13:57,885 --> 00:13:59,265

just the corner of the brush.

269

00:13:59,475 --> 00:14:02,175

I don't be afraid of this

brush because it's big.

270

00:14:03,555 --> 00:14:05,715

It will do fantastic things for you.

271

00:14:05,835 --> 00:14:12,795

Just use the corner, pushed down and sort

of worked back and forth, back and forth.

272

00:14:14,729 --> 00:14:15,240

I had to go.

273

00:14:16,560 --> 00:14:18,329

All you're looking for

right here is a silhouette.

274

00:14:18,959 --> 00:14:21,630

We'll come back and we'll put a few

little highlights on these trees.

275

00:14:23,630 --> 00:14:24,410

Okay.

276

00:14:24,800 --> 00:14:25,910

You don't want him to get lonely?

277

00:14:25,910 --> 00:14:30,740

Let's give him a little friend that

lives right there, right there.

278

00:14:31,729 --> 00:14:32,930

Just the corner of the brush.

279

00:14:35,460 --> 00:14:37,950

Do you ever think you could make

such a beautiful little tree

280

00:14:38,940 --> 00:14:40,380

using a big old two inch brush?

281

00:14:40,410 --> 00:14:46,290

You can, you can, you can

do anything and everything.

282

00:14:48,450 --> 00:14:53,760

At least on this piece of canvas, this is

your world and your creation right here.

283

00:14:54,690 --> 00:14:56,370

Do you want us to let's have another one.

284

00:14:57,390 --> 00:15:00,240

Let's have another one right there.

285

00:15:01,229 --> 00:15:03,089

We'll let him really shine

out here in the light.

286

00:15:04,319 --> 00:15:08,130

He'll stand out beautifully

against all that light color.

287

00:15:09,420 --> 00:15:10,199

There he comes.

288

00:15:10,790 --> 00:15:12,180

He lives right there in that brush.

289

00:15:12,209 --> 00:15:13,170

Just tap him out.

290

00:15:14,969 --> 00:15:15,750

There we go.

291

00:15:17,550 --> 00:15:17,760

Hmm.

292

00:15:18,479 --> 00:15:19,829

We got a whole family of trees.

293

00:15:19,829 --> 00:15:21,780

Now we go to mom and

a pop in a little one.

294

00:15:23,819 --> 00:15:24,150

Okay.

295

00:15:24,180 --> 00:15:26,130

I'm bringing it back to a nice sharp edge.

296

00:15:26,490 --> 00:15:27,540

Let's go right back up here.

297

00:15:28,530 --> 00:15:35,790

Maybe over here, we have an uncle

that aunt see trees or trees, or

298

00:15:35,790 --> 00:15:37,620

like people, they have personalities.

299

00:15:37,740 --> 00:15:38,880

Everyone is different.

300

00:15:40,080 --> 00:15:41,250

Each one's an individual,

301

00:15:44,760 --> 00:15:45,960

you know, I'm a little nuts.

302

00:15:45,960 --> 00:15:51,150

I go out in the woods and my camera take

pictures of trees and I've even been known

303

00:15:51,150 --> 00:15:55,590

to sit around and talk to trees, but don't

tell anybody that that's a secret, right?

304

00:15:56,880 --> 00:15:57,810

People think you're crazy.

305

00:15:57,810 --> 00:16:03,150

If you talk to trees, what's worse

is when they start answering you.

306

00:16:04,680 --> 00:16:05,280

There we go.

307

00:16:08,430 --> 00:16:08,910

There.

308

00:16:10,230 --> 00:16:11,880

We got a whole family of trees.

309

00:16:15,510 --> 00:16:16,020

Okay.

310

00:16:17,010 --> 00:16:17,340

All right.

311

00:16:17,340 --> 00:16:17,880

Let's make some.

312

00:16:18,224 --> 00:16:19,155

Let's make some more things.

313

00:16:19,545 --> 00:16:22,484

Use the same brush and the same

old color, and I'm going to pull it

314

00:16:22,484 --> 00:16:24,224

through the paint in one direction.

315

00:16:24,255 --> 00:16:29,025

Look how that brush is bending

one direction, one direction.

316

00:16:29,954 --> 00:16:30,255

Okay.

317

00:16:30,314 --> 00:16:34,574

By pulling it in one direction, you'll

round one corner as he has surrounded

318

00:16:34,574 --> 00:16:38,805

on the top, but that rounded corner

to the top, get us go right up here.

319

00:16:39,875 --> 00:16:42,785

Now then decide where you

want a happy Bush to live.

320

00:16:43,324 --> 00:16:43,685

Push.

321

00:16:44,070 --> 00:16:44,790

And bend it.

322

00:16:45,870 --> 00:16:46,710

Bend the brush.

323

00:16:47,400 --> 00:16:50,100

You need to bend it,

avoid letting it slide.

324

00:16:50,130 --> 00:16:51,120

Don't let it do that.

325

00:16:51,210 --> 00:16:51,990

See the difference.

326

00:16:53,130 --> 00:16:53,580

Bend it.

327

00:16:54,300 --> 00:16:59,070

If it slides you're going to have

a that she worked for a mess.

328

00:17:00,870 --> 00:17:01,290

Okay.

329

00:17:01,920 --> 00:17:04,980

Just decide where you want little

bushes to live or big bushes.

330

00:17:06,870 --> 00:17:09,839

We'll put one right there and down

in here, this is already dark.

331

00:17:09,839 --> 00:17:11,210

So you don't have to worry too much.

332

00:17:11,250 --> 00:17:12,420

Just throw in a little color.

333

00:17:14,160 --> 00:17:15,510

Can us go over the other side here?

334

00:17:15,510 --> 00:17:18,300

Maybe there's a happy Bush that lives.

335

00:17:18,630 --> 00:17:18,780

Yep.

336

00:17:18,920 --> 00:17:19,220

Right.

337

00:17:19,220 --> 00:17:19,460

There

338

00:17:23,819 --> 00:17:24,080

we go.

339

00:17:24,290 --> 00:17:26,810

Well, we just got a canvas full of bushes.

340

00:17:26,810 --> 00:17:27,020

Now.

341

00:17:28,700 --> 00:17:33,290

See how easy it is to just

drop those in nothing to it.

342

00:17:37,040 --> 00:17:38,840

Let's put some little

tree trunks in there now.

343

00:17:39,780 --> 00:17:43,290

For that let's take some of

the dark Sienna, pull it up,

344

00:17:43,350 --> 00:17:46,230

very flat, cut across it.

345

00:17:46,350 --> 00:17:49,800

So you have a little roller paint

right on the edge of the knife there.

346

00:17:49,800 --> 00:17:50,850

You can see it right there.

347

00:17:51,450 --> 00:17:51,720

Okay.

348

00:17:52,620 --> 00:17:58,550

Now that let's go right up in here

and we'll put the indication of a

349

00:17:58,550 --> 00:18:06,200

little trunk, just like, so this

tree said he wants to Trump too.

350

00:18:08,715 --> 00:18:09,015

There,

351

00:18:12,575 --> 00:18:15,965

you know, we travel all over the

country doing demonstrations in

352

00:18:15,975 --> 00:18:21,875

shows for PBS stations and, and

other fundraising activities.

353

00:18:23,615 --> 00:18:29,765

And that's so fantastic because I get an

opportunity to, to meet Oh, unbelievable

354

00:18:29,795 --> 00:18:31,235

painters from all over the country.

355

00:18:32,915 --> 00:18:33,905

We really enjoyed it.

356

00:18:33,935 --> 00:18:34,205

So.

357

00:18:34,530 --> 00:18:37,110

If we get to your area, I

look forward to seeing you.

358

00:18:37,530 --> 00:18:40,800

Maybe we can spend some time

together and talk and, and look

359

00:18:40,800 --> 00:18:42,870

at paintings and really get crazy.

360

00:18:42,900 --> 00:18:42,990

Yeah.

361

00:18:45,980 --> 00:18:48,110

If you would like to be notified

that we're going to be in the

362

00:18:48,110 --> 00:18:50,960

area, drop me a line and just

give me your name and address.

363

00:18:51,830 --> 00:18:53,000

I'll put you on our mailing list.

364

00:18:53,000 --> 00:18:56,870

We have a, we have a little mailing

list and we send out notices and tell

365

00:18:56,870 --> 00:18:58,400

people we're going to be in your area.

366

00:18:59,120 --> 00:19:02,700

So if you'd like to be notified,

Just drop me a card with

367

00:19:02,700 --> 00:19:03,720

your name and address on it.

368

00:19:03,720 --> 00:19:05,250

And I'll do that for you.

369

00:19:06,230 --> 00:19:11,490

I'm taking a little Brown, white

touch of the bright red, just a touch

370

00:19:12,510 --> 00:19:14,010

once again, that small roller paint.

371

00:19:15,140 --> 00:19:21,590

Now, if your light's coming from here,

just here and there, maybe a little

372

00:19:21,590 --> 00:19:24,350

lights, just twing zipping through there.

373

00:19:24,530 --> 00:19:25,970

Okay, let's go on the

other side over here.

374

00:19:26,660 --> 00:19:29,900

Now here, the light would

hit on the opposite side.

375

00:19:33,415 --> 00:19:37,175

Just let it Zane through there.

376

00:19:37,895 --> 00:19:39,725

And that just sort of makes

them stand out a little bit.

377

00:19:39,784 --> 00:19:40,774

It makes them a little prettier.

378

00:19:42,034 --> 00:19:42,514

Okay.

379

00:19:44,314 --> 00:19:46,084

Take a two inch brush.

380

00:19:46,094 --> 00:19:47,135

Let's put some highlight on there.

381

00:19:47,165 --> 00:19:51,274

Almost put some of that dark color

back on here and then go right

382

00:19:51,304 --> 00:19:55,955

into the bright red right into it.

383

00:19:56,135 --> 00:19:58,264

I want a dark, dark red here.

384

00:19:59,639 --> 00:20:04,350

Very dark, put at least a little

touch, a yellow ochre to that too.

385

00:20:05,790 --> 00:20:06,240

Look at that.

386

00:20:06,300 --> 00:20:09,810

Bring it brushed back to

a very, very sharp edge.

387

00:20:10,139 --> 00:20:10,520

Sharp.

388

00:20:10,620 --> 00:20:10,830

Yes.

389

00:20:11,580 --> 00:20:15,540

And come on back up here

now, then we sit over here.

390

00:20:15,540 --> 00:20:16,919

The light's coming from this direction.

391

00:20:16,919 --> 00:20:19,770

So the left side of the

tree will be the brightest.

392

00:20:21,270 --> 00:20:26,699

Don't overdo here just enough to show

a little light coming through there.

393

00:20:27,210 --> 00:20:32,300

I want to keep it quite

dark, quite dark there.

394

00:20:34,310 --> 00:20:35,629

This is almost a silhouette.

395

00:20:37,820 --> 00:20:38,300

Okay.

396

00:20:38,840 --> 00:20:39,169

Yeah.

397

00:20:39,169 --> 00:20:42,620

That little bit more right in here.

398

00:20:42,770 --> 00:20:43,310

There it is.

399

00:20:43,389 --> 00:20:45,530

There it is a darker, darker,

darker as it goes down.

400

00:20:47,855 --> 00:20:51,075

This little tree to standing

out here, just shining.

401

00:20:52,455 --> 00:20:54,045

He's going to be a pretty

little sad of a guy.

402

00:20:56,195 --> 00:20:58,025

Look at that and come right on down.

403

00:20:58,595 --> 00:21:04,685

Like, so, and this little train, now, this

one will be highlighted more on the right.

404

00:21:06,995 --> 00:21:10,295

They're easy.

405

00:21:11,580 --> 00:21:12,450

Shop even there.

406

00:21:15,360 --> 00:21:15,930

Look at that.

407

00:21:16,380 --> 00:21:17,400

I knew you could do it.

408

00:21:20,010 --> 00:21:20,550

Okay.

409

00:21:22,170 --> 00:21:26,100

Now then in here, let's have some

individual little bushes, so I'm

410

00:21:26,100 --> 00:21:30,540

going to take a one inch brush and

I dipped it into a small amount of

411

00:21:30,600 --> 00:21:32,760

paint thinner just a little bit.

412

00:21:32,810 --> 00:21:34,140

Then I'm going to pull

it through the color.

413

00:21:34,170 --> 00:21:38,250

We'll use some of the red, a

little bit of yellow ochre.

414

00:21:38,699 --> 00:21:39,060

Shoot.

415

00:21:39,060 --> 00:21:43,679

We can add some cadmium yellow to

that, maybe a little more of the

416

00:21:43,679 --> 00:21:45,090

CAD yellow, one, a little brighter.

417

00:21:45,090 --> 00:21:48,179

So you can see it one direction, pull it.

418

00:21:48,899 --> 00:21:51,240

So you get that curve and

the brush curved to the top.

419

00:21:51,659 --> 00:21:51,929

Okay.

420

00:21:52,500 --> 00:21:58,800

Now right up in here, touch just barely

touch the canvas, bend it a little bit

421

00:22:00,330 --> 00:22:04,350

and begin forming little individual

trees and bushes and all those happy

422

00:22:04,350 --> 00:22:05,610

little things that live in here.

423

00:22:07,110 --> 00:22:10,860

If you have trouble making your

paint stick, add a little bit of

424

00:22:10,860 --> 00:22:15,209

paint thinner or a little bit of the

liquid clear either one, either one.

425

00:22:17,040 --> 00:22:17,669

There we go.

426

00:22:19,139 --> 00:22:20,790

Happy little Bushmills right there.

427

00:22:21,719 --> 00:22:29,639

You knew that there is little friend

and work on one Bush at a time.

428

00:22:30,900 --> 00:22:33,600

I know, sometimes it looks like I

take her run and start across a room

429

00:22:33,600 --> 00:22:38,310

and just Sakis and 88 bushes appear,

but they're done one at a time.

430

00:22:38,340 --> 00:22:39,720

Each one's a little individual.

431

00:22:39,720 --> 00:22:46,170

He has his own personality, just like

trees don't get in too big of hurry.

432

00:22:46,320 --> 00:22:48,990

Speed will come

automatically with practice.

433

00:22:50,190 --> 00:22:52,560

First thing you want to

do is learn how to do it.

434

00:22:53,400 --> 00:22:54,210

And then the speed.

435

00:22:54,795 --> 00:22:55,545

It just comes.

436

00:22:56,005 --> 00:22:57,135

There's a nice little push.

437

00:22:58,005 --> 00:23:01,485

This is still basically the

yellow ochre and bright red

438

00:23:04,845 --> 00:23:09,285

and just layers here that all those

little things just drop right on down.

439

00:23:10,215 --> 00:23:12,345

I tell you what shoot.

440

00:23:12,345 --> 00:23:13,215

That's so pretty.

441

00:23:14,115 --> 00:23:15,585

I'm going to take some Vandyke Brown.

442

00:23:16,365 --> 00:23:17,235

Let's go right in here.

443

00:23:17,655 --> 00:23:19,455

I'm going to put a happy

little cabin right here.

444

00:23:20,175 --> 00:23:20,745

There we go.

445

00:23:20,925 --> 00:23:21,945

There's one side of the roof.

446

00:23:23,055 --> 00:23:27,615

There's other side and we're the Brown,

all we're doing is just blocking it in

447

00:23:27,615 --> 00:23:31,395

right now, giving the front and the side.

448

00:23:33,105 --> 00:23:37,845

Now we can take some Brown and some whites

and we put a little highlight on there.

449

00:23:38,865 --> 00:23:44,115

Barely grazing the CA this is just exactly

like breaking the snow on the mountain.

450

00:23:44,595 --> 00:23:46,335

It's a very delicate little touch.

451

00:23:47,445 --> 00:23:49,245

And maybe over here,

there's a little window.

452

00:23:51,030 --> 00:23:52,399

But you can't hardly see him inside.

453

00:23:52,399 --> 00:23:53,520

It's very dark.

454

00:23:53,639 --> 00:23:57,780

Now we'll take a little bit, a

little bit of this reddish color.

455

00:23:59,010 --> 00:24:01,500

So it'll stand out here and

just let it bounce right down.

456

00:24:01,500 --> 00:24:03,850

This roof line, just blip, blip,

blip, blip, blip, blip, blip, blip.

457

00:24:04,080 --> 00:24:04,649

There it goes.

458

00:24:05,939 --> 00:24:06,720

There, it goes.

459

00:24:07,439 --> 00:24:12,689

Make it a little brighter so you can

see it then a little bit over in here.

460

00:24:14,189 --> 00:24:16,620

Now let's take a little white.

461

00:24:18,044 --> 00:24:21,225

In a touch of the red and let's

just bark all this little roof.

462

00:24:21,335 --> 00:24:22,754

See, it'll really stand out.

463

00:24:22,754 --> 00:24:28,665

See there, like a deck

jumps right out at you now.

464

00:24:29,355 --> 00:24:31,905

So Brown will put a door in there.

465

00:24:31,905 --> 00:24:36,225

We need a little door,

then we'll just cut it in.

466

00:24:37,544 --> 00:24:39,195

We'll make this old slabs.

467

00:24:40,200 --> 00:24:42,960

Just cut in a few little indications

of some boards here and there.

468

00:24:43,679 --> 00:24:45,990

And that quick, it gives

you a happy little cabin.

469

00:24:47,610 --> 00:24:49,200

Hey, what we need to pay off here?

470

00:24:49,649 --> 00:24:53,879

Just like so little path got to

have a way to get to that cabin.

471

00:24:54,270 --> 00:24:57,870

This is just Vandyke Brown

to, to the dark Sienna.

472

00:24:58,610 --> 00:25:05,629

Maybe, maybe, maybe, maybe

from this guy's door out there.

473

00:25:06,440 --> 00:25:08,210

Should we just make all

canned a little paths?

474

00:25:10,020 --> 00:25:12,830

Now we can take a little bit of

the Brown and the white, barely

475

00:25:12,830 --> 00:25:15,560

touching, barely touching barely.

476

00:25:17,690 --> 00:25:18,649

And just graze it.

477

00:25:18,860 --> 00:25:21,350

Just graze it like is a little

light striking there thing.

478

00:25:26,240 --> 00:25:26,570

Yeah.

479

00:25:26,570 --> 00:25:32,240

Then back to my rids and yellow

ochre, let's go back up in here.

480

00:25:33,300 --> 00:25:35,100

He would put some happy

little bushes, right?

481

00:25:36,510 --> 00:25:38,520

There's one that lives

back behind the cabin.

482

00:25:41,690 --> 00:25:42,440

This one right here.

483

00:25:42,450 --> 00:25:46,040

Now this one let's just have it

sort of fall right over the path.

484

00:25:46,460 --> 00:25:47,600

That'll push it back.

485

00:25:50,210 --> 00:25:50,629

See you there.

486

00:25:53,389 --> 00:25:54,370

That's fantastic.

487

00:25:54,379 --> 00:25:55,639

The way you can just drop these in.

488

00:25:57,379 --> 00:25:58,040

There we go.

489

00:25:58,129 --> 00:26:00,230

This one is in front of

the cabin, so just let it.

490

00:26:00,780 --> 00:26:04,379

Push it back, even farther

right down by the path.

491

00:26:06,870 --> 00:26:07,320

Look at there.

492

00:26:08,310 --> 00:26:10,620

See, and here I'm using the

brace sideways and just pushing

493

00:26:10,620 --> 00:26:11,940

up or just bend that brush.

494

00:26:13,379 --> 00:26:14,129

Unbelievable.

495

00:26:14,129 --> 00:26:20,430

What you can do now, just take the clean

point of the knife, scrape in a few little

496

00:26:20,430 --> 00:26:22,260

sticks and little twigs here and there.

497

00:26:24,930 --> 00:26:26,100

That helps create depth.

498

00:26:26,520 --> 00:26:27,690

If that's how I'm coming over.

499

00:26:29,145 --> 00:26:30,824

Well, I think we're about

ready to sign that one.

500

00:26:31,155 --> 00:26:35,475

Take a little liquid clear, a little

bright red we'll sign this one.

501

00:26:35,504 --> 00:26:36,495

I hope you've enjoyed it.

502

00:26:37,514 --> 00:26:38,925

This one is a lot of fun.

503

00:26:39,735 --> 00:26:43,155

So from all of us here, I'd

like to wish you happy painting.

504

00:26:43,665 --> 00:26:44,205

God bless.

505

00:26:44,205 --> 00:26:45,014

We'll see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S09E03 - Red Sunset

Bob Ross's

The Joy of Painting

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